|
Charlie s Angels Full Throttle
|
| 00:00:39 |
Northern Mongolia |
| 00:01:39 |
Get off the babysitter. |
| 00:02:20 |
What is an Angel doing |
| 00:02:32 |
l'm no Angel. |
| 00:03:04 |
This is hostel, yeah? |
| 00:03:50 |
l'm good at the bull, no? |
| 00:04:42 |
Ray Carter |
| 00:04:43 |
Marshal Ray Carter? l'm Alex Munday. |
| 00:04:48 |
l didn't think you'd find me. |
| 00:04:51 |
l've got two girlfriends in the bar. |
| 00:04:53 |
They have 50 armed men. |
| 00:04:55 |
l know. lt hardly seems fair. |
| 00:05:01 |
-What is it? |
| 00:05:04 |
Dylan? Dylan, |
| 00:05:07 |
l'm on top of it. |
| 00:05:19 |
-They got my ring. |
| 00:05:38 |
Kill them! |
| 00:05:39 |
Kill them all! |
| 00:06:24 |
Plan B. |
| 00:06:50 |
Just once, l'd like to walk out of a bar. |
| 00:07:12 |
Let's go! |
| 00:07:31 |
Now! |
| 00:07:55 |
-Get in! |
| 00:08:05 |
Dylan! |
| 00:08:07 |
Go for it! |
| 00:08:09 |
-Dylan! |
| 00:08:21 |
l'm afraid |
| 00:08:24 |
Yeah. |
| 00:08:25 |
That happens a lot. |
| 00:08:52 |
lt was three girls! |
| 00:08:54 |
Three crazy beautiful girls. |
| 00:08:55 |
But we have the ring. |
| 00:08:57 |
l always knew this day would come... |
| 00:09:00 |
Let's go to plan B. |
| 00:09:06 |
Once upon a time, there were three |
| 00:09:26 |
Come on, Alex. This is the last pass. |
| 00:09:27 |
Come on, Alex. This is the last pass. |
| 00:09:32 |
Harder! Harder! Harder! |
| 00:09:52 |
l want you! l want you now! |
| 00:09:55 |
who grew up to be three |
| 00:10:00 |
No. |
| 00:10:24 |
Okay. |
| 00:10:34 |
You, hot water. |
| 00:10:37 |
Here it goes. Here it goes. |
| 00:10:42 |
There we go. |
| 00:10:43 |
Now they work for me. |
| 00:11:45 |
William Rose Bailey |
| 00:11:57 |
Perimeter secure. |
| 00:11:59 |
Well done, Agent McDowell. |
| 00:13:58 |
Hey, check this out. |
| 00:14:02 |
Our first piece of mail. |
| 00:14:11 |
-Your 10-year high-school reunion. |
| 00:14:15 |
-lsn't that cool? |
| 00:14:19 |
l still can't believe Nat and Pete |
| 00:14:23 |
-Our little Angel's growing up. |
| 00:14:27 |
The most expensive thing l own |
| 00:14:29 |
-Excuse me. Those are my boots. |
| 00:14:37 |
l forgot my point. |
| 00:14:39 |
You're broke, horny |
| 00:14:41 |
Thank you. |
| 00:14:47 |
So you thought you could escape |
| 00:14:51 |
Not so fast. |
| 00:14:57 |
-Oh, my God! Jason. |
| 00:15:00 |
-Are you okay? |
| 00:15:04 |
That was fun. |
| 00:15:06 |
Fun. Yeah. |
| 00:15:08 |
-What are you doing here? |
| 00:15:16 |
What are you doing later, after this? |
| 00:15:21 |
Jason, l thought we were |
| 00:15:25 |
What? We can't fool around at all? |
| 00:15:28 |
Hey, Jason. |
| 00:15:32 |
Yeah, the photo shoot ran late. Plus, |
| 00:15:36 |
-Hey, Jason. |
| 00:15:38 |
-How's the sequel going? |
| 00:15:40 |
We had, like, 13 writers, |
| 00:15:43 |
-l loved the first one. |
| 00:15:47 |
Sorry. We got a great title for this |
| 00:15:55 |
The premiere's Friday, |
| 00:15:58 |
l love tickets! |
| 00:16:04 |
-Hello? |
| 00:16:05 |
-Be right in. |
| 00:16:07 |
Sorry. |
| 00:16:10 |
-Thanks for helping out, Jason. |
| 00:16:14 |
Charlie. |
| 00:16:18 |
Bosley! |
| 00:16:20 |
What's happening, Angels? |
| 00:16:22 |
-Hey. |
| 00:16:24 |
Look here. l see my brother |
| 00:16:27 |
We have a book? |
| 00:16:29 |
Look here, lovelies, l only been here |
| 00:16:33 |
...what the hell is this? |
| 00:16:35 |
Now, what--? |
| 00:16:38 |
Careful with that, Bos. |
| 00:16:41 |
l'm all right. |
| 00:16:43 |
And l also see y'all being played. |
| 00:16:47 |
-We need those. |
| 00:16:50 |
What? You all fine, but you crazy. |
| 00:16:57 |
What? |
| 00:16:58 |
Bosley, come here. |
| 00:17:00 |
-Have a seat, Bos. |
| 00:17:02 |
-Bos. |
| 00:17:03 |
B. |
| 00:17:06 |
Your brother didn't sweat the details. |
| 00:17:08 |
-We do what it takes. |
| 00:17:11 |
So, what does a Bosley do |
| 00:17:13 |
-He does the most important job of all. |
| 00:17:17 |
He connects us with Charlie. |
| 00:17:22 |
Okay. All right. All right. |
| 00:17:25 |
-Good morning, Angels. |
| 00:17:28 |
Bosley, I hope the Angels |
| 00:17:32 |
Man, please. l date fat women. |
| 00:17:37 |
Great work in Mongolia, Angels... |
| 00:17:39 |
...but I'm afraid the case |
| 00:17:43 |
Goddamn! What the f--? |
| 00:17:47 |
l know where l'm watching |
| 00:17:51 |
Angels, I'd lik e to introduce Roger |
| 00:17:55 |
-Pleasure to meet you. |
| 00:17:57 |
-Hi. |
| 00:17:59 |
Over the years, |
| 00:18:01 |
...has work ed on projects |
| 00:18:03 |
...but never one with so many |
| 00:18:07 |
Hey, l'm busy watching |
| 00:18:11 |
Good job, Bos. |
| 00:18:14 |
Angels, you're aware of the Federal |
| 00:18:18 |
People who testify |
| 00:18:20 |
...are relocated |
| 00:18:23 |
The identities of these witnesses are |
| 00:18:23 |
The identities of these witnesses are |
| 00:18:27 |
Hidden Alias List Operation. |
| 00:18:29 |
The list is encrypted |
| 00:18:33 |
The data on each ring is |
| 00:18:36 |
...but when they are read together, |
| 00:18:40 |
Who wears the rings? |
| 00:18:42 |
The head of the U.S. Marshal Service |
| 00:18:45 |
-Ray Carter. |
| 00:18:47 |
-Hey, how are you feeling? |
| 00:18:51 |
Who wears the other ring? |
| 00:18:52 |
The head of security for the Justice |
| 00:18:56 |
Unfortunately, he was killed |
| 00:18:59 |
-Now both rings are in the open. |
| 00:19:02 |
Someone's contacted the major |
| 00:19:04 |
Antonioni Crime Family |
| 00:19:05 |
Diablo Cartel |
| 00:19:06 |
Tanaka Yakuza |
| 00:19:07 |
O'Grady Clan |
| 00:19:08 |
One of our protected witness, |
| 00:19:10 |
... was found dead at home |
| 00:19:12 |
Angels, we need to get the HALO |
| 00:19:17 |
-We'll start at the Caufield house. |
| 00:19:21 |
Hey, Charlie, we could really use |
| 00:19:25 |
-Get to drive the racecar? |
| 00:19:28 |
-Blow up a castle? |
| 00:19:30 |
Well, what do y'all need me to do? |
| 00:19:33 |
-Read some body language. |
| 00:19:50 |
Evidence Recovery |
| 00:19:54 |
Crime Scene |
| 00:19:57 |
CSl |
| 00:20:02 |
Coroner |
| 00:20:04 |
l'm not going nowhere near |
| 00:20:12 |
Freeze, ladies. lf you're not a dead |
| 00:20:16 |
We got a serious situation here. |
| 00:20:19 |
l have to ask you |
| 00:20:21 |
We got a two 11, a one 83, believe it or not, |
| 00:20:27 |
An eleven -350? You found an illegal |
| 00:20:28 |
An eleven -350? You found an illegal |
| 00:20:32 |
lt's a chinchilla farm. |
| 00:20:34 |
But you're good. |
| 00:20:36 |
Negatory to orders |
| 00:20:39 |
Circumspect to your observation... |
| 00:20:41 |
...we'll proceed to the interior of the |
| 00:20:45 |
Well, l do not copy. Repeat, do not |
| 00:20:50 |
Your sergeant is here. |
| 00:21:11 |
Hands off. |
| 00:21:13 |
lf you had your game faces on at the |
| 00:21:17 |
Simple café coronary. |
| 00:21:19 |
Simple café coronary. |
| 00:21:21 |
Questions? |
| 00:21:23 |
Examination of soft palate reveals |
| 00:21:27 |
...lodged in vestibule. |
| 00:21:30 |
Okay, let's do this. Come on, baby. |
| 00:21:33 |
Caufield shows no signs |
| 00:21:36 |
His struggle pattern indicates |
| 00:21:41 |
He was smothered. |
| 00:21:42 |
Ladies, we got some |
| 00:21:45 |
Pineapple. |
| 00:21:47 |
Oh, it's Sex Wax. Best for your stick. |
| 00:21:50 |
Pardon me? |
| 00:21:52 |
-The killer's a surfer. |
| 00:21:54 |
He used the credit card he uses |
| 00:21:58 |
...to gain entry into the house. |
| 00:22:00 |
Thrasher scumbag surfers. |
| 00:22:03 |
Freeze! |
| 00:22:05 |
l found a foreign print. He was wearing |
| 00:22:10 |
A limited promotional version sold... |
| 00:22:12 |
...only at the Foot Locker |
| 00:22:16 |
There's a discrepancy |
| 00:22:19 |
...between the left and right sides. |
| 00:22:22 |
An anterior cruciate ligament |
| 00:22:28 |
All right, who did it? |
| 00:22:29 |
A killer with a scar on his knee |
| 00:22:31 |
Did he stink? |
| 00:22:33 |
There's a hurricane off Baja. That |
| 00:22:36 |
Was there a lot of blood? |
| 00:22:38 |
Offshore winds, Third Point. |
| 00:22:41 |
-Alex, surfboards are at your house. |
| 00:22:46 |
Freeze! |
| 00:22:51 |
Daddy? Daddy! |
| 00:22:52 |
Daddy? Daddy! |
| 00:22:54 |
Darling! l was meeting your mother |
| 00:22:58 |
Some sort of monsoon. |
| 00:23:03 |
Do the face. |
| 00:23:07 |
No, come on. Do it properly. |
| 00:23:14 |
That is so cute. |
| 00:23:18 |
Mr. Munday, it is such a pleasure |
| 00:23:22 |
l'm Dylan. |
| 00:23:24 |
That's Natalie. |
| 00:23:25 |
l assure you, |
| 00:23:28 |
Well, some of them are. |
| 00:23:32 |
So you work with Alex |
| 00:23:37 |
Yes! Natalie works |
| 00:23:41 |
...and Dylan is the head |
| 00:23:45 |
Really? |
| 00:23:47 |
-So young. |
| 00:23:49 |
We were just on our way out. We have |
| 00:23:54 |
-Duty calls. Sorry. |
| 00:23:58 |
Scrub up. |
| 00:23:59 |
-Bye-bye. |
| 00:24:01 |
See you in a minute. |
| 00:24:02 |
lt's just a tiny emergency. |
| 00:24:05 |
We'll talk later. |
| 00:24:08 |
Love you. |
| 00:24:13 |
Head of gynaecology? |
| 00:24:26 |
Wait a second. |
| 00:24:30 |
Bos? There's a waxer on your 6. |
| 00:24:32 |
ls that you, Lord? |
| 00:24:33 |
Get in there and see |
| 00:24:36 |
Dylan, check it out. |
| 00:24:39 |
l got sand in my ass. |
| 00:24:42 |
Just blend in. Be cool, Bos. |
| 00:24:54 |
Got any wax? |
| 00:24:55 |
Great job, Bos. |
| 00:24:58 |
ls that grape? lt's grape. |
| 00:25:01 |
lt's grape! |
| 00:25:03 |
Yes, sir! |
| 00:25:04 |
Suspect four eliminated. |
| 00:25:06 |
Suspect four eliminated. |
| 00:25:11 |
What's up, Angel? |
| 00:25:16 |
-Madison Lee? |
| 00:25:19 |
Oh, my God. |
| 00:25:22 |
How did you know? |
| 00:25:24 |
-l get the newsletter. |
| 00:25:27 |
Wow. l've heard so many stories |
| 00:25:31 |
She won the Nobel Prize for her |
| 00:25:35 |
And predicted Carmine DeSoto's |
| 00:25:37 |
...by using the Cosmo |
| 00:25:43 |
l also set the clock on Charlie's VCR. |
| 00:25:48 |
And she invented the molar mike. |
| 00:25:50 |
-Dylan and Alex? |
| 00:25:55 |
-God, how l miss stakeouts. |
| 00:25:59 |
Bring it on Bitch! |
| 00:26:04 |
Only one waxer left. |
| 00:26:06 |
Wait a second. |
| 00:26:08 |
Subpatellar scar, left knee. |
| 00:26:10 |
Check it out. Brown shorts, red board, |
| 00:26:17 |
-Yummy. |
| 00:26:19 |
Case closed. Nat, move in. |
| 00:26:22 |
What do you mean? |
| 00:26:23 |
You always fall for the bad guy. |
| 00:26:26 |
Then this guy must be really evil. |
| 00:26:29 |
You should see the new agency. |
| 00:26:32 |
Maybe l will. Tell Charlie hello |
| 00:26:38 |
You know. |
| 00:27:05 |
There she goes. |
| 00:27:08 |
Who do you think will be |
| 00:27:11 |
You, me or Natalie? |
| 00:27:13 |
-What are you talking about? |
| 00:27:14 |
-What are you talking about? |
| 00:27:16 |
Why? Did she say something? |
| 00:27:18 |
Nat and Pete live together now. |
| 00:27:21 |
...and you and l will wear |
| 00:27:23 |
...at the wedding |
| 00:27:28 |
Yeah, but even if she got married, |
| 00:27:32 |
Sooner or later, you and l are gonna |
| 00:27:38 |
Good morning, Angels. |
| 00:27:40 |
Good morning, Charlie. |
| 00:27:44 |
-Good morning, Angels. |
| 00:27:46 |
-Good morning, Angels. |
| 00:27:51 |
Good morning, Angels. |
| 00:27:53 |
Good morning, Charlie. |
| 00:27:57 |
Good morning, Charlie. |
| 00:28:03 |
l mean, you didn't think it would be |
| 00:28:08 |
l think l lost my nuts. |
| 00:28:11 |
When l get in water, they just shrink |
| 00:28:29 |
Killer, huh? |
| 00:28:32 |
l just got so excited. |
| 00:28:33 |
When it's big like that, |
| 00:28:38 |
Sorry. |
| 00:28:39 |
The way l was getting pounded, |
| 00:28:57 |
Catch you later. |
| 00:29:01 |
Randy Emmers. |
| 00:29:05 |
-Pineapple Sex Wax. |
| 00:29:09 |
Hey, check it out. |
| 00:29:22 |
This is it. |
| 00:29:24 |
The Coal Bowl. |
| 00:29:26 |
Let's get dirty. |
| 00:29:40 |
-l'll buy in. |
| 00:29:43 |
l'll look for Emmers. |
| 00:29:45 |
-l'll look for Emmers. |
| 00:29:52 |
All right, Leo, you're mine. |
| 00:29:55 |
Good luck. |
| 00:29:55 |
Good luck. |
| 00:29:57 |
-You in charge here? |
| 00:29:59 |
-l want in. |
| 00:30:00 |
-l want in. |
| 00:30:03 |
-Rules are, there are no rules. |
| 00:30:07 |
Three out of four |
| 00:30:10 |
l'll take those odds. |
| 00:30:17 |
Hey, how's it going? |
| 00:30:19 |
-Metzger's at the far double. |
| 00:30:22 |
Carmichael's at the finish line. |
| 00:30:25 |
l was thinking may-- |
| 00:30:48 |
You and Pete moving in together |
| 00:30:50 |
-Yeah, it's great, isn't it? |
| 00:30:54 |
Going? l'm confused. |
| 00:30:57 |
Okay, say someone was |
| 00:31:00 |
' Hey, Dylan, do you think |
| 00:31:04 |
What? Did Pete ask you to ask me |
| 00:31:09 |
-No. |
| 00:31:12 |
Heads up, l've spotted Emmers. |
| 00:31:14 |
Red bike, red helmet. |
| 00:31:38 |
Nat, number 25. Check it out. |
| 00:31:41 |
The lion. That's Leo. |
| 00:31:44 |
l got it. The guy in blue. |
| 00:31:59 |
l got shut out. |
| 00:32:07 |
-What was that? |
| 00:32:19 |
He just took out a guy |
| 00:32:26 |
-He's making his way up to Leo. |
| 00:32:39 |
That's it! Let's get in there. |
| 00:33:01 |
l got him, l got him! |
| 00:33:07 |
-He's gonna crush him! |
| 00:33:11 |
What the hell are you doing?! |
| 00:33:16 |
Nat, he's on your 6. |
| 00:33:24 |
No, Natalie! |
| 00:33:27 |
-Natalie! |
| 00:33:33 |
We gotta take him out! |
| 00:33:43 |
l'll get back in. |
| 00:33:56 |
Let's go! |
| 00:33:58 |
Get him at the double. |
| 00:34:42 |
-You okay? |
| 00:34:47 |
Hey, what are you doing with my bike? |
| 00:35:21 |
Dylan! |
| 00:35:47 |
The Thin Man. |
| 00:36:00 |
He's dead. |
| 00:36:03 |
-What the hell is going on? |
| 00:36:06 |
l'm 15 and a half. |
| 00:36:08 |
Photos. Alan Caufield. |
| 00:36:11 |
-Max Petroni. |
| 00:36:16 |
What the hell's this? |
| 00:36:17 |
Hey, this is a picture of Dylan. |
| 00:36:21 |
The name on the back |
| 00:36:28 |
Helen Zaas. |
| 00:36:32 |
My name |
| 00:36:34 |
...the Witness Protection Program |
| 00:36:36 |
And then l became Dylan Sanders. |
| 00:36:39 |
when the FBI realized |
| 00:36:42 |
... they gave me a call. |
| 00:36:43 |
-Okay, wait. Helen Zaas? |
| 00:36:46 |
-That's your name? |
| 00:36:48 |
Helen Zaas. |
| 00:36:51 |
So where does that name come |
| 00:36:57 |
Yeah. |
| 00:36:59 |
Oh, my God, you must have been |
| 00:37:02 |
-Did you drive an Aston Martin? |
| 00:37:06 |
Yes, you are. |
| 00:37:08 |
Don't worry, Dylan. We're still |
| 00:37:12 |
Now, Angels, a rose by any |
| 00:37:17 |
Thank you, Charlie. |
| 00:37:19 |
Yeah, it is. |
| 00:37:21 |
-Bos, can l get a ruling on this one? |
| 00:37:24 |
You know what? Personally, |
| 00:37:28 |
l'm more concerned about yours. |
| 00:37:30 |
No matter what, |
| 00:37:33 |
-Thank you, Bos. |
| 00:37:35 |
Let me guess, |
| 00:37:39 |
l fell for the worst guy. |
| 00:37:41 |
But he was so cute, |
| 00:37:44 |
We had so much fun together... |
| 00:37:46 |
...just driving around, |
| 00:37:50 |
8 years ago |
| 00:38:01 |
And then one night, |
| 00:38:09 |
l love you! |
| 00:38:15 |
O'Grady. |
| 00:38:18 |
You got some balls. |
| 00:38:28 |
He said he'd kill me if l told anyone, |
| 00:38:32 |
-Of course you did. |
| 00:38:36 |
-He was my first. |
| 00:38:39 |
-But you told me you never did it. |
| 00:38:43 |
-Yeah. |
| 00:38:47 |
-Seamus O'Grady. |
| 00:38:51 |
-As in the lrish mob? |
| 00:38:58 |
Right now |
| 00:39:07 |
O'Grady. |
| 00:39:11 |
You're out. |
| 00:39:19 |
O'Grady, what about your belongings? |
| 00:39:35 |
So if l have these, she'll find me? |
| 00:39:42 |
-The O'Gradys killed my parents. |
| 00:39:45 |
Sorry, Max. |
| 00:39:47 |
l testified against them. |
| 00:39:50 |
Wait a second. Alan Caufield. |
| 00:39:55 |
That's it. The O'Gradys must have |
| 00:39:58 |
The Thin Man. |
| 00:40:01 |
-Our favourite assassin. |
| 00:40:04 |
-This needs to go get analysed. |
| 00:40:07 |
Let me see it. |
| 00:40:10 |
Yeah, l know exactly what this is. |
| 00:40:15 |
The nuns gave it to us |
| 00:40:16 |
Orphanage. |
| 00:40:18 |
-Good work. |
| 00:40:22 |
-It's up to us to k eep him safe. |
| 00:40:43 |
Listen, don't you worry about a thing. |
| 00:40:45 |
No O'Grady ever set foot |
| 00:40:48 |
-Yeah. |
| 00:40:50 |
Rule number one: Don't look |
| 00:40:53 |
Or she'll pop. Can you dig it? |
| 00:40:55 |
-Bosley. |
| 00:40:57 |
You get over here. |
| 00:40:58 |
Hey, Mama. |
| 00:41:00 |
-What kind of trouble you in now? |
| 00:41:04 |
-Come on. |
| 00:41:19 |
-Look at those knockers. |
| 00:41:29 |
Mother superior will see you now. |
| 00:41:36 |
Mother, do you recognize this man? |
| 00:41:38 |
Of course l know who he is. |
| 00:41:41 |
We called him Anthony, |
| 00:41:44 |
...healer of the mute. |
| 00:41:49 |
Please, girls. |
| 00:41:58 |
But his real name, like so much |
| 00:42:05 |
He came to us when he was 7. |
| 00:42:08 |
He was found wandering in the hills, |
| 00:42:13 |
w e believe his family was in |
| 00:42:17 |
... who died in a terrible fire. |
| 00:42:20 |
Although the doctors could find |
| 00:42:23 |
...he never spok e a word. |
| 00:42:25 |
And there were other idiosyncrasies. |
| 00:42:29 |
... until it came time |
| 00:42:30 |
... until it came time |
| 00:42:43 |
Then one morning, |
| 00:42:47 |
The Thin Man was protecting Max. |
| 00:42:51 |
So you're saying this man is the sole |
| 00:42:55 |
Yes, he really is an angel. |
| 00:43:00 |
Mother, have you had |
| 00:43:03 |
Well, not really that much... |
| 00:43:05 |
...except for the odd haircut |
| 00:43:13 |
But he does send gifts. |
| 00:43:18 |
-Emmers' car. |
| 00:43:21 |
An original 1967 |
| 00:43:30 |
-Thorn Birds. |
| 00:43:35 |
Bird poo. |
| 00:43:37 |
What order did you girls |
| 00:43:41 |
-Larus californicus. |
| 00:43:44 |
Fecal matter consists mostly |
| 00:43:46 |
Sardines that fed |
| 00:43:49 |
There's also traces of tanker fuel |
| 00:43:53 |
Sea gulls, tankers, storm water. |
| 00:43:56 |
San Pedro Harbour. |
| 00:44:15 |
-Who are you? |
| 00:44:19 |
-What? |
| 00:44:21 |
Oh, Jason Gibbons. |
| 00:44:24 |
The actor. |
| 00:44:27 |
Maybe you've seen |
| 00:44:29 |
No. |
| 00:44:31 |
-lt was such a big movie. |
| 00:44:34 |
-l'm Alex's boyfriend. |
| 00:44:37 |
Yeah. Well, technically, |
| 00:44:41 |
-What does that mean? |
| 00:44:44 |
Yeah. l gotta say, you must be |
| 00:44:50 |
-Why? |
| 00:44:53 |
When l first met Alex, |
| 00:44:57 |
lt was months before |
| 00:45:01 |
Who's Charlie? |
| 00:45:02 |
San Pedro Harbour |
| 00:45:20 |
Merkin. |
| 00:45:22 |
That was the name |
| 00:45:27 |
Armed guards. |
| 00:45:32 |
This dock is like a fortress. |
| 00:45:34 |
lD badges. |
| 00:45:38 |
-Townsend Agency. |
| 00:45:41 |
-Got you, baby. |
| 00:45:50 |
That's our man. |
| 00:45:53 |
The Treasure Chest. |
| 00:45:56 |
-Do a little dance. |
| 00:46:00 |
Get down tonight. |
| 00:46:37 |
-There he is, first table on the right. |
| 00:46:39 |
-There he is, first table on the right. |
| 00:48:45 |
Hold. |
| 00:48:59 |
-Paddy O'Malley? |
| 00:49:02 |
You know, you just don't look much |
| 00:49:07 |
Ain't never heard |
| 00:49:09 |
-Black lrish? |
| 00:49:11 |
Who do you think invented |
| 00:49:14 |
-Shamrock Shake? That's ours. |
| 00:49:18 |
-What? |
| 00:49:20 |
Let me tell you... |
| 00:49:21 |
...you got nerve to ask me |
| 00:49:24 |
My family suffered, man, |
| 00:49:27 |
Foot-and-mouth disease. |
| 00:49:30 |
-Circumcision? |
| 00:49:33 |
-Both leprechauns. |
| 00:49:35 |
Get a whiff. |
| 00:49:38 |
You don't believe that, |
| 00:49:41 |
McGinty! |
| 00:49:43 |
Get this stuff on the ship. |
| 00:49:58 |
-Tough, eh? |
| 00:50:04 |
l say we should take a break. |
| 00:50:22 |
Wait a second. |
| 00:50:24 |
l smell a rat. |
| 00:51:03 |
This ring is pure platinum. |
| 00:51:06 |
The HALO rings are titanium. |
| 00:51:08 |
HALO data chips |
| 00:51:10 |
...surrounded by a hollow core |
| 00:51:14 |
lf the density of the object... |
| 00:51:17 |
...is less than that of the substance |
| 00:51:26 |
lt floats. |
| 00:51:30 |
There they are. |
| 00:51:37 |
l'm sure Helen Zaas was great, |
| 00:51:41 |
...without Dylan Sanders. |
| 00:51:47 |
-Come on, let's get out of here. |
| 00:51:52 |
What's the rush, Helen? |
| 00:51:52 |
What's the rush, Helen? |
| 00:51:59 |
You've only been here five minutes. |
| 00:52:03 |
Now, l've waited for you before. |
| 00:52:09 |
Matter of fact, |
| 00:52:15 |
That's 417 weeks. |
| 00:52:19 |
That's 96 months. |
| 00:52:23 |
That's eight years. |
| 00:52:26 |
Enough about me. |
| 00:52:28 |
What about you, Helen? |
| 00:52:30 |
Seamus. |
| 00:52:32 |
l see you still got a nice arse on you. |
| 00:52:36 |
You got a lot of nerve |
| 00:52:38 |
-Stealing back's more like it. |
| 00:52:46 |
Give us the rings. |
| 00:53:01 |
Give us the rings! |
| 00:53:13 |
Don't lose those. |
| 00:53:19 |
...48 seconds. |
| 00:53:24 |
l've been dreaming one day |
| 00:53:29 |
...and watch you die. |
| 00:53:31 |
Keep dreaming. |
| 00:53:37 |
Lights. Somebody get the lights! |
| 00:53:41 |
Seamus. |
| 00:53:44 |
Seamus! |
| 00:53:45 |
Seamus! |
| 00:53:49 |
You know l always like it |
| 00:54:47 |
-You don't know me anymore. |
| 00:55:07 |
Wait, wait, wait! |
| 00:55:39 |
l've got to say, Helen, |
| 00:55:42 |
-Always wanting what you can't have. |
| 00:55:51 |
l'll have you any way l want. |
| 00:56:07 |
l got the rings. |
| 00:56:57 |
Don't let them get away! |
| 00:57:03 |
Got it? |
| 00:57:21 |
Come on, now! |
| 00:57:34 |
Let's go. |
| 00:57:44 |
Dylan, let's go. |
| 00:58:16 |
You can't hurt me anymore, Helen. |
| 00:58:20 |
l'm gonna teach you |
| 00:58:25 |
l'm gonna kill them |
| 00:58:33 |
Dylan! |
| 00:58:36 |
l got the rings. |
| 00:58:39 |
-Are you okay? |
| 00:58:43 |
Hit it. |
| 00:59:00 |
l know who did it. |
| 00:59:04 |
Hot damn it, l know who did it. |
| 00:59:09 |
Col. Mustard, |
| 00:59:11 |
Col. Mustard, |
| 00:59:13 |
-Col. Mustard? |
| 00:59:15 |
-Col. Mustard? |
| 00:59:17 |
...in the dining room, |
| 00:59:20 |
-Go ahead and look in there. |
| 00:59:23 |
Col. Must-- |
| 00:59:25 |
-Col. Mustard? |
| 00:59:27 |
Col. Mustard? Col. Mustard? |
| 00:59:30 |
lt's Professor Plum... |
| 00:59:33 |
...in the conservatory, |
| 00:59:36 |
That's right. You got it right. |
| 00:59:38 |
-Damn! |
| 00:59:41 |
We took in one just like him |
| 00:59:45 |
Yeah, Mama, l remember. |
| 00:59:53 |
You were the cock? |
| 00:59:56 |
What are the chances that |
| 00:59:59 |
-Unbelievable. |
| 01:00:02 |
lt's like we were made for each other. |
| 01:00:06 |
The best l can figure it is, |
| 01:00:11 |
Okay, then he phones the girls. |
| 01:00:13 |
They show up at the place |
| 01:00:17 |
Now, l know, l know. |
| 01:00:20 |
The late nights, the never knowing |
| 01:00:27 |
Some of the men |
| 01:00:29 |
And the outfits. Oh, boy. |
| 01:00:37 |
l'll be right back, Pete. |
| 01:00:57 |
Hello? |
| 01:01:15 |
l'm gonna say this. Our boy Pete |
| 01:01:21 |
l don't think he really |
| 01:01:24 |
-No, no. |
| 01:01:26 |
-The commitment. |
| 01:01:29 |
-...you lose all spontaneity. |
| 01:01:31 |
They do whatever they want. |
| 01:01:33 |
-Pete's asking her tonight? |
| 01:01:40 |
But Alex is a wildcat. |
| 01:01:43 |
l mean, she gives |
| 01:01:47 |
Alex! Hey. |
| 01:01:49 |
Jason, Daddy. |
| 01:01:52 |
l was just explaining to your |
| 01:01:57 |
Charlie? |
| 01:02:00 |
-Daddy.... |
| 01:02:03 |
l'm so sorry, Daddy, |
| 01:02:06 |
l didn't think you'd approve. l know |
| 01:02:11 |
But l've discovered |
| 01:02:15 |
...that makes me feel so... |
| 01:02:20 |
...alive. |
| 01:02:23 |
Whatever makes you happy. |
| 01:02:28 |
l am so relieved! |
| 01:02:31 |
lt's just been killing me, |
| 01:02:34 |
Daddy... |
| 01:02:36 |
...Natalie, Dylan and l are a team. |
| 01:02:39 |
And we just took on 12 sailors. |
| 01:02:46 |
You can't even imagine the |
| 01:02:50 |
Daddy, l wish you could watch |
| 01:02:54 |
l'm gonna take a shower... |
| 01:02:56 |
...because l am covered in-- |
| 01:03:00 |
And then when l get back, |
| 01:03:04 |
...a full blow-by-blow. |
| 01:03:11 |
Ferret. |
| 01:03:28 |
-Natalie? |
| 01:03:32 |
-l've been thinking. |
| 01:03:35 |
-About what? |
| 01:03:39 |
...l know we just moved in together. |
| 01:03:41 |
-Yeah? |
| 01:03:44 |
And l know we agreed |
| 01:03:48 |
-But-- |
| 01:03:51 |
There's just something l gotta ask. |
| 01:03:55 |
-Oh, boy. |
| 01:03:59 |
So here it goes. |
| 01:04:01 |
-Twirl me first. |
| 01:04:18 |
Yeah. |
| 01:04:25 |
Hey! |
| 01:05:08 |
-About that question, Pete? |
| 01:06:08 |
' Here's all your stuff back.' |
| 01:06:11 |
What's up with that? |
| 01:06:13 |
She's gone. |
| 01:06:15 |
She's not coming back. |
| 01:06:18 |
She loved these boots. |
| 01:06:20 |
She doesn't want us to get hurt. |
| 01:06:24 |
Wait a minute, |
| 01:06:27 |
Yeah. |
| 01:06:28 |
' l'll never forgive myself |
| 01:06:31 |
Where do we go from here, Charlie? |
| 01:06:33 |
Natalie, Alex. |
| 01:06:37 |
Any leads on the O'Gradys, Charlie? |
| 01:06:39 |
Any word on how |
| 01:06:41 |
He didn't break out, Natalie. |
| 01:06:44 |
What? Who would have the power |
| 01:06:48 |
Johnnie Cochran. |
| 01:06:50 |
The Justice Department, |
| 01:06:53 |
U.S. Marshal. |
| 01:06:57 |
That's Carter. |
| 01:07:05 |
l never gave rings to a guy before. |
| 01:07:08 |
The rings are secure, sir. |
| 01:07:10 |
And we can all breathe |
| 01:07:13 |
-w ell done, Angels. |
| 01:07:16 |
HALO is safe, thanks to you. |
| 01:07:18 |
lt's been a pleasure. |
| 01:07:20 |
l hope to work with you ladies again. |
| 01:07:23 |
But not too soon. |
| 01:07:25 |
Good luck with everything. |
| 01:07:29 |
Your keys. |
| 01:07:35 |
-What is it? |
| 01:07:42 |
These aren't mine. |
| 01:07:49 |
That was a nice reach for a guy |
| 01:07:53 |
Good going, Bos. |
| 01:07:55 |
-We got him. |
| 01:07:58 |
Of course, he already had one ring. |
| 01:08:02 |
He wanted to fake his own death |
| 01:08:05 |
Who you all talking about? |
| 01:08:07 |
He needed time for his plan, |
| 01:08:09 |
Then turned him loose on Dylan. |
| 01:08:11 |
I think you're onto something, |
| 01:08:13 |
Damn! So Carter's the bad guy! |
| 01:08:16 |
It's just speculation at this point, |
| 01:08:21 |
-Keys, Bosley. |
| 01:08:23 |
Punk. |
| 01:08:45 |
Road's clear. |
| 01:08:52 |
Almost there. |
| 01:08:56 |
Oncoming. |
| 01:09:09 |
Good job, Alex. |
| 01:09:15 |
-Can we go yet? |
| 01:09:17 |
l gotta make sure it's safe. |
| 01:09:18 |
-We're gonna be late. |
| 01:09:22 |
You old grizzly bear! |
| 01:09:23 |
Son, please work with me, young man. |
| 01:09:25 |
A few more minutes and you'll be |
| 01:09:29 |
Man, you do not mess |
| 01:09:37 |
l got the phone line. |
| 01:09:45 |
l'm calling from my car. |
| 01:09:50 |
My end of the deal's done. |
| 01:09:54 |
I have the rings. |
| 01:09:57 |
Dylan. |
| 01:10:04 |
Alex! Alex! |
| 01:10:06 |
Call buyer one. |
| 01:10:08 |
Alex, are you okay? |
| 01:10:10 |
Nat, the handle's broken. |
| 01:10:12 |
The deal's on. Eight o'clock, |
| 01:10:15 |
-Nat, plan B! |
| 01:10:17 |
We'll get you out of there, Alex. |
| 01:10:21 |
Follow the stars beyond the galaxy. |
| 01:10:26 |
Take shore to hope. |
| 01:10:28 |
A stair? |
| 01:10:30 |
Find a man with a map. |
| 01:10:32 |
Bosley, can you hear me? |
| 01:10:33 |
Bosley, we're going |
| 01:10:37 |
l'm on it. l'm on it. Okay? |
| 01:10:39 |
Now, get back. We're going |
| 01:10:46 |
Stop! |
| 01:10:47 |
Stop! |
| 01:10:57 |
-Come on. |
| 01:11:01 |
Skip. Run. |
| 01:11:08 |
Get on out of here. |
| 01:11:09 |
Come on. Get on out of here. |
| 01:11:18 |
-Great job, Bos. |
| 01:11:22 |
Carter's working with a partner. |
| 01:11:25 |
We'll take care of them |
| 01:11:28 |
-See you, Bos. |
| 01:11:34 |
This is some bullshit. |
| 01:12:21 |
-Kelly Garrett. |
| 01:12:24 |
Don't you have a case to solve? |
| 01:12:29 |
Well, l tried to outrun my past, |
| 01:12:33 |
And l put my friends in danger. |
| 01:12:35 |
They're in more danger now |
| 01:12:39 |
Natalie and Alex are gonna |
| 01:12:43 |
A real Angel. Not someone who's |
| 01:12:48 |
Your past is what makes you |
| 01:12:51 |
Don't forget that Charlie chose you |
| 01:12:56 |
Angels are like diamonds. |
| 01:12:58 |
They can't be made. |
| 01:13:03 |
Each one is unique. |
| 01:13:09 |
Sometimes we search too hard |
| 01:14:23 |
The buyers are set. |
| 01:14:25 |
We did it, partner! |
| 01:14:57 |
You know, l never really got |
| 01:15:12 |
Hello, Angels. |
| 01:15:14 |
Madison Lee. |
| 01:15:17 |
Why? |
| 01:15:18 |
Why be an Angel |
| 01:15:22 |
Looks like one of the three |
| 01:15:44 |
Welcome back, Dylan. |
| 01:15:45 |
You're such |
| 01:15:48 |
Always out to prove |
| 01:15:50 |
...and you couldn't make it |
| 01:15:53 |
Someone reminded me |
| 01:15:58 |
And l knew it was you. |
| 01:15:59 |
Who else had contacts in Mongolia... |
| 01:16:02 |
...could hack the HALO fail-safe |
| 01:16:05 |
Same astrological phenom who would |
| 01:16:09 |
...with a lion on his helmet as ' Leo.' |
| 01:16:14 |
Very well done. |
| 01:16:17 |
Very impressive, really. |
| 01:16:20 |
You've got it all figured out. |
| 01:16:24 |
And now l'm gonna really enjoy... |
| 01:16:28 |
...knocking those halos right |
| 01:16:31 |
But you're an Angel. |
| 01:16:33 |
No. You just don't get it. |
| 01:16:36 |
l don't take orders |
| 01:16:40 |
l work for myself. |
| 01:16:43 |
Well, your boss sucks. |
| 01:16:48 |
The Angels' ass-kicking pose. |
| 01:16:50 |
Seeing the three of you like that... |
| 01:16:52 |
...does give me this little twinge |
| 01:16:57 |
But back then, |
| 01:17:00 |
You see, when l was an Angel... |
| 01:17:03 |
...we used guns. |
| 01:17:29 |
Sorry, Charlie. |
| 01:17:58 |
Hello, Angels. |
| 01:18:01 |
Good evening, Charlie. |
| 01:18:04 |
l love the new office. |
| 01:18:06 |
Madison, is that you? |
| 01:18:09 |
l'm sure there's three more |
| 01:18:11 |
Madison, what have you done? |
| 01:18:14 |
We're just having a little fun. |
| 01:18:19 |
You've never had trouble... |
| 01:18:21 |
...finding someone |
| 01:18:23 |
Hurting the Angels doesn't prove |
| 01:18:29 |
Do l? |
| 01:18:30 |
Madison, you were never able |
| 01:18:33 |
... is about teamwork. |
| 01:18:36 |
Yeah, yeah, yeah, l know. |
| 01:18:40 |
l've heard the sales pitch. |
| 01:18:46 |
lt was very seductive... |
| 01:18:50 |
...once. |
| 01:18:52 |
Madison, you deliberately went |
| 01:18:55 |
...and put your fellow Angels |
| 01:18:59 |
when we finally got you |
| 01:19:01 |
...you were wounded so badly, |
| 01:19:05 |
You did lose me. |
| 01:19:08 |
You see, being an Angel |
| 01:19:11 |
lt was keeping me from it. |
| 01:19:14 |
Your destiny is yet to be written. |
| 01:19:17 |
Do not do this, Madison. |
| 01:19:19 |
Taking the lives of innocent people |
| 01:19:23 |
There must be something |
| 01:19:35 |
l was never good. |
| 01:19:41 |
l was great. |
| 01:20:10 |
Damn. What a bitch! |
| 01:20:37 |
You guys, |
| 01:20:40 |
No matter what we do, |
| 01:20:43 |
-She's selling the list off tonight, 8:00. |
| 01:20:46 |
-Nat, what else did Carter say? |
| 01:20:49 |
'Take the stars beyond the galaxy.' |
| 01:20:52 |
lt's safe to say |
| 01:20:54 |
'Take shore to hope |
| 01:20:59 |
-There's a Hope Street downtown. |
| 01:21:03 |
A stair. |
| 01:21:07 |
Astaire! |
| 01:21:10 |
Astaire? |
| 01:21:12 |
Astaire! |
| 01:21:14 |
-Possible concussion. |
| 01:21:16 |
Guys, the stars. |
| 01:21:20 |
Beyond the Galaxy Theatre. |
| 01:21:23 |
There's Dinah Shore, Bob Hope |
| 01:21:26 |
-Nice, Nat. |
| 01:21:41 |
l think she's trying to kill us. |
| 01:22:05 |
l can't believe it. |
| 01:22:08 |
-Angels? |
| 01:22:10 |
-Shut up, damn it! |
| 01:22:11 |
l mean, not you, Mama. Sorry. |
| 01:22:13 |
-Have you lost your mind? |
| 01:22:16 |
We gonna talk about this later. |
| 01:22:29 |
Diablo Cartel |
| 01:22:33 |
Tanaka Yakuza |
| 01:22:39 |
Antonioni Crime Family |
| 01:22:42 |
-Welcome to the Guinness World of-- |
| 01:22:46 |
Give us the map. |
| 01:23:33 |
Yahtzee! |
| 01:23:41 |
Jason! Jason! |
| 01:23:45 |
Jason! |
| 01:23:47 |
l love you! |
| 01:23:55 |
-l hear the sequel's insane. |
| 01:23:58 |
Button your jacket. |
| 01:23:59 |
-What? |
| 01:24:42 |
The VlP gathering is on the top floor. |
| 01:25:47 |
You're under arrest for conspiracy |
| 01:25:50 |
Freeze! |
| 01:26:42 |
The Kleinhardt gambit. |
| 01:26:44 |
-Classic. |
| 01:26:57 |
We never used to wear Kevlar |
| 01:27:01 |
On the DeSoto case! We know! |
| 01:27:09 |
Don't tell me you forgot about... |
| 01:27:12 |
...plan B. |
| 01:27:19 |
l'd recognize that arse anywhere, |
| 01:27:31 |
Bring it on, bitch. |
| 01:29:09 |
Say something. |
| 01:29:20 |
Mind if l cut in? |
| 01:29:23 |
No! |
| 01:30:47 |
The premiere should be a blast. |
| 01:31:04 |
Bosley, plan B! |
| 01:31:06 |
lt's raining white women! |
| 01:31:14 |
Plan B stands for ' plan Bosley.' |
| 01:31:22 |
Yeah! |
| 01:31:25 |
Get that bitch! Get that bitch! |
| 01:31:28 |
Wow. They really went |
| 01:32:20 |
Dylan! |
| 01:32:27 |
Alex! |
| 01:33:49 |
This is it. You ready? |
| 01:33:52 |
Are you? |
| 01:34:09 |
Kill... |
| 01:34:10 |
...or be killed. |
| 01:34:13 |
Exciting, isn't it? |
| 01:34:16 |
Who are you? |
| 01:34:19 |
You want to know who l am, Natalie? |
| 01:34:23 |
Then you look inside your own heart. |
| 01:34:26 |
No, Madison. |
| 01:34:28 |
l'm nothing like you. |
| 01:34:31 |
l have something you'll never have. |
| 01:34:42 |
And what's that? |
| 01:34:49 |
Friends. |
| 01:35:20 |
-Enjoy heaven. |
| 01:35:58 |
She is so fired. |
| 01:36:16 |
Party time. |
| 01:36:28 |
-Angels! |
| 01:36:29 |
Angels! |
| 01:36:33 |
-You all get that squirrel-flying lady? |
| 01:36:35 |
-Did you scratch her? |
| 01:36:37 |
You kick her? You kicked her |
| 01:36:41 |
l know it! |
| 01:36:43 |
-We couldn't have done it without you. |
| 01:36:46 |
-You hear that, Mama? |
| 01:36:48 |
l've always known |
| 01:36:51 |
Why you give my room |
| 01:36:54 |
l'll tell you why. Max? |
| 01:36:57 |
Yeah? l'm a Bosley now! |
| 01:36:59 |
-Max Bosley! |
| 01:37:02 |
-Boy, you did it! |
| 01:37:04 |
Daddy! One second. Daddy! |
| 01:37:07 |
Darling! You made it! |
| 01:37:10 |
We just got done. |
| 01:37:14 |
We finished her off |
| 01:37:17 |
-Her? |
| 01:37:19 |
We had to triple-team her, |
| 01:37:25 |
Well done! |
| 01:37:27 |
No, no, no! |
| 01:37:32 |
-Jason! |
| 01:37:36 |
No, no, no! l know. |
| 01:37:39 |
Time-out's over, baby. |
| 01:37:50 |
Ferret. |
| 01:38:04 |
l know you wanted to wait |
| 01:38:11 |
-You really look beautiful. |
| 01:38:15 |
l've been wanting to ask you this |
| 01:38:18 |
So here goes. |
| 01:38:21 |
Pete. |
| 01:38:35 |
-Spike? |
| 01:38:38 |
A puppy? |
| 01:38:40 |
-ls that okay? l know it's a big step. |
| 01:38:44 |
l already got him. |
| 01:38:45 |
-You did? |
| 01:38:52 |
Dylan! Dylan! |
| 01:38:54 |
Guess what. |
| 01:38:56 |
Pete and l have something |
| 01:38:58 |
-Really? |
| 01:39:00 |
-You're gonna get what? |
| 01:39:03 |
-A puppy! That's great! |
| 01:39:06 |
-l already got him. |
| 01:39:08 |
-Awesome! |
| 01:39:11 |
-So you're not leaving? |
| 01:39:14 |
l get to kick butt with my two best |
| 01:39:18 |
No! |
| 01:39:21 |
What about you, Dylan? |
| 01:39:22 |
With O'Grady out, |
| 01:39:25 |
Are you kidding? This is my life. |
| 01:39:28 |
-What about you, neurosurgeon? |
| 01:39:32 |
l love our family! |
| 01:39:34 |
l love our family! |
| 01:39:54 |
God! |
| 01:40:00 |
And l know we agreed |
| 01:40:04 |
-Yeah? |
| 01:40:06 |
-You-- |
| 01:40:17 |
There's an ember in my ass. |
| 01:40:26 |
We should get this to the lab |
| 01:40:29 |
Yeah, just crawl right up in there. |
| 01:40:31 |
l have. |
| 01:40:42 |
l like the patch. |
| 01:40:47 |
Let me see your patch. |
| 01:40:57 |
Hello? |
| 01:41:00 |
ls this Natalie? |
| 01:41:01 |
Okay! |
| 01:41:07 |
l'm on fire! |
| 01:41:17 |
Look around. |
| 01:41:19 |
Over your right shoulder. |
| 01:41:21 |
ls somebody coming up behind me? |
| 01:46:42 |
l am getting pelted. |
| 01:46:45 |
Pelted by the-- |
| 01:46:47 |
-l literally-- |
| 01:46:56 |
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