Catch Me If You Can
|
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(water splashes) |
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(lilting melody played |
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(violins join in) |
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(French horns playing) |
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(trumpets join in) |
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(solo guitar resolves melody) |
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(xylophone plays halting |
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(strings join melody) |
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(jazzy saxophone plays) |
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(orchestra repeats melody) |
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(melody ascending) |
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# # |
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(saxophone, bass play mid- |
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(orchestra repeats melody) |
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(melody builds) |
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(melody slows) |
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(melody repeats) |
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(airy, descending progression) |
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# # |
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(melody repeats) |
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# # |
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(theme music ends) |
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(static crackles) |
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(applause) |
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JOE GARAGIOLA: |
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and welcome |
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Our first guest, |
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out of being |
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that we've ever come across |
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and you're going to see |
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ANNOUNCER: |
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what is your name, please? |
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My name is |
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Number Two? |
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My name is |
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Number Three? |
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My name is |
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GARAGIOLA: |
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"I successfully impersonated |
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"an airline pilot |
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"and I flew over |
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"During that time, I was also |
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"at a Georgia hospital |
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"and an assistant |
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"for the State of Louisiana. |
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"By the time I was caught, |
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"the youngest and most daring |
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"I had cashed almost $4 million |
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"in 26 foreign countries |
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"And I did it all |
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My name is |
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# You don't know how |
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(applause) |
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# You don't know how |
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So, for the first time |
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he's going to have |
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and we're going to start |
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Thank you. Number One, |
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and you're obviously |
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why didn't you go in |
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It was really a question |
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When I was a young man, |
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and I thought |
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was the easiest way to get it. |
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I see. |
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Number Two, I find this all |
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Who was it |
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His name was Carl Hanratty. |
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(French accent): |
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Ratty. |
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(American accent): |
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Han-ratty. |
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Carl Hanratty. |
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- Yes. |
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am... Carl Hanratty. |
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I represent the FBI from |
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(speaking French) |
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Yeah. I have orders |
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to see the American |
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Marseille, France |
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(men speaking French) |
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(keys jangling) |
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(lock turns) |
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(door clanks) |
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(speaks French) |
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(thunder rumbling outside) |
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You sit here. |
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You do not open the door. |
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You do not pass him... |
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anything through the hole. |
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(wind quietly blowing |
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(speaking French) |
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(men conversing |
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(hoarse coughing) |
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Aw... Jesus. |
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(violent coughing) |
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(thunder rumbling) |
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(water dripping) |
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(rain patters on umbrella) |
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(violent coughing continues) |
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(retching) |
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You know, I've got |
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- Frank... |
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I'm here to read |
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according to the |
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"Article One: |
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"in respect of offenses |
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(weakly): |
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"...for the maximum period |
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of a severe penalty." |
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Help me. |
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Frank... stop it. |
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Help me. |
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You don't think actually |
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(raspy coughing) |
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16 pages to go. |
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Article Two: |
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"If the request for extradition |
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"includes several separate |
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each of which is punishable |
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(thuds) |
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"of the requesting party..." |
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Frank? |
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Frank? |
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Goddamn it! |
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- Get me a doctor in here! |
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- I need a doctor! |
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Doctor! Now! |
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HANRATTY: |
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We're going to get you |
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(man speaks French) |
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(speaks French) |
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Frank, if you can |
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I'm going to take you |
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Home in the morning, Frank. |
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(men conversing in French) |
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What are you doing? |
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Washing off the lice. |
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This man has to be on a plane |
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He has to see a doctor. |
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The doctor comes in tomorrow. |
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I have worked too long, too hard |
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for you to take this |
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If he dies, |
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(door creaking) |
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(rain pattering on roof) |
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Monsieur! |
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(men shouting in French) |
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Ah, Frank. |
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(alarm sounding, |
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(prisoners cheering |
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(coughing) |
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(cheering continues) |
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(coughing) |
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(cheering continues) |
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(men shouting in French) |
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(prisoners continue cheering) |
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Okay, Carl... |
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let's go home. |
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MAN: |
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has a history |
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In all those years |
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we've only seen a handful |
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inducted as lifetime members. |
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It's an honor that, uh |
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that has seen 57 names enshrined |
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and tonight, we make it 58. |
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So please stand as I present |
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a man who keeps |
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(scattered chuckling) |
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and our pens in ink... |
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Frank William Abagnale. |
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(crowd whistling) |
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Six years earlier |
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New Rochelle, New York 1963 |
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(mike feedback whines) |
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I stand here humbled |
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by the presence |
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(applause) |
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...and our club president, |
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(applause) |
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(whistling) |
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Most of all, I'm honored to see |
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...and my son, Frank Jr... |
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Frank... Aw, stand up. |
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(feedback whining): |
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(laughter) |
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Two little mice fell |
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The first mouse quickly gave up |
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The second mouse... |
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He struggled so hard |
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that eventually he churned |
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and crawled out. |
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Gentlemen, as of this moment, |
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(laughter and enthusiastic |
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("Embraceable You" playing |
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PAULA: |
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You hear that, Daddy? |
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FRANK SR: |
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PAULA: |
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what they're in for. |
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Show him the dance |
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Ah, who can remember? |
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The people |
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were so happy to see Americans |
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they decided |
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So they crammed 200 soldiers... |
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Yeah, we know the story, Daddy. |
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...into that tiny social hall |
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and the first person |
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is your mother, |
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You know, it had been months |
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and here's this blonde angel. |
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Blonde bombshell. |
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(giggles) |
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And the men are literally |
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Holding their breath for you. |
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You hear that? |
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(giggles) |
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Mm-hmm. |
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And I turned to my buddies |
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"I will not leave France |
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And I didn't. |
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You didn't. |
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I didn't. |
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(liquid spills) |
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Oh, shit! Oh, shit, the rug! |
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Aw, Mom... |
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I can't believe I did that. |
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No, no, it's nothing. |
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Oh, Frankie, Frankie, |
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- Yeah, yeah. |
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Come on. |
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# My sweet embraceable you... # |
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Dance with me, Paula. |
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Ah... (giggles) |
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(instrumental interlude |
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Whenever I dance for you |
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I get in trouble. |
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(mouthing): |
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(chuckles) |
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Oh! (laughs) |
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Frank! Wake up. |
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Come on, let's go! |
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Get up. Come on, come on. |
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Frank, wake up. |
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(groans): |
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You don't have to go |
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It's okay. |
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Why? Is it snowing? |
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Do you have a black suit? |
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I overslept again, huh? |
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We have a very important |
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Eat that. |
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Ma'am, open up. |
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- Ma'am? |
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What? |
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Oh, gosh! |
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We don't open |
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Open the door, please. |
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It's important. |
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I-I'm sorry, we don't open |
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What's your name, ma'am? |
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Darcy. |
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Darcy. That's a pretty name. |
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I'm in a bit of a fix. |
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This is my son Frank. |
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Oh, hi. |
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He needs a black suit. |
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Black suit... |
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There was a death in the family. |
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My father, 85 years old, |
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Yeah? |
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There's a funeral |
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planes flying overhead, |
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Geez. |
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Frank needs to borrow a suit |
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I'm sorry, we don't loan suits, |
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Darcy... Darcy, please. |
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- (sighs) |
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Darcy... is this yours? |
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(jingles) |
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I just found it |
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Uh-huh. |
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It must've slipped |
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(tires screeching) |
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Don't hit the curb. |
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(brakes squeaking) |
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Now get out, |
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and hold the door open for me. |
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(car horn honks) |
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All right. |
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What's next? |
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Okay, stop grinning. |
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When I get inside, you go back |
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Even if a cop comes |
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you don't move the car, |
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Dad, wha-what's all this for? |
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You know why the Yankees |
00:14:41 |
'Cause they have Mickey Mantle? |
00:14:42 |
No, it's 'cause the other teams |
00:14:44 |
can't stop staring |
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Watch this. |
00:14:48 |
The manager |
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is about to open the door |
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Mr. Abagnale, um |
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we don't usually |
00:15:00 |
who have unresolved business |
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That's a misunderstanding. |
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I hired the wrong guy |
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A mistake, I... |
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I just need you guys |
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Sir, you're being investigated |
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My store is a landmark |
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I have customers |
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Well, you're not a customer |
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We don't know you. |
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I'm sure your bank |
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they know you, |
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My bank went out of business. |
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Banks like this one put |
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Now, I know I made a mistake, |
00:15:33 |
but these people want blood. |
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They want my store. |
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They've threatened |
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(stammers) |
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This is America, right? |
00:15:40 |
I'm not a criminal. |
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I'm a Medal of Honor winner |
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a lifetime member |
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All I'm asking is for you |
00:15:49 |
It's not a question |
00:15:51 |
It's a question of risk. |
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You're the largest bank |
00:15:55 |
Where's the fu... |
00:15:57 |
Whe... Where's the risk? |
00:16:05 |
Dad, how could you just let him |
00:16:08 |
He didn't take anything. |
00:16:09 |
He overpaid by $500. |
00:16:12 |
Come on, Frank. |
00:16:14 |
Let's return the suit. |
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(Paula sobbing) |
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This place is good. |
00:16:25 |
It's small but, you know |
00:16:27 |
it's going to be |
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A lot less work for you. |
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(jackhammer drilling |
00:16:43 |
(keys clank) |
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FRANK: |
00:16:56 |
Hi. |
00:17:01 |
Where's your mother? |
00:17:05 |
I don't know. |
00:17:07 |
She said something |
00:17:10 |
What's she gonna be |
00:17:12 |
a shoe salesman |
00:17:13 |
(laughing) |
00:17:15 |
(both laughing) |
00:17:20 |
What are you doing? |
00:17:21 |
(both laughing) |
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You want some pancakes? |
00:17:25 |
For dinner? |
00:17:26 |
On my son's 16th birthday? |
00:17:28 |
We're not gonna eat pancakes. |
00:17:33 |
Come on, why are you looking |
00:17:35 |
You thought I forgot? |
00:17:36 |
- I didn't think you forgot. |
00:17:40 |
in your name. |
00:17:41 |
I put $25 in the account |
00:17:43 |
so you can buy |
00:17:45 |
Don't tell your mother. |
00:17:46 |
I won't. |
00:17:47 |
Thanks, Dad. |
00:17:48 |
Yep. |
00:17:50 |
Didn't that bank turn you down |
00:17:52 |
Yes, they all turned me down. |
00:17:54 |
(chuckles) |
00:17:55 |
Then why you opening |
00:17:58 |
Well, because one day, |
00:18:00 |
from these people... |
00:18:02 |
They have all the money. |
00:18:08 |
There's 50 checks there, Frank |
00:18:11 |
which means, from this day on... |
00:18:15 |
you're in their little club. |
00:18:17 |
I'm in their little club. |
00:18:21 |
You got that, you got it all. |
00:18:23 |
It's even got my name there, |
00:18:27 |
To the moon. |
00:18:29 |
- To the moon! |
00:18:34 |
(bells tolling) |
00:18:42 |
See that? It's just a school. |
00:18:45 |
No different than Westbourne. |
00:18:47 |
Ma... you said you were |
00:18:54 |
Frankie, you don't have |
00:18:57 |
Why don't you take off |
00:19:00 |
I'm used to it. |
00:19:03 |
(indistinct conversation) |
00:19:08 |
Excuse me. |
00:19:09 |
Oh, yes? |
00:19:10 |
Do you know |
00:19:12 |
GIRL: |
00:19:13 |
(snickering) |
00:19:19 |
(school bell ringing) |
00:19:22 |
BOY: |
00:19:24 |
(loud indistinct conversation) |
00:19:27 |
You selling encyclopedias? |
00:19:29 |
Yeah, he looks like |
00:19:41 |
(boy laughing) |
00:19:43 |
(loud conversation |
00:19:48 |
Quiet down, people! |
00:19:50 |
My name is Mr. Abagnale! |
00:19:52 |
That's Abagnale, not Abagnahlee |
00:19:55 |
not Abagnaylee, but Abagnale! |
00:19:59 |
Now, somebody please tell me |
00:20:01 |
in your textbooks. |
00:20:04 |
Excuse me, people, |
00:20:06 |
I'm going to write up |
00:20:08 |
Take your seats! |
00:20:14 |
Chapter seven. |
00:20:16 |
Will you please open your |
00:20:18 |
and we'll get started? |
00:20:21 |
Excuse me, |
00:20:22 |
Brad. |
00:20:24 |
Brad, why don't you get up here |
00:20:27 |
and read conversation |
00:20:33 |
(pronouncing poorly): |
00:20:36 |
"uh, generalement |
00:20:38 |
- "dans leur pais que... |
00:20:41 |
presque tout le monde |
00:20:43 |
They sent for me. |
00:20:45 |
They said they needed a sub |
00:20:48 |
I came all the way |
00:20:51 |
Well, uh, |
00:20:53 |
Excuse me, |
00:20:55 |
(continues reading) |
00:20:57 |
I'll never come back to-to |
00:21:01 |
- You tell them not to call me! |
00:21:04 |
What do they think, |
00:21:05 |
and all the money that it costs |
00:21:07 |
I tell you, |
00:21:09 |
(students laughing) |
00:21:10 |
Mr. and Mrs. Abagnale |
00:21:11 |
this is not a question |
00:21:14 |
I regret to inform you that, |
00:21:17 |
Frank has been teaching |
00:21:22 |
He what? |
00:21:24 |
Your son has been pretending |
00:21:28 |
lecturing the students, |
00:21:32 |
Mrs. Glasser has been ill |
00:21:36 |
some confusion |
00:21:39 |
Your son held a teacher-parent |
00:21:42 |
and was planning |
00:21:45 |
to a French bread factory |
00:21:47 |
Do you see the problem we have? |
00:21:51 |
- Mrs. Davenport? |
00:21:53 |
Uh, I have a note to miss fifth |
00:21:55 |
Doctor's appointment. |
00:21:56 |
- One moment. |
00:21:58 |
I'll be right with you. |
00:22:00 |
(whispering): |
00:22:01 |
MRS. DAVENPORT: |
00:22:02 |
You should fold it. |
00:22:03 |
What? |
00:22:04 |
That note. It's a fake, right? |
00:22:06 |
You should fold it. |
00:22:07 |
It's... It's a note from my mom. |
00:22:09 |
I have a doctor's appointment. |
00:22:11 |
Yeah, but there's no crease |
00:22:14 |
When your mom hands you a note |
00:22:16 |
the first thing you do is, |
00:22:17 |
and you put it in your pocket. |
00:22:19 |
I mean, if it's real, |
00:22:27 |
- (school bell ringing) |
00:22:32 |
(quietly): |
00:22:44 |
(both chuckling quietly) |
00:22:49 |
Ma, I'm home. |
00:22:51 |
(romantic music |
00:22:53 |
Oh, you remember |
00:22:55 |
I was telling you about? |
00:22:57 |
I asked her out today. |
00:23:00 |
Think we're going to go |
00:23:03 |
(record scratches, |
00:23:05 |
Ma, is this |
00:23:06 |
That's all there is, |
00:23:08 |
Oh, Frankie. |
00:23:11 |
You remember Dad's friend? |
00:23:13 |
Jack Barnes? |
00:23:15 |
From the club. |
00:23:16 |
Hello. |
00:23:17 |
He came by looking |
00:23:19 |
I was giving him |
00:23:22 |
It's very, uh, uh, |
00:23:30 |
Dad's at the store. |
00:23:32 |
So, Frank... |
00:23:36 |
more like your old man |
00:23:41 |
Thanks for the sandwich, Paula. |
00:23:43 |
I'll see you later, eh? |
00:23:45 |
Wait. |
00:23:51 |
Is this yours? |
00:23:54 |
Oh. |
00:23:56 |
Well, thanks, Frank. |
00:23:58 |
Uh, that's the President's pin. |
00:24:00 |
I'd be in deep trouble |
00:24:05 |
(nervous chuckle) |
00:24:09 |
I'll see you all later, eh? |
00:24:21 |
Are you hungry, Frankie? |
00:24:23 |
I'll make you a sandwich. |
00:24:33 |
Jack wanted to talk business |
00:24:36 |
He thinks we should get a lawyer |
00:24:42 |
That is not legal, |
00:24:48 |
Why aren't you saying anything? |
00:24:56 |
You're not going to tell him... |
00:25:01 |
(quietly): |
00:25:03 |
That's right. |
00:25:04 |
There's nothing to tell. |
00:25:07 |
I'm going out for a few hours |
00:25:09 |
to visit some old friends |
00:25:12 |
when I get home, |
00:25:15 |
Right? |
00:25:17 |
But you won't say anything |
00:25:19 |
because it's... |
00:25:23 |
How could we sue anybody? |
00:25:29 |
Oh... do you need |
00:25:33 |
A few dollars to buy |
00:25:37 |
Here, take five dollars. |
00:25:40 |
Or-Or ten. |
00:25:48 |
You promised you were going |
00:25:50 |
(slams) |
00:25:55 |
(children laughing) |
00:25:58 |
(dog barking in distance) |
00:26:09 |
Ma, I'm home! |
00:26:21 |
(door opens) |
00:26:26 |
Hey, hey! |
00:26:28 |
You... You stay away from me, |
00:26:29 |
You stay away from me... |
00:26:31 |
but if you ever |
00:26:32 |
Frankie! Frank, Frank, |
00:26:34 |
I'm Dick Kesner. |
00:26:36 |
Now, I want you |
00:26:38 |
and follow me |
00:26:40 |
They're all waiting for you. |
00:26:45 |
PAULA: |
00:26:47 |
I'm right here, Frank. |
00:26:49 |
But there are laws. |
00:26:51 |
Everything in this country has |
00:26:53 |
So what we need to do is |
00:26:56 |
That's what Mr. Kesner |
00:26:58 |
Many times these decisions |
00:27:00 |
but that can be |
00:27:01 |
people fighting |
00:27:03 |
Nobody is fighting. |
00:27:05 |
Look at me, Frank. |
00:27:07 |
(speaking French) |
00:27:10 |
(quietly): |
00:27:12 |
Dad, what's going on? |
00:27:14 |
(speaking French continues) |
00:27:16 |
Do you remember your grandma, |
00:27:18 |
She arrived this morning. |
00:27:20 |
(speaks French) |
00:27:21 |
Hello. |
00:27:31 |
Do you understand what |
00:27:36 |
Your father and I |
00:27:40 |
(speaking French) |
00:27:42 |
Nothing's gonna change. |
00:27:44 |
We're still gonna see |
00:27:45 |
Stop it, please, Frank. |
00:27:47 |
Frank, you don't |
00:27:50 |
Most of it's for your parents... |
00:27:53 |
but this paragraph right here, |
00:27:56 |
because it states |
00:27:58 |
after the divorce... |
00:28:00 |
whose custody you will be in. |
00:28:02 |
And there's a blank space |
00:28:05 |
(Eve speaking French) |
00:28:06 |
And I want you to go |
00:28:08 |
sit at the table |
00:28:10 |
and put a name down. |
00:28:11 |
You can take |
00:28:13 |
but when you come back |
00:28:14 |
I want to see a name |
00:28:17 |
Frank, just write down a name |
00:28:21 |
It's gonna be okay. |
00:28:23 |
FRANK: |
00:28:24 |
Your mother or your father. |
00:28:26 |
Just put the name there. |
00:28:28 |
And don't look so scared. |
00:28:31 |
It's not a test. |
00:28:33 |
There's no wrong answer. |
00:28:37 |
(man announcing trains |
00:28:43 |
(melancholy jazz playing) |
00:28:47 |
Hi. |
00:28:48 |
(panting) |
00:28:50 |
One ticket to Grand Central, |
00:28:51 |
That'll be $3.50, sir. |
00:28:54 |
Is it okay |
00:29:02 |
Carl, when do I get |
00:29:05 |
You can call him |
00:29:06 |
Paris, France 1969 |
00:29:08 |
We leave for the airport |
00:29:11 |
Until then, just sit there. |
00:29:13 |
Be quiet. |
00:29:16 |
You know, Carl, |
00:29:18 |
they got suites |
00:29:21 |
It's the best room |
00:29:27 |
It's okay, I've stayed in worse. |
00:29:29 |
Mr. Mudrick... |
00:29:30 |
Mr. Mudrick, please. |
00:29:32 |
I don't want to hear your story. |
00:29:33 |
This is two checks that bounced. |
00:29:35 |
You know how much trouble |
00:29:37 |
No, but listen, I'm telling you, |
00:29:40 |
I'll write you another check |
00:29:42 |
What, do I look like |
00:29:43 |
Look, it's midnight, |
00:29:45 |
Where am I gonna go? |
00:29:46 |
You're a goddamn kid. |
00:29:48 |
Go home. |
00:29:52 |
(baby crying in distance) |
00:30:12 |
# # |
00:30:26 |
# # |
00:30:38 |
I mean, I hope you understand. |
00:30:39 |
My boss sent me to Brooklyn, |
00:30:41 |
Now he wants me in Long Island |
00:30:42 |
to take a few clients out |
00:30:45 |
I'm sorry, but we're not allowed |
00:30:48 |
How would we know |
00:30:51 |
What did you say your name was? |
00:30:52 |
Ashley. |
00:30:53 |
Ashley... you know what I found |
00:31:02 |
Must've slipped |
00:31:09 |
Is there something |
00:31:12 |
Well, you see, it's my |
00:31:15 |
and I want to get her |
00:31:17 |
Please, I mean |
00:31:19 |
it's my midterm next week |
00:31:21 |
(raspy coughing) |
00:31:22 |
Please, it's just five dollars. |
00:31:24 |
No one would have to know. |
00:31:26 |
I'm sorry, |
00:31:28 |
to take checks |
00:31:41 |
(horns honking, |
00:31:52 |
# # |
00:32:05 |
(women laughing) |
00:32:13 |
Pleasure to have you back, |
00:32:15 |
What do you think, Angelo? |
00:32:17 |
The tomatoes are ripe |
00:32:18 |
(women giggling) |
00:32:26 |
Well, what have we here? |
00:32:28 |
- Can I have your autograph? |
00:32:30 |
- Can I have your autograph, too? |
00:32:32 |
- Mm-hmm! |
00:32:34 |
There you go. |
00:32:35 |
FRANK: |
00:32:37 |
I have decided to become |
00:32:39 |
I have applied |
00:32:42 |
and I have several |
00:32:45 |
How's Mom? |
00:32:46 |
Have you called her lately? |
00:32:49 |
Love, your son, Frank. |
00:32:54 |
Hello. |
00:32:56 |
I'm Frank Black |
00:32:58 |
and I have an appointment |
00:33:01 |
You're the young man |
00:33:02 |
who's writing the article |
00:33:04 |
Yes, ma'am, that's me. |
00:33:05 |
everything there is to know |
00:33:08 |
What airports |
00:33:10 |
What does a pilot make |
00:33:12 |
And who tells them |
00:33:13 |
Whoa, whoa, whoa. Slow down. |
00:33:14 |
Just take 'em one at a time. |
00:33:16 |
All right. What does it mean |
00:33:17 |
when one pilot says |
00:33:18 |
"What kind of equipment |
00:33:20 |
They just want to know what kind |
00:33:23 |
Is it a DC-8, 707, |
00:33:24 |
And what about those I.D. badges |
00:33:27 |
Well, every pilot has to have |
00:33:29 |
at all times: One is |
00:33:31 |
looks just like this one here, |
00:33:33 |
the other one is |
00:33:36 |
and that looks just like this. |
00:33:39 |
Oh. Sir, do you think I can |
00:33:42 |
to put into my article? |
00:33:44 |
Oh, Frank, |
00:33:46 |
It's three years expired. |
00:33:47 |
Aw, thanks! |
00:33:49 |
You have an extra one |
00:33:50 |
Oh, no, I can't help you there. |
00:33:52 |
Those are special-ordered |
00:33:54 |
The only way |
00:33:56 |
is to become a real live pilot |
00:33:59 |
(dialing phone) |
00:34:01 |
(car horns honking, |
00:34:03 |
WOMAN (over phone): |
00:34:05 |
FRANK (Southern accent): |
00:34:06 |
I'm calling about a uniform. |
00:34:07 |
WOMAN: |
00:34:09 |
FRANK: |
00:34:10 |
WOMAN 2: |
00:34:11 |
FRANK (Southern accent): |
00:34:12 |
based out of San Francisco. |
00:34:14 |
I flew a flight |
00:34:16 |
but the problem is |
00:34:17 |
I'm headed out to, uh, Paris |
00:34:19 |
WOMAN 2: |
00:34:21 |
FRANK: |
00:34:22 |
to be cleaned through the hotel |
00:34:24 |
and I... I guess |
00:34:27 |
WOMAN 2: |
00:34:29 |
Go down to the Well-Built |
00:34:31 |
at Ninth and Broadway. |
00:34:32 |
They're our uniform supplier. |
00:34:34 |
I'll tell Mr. Rosen |
00:34:35 |
ROSEN: |
00:34:38 |
I'm a copilot. |
00:34:39 |
Why so nervous? |
00:34:41 |
How would you feel if you, uh |
00:34:43 |
lost your uniform |
00:34:46 |
Relax. |
00:34:47 |
Pan Am's got lots of uniforms. |
00:34:50 |
It's gonna be $164. |
00:34:52 |
Great. I'll, uh, |
00:34:54 |
Sorry, no checks, no cash. |
00:34:57 |
You'll have to fill in |
00:34:59 |
and then I'll bill Pan Am. |
00:35:00 |
They'll take it out |
00:35:04 |
Even better. |
00:35:08 |
FRANK: |
00:35:10 |
You always told me that an |
00:35:13 |
So I'm trying my best |
00:35:15 |
I'm sorry I ran away, |
00:35:19 |
I'm gonna get it all back |
00:35:21 |
I promise. |
00:35:24 |
(approving murmur) |
00:35:29 |
GIRL: |
00:35:31 |
I sure am, little lady. |
00:35:34 |
Celine. |
00:35:35 |
Celine, it's a pleasure |
00:35:37 |
It's a pleasure |
00:35:42 |
That's fifty, seventy |
00:35:45 |
eighty, ninety, |
00:35:49 |
You have yourself a great time |
00:35:51 |
I always do. |
00:35:53 |
Excuse me. |
00:35:56 |
I'm John Modiger. |
00:35:58 |
I want to thank you |
00:35:59 |
and using our institution. |
00:36:00 |
Well, it's a pleasure |
00:36:02 |
I'll be back again. |
00:36:03 |
Good. |
00:36:04 |
Have you stayed with us before? |
00:36:05 |
Uh, no, I've been primarily |
00:36:09 |
Is it all right if I write you |
00:36:12 |
No problem, sir. |
00:36:13 |
Great. |
00:36:23 |
Uh... |
00:36:24 |
I was also wondering |
00:36:25 |
if I could write you |
00:36:27 |
For airline personnel, we cash |
00:36:30 |
Payroll checks |
00:36:34 |
Did you say $300 |
00:36:37 |
(typewriter keys clacking) |
00:36:41 |
FRANK: |
00:36:43 |
I've decided to become a pilot |
00:36:46 |
the most trusted name |
00:36:49 |
They've accepted me |
00:36:52 |
and told me that if I work hard |
00:36:54 |
I should earn my wings |
00:36:55 |
Please get in touch with Joanna |
00:36:58 |
Tell her I'm sorry that I could |
00:37:01 |
Love, your son, Frank. |
00:37:13 |
# # |
00:37:26 |
# # |
00:37:38 |
# # |
00:37:43 |
Hello, how are you? |
00:37:44 |
Fine, thank you. |
00:37:45 |
I have a payroll check here |
00:37:47 |
Certainly. |
00:37:49 |
Thank you. |
00:37:51 |
Uh, excuse me. |
00:37:53 |
I'm sure you hear this |
00:37:55 |
but you have the most |
00:37:59 |
Yeah, I do get that |
00:38:00 |
(nervous laugh) |
00:38:02 |
How would you like it? |
00:38:14 |
# # |
00:38:19 |
Oh, I'm sorry, sir. |
00:38:20 |
We won't have any cash until |
00:38:24 |
but, uh, I'm sure |
00:38:25 |
they can cash your check |
00:38:28 |
The airport? |
00:38:30 |
Who cashes checks |
00:38:32 |
Well, the airlines, sir. |
00:38:33 |
They've always taken care |
00:38:36 |
(jet passing overhead) |
00:38:39 |
(indistinct flight announcement |
00:38:44 |
Hello. |
00:38:45 |
Hi. Are you deadheading? |
00:38:47 |
What? |
00:38:49 |
Are you my deadhead to Miami? |
00:38:51 |
Mi? |
00:38:53 |
Yes, yes. |
00:38:54 |
(laughs) |
00:38:56 |
Yeah, I'm the deadhead. |
00:38:58 |
You're a little late, |
00:39:03 |
(chuckling): |
00:39:04 |
it's been awhile |
00:39:06 |
Which one's the jump seat again? |
00:39:07 |
(both laughing) |
00:39:10 |
Have a nice flight. |
00:39:11 |
Are you my deadhead? |
00:39:16 |
STEWARDESS: |
00:39:18 |
- John Larkin, the copilot. |
00:39:20 |
Fred Tulley, flight engineer. |
00:39:21 |
Frank Taylor, Pan Am. |
00:39:22 |
Thanks for giving me a lift, |
00:39:24 |
Go ahead and take a seat, Frank. |
00:39:26 |
We're about to push. |
00:39:27 |
What kind of equipment you on, |
00:39:29 |
Uh, 707. |
00:39:31 |
You turning around |
00:39:34 |
Uh, I'm jumping puddles |
00:39:36 |
trying to earn my keep |
00:39:38 |
for the weak and weary. |
00:39:39 |
No shame in that. |
00:39:48 |
Have a seat. |
00:39:49 |
Thank you. |
00:39:51 |
Would you like a drink |
00:39:54 |
M-Milk? |
00:39:56 |
OLIVER: |
00:39:57 |
LARKIN: |
00:39:58 |
V-one. Rotate. |
00:39:59 |
(jet engines roaring) |
00:40:02 |
V-two. Positive rate. |
00:40:04 |
Gear up. |
00:40:07 |
FRANK: |
00:40:08 |
Today was graduation. |
00:40:10 |
I am now a copilot |
00:40:11 |
earning $1,400 a month |
00:40:15 |
and the best part is |
00:40:17 |
they tell me |
00:40:19 |
So tell Mom to pack her bags |
00:40:22 |
because I'm taking us all |
00:40:26 |
I love you, Dad. |
00:40:27 |
Aloha, Frank. |
00:40:29 |
Hello, deadhead. |
00:40:31 |
Hello. |
00:40:32 |
Enjoying your free ride? |
00:40:39 |
Marci... |
00:40:42 |
did you drop this? |
00:40:47 |
Must've slipped |
00:40:48 |
No... |
00:40:50 |
(chuckling) |
00:40:51 |
(giggling): |
00:40:53 |
No... |
00:40:55 |
MARCI: |
00:40:58 |
(Frank moans passionately) |
00:41:00 |
Yes! |
00:41:02 |
(clanking and clattering) |
00:41:03 |
(Marci panting) |
00:41:05 |
Why are you stopping? |
00:41:09 |
I want to tell you something, |
00:41:12 |
This is by far... |
00:41:16 |
the best date I have ever |
00:41:20 |
(laughing) |
00:41:34 |
# # |
00:41:41 |
WOMAN: |
00:41:42 |
Okay. |
00:41:50 |
Welcome to Miami Mutual Bank. |
00:41:54 |
My name is Frank Taylor. |
00:41:58 |
I'd like to cash |
00:42:00 |
I'd like to take you out |
00:42:05 |
(laughing) |
00:42:12 |
(teller giggling) |
00:42:14 |
And then we feed the checks |
00:42:16 |
which uses special ink |
00:42:17 |
to encode the account numbers |
00:42:21 |
And where are these numbers? |
00:42:24 |
They're, um... right here. |
00:42:26 |
Right there? |
00:42:28 |
See? |
00:42:29 |
(both giggling) |
00:42:31 |
They're called routing numbers. |
00:42:33 |
So where do the checks |
00:42:36 |
You know, I don't exactly know. |
00:42:39 |
Nobody ever |
00:42:40 |
(both laughing) |
00:42:42 |
AUCTIONEER: |
00:42:44 |
is also from the Jersey |
00:42:46 |
This is a MICR encoder |
00:42:47 |
a machine used |
00:42:49 |
Do I have an opening bid? |
00:42:50 |
HANRATTY: |
00:42:52 |
who started working |
00:42:54 |
In the last few weeks, |
00:42:56 |
a new form of check fraud |
00:42:59 |
What he's doing is |
00:43:00 |
he's opening checking accounts |
00:43:02 |
then changing the MICR ink |
00:43:04 |
at the bottom of those checks. |
00:43:05 |
Next slide, please. |
00:43:06 |
(projector clanks) |
00:43:08 |
Next slide, please. |
00:43:10 |
Uh, the remote thing is broken. |
00:43:11 |
You'll have to do it by hand. |
00:43:12 |
You've gotta... try the... |
00:43:13 |
FBI Headquarters |
00:43:15 |
Agent Mullen, it should be... |
00:43:16 |
it should be the square button |
00:43:18 |
This carousel doesn't work. |
00:43:19 |
It's a bad carousel |
00:43:21 |
Thank you, Agent Mullen. |
00:43:22 |
Got to move it manually. |
00:43:23 |
This is a map of the 12 banks |
00:43:26 |
Slide. |
00:43:28 |
(clicking) |
00:43:29 |
MICR scanners at every bank |
00:43:30 |
read these numbers |
00:43:33 |
slide... |
00:43:34 |
and then, ship that check off |
00:43:37 |
Carl, for those of us who are |
00:43:40 |
you mind telling us |
00:43:42 |
you're talking about? |
00:43:44 |
The East Coast branches are |
00:43:48 |
The central branch |
00:43:50 |
so on, so forth. |
00:43:51 |
You mean those numbers |
00:43:52 |
actually mean something? |
00:43:54 |
All of this was in the report |
00:43:56 |
If you change... |
00:44:00 |
that means that check, |
00:44:03 |
does not go |
00:44:05 |
but it is rerouted |
00:44:06 |
all the way to the San Francisco |
00:44:09 |
The bank doesn't even know the |
00:44:12 |
which means our unsub can stay |
00:44:14 |
paper the same city |
00:44:16 |
while his checks circle |
00:44:18 |
You know, |
00:44:21 |
She's the one balances |
00:44:24 |
(agents laughing) |
00:44:28 |
Next slide. |
00:44:31 |
(three-piece combo |
00:44:37 |
Daddy! |
00:44:38 |
(chuckling) |
00:44:40 |
My son, the birdman. |
00:44:42 |
Some uniform, Frank. |
00:44:43 |
What do you think? |
00:44:45 |
Nice. |
00:44:47 |
Sit down. |
00:44:49 |
(clears throat) |
00:44:52 |
So, Dad... Daddy, have you |
00:44:54 |
Of course. |
00:44:55 |
This fork is ice cold. |
00:44:58 |
No, no, Dad, th-that's |
00:45:01 |
(whispering): |
00:45:06 |
(sighing) |
00:45:09 |
Well, here... |
00:45:12 |
I-I got you something. |
00:45:14 |
What's that? |
00:45:15 |
Open it. |
00:45:21 |
You know what those are, right? |
00:45:23 |
Those are the keys |
00:45:25 |
to a 1965 Cadillac |
00:45:28 |
Brand-new, Dad. |
00:45:30 |
Red with white interior |
00:45:33 |
split seats, |
00:45:37 |
Are you giving me a Cadillac? |
00:45:39 |
Yeah. I'm giving you a Cadillac. |
00:45:40 |
Dad, sh-she's parked downstairs. |
00:45:42 |
When we're done eating lunch |
00:45:44 |
why don't you, you know, |
00:45:47 |
pick her up, |
00:45:49 |
Do you know what would happen |
00:45:52 |
I was driving around |
00:45:55 |
I took the train here, Frank. |
00:45:58 |
I'm taking the train home. |
00:46:02 |
All right. |
00:00:05 |
You know, if you |
00:00:07 |
You worried? |
00:00:09 |
About me? |
00:00:11 |
No, I'm not... I'm not worried. |
00:00:13 |
You think I can't buy |
00:00:15 |
Two mice fell |
00:00:20 |
Which one am I? |
00:00:22 |
You're that second mouse. |
00:00:26 |
I went by the store today. |
00:00:30 |
I had to close the store |
00:00:32 |
It's all about timing, Frank. |
00:00:33 |
The goddamn government |
00:00:35 |
They hit you when you're down. |
00:00:37 |
I wasn't going to let them |
00:00:40 |
shut the doors myself, |
00:00:47 |
Sooner or later, |
00:00:49 |
I understand, I... |
00:00:53 |
Have you told Ma? |
00:00:57 |
She's so stubborn, your mother. |
00:01:04 |
Don't worry. |
00:01:06 |
I'm not going to let her go |
00:01:08 |
I been fighting for us... |
00:01:09 |
(gasps quietly) |
00:01:12 |
Dad? |
00:01:16 |
...since the day we... we met. |
00:01:18 |
Daddy, out of all those men |
00:01:21 |
you were the one that |
00:01:25 |
200 men, sitting in |
00:01:27 |
watching her dance. |
00:01:32 |
What was the name of that town? |
00:01:34 |
Montrichard, Dad. |
00:01:35 |
Yeah. |
00:01:37 |
I didn't speak a word of French |
00:01:40 |
and six weeks later, |
00:01:43 |
She's your wife. |
00:01:48 |
My son bought me |
00:01:50 |
I think that calls for a toast. |
00:01:54 |
(soft jazz playing) |
00:01:59 |
(inhaling deeply) |
00:02:02 |
To the best damn pilot |
00:02:05 |
It's not what you think. |
00:02:07 |
I'm just a copilot. |
00:02:10 |
You see these people staring |
00:02:17 |
These are |
00:02:18 |
in New York City |
00:02:20 |
and they keep peeking |
00:02:22 |
wondering where |
00:02:24 |
Where you going, Frank? |
00:02:26 |
Dad, nobody's staring at me. |
00:02:29 |
Some place exotic? |
00:02:34 |
Just tell me where you're going. |
00:02:38 |
Los An... Hollywood. |
00:02:40 |
Hollywood. |
00:02:45 |
(sniffles) |
00:02:48 |
(whispering): |
00:02:50 |
really are suckers. |
00:02:58 |
So, I got on this red dress |
00:03:01 |
And I got a bra, |
00:03:03 |
And I'm chasing |
00:03:04 |
through the park. |
00:03:05 |
Hollywood California |
00:03:06 |
They got a suitcase filled |
00:03:08 |
Okay, I'm screaming out, |
00:03:10 |
And I'm reaching for my gun, |
00:03:13 |
It's so damn big |
00:03:14 |
I thought I was going |
00:03:16 |
(laughing) |
00:03:19 |
You know, that's a funny story. |
00:03:21 |
People always laugh |
00:03:22 |
Let me ask you a question, |
00:03:24 |
If you were having |
00:03:26 |
why did you transfer |
00:03:28 |
I didn't transfer. |
00:03:29 |
I was censured |
00:03:32 |
It's like being punished. |
00:03:34 |
I screwed up in the field. |
00:03:35 |
What about you, Mr. Fox? |
00:03:36 |
Were you... punished |
00:03:39 |
Oh, no, no, no, I've never |
00:03:41 |
I audited |
00:03:43 |
of Department of Justice |
00:03:45 |
Well, that's just great. |
00:03:46 |
I ask for a team |
00:03:48 |
and they drag the bottom |
00:03:50 |
You mind if I ask you |
00:03:53 |
How come you're so serious |
00:03:55 |
Does it bother you, |
00:03:57 |
Yeah. Yeah, it does bother me. |
00:04:00 |
Does it bother you, Mr. Fox? |
00:04:02 |
A little, I guess. |
00:04:04 |
Well, would you like |
00:04:08 |
Yeah. Yeah, we'd love |
00:04:13 |
Knock, knock. |
00:04:15 |
Who's there? |
00:04:18 |
Go fuck yourselves. |
00:04:21 |
(swing music playing |
00:04:28 |
# Tall and tan |
00:04:31 |
# The girl from Ipanema... # |
00:04:33 |
MAN: |
00:04:34 |
They all cleared. |
00:04:36 |
I was going to deposit |
00:04:39 |
I don't want any trouble. |
00:04:43 |
No trouble. |
00:04:45 |
No trouble at all. |
00:04:46 |
We'll just take this check |
00:04:48 |
Thank you. |
00:04:49 |
Good. |
00:04:50 |
Because I don't want |
00:04:53 |
#... Each one she passes |
00:04:55 |
What are you saying, |
00:04:59 |
201. |
00:05:00 |
#... Oh, but he watches |
00:05:02 |
Thank you. |
00:05:03 |
Corner here. |
00:05:05 |
Oh, thanks, son. |
00:05:06 |
#... How can he tell her |
00:05:08 |
Some steps. |
00:05:09 |
Steps. |
00:05:14 |
Hey, Mr. Murphy, how are you? |
00:05:16 |
Is that Frank? |
00:05:17 |
Yeah, it's Frank. |
00:05:18 |
Hey, Frank, how are you? |
00:05:19 |
How's the knee? |
00:05:20 |
Come on, |
00:05:21 |
(chuckling): |
00:05:23 |
Okay, Frank. |
00:05:25 |
AMDURSKY: |
00:05:26 |
Come on, Carl, |
00:05:27 |
A goddamn paperhanger. |
00:05:28 |
He doesn't even carry a gun. |
00:05:30 |
Why can't we go with you, Carl? |
00:05:31 |
You just keep your eyes open, |
00:05:32 |
and I'll buy you both |
00:05:41 |
(grunts) |
00:05:43 |
(gasps) |
00:05:45 |
It's all right, ma'am. FBI. |
00:05:46 |
(whimpers) |
00:05:49 |
201... 201, 201. |
00:05:52 |
201... |
00:05:54 |
201... 201... 201... 201... |
00:06:00 |
(anxious breathing) |
00:06:02 |
(music building dramatically) |
00:06:04 |
FBI! |
00:06:11 |
(crunching) |
00:06:13 |
(toilet flushing) |
00:06:14 |
FBI! |
00:06:16 |
Come out of the bathroom! |
00:06:19 |
Step out of the bathroom! |
00:06:25 |
Hands on your head. |
00:06:26 |
Oh, that's the new |
00:06:28 |
Put your hands on your head. |
00:06:29 |
You can change the print type |
00:06:31 |
- Shut up! |
00:06:32 |
Put your hands on your head! |
00:06:34 |
You know, he's got over 200 |
00:06:36 |
- of India ink, drafting. |
00:06:38 |
Even has |
00:06:40 |
addressed to himself |
00:06:41 |
Put it down! Drop it! |
00:06:42 |
Relax. |
00:06:43 |
You're late, all right? |
00:06:44 |
My name's Allen, Barry Allen |
00:06:46 |
United States Secret Service. |
00:06:47 |
Your boy just tried |
00:06:50 |
My partner has him |
00:06:51 |
I don't know what |
00:06:52 |
You think the FBI |
00:06:56 |
I mean, come on. |
00:06:57 |
Come on, he's dabbling |
00:06:59 |
We've been following |
00:07:01 |
for months now. |
00:07:02 |
Hey, you mind taking that gun |
00:07:04 |
Please. Really. |
00:07:06 |
I mean, it makes me nervous. |
00:07:07 |
Let me see some credentials. |
00:07:09 |
Yeah, sure. |
00:07:12 |
Take my whole wallet. |
00:07:14 |
(clears throat) |
00:07:15 |
You want my gun, too? |
00:07:17 |
Come over here. Take my gun. |
00:07:18 |
Hey, hey, look, |
00:07:20 |
Take a look outside. Look. |
00:07:22 |
Look out the window. |
00:07:23 |
My partner's walking him |
00:07:28 |
Old guy almost pissed |
00:07:30 |
when I came through the door. |
00:07:32 |
He jumped |
00:07:34 |
onto the hood of my car. |
00:07:35 |
Hey, Murph? |
00:07:37 |
- Yeah? |
00:07:39 |
I don't want people walking |
00:07:42 |
(raspy cough) |
00:07:44 |
I didn't expect |
00:07:46 |
Don't worry about it. |
00:07:47 |
(clears throat) |
00:07:49 |
Well, what's your name? |
00:07:50 |
Hanratty, Carl Hanratty. |
00:07:53 |
(sighs) |
00:07:57 |
Mind if I see |
00:08:00 |
Sure. |
00:08:01 |
You never can be too careful |
00:08:05 |
Well, tough luck, Carl. |
00:08:06 |
Five minutes earlier |
00:08:07 |
you would've landed yourself |
00:08:10 |
It's all right. |
00:08:11 |
Ten seconds later, |
00:08:13 |
Mind if I come downstairs |
00:08:15 |
I-I got to take a look |
00:08:18 |
Sure thing. |
00:08:19 |
Just, uh, do me a favor |
00:08:21 |
while I get |
00:08:22 |
You know, I don't want |
00:08:24 |
and making the bed. |
00:08:25 |
LAPD should be here any sec. |
00:08:26 |
Wait. |
00:08:32 |
Your wallet. |
00:08:34 |
You hang onto it for a minute. |
00:08:36 |
I trust you. |
00:08:40 |
(sighs) |
00:08:43 |
(exhaling) |
00:08:47 |
(groans) |
00:08:49 |
Oh... |
00:08:50 |
(chuckling) |
00:08:54 |
Yeah... |
00:08:56 |
Secret Service. |
00:09:00 |
(ominous music begins) |
00:09:13 |
# # |
00:09:28 |
# # |
00:09:34 |
(music building) |
00:09:40 |
Hey! |
00:09:42 |
Oh, goddamn it! |
00:09:45 |
It was stupid. |
00:09:47 |
I made a stupid mistake. |
00:09:48 |
Forget about it. |
00:09:50 |
There are hundreds |
00:09:53 |
I-I can get this guy, Sean. |
00:09:54 |
The worst thing a paperhanger |
00:09:58 |
I read the report. |
00:09:59 |
Six feet tall, brown hair, |
00:10:01 |
160 pounds. |
00:10:02 |
This could be almost anybody. |
00:10:04 |
I heard his voice, Sean, |
00:10:06 |
There's nothing for him |
00:10:09 |
Just be careful. |
00:10:11 |
You got 12 years in. |
00:10:13 |
Nobody bothers you |
00:10:15 |
You practically wrote the book |
00:10:17 |
That's the kind of thing |
00:10:18 |
that can make you |
00:10:20 |
Just don't put yourself |
00:10:24 |
What type of position? |
00:10:27 |
Position of being humiliated. |
00:10:38 |
Sean, would you like |
00:10:42 |
Yeah, sure. |
00:10:44 |
(pointedly): |
00:10:48 |
FRANK: |
00:10:52 |
uh, Pan Am sends them |
00:10:56 |
Uh, yeah, pension program |
00:10:59 |
How much is that check for? |
00:11:01 |
Uh, kid, I'm really not |
00:11:04 |
This Skywayman's |
00:11:05 |
Who's the Skywayman? |
00:11:07 |
Ah, some nut that's flying |
00:11:08 |
posing as a Pan Am pilot. |
00:11:09 |
There's a column about him |
00:11:19 |
I keep telling them |
00:11:21 |
This guy |
00:11:23 |
Flies everybody else. |
00:11:24 |
Flies United, TWA, |
00:11:27 |
(whispering): |
00:11:30 |
Newspaper loves this clown. |
00:11:32 |
They call him |
00:11:35 |
(chuckles) |
00:11:38 |
Did you say? |
00:11:39 |
Bond, James Bond. |
00:11:41 |
("007" theme playing) |
00:11:51 |
BOND: |
00:11:53 |
WOMAN: |
00:11:54 |
MAN: |
00:11:55 |
WOMAN: |
00:11:57 |
Do you want to play it easy |
00:12:00 |
And this isn't a tranquilizer. |
00:12:02 |
Well, Pussy, you do know a lot |
00:12:05 |
(imitating Sean Connery): |
00:12:07 |
(normal voice): |
00:12:09 |
this is the suit, right? |
00:12:11 |
Positive. |
00:12:12 |
It's the exact suit he wore |
00:12:14 |
(Connery voice): |
00:12:16 |
Certainly, Mr. Fleming. |
00:12:17 |
Now what you need is |
00:12:20 |
little foreign sports cars |
00:12:23 |
("007" theme playing) |
00:12:25 |
(engine revving) |
00:12:34 |
(final "007" chord strikes) |
00:12:42 |
# The look of love # |
00:12:47 |
# Is in your eyes... # |
00:12:50 |
Hello. |
00:12:51 |
Hi. |
00:12:52 |
#... The look your heart... # |
00:12:55 |
Haven't I seen you before? |
00:12:57 |
#... Can't disguise... # |
00:12:59 |
Maybe. |
00:13:01 |
A couple years ago, I was |
00:13:05 |
Yeah. |
00:13:06 |
You're that model, right? |
00:13:08 |
Cheryl. |
00:13:09 |
Yes. |
00:13:10 |
The guys used to put |
00:13:15 |
Isn't that your silver car |
00:13:18 |
Yeah. One of them. |
00:13:21 |
# Well, it takes |
00:13:25 |
So, think I could get |
00:13:28 |
#... I can hardly wait |
00:13:30 |
# Feel my arms around you... # |
00:13:31 |
Do you have a pen in your room? |
00:13:33 |
#... How long I have waited... # |
00:13:35 |
(rhythmic mechanical thumping) |
00:13:49 |
# You've got the look of love # |
00:13:55 |
# It's on your face # |
00:14:00 |
# A look that time |
00:14:09 |
Shh. |
00:14:10 |
#... Be mine tonight... # |
00:14:12 |
Man like you can buy |
00:14:17 |
#... Let this be |
00:14:20 |
# Of so many nights |
00:14:27 |
He buys a deck of cards |
00:14:30 |
#... And then seal it |
00:14:33 |
Well, you want |
00:14:36 |
#... I can hardly wait |
00:14:37 |
How much did these cards cost? |
00:14:39 |
#... Feel my arms |
00:14:41 |
Oh, 55 cents, I think. |
00:14:43 |
#... Waited just |
00:14:46 |
And if they sold me downstairs |
00:14:52 |
how much would you pay? |
00:14:55 |
I'm sor... |
00:14:57 |
I'm sorry, how mu... |
00:15:01 |
(romantic instrumental music |
00:15:03 |
The entire night. |
00:15:07 |
How much would you pay me |
00:15:15 |
Cheryl, I... |
00:15:18 |
#... I can hardly wait |
00:15:20 |
Don't be scared. |
00:15:23 |
#... How long I have waited... # |
00:15:26 |
Make me an offer. |
00:15:29 |
#... Now that I have found you # |
00:15:32 |
# Don't ever go... # |
00:15:36 |
$300? |
00:15:38 |
Go fish. |
00:15:40 |
(sheepish chuckle) |
00:15:43 |
Uh, $500? |
00:15:46 |
Go fish. |
00:15:48 |
(chuckles) |
00:15:49 |
$600. |
00:15:50 |
(both chuckling) |
00:15:52 |
Go fish. |
00:15:54 |
(saxophone playing sexy riff) |
00:15:56 |
$1,000. |
00:16:00 |
Okay. |
00:16:02 |
$1,000. |
00:16:06 |
Okay. |
00:16:09 |
I'll be right back. |
00:16:11 |
Wait a second. |
00:16:13 |
I'm going downstairs |
00:16:15 |
You think this hotel is going |
00:16:18 |
at 3:00am? |
00:16:23 |
It's a New York Savings and Loan |
00:16:25 |
It's like gold. |
00:16:27 |
They'll cash it. |
00:16:28 |
Don't you think they might get |
00:16:31 |
Let me see that. |
00:16:32 |
It's a cashier's check. |
00:16:34 |
Endorse it over to me. |
00:16:36 |
No. I couldn't do that. |
00:16:38 |
See, this check is for $1,400. |
00:16:40 |
We agreed upon $1,000. |
00:16:43 |
Why don't I give you back $400 |
00:16:50 |
Even better. |
00:16:55 |
# The look of love # |
00:17:00 |
# Is in your eyes... # |
00:17:06 |
(saxophone continues melody) |
00:17:23 |
Does this belong to anybody? |
00:17:35 |
# Mele Kalikimaka |
00:17:37 |
(phone ringing) |
00:17:39 |
# On a bright |
00:17:42 |
This is Hanratty. |
00:17:44 |
FRANK: |
00:17:46 |
Hello. |
00:17:48 |
#... That we send to you, |
00:17:50 |
Barry Allen, Secret Service. |
00:17:52 |
I've been trying |
00:17:55 |
for the last couple of hours. |
00:17:57 |
What do you want? |
00:17:58 |
I wanted to apologize |
00:18:01 |
out in Los Angeles. |
00:18:03 |
Uh-uh, uh-uh. |
00:18:04 |
No, no, |
00:18:06 |
Do you always work |
00:18:09 |
I volunteered |
00:18:11 |
so men with families |
00:18:14 |
Looked like you were wearing |
00:18:16 |
out in Los Angeles. |
00:18:17 |
I thought maybe |
00:18:18 |
No. No family. |
00:18:22 |
You want to talk to me... |
00:18:24 |
let's talk face-to-face. |
00:18:26 |
All right. |
00:18:27 |
I'm at my suite at the |
00:18:31 |
In the morning, I leave |
00:18:36 |
You think you're going |
00:18:40 |
You're not going to Vegas. |
00:18:41 |
You're not |
00:18:43 |
You'd love for me |
00:18:45 |
to send out 20 agents |
00:18:48 |
we barge into your hotel, |
00:18:50 |
so you can make fools |
00:18:53 |
I'm really sorry |
00:18:55 |
I really am. |
00:18:56 |
Uh-uh, no. |
00:18:57 |
No, listen, I really am. |
00:18:59 |
No, no, you-you do not |
00:19:01 |
The truth is, |
00:19:03 |
Now maybe I didn't get the cuffs |
00:19:06 |
Ah, people only know |
00:19:10 |
Well, then tell me this, |
00:19:14 |
How did you know |
00:19:17 |
The same reason |
00:19:20 |
Nobody can keep their eyes |
00:19:23 |
The Yankees win |
00:19:26 |
No one ever bets on the uniform. |
00:19:28 |
(Frank chuckles) |
00:19:30 |
You sure about that, Carl? |
00:19:31 |
I'll tell you what I am sure of. |
00:19:34 |
You're going to get caught. |
00:19:36 |
One way or another, |
00:19:39 |
It's-It's like Vegas. |
00:19:40 |
The House always wins. |
00:19:47 |
Well, Carl, I'm sorry, |
00:19:51 |
Ah. You didn't call |
00:19:54 |
(laughing) |
00:19:56 |
What do you mean? |
00:19:58 |
You... you... |
00:20:01 |
(laughing) |
00:20:04 |
Oh, ho, ho. |
00:20:05 |
(phone bell dings) |
00:20:08 |
(guffaws) |
00:20:10 |
(humming) |
00:20:12 |
#... Morn and night... # |
00:20:16 |
(melancholy melody playing) |
00:20:24 |
(melody fades) |
00:20:26 |
You got that burger up? |
00:20:28 |
Yep. |
00:20:29 |
("He's So Fine" |
00:20:32 |
- Hi. |
00:20:34 |
How are you? |
00:20:35 |
#... Doo-lang, doo-lang, |
00:20:37 |
# The one |
00:20:39 |
More coffee, sir? |
00:20:47 |
Are you a collector? |
00:20:48 |
Of what? |
00:20:49 |
"Captives of the Cosmic Ray," |
00:20:51 |
"Land of the Golden Giants." |
00:20:53 |
I've got them all. |
00:20:54 |
What are you talking about? |
00:20:57 |
Barry Allen. |
00:21:01 |
The Flash. |
00:21:04 |
Wait, kid, kid, kid. |
00:21:08 |
You mean like the comic book? |
00:21:10 |
Yeah, the comic book. |
00:21:11 |
When he's not The Flash. |
00:21:12 |
That's his name, Barry Allen. |
00:21:15 |
Thank you. |
00:21:20 |
Now get this: |
00:21:23 |
Comic books! |
00:21:25 |
FOX: |
00:21:27 |
I don't know what the hell |
00:21:28 |
He's a kid. |
00:21:30 |
That's why we couldn't match |
00:21:32 |
That's why he doesn't have |
00:21:33 |
Now, I want you to contact NYPD |
00:21:35 |
for every all-points juvenile |
00:21:38 |
And don't forget the airports. |
00:21:39 |
He's been kiting checks |
00:21:41 |
But why New York? |
00:21:43 |
The Yankees! |
00:21:44 |
He said something |
00:21:48 |
HANRATTY: |
00:21:49 |
(rings doorbell) |
00:21:51 |
FOX: |
00:21:56 |
HANRATTY: |
00:21:57 |
We're the FBI agents |
00:21:58 |
Yes, I've been waiting. |
00:22:00 |
I hope you're all hungry. |
00:22:02 |
I put out the Sara Lee. |
00:22:07 |
My husband Jack is a lawyer. |
00:22:09 |
What about your first husband, |
00:22:12 |
Abagnale, but I prefer |
00:22:17 |
"Frank William Abagnale." |
00:22:19 |
It says here |
00:22:21 |
Did... Did you two meet |
00:22:23 |
Yeah, I lived |
00:22:26 |
in France... Montrichard... |
00:22:29 |
where they never heard |
00:22:32 |
Help yourselves. |
00:22:33 |
"Nobody doesn't like Sara Lee." |
00:22:35 |
You filled out |
00:22:38 |
for a runaway juvenile by |
00:22:41 |
Is Frankie okay? |
00:22:42 |
You're aware of the fact |
00:22:45 |
on a closed account |
00:22:47 |
Oh, yes. |
00:22:48 |
The police think |
00:22:51 |
What he did was a felony, |
00:22:53 |
It was $1,000. |
00:22:55 |
Half the kids his age are |
00:22:58 |
throwing rocks at police |
00:23:01 |
and they scared me to death |
00:23:03 |
because my son made |
00:23:05 |
Huh. A 17-year-old... |
00:23:08 |
has to have a place to sleep. |
00:23:11 |
We understand, ma'am. |
00:23:14 |
Would you happen to have |
00:23:15 |
Oh, yes. |
00:23:26 |
Okay. |
00:23:28 |
Okay, okay, we, uh... |
00:23:30 |
we need to send out |
00:23:33 |
Our unsub's name is |
00:23:37 |
Is Frankie okay? |
00:23:39 |
Ma'am, I'm sorry |
00:23:41 |
Your son is forging checks. |
00:23:42 |
Forging checks? Wait! |
00:23:44 |
I'm sure we can take care |
00:23:45 |
I am working part-time |
00:23:47 |
Just tell me how much he owes |
00:23:49 |
So far, it's about $1.3 million. |
00:23:58 |
(timer dings) |
00:23:59 |
# Girl, you really |
00:24:01 |
# You got me so |
00:24:04 |
Riverbend Apartments |
00:24:06 |
# Yeah, you really |
00:24:08 |
# You got me |
00:24:10 |
Hi, Melanie, how are you? |
00:24:11 |
When you're in the house, |
00:24:13 |
Frank, this fondue is so good! |
00:24:15 |
Great. Here, take this for me. |
00:24:17 |
Ooh, good! I love Moet! |
00:24:19 |
# Oh, yeah... # |
00:24:20 |
Hey. How are you? |
00:24:22 |
# You really got me goin' # |
00:24:23 |
# You got me goin', |
00:24:25 |
(music slows and distorts) |
00:24:27 |
James, James, please! |
00:24:29 |
Just stay away from the |
00:24:31 |
It's reel-to-reel. |
00:24:32 |
You can't wind it like that. |
00:24:34 |
# Don't ever set me free... # |
00:24:36 |
(drink sloshes) |
00:24:37 |
Christ! Terry! |
00:24:39 |
This is Italian knit! |
00:24:40 |
Watch where you're going! |
00:24:41 |
It's just a shirt, man! |
00:24:43 |
Frank! Come quick! |
00:24:46 |
Lance just fell |
00:24:54 |
Excuse me, you know |
00:24:57 |
Thank you. |
00:24:59 |
DOCTOR: |
00:25:01 |
Do you understand |
00:25:03 |
Do you? |
00:25:05 |
Don't stand there crying, |
00:25:06 |
and tell me |
00:25:07 |
Now dry up and get back to work. |
00:25:10 |
WOMAN (over P.A.): |
00:25:13 |
Dr. Sherwood Blair. |
00:25:14 |
(gently): |
00:25:18 |
(sniffling): |
00:25:20 |
so I did, but he never told me |
00:25:23 |
Hey, it's okay. |
00:25:25 |
Stop crying. |
00:25:27 |
What's your name? |
00:25:29 |
- Brenda. |
00:25:33 |
Brenda, I wouldn't worry |
00:25:34 |
You know, these doctors |
00:25:35 |
you know, |
00:25:38 |
It's my first week |
00:25:39 |
and I think they're |
00:25:42 |
No, no, nobody's |
00:25:46 |
I bet you're good at your job. |
00:25:48 |
No, I'm not. |
00:25:50 |
Yeah, I bet if I asked you |
00:25:54 |
of my friend Lance Applebaum |
00:25:56 |
that you could do that for me |
00:25:58 |
WOMAN (over P.A.): |
00:26:01 |
Nurse Fitzsimmons to Recovery. |
00:26:04 |
Um... |
00:26:06 |
Mr. Applebaum fractured |
00:26:09 |
Dr. Ashland is treating him |
00:26:13 |
You see that? No problem. |
00:26:18 |
This is the emergency chart. |
00:26:21 |
See that blue star there? |
00:26:22 |
That means that the patient |
00:26:25 |
And then, |
00:26:27 |
we put a red circle here, see? |
00:26:30 |
How do you like those braces? |
00:26:34 |
I guess they're all right. |
00:26:36 |
I got mine off last year. |
00:26:39 |
Boy, I hated them. |
00:26:42 |
You know, I still got to wear |
00:26:46 |
You have really nice teeth. |
00:26:49 |
Well, thank you. |
00:26:51 |
And you have a pretty smile. |
00:26:54 |
WOMAN (over P.A.): |
00:26:56 |
(giggles) |
00:26:57 |
No, I mean it. |
00:26:59 |
I really think |
00:27:01 |
Thank you. |
00:27:03 |
You're welcome. |
00:27:08 |
Brenda. |
00:27:09 |
Yeah. |
00:27:10 |
Do you know if they're hiring |
00:27:15 |
I'm not sure. |
00:27:16 |
What do you want to do? |
00:27:20 |
I'm a doctor. |
00:27:24 |
FRANK: |
00:27:26 |
I've decided to get |
00:27:29 |
I've taken a night job |
00:27:31 |
and met |
00:27:33 |
Feels good to have my feet |
00:27:35 |
to wake up in the same bed |
00:27:39 |
Who knows, maybe I'll even find |
00:27:45 |
Harvard Medical School... |
00:27:47 |
top of your class. |
00:27:50 |
Southern California |
00:27:53 |
Well, that's a pretty impressive |
00:27:57 |
but unfortunately, uh... |
00:28:00 |
is a... |
00:28:03 |
for my midnight to 8:00am shift |
00:28:06 |
someone to baby-sit |
00:28:11 |
but, uh... |
00:28:14 |
Hell, I doubt that, uh, |
00:28:18 |
Well, in the past |
00:28:20 |
they've always let me choose |
00:28:24 |
Dr. Connelly? |
00:28:27 |
Dr. Harris? |
00:28:28 |
Present. |
00:28:29 |
Dr. Ashland? |
00:28:31 |
Dr. Conners... |
00:28:33 |
You gonna take roll every night? |
00:28:35 |
Uh, yes, I will, Dr. Ashland |
00:28:37 |
and if you're going to be late, |
00:28:41 |
(snickering) |
00:28:44 |
Miss Basmann. |
00:28:46 |
Miss Mace. |
00:28:48 |
Miss Strong. |
00:28:50 |
Here. |
00:28:51 |
Nurse Brown. |
00:28:53 |
- Nurse Sanford? |
00:28:56 |
SURGEON (on TV): |
00:28:58 |
every four hours. |
00:28:59 |
Run the plasma |
00:29:00 |
until we calculate |
00:29:02 |
What do you estimate |
00:29:04 |
of the burns, Kildare? |
00:29:05 |
DR. KILDARE: |
00:29:07 |
over about 20 percent |
00:29:09 |
Do you concur? |
00:29:10 |
I concur. |
00:29:11 |
Let's get him up to Pediatrics. |
00:29:13 |
WOMAN (over P.A.): |
00:29:16 |
Nurse Hopp |
00:29:19 |
Hello, Brenda. |
00:29:21 |
Hi, Dr. Conners. |
00:29:22 |
You need to sign these. |
00:29:24 |
Thank you. |
00:29:32 |
Do you notice anything |
00:29:34 |
- You got your braces off! |
00:29:36 |
Come here. Let me see. |
00:29:37 |
I've been trying |
00:29:39 |
(thunder rumbling) |
00:29:40 |
Wow. Good job. |
00:29:43 |
Yeah? |
00:29:44 |
So, did it hurt |
00:29:45 |
Mine felt so weird after. |
00:29:46 |
Mm, I keep rubbing my tongue |
00:29:48 |
I can't stop. |
00:29:51 |
It feels good, though, |
00:29:52 |
Yeah, it feels incredible. |
00:29:56 |
(thunder rumbles) |
00:30:04 |
Oh, my. |
00:30:06 |
I'm... I'm sorry. |
00:30:08 |
(thunder crashes) |
00:30:10 |
(passionate moaning) |
00:30:20 |
WOMAN (over P.A.): |
00:30:22 |
Dr. Conners to the ER. |
00:30:23 |
Shouldn't you go? |
00:30:25 |
No. No, no. |
00:30:26 |
They have a staff doctor |
00:30:28 |
We'll be fine. |
00:30:35 |
(panting): |
00:30:38 |
Do you really think |
00:30:41 |
Oh. In here, Dr. Conners. |
00:30:44 |
(child sobbing) |
00:30:56 |
(sobbing) |
00:31:00 |
Gentlemen, what, uh... |
00:31:04 |
Bicycle accident. |
00:31:06 |
Fractured tibia about |
00:31:10 |
Hmm. |
00:31:14 |
- Dr. Harris. |
00:31:16 |
Do you concur? |
00:31:18 |
C... Concur with what, sir? |
00:31:21 |
With what Dr. Ashland just said. |
00:31:23 |
Do you... Do you concur? |
00:31:26 |
Uh... well, it was |
00:31:28 |
Um, the boy told us. |
00:31:30 |
So you concur? |
00:31:32 |
Concur? Uh... |
00:31:33 |
I think we should take an X ray |
00:31:35 |
then stitch him up |
00:31:38 |
(moans) |
00:31:41 |
That's very good, Dr. Ashland. |
00:31:43 |
Well, you don't seem |
00:31:46 |
Carry on. |
00:31:50 |
I blew it, didn't I? |
00:31:52 |
Why didn't I concur? |
00:31:55 |
WOMAN (over P.A.): |
00:31:58 |
Dr. Henning, extension 219. |
00:31:59 |
(vomiting) |
00:32:10 |
(distant jackhammer drilling) |
00:32:16 |
FRANK SR: |
00:32:19 |
Frank Abagnale Sr. |
00:32:21 |
You're not a cop. |
00:32:24 |
Special Agent Hanratty, FBI. |
00:32:27 |
You're not a cop. |
00:32:28 |
My landlord said |
00:32:30 |
Well, if you're going |
00:32:32 |
I'd like |
00:32:34 |
if that's okay with you. |
00:32:35 |
No, no, I'm not here |
00:32:37 |
I'm looking for your son. |
00:32:39 |
Do you know where he is? |
00:32:43 |
If I tell you where he is |
00:32:44 |
will you promise |
00:32:46 |
Sure. |
00:32:48 |
Frank made up a fake I.D. |
00:32:51 |
and enlisted |
00:32:53 |
He's over in Vietnam right now. |
00:32:54 |
That kid is halfway |
00:32:57 |
crawling through the damn jungle |
00:32:59 |
fighting the Communists, so... |
00:33:01 |
(shuts refrigerator door) |
00:33:03 |
please, don't come to my home |
00:33:07 |
because that kid has |
00:33:08 |
I never said he was a criminal, |
00:33:10 |
I said he was in trouble. |
00:33:12 |
If you'd like to give me a call |
00:33:26 |
(pen scribbling) |
00:33:28 |
You're not a father, are you? |
00:33:32 |
Pardon me? |
00:33:34 |
If you were a father, |
00:33:36 |
I would never give up my son. |
00:33:39 |
I would never give up my son. |
00:33:43 |
Yes, sir. I understand. |
00:33:46 |
Sean, Sean, now get this: |
00:33:49 |
"Riverbend Apartments |
00:33:50 |
415 Landover, Atlanta, Georgia." |
00:33:54 |
Atlanta, Georgia. |
00:33:55 |
Yeah, I'm on my way |
00:33:57 |
I'll meet the team in, uh, |
00:33:59 |
Bye-bye. |
00:34:03 |
Come on, it's okay. |
00:34:04 |
(Brenda sobs) |
00:34:06 |
You don't have to cry. |
00:34:08 |
I'm sorry. |
00:34:09 |
I'm so sorry, Frank. |
00:34:11 |
I can't do this. |
00:34:12 |
Brenda, listen to me. |
00:34:15 |
I don't care if you're |
00:34:17 |
Really, I can wait. |
00:34:18 |
I'm not a virgin. |
00:34:25 |
I had an abortion two years ago. |
00:34:31 |
My parents had a friend do it |
00:34:35 |
a man that my father |
00:34:39 |
And then, when I got better, |
00:34:44 |
I had an abortion and I wasn't |
00:34:46 |
(gently): |
00:34:48 |
I'm so sorry. |
00:34:49 |
Please don't be mad at me. |
00:34:51 |
Please, please, |
00:34:53 |
No, no. |
00:34:54 |
Please don't be mad at me. |
00:34:56 |
Shh. Now... what if... |
00:34:58 |
what if I spoke |
00:35:01 |
May-Maybe I can |
00:35:03 |
Well, I ask them all the time |
00:35:05 |
but they said I still |
00:35:08 |
And my daddy's... a lawyer. |
00:35:12 |
Aw... |
00:35:19 |
Brenda... |
00:35:22 |
what if you were engaged |
00:35:26 |
Will that change anything? |
00:35:28 |
What? |
00:35:33 |
What if I went |
00:35:37 |
and I spoke to your father... |
00:35:43 |
and I asked permission |
00:35:55 |
# # |
00:35:59 |
It's empty. |
00:36:00 |
Nobody here. |
00:36:12 |
# # |
00:36:19 |
(classical music playing) |
00:36:21 |
New Orleans |
00:36:25 |
(woman laughs) |
00:36:27 |
Dr. Conners, are you Lutheran? |
00:36:29 |
Yes, I-I am a Lutheran, |
00:36:34 |
Frank, would you like |
00:36:43 |
Unless you're not comfortable. |
00:36:46 |
Absolutely. |
00:36:49 |
(clears throat) |
00:36:57 |
Two little mice fell |
00:37:02 |
The first mouse quickly |
00:37:05 |
but the second mouse, |
00:37:07 |
that he eventually churned |
00:37:10 |
and he walked out. |
00:37:12 |
- Amen. |
00:37:16 |
Amen. Oh, that was beautiful. |
00:37:19 |
The mouse, he churned |
00:37:22 |
(sighing happily) |
00:37:24 |
That's right. |
00:37:25 |
That's pretty good. |
00:37:27 |
Thank you. |
00:37:28 |
Frank, have you decided |
00:37:30 |
you want to work at |
00:37:32 |
Well, um, to be quite honest |
00:37:34 |
I'm thinking |
00:37:37 |
Oh, my! |
00:37:39 |
Are you a doctor or a lawyer? |
00:37:41 |
Before I went to medical school, |
00:37:45 |
I practiced law for one year |
00:37:47 |
then I decided why not |
00:37:52 |
You're just full of surprises. |
00:37:55 |
Yeah. |
00:37:56 |
MOTHER (laughing): |
00:37:57 |
A doctor and a lawyer. |
00:37:59 |
Well, I'd say that Brenda |
00:38:01 |
Where did you go to law school? |
00:38:03 |
Uh, Berkeley. |
00:38:05 |
(gasping) |
00:38:06 |
Berkley, Berkley. Oh, my gosh. |
00:38:08 |
Isn't that where you went, |
00:38:09 |
Maybe Frank could come work |
00:38:11 |
You're always saying |
00:38:13 |
to find |
00:38:14 |
Could he, Daddy? |
00:38:17 |
Could he come work with you, |
00:38:18 |
Was that snake Hollingsworth |
00:38:20 |
when you went through Berkley? |
00:38:22 |
(laughs quietly) |
00:38:23 |
Hollingsworth. |
00:38:25 |
Yes. Grumpy old Hollingsworth, |
00:38:28 |
I tell you. Meaner than ever. |
00:38:30 |
And that dog of his? |
00:38:34 |
Tell me, Frank, what was |
00:38:47 |
I'm sorry. Uh... |
00:38:50 |
The dog was dead. |
00:38:52 |
(women cooing) |
00:38:56 |
How unfortunate. |
00:38:58 |
Yeah. |
00:39:30 |
A doctor, a lawyer, |
00:39:35 |
So what are you, Frank? |
00:39:38 |
'Cause I think you're |
00:39:40 |
for my daughter's hand |
00:39:42 |
and I have a right to know. |
00:39:43 |
Know what, sir? |
00:39:46 |
The truth. |
00:39:50 |
Tell me the truth, Frank. |
00:39:53 |
What are you doing here? |
00:39:57 |
What is a man like you doing |
00:40:00 |
If you want my blessing |
00:40:02 |
if you want my daughter |
00:40:04 |
I'd like to hear it |
00:40:10 |
The truth is, sir, that... |
00:40:16 |
The truth is that... |
00:40:20 |
I'm not a doctor, |
00:40:25 |
I'm not an airline pilot. |
00:40:28 |
I'm... I'm nothing, really. |
00:40:37 |
I'm-I'm-I'm just a kid who's |
00:40:44 |
No. |
00:40:54 |
You know what you are? |
00:40:57 |
You're a romantic. |
00:40:59 |
Men like us are nothing |
00:41:02 |
I must confess, I'm guilty |
00:41:05 |
I proposed to Carol |
00:41:07 |
with two nickels in my pockets |
00:41:11 |
because I knew she was the one. |
00:41:13 |
So go ahead, Frank. |
00:41:19 |
Don't be afraid. |
00:41:21 |
Ask the question you came here |
00:41:26 |
Sir, uh, uh... |
00:41:29 |
w-what would I have to do |
00:41:30 |
to take the bar |
00:41:33 |
(laughing) |
00:41:38 |
No, the... the other question. |
00:41:41 |
(ticking) |
00:41:45 |
WOMAN: |
00:41:49 |
Good luck, Mr. Conners. |
00:41:52 |
Thank you. |
00:41:55 |
December 26, 1969 |
00:42:01 |
Hey, Frank... |
00:42:02 |
you know what I could |
00:42:05 |
How did you cheat on the |
00:42:07 |
Why? What's the difference? |
00:42:09 |
Someone else took the test |
00:42:12 |
Carl, I'm going to prison |
00:42:14 |
Seriously, |
00:42:17 |
It's a simple question. |
00:42:20 |
Are you going to eat |
00:42:24 |
Yeah. I'm saving it for later. |
00:42:28 |
Well, you want |
00:42:30 |
No. |
00:42:34 |
Give me half that éclair |
00:42:48 |
I'm going to figure it out |
00:42:58 |
You'll be working under |
00:43:01 |
Why don't you settle in, |
00:43:06 |
Thank you. |
00:43:08 |
We're having lunch at 12:30 |
00:43:11 |
and Governor McKeithen. |
00:43:13 |
Himself. |
00:43:14 |
The Governor. |
00:43:15 |
Did we spell it right? |
00:43:17 |
You sure did. |
00:43:18 |
Congratulations. |
00:43:20 |
Thank you, sir. |
00:43:21 |
Welcome aboard. |
00:43:23 |
Now... |
00:43:30 |
Look at this photograph, |
00:43:32 |
It's a photograph |
00:43:35 |
where they found him, dead. |
00:43:37 |
Now, here is an enlargement |
00:43:40 |
This is a photograph |
00:43:43 |
on a canceled check. |
00:43:44 |
Now, here is an enlargement |
00:43:47 |
which matches |
00:43:48 |
the signature on the letters |
00:43:51 |
which discuss the possibility |
00:43:53 |
of defrauding |
00:43:55 |
Your Honor, |
00:43:59 |
this is irrefutable evidence |
00:44:00 |
that the defendant is, |
00:44:04 |
(echoing thud) |
00:44:05 |
(chair slams against floor) |
00:44:08 |
Mr. Conners, this is |
00:44:14 |
There is no... defendant. |
00:44:18 |
There is no... jury. |
00:44:22 |
It's just me. |
00:44:25 |
Son... |
00:44:27 |
what in the hell is wrong |
00:44:31 |
- (applause over TV) |
00:44:33 |
Roger! It's Mitch! |
00:44:35 |
Oh, my, |
00:44:37 |
MITCH MILLER (on TV): |
00:44:40 |
we have the children's choir |
00:44:42 |
in New York City. |
00:44:44 |
Won't you join them and the gang |
00:44:46 |
in a few songs for the Irish? |
00:44:48 |
# Has anybody here seen Kelly? # |
00:44:51 |
(all but Frank joining in): |
00:44:54 |
# Has anybody here seen Kelly? # |
00:44:56 |
# Have you seen him smile? # |
00:44:58 |
# Sure his hair is red, |
00:45:01 |
# And he's Irish |
00:45:03 |
# Has anybody here seen Kelly # |
00:45:06 |
# Kelly from the Emerald Isle? # |
00:45:08 |
# Has anybody here seen Kelly? # |
00:45:11 |
# K, E, double L, Y # |
00:45:13 |
(joining in): |
00:45:16 |
# Have you seen him smile? # |
00:45:18 |
# Sure his hair is red, |
00:45:21 |
# And he's Irish |
00:45:24 |
# Has anybody here |
00:45:26 |
JUDY GARLAND (on record): |
00:45:28 |
# My sweet embraceable you # |
00:45:34 |
# Embrace me # |
00:45:37 |
# You irreplaceable you # |
00:45:44 |
# Just one look at you # |
00:45:47 |
# My heart grew tipsy in me # |
00:45:53 |
# You and you alone # |
00:45:56 |
# Bring out the gypsy in me # |
00:46:02 |
# I love all # |
00:46:05 |
# The many charms about you # |
00:46:12 |
# Above all # |
00:46:15 |
# I want my arms about you... # |
00:46:18 |
(whispers): |
00:46:21 |
#... Don't be |
00:46:24 |
What are you doing here? |
00:46:26 |
I... I-I came to see you. |
00:46:31 |
#... My sweet embraceable... # |
00:46:34 |
What are you doing |
00:46:36 |
I took a job. A government job. |
00:46:38 |
You see what I'm doing? |
00:46:39 |
Do you have a good lawyer? |
00:46:41 |
Well... I sort of |
00:46:44 |
Look at this letter. |
00:46:47 |
I had a deal with them: |
00:46:50 |
They ate the cake, |
00:46:53 |
I want to sue them. |
00:46:56 |
Now they want the crumbs. |
00:46:59 |
They... Here, sit down. |
00:47:01 |
They're trying to scare me, |
00:47:04 |
You know what? |
00:47:07 |
You know what? |
00:47:10 |
for the rest of their lives. |
00:47:19 |
Hey, it's great |
00:47:22 |
Listen, sit down, I... |
00:47:28 |
I came here to give you this. |
00:47:31 |
It's an invitation |
00:47:36 |
Daddy, I'm getting married. |
00:47:39 |
Can you believe that? |
00:47:42 |
You don't need to worry |
00:47:45 |
Listen, I'm getting |
00:47:47 |
I'm getting a $60,000 house. |
00:47:49 |
I'm-I'm getting it all back. |
00:47:51 |
All-All the jewelry, |
00:47:53 |
Everything they took from us, |
00:47:56 |
Now... |
00:47:58 |
has Ma seen you |
00:48:02 |
Yeah, she came |
00:48:05 |
That's okay, that's okay, |
00:48:07 |
'Cause she... she's going |
00:48:09 |
I'm going to get you |
00:48:11 |
I'm getting you |
00:48:12 |
One of those Manhattan Eagle, |
00:48:15 |
You'll look great. |
00:48:16 |
Those are nice. Yeah. |
00:48:17 |
She won't see me. |
00:48:21 |
Well, have you tried |
00:48:23 |
Uh-uh. |
00:48:25 |
Why don't... why don't you |
00:48:28 |
Dad, why don't you |
00:48:30 |
Dad, just call her. |
00:48:32 |
You call her, and you tell her |
00:48:34 |
I have two first-class tickets |
00:48:37 |
Your mother's married now, |
00:48:40 |
They have a house |
00:48:43 |
(whispering): |
00:48:47 |
You got their number, son. |
00:48:49 |
The guy looked scared. |
00:48:51 |
The United States government, |
00:48:55 |
Pow! To the moon! |
00:49:09 |
Dad... it's over. |
00:49:13 |
I'm going to stop now. |
00:49:15 |
But y-you've... |
00:49:17 |
They're never going |
00:49:19 |
- Dad, she wouldn't do that. |
00:49:22 |
- Why would she do that to you? |
00:49:24 |
Come on, sit with me. |
00:49:25 |
I'm your father. |
00:49:28 |
Then ask me to stop. |
00:49:30 |
(quietly): |
00:49:35 |
You can't stop. |
00:49:39 |
Where are you going? |
00:49:41 |
Come on, Frank, |
00:49:44 |
Where are you going? |
00:49:45 |
Where are you going tonight? |
00:49:47 |
Someplace exotic? |
00:49:48 |
Where are you going tonight? |
00:49:50 |
Tahiti, Hawaii? |
00:50:01 |
(phone ringing) |
00:50:09 |
This is Hanratty. |
00:50:12 |
FRANK: |
00:50:14 |
Merry Christmas. |
00:50:16 |
How are you, Dr. Conners? |
00:50:18 |
Carl, I haven't been Dr. Conners |
00:50:22 |
(Hanratty sniffles, |
00:50:24 |
Well... I'm sitting here |
00:50:29 |
What do you want? |
00:50:31 |
(instrumental version "I'll Be |
00:50:35 |
(sighs): |
00:50:42 |
I want it to be over. |
00:50:48 |
Uh... I want it to be over. |
00:50:50 |
I'm getting married. |
00:00:03 |
You've stolen almost $4 million. |
00:00:05 |
You think we can just |
00:00:07 |
Nah, this isn't something you |
00:00:10 |
I want to call a truce. |
00:00:12 |
No truce. |
00:00:13 |
You will be caught, |
00:00:15 |
Where did you think |
00:00:16 |
Please leave me alone, Carl. |
00:00:20 |
Please? |
00:00:21 |
I'm getting close, aren't I? |
00:00:23 |
You're scared because |
00:00:25 |
I know you... you rented |
00:00:28 |
and you stayed in that hotel |
00:00:31 |
You want to run, be my guest. |
00:00:33 |
Your checks don't lie |
00:00:36 |
Stop chasing me. |
00:00:41 |
I can't stop. |
00:00:44 |
It's my job. |
00:00:46 |
It's okay, Carl. |
00:00:49 |
I just thought I'd ask, |
00:00:55 |
Hey. Merry Christmas, huh? |
00:00:59 |
(click and dial tone) |
00:01:02 |
I love my job. |
00:01:05 |
All right... (clears throat) |
00:01:06 |
let's get every newspaper |
00:01:08 |
every newspaper in Louisiana |
00:01:10 |
What are we looking for? |
00:01:12 |
Engagement announcements, |
00:01:14 |
Conners?! Come on, Carl, |
00:01:16 |
changed his name by now. |
00:01:18 |
Mm-mm. He can't change it. |
00:01:21 |
She thinks he's Conners. |
00:01:23 |
If he loses the name, |
00:01:25 |
# I can't give you anything # |
00:01:27 |
# But love, baby # |
00:01:30 |
# That's the only thing |
00:01:34 |
# Baby # |
00:01:35 |
# Dreamin' a while, |
00:01:37 |
- Congratulations. |
00:01:39 |
#... You're sure to find # |
00:01:42 |
- # Happiness, and I guess # |
00:01:45 |
# All those things |
00:01:47 |
- Oh. |
00:01:49 |
Oh, me too. Thank you. |
00:01:50 |
I'm going to, uh, |
00:01:52 |
- Okay. |
00:01:53 |
Hurry back. |
00:02:00 |
(car approaching) |
00:02:03 |
(brakes squeaking) |
00:02:10 |
Good evening. |
00:02:11 |
I'm Agent Hanratty |
00:02:12 |
We'd like to have |
00:02:14 |
with your host, if possible. |
00:02:15 |
MAN: |
00:02:19 |
Right over there, sir. |
00:02:20 |
- Hi, Roger. How are you? |
00:02:23 |
Good evening, gentlemen. |
00:02:25 |
Carl Hanratty, FBI. |
00:02:27 |
This is Agents Amdursky and Fox. |
00:02:29 |
Sorry to crash your party, sir. |
00:02:31 |
Not at all. |
00:02:33 |
If it's not too much trouble, |
00:02:36 |
Is there a problem? |
00:02:39 |
- (laughter) |
00:02:41 |
Can you hold all these? |
00:02:42 |
(whispering): |
00:02:44 |
They're checks. |
00:02:46 |
They're for us, so we can |
00:02:49 |
What are you doing? |
00:02:50 |
We have to leave. |
00:02:52 |
What?! |
00:02:55 |
Brenda, you love me, right? |
00:02:56 |
Yes. |
00:02:57 |
I mean, you'd love me |
00:02:59 |
Yes. |
00:03:00 |
I mean, you'd love me |
00:03:01 |
whether I was sick |
00:03:02 |
or even if I had |
00:03:04 |
Frank, where'd you get |
00:03:05 |
Brenda, listen. A name, right? |
00:03:07 |
A name, it doesn't matter. |
00:03:08 |
My name is Frank Conners, right? |
00:03:10 |
- That's who I am with you. |
00:03:11 |
But-but we all have secrets. |
00:03:12 |
You know, |
00:03:14 |
I use the name Frank Taylor. |
00:03:16 |
- Frank Taylor?! |
00:03:18 |
- Frank Black. |
00:03:19 |
Yeah, it doesn't matter. |
00:03:20 |
Why are you saying all this? |
00:03:23 |
Brenda... Brenda, I don't want |
00:03:26 |
All right? I'm not a doctor. |
00:03:27 |
I never went to medical school. |
00:03:29 |
I'm not a lawyer or a Harvard |
00:03:32 |
Brenda, I ran away from home |
00:03:35 |
when I was 16. |
00:03:36 |
Frank... |
00:03:39 |
Frank? |
00:03:42 |
You're not a Lutheran? |
00:03:44 |
Brenda... you see |
00:03:46 |
You see all this money? |
00:03:48 |
I have plenty more. |
00:03:51 |
I have enough money |
00:03:52 |
to last us |
00:03:54 |
- (gasps) |
00:03:55 |
Frank, stop teasing me. |
00:03:58 |
You're Frank Conners. |
00:03:59 |
You're Frank Conners, |
00:04:02 |
(whispering): |
00:04:04 |
Why would you lie to me? |
00:04:06 |
- Brenda, Brenda... |
00:04:08 |
- Listen to me, Brenda. |
00:04:10 |
We can live anywhere we want |
00:04:11 |
but you have to trust me, |
00:04:13 |
- Do you trust me? |
00:04:14 |
- Do you love me, Brenda? |
00:04:16 |
- You love me? |
00:04:18 |
Excuse me, Mother. |
00:04:20 |
Honey, this is Mr. Hanratty. |
00:04:23 |
- Oh, Mister? |
00:04:24 |
- Ratty. |
00:04:26 |
Have you seen Frank or Brenda? |
00:04:27 |
I-I think they went upstairs. |
00:04:35 |
Frank... |
00:04:38 |
(whispers): |
00:04:40 |
Okay, in two days, |
00:04:42 |
at Miami International |
00:04:45 |
You're going to leave the house |
00:04:47 |
You're going to take a taxicab. |
00:04:48 |
You give the taxi driver |
00:04:50 |
and you tell him to drive |
00:04:52 |
Brenda, you're going |
00:04:54 |
- 10:00am, all right? |
00:04:56 |
(scatting) |
00:04:58 |
# I never stop # |
00:05:00 |
# Till I get to the top... # |
00:05:04 |
(jazz continues in distance) |
00:05:15 |
Which room, sir? |
00:05:16 |
In the corner. |
00:05:18 |
You have to listen to me, |
00:05:19 |
The International Terminal |
00:05:21 |
Okay, the International |
00:05:23 |
- No matter what... |
00:05:24 |
- You're going to take a taxicab. |
00:05:26 |
You're going to be there |
00:05:28 |
I will be there at 10:00am, |
00:05:29 |
- In two days. |
00:05:30 |
Two days, Brenda. Two days. |
00:05:31 |
In two days, I'll be there |
00:05:33 |
no matter what, at 10:00am. |
00:05:41 |
You're not going |
00:05:43 |
You have to promise me, now. |
00:05:44 |
(crying): |
00:05:45 |
Before you go, |
00:05:47 |
Please, tell me. |
00:05:51 |
Frank William Abagnale Jr. |
00:05:56 |
(ominous music playing) |
00:06:03 |
(light, childlike theme plays) |
00:06:08 |
(wind blowing) |
00:06:12 |
(ominous theme building) |
00:06:17 |
(childlike theme returns) |
00:06:22 |
(shuddering) |
00:06:33 |
# # |
00:06:42 |
WOMAN (over P.A.): |
00:06:44 |
flight number 27, serving |
00:06:46 |
and New York Kennedy, |
00:06:52 |
Skycap, Gate 14. |
00:06:56 |
Taxi! |
00:06:58 |
(announcements continue |
00:07:08 |
MAN (over P.A.): |
00:07:20 |
# # |
00:07:32 |
# # |
00:07:45 |
# # |
00:07:57 |
# # |
00:08:03 |
(sighing) |
00:08:06 |
Brenda. |
00:08:21 |
AMDURSKY: |
00:08:22 |
He must've got wise to us. |
00:08:23 |
HANRATTY: |
00:08:24 |
If he's not here today, |
00:08:25 |
We'll get him before |
00:08:27 |
He doesn't have a passport. |
00:08:28 |
For the last six months, he's |
00:08:31 |
I'm betting he can get |
00:08:32 |
So we have all our men |
00:08:34 |
in Miami International. |
00:08:35 |
He's used it before. |
00:08:37 |
I talked to Miami police; |
00:08:39 |
50 uniformed cops |
00:08:41 |
With our guys, that's almost |
00:08:43 |
Don't you think |
00:08:45 |
No, no, this is the exit point. |
00:08:46 |
Well, how do you know |
00:08:49 |
and driven to airports |
00:08:51 |
Because I'm not in New York. |
00:08:52 |
I'm not in Atlanta. |
00:08:54 |
Yes, this is, uh, Frank Roberts |
00:08:56 |
and I'm letting |
00:08:58 |
in the area know |
00:09:00 |
a new recruiting program |
00:09:03 |
I'll, uh, be stopping |
00:09:06 |
Thank you all very much |
00:09:09 |
At the end of the day |
00:09:10 |
I'll be choosing eight |
00:09:13 |
(cheering and laughter) |
00:09:15 |
...Pan Am's future stewardess |
00:09:18 |
Now, these eight young ladies |
00:09:20 |
on a two-month public relations |
00:09:24 |
(women squealing) |
00:09:25 |
They will discover firsthand |
00:09:28 |
to be a Pan American stewardess. |
00:09:30 |
(cheering) |
00:09:32 |
HANRATTY: |
00:09:34 |
Nah, one man |
00:09:37 |
- Mm-hmm. |
00:09:38 |
Amdursky? |
00:09:40 |
Yeah? |
00:09:42 |
Make sure your uniforms |
00:09:44 |
the sidewalk entrances |
00:09:46 |
Hey... let's have, uh, periodic |
00:09:51 |
You, here. |
00:09:52 |
What qualifies me |
00:09:56 |
Well, I think |
00:09:58 |
and I can really help out |
00:10:00 |
and, um, make people |
00:10:04 |
We'll be traveling |
00:10:06 |
at an altitude of 300 feet. |
00:10:08 |
# All my bags are packed, |
00:10:13 |
(playing dramatic piano intro) |
00:10:15 |
Ilene Anderson. |
00:10:17 |
(squealing and applause) |
00:10:19 |
(pianist playing |
00:10:24 |
Miggy Acker. |
00:10:27 |
(excited squealing) |
00:10:31 |
Debra Jo McMillan. |
00:10:39 |
Candy Heston. |
00:10:42 |
FRANK SINATRA: |
00:10:49 |
# If you can use |
00:10:53 |
# There's a bar in far Bombay # |
00:10:56 |
# Come fly with me, |
00:11:04 |
# Come fly with me, |
00:11:10 |
# In llama land |
00:11:14 |
# And he'll toot his flute |
00:11:17 |
(appreciative whistle) |
00:11:19 |
# Come fly with me... # |
00:11:20 |
Hi. |
00:11:21 |
#... Let's take off |
00:11:23 |
# Once I get you up there # |
00:11:27 |
# Where the air is rarefied # |
00:11:29 |
(wolf whistle) |
00:11:32 |
# We'll just glide starry-eyed # |
00:11:38 |
# Once I get you up there... # |
00:11:41 |
You see that blonde out front? |
00:11:42 |
I should have been a pilot. |
00:11:43 |
Exactly. |
00:11:45 |
WOMAN (over P.A.): |
00:11:46 |
please pick up |
00:11:48 |
Hanratty. |
00:11:49 |
AMDURSKY: |
00:11:51 |
There's a guy |
00:11:53 |
sitting in a white Coupe DeVille |
00:11:56 |
That's the charter terminal. |
00:11:57 |
Can you get a look at his face? |
00:11:58 |
He's got his pilot's cap on. |
00:11:59 |
Carl, I think it's him! |
00:12:01 |
#... Just say the words, |
00:12:03 |
# Down to Acapulco Bay... # |
00:12:04 |
(siren blaring) |
00:12:06 |
Watch out, watch out, |
00:12:07 |
#... It's perfect for a flying |
00:12:11 |
(agents shouting) |
00:12:13 |
Out of the car, Frank. |
00:12:15 |
(patrol cars' tires squealing) |
00:12:16 |
Frank?! |
00:12:17 |
Step out of the car! |
00:12:19 |
Keep your hands |
00:12:22 |
Don't shoot me! |
00:12:24 |
A man paid me $100 |
00:12:26 |
and pick someone up |
00:12:27 |
Who you picking up? |
00:12:29 |
Hey! |
00:12:34 |
# Pack up, let's fly away. # |
00:12:42 |
(engine roaring) |
00:12:51 |
Seven months later |
00:12:54 |
HANRATTY: |
00:12:56 |
Singapore, Egypt. |
00:12:58 |
The kid's gone |
00:13:00 |
Why wasn't I called? |
00:13:01 |
FOX: |
00:13:03 |
The banks didn't know what |
00:13:04 |
That's impossible. |
00:13:06 |
They didn't call |
00:13:07 |
- It's something else. |
00:13:09 |
He's making real checks, sir. |
00:13:10 |
These are so perfect |
00:13:11 |
the airline didn't know |
00:13:13 |
Last check was cashed |
00:13:15 |
My guess is he's still there. |
00:13:16 |
We have to leave now, sir. |
00:13:17 |
Go where? |
00:13:19 |
Spain? You want to go to Spain? |
00:13:20 |
Well, eventually, |
00:13:21 |
to where the checks |
00:13:22 |
I think that's why |
00:13:24 |
Look at the map, sir. |
00:13:26 |
He's running out of checks. |
00:13:27 |
I know it's a... |
00:13:28 |
but if we track him from Madrid, |
00:13:32 |
I'm sorry, Carl, |
00:13:33 |
you're not going |
00:13:35 |
But, sir, we're going |
00:13:38 |
No, Carl, you let him get away. |
00:13:50 |
(tapping map) |
00:14:03 |
# # |
00:14:15 |
# # |
00:14:21 |
A perfect one-16th |
00:14:27 |
Hmm! |
00:14:29 |
Color separation is flawless. |
00:14:34 |
There's no bleeding. Hmm. |
00:14:36 |
Nobody does work like this |
00:14:38 |
Nobody but us. |
00:14:40 |
HANRATTY: |
00:14:42 |
(chuckling): |
00:14:44 |
A monster. |
00:14:45 |
...a Heidelberg, an Istra... |
00:14:46 |
Heidelberg. |
00:14:48 |
...a dinosaur, four colors. |
00:14:49 |
You can smell the weight. |
00:14:51 |
Two tons, without the ink. |
00:14:52 |
(inhales, clears throat) |
00:14:54 |
Where do they do printing |
00:14:56 |
Germany, Great Britain... |
00:14:58 |
France. |
00:14:59 |
BOTH PRINTERS: |
00:15:01 |
France. Frank's mother said |
00:15:04 |
where they didn't have Sara Lee. |
00:15:05 |
The village where |
00:15:06 |
Oh, yeah, |
00:15:08 |
It started with an M. |
00:15:11 |
"Mont." Mr. Fox? |
00:15:12 |
Uh, yes, yes. |
00:15:13 |
Question: "You met your husband |
00:15:15 |
Answer: "Yes, I lived |
00:15:16 |
Yeah, right. |
00:15:17 |
"The kind of place where |
00:15:18 |
Tell me you wrote down the name |
00:15:23 |
Montrichard. |
00:15:25 |
CHORUS (in distance): |
00:15:27 |
Montrichard, France |
00:15:30 |
# Venite, venite # |
00:15:34 |
# In Bethlehem # |
00:15:40 |
# Natum videte # |
00:15:44 |
# Regem angelorum # |
00:15:49 |
# Venite adoremus, |
00:16:00 |
# Venite... # |
00:16:02 |
(rhythmic clattering) |
00:16:17 |
(bell ringing) |
00:16:18 |
(thumping and fluttering) |
00:16:20 |
(clattering slows) |
00:16:21 |
Carl? |
00:16:22 |
Carl! |
00:16:25 |
Merry Christmas! |
00:16:26 |
How is it that we're always |
00:16:29 |
Every Christmas |
00:16:31 |
(laughing) |
00:16:32 |
Put your shirt on, Frank. |
00:16:34 |
Hey, are you hungry? |
00:16:36 |
They got the best |
00:16:37 |
Here, give these a try. |
00:16:38 |
There's two dozen French |
00:16:40 |
Carl, I gotta tell you, |
00:16:42 |
They wanted to bring you in. |
00:16:43 |
You want a bite? |
00:16:44 |
But they needed the help |
00:16:46 |
Are you hungry? |
00:16:47 |
But I told them |
00:16:49 |
unless I could put the cuffs |
00:16:51 |
Well, you have a gun? |
00:16:52 |
- No gun? |
00:16:53 |
No gun. |
00:16:56 |
And-and you're... |
00:16:58 |
There's, uh, |
00:16:59 |
there's two dozen |
00:17:01 |
right now on Christmas Eve? |
00:17:02 |
That's what you're telling me? |
00:17:04 |
Yeah. |
00:17:05 |
(chuckling): |
00:17:06 |
Well, there's no windows here. |
00:17:08 |
I'm going to take a look |
00:17:11 |
No! No! |
00:17:12 |
I told them I'd walk out first |
00:17:15 |
Here, you can |
00:17:16 |
No, I can't do that! |
00:17:18 |
You know why? |
00:17:19 |
(panting) |
00:17:20 |
'Cause I think |
00:17:21 |
I don't... I don't think |
00:17:24 |
I think... I think |
00:17:26 |
That's right. |
00:17:27 |
I think it's just me and you, |
00:17:29 |
You're going to have |
00:17:31 |
I wo... we don't have time |
00:17:34 |
Ah, that's good. That's good. |
00:17:36 |
Tell me what you want me to see, |
00:17:39 |
I wouldn't lie to you. |
00:17:40 |
Look, you're wearing |
00:17:41 |
You're wearing |
00:17:43 |
You lied to me about that! |
00:17:44 |
Didn't you lie about that?! |
00:17:45 |
You asked me if I had a family. |
00:17:47 |
I did, but I don't anymore. |
00:17:49 |
(phone ringing) |
00:17:51 |
(anxious breathing) |
00:17:55 |
(ringing continues) |
00:17:57 |
Yes? No, no, no, |
00:17:59 |
We're coming out right now. |
00:18:01 |
(laughing) |
00:18:03 |
Whoa, that was good. |
00:18:05 |
What, did you... |
00:18:07 |
to make that call for you, |
00:18:09 |
It was Captain Luc. |
00:18:10 |
I've got one minute |
00:18:11 |
Captain Luc? Captain Luc! |
00:18:12 |
Ooh, Captain Luc. |
00:18:13 |
Well, Carl, I gotta say |
00:18:15 |
that-that sounds |
00:18:17 |
but like I said, I... |
00:18:19 |
me and you here, |
00:18:20 |
So you're going to have |
00:18:22 |
Frank. Frank! |
00:18:23 |
You have to trust me on this! |
00:18:25 |
These people |
00:18:28 |
They're angry. |
00:18:29 |
You rob their banks, |
00:18:31 |
you live in their country. |
00:18:32 |
I told you this was |
00:18:34 |
that there was no other way |
00:18:36 |
Don't make a mistake! |
00:18:38 |
That's good. |
00:18:39 |
That's good, Carl, you know? |
00:18:42 |
Keep pushing that lie. |
00:18:43 |
Keep pushing it. |
00:18:44 |
Keep pushing |
00:18:45 |
They're going to kill you! |
00:18:48 |
You walk out that door, |
00:18:51 |
(panting) |
00:18:56 |
Is that the truth? |
00:19:01 |
Yeah. |
00:19:08 |
You have any children, Carl? |
00:19:10 |
I have a four-year-old daughter. |
00:19:14 |
You swear on your daughter? |
00:19:19 |
You swear? |
00:19:25 |
You swear? |
00:19:29 |
(handcuffs clacking) |
00:19:39 |
CHORUS: |
00:19:43 |
# Gloria # |
00:19:51 |
# In excelsius Deo # |
00:19:55 |
# Gloria... # |
00:19:58 |
That was really good, Carl. |
00:20:00 |
(car approaching) |
00:20:03 |
(sirens blaring) |
00:20:05 |
(chorus continues singing) |
00:20:07 |
(tires screeching) |
00:20:09 |
(officer shouting in French) |
00:20:10 |
I have him in custody. |
00:20:11 |
I got him. |
00:20:12 |
I got him! It's all right! |
00:20:14 |
(shouting continues) |
00:20:15 |
It's all right! |
00:20:17 |
I got him! |
00:20:18 |
(speaking in French) |
00:20:19 |
(officer shouting excitedly) |
00:20:21 |
Hey, I want it... |
00:20:24 |
Frank Abagnale surrendered |
00:20:26 |
Understood? Understood? |
00:20:29 |
Where are you taking him? |
00:20:30 |
(speaking in French) |
00:20:31 |
I'm... I'm supposed to go. |
00:20:32 |
Where are you taking him? |
00:20:34 |
Let me in the... |
00:20:35 |
Let me in the car! |
00:20:36 |
(shouting continues) |
00:20:37 |
Hey! Let me in the car! |
00:20:39 |
# Gloria... # |
00:20:40 |
(engine starts) |
00:20:42 |
Don't worry, Frank! |
00:20:43 |
I'll have you extradited |
00:20:45 |
Don't worry. |
00:20:46 |
(siren wailing) |
00:20:51 |
# Gloria # |
00:21:02 |
# In excelsius Deo. # |
00:21:06 |
Carl... |
00:21:09 |
Carl, you have to remember |
00:21:12 |
to let me call my father |
00:21:16 |
I just want to, |
00:21:18 |
before he sees me on television |
00:21:30 |
Carl, look. |
00:21:32 |
That's LaGuardia right there. |
00:21:34 |
Runway 4-4. |
00:21:36 |
Frank, your father is dead. |
00:21:39 |
I'm sorry. |
00:21:41 |
I didn't want to say anything |
00:21:44 |
He-He... He fell down some steps |
00:21:49 |
trying to catch a train. |
00:21:51 |
I didn't want to be the one |
00:21:54 |
You're lying, right? |
00:21:57 |
You said I could talk to him. |
00:22:00 |
Carl, who are you to... |
00:22:01 |
who are you to say |
00:22:03 |
Who are you |
00:22:04 |
You said I could talk to him. |
00:22:05 |
He fell, and he... |
00:22:07 |
I'm sorry. |
00:22:10 |
I'm really sorry. |
00:22:19 |
(panting) |
00:22:22 |
(hits seat) |
00:22:24 |
(sobbing): |
00:22:25 |
Carl, I'm going to be sick! |
00:22:27 |
- (people muttering) |
00:22:29 |
It's all right. It's okay. |
00:22:30 |
Carl, I got to go |
00:22:31 |
I'm going to be sick. |
00:22:32 |
Sure. |
00:22:36 |
(panting) |
00:22:41 |
Goddamn it! |
00:22:43 |
(sobbing) |
00:22:47 |
(pounding) |
00:22:48 |
(murmuring) |
00:22:50 |
(panting) |
00:22:52 |
(panting slows) |
00:22:56 |
(Frank panting) |
00:23:00 |
(whispering): |
00:23:06 |
You'll have take your seat, sir. |
00:23:07 |
I've told you twice. |
00:23:09 |
- Sorry. Thank you... |
00:23:10 |
Frank! Come on now. |
00:23:12 |
- Frank? |
00:23:13 |
All of you need to be |
00:23:15 |
- with your seat belts fastened. |
00:23:17 |
Frank! |
00:23:21 |
- You do it. |
00:23:34 |
(engines decelerating) |
00:23:44 |
(grunting) |
00:23:49 |
(frustrated sigh) |
00:23:50 |
(grunting) |
00:23:52 |
Frank! Frank! |
00:23:54 |
(engines roaring) |
00:23:56 |
(tires squealing) |
00:23:58 |
HANRATTY: |
00:24:01 |
FBI. Stay seated. |
00:24:02 |
(engines whining) |
00:24:11 |
- Please remain seated! |
00:24:12 |
STEWARDESS: |
00:24:14 |
until the aircraft |
00:24:16 |
HANRATTY: |
00:24:18 |
NAT KING COLE: |
00:24:22 |
(panting) |
00:24:25 |
# Jack Frost nipping |
00:24:32 |
# Yuletide carols |
00:24:37 |
# And folks dressed up |
00:24:43 |
# Everybody knows # |
00:24:46 |
# A turkey and some mistletoe # |
00:24:51 |
# Help to make |
00:24:56 |
(quietly blowing notes) |
00:24:58 |
# Tiny tots with their eyes |
00:25:03 |
# Will find it hard |
00:25:07 |
What's your name? |
00:25:09 |
(blows note) |
00:25:10 |
# They know that Santa's |
00:25:12 |
Where's your mommy? |
00:25:15 |
#... He's loaded lots of toys |
00:25:20 |
(blows note) |
00:25:23 |
# And every mother's child |
00:25:28 |
# To see if reindeer |
00:25:31 |
(brakes squeaking) |
00:25:34 |
# And so I'm offering |
00:25:39 |
(men shouting indistinctly) |
00:25:42 |
# To kids from one to 92 # |
00:25:49 |
# Although it's been said |
00:25:52 |
# Many ways: |
00:25:56 |
Hands behind your head! |
00:25:58 |
#... To you. # |
00:26:00 |
Carl, get me in the car, |
00:26:01 |
Get me in the car. |
00:26:04 |
HANRATTY: |
00:26:06 |
(piano playing interlude |
00:26:09 |
(handcuffs latching) |
00:26:21 |
# # |
00:26:22 |
JUDGE: |
00:26:26 |
your history of bold |
00:26:30 |
and your complete lack |
00:26:32 |
for the laws |
00:26:35 |
I have no choice |
00:26:38 |
to be treated as a minor |
00:26:40 |
and sentence you to 12 years |
00:26:42 |
in Atlanta's |
00:26:45 |
and recommend strongly |
00:26:48 |
for the entirety |
00:26:50 |
#..."Merry Christmas to you." # |
00:26:54 |
(song ends with guitar playing |
00:27:03 |
Use that door over there. |
00:27:05 |
(phone ringing) |
00:27:07 |
(indistinct voices) |
00:27:10 |
PRISONER: |
00:27:12 |
I think about them all the time. |
00:27:25 |
(indistinct conversations |
00:27:31 |
(sighs deeply) |
00:27:33 |
Merry Christmas, Frank. |
00:27:37 |
Hey, I got you |
00:27:47 |
How's your daughter? |
00:27:48 |
What was her name? |
00:27:49 |
Grace. |
00:27:51 |
Well... I don't know. |
00:27:52 |
She lives with her mother |
00:27:54 |
and I don't get to see her much. |
00:27:57 |
What's in the briefcase? |
00:27:59 |
Oh. I'm on my way |
00:28:01 |
It's a paperhanger |
00:28:03 |
who's working his way |
00:28:05 |
(chuckling) |
00:28:07 |
Aw, geez, he's... |
00:28:10 |
You got any of the checks? |
00:28:12 |
Yeah, yeah, I got a... |
00:28:14 |
on the Great Lakes |
00:28:16 |
See, he's just using |
00:28:18 |
and an Underwood. |
00:28:20 |
Yeah, it's a teller at the bank. |
00:28:22 |
Say again? |
00:28:24 |
I-It's definitely a teller, |
00:28:25 |
I mean, banks, |
00:28:27 |
for the dates, see. |
00:28:29 |
They get used |
00:28:31 |
so they always get worn out |
00:28:32 |
and the numbers |
00:28:34 |
The sixes and the nines... |
00:28:40 |
Thanks. |
00:28:42 |
(buzzer sounding) |
00:28:46 |
MAN: |
00:28:48 |
at something for me. |
00:28:54 |
Tell me what you think. |
00:28:56 |
(clears throat) |
00:28:59 |
That's a fake. |
00:29:01 |
How do you know? |
00:29:02 |
You haven't looked at it. |
00:29:03 |
Well, there's |
00:29:06 |
I mean, this... this check |
00:29:09 |
Yeah... |
00:29:11 |
Paper is double-bonded |
00:29:12 |
much too heavy |
00:29:15 |
Magnetic ink, it's, uh, |
00:29:19 |
instead of flat. |
00:29:20 |
(sniffing) |
00:29:21 |
And this doesn't smell |
00:29:23 |
It's some kind of a... |
00:29:24 |
you know, |
00:29:26 |
You know, the kind you get |
00:29:28 |
(clears throat) |
00:29:32 |
(paper rustling) |
00:29:34 |
Frank... |
00:29:36 |
would you be interested |
00:29:38 |
with the FBI's |
00:29:40 |
(shuffles cards) |
00:29:42 |
I already got a job here. |
00:29:43 |
You know, I, uh, |
00:29:46 |
Frank, we have the power |
00:29:51 |
You'd be placed |
00:29:53 |
where you'd serve out |
00:29:55 |
as an employee |
00:30:00 |
Under whose custody? |
00:30:08 |
(phone ringing) |
00:30:10 |
Hi. I-I'm Frank Abagnale. |
00:30:13 |
I'm supposed to start work |
00:30:16 |
It's a tour company |
00:30:18 |
Sir, Mr. Abagnale is here. |
00:30:20 |
I'm going to call you back. |
00:30:32 |
(melancholy melody playing) |
00:30:43 |
# # |
00:30:52 |
Hello, Carl. |
00:30:54 |
Welcome to the FBI. |
00:30:56 |
I'll show you |
00:31:05 |
Carl... how long |
00:31:09 |
It's 8:15 in the morning |
00:31:11 |
45 minutes for lunch. |
00:31:13 |
No, I... |
00:31:15 |
I mean, how long? |
00:31:19 |
Every day. |
00:31:22 |
Every day, Frank, |
00:31:34 |
# # |
00:31:48 |
# # |
00:32:02 |
# # |
00:32:16 |
- (tapping) |
00:32:18 |
- Hey, Carl. |
00:32:21 |
How you doing? |
00:32:23 |
It's not a good time, Frank. |
00:32:25 |
I'm clearing my desk |
00:32:30 |
Carl, you mind if I come |
00:32:33 |
Tomorrow is Saturday. |
00:32:35 |
I'm flying to Chicago |
00:32:37 |
I'll be back to work on Monday. |
00:32:38 |
You're going to see Grace, huh? |
00:32:40 |
Well, that's the plan. |
00:32:44 |
(heavy sigh) |
00:32:45 |
So what should I do till Monday? |
00:32:47 |
I'm sorry, kid, |
00:32:49 |
Excuse me. |
00:32:53 |
(phone rings) |
00:32:57 |
This is Hanratty. |
00:32:59 |
Oh, yeah, put him on. |
00:33:09 |
Mr. Sawyer. |
00:33:11 |
How are you? |
00:33:13 |
I have a half a dozen |
00:33:15 |
on that tour operator |
00:33:24 |
(laughs quietly) |
00:33:36 |
# # |
00:33:40 |
(opens and shuts drawer) |
00:33:50 |
WOMAN (over P.A.): |
00:33:53 |
serving Chicago |
00:33:56 |
is now open |
00:33:57 |
How'd you do it, Frank? |
00:34:01 |
How'd you pass the bar |
00:34:04 |
What are you doing here? |
00:34:06 |
Listen... |
00:34:08 |
I'm sorry I put you |
00:34:11 |
You go back to Europe, you're |
00:34:14 |
You try to run |
00:34:15 |
we'll send you |
00:34:17 |
I know that. |
00:34:21 |
I spent four years trying |
00:34:23 |
Had to convince my bosses |
00:34:25 |
and the Attorney General |
00:34:27 |
you wouldn't run. |
00:34:28 |
Why'd you do it? |
00:34:31 |
You're just a kid. |
00:34:33 |
I'm not your kid. |
00:34:35 |
You said you were |
00:34:37 |
My daughter can't see me |
00:34:39 |
She's going skiing. |
00:34:41 |
You said she was four years old. |
00:34:43 |
You're lying. |
00:34:44 |
She was four when I left. |
00:34:45 |
Now she's 15. |
00:34:47 |
My wife's been remarried |
00:34:50 |
I see Grace every now and again. |
00:34:52 |
I don't understand. |
00:34:54 |
Sure you do. |
00:34:56 |
Sometimes it's easier |
00:35:02 |
I'm going to let you |
00:35:05 |
I'm not even going |
00:35:07 |
That's 'cause I know |
00:35:10 |
Yeah? How do you know |
00:35:13 |
(chuckles quietly) |
00:35:16 |
Look. |
00:35:18 |
Frank... |
00:35:20 |
nobody's chasing you. |
00:35:22 |
WOMAN (over P.A.): |
00:35:26 |
to Pittsburgh |
00:35:29 |
Passengers with boarding passes, |
00:35:41 |
Okay. |
00:35:43 |
Alice, has he still not called? |
00:35:45 |
No, he hasn't. |
00:35:58 |
HANRATTY: |
00:36:00 |
I've, uh, called this meeting |
00:36:02 |
a new type of check fraud |
00:36:04 |
which the unsub is washing |
00:36:06 |
then passing them |
00:36:08 |
(panting) |
00:36:13 |
This unsub is a big dog |
00:36:14 |
passing checks |
00:36:16 |
(door opening) |
00:36:20 |
Sorry I'm late. |
00:36:23 |
Sorry. |
00:36:28 |
We have a recovered check |
00:36:32 |
Why don't we step out |
00:36:38 |
There's impressions |
00:36:42 |
Looks like the original amount |
00:36:50 |
Mind if I take a look? |
00:36:54 |
Cashed in Flagstaff a week ago. |
00:36:59 |
Cost the bank $16,000. |
00:37:02 |
It's a real check. |
00:37:04 |
Yeah. |
00:37:06 |
Yeah. It's been washed. |
00:37:07 |
The only thing original |
00:37:09 |
But it's perfect, Carl. |
00:37:11 |
I mean, this isn't hydrochloride |
00:37:14 |
No. |
00:37:16 |
Something new. |
00:37:18 |
Maybe a nail polish remover |
00:37:20 |
removes the ink |
00:37:26 |
How did you do it, Frank? |
00:37:29 |
How did you cheat |
00:37:37 |
I didn't cheat. |
00:37:40 |
I studied for two weeks |
00:37:45 |
Is that the truth, Frank? |
00:37:48 |
Is that the truth? |
00:37:50 |
I'll bet this guy steals checks |
00:37:52 |
He washes off their names |
00:37:57 |
You're saying that he's a local? |
00:37:59 |
Well, if it were me, you know |
00:38:00 |
I'd call the bank first, |
00:38:03 |
Make sure there's enough money |
00:38:04 |
to make it worth your while. |
00:38:06 |
Exactly. |
00:38:07 |
You know, Carl, I think |
00:38:08 |
I guess all we have to do now |
00:38:10 |
We'll start first thing |
00:38:11 |
We'll run the name |
00:38:13 |
In Nevada, Arizona, California. |
00:38:15 |
Frank Abagnale, Jr. has been |
00:38:20 |
Since his release from prison in |
00:38:28 |
and counterfeiters, and is |
00:38:35 |
Frank has also designed many |
00:38:44 |
For his services, these |
00:38:50 |
Frank and Carl remain close |
00:39:05 |
# # |
00:39:18 |
# # |
00:39:32 |
# # |
00:39:45 |
# # |
00:39:58 |
# # |
00:40:10 |
# # |
00:40:24 |
# # |
00:40:37 |
# # |
00:40:51 |
# # |
00:41:04 |
# # |
00:41:17 |
# # |
00:41:30 |
# # |
00:41:43 |
# # |
00:41:56 |
# # |
00:42:09 |
# # |
00:42:22 |
# # |
00:42:35 |
# # |
00:42:49 |
# # |
00:43:02 |
# # |
00:43:15 |
# # |
00:43:28 |
# # |
00:43:40 |
(music ends) |