Find Movie

Chaplin en
00:03:19	Come on, Charlie. Stop messing
00:03:24	I just hope our friendship survives.
00:03:27	George, don't be so melodramatic.
00:03:30	It's your autobiography, Charlie.
00:03:32	And as your editor...
00:03:35	...I have to tell you
00:03:38	...are vague, at best.
00:03:42	When did she first lose control?
00:03:47	It's hard to say.
00:03:49	She could be so wonderful.
00:03:52	On her good days.
00:04:05	You are my honey, honeysuckle.
00:04:13	I'd like to sip the honey
00:04:20	I love you dearly.
00:04:25	And I want you to love me.
00:04:28	You are...
00:04:33	You are...
00:04:37	Come on, love!
00:04:39	Get on with it!
00:04:41	Get off, you silly cow!
00:04:47	Come on, Mum!
00:04:49	We want a refund!
00:04:50	Come on!
00:04:52	Get off!
00:05:00	Off! Quick, Lady, off!
00:05:03	Come on. Cut it out!
00:05:06	Off!
00:05:08	You're out of it. Finished.
00:05:12	Ladies and gentlemen!
00:05:15	We crave your special attention!
00:05:19	Play the game! Come on, lads!
00:05:22	Please, sir!
00:05:23	Get off the bloody stage!
00:05:26	Isn't he cute?
00:05:28	I know it. I can do the song.
00:05:31	Let him do it!
00:05:33	Let him try!
00:05:34	Give the boy a chance!
00:05:36	What's your name?
00:05:37	Charles what?
00:05:41	At very short notice
00:05:44	...for your special pleasure
00:05:46	...Master Charles Chaplin.
00:05:51	Half a mo!
00:05:55	Ready?
00:06:00	You are my honey, honeysuckle.
00:06:04	I am your bee.
00:06:07	I'd like to sip...
00:06:10	...the honey sweet from those lips...
00:06:13	...you see.
00:06:15	I love you dearly, dearly.
00:06:18	And I want you to love me.
00:06:22	You are my honey.
00:06:25	Honeysuckle.
00:06:27	And I am your bee.
00:06:46	Your mother never sang again?
00:06:48	No. Never.
00:06:51	Mrs. Chaplin, if I don't get me rent
00:06:54	Them two little mites ain't fed proper!
00:07:02	If I don't get me rent, I'll report you!
00:07:06	You're two months behind!
00:07:10	The rent? Rent?
00:07:12	What on earth is that?
00:07:14	Shut up, you ghastly woman!
00:07:20	You tell her!
00:07:25	Sorry it's only fish heads again.
00:07:34	I'll get you plum cake one day.
00:07:37	When my ship comes in.
00:07:49	Mum? Someone's coming!
00:07:58	Mrs. Chaplin?
00:08:03	Are these your children?
00:08:09	Not the workhouse.
00:08:11	It's for their own good.
00:08:13	Stop! Come back here!
00:08:16	Come here!
00:08:18	Come here!
00:08:27	We've got him! Quick!
00:08:41	Syd!
00:08:50	Get off!
00:08:52	Put me down! Let me go!
00:08:54	You were beaten?
00:08:55	With a cane thick as a man's thumb.
00:08:57	And Syd?
00:08:59	Send to a training ship.
00:09:02	You omit how long you were in
00:09:06	That's a mistake. I was there a year.
00:09:09	My mother started
00:09:12	Sewing gloves.
00:09:14	While you were growing up
00:09:19	Your father?
00:09:21	He died during that period.
00:09:25	I don't know much. He left
00:09:29	What else should I say?
00:09:31	This is you're book we're discussing.
00:09:39	How do, old scout!
00:09:41	How do, old scout! What's up Rummy?
00:09:45	Don't give me your lip.
00:09:48	All right, clear off! Now!
00:09:51	Didn't mean no harm.
00:09:56	Hey, Lil.
00:09:57	Charlie? Hello love.
00:10:05	Your mum's gone mad again!
00:10:08	Get off!
00:11:00	Thank God you got here, Charlie!
00:11:04	I got you that plum cake
00:11:10	Thanks, Mum.
00:11:30	Make your mark, if you can't sign.
00:11:33	The doctor said to bring her here.
00:11:37	She'll be better off.
00:11:40	What about you?
00:11:43	What do you mean, "fine"?
00:11:45	I'll stay with me aunt.
00:11:47	Watch your feet, mister!
00:11:50	Sometimes she thinks
00:11:54	We won't get wet.
00:11:56	Yes, we'll do our best.
00:11:59	You should say good-bye now.
00:12:05	Wasn't thinking.
00:12:19	Mum, I love you so much.
00:12:22	I know, I know.
00:12:24	If you had given me a cup of tea
00:12:28	They'll take better care of you.
00:12:30	One cup! You must have
00:12:34	I didn't. I really didn't.
00:12:37	Come along, dear.
00:12:41	You'll end up like your father.
00:12:52	Charlie? Don't do this to me.
00:12:55	I love you. Don't let them
00:13:00	Don't let them do this to me!
00:13:02	Don't let them do this to me, Charlie!
00:13:06	Don't let them take me away
00:13:27	Dressed in style
00:13:30	I wouldn't give you tuppence
00:13:34	Old iron, old iron.
00:13:41	Was you scared when you first
00:13:44	Everyone's scared.
00:13:49	To be in vaudeville, you work
00:13:55	If you get this job
00:14:00	...we can move Mom
00:14:05	Don't let me down.
00:14:08	You don't have to be great.
00:14:13	Hello, Mr. Karno.
00:14:14	Hello, Sydney. Come on over.
00:14:17	We've got something to eat.
00:14:20	Now then. What about
00:14:25	He's been legit up to now, Mr. Karno.
00:14:28	But he sings and he dances a treat.
00:14:34	I've got song and dance men
00:14:40	Well, his slapstick is fantastic.
00:14:45	Watch him.
00:15:10	He can do more, you know.
00:15:16	I hope so.
00:15:33	Bloody hell!
00:15:41	You okay?
00:15:43	Need the job that bad?
00:15:45	Yes, sir.
00:15:47	Comedy is knowing who you are
00:15:51	It has to be perfection.
00:15:55	Can I come out now?
00:15:56	You may.
00:16:07	It's been a great evening so far
00:16:11	I promise, you're going to love
00:16:16	Everybody loves elephants.
00:16:21	And here on our stage
00:16:26	...most graceful specimens.
00:16:28	These are straight from the jungle.
00:16:32	Do you mind, sir?
00:16:34	I'm introducing
00:16:38	Please do take your seat, sir.
00:16:41	Sit down, sir!
00:16:55	Take your feet down, sir!
00:16:57	Show a little respect!
00:17:01	...a very big round of applause
00:17:06	Captain Boynton and his
00:17:16	Really, sir! This is too much.
00:17:22	Kindly remember, sir
00:17:27	...not a bar...
00:17:30	...or rest home for inebriates!
00:17:36	Now, sit down and behave yourself.
00:18:36	Ladies and gentlemen
00:18:53	Good evening.
00:18:58	Hey, cookie.
00:19:00	Hello, dearie.
00:19:02	I hear your governor's here tonight.
00:19:13	Charlie, come and do me up, will you?
00:19:15	I'm so late!
00:19:21	I'll never make it.
00:19:28	When did it start?
00:19:30	This afternoon. He's four.
00:19:33	He was coughing his heart out.
00:19:35	It could be the croup. Call a doctor.
00:19:38	I can't afford a doctor!
00:19:41	Yankee Doodles
00:19:44	Come on. Girls, move.
00:19:49	My Harry was in last night.
00:19:53	How do I look?
00:19:54	Fine, fine.
00:19:56	You're a good boy, Charlie.
00:20:09	What are you doing in here?
00:20:13	The others don't mind.
00:20:15	Well, I do!
00:20:17	You must be new.
00:20:19	I'm going to complain.
00:20:25	Dirty good-for-nothing.
00:20:27	Lips.
00:20:30	Lips.
00:20:42	I'm still going to complain.
00:20:51	Well, thanks, I suppose.
00:20:54	Last again?
00:21:20	I'll get your coat.
00:21:27	Look the other way.
00:21:32	Hello, hello, who's out on the town?
00:21:36	Evening, Governor.
00:21:37	And in my tails, at that!
00:21:40	Don't spill nothing down your front
00:21:48	Fred, you old devil.
00:21:50	You watch him now.
00:21:52	Tomorrow he'll be at sea.
00:21:56	Don't say I didn't warn you.
00:22:04	Good evening. I booked a table.
00:22:07	Name of Chaplin.
00:22:14	Mr. Charles Chaplin.
00:22:16	I booked it a week ago.
00:22:20	There's nothing here, sir.
00:22:24	We're fully booked.
00:22:27	There must be some error.
00:22:41	I really did book that table.
00:22:44	I know.
00:22:46	It's cause that geezer
00:22:49	They won't have theatricals
00:22:54	You wait. Someday they'll beg.
00:22:58	We'll walk in, you and me.
00:23:01	You in a fur, dripping jewels
00:23:06	Whistle?
00:23:07	Whistle and flute. Suit.
00:23:09	Oh, I see.
00:23:21	Will you marry me?
00:23:26	No.
00:23:29	Where would I get the jewels?
00:23:31	From me. Engagement rings
00:23:35	Charlie, I can't marry you.
00:23:42	I don't see why not.
00:23:48	I'm only sixteen.
00:23:50	But you'll get over that. Why else?
00:23:54	We hardly know each other.
00:23:59	When I return from America
00:24:03	Are you serious?
00:24:07	Were you, Charlie?
00:24:10	You say you were.
00:24:14	It's on page forty-something.
00:24:17	Thirty-three.
00:24:21	I mean, you never even kissed her.
00:24:25	You think I don't know that?
00:24:31	I'll just backtrack for a moment.
00:24:34	After you had your mother
00:24:40	Yes, it does.
00:24:41	Why?
00:24:43	Because I don't wish to remember.
00:24:46	Fair enough. But...
00:24:49	...if you'll allow me to say so...
00:24:52	...I don't think, and I know
00:24:55	you shouldn't be afraid to let
00:25:00	Know what I mean?
00:25:02	You'll break me heart
00:25:05	At least say you'll wait for me.
00:25:09	I'll wait for you.
00:25:11	How long will you be in America?
00:25:13	I don't know exactly.
00:25:16	It depends if they like the drunk act.
00:25:19	If they throw things
00:25:21	They won't throw things.
00:25:24	They'll think you're wonderful.
00:25:30	I think you're wonderful.
00:25:39	The funny thing is...
00:25:45	...you never mentioned love.
00:25:49	I don't have to, do I?
00:26:31	The number nine's in from Chicago.
00:27:04	Nickel.
00:27:19	Sit down.
00:27:45	Have you seen that English bloke?
00:27:49	Watch this.
00:27:51	I've seen it before.
00:27:58	Show it again.
00:28:00	You've seen everything twice.
00:28:02	The one with the fire engine.
00:28:04	You'll love this one.
00:28:06	If any of them could act
00:28:09	Charlie, it's a telegram.
00:28:11	That can only mean somebody's died.
00:28:25	Some bloke's offered me
00:28:29	In the flickers!
00:28:31	The flickers aren't legit.
00:28:33	A hundred and fifty a week.
00:28:37	A hundred and fifty a week!
00:28:58	Watch your step.
00:29:18	Mack Sennett Studios
00:29:39	Hit him harder, Fred.
00:29:41	Harder.
00:29:43	Put some muscle into it.
00:30:00	Ready when you are, Mr. Sennett.
00:30:14	Someone's in the shot.
00:30:15	Keep cranking. Still cranking!
00:30:19	Cut. Cut it! Jesus Christ!
00:30:24	Was it good till the dummies fell out?
00:30:27	How could I find Mr. Mack Sennett?
00:30:29	What the hell were you doing?
00:30:32	I'm afraid you just found him.
00:30:35	Hello, sir. I'm Charlie Chaplin.
00:30:39	You sent me a telegram.
00:30:42	Butte, Montana. You hired me
00:30:46	You're not Chaplin. Chaplin did
00:30:51	I don't pay $100 a week to kids.
00:30:53	Another one, boss?
00:30:55	Mr. Sennett?
00:31:57	You might be Chaplin, after all.
00:32:05	And it was $150.
00:32:13	Plum in the middle of a shot.
00:32:15	You sure screwed it up, didn't you?
00:32:20	Fix it, will you, Rollie?
00:32:24	We don't print until we cut it.
00:32:27	That was negative, kid.
00:32:30	I know this is new to you
00:32:34	It's all built around speed.
00:32:37	Start the story, the chase.
00:32:40	How much of Mabel? A couple of yards?
00:32:43	Yeah. No, try three.
00:32:45	But we don't sacrifice quality.
00:32:47	I only make two pictures a week.
00:32:53	Well, Rollie?
00:32:55	Almost done.
00:32:57	Waste not, want not. That's my motto.
00:33:01	When Rollie's done, no one
00:33:04	I'm rewinding.
00:33:06	You're on the cutting room floor.
00:33:10	Got it.
00:33:14	Forget everything you ever learned.
00:33:34	That did it.
00:33:38	If you need me, I'll be with Mabel.
00:34:06	Nothing quite like it.
00:34:09	The feeling of film. But was it clear...
00:34:12	...how much the movies terrified me?
00:34:14	Not really. Why?
00:34:16	You must help me get that right.
00:34:18	I was right to be scared.
00:34:21	Sennett wished he'd never hired me.
00:34:27	I would have been a total disaster
00:34:32	I wanted to talk to you
00:34:35	The words just poured out.
00:34:40	I'd only been with Sennett a month.
00:34:44	That magical moment
00:34:47	...the wardrobe door.
00:34:50	I felt possessed.
00:34:55	I could feel him calling out to me.
00:34:59	The Tramp.
00:35:08	Bullshit. And you know it.
00:35:11	But the truth was so boring, George.
00:35:29	Jesus.
00:35:30	You told him to change.
00:35:49	Chaplin! Get your ass
00:36:23	Forget the Limey. Get cranking.
00:36:25	Okay! Begin!
00:36:28	Very formal, everyone.
00:36:36	What the hell? He's crazy.
00:36:42	What do I do?
00:36:44	Cut it. No, wait. Hold it. Keep going.
00:36:47	Maybe he's not so crazy.
00:36:49	Photographer! Henry!
00:36:55	Okay, put him in line.
00:36:56	Big reaction! Who is this?
00:37:00	Stay down, Henry. Stay down!
00:37:03	Groom! Look jealous!
00:37:08	Mabel give the tramp the eye.
00:37:11	Matron, you're real hoity-toity.
00:37:17	Groom, he's trying to steal your bride!
00:37:21	Matron, hit him!
00:37:24	All right! Domino fall! Domino fall!
00:37:28	Start the chase!
00:37:35	Don't stop! Keep going!
00:38:17	Good! Good! Terrific!
00:38:26	Look into the camera.
00:38:29	Snap it.
00:38:30	Watch the bride.
00:38:32	That's enough. Cut.
00:38:35	Chaplin, what are you trying
00:38:38	I knew I was right to hire him.
00:38:44	Listen.
00:38:47	You do what I say
00:38:50	You stand up right now.
00:38:53	Pick up this hose and when I say
00:38:57	I could do more with that hose.
00:38:59	I could be funny.
00:39:01	Two months you think you know
00:39:05	This is not a movie about
00:39:09	You're right. But it could be.
00:39:16	Chaplin!
00:39:31	He's coming.
00:39:32	I don't insist you fire him
00:39:35	I'd love to axe the Limey
00:39:39	It seems he's an asset to the company.
00:39:42	But I'll make sure he knows
00:39:51	Is Mack ever waiting for you!
00:40:03	Come in.
00:40:05	Charlie, come in, please.
00:40:08	You got to help me with Mabel.
00:40:14	You're not mad, then?
00:40:16	I've been waiting for an actor
00:40:22	I really like you, Charlie.
00:40:25	I really like you too, Mack.
00:40:27	And I'll bet you've talked to New York.
00:40:32	Let me direct the next one.
00:40:34	How do you know you can?
00:40:37	Says you. What if no one wants it?
00:40:40	Who'll pay?
00:40:46	I'll pay.
00:40:49	This is my work.
00:40:54	Did you pay?
00:40:56	No. But, boy, did I work.
00:40:58	I directed more than 20 films
00:41:02	Why didn't you send for Hetty?
00:41:04	I did write. Never got a reply.
00:41:07	I thought she might be on tour.
00:41:11	...see how she felt.
00:41:16	My god, look at him!
00:41:19	Dressed in style with your father's
00:41:23	I wouldn't give you tuppence
00:41:32	This is Minnie.
00:41:37	Nice to meet you.
00:41:40	Give us a hand, Chas, come on.
00:41:43	Why did you pick him?
00:41:46	Our Syd's all right.
00:41:48	I don't know, Chas.
00:41:54	Nice flivver. How long you had it?
00:41:58	When do I meet Mr. Sennett?
00:42:00	Got something to show you first.
00:42:04	Look!
00:42:06	New Chaplin Film
00:42:08	I don't believe it!
00:42:13	Last year, you were in vaudeville.
00:42:16	I'm top of the bill.
00:42:18	I still don't see anyone staring at you.
00:42:21	I don't look like me.
00:42:24	What news?
00:42:28	Mum? Oh, Mum is fine.
00:42:32	Well, not fine
00:42:36	Well, not lots. But some.
00:42:40	And Hetty. Does she know?
00:42:43	The whole world knows about you.
00:42:47	She gave me this for you.
00:42:52	Fancy Hetty writing.
00:43:00	Look at this.
00:43:06	She got married.
00:43:08	I know.
00:43:09	I'm not surprised.
00:43:13	I wish her lots of happiness.
00:43:17	Well, not lots. But some.
00:43:20	Chin up, kid.
00:43:25	See, I was right. He is the
00:43:35	Value for money is what we want, sir.
00:43:40	Charlie, take this guy back
00:43:46	Syd's my manager. He left his
00:43:51	Woe is me!
00:43:55	What career? A thousand a week
00:43:59	Charlie's name is bigger
00:44:05	Charlie, I've been so rotten to you!
00:44:07	I don't know if you can forgive me.
00:44:10	I forced you to leave Butte, Montana.
00:44:14	I made you accept
00:44:17	I stuffed directing down
00:44:21	Tell me how Uncle Mack can
00:44:26	I want to run my own show.
00:44:32	Dream on, kid. I know this business.
00:44:38	First time I've seen you miss.
00:44:43	But, Charlie, Mack Sennett
00:44:47	He gave you your start. How could
00:44:52	The reasons are clearly intellectual.
00:44:57	So you joined up with
00:45:00	...a puffed-up cowboy star?
00:45:03	Not the high point of my career.
00:45:06	But I wanted my own studio.
00:45:08	I was putting money aside
00:45:13	Excuse me.
00:45:14	Do you always eat alone?
00:45:17	Only when I'm trying to meet someone.
00:45:20	Actually, I'm waiting for my girlfriend.
00:45:24	I'm a motion picture director.
00:45:27	I'm forming a new company
00:45:31	And you need a new leading lady.
00:45:34	Lucky me.
00:45:36	You must be an actress, miss...
00:45:38	Purviance. Sorry. Just a secretary.
00:45:43	I'm auditioning actresses
00:45:47	Well, if you need an untalented
00:45:52	...you couldn't do better than me.
00:46:03	Don't you want to know who I am?
00:46:05	I have no interest in who you are.
00:46:10	Mr. Chaplin.
00:46:21	Cut.
00:46:22	Not great.
00:46:25	We'll do another.
00:46:28	If I eat one more bean
00:46:31	You almost had it. But this time...
00:46:34	...not quite so dainty. You're starving.
00:46:38	I know.
00:46:39	But it's hard to be hungry
00:46:42	But no one could do it as well.
00:46:45	We both know it.
00:46:47	I'll do my best.
00:46:49	How about dinner tonight?
00:46:54	I'll kill you, Charlie.
00:46:56	More beans.
00:46:59	Camera.
00:47:02	Action!
00:47:08	The arrival in the land of liberty.
00:47:55	That's all for today, folks.
00:48:01	Good to know I can count
00:48:06	Don't come it with me.
00:48:09	"Arrival in the land of liberty"?
00:48:13	What are you playing at?
00:48:16	No one else seemed to mind.
00:48:19	Kicking an immigration officer
00:48:24	You think that's funny?
00:48:26	For those of us with a sense
00:48:30	It was supposed to be a comedy.
00:48:36	You've turned it into a bloody
00:48:39	We're guests here.
00:48:44	Syd, I love this country.
00:48:47	That's why I can criticize it.
00:48:51	Remember where we're from.
00:48:57	You make a million a year
00:49:01	The London papers are after you.
00:49:05	I registered for the draft.
00:49:08	It isn't like I'm hard to find.
00:49:14	I'm on your side, kid.
00:49:16	First one on board, remember?
00:49:19	Be careful, Chas.
00:49:23	Just watch it.
00:49:27	That's all I'm saying.
00:50:04	You said you detested studio parties.
00:50:07	The worst. But not where
00:50:11	Life was fun when Doug was around.
00:50:14	I don't think anyone today remembers
00:50:19	I mean in those days, he was huge.
00:50:22	Men liked him.
00:50:24	Women adored him.
00:50:27	He was royalty.
00:50:36	Look out below!
00:50:49	Sire, you are most truly welcome.
00:50:54	Great party, Doug.
00:50:55	Isn't it fabulous?
00:51:03	I hate it more than you do.
00:51:05	I doubt it.
00:51:07	Of course everything changed
00:51:12	You mean Mary Pickford?
00:51:15	I always found her to be something
00:51:19	But Doug fell for her
00:51:22	Hello, Charlie.
00:51:24	Hi, Doug. Thanks for inviting me.
00:51:27	Mary. It's a pleasure.
00:51:33	Duty calls. Excuse me.
00:51:39	He's really a lovely person, Charlie.
00:51:42	Yes. Hungry?
00:52:08	Her name is Mildred Harris.
00:52:10	An actress?
00:52:12	Oh, yes. A child actress.
00:52:15	You ever hear the word "jailbait"?
00:52:18	That's the definition.
00:52:21	I value that, Mary.
00:52:27	Coming from you.
00:52:29	When America's Sweetheart gives
00:52:33	"Better listen?" Thanks, Charlie.
00:52:37	When here you're married and Doug
00:52:42	...pretending you've just met.
00:52:44	Mr. Chaplin, please?
00:52:46	Lecture me more about morality.
00:52:50	Bettah, Bettah.
00:52:53	Bettah. Bitch.
00:52:56	Better.
00:53:13	I washed my face.
00:53:16	Come here.
00:53:36	What is it?
00:53:39	I just need some...
00:53:46	I've some in my purse.
00:53:48	It's in the drawer, over there.
00:54:12	Look at me.
00:54:16	Is this right?
00:54:19	Just put it on.
00:55:09	You weren't yet 30 and were
00:55:13	You had your own studio, named
00:55:18	I can, now.
00:55:19	I couldn't then. It meant too much.
00:55:40	Mr. Chaplin, welcome.
00:56:01	Can I take your picture?
00:57:10	Cut!
00:57:12	Let's try a little less.
00:57:14	Hold the smoke.
00:57:16	The dirt, I mean.
00:57:22	Looks great, Charlie. I kept the boys
00:57:27	You are an ass!
00:57:31	One more, Charlie?
00:57:33	How's the light? I know.
00:57:35	It's better down at Barney's Bar.
00:57:37	Call it a day.
00:57:41	I don't feel funny anymore.
00:57:44	Are you cheating, Fairbanks?
00:57:46	You are a truly strange fellow
00:57:49	Nonsense.
00:57:51	Facts indicate otherwise.
00:57:53	Out.
00:57:55	These facts show a young man
00:57:58	Not perhaps handsome
00:58:04	Flatteringly put.
00:58:07	Double fault. Lucky me.
00:58:10	A fellow of fame and fortune
00:58:15	Ready?
00:58:16	If only you'd put one in play.
00:58:18	Call this one out.
00:58:20	What for? I'm winning.
00:58:22	Damn.
00:58:23	Damn.
00:58:24	And who is he escorting?
00:58:27	Mildred Harris, that intellectual giant
00:58:32	Very funny.
00:58:34	Then why aren't you laughing?
00:58:37	Because I'm marrying her.
00:58:49	She's really not that bad.
00:58:51	"Really not that bad"?
00:58:54	Spoken like a man desperately in love.
00:59:03	You sure it's yours?
00:59:05	I can only hope.
00:59:07	There are ways of getting out of this.
00:59:10	Where I come from
00:59:16	Besides, I want a family...
00:59:19	You'll have one before you know it.
00:59:22	May I congratulate you?
00:59:25	You may not!
00:59:27	Good!
00:59:36	You didn't suspect about Mildred?
00:59:39	Not for a moment.
00:59:41	Why don't you add that? Put that in?
00:59:44	I'll never forget the night
00:59:48	We were celebrating
00:59:51	I met J. Edgar Hoover
00:59:54	You should explain this was before
00:59:58	If I may continue, Mr. Hearst.
01:00:02	We're too open.
01:00:06	...if we don't take steps now to impose
01:00:11	...then we're in trouble. Deep trouble.
01:00:14	It's not fashionable to say this.
01:00:17	We're celebrating, we think it's over.
01:00:21	But democracy carries a price tag.
01:00:24	I think one of the most misguided
01:00:29	...was inscribed
01:00:33	One I predict will lead this country
01:00:37	"Give us your poor
01:00:41	We must stop this
01:00:45	Our concept of America
01:00:47	...never included this kind of scum.
01:00:50	You must forgive
01:00:53	...his artistic temperament.
01:01:08	We are giving sanctuary
01:01:13	Left-wing intellectuals
01:01:18	Aren't you overstating?
01:01:20	No, I'm not.
01:01:22	Do you people realize
01:01:26	To my way of thinking, movies...
01:01:29	...are the most influential form
01:01:33	And they're not controlled.
01:01:35	Your message
01:01:37	Message?
01:01:39	Of course.
01:01:41	Mr. Chaplin reaches millions
01:01:45	And when they see our immigration
01:01:49	...I call that a message.
01:01:51	As you've already said, Mr. Hoover...
01:01:55	...movies are for the people.
01:01:57	Most people work for a living
01:02:01	It pleases them to see officials and the
01:02:06	Always have and it always will.
01:02:09	And if that can change things
01:02:14	Bettah.
01:02:17	He's improving.
01:02:18	But movies have made you rich.
01:02:21	They sure have.
01:02:28	I think you've handled it wonderfully.
01:02:31	Mildred.
01:02:33	The pregnancy?
01:02:36	Everyone knows you were conned.
01:02:47	Excuse us, Mr. Hearst.
01:02:51	Come along, my dear.
01:03:10	You made an enemy there.
01:03:13	Was it personal, you think?
01:03:15	Personal? Maybe.
01:03:17	I'm sure he really believed
01:03:21	I wasn't. I was simply a humanist.
01:03:24	He also believed you were a Jew.
01:03:27	Something I've rarely troubled
01:03:31	He's half-Jewish.
01:03:36	I suppose the false pregnancy
01:03:51	You're so late again.
01:03:56	Sometimes I feel I'm so close
01:04:00	...but it slips away.
01:04:02	You've been editing that film
01:04:05	Will be for months, more than likely.
01:04:09	Not like the old days.
01:04:16	The good times? Are they over?
01:04:21	You want me to leave?
01:04:24	No.
01:04:29	I'll leave.
01:04:40	Why aren't you bitter towards her?
01:04:42	Stealing my movie wasn't her idea.
01:04:45	Poor child was so stupid
01:04:52	Wake up!
01:04:59	They're trying to seize the film.
01:05:01	Wash your face and wake up.
01:05:03	Sweet little bride of yours. Her divorce
01:05:08	An asset?
01:05:10	I've got Rollie, the wife and 40
01:05:15	Once we're out of the state
01:05:19	You've got
01:06:18	It's good.
01:06:21	It moves now.
01:06:29	I really do love that kid.
01:06:58	Where's that shot, Syd?
01:07:01	Look in 102, Rollie.
01:07:04	Wait. I've got it, Chas.
01:07:08	Minnie, answer the door. Hurry.
01:07:22	Here's your tea.
01:07:31	He's on to us, boys.
01:08:23	You are the honeysuckle
01:08:31	They're here, boss.
01:09:16	I've dreamed of this moment for years.
01:09:22	This is America.
01:09:34	Charlie bought you a lovely house.
01:09:37	It's not too big.
01:09:49	You always wanted to live by the see.
01:09:56	Don't stop Syd. You're right. I have.
01:10:01	I think I will love watching the waves.
01:10:07	I'm sure I will. You boys!
01:10:28	More tea?
01:10:34	The mark on my arm?
01:10:37	I got that at the asylum.
01:10:43	If I'd fed you proper
01:10:49	Now, if they ever come back for me
01:11:02	I could never deal with my mother.
01:11:06	I just threw money at her.
01:11:09	You have to explain why you chose
01:11:14	I was tired. I had a movie opening.
01:11:18	I wanted to see old friends.
01:11:23	Straight into the water, ass over tip!
01:11:28	He needed the job that bad!
01:11:32	But I was worried, Charlie.
01:11:36	I've seen it happen
01:11:42	I'm sure you have, Mr. Karno.
01:11:44	Head size. That's the only true
01:11:49	I sent this lad to America.
01:11:55	My head never swelled
01:12:00	But I was worried about you, Charlie.
01:12:04	That night at the Troc, remember?
01:12:07	You took a tall suit from the
01:12:12	Trying to impress that dancer
01:12:16	Hetty Kelly.
01:12:18	I could see that you fancied her.
01:12:21	Sad.
01:12:24	I know all about it. She got married.
01:12:27	She sent me a lovely note.
01:12:33	Oh, Charlie, Charlie.
01:12:38	Don't you know?
01:12:40	Has nobody told you? She's gone!
01:12:44	The flu epidemic after the war
01:12:51	I thought someone
01:12:55	Must have written.
01:12:57	Didn't nobody?
01:13:42	What will we do, Charlie?
01:13:50	Smile.
01:13:55	Give me my hat.
01:15:28	Hey! That's Charlie Chaplin!
01:15:32	What can I get you?
01:15:34	Light ale, please.
01:15:36	That'll be tuppence, sir.
01:15:39	There's someone who had a good war!
01:15:43	He wasn't in the army!
01:15:45	Come to stare at the animals, Charlie?
01:15:48	Give your mouth a rest, Ted.
01:15:51	I just came in for a quiet drink.
01:15:53	Good to see you.
01:15:54	Have one on me.
01:15:56	You have one on me.
01:15:58	Mr. Charlie fucking Chaplin!
01:16:01	Cheers! Bloody bastard!
01:16:06	Don't worry about him. He's always
01:16:19	Good luck!
01:16:23	That's Charlie Chaplin!
01:16:26	There's the back way, sir.
01:16:28	You're very kind.
01:16:54	Charles Chaplin in the Kid.
01:16:58	Welcome home, Charlie.
01:17:03	I knew then that I had no home. So I
01:17:28	A man came to see me the other day.
01:17:31	A corset salesman? I sent him.
01:17:36	He was the FBI, old darling.
01:17:39	Said he knew I was a loyal American.
01:17:42	He wondered if everyone else
01:17:46	I let him work his way around to you...
01:17:48	...which he did.
01:17:50	He asked if you were a member
01:17:53	I said that was
01:17:56	Because I love America.
01:17:58	You were too cheap to pay the dues.
01:18:01	Remarkable. Your timing in work
01:18:05	You're a miserable pain in the ass.
01:18:11	Worry about your family jewels...
01:18:14	...old darling.
01:18:16	I'm serious. Watch out.
01:18:22	For what?
01:18:25	You're a foreigner.
01:18:28	You don't understand this country.
01:18:31	It's a good country underneath.
01:18:34	No. It's a good country on top.
01:18:37	Underneath is what starts showing
01:18:43	But you don't care about politics.
01:18:47	Why are you worried?
01:18:48	Me? I haven't a care in the world.
01:18:52	I'm the oldest action star around
01:18:55	What have I got
01:18:59	That's talkies, Charles.
01:19:02	Talkies!
01:19:04	Talkies!
01:19:06	Imagine the tramp talking.
01:19:08	It's the future, Charlie.
01:19:10	Not in my lifetime.
01:19:11	Talkies!
01:19:14	It'll never catch on.
01:19:17	Talkies!
01:19:39	We've enlarged it for you.
01:19:44	I still can't make him out.
01:19:48	Have you got a positive I. D?
01:19:51	It's Hawkins, sir. The red labor leader.
01:19:54	Visiting him in the studio.
01:19:57	How can we make them
01:19:59	I told him that.
01:20:01	Face to face.
01:20:05	He didn't get it.
01:20:09	How old is this one?
01:20:12	She's under age is all that matters.
01:20:14	We can go after him
01:20:17	The scandal will destroy him.
01:20:19	I appreciate your zeal.
01:20:21	But Chaplin and Miss Grey
01:20:28	If only he'd just sleep with them!
01:20:32	Still...
01:20:34	...we must do what we can.
01:20:39	Lita was your second wife. She gave
01:20:44	This book is over 500 pages long.
01:20:47	Yet only five lines to her. Why?
01:20:50	I hated the bitch.
01:20:52	She was hardly more than a child.
01:20:57	She was a profoundly flawed
01:21:01	We must deal with the problem.
01:21:03	You married her.
01:21:06	Readers will want to understand.
01:21:08	Where were you when she had those
01:21:12	You know were I was. Making a little
01:21:22	You're a flawed human being
01:21:26	Only, you have to address it.
01:21:30	I mean, why are we here talking
01:21:37	It wasn't just the parlor pink
01:21:42	...or the donations that finally turned
01:21:46	Nah.
01:21:49	You know what it was?
01:21:53	Sex.
01:21:58	Yes. Sex.
01:22:02	It's odd, but I've never looked
01:22:06	...without measuring that
01:22:11	At the same time, I'm not that
01:22:17	I suppose it was only when I wasn't
01:22:21	...vulnerable.
01:22:25	Why don't you write about that?
01:22:29	If you want to understand me...
01:22:32	...watch my movies.
01:22:40	Okay, sonny boy, tell your poor
01:22:45	The same as yesterday.
01:22:48	And the day before
01:22:51	Fine. You be creative for a change.
01:22:54	The Tramp buys a flower from the girl.
01:22:57	For the plot to work
01:23:02	Except, of course, the girl is blind.
01:23:05	And I don't know how to make her
01:23:10	Easy.
01:23:12	We'll do what everyone else is doing.
01:23:16	Joe!
01:23:19	We'll have the actors talk.
01:23:24	Joseph Curb, Vitaphone.
01:23:26	Hello, sir.
01:23:33	Sorry. You're in the middle
01:23:38	You decide who's right.
01:23:42	The minute he talks, he's dead.
01:23:48	He can't, because you're wrong.
01:23:51	Who'll pay to see you
01:23:55	I'll tell you who.
01:23:58	Anyone who doesn't speak English.
01:24:01	Or did you forget about the other
01:24:07	Who's the most famous ballet dancer
01:24:10	The most famous ballet dancer
01:24:13	Nijinsky.
01:24:15	Fine. So let's say he was doing
01:24:20	...and we went to see it.
01:24:24	He comes down to the footlights.
01:24:27	The orchestra stops.
01:24:29	He says, "Hi, I'm Vaslav Nijinsky".
01:24:33	"Hi, folksies. Call me Vaslav Nijinsky.
01:24:37	"It's okay by me".
01:24:40	"Everything is wonderful".
01:24:42	"Today I'm going to jump up
01:24:46	"Hope you like me."
01:24:52	It would be awful.
01:24:56	As it would with the tramp.
01:25:01	Tell me I'm right.
01:25:04	I'm in the word business
01:25:09	But I'm glad I got to meet you.
01:25:14	Enjoyed the dancing?
01:25:18	Yeah. And the talking.
01:25:27	Take Mr. Curb to his office.
01:25:38	Rollie! Get them all back.
01:25:42	How does a blind girl mistake
01:25:46	When she hears a door slam
01:25:49	She thinks the tramp's the owner.
01:25:52	Easy. When you know how.
01:26:06	Boys!
01:26:18	Boys!
01:26:24	I don't see any stairs.
01:26:39	Mum's here. Off you go!
01:26:43	Your mummy's here.
01:26:49	I'll see you next weekend.
01:27:17	It can't be all that bad, Mr. Chaplin.
01:27:22	Do I know you?
01:27:24	And why don't I?
01:27:26	I'm Paulette Levy.
01:27:29	Would you like a drink?
01:27:32	I already have one.
01:27:34	A fur coat?
01:27:39	You look hungry.
01:27:48	Actress?
01:27:51	If you watch B movies and don't blink.
01:27:54	But don't get any ideas.
01:27:58	No, but I'm twenty-one.
01:28:04	You're very pretty, Miss Levy.
01:28:07	I didn't get here
01:28:11	May I say something?
01:28:15	You'd be devastating
01:28:19	Punch? Two, please.
01:28:24	At least you can do something
01:28:27	Never! I was born this way.
01:28:34	Nice to see you again, sir.
01:28:50	Evening, Mr. Chaplin.
01:28:52	Sorry
01:29:02	You look beautiful.
01:29:04	My usual table.
01:29:20	You'd come a long way.
01:29:23	No need to book a table.
01:29:27	Blind?
01:29:29	Yes. That's fatal, for a storyteller.
01:29:32	Did I tell you I sold all my stocks
01:29:36	That was clever.
01:29:41	It was deeply cruel, the Depression.
01:29:46	Can I have an autograph, Mr. Chaplin?
01:29:50	Yes, of course.
01:29:59	I wish they'd wanted my money.
01:30:02	You know what?
01:30:09	After a man makes love to me
01:30:15	I am happy.
01:30:18	Then I don't want to be around
01:30:26	Terrible things have happened
01:30:30	Millions of Americans
01:30:34	Machinery is replacing manpower.
01:30:40	And I've said nothing.
01:30:46	Shame on me.
01:30:51	Shame on me.
01:31:17	You're right, Charlie.
01:31:21	Okay, we'll do a two-bar repeat
01:31:29	Sorry, darling.
01:31:30	I'm taking the boys out today.
01:31:35	Tomorrow, darling.
01:31:42	Put that in straight away.
01:31:44	What should we do?
01:31:49	Let me hear it.
01:31:56	No. I'll tell you why.
01:32:09	Charlie, you were supposed
01:32:13	I'm sorry. Who was fighting?
01:32:16	Mostly Mary and Doug.
01:32:19	You're wonderful, Miss Goddard.
01:32:31	That didn't work either, did it?
01:32:56	The Fairbanks are getting a divorce.
01:33:00	Mussolini has invaded Abyssinia.
01:33:04	You really need a break, Charlie.
01:33:07	We should take a trip.
01:33:09	Good idea.
01:33:11	What's a good idea?
01:33:14	Around the world, I thought.
01:33:20	I'm not going to make it.
01:33:31	Did you lose your other wives
01:33:36	I think so.
01:33:39	But you'd have to ask them.
01:33:49	Paulette. She was wonderful.
01:33:51	Her personality, you mean?
01:33:54	In bed?
01:33:58	She didn't take me for a fortune.
01:34:00	Let me help you. Come on.
01:34:06	Okay?
01:34:10	I know you so well. I know you're
01:34:17	I was the only one who knew.
01:34:26	Don't say I don't look after you.
01:34:36	Mr. Chaplin. Always a pleasure.
01:34:40	How are you?
01:34:42	You look even prettier.
01:34:43	Nobody's fine and everyone needs
01:34:48	Scotch.
01:34:50	Is he, uh...?
01:34:52	Yes.
01:34:54	Seriously?
01:34:57	His heart.
01:35:07	Hey. Don't laugh.
01:35:10	I'm testing for Scarlett.
01:35:13	Why should I laugh?
01:35:14	Because it's a joke.
01:35:18	I hear Katie Hepburn has it locked
01:35:22	I haven't worked
01:35:25	Neither have I.
01:35:27	No ideas. I'm desperate.
01:35:31	See you later.
01:35:37	I can manage a double.
01:35:39	Should you?
01:35:41	Are you two still married or what?
01:35:45	When people thought we were having
01:35:50	Now people know
01:35:52	You're a wizard with women
01:35:57	Who's that man? Sounds German.
01:36:00	Probably one of those directors.
01:36:05	Like Plato, Adolf Hitler is defining
01:36:10	...for backward systems.
01:36:12	Do you know him?
01:36:15	I have that good fortune, yes.
01:36:18	And you have my word.
01:36:21	We only desire to defend our
01:36:25	Told you. Paramount.
01:36:27	It's not funny.
01:36:29	He merely wants to improve
01:36:34	How can they let these fascist thugs...
01:36:38	To cut out the profit speculator.
01:36:41	The Jew.
01:36:43	Mr. Chaplin!
01:36:48	I'm sorry.
01:36:52	What have you got against us?
01:36:56	What have you got
01:37:00	You must forgive Mr. Chaplin.
01:37:04	So!
01:37:06	I'm afraid I don't have that honor.
01:37:11	Shame on you!
01:37:16	The former Miss Levy.
01:37:21	Shall we, my dear?
01:37:32	God bless you, Charlie.
01:37:35	I'll call you.
01:37:37	Yes. Please do.
01:37:43	A fine international incident
01:37:47	Let's go out.
01:37:49	Not tonight, old darling.
01:37:53	It's funny, you look a lot like him.
01:37:57	Adolf, I mean.
01:38:03	With your moustache on.
01:38:06	I think he stole your act.
01:38:10	'Night, old boy.
01:38:13	'Night.
01:38:17	Sweet prince.
01:38:24	So much ended around then.
01:38:26	I'd been there 25 years.
01:38:29	Everyone else had gone over to sound.
01:38:32	I don't know
01:38:38	Of course, U.A. was over for me.
01:38:40	United Artists.
01:38:44	You haven't written anything
01:38:48	I'll put something in.
01:38:52	Creative people had their say
01:38:57	No milk.
01:38:59	A distributor said, "The Lunatics
01:39:05	That became quite a famous remark.
01:39:15	But U.A. did mean a lot to Doug.
01:39:19	When my mother died, it was sad.
01:39:22	But she was old, she'd had her run.
01:39:26	It was different with Doug.
01:39:29	Even today, I still miss him.
01:39:34	Tell me, when did you start
01:39:38	38.
01:39:40	And everyone thought you were crazy.
01:39:44	But when the war broke out
01:39:48	Not to those
01:40:00	Commen für der hair-dryen!
01:40:09	Und lager beer mit pizza parliament!
01:40:19	Big smile!
01:40:26	I know you. You bastard.
01:40:31	Syd? Is that you?
01:40:38	What's wrong? You wanted to make me
01:40:43	Yeah, but not this.
01:40:49	I know this man.
01:40:52	I'm born the same year
01:40:56	He's like me, capable of anything.
01:41:00	Nobody wants to see a film...
01:41:03	...about Adolf fucking Hitler!
01:41:05	I do!
01:41:11	You're missing the point.
01:41:13	It's not about Hitler
01:41:17	The little Jewish barber
01:41:21	What's happening in Europe
01:41:24	Ninety percent of the Americans
01:41:27	That's nine out of ten!
01:41:32	You're a comic.
01:41:34	Yes, Syd. And you're a Jew.
01:41:45	Nevertheless, I've got to give it a try.
01:41:50	Otherwise, what have I been doing
01:41:56	I know talking
01:42:01	But at least he'll say something
01:42:07	Okay. We'll see how it goes.
01:42:13	"The Great Dictator"
01:42:21	I'm sorry, but I'm not an emperor.
01:42:25	I don't want to rule or conquer anyone.
01:42:28	I'd like to help everyone, if possible.
01:42:31	Jew, gentile, black man, white.
01:42:34	We all want to help one another.
01:42:37	We want to live by each other's
01:42:41	Greed has poisoned men's souls
01:42:46	It's goose-stepped us
01:42:49	Do not despair.
01:42:51	The hate of men will pass
01:42:54	He's not talking about Germany...
01:42:57	He's talking about America.
01:43:02	This is what we need
01:43:13	Mr. Seeley
01:43:18	You need a trip to California.
01:43:21	Comrades!
01:43:23	Let us fight for a new world.
01:43:25	Commie bastard!
01:43:28	Soldiers! In the name of democracy
01:43:34	What brings you here?
01:43:37	My firm is getting into movies.
01:43:41	But I really don't know
01:43:48	Congratulations on the London opening.
01:43:53	Tea is on it's way, sir.
01:43:56	Lovely afternoon, Charlie.
01:44:06	Women drop handkerchiefs.
01:44:25	"Upper regional domes
01:44:29	That's how you describe Joan Barry.
01:44:33	She was very well-endowed
01:44:38	You expect people to believe
01:44:41	Well, I didn't have to put a girl
01:44:46	I spent thousands on her.
01:44:48	I wrote a screen-play for her.
01:44:50	I don't care what the readers think.
01:44:54	She was intelligent. She was pretty.
01:44:59	And the screen test proved
01:45:04	But she became erratic.
01:45:07	For some reason she began
01:45:12	She took to driving to my house
01:45:17	She was arrested. Made a scene.
01:45:22	I refused to have anything further
01:45:27	How could you have been so foolish?
01:45:30	You took up with a crazy girl...
01:45:33	A promiscuous, vengeful liar.
01:45:36	And for the first time
01:45:40	Hoover had kept tabs on you
01:45:43	And he still couldn't nail you until...
01:45:46	...you played it right into his hands
01:45:54	You're improving.
01:45:56	Can't you find someone else
01:45:58	Apparently not. Not anymore.
01:46:03	Who's that?
01:46:04	The debutante.
01:46:06	You're doing a favor for her agent.
01:46:09	Not another one who wants to act.
01:46:13	This is the last time.
01:46:15	They think it's so easy. I bet as
01:46:20	In half an hour, say I have an
01:46:23	Leave it to me.
01:46:25	Mr. Chaplin?
01:46:28	I'm Oona O'Neill.
01:46:33	If I'm interrupting your game
01:46:37	No. No.
01:46:39	I was waiting for you.
01:46:47	I always have tea at 4:00.
01:46:51	Just this summer.
01:46:54	My agent got me
01:46:58	Will they give you a contract?
01:47:01	I don't know.
01:47:04	Will you tell me?
01:47:07	Yes, if you want me to.
01:47:10	Charlie!
01:47:12	Excuse me.
01:47:16	Appointment?
01:47:24	Who's it with?
01:47:26	Uh, Fred.
01:47:28	Fred.
01:47:30	Not Astaire again.
01:47:33	That's right.
01:47:34	And Ginger?
01:47:36	Could be.
01:47:38	I'm sick of them.
01:47:40	I'm not teaching them any more.
01:47:45	Right.
01:47:50	Sorry. I asked him to interrupt
01:47:56	I mean, in case you were...
01:48:04	I've never been to England.
01:48:55	All proceeds from tonight's world
01:48:58	...will benefit families of American
01:49:06	George, I've written this for the end.
01:49:09	For the last 20 years
01:49:14	I wish I could write more about this.
01:49:18	Perfect love is the most beautiful
01:49:22	Because it is more
01:49:26	Excuse me, sir.
01:49:29	Sorry for the intrusion.
01:49:31	It's all right. Come in.
01:49:38	What is it?
01:49:40	I just took a call from Miss Barry, sir.
01:49:44	She wanted me to tell you
01:50:02	Where's Charles?
01:50:03	With Harry.
01:50:07	He may be on the stage by now.
01:50:10	Is Charles down there?
01:50:20	She'll drop the paternity suit.
01:50:25	No. What? Just listen.
01:50:29	She'll take $150000. That's
01:50:33	She says you did it at Christmas
01:50:39	I've never made you a deal
01:50:42	It was over before Christmas.
01:50:46	It'll be out of the way.
01:50:48	I can't do that. I've got Oona to think of.
01:50:52	I'm all for proving your innocence
01:50:59	Go back to them.
01:51:02	I beg you.
01:51:05	Get them to agree to a blood test.
01:51:08	So that night you went to his house...
01:51:11	...did you and Mr. Chaplin
01:51:16	Doesn't it look like it?
01:51:18	Never mind what it looks like.
01:51:22	She said she did.
01:51:28	The next morning
01:51:31	Paid me off.
01:51:36	He wanted somebody younger.
01:51:41	Didn't he?
01:52:07	Yes, thank you.
01:52:10	It's all over.
01:52:12	The test proved it's not my baby.
01:52:24	Let's just forget all this new-fangled
01:52:27	Put it out of our minds.
01:52:31	...inadmissible.
01:52:34	What matters now is the financial
01:52:38	It is her future
01:52:41	It makes me mad...
01:52:44	...how this fellow tries to put it
01:52:47	This great star...
01:52:49	...of stage and screen...
01:52:51	...who has enjoyed our hospitality
01:52:54	...applying for American citizenship.
01:53:00	But what good has his money done
01:53:04	Wasting his time debauching girls.
01:53:06	What good has it done America?
01:53:09	This is the kind of stuff
01:53:13	Now my client...
01:53:15	...on the other hand...
01:53:18	...is, alas...
01:53:20	...no more moral than Chaplin.
01:53:24	Ah, yes. Yes.
01:53:29	Only Chaplin is old enough
01:53:33	Prowling around with girls.
01:53:35	Members of the jury, use your common
01:53:42	This cheap, Cockney cad.
01:53:47	This...
01:53:50	...little tramp.
01:53:54	Then take a very good look at...
01:53:57	...innocent Carol Ann.
01:54:01	I defy you not to see
01:54:05	Gentlemen an ladies... wives and
01:54:10	Watching to see you stop Chaplin
01:54:15	You'll sleep well the night
01:54:20	The night you show this lecher...
01:54:23	...the law means him
01:54:29	GUILTY!
01:54:33	CHAPLIN MUST SUPPORT BABY
01:54:38	Chaplin Faces Call In Red Inquiry
01:54:41	Drive to Bar Reds Stirred
01:54:44	Chaplin Joins
01:54:46	Not a Red, Chaplin Says
01:54:48	CHAPLIN FINISHES "LIMELIGHT"
01:54:53	It's a star-studded evening here.
01:54:57	Here is Charlie Chaplin
01:55:30	Are you a communist, Mr. Chaplin?
01:55:33	Are you a fellow traveler?
01:55:36	Will you attend
01:55:39	Gentlemen, please.
01:55:41	Mr. Chaplin has said he will go
01:55:48	Senator Joseph McCarthy
01:55:50	Even if there's one communist...
01:55:51	...in the state department...
01:55:56	...that would still be
01:56:01	Mr. Lawson, are you now
01:56:04	...a member of the communist party?
01:56:16	I'm responding in the only way
01:56:20	...can respond to a question
01:56:22	Then you refuse to answer, correct?
01:56:27	I have said I will offer my beliefs...
01:56:31	Stand away from the stand.
01:56:33	Stand away from the stand!
01:56:35	I am fighting for the Bill of Rights!
01:56:47	I'd love to get away for a while.
01:56:50	Maybe after this bundle arrives
01:57:06	Sir.
01:57:10	We just got word.
01:57:41	Where's Mr. Chaplin?
01:57:43	We left him at the stern.
01:57:45	It's all right, darling.
01:58:02	What is it, sweetheart?
01:58:08	Is it Syd?
01:58:12	What is it?
01:58:17	They've thrown you out.
01:58:21	Thrown me out?
01:58:28	Of America.
01:58:33	I'm so sorry.
01:58:40	I can't go back.
01:58:53	There are nights when it's still hard
01:58:58	They surely wouldn't refuse you a
01:59:02	Let's go in.
01:59:05	It's cold.
01:59:07	I must go away.
01:59:09	I must go anyway.
01:59:10	The telephone!
01:59:13	No, George, in answer to your
01:59:19	It's been a long day.
01:59:22	You must be very tired.
01:59:25	Come on, George, finish it off.
01:59:28	The question mark.
01:59:30	What is it?
01:59:32	You mean that?
01:59:38	It was a personal matter.
01:59:41	Tell me.
01:59:44	Okay.
01:59:47	The madness.
01:59:49	I wondered
01:59:54	What makes you think it did?
01:59:57	Your mother was certified insane
02:00:00	...your grandmother was as well
02:00:06	That's not what dogged me, George.
02:00:14	It was...
02:00:17	...the knowledge that if you did what
02:00:22	And you had passion to tell
02:00:26	...something...
02:00:33	...beyond.
02:00:36	You only had one chance
02:00:38	And I never did.
02:00:40	One never does. But you know that.
02:00:43	That's not the problem.
02:00:52	It's when you feel you're
02:00:56	...but you can't make it.
02:00:59	You're not good enough.
02:01:03	And despite all your fantasies...
02:01:07	...you're second-rate.
02:01:09	It's human.
02:01:14	And it's very hard.
02:01:20	Why not add that?
02:01:22	It's not important, really.
02:01:25	Ultimately, you're judged by what
02:01:31	And I didn't change things, I just...
02:01:35	...he just...
02:01:39	...cheered people up.
02:01:42	Not bad, that.
02:02:28	Charlie?
02:02:35	Charlie, dear.
02:02:37	I dreamed I was answering
02:02:41	California called again.
02:02:46	They took 20 years to decide
02:02:50	Enough. Enough!
02:03:07	From Los Angeles, the 44th annual
02:03:27	Suppose they start throwing things.
02:03:29	Now that would be a story.
02:03:31	You never know... on the stage.
02:03:34	I can see the headlines:
02:03:38	"Chaplin Disappears under
02:03:43	Look, it's Walter.
02:03:46	Does that make you happy?
02:03:48	No.
02:03:52	I shouldn't have let them show
02:03:55	People will think they're old.
02:03:58	They are old.
02:04:04	You know the worst thing
02:04:08	...you can't defend yourself.
02:04:12	When I was young and handsome
02:04:17	...I'd make a movie...
02:04:20	...and make them laugh
02:04:25	Now I'm at their mercy.
02:04:28	Come in.
02:04:31	We're ready for you, Mr. Chaplin.
02:04:36	Behave yourself.
02:04:38	Now the President of the Academy
02:04:42	Remember the President
02:04:45	Taradash? Sounds like a spice.
02:04:49	The inscription reads:
02:04:53	"...for the incalculable effect
02:04:56	"...the art form of this century."
02:05:01	"Humor heightens our sense
02:05:04	"...and preserves our sanity."
02:05:07	The words of Charlie Chaplin.
02:05:09	The abiding elements of Chaplin's
02:05:13	...as actor, writer, director, and...
02:05:16	...to quote W.C. Fields
02:05:20	A few years ago, Mr. Chaplin said:
02:05:23	"My only enemy is time."
02:05:26	We respectfully disagree.
02:05:29	I'm leaving you here, darling.
02:05:31	My white dress... They mustn't
02:05:37	Time is Charlie Chaplin's dearest
02:05:46	Here is the proof.
02:05:48	Watch... remember... rejoice.
02:10:51	The End
02:11:02	Charles Spencer Chaplin accepted
02:11:06	Days later, he left Hollywood
02:11:11	In 1975 Charlie
02:11:15	...receiving his knighthood
02:11:20	During a 54-years career, Charlie
02:11:24	...67 where completed
02:11:29	Charlie died, aged 88
02:11:33	...surrounded by Oona
02:11:37	Hannah Chaplin, Charlie's mother
02:11:41	...in the house Charlie bought for her.
02:11:48	Sydney Chaplin retired to France
02:11:52	...in Switzerland.
02:11:57	Fred Karno, who gave Charlie
02:12:01	He died penniless 15 years later.
02:12:06	Hetty Kelly, Charlie's first love
02:12:09	She was the inspiration for many
02:12:15	George Hayden
02:12:19	Charlie wrote "My Autobiography"
02:12:25	Mack Sennett's reign as the king
02:12:29	He received a Special Oscar in 1937.
02:12:34	Mabel Normand was involved
02:12:38	...surrounding a murder in 1922.
02:12:42	Edna Purviance was Charlie's leading
02:12:46	Charlie kept her on the studio
02:12:52	Douglas Fairbanks founded United
02:12:56	He died in his sleep
02:13:01	Mary Pickford competed with Charlie
02:13:06	"America's Sweetheart"
02:13:12	Mildred Harris was Charlie's first wife.
02:13:16	Her career faded
02:13:19	J. Edgar Hoover was FBI Director for
02:13:24	...illegally gathered by his agents
02:13:28	Charlie's FBI file was
02:13:34	Lita Grey was Charlie's second wife.
02:13:37	She and Sydney Jr. were living
02:13:42	Paulette Goddard
02:13:45	She and her husband moved to
02:13:53	Joan Barry spent most of her
02:13:57	Chaplin had to support Carol Ann
02:14:02	Joseph Scott's courtroom speech is
02:14:06	The paternity suit came to be regarded
02:14:12	Oona O'Neill was 18 when she
02:14:16	When Charlie was barred from the
02:14:21	She survived Charlie by 14 years and

Chaplin