Cet Obscur Objet du D sir That Obscure Object of Desire
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THAT OBSCURE OBJECT OF DESIRE |
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I'd like a 1st-class sleeper |
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and a couchette. |
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I have nothing for tonight. |
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There are no sleepers |
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But I can give you two seats |
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then a sleeper |
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All right. I have a trunk |
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Can you have them picked up |
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No problem. I'll take care of it. |
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First-class, you said. |
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- Where is she? |
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- When? |
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Come with me. |
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- She was bleeding. |
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Burn it. |
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- She left barefoot. |
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Very good. |
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- A pair of panties, sir. |
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It's all wet. |
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We return to Paris tomorrow. |
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Gladly, sir. I was tired |
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I used to work in a restaurant. |
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One regular, an elderly German, |
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always used to quote |
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"If you go with women, |
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That's not funny. |
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To the bank. |
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Damn it! Here, as well. |
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Another terrorist attack. |
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Quick, turn around. |
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This is your car. |
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Excuse me, sir. |
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We must live in the same area. |
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I've passed you in the street. |
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I live on Rue Rembrandt. |
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- Me, Rue Murillo. |
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It's a long trip. |
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But I simply cannot get used |
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These days, if you take |
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thanks to two very nice young |
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Excuse me, I'm afraid |
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- I'm so sorry... |
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- You don't mind? |
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I need to sit facing forward |
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- Going home to Paris? |
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- You, too? |
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Didn't we meet at the Law Courts, |
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Quite possible. I'm a judge. |
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- Your cousin's name? |
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I know him well. |
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- I'm Vincent d'Olargues. |
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Delighted. |
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No, thank you. There's no need. |
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Are you French, too? |
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Yes. I live in Paris. |
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Weren't you at the bullfights |
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Yes. There's no mistaking me |
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- Care to see the newspaper? |
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Already three minutes late. |
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That often happens. |
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You can't leave like this! |
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You can't do this. |
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Care for something to read? |
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Going straight on to Paris? |
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No, I'll spend three |
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Mister, why did you throw |
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Hush, Isabelle. |
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It's impolite to ask questions. |
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No, madam, she's right to ask. |
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After all, it's not a very |
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Isn't that so, Mr. d'Olargues? |
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Well, I must say... |
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No, indeed, it's not very common. |
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Even if there's no law against it. |
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Let me just assure you, |
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You have absolutely nothing |
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I don't mean to be indiscreet, |
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but I'd give something to know |
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You're quite curious, sir. |
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I'm a psychology professor. |
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Do you teach at the Sorbonne? |
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No, I give private lessons. |
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I understand. |
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Mr. Fabert... |
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You seem like a normal person. |
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Your cousin Edouard is a friend. |
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So I think your act has an |
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Isn't it better to drench |
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Probably. |
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That woman was the dregs. |
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My only consolation is to think |
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God won't forgive her. |
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Personally, I find your case |
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So do I. Sincerely. |
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If you wish, I can try |
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A terrorist group was on trial. |
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I came to wait for my cousin, |
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at the end of the session. |
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Hello, how are you? |
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Fine. |
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- Coffee, sir? |
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So? Did they get the death penalty? |
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Hardly. The priest got 8 years |
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I think the jury received |
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- From whom? |
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R-A-B-J. "Revolutionary Army |
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The ones behind |
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That's right. |
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So, are we lunching at your place? |
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- It's all ready. |
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So, what's cooking? |
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Scrambled eggs with truffles, |
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Superb. |
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- Then, chicken with lobster. |
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May I peek? I like to see |
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I'll come with you. |
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- You're the new chambermaid? |
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- What's your name? |
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You're Spanish? |
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You speak French well. |
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I've been living here for 10 years. |
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The young lady didn't seem |
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I'll bet she was the girI |
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Yes, it was. |
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Nice work. |
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It was easy enough. |
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A child of five could have guessed. |
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Today's terrorists are clearly |
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Some may be politically motivated, |
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but most are in it for the risk, |
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Just you wait, they'll be |
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The other glass for red wine. |
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That's fine, miss. Thanks. |
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Excuse me, I'm still learning. |
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The Bonnot Gang is history. |
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They used revolvers |
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They were unselfish, generous. |
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Sure, but they were still gangsters. |
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She's obviously never worked |
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Notice how delicate they are? |
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You rang, sir? |
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Tell Conchita to bring me |
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Yellow or green? |
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Green. It's more stimulating. |
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And slightly aphrodisiac. |
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- You're very cultivated, Martin. |
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No, don't go just yet. Shut the door. |
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Come here. |
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Closer. |
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I meant to ask you... |
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I worked in an office, |
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Then in the cloakroom |
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- But I quit. |
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The atmosphere. |
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I had a strict upbringing. |
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- Which region are you from? |
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I know Andalusia. I like it a lot. |
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- What does your father do? |
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Never mind that. Come here. |
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I don't intend to treat you |
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Besides, you're not a servant. |
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Please sit down. |
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- Your mother lives in Paris? |
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At times I feel utterly lost, |
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I can't get used to it. |
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Get used to what? |
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To everything. To people, |
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It's really hard for me. |
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- Besides, I don't like working. |
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I work to help my mother, |
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Apart from that, the only thing |
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You're a dancer? |
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Unfortunately, it's not a living. |
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- How old are you? |
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What do you think of me? |
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I hardly know you. |
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- Your hair is like silk. |
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I'm going to bed. |
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Don't go. I have something |
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Where's Conchita? |
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- She's gone, sir. |
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Early this morning. Without her |
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- You have her address? |
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Why not? |
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I found her through the want ads. |
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A pity. |
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What happened next? |
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- I'm not boring you? |
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About three months later, |
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I was in Switzerland on business, |
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staying at a hotel |
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A light, please. |
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No, not a light, I want money. |
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But I have none. |
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We need money. |
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No, just 800 francs. |
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Your papers, sir. |
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What are you doing here? |
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- Returning your 800 francs. |
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We spotted you at the hotel. |
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We were on tour. Our manager |
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Keep the money. |
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I insist. Keep it. |
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I'll pay you back when I can. |
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- Why did you walk out? |
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What did I do? |
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You were too affectionate. |
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I'll be here a few more days. |
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Won't you stay with me? |
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I'd like to, but I must go home. |
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- So soon? |
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She has no money. |
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Where do you live? |
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56B, rue Louis Blanc, |
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Do two Spanish women live here? |
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That door, there. |
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Is Conchita here? |
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Hello. Come in. |
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It's the man who lent us the money. |
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How nice. |
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- Am I disturbing? |
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On the contrary. |
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Let me have your coat. |
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We were about to have coffee. |
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With pleasure. |
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- Are you well, Conchita? |
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I can tell. |
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I'll pay you back for Conchita's |
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The others promised they would, |
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Unfortunately, I have no money |
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There's no hurry, madam. |
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- You made it home all right? |
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My friends are grateful and so am I. |
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Don't mention it. It was |
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Your father? |
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Yes, he died six years ago. |
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How awful. |
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A good man, but he left me |
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I have no pension, nothing, |
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It's the problem |
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She spends her days in church. |
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I have to pray |
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I was offered a job as concierge, |
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I'd rather kiss church steps |
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My daughter helps me |
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Why not? |
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Because of the bad influences. |
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If she'd heeded them, |
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she'd have been gone long ago. |
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Don't worry about the money. |
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I'll pay you back as soon as I can. |
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It's really of no importance. |
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And if you're a bit short right now... |
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Please accept this. |
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Gladly, sir. |
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This is a difficult time for us. |
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I'm happy to be of help. |
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I have to go out. |
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Thank you again. |
00:28:00 |
Not afraid of me anymore? |
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Come with me. |
00:28:17 |
I'm not that kind of a girI. |
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If that's what you're after, |
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I understand you. |
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Is dancing all you really know |
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I don't like sewing. I can't cook. |
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Don't you get out? |
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It's stupid to stroll idly. |
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Especially if you can't shop. |
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Hand me that box on the mantel? |
00:29:06 |
Would you like a candy? |
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You may not believe this, |
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- I went back there for a month. |
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- I went back nearly every day. |
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Let's wait a moment. |
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It's you. |
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Bravo, Conchita. |
00:30:23 |
You're perspiring. |
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We've been working |
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I brought you some coffee |
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That's lovely. |
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He's a friend. El Morenito. |
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We've already met. |
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Yes, sir, in Lausanne. |
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See you tomorrow. |
00:30:48 |
Goodnight. |
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We're rehearsing a number. |
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I'm drenched in sweat. |
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Your mother's not in? |
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This is for you. |
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What is it? |
00:31:17 |
Would you open it? |
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It's so beautiful. |
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Give it to my mother, |
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I feel so good like this. |
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Come sit down. I'll sing you a song. |
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Here? |
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Sit here. |
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Did you understand? |
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Sit here. |
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It means... |
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"Is anyone listening? - No. |
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"Shall I tell you? - Tell me. |
00:32:24 |
"Do you have another lover? - No. |
00:32:26 |
"Shall I be your lover? - Yes." |
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- And it's true? |
00:32:34 |
- I never stop thinking of you. |
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What are you doing? |
00:32:56 |
But, Conchita, you came |
00:33:00 |
You kissed me. |
00:33:02 |
I kissed you to thank you. |
00:33:06 |
- You kiss me but don't love me. |
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I know what you're after. |
00:33:12 |
I amuse you, you like me. |
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Do as you like with other girls. |
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I can give you some names, |
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- What I want is quite different. |
00:33:32 |
The first time we met, |
00:33:38 |
I was struck by your eyes. |
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I found them kind. |
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I'm sure I wasn't wrong. |
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Every day, I ask myself: |
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What can I do for her? |
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And all I can think of... |
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is this. |
00:34:06 |
Hello. Been here long? |
00:34:09 |
Less than five minutes. |
00:34:12 |
Don't get up. |
00:34:14 |
What's this? |
00:34:16 |
More coffee and cakes! |
00:34:19 |
You're really spoiling us. |
00:34:21 |
I'll go prepare all this. |
00:34:25 |
Oh, sir, two women alone |
00:34:28 |
We'd be rich now, had we got off |
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But once thing is sure: |
00:34:34 |
Sin has never spent the night here. |
00:34:37 |
Our souls are straighter |
00:34:43 |
Sometimes I'm glad |
00:34:46 |
Why is that? |
00:34:47 |
The language you hear |
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Young girls are led astray |
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more by the advice of women |
00:34:55 |
I know girls with a rosary |
00:34:58 |
and the devil under their skirts. |
00:35:01 |
Come over here. |
00:35:07 |
Do you have a lover? |
00:35:09 |
- Is that true? |
00:35:12 |
Why are you like that? |
00:35:14 |
Afraid to commit a sin? |
00:35:16 |
No, that doesn't bother me. |
00:35:18 |
Are you frigid? |
00:35:21 |
There's so much I can't ask you. |
00:35:23 |
But if there's a reason, tell me. |
00:35:26 |
- I was sure you wouldn't guess. |
00:35:32 |
I'm mozita. |
00:35:34 |
Mozita? |
00:35:37 |
What does that mean? |
00:35:39 |
I've never been with a man. |
00:36:09 |
Excuse me. |
00:36:14 |
- I'll meet you back at the house. |
00:36:17 |
He asked me to bring you |
00:36:19 |
Very well. |
00:36:46 |
- Sir, that lady is here. |
00:36:57 |
Please sit down. |
00:37:03 |
I think you know me well enough |
00:37:08 |
And I'm sure of one thing, madam: |
00:37:11 |
I love your daughter. Very much. |
00:37:14 |
I wish to unite my life with hers. |
00:37:18 |
You want to marry her? |
00:37:23 |
I can't, for the moment. |
00:37:26 |
Later, perhaps. |
00:37:28 |
But here's what I propose... |
00:37:32 |
Take a look. |
00:37:36 |
I propose to have her live here |
00:37:40 |
I'll do everything I can for her. |
00:37:44 |
No more rambling |
00:37:48 |
Naturally, I'll look after you, too. |
00:37:52 |
Never again will either of you |
00:37:56 |
Take this in the meantime. |
00:37:59 |
But I count on you for one thing. |
00:38:03 |
I'd like you to help me. |
00:38:08 |
- Can you do that? |
00:38:10 |
The day after tomorrow, |
00:38:14 |
And reassure her. |
00:38:17 |
Fine. |
00:38:19 |
I'm counting on you. |
00:38:39 |
Whose is that? |
00:38:41 |
- It's my TV set, sir. |
00:38:44 |
To lend to the young lady. |
00:38:46 |
They say it deadens the mind, |
00:38:49 |
- Take it away. |
00:38:54 |
Wait. It's her. |
00:39:14 |
You again. Come in. |
00:39:18 |
What is it? |
00:39:20 |
A letter for you. |
00:39:32 |
"I wanted to give myself to you. |
00:39:34 |
"You tried to buy me |
00:39:37 |
"You'll never see me again." |
00:39:42 |
Stop the decorating. |
00:39:45 |
- I'm not surprised, sir. |
00:39:48 |
Never wait for a woman |
00:39:52 |
- Why not? |
00:40:34 |
Concierge! |
00:40:38 |
- They left? |
00:40:40 |
- Were they alone? |
00:40:43 |
They didn't leave anything for me? |
00:40:46 |
Not with me. |
00:40:47 |
Will they be back? |
00:40:49 |
It would surprise me. |
00:40:54 |
Won't they have to come back |
00:40:58 |
No, it's a furnished place. |
00:41:00 |
They took their belongings. |
00:41:35 |
What are you going to do now? |
00:41:38 |
Answer me. |
00:41:40 |
Nothing. I don't want a thing. |
00:41:42 |
Pull yourself together. Do some |
00:41:47 |
These have been a disastrous |
00:41:50 |
Find someone else. |
00:41:55 |
I've no desire to. |
00:41:58 |
I respect love too much to settle |
00:42:02 |
I've rarely possessed a woman |
00:42:06 |
The rest I can count on the fingers |
00:42:20 |
A fly! I've been chasing this one |
00:42:24 |
It had to drop into your glass. |
00:42:28 |
One fly less. |
00:42:31 |
If she came back now, |
00:42:35 |
I'd stay with her, without so much |
00:42:39 |
You know, she may have been |
00:42:43 |
Nonsense! Had it been my money, |
00:42:46 |
she could have taken me |
00:42:51 |
Let's go have lunch. |
00:42:54 |
I'll take care of it. |
00:43:11 |
Thank you. My hat, too. |
00:43:17 |
Excuse me, miss, |
00:43:21 |
Yes, sir, I think so. |
00:43:30 |
See you tomorrow, then. |
00:43:32 |
- What did you say? |
00:43:36 |
What's got into you? |
00:43:37 |
Good bye, miss. |
00:43:46 |
You were here? |
00:43:47 |
I just came in. I start at noon. |
00:43:50 |
- How long have you worked here? |
00:43:54 |
Why did you disappear like that, |
00:43:56 |
without leaving an address |
00:44:00 |
You know very well why. |
00:44:01 |
I don't, you owe me an explanation. |
00:44:04 |
There's nothing to explain. |
00:44:06 |
Excuse me, sir... |
00:44:09 |
Don't chat with the customers. |
00:44:28 |
This will be my last warning. |
00:44:31 |
I won't have you chatting |
00:44:46 |
- That's it, I'm free. |
00:44:49 |
I just resigned. |
00:44:51 |
Fine. |
00:44:53 |
- Shall we have a drink? |
00:44:55 |
- Here. |
00:44:58 |
Why make my mother |
00:45:00 |
- What? |
00:45:02 |
That she bring me to you. |
00:45:04 |
You tried to buy me |
00:45:08 |
And I was about to give |
00:45:11 |
You reacted so stupidly. |
00:45:14 |
You might have come and said: |
00:45:18 |
What do you do instead? |
00:45:21 |
Had you said, this is what I want, |
00:45:25 |
I'd surely have given it to you. |
00:45:28 |
Let's sit down. |
00:45:39 |
Where were you? |
00:45:42 |
I worked a little. |
00:45:45 |
We stayed with a friend for a while. |
00:45:49 |
And after that? |
00:45:51 |
After that? |
00:45:53 |
You think I couldn't make out? |
00:45:56 |
That I can't live without you? |
00:46:01 |
I can get by on nothing. Unlike you. |
00:46:07 |
- What will you have? |
00:46:08 |
A brandy for me. |
00:46:11 |
- We won't serve the young lady. |
00:46:13 |
Sorry, sir, we won't serve |
00:46:22 |
Let's go. |
00:46:42 |
It's funny. |
00:46:45 |
I was angry with you |
00:46:47 |
I didn't want to see you again. |
00:46:49 |
But seeing you now |
00:46:52 |
I have a house in the country. |
00:46:54 |
I'd like to take you there one day. |
00:46:56 |
Where is it? |
00:46:58 |
Not far from Paris. |
00:47:01 |
Mathieu... |
00:47:04 |
I'll be your mistress there. |
00:47:06 |
When? Today? |
00:47:09 |
No, the day after tomorrow. |
00:47:37 |
What is it? A power failure? |
00:47:39 |
Yes, sir, the power station blew up. |
00:47:43 |
- An accident? |
00:48:18 |
Hello, Adrienne. |
00:48:22 |
I set out some candles. |
00:48:24 |
I'm sure they will. |
00:48:26 |
- Shall I prepare some food? |
00:48:30 |
- Is the room ready? |
00:48:46 |
Put them there. |
00:48:52 |
- Will you be needing anything? |
00:49:05 |
Who's that? |
00:49:08 |
- My wife. |
00:49:11 |
She died seven years ago. |
00:49:14 |
- This was her room? |
00:49:18 |
Then I don't want to be here. |
00:49:25 |
- Isn't there another bedroom? |
00:49:28 |
Then have it made up. |
00:49:30 |
All right. |
00:49:43 |
Prepare the room down the hall. |
00:49:45 |
Right away, sir. |
00:49:47 |
You told your mother |
00:49:51 |
No, why? |
00:49:53 |
She might worry, or get angry. |
00:49:56 |
My mother? |
00:49:57 |
If she saw me streetwalking, |
00:49:59 |
"Que gracia! |
00:50:05 |
- It will be ready in five minutes. |
00:50:09 |
Doesn't your mother matter? |
00:50:11 |
Not in the least. |
00:50:14 |
I raised myself and I do exactly |
00:50:18 |
That's how it is! |
00:50:20 |
Oh, Mateo... |
00:50:27 |
Mi amor. |
00:50:39 |
I think I'm going to faint. |
00:50:43 |
Sit down. |
00:50:47 |
Sit here. |
00:50:50 |
I love you but I almost passed out. |
00:50:54 |
Lie down. Want a glass of water? |
00:50:57 |
No, stay with me. |
00:51:02 |
- Will you love me for a long time? |
00:51:05 |
Even when I'm old and gray, |
00:51:11 |
Say it, even if it's not true, |
00:51:16 |
I'll love you until the very end. |
00:51:19 |
After you, I'll never love |
00:51:22 |
If you leave me, I'm as good |
00:51:25 |
You know, Mateo, |
00:51:27 |
I promised for tonight, |
00:51:36 |
- The room is ready. |
00:51:39 |
I'll take the bags. |
00:51:44 |
Come. |
00:52:06 |
Good night. |
00:52:08 |
Goodnight, Adrienne. |
00:52:17 |
Take this off. |
00:52:26 |
- Can I go and change? |
00:53:23 |
I'll be right out. |
00:53:38 |
- The window... |
00:53:40 |
Close the window. |
00:53:42 |
- No one can see us. |
00:54:00 |
See how beautiful I am? |
00:54:05 |
- Do you like me? |
00:54:07 |
- You like me a lot? |
00:54:11 |
No. Later. |
00:54:14 |
I'm not in the mood now, that's all. |
00:54:16 |
Not in the mood! |
00:54:18 |
No, not now. |
00:54:23 |
It's been too long. I've had enough. |
00:54:26 |
I've been more patient |
00:54:29 |
- I didn't promise you anything. |
00:54:31 |
I don't owe you a thing. |
00:54:33 |
Watch out, Conchita. I could grow |
00:54:38 |
Grow tired? |
00:54:39 |
I won't stand for this behavior |
00:54:42 |
You won't? |
00:54:44 |
I won't be your lover tonight. |
00:54:46 |
Not tonight, not tomorrow. |
00:54:52 |
Enough! Take off your nightgown! |
00:54:57 |
Put out the candles! |
00:55:03 |
Please! |
00:55:23 |
Come into my arms, don't be afraid. |
00:55:28 |
You kept me waiting so long, |
00:55:33 |
Don't cry victory too fast. |
00:55:35 |
Your skin is so smooth, |
00:55:40 |
- What's this? |
00:55:43 |
What's this I feel? |
00:55:45 |
What are you wearing? |
00:55:58 |
Take that off! |
00:56:01 |
I'll tear it off, you'll see. |
00:56:04 |
Leave me alone, you won't do it. |
00:56:14 |
What in Christ's name is this? |
00:56:17 |
Leave me alone. |
00:56:19 |
I tore at it for 10 minutes, |
00:56:22 |
What with all the knots and laces, |
00:56:26 |
Nothing doing! |
00:56:30 |
Isabelle, go play outside |
00:56:33 |
- But, Mommy, I want to hear. |
00:56:40 |
I think I've been very proper. |
00:56:42 |
Nothing I said was likely to... |
00:56:45 |
True, but children today, |
00:56:48 |
Do go on. |
00:57:03 |
I don't like what I'm doing either. |
00:57:08 |
You want what I won't give you. |
00:57:13 |
You'll just have to wait. |
00:57:16 |
It will happen, little by little. |
00:57:21 |
You know I'm yours alone, |
00:57:29 |
Tell me... |
00:57:32 |
You want me to come live |
00:57:49 |
Keep the change. |
00:57:51 |
She's 10 minutes late. |
00:57:53 |
She'll be here. |
00:57:56 |
How are things with the mother? |
00:57:59 |
I send her some money |
00:58:02 |
You like things as they are? |
00:58:04 |
No. I want to possess her, naturally, |
00:58:06 |
but when she's with me, I'm |
00:58:12 |
You really can't live without her? |
00:58:16 |
Everyone knows you're living |
00:58:18 |
So why don't you marry her? |
00:58:20 |
If I married her, |
00:58:29 |
Sit down. |
00:58:31 |
How are things? |
00:58:33 |
- Fine. |
00:58:36 |
The young lady is here... |
00:58:44 |
Delighted to see you again, miss. |
00:58:50 |
Excuse me. |
00:59:13 |
Would you buy me a 16mm camera? |
00:59:15 |
We'll look at some nice ones later. |
00:59:29 |
- I'd like to ask you something. |
00:59:32 |
Why do you insist we make love? |
00:59:34 |
To be closer to you, because |
00:59:37 |
I love you, too. But I don't feel |
00:59:42 |
We're together. |
00:59:44 |
You hold me in your arms, |
00:59:47 |
you have my legs, my mouth, |
00:59:50 |
So why make love, too? |
00:59:52 |
Because it's normal. It's natural. |
00:59:54 |
All people in love do it. |
00:59:57 |
Then you think I'm not normal. |
01:00:01 |
Let's go. |
01:00:19 |
290 DEAD |
01:00:51 |
Wait, I'll just wash up. |
01:00:53 |
- You're not tired? |
01:00:56 |
I feel in form tonight. |
01:00:59 |
We'll see. |
01:01:33 |
Come quick. |
01:01:35 |
You didn't forget? Like every night. |
01:01:37 |
No, I didn't forget. Come on. |
01:01:41 |
- You promise? |
01:01:42 |
- Otherwise, I'll leave right now. |
01:01:53 |
Must I wait much longer? |
01:01:56 |
If I gave you what you want, |
01:02:07 |
You only stay for my money. |
01:02:09 |
For the comfort I provide you. |
01:02:11 |
Unlike you, money means nothing |
01:02:15 |
Perhaps I'm too old for you. |
01:02:19 |
You? |
01:02:21 |
Certainly not. |
01:02:23 |
I hate young people. |
01:02:26 |
I love people who've lived. |
01:02:38 |
But, Conchita... |
01:02:42 |
What? |
01:02:44 |
There are several ways |
01:02:48 |
- What do you mean? |
01:02:51 |
Oh, no! Who do you think I am? |
01:03:00 |
What if I die before you do? |
01:03:03 |
That can't happen. |
01:03:05 |
Why not? I think I have a weak |
01:03:09 |
Don't talk nonsense. |
01:03:12 |
Anyway, watch out, |
01:03:15 |
I'll come plague you every night. |
01:03:21 |
What was that? |
01:03:41 |
- See anything? |
01:03:44 |
A demolished car, someone |
01:03:48 |
Get away! Don't stand there. |
01:03:51 |
- What is it? |
01:03:54 |
We'll find out tomorrow. |
01:03:56 |
That was scary. |
01:04:00 |
You stayed longer yesterday. |
01:04:02 |
That was yesterday, this is today! |
01:04:12 |
Give me time to get used to you. |
01:04:15 |
No, get out! |
01:05:01 |
Conchita, open up! |
01:05:06 |
Open up, I said! |
01:05:08 |
I'm drying myself. |
01:05:23 |
One more minute! |
01:06:01 |
What are you doing here? |
01:06:04 |
I let him in. |
01:06:06 |
He got thrown out of his hotel. |
01:06:08 |
He's slept here for |
01:06:10 |
Relax, we sleep back to back. |
01:06:14 |
Just like you and I do. |
01:06:16 |
- Go on, get out! |
01:06:18 |
Out! Get lost! |
01:06:20 |
Leave him alone! |
01:06:24 |
Take your things. |
01:06:27 |
I've known it since the day |
01:06:30 |
Deep down, you're cold and |
01:06:34 |
Sure, go on, get out! |
01:06:37 |
Get out, the two of you! |
01:06:39 |
I'll give you ten minutes. |
01:06:42 |
I'll wait for you outside. |
01:06:46 |
I've had enough of you, too. |
01:06:49 |
I'll be gone before that, gladly! |
01:06:51 |
But don't come running after me. |
01:06:55 |
May God be your witness! |
01:06:57 |
I never want to see you again. |
01:07:17 |
I can't take it anymore. |
01:07:19 |
One of these days, I'll go see her. |
01:07:22 |
- How humiliating! |
01:07:24 |
I can't sleep or do anything. |
01:07:29 |
I told you: Take a trip, go to Brazil. |
01:07:33 |
Wherever you want. |
01:07:35 |
I want someone to prevent me |
01:07:37 |
You, for instance. |
01:07:39 |
Can't you do anything? |
01:07:41 |
I don't see how. And if I did, |
01:07:46 |
Don't worry. |
01:07:48 |
- Are you sure? |
01:07:54 |
I'll see what I can do. |
01:08:21 |
Coming. |
01:08:29 |
- Who is it? |
01:08:45 |
Don't be afraid, ma'am. |
01:08:48 |
May I? |
01:09:01 |
Would you come here, please? |
01:09:14 |
You are Incarnacion Perez? |
01:09:18 |
This is your daughter, Concepcion? |
01:09:21 |
You have 24 hours to leave |
01:09:25 |
Here is the expulsion order. |
01:09:27 |
You've been declared |
01:09:29 |
But what have we done? |
01:09:31 |
That's not my business. |
01:09:36 |
You have till tomorrow morning. |
01:09:59 |
How long will you be away, sir? |
01:10:01 |
I don't know. Perhaps a week, |
01:10:04 |
But you'll come with me, Martin. |
01:10:07 |
- Where are you going? |
01:10:10 |
I'll close my eyes. |
01:10:12 |
Spin me around a few times. |
01:10:21 |
- Where's the map? |
01:10:31 |
Fine, we're going to Singapore. |
01:10:34 |
What's the weather like there? |
01:10:36 |
Who the hell cares? |
01:10:38 |
What will we do in Singapore |
01:10:41 |
Have a nap. |
01:10:46 |
- But you didn't go to Singapore. |
01:10:49 |
- You went to Seville. |
01:10:52 |
Not at all. You knew |
01:10:55 |
You changed your mind, |
01:10:59 |
Subconsciously, we know |
01:11:03 |
You're right, I went to Seville. |
01:11:29 |
Whenever you wish, sir. |
01:11:30 |
I'm coming. |
01:12:09 |
A beautiful woman loves you |
01:12:13 |
You're very rich but you're mean. |
01:12:23 |
For both of you. |
01:12:36 |
Superb, isn't it? |
01:12:38 |
Frankly, sir, architecture |
01:12:44 |
By the way, Martin... |
01:12:47 |
You've been with me |
01:12:49 |
yet I don't know a thing about you, |
01:12:54 |
There's nothing to know. |
01:12:56 |
What's your opinion on women? |
01:12:58 |
My opinion is of no importance. |
01:13:03 |
It's important to me. |
01:13:06 |
In that case, sir... |
01:13:08 |
I have a friend who loves |
01:13:10 |
but he claims they're sacks |
01:13:14 |
Why say such a thing? |
01:13:16 |
It's not me who says it. |
01:13:19 |
You can go, Martin. |
01:13:21 |
I have a dinner invitation |
01:13:37 |
You're forgetting your sack. |
01:13:41 |
I'll have it picked up. |
01:14:43 |
I don't believe this! |
01:14:44 |
Is it really you? |
01:14:46 |
Running into you like this! |
01:14:48 |
It's incredible! |
01:14:50 |
- You knew I was here? |
01:14:52 |
How I've missed you! I thought |
01:14:55 |
Let me look at you. |
01:15:00 |
- Have you been here long? |
01:15:03 |
What misfortune we've had. |
01:15:07 |
- Expelled? |
01:15:10 |
3 days to get here from the border! |
01:15:14 |
Luckily, Conchita found a job. |
01:15:18 |
I won't bother you two. |
01:15:21 |
See you soon, Don Mateo. |
01:15:26 |
- Where are you staying? |
01:15:29 |
You were cruel, throwing me out |
01:15:34 |
So you have a job? |
01:15:36 |
Yes, just around the corner. |
01:15:42 |
Come see me dance, tonight. |
01:15:46 |
Will you? |
01:15:49 |
Mi amor. |
01:15:51 |
Mi alma. |
01:15:53 |
Let me kiss you! |
01:15:54 |
- Despues. |
01:15:57 |
Later. |
01:15:59 |
All I can give you for now is this. |
01:17:42 |
- You like this life? |
01:17:45 |
Anyway, it's the only one I have. |
01:17:47 |
What if I asked you to live with me, |
01:17:51 |
Are you serious? |
01:17:53 |
I'd leave right away, Mateo. |
01:17:55 |
I'm so happy that you came back. |
01:17:58 |
Before, I didn't trust you. |
01:18:02 |
I'm not the same. You'll see. |
01:18:07 |
I used to be a bit unpredictable. |
01:18:11 |
But I've calmed down. |
01:18:14 |
Me too, I've thought things over. |
01:18:17 |
You must see me dance every night. |
01:18:19 |
Now that we're together again, |
01:18:25 |
I'm going, I'm going. |
01:18:27 |
Going where? |
01:18:28 |
Upstairs. |
01:18:31 |
If not, we daydream on stage. |
01:18:34 |
Wait for me. |
01:19:25 |
That's me. |
01:19:29 |
Conchita's told me so much |
01:19:32 |
How do you do? Sit down. |
01:19:38 |
Care for a drink? |
01:19:41 |
- You're a friend of Conchita's? |
01:19:46 |
You're not as old as she said. |
01:19:48 |
- She said I'm very old? |
01:19:51 |
Also that you're very kind. |
01:19:54 |
And maybe a little naive. |
01:19:56 |
She told you she went to rest up? |
01:19:59 |
Yes, she's taking a rest. |
01:20:03 |
What's so funny? |
01:20:04 |
- You are. |
01:20:07 |
Want to know how she's resting? |
01:20:09 |
Go straight up those stairs |
01:20:14 |
and you'll find the room |
01:20:18 |
Good luck. |
01:21:25 |
What are you doing here? |
01:21:27 |
Get out, all of you! |
01:21:29 |
Get out! |
01:21:31 |
Get the hell out! |
01:21:34 |
Move it! |
01:21:36 |
Out, all of you! |
01:21:38 |
You, too! Get the hell out! |
01:21:55 |
Come with me! |
01:21:56 |
I'm not leaving |
01:22:05 |
What's your excuse now? |
01:22:10 |
Are you accusing me? |
01:22:14 |
Shut up! |
01:22:15 |
You may get me fired |
01:22:18 |
You're so stupid! |
01:22:23 |
- So this is your job? |
01:22:25 |
- I did? |
01:22:27 |
We dance nude for tourists. |
01:22:30 |
Don't tell me you didn't know! |
01:22:32 |
No, I didn't. |
01:22:35 |
Idiot! |
01:22:38 |
What right have you! |
01:22:41 |
and you're not my lover. |
01:22:46 |
If you belong to someone, tell me. |
01:22:50 |
I swear I'll leave Seville tomorrow. |
01:22:53 |
I belong to no one but myself, |
01:22:56 |
I've nothing more precious |
01:22:59 |
- And those men? |
01:23:01 |
They came with a guide. |
01:23:05 |
That's all I know. |
01:23:07 |
Look around you. |
01:23:11 |
Look, where do you see a bed? |
01:23:18 |
I can't go on living like this. |
01:23:21 |
You have to be honest with me. |
01:23:25 |
Even if it's for the last time. |
01:23:28 |
If you stay one more day |
01:23:31 |
it's over between us. |
01:23:34 |
You've never understood me. |
01:23:36 |
You think you're chasing me |
01:23:40 |
It's the opposite. |
01:23:42 |
I'm the one who loves you, |
01:23:45 |
I've never loved anyone but you. |
01:23:49 |
First, because you're handsome. |
01:23:51 |
You have such gentle, shining eyes. |
01:23:56 |
The nights I've thought of your |
01:24:01 |
I love happiness |
01:24:10 |
I'll give you everything. |
01:24:14 |
I don't want much, you know. |
01:24:17 |
A little house of my own, |
01:24:20 |
some money if I stop dancing. |
01:24:22 |
In Seville? |
01:24:24 |
It's yours. Just say when. |
01:24:29 |
All I can do is love you madly, |
01:24:32 |
and stay intact for you. |
01:25:24 |
You look so lovely today. |
01:25:26 |
You don't know how happy I am. |
01:25:39 |
It's all yours now. |
01:25:51 |
- Afraid of burglars? |
01:25:54 |
Not even you, Mateo. |
01:25:57 |
Come see upstairs. |
01:25:58 |
Is your mother moving in with you? |
01:26:02 |
My mother? She'll never live here. |
01:26:05 |
Just you and me. |
01:26:07 |
Take this, too. |
01:26:08 |
- What is it? |
01:26:12 |
It's all I wanted. |
01:26:18 |
And I can entertain you in secret |
01:26:22 |
Tonight! |
01:26:23 |
Don't hold your breath. |
01:26:25 |
What? |
01:26:28 |
Tomorrow night, at midnight. |
01:27:04 |
Good, you're on time. |
01:27:12 |
Kiss my hand. |
01:27:15 |
Kiss the hem of my dress |
01:27:21 |
There. That's good. |
01:27:23 |
Now go away. |
01:27:24 |
What did you say? |
01:27:26 |
I said, now go away. |
01:27:30 |
You're laughing? |
01:27:32 |
You make me laugh! |
01:27:39 |
It's just too much. Look at me, |
01:27:42 |
Look how happy I am. |
01:27:48 |
I'm free of you. Free for |
01:27:54 |
Open this gate! |
01:27:55 |
Open it with your teeth. |
01:28:02 |
Don't go just yet. |
01:28:06 |
I can't stand you! |
01:28:10 |
Your slightest touch makes me sick. |
01:28:14 |
I try to run away but you always |
01:28:18 |
and your hands touch me again, |
01:28:21 |
you kiss me with your mouth. |
01:28:25 |
The things I felt when you |
01:28:29 |
At night, I'd spit after each |
01:28:32 |
I prayed to God that you'd die |
01:28:37 |
I've said it all, you can go now. |
01:28:40 |
Go on, go away! |
01:28:41 |
Go away, Mateo! |
01:28:44 |
You won't go? |
01:28:46 |
Then stay here and watch! |
01:29:06 |
Here he is, here's my lover. |
01:29:15 |
Come on. |
01:29:18 |
Take this. |
01:29:22 |
You want to stay? |
01:29:26 |
If you want to watch... |
01:29:29 |
watch! |
01:30:34 |
I knew you'd be back. |
01:30:37 |
Good night. |
01:30:43 |
My guitar is mine. |
01:32:28 |
The previous day's fighting |
01:32:32 |
mostly among civilians. |
01:32:34 |
The BTX virus is approaching |
01:32:37 |
where emergency measures |
01:32:39 |
No antidote has been found |
01:32:43 |
No, thanks. Turn off the radio. |
01:33:16 |
After what happened last night, |
01:33:19 |
I came to see if you were dead. |
01:33:26 |
Already cold. |
01:33:28 |
I thought you loved me enough |
01:33:32 |
I have something to say, |
01:33:57 |
Let me explain what happened |
01:34:03 |
Where are you going? |
01:34:11 |
You just don't understand women. |
01:34:15 |
You think that by giving me |
01:34:20 |
But you don't. |
01:34:24 |
You're not listening to me? |
01:34:31 |
You'll never have me. |
01:34:39 |
Listen to me. |
01:34:43 |
That scene last night |
01:34:46 |
I won't tell you. |
01:34:53 |
Listen to me! |
01:34:54 |
El Morenito isn't my lover! |
01:34:58 |
We were both play-acting. |
01:35:10 |
Now I know you love me. |
01:35:15 |
Mateo, I'm still a virgin. |
01:35:29 |
They're having a fight. |
01:35:49 |
Here. |
01:35:55 |
The key. |
01:35:57 |
For you. You can come whenever |
01:36:16 |
You have to admit she had |
01:36:20 |
That was yesterday morning. |
01:36:22 |
That's it. It's all over now. |
01:36:36 |
That's the story. You can see |
01:36:41 |
Certainly. |
01:39:18 |
An announcement |
01:39:21 |
Several extreme-left groups, |
01:39:25 |
the P.O.P., the P.R.I.Q.U.E., |
01:39:29 |
have suddenly joined forces |
01:39:33 |
under the direction of the R.A.B.J. |
01:39:36 |
"Revolutionary Army |
01:39:38 |
These wanton |
01:39:42 |
are designed to disrupt our society |
01:39:44 |
and spread total confusion. |
01:39:46 |
A number of far-right |
01:39:49 |
notably the P.A.F. and the S.T.I.C., |
01:39:52 |
say they'll meet the challenge |
01:39:54 |
and contribute to this operation |
01:40:01 |
The Archbishop of Sienna |
01:40:04 |
after a bullet in last week's attack |
01:40:08 |
struck his carotid artery. |
01:40:10 |
is that though he still breathes |
01:40:14 |
he is virtually brain-dead. |
01:40:17 |
Msgr Fiossole could remain |
01:40:21 |
The reaction of the Roman Curia |
01:40:25 |
and even the Communist Party |
01:40:28 |
a statement condemning |
01:40:31 |
And now, for a change of mood, |