Carpetbaggers The

en
00:02:27 Every generation has
00:02:31 its adventurers
00:02:34 to stand head and shoulders
00:02:37 Among them could be
00:02:39 a do-gooder, a tyrant
00:02:42 a man who leaves
00:02:44 on everything
00:02:46 I guess in the past generation
00:02:49 it could have been someone
00:02:53 Jonas Cord, Jr.--
00:02:54 the best or the worst,
00:02:57 you imagine he might
00:02:59 or how much you believed
00:03:01 The legend of Jonas
00:03:05 and it began
00:03:08 in the sky
00:03:11 There it is, Jonas!
00:03:12 We hit it right on the nose!
00:03:20 Let me take the stick
00:03:23 You can't fly.
00:03:24 I've been watching
00:03:27 You pull it back and you go up.
00:03:29 You push it forward
00:03:31 Okay, it's yours,
00:03:43 You're gonna kill us!
00:03:48 Get your hands the hell
00:03:51 That felt good.
00:03:52 I'm going to try it again.
00:03:53 Not with me in it.
00:03:55 Well, then get out--
00:04:12 Look out!
00:04:20 Take her, Joe. Land it.
00:05:10 Hey, Nevada!
00:05:12 Where's your horse?
00:05:13 Still running from
00:05:17 What the hell is that
00:05:19 Joe? He's a first-class flyer.
00:05:24 He does have a tendency
00:05:26 Somebody should take
00:05:29 It’s not his-- it's mine.
00:05:30 Huh. You can't fly.
00:05:33 I just did.
00:05:36 I might have known it.
00:05:38 All right, what
00:05:41 Nothing. I picked it up
00:05:44 from an unlucky card player
00:05:47 Now, he could fly this
00:05:50 You know, your father didn't
00:05:52 My father didn't like the way
00:05:56 You scared the pinto beans
00:05:58 out of every Mexican
00:06:02 Nevada, who told the old man
00:06:06 The newspapers.
00:06:08 You had a pretty big spread.
00:06:10 Ah, it was a grandstand play.
00:06:12 She didn't want to die.
00:06:13 Came close to it.
00:06:15 Look, the longer we keep
00:06:17 the more he's like a mule
00:06:18 with a burr under his tail.
00:06:19 Now come on, let's go.
00:06:32 Another ounce ought
00:06:34 Is that all
00:06:36 after ruining half
00:06:38 with another one of
00:06:41 Your message said to get
00:06:44 Not through the roof.
00:06:45 Two more feet and everything
00:06:46 within three miles
00:06:47 of this powder keg
00:06:49 Yeah. Yeah,
00:06:52 Why the hell didn't you get
00:06:55 when McAllister told you?
00:06:57 'Cause the girl
00:06:59 I couldn't leave her alone.
00:07:00 You didn't have
00:07:03 and to make a small
00:07:05 into page-one headlines.
00:07:07 Well, it would've read worse
00:07:15 Well, what did you do
00:07:17 that made the girl
00:07:20 A pretty ordinary thing.
00:07:22 I told her there
00:07:26 And if you had any brains...
00:07:28 Brains?
00:07:29 Right now.
00:07:30 Right now,
00:07:32 there's a pair of vultures
00:07:36 for $30,000 or they'll sue
00:07:38 and who knows what else?
00:07:40 Tell them to go ahead.
00:07:42 Watch the price drop.
00:07:43 This is the fourth
00:07:45 that you've been
00:07:46 Are you angry or... jealous?
00:07:50 Disgusted.
00:07:51 A son with everything--
00:07:55 and he runs around
00:07:57 like some homeless moron.
00:07:58 Now, where do you
00:08:00 Back to Los Angeles.
00:08:02 You don't need me
00:08:05 You're either going
00:08:08 Besides, I got a date.
00:08:11 What are you trying to prove?
00:08:14 That you're a man?
00:08:16 Well, a man is judged
00:08:21 not in his bed.
00:08:24 You dried-up, impotent old man.
00:08:27 You ought to be glad
00:08:29 still has what it takes.
00:08:31 otherwise, that
00:08:33 might think there was something
00:08:44 Jonas?
00:08:48 Jo...
00:08:59 Age 48. Survivors, wife Rina
00:09:03 Cause of death,
00:09:05 That's medical for
00:09:08 Will you accept it or
00:09:10 Can you put down heart attack?
00:09:12 I'm afraid I can't do that.
00:09:13 Then keep it confidential.
00:09:15 I'll make the public
00:09:19 It’s your privilege.
00:09:22 I'll file it
00:09:23 and have my girl
00:09:35 The German contracts.
00:09:36 They're supposed
00:09:38 Who's going to do it?
00:09:39 I am.
00:09:40 Denby,
00:09:45 You don't need
00:09:47 Yes, Junior.
00:09:52 And don't you ever
00:09:58 Oh. Those people outside.
00:10:00 Give them $5,000, get a release
00:10:02 and kick them out.
00:10:03 Suppose, suppose
00:10:05 Denby, their mother knows
00:10:07 to trap me into marriage,
00:10:09 Yes, Junior, uh, Jonas.
00:10:12 Give the news
00:10:13 Tell them they get
00:10:15 a five percent
00:10:17 and see to it they
00:10:19 Got it?
00:10:20 Yes, Jonas.
00:10:24 Five percent increase?
00:10:26 But why?
00:10:27 Because next week
00:10:29 to work 20º/º harder.
00:10:30 Yes, Jonas.
00:10:33 Good-bye.
00:10:40 I drew up your father's will.
00:10:42 He held 90º/º
00:10:44 and it's yours.
00:10:45 You'd better get it
00:10:48 Looks like I'm going to need
00:10:50 a personal consultant
00:10:53 someone like you, Mac.
00:10:55 Full-time.
00:10:56 A hundred thousand a year
00:10:58 Yes or no?
00:11:00 How do you know you can afford
00:11:04 You're too smart to
00:11:10 Well...
00:11:11 Now, the first thing
00:11:13 is call a meeting
00:11:16 and have you officially elected
00:11:19 lf I own 90º/º of the stock,
00:11:23 Make the happy announcement.
00:11:30 Who owns the other 10º/º?
00:11:32 Well, two-and-a-half
00:11:34 Rina Cord and Nevada Smith.
00:11:36 Two percent each, Judge Samuel
00:11:39 president of the
00:11:41 and one percent to
00:11:44 Eugene Denby.
00:11:45 What's our cash position?
00:11:47 Solvent, but thin.
00:11:49 What do we need
00:11:52 Oh, about $200,000.
00:11:54 What have you done about it?
00:11:55 What makes you think
00:11:57 You're here. My father wouldn't
00:11:59 call you from Los Angeles
00:12:00 just to settle with
00:12:02 He could have done
00:12:04 I arranged a loan from
00:12:08 of Los Angeles for $300,000.
00:12:10 Good.
00:12:11 That'll give me enough money
00:12:13 the minority stockholders,
00:12:15 not counting Nevada
00:12:17 What's the minority
00:12:18 Maybe $60,000.
00:12:21 I want complete control.
00:12:22 Offer the others...
00:12:25 But Jo...
00:12:26 They take it or leave it.
00:12:27 Tell them I'm so young
00:12:30 and have such wild ideas
00:12:31 that in a year, the stock
00:12:35 And after they take it,
00:12:38 He's too nervous to be honest.
00:12:40 Suppose they turn it down.
00:12:43 They won't,
00:12:48 Well, is there anything else
00:12:49 I should take care of,
00:12:51 Well, you might think
00:12:54 the one you're going
00:12:55 Contract for what?
00:12:58 Something to do
00:13:00 Plastics, I think he called it.
00:13:02 Have Denby give
00:13:04 before you talk to
00:13:05 Study it, and give me a
00:13:08 All right.
00:13:09 lf you'd prefer,
00:13:11 take care
00:13:13 Personal things?
00:13:18 He was an impersonal man.
00:13:21 The contents of this desk...
00:13:23 you could never tell he once
00:13:28 Your father was
00:13:31 My father was a greedy, selfish,
00:13:33 insensitive,
00:13:36 How he got as far as he did,
00:13:47 It was a present from my mother.
00:13:51 Have the plane ready,
00:13:54 Airplane?
00:13:56 We're flying to Los Angeles
00:13:58 What about your
00:14:00 Don't worry.
00:14:01 I wouldn't miss that
00:14:06 Welcome home, Mr. Jonas.
00:14:08 Thank you, Jedediah.
00:14:12 My father's dead.
00:14:13 I know.
00:14:14 Mr. Denby called.
00:14:16 I'm deeply sorry, Mr. Jonas.
00:14:18 Anyone else know?
00:14:20 I didn't think it was
00:14:24 Mrs. Cord is in her room.
00:14:38 Louise, bring in my robe.
00:14:53 Jonas!
00:14:54 Hi.
00:14:55 Where's Louise?
00:14:57 Downstairs.
00:14:58 Your father wouldn't
00:15:00 He'll never know.
00:15:02 He will if I tell him.
00:15:04 You won't.
00:15:05 You seem pretty
00:15:07 I am.
00:15:09 Jonas, stop that...
00:15:12 What do you think you're...?
00:15:13 Have you gone
00:15:15 Don't you know
00:15:18 he could come walking in
00:15:20 No, he won't.
00:15:23 He won't?
00:15:25 Mrs. Cord, your dearly beloved
00:15:33 He had a stroke.
00:15:40 He died about...
00:15:52 I better get dressed.
00:15:54 Uh-uh.
00:15:58 I'm not finished.
00:15:59 What is there to finish?
00:16:01 You and me.
00:16:03 Didn't we start out together?
00:16:05 Didn't I bring you home
00:16:08 The only girl?
00:16:09 Oh, Jonas...
00:16:10 Didn't I hold your hand
00:16:12 Never once touching you below
00:16:15 And in five minutes,
00:16:16 didn't a coarse,
00:16:18 take you away from me
00:16:20 Oh, Jonas, please...
00:16:21 Now, how did that happen?
00:16:22 What'd he tell you about me?
00:16:24 Jonas, please...
00:16:25 What'd he say?
00:16:26 He said you were too young.
00:16:27 And I don't-don't remember.
00:16:29 Well...
00:16:31 I'm not too young now.
00:16:33 I'm the master,
00:16:39 And I've stood in line
00:16:44 You wouldn't dare.
00:16:50 I'll scream. The servant...
00:16:52 Will think
00:17:08 Oh, Jonas...
00:17:10 Oh, Jonas, Jonas, Jonas...
00:17:12 You want me, Rina?
00:17:13 Oh, yes.
00:17:14 Why now?
00:17:15 Oh, I've always wanted you.
00:17:17 I've always wanted you.
00:17:19 But you chose my father?
00:17:20 I chose money.
00:17:22 Oh, Jonas, what
00:17:25 We can do anything
00:17:27 I'm yours any
00:17:30 Oh, love me, Jonas.
00:17:33 Love me, love me, love me.
00:17:35 What for?
00:17:36 You know you want me
00:17:37 more than anything
00:17:40 I just wanted to see
00:17:42 before your late husband
00:17:44 I'd go further than
00:17:46 You'd grab at anything now.
00:17:47 Oh, Jonas, you lost me once.
00:17:49 Don't do it again.
00:17:52 The day I take you is when
00:17:56 when you're happy--
00:17:57 when you have nothing to gain
00:18:00 You're afraid,
00:18:02 Afraid you're not half the man
00:18:05 And you're not,
00:18:07 You're not a man!
00:18:08 You're just a scared
00:18:11 a scared little boy!
00:18:13 Junior!
00:18:14 Junior!
00:18:16 Junior!
00:18:21 Good afternoon.
00:18:22 Why, Mr. McAllister,
00:18:23 we thought you were in Nevada.
00:18:25 I was, four hours ago.
00:18:28 Mr. Moroni in?
00:18:29 Oh, I'm sure he is, but I'm
00:18:32 I'll see.
00:18:38 lf Denby looked like that,
00:18:41 I thought the loan
00:18:43 to the Cord Chemical Company.
00:18:45 Well, Jonas...
00:18:47 A good banker looks through the
00:18:49 My experience is limited,
00:18:50 but it's still backed
00:18:53 Here are the production
00:18:55 Very optimistic.
00:18:57 How well do you know your
00:18:59 Not as well as I will
00:19:01 But this much I do know:
00:19:04 In the years to come,
00:19:06 that never existed
00:19:09 I presume you're referring
00:19:11 you're acquiring
00:19:14 That's part of it.
00:19:16 And just how much
00:19:18 I heard the word
00:19:22 And what makes you so sure
00:19:25 Eastman and Dupont's interest
00:19:28 Anything
00:19:30 has got to be worth something.
00:19:32 And before you agreed
00:19:35 you must have given it
00:19:37 Well, buying an option
00:19:40 are vastly different matters.
00:19:41 The day after the funeral, I'll
00:19:44 to learn all there is to know
00:19:45 And while you're gone?
00:19:48 Mr. McAllister has agreed
00:19:51 He'll run the company.
00:19:57 You will note that although
00:20:02 we are extending your credit
00:20:06 One of my banking
00:20:09 I don't believe in budgeting
00:20:12 my clients too closely.
00:20:14 Sometimes, a few dollars more
00:20:17 makes the difference
00:20:21 Or the difference
00:20:23 on the loan to the bank.
00:20:27 No strings
00:20:30 Only my approval
00:20:33 Thank you, Mr. Moroni.
00:20:36 Now, would you gentlemen like
00:20:38 at dinner this evening?
00:20:39 Well, unfortunately
00:20:40 we're due back
00:20:42 Tonight?
00:20:44 Well, the afternoon
00:20:46 I own my own plane.
00:20:47 We'll be home at 9:00.
00:20:49 9:00? Mr. Cord...
00:20:51 you-you better fly carefully
00:20:54 Mr. Cord.
00:20:56 After all, we just gave you
00:20:59 Well, if anything happens to us
00:21:01 just stop payment on the check.
00:21:03 You must live
00:21:05 -Oh...
00:21:07 Lisa.
00:21:08 Hey, Jonas!
00:21:10 What a surprise.
00:21:12 Hello, Buzz.
00:21:13 Mr. Dalton, Mr. McAllister,
00:21:15 How are you?
00:21:16 Mr. Dalton.
00:21:17 Glad to meet you.
00:21:18 Mr. Dalton is the pilot
00:21:19 from whom I secured the plane.
00:21:20 What are you doing here, Buzz?
00:21:21 Trying to get a stake
00:21:23 In a way.
00:21:24 I've been trying
00:21:27 I got a mail contract.
00:21:28 L.A. to Frisco, 12 months
00:21:32 But I have to pass it up,
00:21:35 to buy the three planes
00:21:38 How much it cost?
00:21:39 30,000. 20 for the planes,
00:21:43 until the first check comes in.
00:21:45 Are these the figures?
00:21:46 Yeah, got it all worked out.
00:21:48 I can net five grand a month
00:21:49 after expenses and amortization.
00:21:51 You got your money,
00:21:53 I get 50º/º of the stock
00:21:55 and a chattel mortgage
00:21:57 amortized
00:21:59 both payable to Cord Chemicals.
00:22:01 Partner...
00:22:03 you now own
00:22:06 Mr. Moroni, would
00:22:08 to arrange the
00:22:10 Certainly, Mr. Cord.
00:22:12 Make the loan for 50,000.
00:22:13 Wait a minute.
00:22:15 Yes, but I just
00:22:17 about good banking.
00:22:18 An honest man always needs more
00:22:20 than he asks for.
00:22:21 Good luck, Buzz.
00:22:24 Let's go, Mac.
00:22:25 Hey, what do we call
00:22:27 International Airways.
00:22:28 International?
00:22:29 We're only going
00:22:31 This year.
00:22:34 Next year, who knows?
00:22:56 Watching you pack gives me
00:22:59 Take something for it.
00:23:01 I'm going to.
00:23:03 A powder, tonight.
00:23:05 No need to.
00:23:08 It’s your house now.
00:23:09 He left it to you.
00:23:10 I'm selling it.
00:23:12 You are?
00:23:13 Mm-hmm. To you.
00:23:16 For $100,000.
00:23:20 It only cost 55.
00:23:23 Along with it goes my stock
00:23:26 The stock isn't
00:23:29 Under the laws
00:23:31 I'm entitled to one-third
00:23:34 will or no will.
00:23:36 Facts of life, Jonas.
00:23:38 I could tie you up in court
00:23:42 I can wait. Can you?
00:23:46 No.
00:23:47 Well, let's make it easy
00:23:50 I'll take 50,000 now
00:23:52 and your note
00:23:54 for 10,000 a year
00:24:18 How do you like
00:24:23 lf you'd worn those
00:24:24 you wouldn't be a widow.
00:24:25 He'd have climbed right
00:24:32 The first installment.
00:24:36 Jonas...
00:24:37 You'll get my note
00:24:38 for the balance
00:24:40 No, it's not that.
00:24:41 I'm sorry for what happened
00:24:45 Neither of us meant
00:24:47 I did.
00:24:55 Jonas, what can I do?
00:24:57 You can live well on $100,000.
00:25:02 Then at least do me one favor.
00:25:04 The way you feel,
00:25:06 Uh-uh.
00:25:07 The way I feel
00:25:09 Well, then give
00:25:11 Get your revenge over with.
00:25:12 Do it now.
00:25:13 Mistreat me,
00:25:15 only get it over with.
00:25:18 No, thank you.
00:25:20 Jonas, please,
00:25:22 Anything, everything,
00:25:24 That's what you enjoy,
00:25:26 the only thing
00:25:29 You don't know any more
00:25:31 You want sensation--
00:25:32 the uglier, the better.
00:25:34 The more it hurts,
00:25:37 The more improper,
00:25:41 I just want
00:25:43 so that you can have
00:25:46 and I can pay my debts.
00:25:47 Who knows?
00:25:48 You might find out
00:25:50 more then you realize.
00:26:00 I do like you, Rina.
00:26:07 I like you a lot.
00:26:10 And I'm going
00:26:14 because for someone
00:26:18 that's the best torture
00:26:21 Now you have a nice time
00:26:54 Come in.
00:26:58 Well, Rina just pulled out
00:27:00 considerably richer
00:27:03 So I heard.
00:27:06 Where are you going?
00:27:07 Germany.
00:27:09 Hit the trail myself.
00:27:11 I figured on
00:27:14 Oh, no, not me.
00:27:15 Stay here then.
00:27:16 I just bought my house.
00:27:17 I'll be back
00:27:18 No, I'm leaving tonight.
00:27:20 Why?
00:27:21 Oh, some houses just die.
00:27:23 It’s better to get out
00:27:25 You're the only friend I got,
00:27:32 You're my real father.
00:27:33 Now, don't split up the family.
00:27:34 Nicely said, Junior,
00:27:37 but I'm a hired hand,
00:27:39 and all jobs have
00:27:41 Just remember what I taught you:
00:27:44 Choose your side, draw fast,
00:27:47 but don't hit
00:27:55 I'll try.
00:27:56 lf you're determined to leave,
00:27:59 No. No, I'm okay.
00:28:27 It’s a going-away present.
00:28:30 Max Sand-- ever hear of him?
00:28:35 Cowboy father, indian mother,
00:28:40 Went after three outlaws
00:28:42 who tortured and killed
00:28:43 Gunned them down,
00:28:48 Bodyguard in a fancy house
00:28:51 Killed another man there.
00:28:53 Went to a prison camp,
00:28:55 Robbed banks, hid in Mexico.
00:29:00 Satisfied more women
00:29:01 than a cavalry regiment
00:29:03 Wanted in six states.
00:29:08 Then something happened.
00:29:11 He hung up his guns,
00:29:15 Took a job as a companion
00:29:18 no father to speak of.
00:29:20 Max Sand.
00:29:24 Well, I'll be.
00:29:25 Did you dig up
00:29:29 And that's the only copy.
00:29:33 Even your father didn't know.
00:29:35 Nobody did.
00:29:38 Nobody does.
00:29:39 How much you asking for this?
00:29:42 Nothing.
00:29:44 Take it with you.
00:29:47 But if you're ever tempted
00:29:50 just open it to any page
00:29:53 Who has a better right
00:29:59 Junior, you're not going
00:30:00 to make me pay for this someday
00:30:05 Depend on it.
00:30:11 By the way, I almost forgot.
00:30:13 I have something for you.
00:30:15 What is it?
00:30:16 All my stock in Cord Chemical,
00:30:18 signed over to you,
00:30:21 Nevada, this is, this is...
00:30:23 Don't say anything.
00:30:24 It’s no use to me.
00:30:28 All right.
00:30:30 Well...
00:30:33 good-bye, Junior.
00:30:39 Good-bye, Nevada.
00:30:42 Keep in touch.
00:30:46 Sure.
00:30:59 Nevada?
00:31:01 Yeah?
00:31:03 Where you going?
00:31:04 What are you going to do?
00:31:05 Join up with a couple
00:31:08 take a Wild West circus
00:31:12 Something I've always
00:31:14 I just wondered.
00:32:40 Jonas?
00:32:42 Jonas?!
00:32:45 Jonas, where are you?
00:32:48 Jonas?!
00:32:51 Jonas, what are you doing
00:32:53 I was just...
00:32:55 I told you never to come
00:32:57 I was only looking!
00:32:58 Looking?
00:32:59 There's nothing here anymore.
00:33:00 I want to see my brother.
00:33:01 You can't see him.
00:33:03 Your brother is gone.
00:33:04 The past is gone.
00:33:05 This room has nothing
00:33:07 so get out and don't let me
00:33:09 No! No! I only want to see.
00:33:11 Come on out of here.
00:33:12 Let me go! Let me go!
00:33:13 You little...
00:33:14 Let me go!
00:33:16 Let me go! Let me go!
00:33:20 Someday I'll kill you!
00:33:22 Someday I'll kill you!
00:33:26 Now, now, Mr. Jonas.
00:33:29 Just be quiet.
00:33:31 Take it easy.
00:33:33 Everything's going
00:33:37 Now, just come out of there.
00:33:40 Now, you know you shouldn't
00:33:43 All it does is upset you,
00:33:45 Come on.
00:33:46 I know, Jedediah.
00:33:48 Come on now.
00:33:49 Take it easy.
00:33:55 I know.
00:34:37 Hi.
00:34:38 Hi.
00:34:40 I'm going to change into
00:34:56 Now, tell me
00:34:58 why did you want to come down
00:35:01 Because you were
00:35:06 Oh, let me button it.
00:35:08 I'm not helpless.
00:35:10 I want to do it.
00:35:12 My chest is already buttoned.
00:35:18 How old are you, Nevada?
00:35:20 You want the truth?
00:35:22 Not if a lie
00:35:24 Born 1882. That makes me 43.
00:35:29 You look 30.
00:35:31 How old are you?
00:35:32 20.
00:35:33 You look 30.
00:35:37 We're the same generation.
00:35:40 Ma'am, do you always
00:35:44 It speaks several languages,
00:35:50 Mine's downright illiterate.
00:35:53 By morning, I'll have you
00:35:58 Ma'am...
00:36:00 we're taking different
00:36:04 Let's still end up
00:36:12 No sense of humor.
00:36:15 I came here to forget
00:36:19 and to have a high old time,
00:36:22 I'll sober up a little bit,
00:36:25 get myself a good honest job.
00:36:27 No problems.
00:36:28 No problems.
00:36:31 No trouble.
00:36:32 No trouble.
00:36:34 So I recommend you act your age
00:36:36 and I'll act mine.
00:36:38 That's a wonderful idea.
00:36:42 I haven't acted my age in years.
00:36:45 Ought to be fun.
00:36:55 You know, another time,
00:36:59 you might be just
00:37:03 Sure.
00:37:07 During the next couple
00:37:10 Jonas started writing that
00:37:14 burning the Cord brand
00:37:16 on every factory and rooftop
00:37:20 Nevada's Wild West show
00:37:24 After the Sheriff padlocked it
00:37:27 the only place his kind
00:37:29 was in the movies.
00:37:31 That's all. Right here.
00:37:35 Rina just naturally headed
00:37:38 with the most action-- Paris,
00:37:41 and helped give
00:37:45 They have a great
00:37:47 greased with fancy men,
00:37:52 and absinthe.
00:38:01 Vive la...I
00:38:09 Vitel Vitel Vitel
00:38:10 Vive la France!
00:38:59 We're way out in front, Buzz.
00:39:02 1 hours and 29 minutes,
00:39:05 lf nothing happens,
00:39:07 we've got us another mail
00:39:10 We've got more than that.
00:39:12 We got a new business.
00:39:13 What new business?
00:39:14 Passengers.
00:39:15 Six at a time?
00:39:16 There's no money in that.
00:39:17 20 at a time.
00:39:18 With what airplane,
00:39:20 With the new Cord passenger
00:39:23 Where you going to build it,
00:39:26 We'll buy a factory.
00:39:27 Oh, sure, go buy Lockheed,
00:39:30 Only you better find
00:39:32 Of course, I hear that Winthrop
00:39:36 There is no Winthrop Aviation.
00:39:39 Take a look down there.
00:39:48 What's this thing you have
00:39:49 for painting
00:39:53 I'd paint it higher
00:39:54 but skywriting's
00:40:05 Congratulations.
00:40:06 You've won yourself
00:40:08 I've won something that
00:40:10 a new mail contract.
00:40:11 How do you feel?
00:40:12 Numb.
00:40:13 Richer.
00:40:14 Is it true that you now
00:40:15 Cord Aviation.
00:40:17 Are you going to build
00:40:18 Passenger planes.
00:40:19 A year from now,
00:40:21 coast to coast in 24 hours.
00:40:22 Think of all the sleep you can
00:40:24 Are you trying to corner
00:40:26 There's an idea.
00:40:27 Mr. Cord, why is it
00:40:29 Why aren't you a millionaire?
00:40:30 Just lucky, I guess.
00:40:31 Me, too.
00:40:33 What's his rush?
00:40:34 It’s the world
00:40:38 Jonas, you need a week off...
00:40:41 a month off.
00:40:45 Otto Strauss in Berlin
00:40:47 came up with a new high-speed
00:40:50 I cabled him an offer,
00:40:52 That's how much
00:40:54 You better hightail it
00:40:56 and make the arrangements.
00:40:58 We're moving too fast.
00:40:59 By whose clock?
00:41:01 I spend half my time
00:41:02 Which we pay back.
00:41:04 And every year
00:41:06 It’s called growth, Mac.
00:41:07 Maybe, but we're
00:41:10 so interdependent,
00:41:13 the others might go with it.
00:41:15 Don't let one go.
00:41:16 Why don't we buy a hotel
00:41:20 That's an idea.
00:41:21 Make a note of that, Mac.
00:41:28 You'd better get some rest.
00:41:30 Sure.
00:41:32 You get right down
00:41:34 Take the first
00:41:35 Tonight?
00:41:36 I haven't even packed a bag.
00:41:38 That's a hundred-dollar suit.
00:41:40 It ought to keep its press.
00:41:42 Jedediah, let Mr. Dalton
00:41:44 all the way back
00:41:46 Right, sir.
00:42:40 I thought this
00:42:42 That's what makes
00:42:50 Mmm.
00:42:51 Now, how in this world
00:42:59 Wingspread 37, fuselage 25...
00:43:02 and hand-rubbed, by the way.
00:43:04 Tail assembly 36,
00:43:07 and never stalls in a dive.
00:43:09 Well, come in for a landing.
00:43:11 Tell me what you want.
00:43:12 Well, to be straightforward
00:43:15 I'm a newspaperman.
00:43:16 You can get arrested
00:43:19 I was using
00:43:21 That's a relief.
00:43:22 What paper?
00:43:23 Oh, it's just a
00:43:25 called the Star Telegram
00:43:28 Show me your press pass.
00:43:29 Oh, no.
00:43:31 You don't get to see that
00:43:33 until after I get the story.
00:43:34 Well, what do
00:43:36 How much money do I have?
00:43:37 How does it feel to run
00:43:38 or what speed record
00:43:40 Heaven's no.
00:43:42 I leave stuffy old things
00:43:45 I'm strictly feature.
00:43:46 I go for the offbeat story.
00:43:48 Like?
00:43:49 Like, what do you
00:43:53 Depends on how lucky I am.
00:43:55 Well, now, who would you
00:43:59 on a desert island with?
00:44:01 The world's greatest
00:44:05 Let me put it this way--
00:44:09 which do you prefer,
00:44:13 Do I have a choice?
00:44:15 We're known as
00:44:17 Ma'am, you have
00:44:20 an exclusive
00:44:28 It’s probably just
00:44:31 I'll disguise my voice.
00:44:32 Mr. Cord's suite.
00:44:36 Who is this?
00:44:39 It’s my father.
00:44:47 Jonas Cord.
00:44:49 Who's the dame, Jonas?
00:44:51 It’s a body I picked up
00:44:53 Ah!
00:44:55 They said you wanted to see me.
00:44:58 I do.
00:45:00 Okay, I'll be right up.
00:45:01 Uh-uh. I'll be right down.
00:45:04 Well, we can't very well
00:45:08 Okay, I need a shave anyway.
00:45:10 I'll meet you in
00:45:17 You knew he was coming.
00:45:19 Yeah, but I didn't
00:45:23 Yes, you did.
00:45:24 lf you'll excuse me,
00:45:27 and $25,000.
00:45:28 Is that all, Jonas?
00:45:33 Yes, that's all, Monica.
00:45:35 Did you come here thinking
00:45:38 Jonas...
00:45:44 Try to do it nicely.
00:45:46 I mean, give him something
00:45:50 lf he doesn't try
00:45:54 Jonas.
00:45:55 Do you need him, Monica?
00:45:57 No.
00:46:00 I did when I was little,
00:46:02 but he never had
00:46:05 And now I've got my own
00:46:08 and you.
00:46:10 What else do I need?
00:46:12 Well, you see
00:46:14 I need another $10,000.
00:46:16 What happened to all the money
00:46:18 you got when you sold the stock?
00:46:19 Well, it's gone.
00:46:20 Creditors, ex-wives, judgments.
00:46:22 You know how much I owed.
00:46:23 Amos, your contract
00:46:26 for advances like this.
00:46:27 I know, but this is important.
00:46:31 Won't happen again, I promise.
00:46:33 It’s... it's for Monica.
00:46:36 Monica?
00:46:37 What about her?
00:46:39 Well, I want to send her to her
00:46:42 She's getting too much
00:46:45 She's seeing some
00:46:49 and... well, he's
00:46:53 Do you know who he is?
00:46:56 I wish I did.
00:46:58 I'd kill him
00:47:00 A nice, sweet, innocent
00:47:06 I've got to get
00:47:08 You ever talk to her?
00:47:10 I've tried, but you know
00:47:13 Give them everything
00:47:16 Hmm. You could try
00:47:18 What the hell makes you
00:47:23 Wait till you get
00:47:28 Now, what about
00:47:30 It’s important to me
00:47:32 All right, I'll give
00:47:36 As a matter of fact,
00:47:42 on one condition.
00:47:44 Why sure. Sure,
00:47:47 I want your resignation.
00:47:56 You mean... from
00:48:01 From Cord Aviation.
00:48:04 But I founded the company!
00:48:06 I can help you make it grow.
00:48:09 Take the money, Amos.
00:48:10 No!
00:48:12 No, that, that factory is me.
00:48:15 I laid out every machine,
00:48:20 Take the money, Amos.
00:48:22 Like hell I'll take it.
00:48:25 I won't sell my life
00:48:30 lf you spend it carefully,
00:48:33 it'll keep you in booze
00:48:36 Oh, Jonas.
00:48:40 Please.
00:48:42 One day you'll need help, too.
00:48:46 lf I do, I won't bargain
00:48:50 as my only daughter to get it.
00:49:29 Did he take it?
00:49:31 Yes.
00:49:32 It won't last him long.
00:49:34 It should if he's smart.
00:49:36 All he understands
00:49:39 Not people.
00:49:41 A perfect description
00:49:46 No mothers, no home life,
00:49:47 fathers too busy with business.
00:49:49 You know, when you
00:49:51 we're really very much alike.
00:49:56 But you're prettier.
00:49:59 But you're more exciting.
00:50:09 What are your plans, Monica?
00:50:11 Plans?
00:50:12 I don't know. Play?
00:50:13 Burn the candle at both ends
00:50:15 while I still got something
00:50:17 Who knows?
00:50:18 Maybe like my father
00:50:19 I'll get paid off one day
00:50:21 and disappear into the woodwork.
00:50:23 Unless you find somebody.
00:50:25 I already have.
00:50:28 But what can a gold miner
00:50:30 except maybe a pretty pan
00:50:31 and even that tarnishes fast.
00:50:37 What's the wildest thing
00:50:40 I was hoping
00:50:44 You know all the answers
00:50:46 to interest a man, don't you?
00:50:47 No. Only when I'm lucky enough
00:50:50 to get the right questions.
00:50:53 Go ahead. Ask me something.
00:50:56 Something I can't answer.
00:51:00 Go on. I dare you.
00:51:10 -Good-bye.
00:51:15 Sorry.
00:51:16 Congratulations.
00:51:18 Cold?
00:51:19 Mm, scared.
00:51:20 I can't believe it happened.
00:51:23 What do I tell'em, mister?
00:51:25 Back to the airport.
00:51:26 What'd you like to see
00:51:29 Lots of lovely ceilings.
00:51:42 Merci beaucoup.
00:52:21 Taxi! Taxi! Taxi.
00:52:34 Excuse me.
00:52:35 This is probably
00:52:38 You're not by any chance
00:52:40 This is probably a foolish
00:52:46 Forget-me-nots.
00:52:48 You're strictly long-stemmed,
00:52:51 Well, they're lovely anyway.
00:52:54 Nevada said
00:52:57 I was expecting to meet
00:52:59 Well, on the way into town
00:53:00 I'll give you
00:53:02 I think I've already had one.
00:53:05 Well, this way, please,
00:53:11 All aboard!
00:53:17 My, my.
00:53:20 This is the first 12-cylinder
00:53:23 Fabulous, isn't it?
00:53:24 Designed it myself.
00:53:25 Whenever Nevada Smith
00:53:27 they know he's somebody
00:53:29 Just think what you
00:53:31 for Abraham Lincoln.
00:53:36 How about this interior?
00:53:37 Just run your hand
00:53:39 Isn't that nice?
00:53:40 Feel like I've been
00:53:42 Showmanship-- public eats it up.
00:53:44 After all, Nevada Smith's
00:53:45 just about the most important
00:53:47 Kids all over the country
00:53:49 He does all his own
00:53:55 Tell me something.
00:53:56 Mm-hmm.
00:53:57 Who are you?
00:53:58 Oh, now, honey,
00:54:00 I'm Dan Pierce.
00:54:03 I'm Nevada's agent,
00:54:05 Yes, I-I get him pictures,
00:54:09 and, well, handle him,
00:54:12 I get ten percent.
00:54:13 That is, of everything
00:54:15 Let me ask you,
00:54:18 Pierce. Dan Pierce.
00:54:21 Do you handle everybody,
00:54:24 Only those who show
00:54:27 Here, I'll trade these
00:54:35 lf we get arrested
00:54:36 I hope they put us
00:54:39 Do the kids know
00:54:41 Oh, no. No,
00:54:43 on personal appearances.
00:54:44 You see, Nevada never drinks
00:54:47 and he never kisses
00:54:48 I guess that's the real
00:54:51 a cowboy star.
00:54:59 Here, I saved
00:55:03 Well, thanks.
00:55:06 Say, do you mind
00:55:09 a rather personal question?
00:55:11 Not at all.
00:55:13 What is your, uh, relationship
00:55:15 Oh, nothing important.
00:55:19 I'm going to marry him.
00:55:55 Reach!
00:55:56 Don't shoot.
00:55:59 Innocent?
00:56:00 I thought you were
00:56:02 Nevada.
00:56:05 Oh, Nevada!
00:56:09 Welcome home, Rina.
00:56:12 Nobody in the world
00:56:15 The money, tickets, love,
00:56:18 Robin Hood
00:56:21 Are those guns loaded?
00:56:23 Let's see.
00:56:24 Oh!
00:56:26 Blanks.
00:56:27 Now I'll ride off
00:56:28 if I can find
00:56:30 What's your hurry,
00:56:32 Isn't there
00:56:34 a lonesome widow
00:56:37 As a matter of fact,
00:56:38 Got any buttermilk?
00:56:39 Buttermilk?
00:56:40 Whatever happened
00:56:43 dance hall girls?
00:56:44 That's the villains.
00:56:46 I'm strictly a hero.
00:56:47 I can believe it.
00:56:50 That outfit, this house
00:56:52 that car of yours.
00:56:55 I just try to act out
00:56:58 purity over passion,
00:57:01 But evil can be fun.
00:57:02 Oh, not when Nevada rides.
00:57:05 Killing, yes, but kissing, no.
00:57:10 How did it all happen?
00:57:12 Oh, I joined a Wild West show
00:57:16 I became an extra, did stunts
00:57:17 and people started
00:57:22 and here I am.
00:57:23 Do you like it?
00:57:25 Yes, I do. It’s fun.
00:57:28 Nobody gets hurt,
00:57:31 Do you ever see Jonas?
00:57:34 Talk about success.
00:57:36 There's a man who's going
00:57:43 You can't ride, fly,
00:57:47 make a phone call,
00:57:51 that Jonas doesn't have
00:57:54 But you never see him?
00:57:56 No. In the same town,
00:58:03 You know he's married?
00:58:07 I didn't.
00:58:08 I heard he spent his honeymoon
00:58:10 going from one of his factories
00:58:13 making new business deals
00:58:18 Something borrowed,
00:58:21 Poor girl.
00:58:24 So, let's forget him.
00:58:27 It’s the hero's night off.
00:58:30 And for once, he's going
00:58:34 be properly grateful.
00:58:39 Properly?
00:58:41 Not if I know the widow,
00:58:43 and I do.
00:58:46 Can you really forget Jonas?
00:58:50 Jonas who?
00:58:52 The only Jonas I ever heard of
00:58:54 was swallowed by a whale.
00:58:56 It’s the only thing
00:58:57 to take his ego.
00:58:58 to take his ego.
00:58:59 lf my calculations
00:59:01 we should be able
00:59:03 in addition to the
00:59:05 at a cruising speed
00:59:06 Should be able
00:59:08 before refueling,
00:59:10 Fly from here to New York
00:59:12 I don't believe it.
00:59:13 What would it cost
00:59:15 400-$500,000.
00:59:16 A half a million bucks
00:59:18 Who do you think we are,
00:59:20 You guys are nuts.
00:59:21 We'll never make
00:59:23 First-class passage,
00:59:26 with compartment, meals
00:59:29 and takes four full days.
00:59:31 This plane can carry passengers
00:59:33 at the same cost in one day
00:59:36 Build it.
00:59:38 As stockholder who owns
00:59:41 that's me--
00:59:42 Cord Chemicals owns
00:59:44 and also holds over
00:59:46 in mortgages
00:59:48 most of which are
00:59:50 You want to foreclose now,
00:59:56 You're a great pilot, Buzz.
00:59:57 You'd risk your life with
00:59:59 Now don't freeze up
01:00:00 when I throw
01:00:06 I should
01:00:08 I should have learned
01:00:09 when I lost that Waco to you
01:00:11 in a poker game.
01:00:12 Let me gamble the money.
01:00:14 I'll make you rich.
01:00:16 Fate it, shake'em and roll.
01:00:17 They told me this was
01:00:20 Why, Mrs. Cord, good evening.
01:00:22 Mr. Morrissey, Buzz.
01:00:23 Hi, Monica.
01:00:24 What brings you down here?
01:00:25 Oh, I don't know.
01:00:26 The dishes were all done
01:00:29 I'll have these duplicated
01:00:31 Don't let me break up
01:00:33 No, we were through.
01:00:34 I'll think I'll go home
01:00:36 in case we lose it.
01:00:37 Go home and order a silk one.
01:00:39 As soon as we finish
01:00:40 we're going to start
01:00:42 40 passengers,
01:00:46 That's what I was
01:00:49 Good night, all.
01:00:51 Oh, good night,
01:00:54 Good night.
01:00:58 The car's outside, darling.
01:01:00 Want a ride home?
01:01:01 Mm, I'd like to...
01:01:02 Oh, good.
01:01:03 ...but I have to go
01:01:05 Get them started
01:01:07 Tonight?
01:01:08 Yeah.
01:01:09 I have to fly to Washington.
01:01:13 I'm building a plane to carry
01:01:15 and I haven't even got
01:01:17 Ready to go?
01:01:19 Not this time, Jonas.
01:01:22 Why not?
01:01:23 Why me?
01:01:25 Only bride I know
01:01:28 at 5,000 feet,
01:01:29 who's always airsick
01:01:33 I am an earthling.
01:01:35 Haven't you noticed?
01:01:36 Lovely valleys,
01:01:40 Then cut your motor.
01:01:43 Come in. Have fun.
01:01:46 I thought we had fun.
01:01:48 In between oxygen masks,
01:01:53 You really must learn
01:01:56 to take one thing
01:01:59 For example, take me.
01:02:02 Any time, any place.
01:02:06 Home, now.
01:02:08 I can't.
01:02:10 You sure?
01:02:21 Yeah?
01:02:25 Put her on.
01:02:27 It’s my father's widow.
01:02:30 Hello, Rina.
01:02:32 I thought you were in Europe.
01:02:34 Yes, I did.
01:02:37 We all were.
01:02:40 What kind of trouble?
01:02:42 Hold it, hold it.
01:02:44 Look, where can I
01:02:47 I'll see you there
01:02:50 Come on, I'll drop you off
01:02:52 A minute ago,
01:02:54 could have kept you
01:02:57 The money vultures
01:03:01 Oh.
01:03:17 My name's Cord.
01:03:18 Where's the commissary?
01:03:20 Straight ahead, Mr. Cord.
01:03:59 Hello, Rina.
01:04:03 Hello, Jonas.
01:04:06 This is Mr. Ellis, the director.
01:04:09 How do you do?
01:04:10 Mr. Cord.
01:04:11 lf you'll excuse us
01:04:13 Sure.
01:04:33 Congratulations.
01:04:35 Your bride's
01:04:37 You said Nevada
01:04:40 How much trouble?
01:04:42 Two million dollars worth.
01:04:44 I heard he was doing great,
01:04:47 He was, but...
01:04:50 Well, Nevada wanted to make
01:04:53 Put up everything he owned
01:04:57 Then something went wrong
01:04:58 and they don't want
01:05:00 Is it a stinker?
01:05:02 I don't really know.
01:05:05 They told him
01:05:07 would only play
01:05:09 Now the bank's
01:05:12 and that big operator
01:05:14 won't advance
01:05:17 I see.
01:05:19 Jonas, you've got to help him.
01:05:22 I haven't got to do anything.
01:05:23 One time you wanted something
01:05:24 and he gave it to you.
01:05:26 His Cord Chemical stock?
01:05:28 It didn't cost him $2 million.
01:05:30 What's it worth now?
01:05:35 Close.
01:05:37 Rina and Mr. Ellis
01:05:40 Max Sand.
01:05:41 The going away present
01:05:45 I put it in a script.
01:05:47 Wait a minute.
01:05:48 Something, uh...
01:05:52 It’s a private joke.
01:05:53 Why did you withdraw
01:05:56 Because he's a thieving,
01:05:58 Please, please,
01:06:00 and not personalities.
01:06:01 Anger is for fools.
01:06:02 You call ruining
01:06:04 I'm not ruining anybody's life.
01:06:05 This is gambling-- some days
01:06:07 You're the richest loser
01:06:09 Look at him, the biggest
01:06:11 -Biggest cowboy star...
01:06:12 I make other pictures,
01:06:14 Art pictures that
01:06:16 They add dignity and culture
01:06:18 They add three starlets
01:06:20 I don't have to listen
01:06:22 Listen, let's sit down.
01:06:24 Let's sit down.
01:06:29 Now, why did you withdraw
01:06:34 Talking pictures, that's why.
01:06:36 I can't sell The Renegade's Coat
01:06:38 Why didn't you make
01:06:41 I didn't think sound
01:06:43 Who did?
01:06:44 What happens to the picture now?
01:06:46 You just throw it
01:06:48 Maybe we can salvage
01:06:51 South America,
01:06:54 It still leaves Nevada
01:06:57 My heart bleeds
01:06:59 Oh, I think
01:07:01 Take it easy, Dan,
01:07:03 Well, you didn't ask to
01:07:06 Mr. Cord, if you'll back Nevada
01:07:09 won't be able
01:07:10 Now we can't let him get away
01:07:13 Well...
01:07:15 Go easy making up your mind,
01:07:17 You could blow the whole bundle.
01:07:19 Nevada, don't start talking him
01:07:21 Mr. Cord, I agree with Nevada.
01:07:25 What do you know about
01:07:27 Nothing,
01:07:30 How many talking pictures
01:07:35 One.
01:07:38 I'll take the shot, Nevada,
01:07:42 it'll be strictly my picture.
01:07:44 I give the orders
01:07:46 including you.
01:07:48 If I'm going to lose a hand,
01:07:50 the least I want to do
01:07:52 Your father's favorite saying.
01:07:55 Sorry I used it.
01:07:57 Well?
01:07:58 It’s a deal.
01:08:01 Don't think you've caught
01:08:03 By the time we finish
01:08:05 you're going to earn your 10º/º
01:08:07 First, line up
01:08:10 I want to see them.
01:08:11 And second, get the writers in.
01:08:13 We're going to start
01:08:15 What's the matter with it?
01:08:16 No women.
01:08:18 In the real West,
01:08:19 I heard there were
01:08:22 The kind men
01:08:24 robbed banks to buy.
01:08:26 The kind the real Max Sand
01:08:29 It’s time somebody
01:08:31 back to the grownups.
01:08:32 Anything else, Mr. Cord?
01:08:35 Mr. Norman, you'll
01:08:38 Get the best sound man
01:08:42 And find a cameraman
01:08:43 who'd rather photograph
01:08:45 and a dress designer
01:08:47 And, Nevada,
01:08:50 Go out
01:08:52 Hello?
01:08:53 Yes, Mr. Cord is here.
01:08:55 Oh, just a moment.
01:08:58 Your wife.
01:09:00 Excuse me, gentlemen.
01:09:06 Yes?
01:09:07 Now, don't tell me that was
01:09:10 As a matter of fact,
01:09:12 A voice like that... I suppose
01:09:16 reminiscing about dad
01:09:19 Monica, what do you want?
01:09:21 You, of course.
01:09:23 Darling,
01:09:27 You know we have some
01:09:30 I'm on my way
01:09:31 I'll get in touch
01:09:36 Trouble in paradise?
01:09:43 Places, please!
01:09:45 Quiet!
01:09:47 Starting position!
01:09:50 Sound ready!
01:09:55 Interlock.
01:09:58 Interlock okay.
01:10:00 All right, roller!
01:10:03 Quiet, please!
01:10:05 Quiet. Action.
01:10:09 I run a pretty big place here.
01:10:12 Downstairs there's several
01:10:15 Upstairs we provide other,
01:10:19 With so much money,
01:10:22 under one roof,
01:10:23 there's some kind of
01:10:25 I need a bodyguard.
01:10:27 To replace the one
01:10:29 Well, uh, I hoped
01:10:33 But, uh, if you still
01:10:35 I do.
01:10:38 My hours will be your hours,
01:10:43 Uh, you'll collect $100 a month,
01:10:46 And the first time I catch you
01:10:47 sleeping in any other
01:10:53 All right. Cut. Cut.
01:10:57 Mr. Cord, what's wrong?
01:10:59 Her. Get her off the set.
01:11:01 Just a minute, Mr. Cord.
01:11:04 Just a minute here!
01:11:06 What the hell is going on?
01:11:07 She can't be fired.
01:11:08 Miss Randall is the most
01:11:11 That's what you told me
01:11:13 I just had my first lesson
01:11:15 don't listen to you.
01:11:17 Now look here, Miss Randall
01:11:19 You know that.
01:11:20 She must have signed it
01:11:24 Listen, Sonny...
01:11:26 but you owe Miss Randall a
01:11:29 lf that woman
01:11:32 she'd have to pay me.
01:11:41 Oh, Bernie-cuns!
01:11:43 Oh...
01:11:44 Bernie, baby...
01:11:46 Get away. Get away!
01:11:48 I'll give you five minutes
01:11:50 or I'll close down this picture
01:11:52 and hit you with the biggest
01:11:54 Mr. Cord...
01:11:57 Mr. Cord!
01:12:00 I'll fix you for this.
01:12:02 I'm not fooling.
01:12:03 One of these days, I'll fix you.
01:12:06 You'll see... someday...
01:12:08 someday I'll fix you.
01:12:09 Get of my way!
01:12:10 I'll fix you!
01:12:16 Excuse me.
01:12:20 Sorry, no dice.
01:12:21 Marion Davies is working.
01:12:22 Look, I've called everybody.
01:12:24 Garbo's agent won't
01:12:26 Sally Eilers, Ranee Adoree,
01:12:28 all of them, tied up.
01:12:29 Everybody seems
01:12:31 "occupied" at the moment.
01:12:33 Why?
01:12:35 Thought you might be hungry,
01:12:42 Would you like
01:12:44 What do you got?
01:12:45 Oh, tuna, ham and
01:12:47 -Thanks.
01:12:48 Say, I've got an idea.
01:12:50 Maybe I should get
01:12:51 and start looking
01:12:52 We've got to have
01:12:54 Everyday we don't shoot,
01:12:57 What do you think?
01:12:58 Rina, come here.
01:13:00 Look, I know a little...
01:13:05 You're going to test
01:13:08 Mr. Cord,
01:13:09 Oh, don't be ridiculous.
01:13:11 I'm no actress.
01:13:12 Come to think of it,
01:13:17 You never said an honest line
01:13:19 Don't talk that way to her.
01:13:23 You call it, Nevada--
01:13:26 she tests,
01:13:50 Hi, Jonas.
01:13:53 Well, I know it's been
01:13:55 since you've seen me,
01:13:56 but you haven't forgotten
01:13:58 what your wife looks like,
01:14:00 How are you, Monica?
01:14:02 Why don't you get in,
01:14:03 and I'll tell you all about it
01:14:23 Where are we?
01:14:24 I thought we were
01:14:26 No questions, please.
01:14:27 Out.
01:14:40 Welcome home, Mr. Jonas.
01:14:42 Did he say home?
01:14:44 Come on.
01:14:51 Merry Christmas.
01:14:53 It can't be Christmas yet.
01:14:56 Oh, it is here.
01:14:58 Monica, did you buy this place?
01:15:01 No.
01:15:03 I only leased it for six months
01:15:04 so you could have the pleasure
01:15:07 Come on,
01:15:13 The living room.
01:15:16 41 by 21 .
01:15:19 Painting from a French palace,
01:15:21 fireplace of italian marble
01:15:24 and hand-woven Persian rugs.
01:15:27 Out there are four acres
01:15:31 avocados, assorted flowers,
01:15:36 barbecue and tennis court.
01:15:40 This way.
01:15:42 The den.
01:15:44 To improve your mind,
01:15:48 and work if you must.
01:16:01 Grownup's playroom.
01:16:07 For guests.
01:16:08 Or if anyone unexpected
01:16:11 we can always just paint it
01:16:15 Monica, you're not
01:16:21 Well, not that I know of,
01:16:25 I mean, look
01:16:27 Besides, most accidents
01:16:36 Well?
01:16:45 I've seen enough plays
01:16:48 when a man has to pour
01:16:51 before he answers.
01:16:52 The heroine is about to be
01:16:57 Monica, why this?
01:16:59 For all the normal reasons.
01:17:01 Home is where people live.
01:17:04 You and I were hotel babies.
01:17:06 The stuffy elevators,
01:17:08 convention drunks and cigarette
01:17:11 I thought we both missed this.
01:17:13 Needed it.
01:17:15 What I need is the most freedom
01:17:23 Why did you get married?
01:17:25 Because I thought you
01:17:30 Hotels are
01:17:33 Room service like that--
01:17:36 No trees to prune,
01:17:38 Girls sent up
01:17:41 Well, don't forget,
01:17:48 Oh.
01:17:58 Jonas, we can do
01:18:01 we do in your hotel suite.
01:18:03 Only with more privacy...
01:18:05 more meaning.
01:18:08 Give it a try. Please.
01:18:11 More than a playgirl,
01:18:14 And mother?
01:18:15 Yes.
01:18:20 lf you want.
01:18:22 I don't want.
01:18:25 Excuse me, I have to get down
01:18:27 to the factory.
01:18:28 Can't that airplane wait?
01:18:30 I don't like to be
01:18:32 But I planned dinner here.
01:18:35 Tomorrow morning I'll be
01:18:37 working on the picture.
01:18:38 The studio days
01:18:40 You might not see me
01:18:42 What do you want me to do
01:18:46 Get a divorce.
01:18:52 Jonas, you... can't mean that.
01:18:55 Afraid I do.
01:18:58 Just like that?
01:19:00 Just like that.
01:19:11 Mrs. Cord, when would
01:19:15 Jedediah, you've
01:19:19 a long time, haven't you?
01:19:21 Since he was born.
01:19:24 Tell me about him.
01:19:27 Mr. Jonas is not
01:19:30 Jedediah... Mr. Jonas
01:19:36 but I'm trying.
01:19:38 And I'll try.
01:19:40 Please sit down.
01:19:43 Thank you.
01:19:50 To be honest, I wasn't sure
01:19:53 what kind of feeling
01:19:56 But now, I have some idea
01:19:58 so I'd like to tell you
01:20:00 what nobody else knows
01:20:03 I've got to eat my words,
01:20:04 Rina's great. A natural.
01:20:05 In fact, she's fabulous.
01:20:06 Greatest screen test
01:20:08 She makes the Old West
01:20:09 look like a new girl in town.
01:20:10 Well, she's a long way
01:20:11 from being an
01:20:13 Thank you.
01:20:14 But she does have
01:20:16 that rare quality
01:20:19 Commonly called S-E-X.
01:20:20 Oh, thank you.
01:20:22 We can teach her the rest.
01:20:24 Fine.
01:20:26 Thank you, Mr. Ellis.
01:20:27 See you on the set tomorrow.
01:20:29 Good night.
01:20:30 Good night.
01:20:31 Walk me to the car,
01:20:33 Sure thing.
01:20:34 I can't do everything.
01:20:36 Building a plane--
01:20:37 trying to run eight
01:20:40 I want you to come
01:20:42 You really know the business.
01:20:44 You know when to fight
01:20:46 Well, my agency keeps
01:20:48 Sell it.
01:20:51 If this picture goes,
01:20:53 I'll give you ten percent
01:20:55 and stock options later.
01:20:56 Well, I don't know...
01:20:57 what about
01:20:59 As big as you need.
01:21:00 Money's the one thing
01:21:01 nobody talks back
01:21:03 You can live on the expenses
01:21:05 and bank your salary.
01:21:07 By noon tomorrow I'll be
01:21:11 and hip deep
01:21:13 Now that you're
01:21:15 I'd like you to do
01:21:17 Anything you say, boss.
01:21:18 We'll get the writers
01:21:19 to go over
01:21:21 Build up Rina's part.
01:21:22 Well, where does
01:21:25 What do you care?
01:21:26 You're not working
01:21:30 There's a certain logic
01:21:32 By the way, have you got
01:21:35 One of the best.
01:21:36 Good. Line me up
01:21:37 But I... I thought
01:21:40 I want girls to take out,
01:21:42 Get my name in the columns.
01:21:43 Pictures whenever you can.
01:21:45 Girls, names, pictures.
01:21:46 You're the boss.
01:21:48 Close the door, will you, Dan?
01:21:51 Oh, certainly.
01:21:52 Let's go, Jedediah.
01:21:55 One more thing-- fire Ellis.
01:21:58 Well, who's going
01:22:01 I am.
01:22:02 I just discovered I know as much
01:22:24 Hold it, Mr. Cord,
01:22:26 Thank you.
01:22:27 Still... good.
01:22:33 The work looks all right...
01:22:35 what there is of it.
01:22:37 We're more than a week
01:22:40 What happened?
01:22:41 Well, I, uh...
01:22:44 Maybe I was wrong
01:22:46 Maybe I should have
01:22:48 Cut it out, will you, Morrissey?
01:22:49 The only thing wrong
01:22:52 Every bolt,
01:22:54 has to have your personal
01:22:56 You act as if we've never
01:22:59 Only the great Jonas Cord
01:23:02 You expect us to work
01:23:05 and all night for you?
01:23:07 Well, Jonas Cord
01:23:09 but Morrissey and me
01:23:11 who get annoyed,
01:23:14 You just wasted another minute.
01:23:16 I expect you to make that week
01:23:21 Now, if you can't do it, I will.
01:23:22 You'll never do it playing
01:23:26 and a cavalry officer
01:23:28 Let's get back
01:23:32 Hello, Jonas.
01:23:34 Hello.
01:23:36 Do you have time for your wife?
01:23:38 No.
01:23:39 Make time.
01:23:41 I'm going to talk to you, Jonas,
01:23:43 and I'll do it
01:23:45 if that's what you want.
01:23:47 I think I'll get a drink.
01:24:00 We're married.
01:24:03 We live in the same town,
01:24:06 I don't have a home.
01:24:07 They won't even let me
01:24:10 I'm rarely there anyway.
01:24:12 The only time I see you
01:24:13 is in the newspapers
01:24:15 They aren't
01:24:17 Jonas, how much can I take?
01:24:19 There aren't any stress tables
01:24:22 Would you stop talking
01:24:25 Why don't you just...
01:24:28 This makes sense-- I'm busy,
01:24:32 Jonas...
01:24:33 Get out of here!
01:24:42 All right, Jonas.
01:24:45 Go talk to your lawyer.
01:24:48 I don't have a lawyer
01:24:49 and I don't want one.
01:24:57 Good!
01:24:58 It’s the Battle of
01:25:00 and the stock market crash
01:25:02 The picture killed them,
01:25:04 Thank you, thank you.
01:25:05 Listen to this, listen, Jonas.
01:25:07 "Excellent".
01:25:08 "Superior".
01:25:10 All the cards are
01:25:12 She's outside.
01:25:13 Yeah, the crowd
01:25:15 They're trying to tear
01:25:16 get her autograph
01:25:18 Jonas, she's the biggest
01:25:19 since the Spanish landed.
01:25:20 It’s incredible.
01:25:21 Yeah, all you can smell
01:25:23 You ought to be here.
01:25:24 I don't have to be there, Dan--
01:25:26 I knew it would happen.
01:25:27 Give her 15 more minutes
01:25:29 then hustle her out of there.
01:25:31 I want her here in my hotel
01:25:35 I don't think I can tear her...
01:25:36 Dan, I don't care.
01:25:53 Hello.
01:25:56 Jonas!
01:25:59 How are you?
01:26:02 Your hotel, 11:30?
01:26:05 I'll be there on the minute.
01:26:08 Good-bye.
01:26:16 Come in.
01:26:28 Signed, sealed and delivered.
01:26:30 Rina Marlowe, the cowboy's
01:26:35 reporting for duty
01:26:37 And overdressed.
01:26:42 The Jonas Cord
01:26:44 We never sleep...
01:26:47 alone.
01:26:49 You're too cheerful about it.
01:26:52 By the way, I told Nevada
01:26:55 Why the hell did you do
01:26:58 Because Nevada and I
01:27:01 I told him I wanted
01:27:04 to give our closest
01:27:06 You can't marry him,
01:27:09 After this picture's released,
01:27:10 you'll be the biggest star
01:27:12 So they tell me.
01:27:18 You've got nothing
01:27:20 I gain a man who helped me once
01:27:23 Making you
01:27:25 I didn't ask you for it!
01:27:27 You even built up my part
01:27:30 while you cut his to the bone.
01:27:31 I didn't see you trying
01:27:33 He's on the booze.
01:27:34 We both know his days
01:27:36 That's why he needs me
01:27:39 Why do you think
01:27:40 I did all this?
01:27:41 As always, just to give
01:27:44 Besides, what do you care
01:27:47 You're already married.
01:28:01 Miss Marlowe,
01:28:02 I'd like you
01:28:07 Monica, this
01:28:16 Would you like a drink or what?
01:28:21 I've seen what
01:28:25 I'll file for divorce
01:28:44 Oh, you dirty, filthy,
01:28:48 You can do better than that.
01:28:50 You are the meanest, cruelest
01:28:51 most loathsome thing
01:28:53 Except for yourself.
01:28:54 Oh...
01:28:55 We belong together.
01:28:57 We're a set.
01:28:58 I promised to marry Nevada.
01:29:02 Who said anything
01:29:04 Oh, you really are
01:29:06 But that's what's always
01:29:09 You're just like me.
01:29:10 You can't make love
01:29:12 We've known that, both of us.
01:29:14 Haven't we?
01:29:17 Oh, yes, yes.
01:29:20 Oh, damn it, yes!
01:29:26 By the authority vested in me
01:29:28 by the State of California
01:29:30 I now pronounce you
01:29:36 You may kiss the bride.
01:29:42 All right, now.
01:29:44 I'll take my ten percent now.
01:30:10 Calling Dr. Kelly.
01:30:12 Calling Dr. Kelly.
01:30:14 Report to superintendent
01:30:19 Jonas.
01:30:21 Hello, Monica.
01:30:26 You know, I heard about
01:30:28 I think
01:30:30 I don't know how
01:30:32 Monica, about the baby...
01:30:35 Did you see her?
01:30:37 Yes.
01:30:39 Isn’t she absolutely
01:30:42 I'm no expert on babies.
01:30:45 You can see that she is.
01:30:49 I'm calling her Joanne.
01:30:52 Just a name I liked.
01:30:56 I hope you don't mind.
01:31:06 Whose baby is it?
01:31:08 It’s mine, of course.
01:31:11 That's not what I mean.
01:31:15 Who's the father?
01:31:20 You are, Jonas.
01:31:22 I'm not.
01:31:24 But you are.
01:31:25 When I filed for divorce
01:31:30 but I was.
01:31:31 Are you sure?
01:31:34 Sure?
01:31:38 I don't have to prove anything.
01:31:40 I'm the mother,
01:31:42 and that's the way it is, Jonas.
01:31:46 Don't worry
01:31:49 I'm calling her
01:31:52 so you have no worries,
01:31:54 no responsibilities,
01:31:58 Now, get out of here.
01:32:05 Am I listed on the birth
01:32:08 Of course you are.
01:32:10 You expect me to put down
01:32:19 I just wanted to know.
01:32:22 I'm on my way to Europe.
01:32:24 Well, stay there
01:32:27 If you need anything
01:32:31 money for clothes...
01:32:33 nurses...
01:32:36 special teachers...
01:32:39 That baby only needs
01:32:42 'cause you don't have it--
01:32:44 Faith in yourself,
01:32:46 and faith in the future!
01:32:48 What do you mean?
01:32:50 Oh...
01:32:57 You know exactly what I mean,
01:33:01 Jonas Cord, Jr.
01:33:17 Seven or eight years went by.
01:33:19 The world was crippled
01:33:21 by the Crash
01:33:23 Everyone suffered from it,
01:33:25 He was above it.
01:33:27 We can carry
01:33:30 and one more crew member
01:33:31 and cruise 60 miles
01:33:33 That's with an
01:33:35 How much of an increase?
01:33:37 A thousand miles.
01:33:38 New York's fogged in,
01:33:40 Washington, Philadelphia,
01:33:43 Point that out
01:33:45 You could fire a
01:33:47 without it deviating a degree.
01:33:50 Good prototype for a bomber?
01:33:53 Yeah.
01:33:54 Waist guns, tail guns,
01:33:57 Better than any plane
01:33:59 Get busy.
01:34:00 Knock off a two-engine bomber
01:34:02 and get a four-engine job
01:34:04 Now, look, Jonas.
01:34:05 We're just beginning
01:34:07 There's a war coming.
01:34:08 Which has nothing
01:34:10 Every war's got
01:34:12 One day, three-star generals
01:34:15 like scared ants
01:34:17 What about our overseas
01:34:19 That'll have to wait.
01:34:23 Tell McAllister to come in.
01:34:28 Just keep it steady.
01:34:30 Keep the nose above the horizon.
01:34:32 Don't push on anything.
01:34:35 Morrissey, when we get back,
01:34:37 I've got some sketches
01:34:40 I want to show you,
01:34:43 What enemy?
01:34:44 Time.
01:34:47 Great plane, Jonas.
01:34:48 Years ahead
01:34:50 Thanks.
01:34:53 How much stock do we have
01:34:57 Four or five thousand shares.
01:34:59 I want control.
01:35:02 Start buying.
01:35:05 That's only a hobby for you,
01:35:07 Now, don't argue
01:35:09 Just buy the stock.
01:35:13 You know,
01:35:15 and I've carried them out.
01:35:16 But you've never treated me
01:35:19 and I don't like the feeling.
01:35:20 I'm turning in my badge.
01:35:21 You want more money?
01:35:23 No, I want a rest--
01:35:25 a vacation from you
01:35:26 and your wild schemes
01:35:30 and from living up in the air
01:35:34 Stick with me
01:35:37 I need you.
01:35:38 What you need
01:35:41 a vacation from yourself.
01:35:42 More than the rest of us, even.
01:35:45 You're about to come apart
01:35:48 Will you buy the stock?
01:35:52 Yes, yes, like always.
01:35:54 Only instead,
01:35:57 in a mental institution,
01:35:58 a whole string of madhouses?
01:36:00 That's where we're
01:36:02 I need some coffee.
01:36:03 You take it, Mac.
01:36:21 Good morning, David.
01:36:22 Good morning.
01:36:23 Stock's gone up
01:36:25 this morning, Uncle Bernie.
01:36:26 How 'bout that, huh?
01:36:27 Well, it excites you?
01:36:29 Well, eight points
01:36:30 Look what you picked up!
01:36:33 David, I'm a fat old elk
01:36:37 a hungry wolf on his trail.
01:36:39 I don't get it.
01:36:40 Stock goes up
01:36:43 Why do people buy things?
01:36:45 So they can own them.
01:36:48 And who wants to own
01:36:52 Jonas...?
01:36:54 Jonas Cord, that's right.
01:36:56 But he can't own the studio.
01:36:58 You have 51% of the stock.
01:37:00 51%! I'd sell it tomorrow
01:37:04 You'd sell?
01:37:06 David, we're a one-star studio.
01:37:09 We always have been.
01:37:11 Now, who's our star
01:37:14 Rina Marlowe.
01:37:16 Rina Marlowe.
01:37:18 A lush, a bottle baby.
01:37:21 Arrested five times
01:37:24 And what it costs to
01:37:27 and to keep it quiet...
01:37:28 Don't ask what it costs.
01:37:30 So, I made the mistake
01:37:31 of calling her on the
01:37:34 and now she won't
01:37:36 How do you like that?
01:37:38 Hmm. Here.
01:37:40 Here's a script.
01:37:41 Blue Goddess.
01:37:42 It’s about Africa,
01:37:45 She won't even read it.
01:37:47 Now, without her--
01:37:49 or someone like her--
01:37:51 what do you think my 51 º/º
01:37:55 Well, if it's that bad,
01:38:00 David, buying and selling
01:38:04 It’s an art in which
01:38:07 including Jonas Cord.
01:38:09 When I sell, I'll pick the time.
01:38:14 You know,
01:38:17 Well, what has that got to do
01:38:24 Here.
01:38:26 Take this script
01:38:29 Maybe she'll read it for you.
01:38:32 Wh...
01:38:34 I-I don't know. D...
01:38:37 Do you think she would?
01:38:38 David, by the thousands
01:38:44 autograph, a lock of hair.
01:38:47 lf they only knew it
01:38:49 all they have to do
01:38:52 they get everything.
01:38:56 Go ahead.
01:38:57 Go, go, go.
01:39:05 So, Uncle Bernie's
01:39:09 Jonas made a mistake
01:39:12 at the studio
01:39:17 What did you say
01:39:19 Uh, David.
01:39:24 "Little David was small...
01:39:28 but, oh, my".
01:39:33 Are you small, but, oh, my?
01:39:38 I... don't exactly...
01:39:40 Jonas hates me.
01:39:42 Oh, well, nobody could hate you,
01:39:46 That's sweet.
01:39:47 Most foolish statements are.
01:39:52 But he also loves me.
01:39:53 Oh, well, of course.
01:39:55 I mean, we all contain the seeds
01:40:00 Oh...
01:40:03 I like intelligent men.
01:40:06 I like men.
01:40:09 Or maybe I hate them.
01:40:12 I'm not always sure.
01:40:17 Are you strong?
01:40:19 Jonas likes to think
01:40:22 he's strong and tough
01:40:25 When he wants to be tough
01:40:26 he goes out
01:40:28 So, he wants Norman Pictures.
01:40:31 When he wants to be bad
01:40:35 So, he wants to buy me.
01:40:38 You know something?
01:40:39 No.
01:40:42 I think he's going to do both.
01:40:45 Well...
01:40:46 lf you'll excuse me,
01:40:48 I...
01:40:49 have to be getting
01:40:51 I-I'm trying to
01:40:53 Ambitious, too?
01:40:56 Well, you've come
01:40:59 I'm something
01:41:02 Oh-oh, really?
01:41:04 Mm-hmm.
01:41:05 Until you learn about people
01:41:08 you don't know anything.
01:41:09 Oh, but I-I just want
01:41:12 not an actor.
01:41:13 Well, how do you think
01:41:15 producers cast pictures,
01:41:17 Well, all right then.
01:41:19 Then you read the script
01:41:21 Oh, I'd like to,
01:41:22 if you'll stay
01:41:26 Mmm.
01:41:34 You know, Jennie, baby,
01:41:36 you've got the world
01:41:38 So I've heard.
01:41:40 Want a drink?
01:41:41 For 200 bucks, I should get
01:41:44 Honey, you can leave
01:41:47 Oh, no, sweetie, don't get sore.
01:41:49 No, seriously, Jennie,
01:41:51 you're nothing short
01:41:54 I just know my job.
01:41:56 Mmm.
01:41:57 You like it?
01:41:58 For God's sakes.
01:42:00 Do I like it?
01:42:01 How did I get started?
01:42:02 You going to ask those
01:42:05 I thought you were
01:42:07 If I really were,
01:42:08 I wouldn't have to be here,
01:42:11 You know, that's the
01:42:13 I ever heard you say.
01:42:14 Every now and then I get weak
01:42:16 It won't happen again.
01:42:17 I'm sure.
01:42:19 Well... here's to Adam and Eve.
01:42:22 They hold the original
01:42:23 but you've certainly
01:42:26 Honey...
01:42:35 You know...
01:42:40 Mmm...
01:42:43 Honey, I got an idea.
01:42:45 Mmm, that wasn't
01:42:49 How would you like
01:42:52 I was once.
01:42:53 Mmm?
01:42:54 All I wore was goose pimples.
01:42:55 Oh, that.
01:42:57 No, I-I mean the kind
01:43:03 ...show at the corner bijou.
01:43:05 Oh, now, come on,
01:43:07 I've heard that one before.
01:43:09 I run a strictly
01:43:12 No checks, no promissory notes
01:43:16 no pie in the sky.
01:43:18 Did you ever hear
01:43:22 You ever hear
01:43:24 He's everywhere,
01:43:26 Twice as irritating,
01:43:28 I'm his right-hand man.
01:43:30 The price is still
01:43:32 You're the kind of girl
01:43:35 Monday's open--
01:43:36 You know, he made a star
01:43:39 Of course,
01:43:40 earmarked for oblivion.
01:43:42 But somebody's got
01:43:44 Mmm, look,
01:43:46 I'll give you $300
01:43:48 and $750 a week
01:43:52 You know what I am.
01:43:55 Jonas Cord doesn't.
01:43:57 I've got a feeling
01:44:00 that you've got what he likes
01:44:03 It’s crazy.
01:44:05 That's what Eve probably
01:44:07 Look what that lead to.
01:44:08 This is a strange world.
01:44:11 Anything is possible.
01:44:59 Is she dead?
01:45:01 Not quite.
01:45:02 She's unconscious.
01:45:04 The doctor didn't give
01:45:05 for her chances
01:45:08 Have you told Jonas
01:45:10 No, I'm afraid to.
01:45:12 That's why I came here first.
01:45:14 I'm trying to work
01:45:16 How could she do this
01:45:19 How could she do it?
01:45:21 Cord wants my studio
01:45:22 more than anything else
01:45:24 When he finds out
01:45:25 I won't have a chance
01:45:27 You know, I never realized
01:45:28 what a cold-blooded...
01:45:31 Now, listen, this is
01:45:33 When she goes, we go.
01:45:34 Now, I can't keep
01:45:36 No.
01:45:37 No, I got to think
01:45:38 and that's me.
01:45:39 Go ahead, laugh.
01:45:40 It’s you, too.
01:45:42 Your job dies with Rina.
01:45:44 -I never thought of that.
01:45:46 You get to be
01:45:48 yourself, don't you?
01:45:50 You just shot me
01:45:53 All right, now listen.
01:45:56 Maybe you can fix it
01:45:59 you never have to work
01:46:03 I-I, I don't follow.
01:46:05 Are you sure Jonas doesn't
01:46:08 Yeah, I'm pretty sure.
01:46:11 Do you think you can keep Jonas
01:46:14 for a couple of hours?
01:46:15 Oh, now, wait a minute, Bernie.
01:46:17 Just what kind of a louse
01:46:18 do you think...?
01:46:19 How much was he willing to pay
01:46:20 to buy me out?
01:46:22 I don't know,
01:46:23 All right, I'll start with five.
01:46:28 lf the deal works,
01:46:29 you get 15%.
01:46:32 I get...?
01:46:34 You heard me, 15%.
01:46:35 Now, it's worth it.
01:46:37 I waited a long time
01:46:42 Suppose he...?
01:46:44 Suppose he finds out...?
01:46:46 I mean, about my
01:46:48 Oh, no.
01:46:50 I'd be taking
01:46:52 Listen, it's worth
01:46:55 This way, you come out
01:46:57 Without Rina,
01:46:59 how long do you think
01:47:01 before he fires you?
01:47:02 Come on, get smart.
01:47:04 Suppose he won't meet
01:47:05 Well, see that he does.
01:47:07 15º/º of $5 million.
01:47:10 $750,000.
01:47:12 Yeah. Nice little
01:47:14 Come on, get busy.
01:47:15 I'll pull my lawyers
01:47:17 and draw up two papers
01:47:18 We'll sign yours first.
01:47:20 Bernie...
01:47:21 Yeah, sure.
01:47:23 Good. This is the day
01:47:24 we pluck Jonas Cord's
01:47:25 Now, listen you.
01:47:26 You be at his hotel
01:47:28 Not a minute late.
01:47:29 Sure. Not a minute late.
01:47:33 Yes!
01:47:41 Why this morning, like that?
01:47:43 Well, he's scared.
01:47:45 You know he's had a
01:47:47 and last night
01:47:49 he was on the edge of a third
01:47:53 and he called me.
01:47:55 He wants to retire.
01:47:56 Jonas, you got him
01:47:58 Don't let him get away.
01:48:00 I'll get it.
01:48:06 Hello.
01:48:07 No, he's not at the moment.
01:48:09 I-I really don't know.
01:48:12 That's funny.
01:48:15 Norman's lawyer.
01:48:16 Probably wants
01:48:19 How much does he want?
01:48:20 Five million.
01:48:22 What'll he take?
01:48:23 Well, he wouldn't say.
01:48:25 Guess.
01:48:26 Oh, four... and a half.
01:48:36 Uh, could you hold it
01:48:40 Oh, Mr. Woolf, Mr. Norman.
01:48:41 Come in, won't you, please?
01:48:43 Yes?
01:48:44 Uh, no, no.
01:48:46 No, you can't.
01:48:48 Morning, Mr. Cord.
01:48:49 Hold all calls
01:48:50 for the next half hour.
01:48:52 Hold them anyway.
01:48:53 My nephew, David.
01:48:55 Mr. Cord.
01:48:56 We all finally get together
01:48:58 Oh, here, Bernie,
01:49:00 Excuse me.
01:49:09 So you want to sell
01:49:14 Mr. Cord...
01:49:18 that's a trick
01:49:20 You see, you're at
01:49:24 Me, I'm an early riser.
01:49:27 I figure it gives me
01:49:30 Besides...
01:49:34 I could be dead in 24 hours.
01:49:38 So, not another minute
01:49:41 in this business.
01:49:42 How much?
01:49:43 Well, it's a sacrifice.
01:49:46 I have to-I have
01:49:50 My family...
01:49:51 How much?
01:49:56 Take it off my hands--
01:49:58 It pains me to see you
01:50:01 I'll give you three.
01:50:02 That's a million below
01:50:05 Which I helped to make.
01:50:07 All right.
01:50:10 Listen, four-and-a-half.
01:50:12 Three-and-a-half.
01:50:14 Four.
01:50:17 Three-and-a-half.
01:50:18 And if you say four again,
01:50:20 I'll go back to three.
01:50:22 Mr. Cord...
01:50:24 you're cheating a sick man.
01:50:28 All right.
01:50:30 All right.
01:50:33 Here's two letters
01:50:35 Just fill in the amount
01:50:39 I've already signed it.
01:51:02 Witness that.
01:51:25 David.
01:51:28 I told you to hold the calls.
01:51:32 Sorry, wrong number.
01:51:36 Thank you.
01:51:38 Thanks.
01:51:47 Well...
01:51:50 that's it, Mr. Cord.
01:51:52 You now own Bernard
01:51:54 Thanks.
01:51:56 "Thanks".
01:51:58 You remember once
01:52:01 "One day".
01:52:03 Do you remember?
01:52:06 Well, this is the
01:52:09 When you bought Norman Studios,
01:52:18 What's that supposed to mean?
01:52:20 At this moment, your great
01:52:23 is in the hospital dying
01:52:26 Here, you'll need it.
01:52:44 I-I didn't know.
01:52:45 Not until this very
01:52:49 Jonas, I work for you.
01:52:50 How-how could
01:53:00 Hey, there he is now.
01:53:02 Here he is,
01:53:03 Here he is, Jonas Cord.
01:53:05 My radio audience wants
01:53:08 When did you hear, Mr. Cord?
01:53:09 Was she really your
01:53:10 Was she really your mother?
01:53:12 Did you say was?
01:53:13 She's dead.
01:53:15 She died 20 minutes ago.
01:53:39 Good morning,
01:53:48 How long I been here?
01:53:50 Little over a week.
01:53:52 You know, I've seen some big
01:53:55 on Third Avenue in my day--
01:53:58 my own father,
01:54:01 but in my sight,
01:54:03 New York, huh?
01:54:10 I hope I didn't mistreat you.
01:54:13 Never laid a glove on me.
01:54:15 Wasn't a woman
01:54:18 It was the sorrow you were
01:54:39 It’s all there
01:54:40 except I took out
01:54:47 Hey, take it easy.
01:54:51 Come on.
01:55:02 Sit down.
01:55:07 When you feel up to it,
01:55:08 there's a razor in the bathroom.
01:55:09 And while you're shaving,
01:55:11 I can take your clothes
01:55:13 and have them pressed up a bit.
01:55:15 Get you some food,
01:55:16 if you think you
01:55:19 You're in the wrong business.
01:55:21 You ought to be
01:55:24 The irish make
01:55:27 We always get sentimental
01:55:33 Do you mind if I
01:55:36 What?
01:55:38 She's dead, you know.
01:55:39 And all the whiskey
01:55:42 won't be bringing
01:55:46 Now, if you'll
01:55:48 and take your clothes off
01:55:49 you and I will get
01:55:52 of living the best way we can.
01:56:32 ...late from the office,
01:56:39 lf you plan on working for me
01:56:41 stop looking
01:56:43 Fix your hair,
01:56:45 shorter skirts
01:56:47 Bring your books.
01:56:56 Get the head of
01:56:57 I want this place redecorated.
01:56:59 Send somebody to my hotel
01:57:02 Call my tailor.
01:57:03 Order four more suits,
01:57:05 Get rid of this stuff.
01:57:08 Have the barber in here
01:57:10 Tell maintenance to open
01:57:13 I'm going to live here.
01:57:15 And have the commissary keep
01:57:19 Take the name Norman off
01:57:23 from the main gate
01:57:25 and put my name up,
01:57:27 Order the studio police to
01:57:31 till one of us dies.
01:57:33 Set up appointments.
01:57:35 Nevada Smith...
01:57:37 David Woolf,
01:57:39 McAllister,
01:57:42 and Buzz Dalton,
01:57:44 When you get that done,
01:57:47 There's more.
01:57:48 Don't you read the papers?
01:57:51 The German army is
01:57:54 The world is at war.
01:57:56 You've got a dozen businesses
01:57:58 and you sit here in this
01:58:01 cutting out paper dolls
01:58:03 some big-busted blonde
01:58:06 Specifically, Buzz,
01:58:07 Your attention, for one thing.
01:58:09 In case you haven't heard,
01:58:11 a big contract
01:58:13 I heard.
01:58:15 Our Burbank plant is straining
01:58:17 with passenger planes
01:58:19 We can't even start
01:58:20 Get me the head of
01:58:22 Of course I know
01:58:24 to a good sexy
01:58:26 but it's the biggest first-act
01:58:29 Question is,
01:58:31 This morning, I bought an
01:58:33 I hired a private detective
01:58:35 I want him to run it.
01:58:37 Is there anything else
01:58:39 Yeah, just for the record,
01:58:45 I want you to make a series
01:58:47 based on the Max
01:58:49 You've got a long
01:58:51 in this business, if we bring
01:58:56 Did Rina say anything to you
01:58:58 Not to me.
01:59:00 Not a word.
01:59:01 Jonas?
01:59:02 What?
01:59:04 Why didn't you try to help her?
01:59:06 You were the only one who could.
01:59:10 She was doomed
01:59:13 There are people
01:59:16 beyond human help.
01:59:18 Maybe you're right.
01:59:22 When do I start?
01:59:24 Monday.
01:59:26 Make sure the new contract
01:59:30 includes the right
01:59:32 to change the actors'
01:59:35 Anything else, Mac?
01:59:38 Mac?
01:59:40 Well, there's one thing more.
01:59:45 Jonas, I'm tired.
01:59:46 I want out.
01:59:47 Sure, Mac.
01:59:49 Take a month off,
01:59:50 We'll manage.
01:59:52 Oh, you'll manage,
01:59:55 No, for years, I've been hoping
01:59:58 to get things organized
02:00:02 I'm a neat man, Jonas.
02:00:04 And you don't like
02:00:07 It’s exciting.
02:00:09 Too exciting for me.
02:00:11 It’s eating me up.
02:00:12 Oh, I'm supposed to be
02:00:15 yet I'm not really sure
02:00:18 because I... well,
02:00:21 It’s all in your head.
02:00:23 Only you know
02:00:25 You like it that way,
02:00:28 You're the boss,
02:00:30 The rest of us are
02:00:33 yes men.
02:00:34 What you're trying to say is
02:00:36 you don't like my being involved
02:00:38 No, what I'm trying to say
02:00:40 is that,
02:00:42 you're crazy.
02:00:46 You're fired.
02:00:49 Here's where you get off.
02:00:52 Good-bye, Mac.
02:00:56 That's a good line, Jonas.
02:00:58 And now it all makes sense.
02:01:02 You're not Jonas Cord, Jr.
02:01:03 You're somebody else.
02:01:06 You're acting out a part,
02:01:10 No wonder all this make-believe.
02:01:13 It was inevitable.
02:01:15 You've been acting
02:01:17 and you've finally found
02:01:23 Well, I must say,
02:01:24 it was a bang-up, first-class,
02:01:28 Even I couldn't tell
02:01:31 What do you know!
02:01:35 Anyway, good-bye, Jonas.
02:01:37 It was one hell of a play.
02:01:39 There's only one more thing
02:01:42 I'd like to be around when you
02:01:45 I'd give a year's pay to know
02:01:47 who you really are underneath.
02:01:49 Who knows?
02:01:51 You might even be the devil.
02:02:05 Miss Denton is here, Mr. Cord.
02:02:07 Who?
02:02:08 Miss Jennie Denton.
02:02:09 She's here for a screen test.
02:02:11 Never heard of her.
02:02:12 Well, apparently,
02:02:15 Pierce. Cancel it.
02:02:21 Miss Denton, you...
02:02:23 I just wanted to see
02:02:27 The great, towering,
02:02:31 who makes and breaks
02:02:32 who stamps his foot
02:02:34 and everything trembles
02:02:37 Snaps a switch and
02:02:42 I never really thought there
02:02:45 but just for laughs, I
02:02:48 Well, now I've seen you.
02:02:50 I can check you off my list.
02:02:53 The Lincoln Memorial,
02:02:56 the Grand Canyon,
02:02:57 Jonas Cord.
02:02:58 You're my first
02:03:01 I will say this for you.
02:03:04 At least there's
02:03:06 on your forehead.
02:03:08 I'm lousy at Latin.
02:03:10 Well, tempus fugit
02:03:13 What did he promise you?
02:03:16 Pierce?
02:03:17 Probably what he
02:03:20 Three bills for the test
02:03:21 seven and a half a week
02:03:24 Come back here.
02:03:26 Please.
02:03:30 Please.
02:03:47 I like you.
02:03:49 Oh, now, Mr. Cord,
02:03:52 I'm sending a girl named Jennie
02:03:57 Give her all the time
02:03:59 I want her to have the best
02:04:01 I'll direct it myself.
02:04:02 Very well, Mr. Cord.
02:04:07 Hello?
02:04:08 Oh, yeah.
02:04:11 Monica, it's for you--
02:04:15 Hello?
02:04:19 Jonas, what a surprise.
02:04:21 It’s nearly eight years.
02:04:23 My father? Why do you
02:04:26 Yes, I do, but I gave him my
02:04:30 Yes, he's off it,
02:04:36 You really want him for that,
02:04:39 May I have a cigarette, please?
02:04:41 Well, I don't know.
02:04:43 The last time I mentioned
02:04:46 Yes, I know it's important,
02:04:53 No... no, I don't.
02:04:58 All right, if it's that vital
02:05:00 he's in Chicago,
02:05:02 He's running a lathe
02:05:05 Because that's the way
02:05:11 Well, certainly not
02:05:14 I have a magazine to get out.
02:05:18 The... Ambassador.
02:05:24 Yes. Definitely.
02:05:28 Good-bye, Jonas.
02:05:34 Now, which Jonas
02:05:36 Is there more than one?
02:05:40 Good morning, boss!
02:05:42 What are you so
02:05:45 Oh, I feel like
02:05:47 Like a queen, maybe.
02:05:49 Everywhere I go on the lot,
02:05:51 or say, "Hi, Jennie",
02:05:53 "Hello, Jennie",
02:05:54 Hey, was the test
02:05:56 You're just the kind of girl
02:05:58 people like to smile
02:06:02 What's this?
02:06:04 Six copies of a seven-year
02:06:07 Check them over
02:06:10 If you like it, sign 'em.
02:06:15 Jonas, I'm going
02:06:17 that might make you mad.
02:06:19 Ask it now, instead of later.
02:06:22 Will I be under contract
02:06:25 or as some executive's
02:06:27 That contract's
02:06:30 I like you.
02:06:31 Well enough to fly
02:06:34 in a couple of hours?
02:06:36 Mm, I don't know about that.
02:06:38 It gets pretty cold in Chicago.
02:06:41 I'll find some way
02:06:43 ...paragraph one of this
02:06:47 -In there.
02:06:48 "You agree to render
02:06:49 "as the undersigned
02:06:52 "under and pursuant to the
02:06:56 They're beautiful!
02:06:58 ''...shall request during said
02:07:06 Thank you, Mr. Cord!
02:07:07 "...in less case,
02:07:08 "you shall be actually be unable
02:07:15 Yeah?
02:07:18 Hello, Jonas.
02:07:25 You look wonderful, Monica.
02:07:29 Jonas, I want you
02:07:32 Joanne, this is Mr. Cord.
02:07:34 How do you do, Mr. Cord?
02:07:39 You're a big girl.
02:07:41 Just as pretty as your mama.
02:07:43 Nobody's that pretty.
02:07:46 Mommy, you said we
02:07:49 Joanne...
02:07:50 I think it's a great idea.
02:07:51 I never ate in a hotel
02:07:53 Okay, Joanne, it's
02:07:56 I'll get my coat.
02:07:58 Jonas, it's beautiful...
02:08:05 Oh, I...
02:08:06 I'm sorry.
02:08:10 I beg your pardon,
02:08:12 I seemed to have played
02:08:15 -Come on, Joanne.
02:08:17 I said, come on.
02:08:18 Monica,
02:08:20 wait a minute.
02:08:23 There's the name and address
02:08:26 Do both of us a favor...
02:08:45 Jonas...
02:08:46 I didn't mean
02:08:50 You didn't do anything.
02:08:57 Things were loused up
02:09:02 You like the coat?
02:09:05 So much, I don't know
02:09:07 Then don't say anything--
02:09:40 Oh, Jonas!
02:09:47 I'm speechless.
02:09:49 You don't have to say much.
02:09:51 "Yes" or "no" will do.
02:09:53 But you've done so much
02:09:55 You don't have to...
02:09:57 I never do what I have to--
02:09:59 only what I want to.
02:10:07 Oh, Jonas.
02:10:10 Oh, darling...
02:10:13 There's no one like
02:10:18 My, my. You really hit
02:10:21 didn't you, honey?
02:10:22 Mm-hmm.
02:10:24 Old star-maker
02:10:26 marriage broker,
02:10:27 Pyg... malion's agent.
02:10:32 Takes a handful of...
02:10:36 And makes it into
02:10:38 A rag, a bone,
02:10:41 and presto--
02:10:44 You grateful?
02:10:47 -Extremely.
02:10:49 Well, not with
02:10:51 It’s not for me.
02:10:52 It is if you say it is.
02:10:53 What Jennie wants,
02:10:56 While you're laying on
02:10:59 and he'll buy it,
02:11:02 You used to get 200 bucks.
02:11:04 Wouldn't it give you a kick
02:11:06 to hear somebody tell you
02:11:10 I couldn't do that to him.
02:11:15 Too much for an old pal
02:11:16 who showed you
02:11:18 It’s too much.
02:11:19 Ooh! Conscience,
02:11:23 Well, I always say,
02:11:24 there's nothing more righteous
02:11:29 Well, Jenny girl,
02:11:37 A little present...
02:11:43 Pandora's box.
02:11:45 Go ahead, open it up.
02:11:47 Oh, here, let me help you.
02:11:56 Jennie Denton's
02:11:59 Recognize yourself
02:12:02 You're the one that's
02:12:05 Jennie, I'll... I'll
02:12:14 Course, being
02:12:16 I have a couple
02:12:17 just in case you wanted
02:12:18 to give some to your friends...
02:12:20 By the way,
02:12:23 a nice wedding gift
02:12:25 He could run it on your
02:12:28 And information, too.
02:12:31 Jennie, dear,
02:12:35 I think you'll
02:12:37 You know, Jennie baby, Jonas
02:12:41 He's a great man
02:12:44 but when it comes to people,
02:12:49 Oh, when the check arrives,
02:12:57 Well, toodle-ooh, Jennie.
02:12:59 Onward and... upward.
02:13:09 Jonas?
02:13:10 In here.
02:13:11 -Hi, Jennie.
02:13:12 Hello, honey.
02:13:14 I've been trying
02:13:15 Well, I had to fly to Vegas.
02:13:17 I've got to talk to you, Jonas.
02:13:18 Sure, but take off your coat
02:13:19 and have a drink first.
02:13:20 Now. It’s important.
02:13:22 All right.
02:13:25 Drink up,
02:13:34 What happened?
02:13:39 Jonas, I can't go
02:13:44 All right, you can't
02:13:49 Let's eat dinner.
02:13:51 Does it mean
02:13:52 No, but I'll pay you
02:13:53 of taking your word
02:13:55 and let it go at that.
02:13:58 I don't want to
02:14:01 because I love you.
02:14:02 Of course you do--
02:14:03 and we've got hungry
02:14:05 No, Jonas, you don't
02:14:06 who I am, where I come from,
02:14:08 I know all I need to.
02:14:09 No, you don't.
02:14:11 Well, gentlemen...
02:14:14 the betting window
02:14:16 I'll give you Cupid
02:14:18 and back the devil.
02:14:19 Put me down for $100
02:14:20 and pay me off
02:14:22 Son, you're on.
02:14:23 But there ain't
02:14:25 Little Ella is on her
02:14:28 What made you say that?
02:14:30 Experience... percentage...
02:14:33 plus the fact that
02:14:36 making some last
02:14:39 To Jonas, the word confession
02:14:43 and you know what
02:14:47 Jennie Denton--
02:14:49 Desired, envied, sought after.
02:14:52 Well, there she is in her
02:14:55 Let's all have
02:14:58 if we're smart--
02:15:03 Jonas...
02:15:07 I'm sorry.
02:15:15 I'm more than sorry...
02:15:20 You were so good to me,
02:15:23 All I can give you
02:15:27 as dirty as it is.
02:15:28 We'll pay Pierce's blackmail,
02:15:30 then I'll take care
02:15:32 And what good will that do?
02:15:33 Another Pierce will show up,
02:15:36 Even you haven't got
02:15:38 to buy off
02:15:40 who had your lovely
02:15:42 Let me worry about that.
02:15:44 Oh, Jonas, I'm only good
02:15:45 I can't even have children!
02:15:46 Don't you think I know that?
02:15:48 How could you?
02:15:51 I know everything about
02:15:57 You were born at 7:02 a.m.,
02:16:02 You were attacked, successfully,
02:16:05 at the age of 15.
02:16:07 You worked as a student nurse,
02:16:09 turned pro at 20.
02:16:10 New Orleans, San Francisco,
02:16:13 your house in Coldwater Canyon.
02:16:14 I can name you dollars, dates,
02:16:16 and anything else you want.
02:16:18 As for this film...
02:16:20 I've seen it twice.
02:16:23 You had good lighting
02:16:27 You knew.
02:16:29 Of course I did.
02:16:32 You were no good,
02:16:36 You were beautiful
02:16:37 that made it better.
02:16:38 And when I found out you
02:16:40 -you were perfect.
02:16:42 Don't say anymore!
02:16:44 One of us is crazy, but I'm not
02:16:46 Don't you ever say that to me!
02:16:48 Jonas!
02:16:49 Why do you think
02:16:51 spent $2 million on publicity,
02:16:52 crammed your face and figure
02:16:54 till they could
02:16:56 Because I wanted to make you
02:16:59 to marry Jonas Cord,
02:17:01 and you will--
02:17:03 no one will dare
02:17:05 or I'll step on him
02:17:08 This is the best sale
02:17:10 and all I ask for is your beauty
02:17:13 I don't want love or children
02:17:15 I just want a woman
02:17:18 In return,
02:17:20 Now pick up the ring.
02:17:35 Now, let's go to dinner,
02:17:39 make the happy announcement.
02:18:08 We all heard what
02:18:12 Buzz and Morrissey
02:18:16 You think the two of us
02:18:19 I've watched over you
02:18:22 rode with you, taught you,
02:18:26 since you were a boy.
02:18:27 I know. But...
02:18:30 You've done some strange things.
02:18:34 Foolish things.
02:18:36 And brilliant things.
02:18:38 I've tried to understand them.
02:18:45 Yes, and?
02:18:47 I've watched your meanness
02:18:50 I stood by while you grew big
02:18:55 I've seen you make men
02:18:58 and woman cry
02:19:01 Oh, dialogue from one
02:19:06 But never
02:19:08 have I judged the full measure
02:19:12 To put it bluntly,
02:19:15 I think you're crazy.
02:19:22 I'm glad you did that, kid.
02:19:25 Now I don't need an excuse.
02:19:27 Come on, get up,
02:19:30 Get up and show me
02:19:32 Get up.
02:22:10 I advise you
02:22:14 vanish into the hills.
02:22:18 Your luck just ran out
02:22:21 By the order of Jonas Cord, Jr.
02:22:26 From the law
02:22:30 Nothings like you
02:22:39 Well, go on,
02:22:43 Just don't try to act
02:22:46 you'll never make it.
02:22:49 If it hadn't been for me,
02:22:51 you'd be back
02:22:54 shoveling steer manure.
02:22:55 You don't know when
02:23:01 If you don't mind,
02:23:03 I don't usually drink
02:23:04 or ignorant half-breeds.
02:23:05 You don't drink with anybody
02:23:08 because nobody can stand you.
02:23:12 Just the sound of your name
02:23:16 Only the weak and the jealous.
02:23:18 I took a one-horse factory,
02:23:21 and built into something
02:23:24 Only because
02:23:26 Oh, he gave me nothing.
02:23:30 If he could, he'd have locked me
02:23:35 Like he did your brother?
02:23:43 I haven't got a brother.
02:23:47 Your twin brother.
02:23:49 Never had one.
02:23:51 Get out, Nevada.
02:23:53 "Joseph Cord died
02:23:57 Recognize that?
02:23:58 It’s off his tombstone.
02:24:00 I said get out.
02:24:01 Born with you, died without
02:24:04 Incurably insane.
02:24:11 Incurably insane.
02:24:15 He died before
02:24:19 And the day he died,
02:24:25 and against me.
02:24:28 He looked at me
02:24:30 Watching, waiting for the other
02:24:35 to turn rotten on him.
02:24:36 So your brother
02:24:38 and your father
02:24:40 and you decided to take it out
02:24:44 That's your excuse?
02:24:46 That is my explanation.
02:24:50 It’s not good enough.
02:24:51 Why did you take it out on Rina?
02:24:53 I gave her as good as I got.
02:24:56 And Jennie?
02:24:58 I made her a star.
02:24:59 And Monica?
02:25:00 She wanted to be a mother.
02:25:03 Was that wrong?
02:25:05 Me as father, it was.
02:25:08 I haven't got the right
02:25:10 Because you might have
02:25:13 I don't know,
02:25:16 but I've lived with
02:25:20 Racing against time,
02:25:22 thinking any minute
02:25:25 You rest easy, Junior.
02:25:28 You're not mad at all,
02:25:32 You see, you're not
02:25:35 You're just like your father.
02:25:38 I never was,
02:25:40 You even sound like him.
02:25:41 -Shut up!
02:25:43 -Don't say that.
02:25:44 Wobbling around red-faced
02:25:45 with a drink in your hand.
02:25:46 I said shut up!
02:25:47 All right, look at him!
02:25:56 Need anymore proof?
02:26:05 Nevada.
02:26:09 What can I do?
02:26:10 Junior, I haven't
02:26:55 Let's change this color
02:26:58 Switching the color,
02:26:59 but the colors have to go
02:27:02 Hello, Monica.
02:27:07 Jonas, I'm busy.
02:27:08 I have to talk to you. Now.
02:27:11 There's nothing to talk about.
02:27:13 Just go away.
02:27:15 Well, I don't want
02:27:19 but if I have to, I will.
02:27:27 Jonas, I told you
02:27:30 I never wanted
02:27:31 Monica, I only want
02:27:34 Would you please
02:27:36 Do you want me to lose
02:27:37 If I have to,
02:27:40 Now that's typical
02:27:42 Something gets in your way,
02:27:44 I'm not buying anymore,
02:27:46 I've sold the movie studio,
02:27:47 $40 million's worth
02:27:49 and tomorrow morning
02:27:51 What's that
02:27:53 First I've got
02:27:56 I've been living
02:28:00 Oh, there are
02:28:02 This is something
02:28:04 A long time ago,
02:28:06 all about your father
02:28:08 and what it did to you.
02:28:13 Why do you think I let you do
02:28:17 Why I didn't remarry
02:28:21 hoping you'd find out
02:28:24 and nothing wrong
02:28:26 You know, someday,
02:28:28 you ought to take a look
02:28:36 I'm not promising
02:28:39 I am asking for a chance,
02:28:41 for you, for my daughter,
02:28:46 And spend the rest of my life
02:28:50 finding naked girls
02:28:53 Well, no thank you, Jonas.
02:28:54 I've canceled
02:29:04 I bought a house...
02:29:07 for you.
02:29:19 I love you
02:29:21 and I need you.
02:29:31 You do need me.
02:29:34 You need me.
02:29:53 Vtg