|
Chega de Saudade The Ballroom
|
| 00:01:42 |
Give me a hand, Bel! |
| 00:01:48 |
Grab that mixer. |
| 00:01:54 |
- Get a move on! |
| 00:01:55 |
Just do it! |
| 00:01:58 |
Wait there, I'll just park. |
| 00:02:27 |
You should have finished dressing |
| 00:02:29 |
My stairs are tiled. |
| 00:02:34 |
- What's that got to do... |
| 00:02:37 |
Old folks always think |
| 00:02:40 |
Calm down. |
| 00:02:43 |
I'm going to get help, wait here. |
| 00:02:48 |
Eudes! |
| 00:02:49 |
Come and help, |
| 00:02:53 |
Here's half, |
| 00:03:01 |
Hi there Alvaro, let me help. |
| 00:03:04 |
I'm all right. |
| 00:03:07 |
There you go, nice and easy. |
| 00:03:09 |
Álvaro, Dona Alice, excuse me! |
| 00:03:12 |
Easy now, hold your horses! |
| 00:03:14 |
- Sorry to bother you... |
| 00:03:16 |
Sorry everyone! |
| 00:03:18 |
- It's so hot, I'm sorry. |
| 00:03:24 |
Nice and easy. |
| 00:03:28 |
Help me, Bel! |
| 00:03:30 |
Coming. |
| 00:03:36 |
How long will this go on for? |
| 00:03:38 |
About midnight. |
| 00:03:39 |
Midnight?! |
| 00:03:42 |
- Hi! |
| 00:03:46 |
Yes, I brought a friend. |
| 00:03:50 |
Let me pay. |
| 00:03:51 |
Certainly not, you're |
| 00:03:55 |
It's her first time, |
| 00:04:22 |
Marquinhos! You're very late. |
| 00:04:24 |
I had to stop off |
| 00:04:25 |
Enough of your excuses! |
| 00:04:29 |
Come on, get a move on. |
| 00:04:30 |
- Who's the doll? |
| 00:04:33 |
You know women wearing |
| 00:04:35 |
Got a skirt? Go on, |
| 00:04:37 |
Give me a hand Gílson, |
| 00:04:51 |
Amazing! |
| 00:04:58 |
Isn't it wonderful? |
| 00:05:01 |
There you go, Dona Alice. |
| 00:05:04 |
What's up, Álvaro, starting |
| 00:05:09 |
I'll pretend I didn't hear that. |
| 00:05:14 |
Weird, isn't he? |
| 00:05:18 |
Stinks to high heaven! |
| 00:05:21 |
No one'll dance with him. |
| 00:05:24 |
Skunko? |
| 00:06:42 |
You're too lenient. |
| 00:06:45 |
He won't sing caged up. |
| 00:06:47 |
Who's talking about cages? |
| 00:06:54 |
So, you all alone? |
| 00:06:55 |
Come and join us, come on. |
| 00:07:02 |
Thanks. |
| 00:07:03 |
There, take a seat. |
| 00:07:17 |
Hi girls! |
| 00:07:20 |
I've been keeping |
| 00:07:21 |
Great! |
| 00:07:25 |
So? |
| 00:07:28 |
Really? Thanks. |
| 00:07:30 |
Sure missed you. |
| 00:07:33 |
Without you this dance is a night |
| 00:07:40 |
And I'm a sailor without his |
| 00:07:48 |
My daughter and granddaughter |
| 00:07:53 |
I'm all alone. |
| 00:07:55 |
So if we wanted to have that nice |
| 00:08:00 |
know how to make, we wouldn't be |
| 00:08:04 |
We definitely won't be |
| 00:08:12 |
Sure, it's really lively, |
| 00:08:15 |
the music would be more |
| 00:08:17 |
I didn't think it'd be |
| 00:08:18 |
Very good. |
| 00:08:21 |
Is everyone married? |
| 00:08:22 |
Some. A lot are single. |
| 00:08:26 |
They dance well. |
| 00:08:27 |
- Yes! |
| 00:08:30 |
I can't dance properly. |
| 00:08:33 |
Come on, I'll lead. |
| 00:08:37 |
Go on! |
| 00:08:59 |
You tell him off. Ballroom men are |
| 00:09:04 |
- Shall we dance? |
| 00:09:08 |
- How are you? |
| 00:09:58 |
- Anything missing? |
| 00:10:00 |
Ow, damn thing's hurting, |
| 00:10:05 |
I like seeing people dance. |
| 00:10:08 |
I don't mind not dancing, |
| 00:10:11 |
There's no one here |
| 00:10:14 |
What about the Argentine? |
| 00:10:15 |
- He only dances the tango well. |
| 00:10:17 |
The rest is a disaster. |
| 00:10:19 |
He dances very well samba, bolero, |
| 00:10:31 |
We've won that contest |
| 00:10:34 |
Yes, although lately the Argentine |
| 00:10:37 |
but I think you two |
| 00:10:41 |
We lost because Alice forgets |
| 00:10:45 |
That's age, though. |
| 00:10:46 |
I think if I'm to win again |
| 00:10:50 |
Nonsense, ÁIvaro, the Argentine's |
| 00:10:55 |
Ernesto, you're drinking too much. |
| 00:11:02 |
- Good evening, Dona Alice. |
| 00:11:06 |
I see you're indisposed tonight... |
| 00:11:08 |
so would you agree to allow me |
| 00:11:11 |
Go ahead! |
| 00:11:13 |
I'm very flattered by your |
| 00:11:17 |
but Álvaro really is indisposed... |
| 00:11:20 |
so I'd rather just |
| 00:11:24 |
That's what I call a real lady. |
| 00:11:26 |
You're a lucky man. |
| 00:11:28 |
If I were a lucky man my foot |
| 00:11:31 |
Well, could be worse. |
| 00:11:32 |
- Yes, it could be your foot, right? |
| 00:11:35 |
Anyway, I hope it gets |
| 00:11:40 |
Slimy fool, very unpleasant. |
| 00:11:47 |
Ah, passion fruit cocktails! |
| 00:11:50 |
"Fruit de la passion", |
| 00:11:52 |
I didn't order that. |
| 00:11:53 |
It's from Eudes. |
| 00:11:55 |
- He's so kind! |
| 00:12:04 |
This Thursday, |
| 00:12:08 |
to reserve your table 3672-0351. |
| 00:12:15 |
Now I'd like to call up on stage |
| 00:12:20 |
with their dancing hits, |
| 00:12:26 |
Silver Moonlight! |
| 00:12:37 |
Don't let samba die... |
| 00:13:13 |
Wow, that old guy's hot! |
| 00:13:20 |
If only he'd ask me to dance. |
| 00:13:49 |
Alice, would you get me an |
| 00:13:53 |
Of course, be right back. |
| 00:14:21 |
- Hi Alice, you all right? |
| 00:14:26 |
- Are you okay? |
| 00:14:29 |
I lost that recipe you gave me. |
| 00:14:32 |
- Of course, not now though. |
| 00:14:37 |
Not now, I'm doing something else. |
| 00:14:42 |
Which is? |
| 00:14:48 |
Why, why? |
| 00:15:44 |
So, Álvaro, enjoying the ball? |
| 00:15:46 |
Lively night, right? |
| 00:15:47 |
Got your eye on any of the ladies? |
| 00:15:50 |
- They're all useless. |
| 00:15:52 |
- No, leave that. |
| 00:15:54 |
No, I'm drinking that, |
| 00:15:58 |
Off you go. |
| 00:16:03 |
I can tell today's not |
| 00:16:06 |
Why? |
| 00:16:08 |
You think it's my dress? |
| 00:16:10 |
But it's new, |
| 00:16:12 |
What nonsense, Elza! |
| 00:16:15 |
Elza! |
| 00:16:17 |
Hi! |
| 00:16:18 |
You all right? |
| 00:16:22 |
Aren't you going to introduce |
| 00:16:24 |
Of course, this is Nice, |
| 00:16:26 |
- My pleasure, Nice. |
| 00:16:28 |
- Ernesto. |
| 00:16:30 |
Single, married, |
| 00:16:34 |
Widow. |
| 00:16:36 |
Careful with Elza's stories, |
| 00:16:40 |
Just kidding. |
| 00:16:42 |
Elza's a regular here |
| 00:16:50 |
I've had bold women before |
| 00:16:55 |
Expierienced ones |
| 00:16:57 |
Married and Ionely |
| 00:16:59 |
Single and happy |
| 00:17:01 |
I've had maidens |
| 00:17:05 |
Intellectual women |
| 00:17:09 |
Confused women, |
| 00:17:12 |
But none of them |
| 00:17:14 |
Made me as happy as you do |
| 00:17:25 |
Look, the best part |
| 00:17:30 |
there's no fun just looking. |
| 00:17:33 |
There are only two things prevent |
| 00:17:37 |
not knowing how to dance, |
| 00:17:43 |
Excuse me. |
| 00:17:45 |
Just kidding! |
| 00:17:48 |
Nice dress, that. |
| 00:17:52 |
What a bore! |
| 00:17:56 |
Not only that, he can't |
| 00:17:59 |
- Really? |
| 00:18:50 |
GíIson! |
| 00:18:52 |
Yes, Álvaro. |
| 00:18:53 |
Alice went to fetch me an analgesic |
| 00:18:57 |
- Oh, here you are. |
| 00:18:59 |
- Here, take it. |
| 00:19:02 |
What? |
| 00:19:03 |
Take them and tell her |
| 00:19:05 |
She'll get all upset |
| 00:19:09 |
Well, you're the boss. |
| 00:19:24 |
Be patient, Margarida. |
| 00:19:25 |
Dona Alice... |
| 00:19:26 |
Álvaro's pills. |
| 00:19:32 |
Oh yes! |
| 00:19:33 |
- Thank you so much. |
| 00:19:36 |
- There's one missing. |
| 00:19:41 |
Right, cheers! |
| 00:19:49 |
Now to finish off, let's dance. |
| 00:19:52 |
- Hi honey, how are you? |
| 00:19:57 |
- This is my wife. |
| 00:19:59 |
- It's her birthday today. |
| 00:20:12 |
Here's your medicine. |
| 00:20:13 |
Thanks. The main thing is, |
| 00:20:17 |
Yes. |
| 00:20:19 |
Alice, look... |
| 00:20:21 |
everything that's important, |
| 00:20:25 |
you write down on |
| 00:20:29 |
And from time to time you read it. |
| 00:20:33 |
Take care only to write down |
| 00:20:37 |
Here, put it in your bag. |
| 00:20:43 |
He's married and always promised |
| 00:20:48 |
to never bring that wife |
| 00:20:50 |
I was at the window and suddenly |
| 00:20:54 |
Damn, he promised |
| 00:20:58 |
He's got a nerve! |
| 00:21:00 |
He hasn't heard |
| 00:21:02 |
It's really full. |
| 00:21:03 |
It's full but look, |
| 00:21:05 |
- Vagner, please. |
| 00:21:09 |
I know honey, |
| 00:21:12 |
Tonight's our night! |
| 00:21:14 |
It's ours and you think I'm not |
| 00:21:19 |
Alice... |
| 00:21:21 |
you've got to more carefully |
| 00:21:24 |
It's Aurelina. |
| 00:21:26 |
She's so cheap. |
| 00:21:28 |
It doesn't do to keep company |
| 00:21:32 |
But I really like her. |
| 00:21:34 |
If you like her it's because you'd |
| 00:21:40 |
You really are unbearable today! |
| 00:21:44 |
Take it or leave it. |
| 00:21:48 |
What's that supposed to mean? |
| 00:21:50 |
Look, what you just said, |
| 00:21:54 |
Take it or leave it? |
| 00:22:05 |
Excuse me. |
| 00:23:06 |
Shit, Moraes! |
| 00:23:09 |
I'm sorry folks, I'm upset. |
| 00:23:14 |
Won't happen again. |
| 00:23:18 |
Interrupting the dance is |
| 00:23:24 |
Really guys, come on, |
| 00:23:29 |
Hope it doesn't stop again, |
| 00:23:38 |
- Dionísio! |
| 00:23:41 |
- Long time! |
| 00:23:45 |
I went to the hospital three times |
| 00:23:49 |
Look Eudes... |
| 00:23:51 |
I'm going to tell you |
| 00:23:54 |
I saw death close up. |
| 00:23:56 |
I damn well saw death close up. |
| 00:23:59 |
I spent a fortnight... |
| 00:24:01 |
in intensive care dancing cheek |
| 00:24:05 |
I want to show you something. |
| 00:24:10 |
Oh my God, no, no, forget it. |
| 00:24:13 |
That's a trophy, let's |
| 00:24:17 |
You're just like some kid now, |
| 00:24:41 |
Iolanda, ask Alice to join us. |
| 00:24:44 |
Alice, sit with us. |
| 00:24:52 |
You know, I've got |
| 00:24:54 |
Really? |
| 00:24:55 |
Yeah, he's drinking chasers... |
| 00:24:59 |
I gave him an analgesic |
| 00:25:04 |
It's only normal, him drinking his |
| 00:25:09 |
he has a broken foot. |
| 00:25:11 |
Poor thing. |
| 00:25:14 |
The Argentine asked me to dance, |
| 00:25:19 |
but then I felt uneasy |
| 00:25:27 |
I'm so used to it. |
| 00:25:37 |
I'm just going to have |
| 00:25:48 |
Hey you! |
| 00:25:49 |
None of that! |
| 00:25:51 |
Sorry. |
| 00:25:54 |
They stick this thing |
| 00:25:58 |
God save us. |
| 00:26:00 |
But you saw nothing? |
| 00:26:01 |
Nothing, I was out cold, |
| 00:26:05 |
Afterwards the pain's tough. |
| 00:26:09 |
That's when you remember |
| 00:26:12 |
Dionísio I saw... |
| 00:26:15 |
Dionísio I thought... |
| 00:26:18 |
I saw this place, the hall... |
| 00:26:21 |
saw you, my great friend... |
| 00:26:26 |
the band, the maestro... |
| 00:26:30 |
saw our girls. |
| 00:26:54 |
Hi there, Dona Rita? |
| 00:26:56 |
The table is reserved, |
| 00:26:59 |
Please do. |
| 00:27:08 |
Chico, Rita's bottle. |
| 00:27:46 |
That one there, right? |
| 00:27:48 |
That's right. |
| 00:27:50 |
Hey, I'm talking to you, what do |
| 00:27:54 |
She's gorgeous, though. |
| 00:27:55 |
Sure is. |
| 00:27:58 |
She pulls up in a great big |
| 00:28:00 |
parks at the mall, |
| 00:28:03 |
She takes a taxi and comes here. |
| 00:28:05 |
- Hiding from her husband. |
| 00:28:07 |
That's her alibi, the mall. |
| 00:28:09 |
You think you've got |
| 00:28:12 |
And why not? |
| 00:28:13 |
- Like hell you have, old boy. |
| 00:28:15 |
- You still packing it, are you? |
| 00:28:18 |
- Well, quite a difference. |
| 00:28:49 |
You're no good but I like you |
| 00:28:52 |
All I want to know is why |
| 00:29:37 |
If your life were a movie, |
| 00:29:41 |
- Rebel Without a cause. |
| 00:29:53 |
Look, look! |
| 00:29:54 |
He's so handsome, |
| 00:29:56 |
- Just right. |
| 00:29:59 |
- Wonderful! |
| 00:30:02 |
So do you want to or not? |
| 00:30:04 |
Yes, but let's negotiate |
| 00:30:06 |
Six numbers, R$20. |
| 00:30:08 |
No, R$20 for the whole dance |
| 00:30:13 |
Don't exaggerate, my dear. |
| 00:30:15 |
Look... |
| 00:30:16 |
There are five waiting |
| 00:30:20 |
Half, half! |
| 00:30:22 |
I'll catch you later. |
| 00:30:56 |
Watch out! |
| 00:30:58 |
Gorgeous! |
| 00:32:05 |
Eudes really has a crush on you. |
| 00:32:08 |
Given half a chance he'll eat out |
| 00:32:13 |
Aurelina, women work with a |
| 00:32:16 |
We've all these switches... |
| 00:32:19 |
To turn us on, you have to know |
| 00:32:21 |
if you flick the wrong switch, |
| 00:32:24 |
Not men though, men have |
| 00:32:26 |
master switch. |
| 00:32:29 |
A new piece of skirt and they |
| 00:32:34 |
If I were you I'd press all your |
| 00:32:38 |
and turn off Eudes' master switch. |
| 00:33:52 |
Well Álvaro? |
| 00:33:56 |
Me? |
| 00:33:59 |
Your foot, what happened? |
| 00:34:03 |
Oh, it's nothing, |
| 00:34:06 |
Wow, a tendon? Are you sure? |
| 00:34:08 |
If you did there'll be |
| 00:34:13 |
Look at all your trophies, |
| 00:34:19 |
And me stuck at home amid |
| 00:34:22 |
What do you want? You want me |
| 00:34:25 |
The kids are grown up, |
| 00:34:31 |
the grandchildren too... |
| 00:34:34 |
there. |
| 00:34:38 |
I've so many reasons |
| 00:34:43 |
Anyway, if you look back, |
| 00:34:49 |
But at least you're coherent. |
| 00:35:03 |
Who are you |
| 00:35:05 |
Who were you |
| 00:35:07 |
You're nothing |
| 00:35:09 |
If in life I erred |
| 00:35:14 |
You were wrong too |
| 00:35:20 |
If I erred |
| 00:35:22 |
If I sinned |
| 00:35:24 |
No matter |
| 00:35:26 |
If in your eyes I'm dead |
| 00:35:31 |
To me you too have died |
| 00:35:45 |
Chico! |
| 00:35:48 |
12th December, don't miss |
| 00:35:51 |
the Great Violets Ball |
| 00:35:53 |
with the band Carisma 3. |
| 00:35:56 |
Tickets on sale as of Tuesday. |
| 00:36:02 |
I'll see... |
| 00:36:03 |
- Hi! |
| 00:36:04 |
I was asked to give you this. |
| 00:36:06 |
By whom? |
| 00:36:07 |
That guy over there, Marquinhos. |
| 00:36:18 |
I've told you before, the mixer's |
| 00:37:02 |
Why stop now? |
| 00:37:56 |
What is it? |
| 00:37:57 |
- Stop! |
| 00:37:58 |
Stop bothering people. |
| 00:37:59 |
- I'm not bothering anyone. |
| 00:38:02 |
- He asked me to dance. |
| 00:38:05 |
- I don't want to. |
| 00:38:07 |
I don't want to, I'm not hungry. |
| 00:38:10 |
How come you're not hungry? |
| 00:38:11 |
You haven't eaten anything |
| 00:38:13 |
I don't want to. |
| 00:38:15 |
You've been drinking, right? |
| 00:38:17 |
Yes. |
| 00:38:21 |
passion fruit cocktail. |
| 00:38:23 |
Don't you think you're overdoing |
| 00:38:26 |
At least I'm having fun. |
| 00:38:27 |
Yeah, having fun |
| 00:38:33 |
And you stop drinking, we've got |
| 00:38:39 |
Have it. |
| 00:38:40 |
Marquinhos! |
| 00:38:42 |
I don't want to. |
| 00:38:46 |
The music! |
| 00:38:48 |
Hey! |
| 00:41:20 |
You and ÁIvaro are both widowed, |
| 00:41:25 |
I can't understand why you never |
| 00:41:28 |
I don't know, |
| 00:41:33 |
you know? |
| 00:41:35 |
Later things just settled |
| 00:41:40 |
There are certain things can only |
| 00:42:55 |
Thank you. |
| 00:43:14 |
It's mine! |
| 00:43:15 |
It's mine, I was first. |
| 00:43:18 |
- Let me have it. |
| 00:43:19 |
Please. |
| 00:43:21 |
- Go find someone to dance with. |
| 00:43:23 |
That's your problem, dear. |
| 00:43:25 |
Well, really! |
| 00:43:33 |
Look at the flag. |
| 00:43:47 |
Put it in your diary, |
| 00:43:51 |
I never want to see you again, ok? |
| 00:43:53 |
We'll talk about that later. |
| 00:43:55 |
No respect! |
| 00:43:57 |
It's not lack of respect, |
| 00:44:01 |
We'll talk about it later, |
| 00:44:03 |
it's her birthday, she didn't want |
| 00:44:07 |
She wanted to come here. |
| 00:44:08 |
Well you screwed up, |
| 00:44:11 |
I'm through with you, |
| 00:44:15 |
- We'll talk later. |
| 00:44:18 |
- Don't make a scene. |
| 00:44:25 |
Who is he, you know him? |
| 00:44:27 |
Yes, he's my husband, Vágner. |
| 00:44:28 |
- Really? |
| 00:44:34 |
And who's she? |
| 00:44:35 |
No idea, I don't know her. |
| 00:44:45 |
You just going to sit here |
| 00:44:47 |
I'm waiting for some cute guy |
| 00:44:49 |
- Just sitting there? |
| 00:44:51 |
I'm waiting for him to come |
| 00:44:54 |
There are no cute guys here. |
| 00:44:56 |
No, but there are |
| 00:44:58 |
So go and get yourself |
| 00:45:40 |
Sr. Ernesto... |
| 00:45:43 |
Sr. Ernesto, your wife is waiting |
| 00:45:54 |
Did he say my wife was waiting |
| 00:45:58 |
Yes. |
| 00:46:19 |
What a liar, the crook... |
| 00:46:24 |
he always said he was |
| 00:46:29 |
The crook, liar! Widower! |
| 00:46:34 |
Hey Ernesto, what's wrong? |
| 00:46:37 |
Get some fresh air, come on. |
| 00:46:39 |
You haven't the courage |
| 00:46:41 |
- Sit down, go on. |
| 00:46:45 |
Where did you tell her |
| 00:47:31 |
Vanderley, can I have a word? |
| 00:47:32 |
If anyone complains about me |
| 00:47:35 |
Sure. |
| 00:47:45 |
Had enough? |
| 00:47:47 |
Yeah. |
| 00:47:49 |
Well, you sure danced plenty. |
| 00:47:52 |
I had fun. |
| 00:47:54 |
You see, and you didn't even |
| 00:48:00 |
What was he just telling you? |
| 00:48:05 |
Nothing. |
| 00:48:06 |
Nothing, so what were |
| 00:48:11 |
He was teaching me to dance, |
| 00:48:13 |
Just teaching you to dance? |
| 00:48:16 |
Just teaching me to dance. |
| 00:48:22 |
Whatever you say. |
| 00:48:24 |
What? |
| 00:48:25 |
Whatever you say. |
| 00:48:27 |
Good. |
| 00:48:29 |
Good... |
| 00:48:34 |
Vanderley and Ana are back |
| 00:48:38 |
greatest band: Silver Moonlight. |
| 00:48:44 |
Didn't you get anything? |
| 00:48:47 |
What do you mean? |
| 00:48:51 |
Didn't someone give |
| 00:48:54 |
Yes they did... |
| 00:48:58 |
thanks. |
| 00:49:10 |
I'm going to get some water, ok? |
| 00:49:42 |
Excuse me. |
| 00:49:45 |
Who's the one looking |
| 00:49:47 |
- Over there. |
| 00:49:49 |
- Yes. |
| 00:49:54 |
I'm sorry, excuse me. |
| 00:49:55 |
Are you the one looking |
| 00:49:57 |
Yes, that's him, my husband. |
| 00:50:01 |
How do you do, I'm sorry. |
| 00:50:17 |
Oh Chico. |
| 00:50:19 |
- What is it? |
| 00:50:21 |
Something upset you? |
| 00:50:25 |
Upset? Yes a little, perhaps. |
| 00:50:32 |
You should avoid that at your age. |
| 00:50:35 |
What's this, some cheap soap |
| 00:50:37 |
No, all I meant was, easy on the |
| 00:50:44 |
All right, I'll just lie down |
| 00:50:47 |
and wait for my time to come. |
| 00:50:49 |
Whatever you say, Ernesto. |
| 00:51:06 |
Came here to drink some water? |
| 00:51:09 |
Yeah. |
| 00:51:13 |
It's mad me being here. |
| 00:51:17 |
It's as if it didn't exist, |
| 00:51:20 |
With me it's just the opposite. |
| 00:51:22 |
Hey! |
| 00:51:28 |
What happened? |
| 00:51:29 |
Power cut, it happens sometimes. |
| 00:51:32 |
Let's go over there where |
| 00:51:37 |
I don't think I'll reach |
| 00:51:39 |
Nonsense! |
| 00:51:41 |
My dad died at 28. |
| 00:51:43 |
You know the Cyclops myth? |
| 00:51:47 |
No. |
| 00:51:48 |
Oh but you should. The Cyclops was |
| 00:51:53 |
really strong, very powerful, he |
| 00:51:58 |
But all the same, he lived alone, |
| 00:52:02 |
Because he knew the day |
| 00:52:06 |
- Must be unbearable. |
| 00:52:08 |
That's why sometimes I think it's |
| 00:52:18 |
I think I'll confront the shadows. |
| 00:52:19 |
You what? |
| 00:52:21 |
I'm going to the bathroom. |
| 00:52:26 |
50%, but I danced |
| 00:52:29 |
8 women, that's already 80 just |
| 00:52:33 |
- Here's 50, ok? |
| 00:52:35 |
Here's another 20, that's 70... |
| 00:52:38 |
the rest will have to be in coins. |
| 00:52:42 |
Coins? |
| 00:52:46 |
You don't get it, do you? |
| 00:52:48 |
Get what? I don't understand. |
| 00:52:49 |
Don't understand? Get with it. |
| 00:52:52 |
The girl here just now is old |
| 00:52:54 |
What's that got to do |
| 00:52:57 |
It's got to do with her being |
| 00:52:59 |
Now do you get it? |
| 00:53:01 |
It's got to do with her being |
| 00:53:02 |
If you go near her again, |
| 00:53:06 |
doesn't mean I won't beat |
| 00:53:08 |
What do you mean, you're... |
| 00:53:09 |
- I'm what? |
| 00:53:11 |
- Crazy. |
| 00:53:12 |
What you're saying is |
| 00:53:14 |
- Like hell it is. |
| 00:53:15 |
- Then stay away from her. |
| 00:53:18 |
Stay away from her |
| 00:53:20 |
Marquinhos, let's go, I can't do |
| 00:53:28 |
Thank god you're here. |
| 00:53:30 |
Be careful! |
| 00:53:31 |
I'll put the candle there. |
| 00:53:46 |
Shit! |
| 00:53:52 |
Are you all right? |
| 00:53:54 |
I'm all right, Moraes. |
| 00:53:59 |
Hi GíIson! |
| 00:54:00 |
Hi Ferreira, you'll never get |
| 00:54:02 |
look at the state of your shirt, |
| 00:54:04 |
I haven't got another one. |
| 00:54:05 |
Go change that shirt, I'll lend |
| 00:54:11 |
Gílson? |
| 00:54:13 |
- Gílson! |
| 00:54:15 |
Hi. |
| 00:54:16 |
Come here. |
| 00:54:18 |
Please... |
| 00:54:20 |
give this to Álvaro. |
| 00:54:22 |
All right. |
| 00:55:30 |
It's from Alice. |
| 00:55:38 |
Dear ÁIvaro, does our duo |
| 00:55:45 |
This way? |
| 00:59:44 |
My heart... |
| 00:59:48 |
I don't know why... |
| 00:59:52 |
beats so happy |
| 00:59:56 |
when it sees you. |
| 01:00:01 |
And my eyes |
| 01:00:03 |
smile and follow you |
| 01:00:10 |
But you still avoid me... |
| 01:00:18 |
Oh, if only you knew |
| 01:00:21 |
how very much I want you... |
| 01:00:26 |
and how sincere my love is |
| 01:00:32 |
Come, come, come, come... |
| 01:01:33 |
I'd like her to come with me more, |
| 01:01:37 |
always be with me, so that |
| 01:01:43 |
Sure. |
| 01:01:44 |
Hey Chico, bring me |
| 01:02:00 |
Can you believe I once had a fight |
| 01:02:04 |
Pulling each other's hair out, |
| 01:02:10 |
Vágner had so many... |
| 01:02:13 |
but I never managed |
| 01:02:17 |
It must be something of mine. |
| 01:02:19 |
Doesn't it bother you knowing |
| 01:02:23 |
Loves? |
| 01:02:25 |
You mean going to bed |
| 01:02:29 |
Because to me love is something |
| 01:02:32 |
Liana, sometimes an hour |
| 01:02:35 |
is worth more than a lifetime |
| 01:02:38 |
- What sort of a love is that? |
| 01:02:42 |
My god, a wonderful |
| 01:02:44 |
That's what makes |
| 01:02:46 |
- And makes you happy? |
| 01:02:50 |
Well congratulations, a completely |
| 01:02:54 |
Wake up Liana, |
| 01:03:16 |
Hey, come here. |
| 01:03:18 |
I'd so like to dance with you. |
| 01:03:20 |
I can't dance, I'm working. |
| 01:03:22 |
- Just for a bit. |
| 01:03:35 |
Marquinhos, what are |
| 01:03:36 |
Get back to work, the old man |
| 01:03:47 |
I'm going to the bathroom. |
| 01:05:22 |
I'm going to sin something wicked |
| 01:05:25 |
Sinning's dirty. |
| 01:05:27 |
Oh but Alice, |
| 01:05:30 |
You see, I just love |
| 01:05:33 |
all sweaty on top of me. |
| 01:05:36 |
You need a serious relationship. |
| 01:05:47 |
Let's go and settle up? |
| 01:05:48 |
Sure. |
| 01:06:11 |
That's shameful, no respect. |
| 01:06:51 |
Be right with you! |
| 01:06:52 |
Cancel that order and bring |
| 01:06:55 |
You're upset today, take it easy. |
| 01:06:57 |
I'll bring you something nice on |
| 01:06:59 |
Jesus, what a bunch ofjerks. |
| 01:07:02 |
Hey Marquinhos... |
| 01:07:04 |
Bel's dancing with someone |
| 01:07:08 |
Here, a message for you. |
| 01:07:31 |
Come on, for god's sake, |
| 01:07:35 |
It's a wonderful night, |
| 01:07:41 |
You're absolutely right, |
| 01:07:46 |
Tomorrow I want to get back |
| 01:07:50 |
Especially since my energy as a |
| 01:07:55 |
They're great! |
| 01:07:57 |
Especially on rainy days. |
| 01:08:00 |
But my happiness doesn't |
| 01:08:02 |
My happiness comes from here. |
| 01:08:05 |
Mother Earth! |
| 01:08:10 |
Where do you think |
| 01:08:11 |
- My girlfriend... |
| 01:08:14 |
I just need to talk |
| 01:08:16 |
- Do you want this job? |
| 01:08:19 |
But do you want this job? |
| 01:08:21 |
I work hard every day, I just need |
| 01:08:23 |
Then stay in your place and work, |
| 01:08:25 |
I know my place, |
| 01:08:27 |
Just stay there, no girlfriends, |
| 01:08:29 |
There'll be no dating, |
| 01:08:40 |
I'd like to thank our singers |
| 01:08:45 |
with their band Silver Moonlight. |
| 01:08:48 |
Don't miss, 18th December, |
| 01:08:54 |
At Rua Guaicurus 1, Água Branca. |
| 01:08:58 |
I don't even care about that! |
| 01:09:00 |
You liar, just look at the state |
| 01:09:03 |
Your mistake, she didn't come. |
| 01:09:05 |
Your information network |
| 01:09:08 |
But you're married, |
| 01:09:12 |
Yes, I'm not a widower. |
| 01:09:15 |
My marriage ended 20 years ago, |
| 01:09:20 |
I live in peace and let my wife |
| 01:09:26 |
That's better than having |
| 01:09:29 |
moping about the house getting on |
| 01:09:32 |
My philosophy of life is... |
| 01:09:34 |
if I'm given a lemon, I squeeze |
| 01:09:38 |
The sugar in my lemonade are my |
| 01:09:42 |
Yes of course. |
| 01:09:45 |
Wow, look, very lovely. |
| 01:09:48 |
They look like you. |
| 01:09:50 |
It's funny, when I was a son, |
| 01:09:55 |
Now I can't stand any of that. |
| 01:09:58 |
When you're the head of the family |
| 01:10:03 |
That's not for me, you know, |
| 01:10:07 |
sewing seeds all over. |
| 01:10:12 |
Listen to that song! |
| 01:10:16 |
Oh my God. |
| 01:10:18 |
My first carnival was at Cambuci, |
| 01:10:23 |
I felt so great! |
| 01:10:26 |
Let's dance? |
| 01:11:28 |
Man, I can't wait to hang up |
| 01:11:32 |
Be the ladies' favorite... |
| 01:11:34 |
you know I'm successful |
| 01:11:36 |
I'm paying a retirement fund, |
| 01:11:39 |
- Yeah. |
| 01:11:41 |
The modern world, my friend. |
| 01:11:46 |
No, let me pay this time. |
| 01:11:48 |
This bill's mine. |
| 01:11:54 |
You're cute. |
| 01:12:39 |
When you love... |
| 01:12:40 |
you should say so. |
| 01:12:45 |
Look him straight in the eye |
| 01:12:50 |
you regret it for |
| 01:13:23 |
Hi Álvaro, checking out |
| 01:13:26 |
With all due respect, |
| 01:13:28 |
long gone, right? |
| 01:13:30 |
Now look at Alice. |
| 01:13:33 |
so pretty, are you just |
| 01:13:38 |
- Let me help you. |
| 01:13:39 |
Keep your head up, go on. |
| 01:13:41 |
I'm leaving on my own, |
| 01:13:43 |
I'm going by myself. |
| 01:13:45 |
Difficult guy, that. |
| 01:14:08 |
- Need any help? |
| 01:14:11 |
Bye, then. |
| 01:14:19 |
Very good Álvaro! |
| 01:14:22 |
That's a nice way |
| 01:14:25 |
Abandoning a lady |
| 01:14:30 |
After so many years of prestige, |
| 01:14:35 |
That it? |
| 01:14:39 |
Inelegant and cowardly. |
| 01:14:44 |
If you can go down |
| 01:14:47 |
why don't you come back |
| 01:14:51 |
Why? |
| 01:14:53 |
Come back and dance with me. |
| 01:16:39 |
Oh my God! I love you. |
| 01:16:44 |
I love you. |
| 01:16:45 |
So very much. |
| 01:17:26 |
I haven't felt like this |
| 01:17:33 |
It's been wonderful |
| 01:17:37 |
Very special. |
| 01:17:41 |
It's made me feel very good. |
| 01:17:44 |
Very powerful memories. |
| 01:17:49 |
Moving ones, even. |
| 01:18:15 |
Sorry. |
| 01:18:22 |
Sorry. |
| 01:19:10 |
My phone number? |
| 01:19:17 |
Cell phone? |
| 01:19:19 |
I don't have one. |
| 01:19:20 |
- No? |
| 01:19:22 |
- Have you seen Erivelton? |
| 01:19:24 |
- Didn't he leave me a note? |
| 01:19:27 |
No, he didn't. |
| 01:19:56 |
- Where were you? |
| 01:19:57 |
No you weren't, I've been |
| 01:20:00 |
Oh I don't know, Marquinhos. |
| 01:20:05 |
Go and get your things, |
| 01:20:09 |
- You already packed up? |
| 01:20:14 |
You go ahead, |
| 01:20:22 |
- Take it easy! |
| 01:20:24 |
I know nothing about a note, |
| 01:20:51 |
Marquinhos! |
| 01:20:54 |
- You're crazy, man! |
| 01:20:56 |
- Let go of him! |
| 01:20:58 |
Hey Eudes! |
| 01:21:02 |
I'm fine, I'm fine, I'm fine. |
| 01:21:07 |
Give to your face a wash, go on. |
| 01:21:09 |
My God! |
| 01:21:25 |
This improbable man, |
| 01:21:28 |
made my body float so lightly. |
| 01:21:31 |
I felt a joy with |
| 01:21:36 |
I'd have kissed |
| 01:21:37 |
that man whose eyes |
| 01:21:41 |
I'd have kissed if |
| 01:21:45 |
But not even when |
| 01:21:47 |
and turns out the lights, |
| 01:21:50 |
not even then do |
| 01:21:53 |
which beats in my heart. |
| 01:22:07 |
A bunch of ugly men, |
| 01:22:10 |
but they're the hideous ones, |
| 01:22:25 |
Let's go. |
| 01:22:26 |
Bye, kisses. |
| 01:22:33 |
At the next dance, ok? |
| 01:22:35 |
Marici? |
| 01:22:36 |
- Hi. |
| 01:22:37 |
Let's. |
| 01:22:38 |
Slowly, no rush. |
| 01:22:43 |
- I'm so angry, furious! |
| 01:22:49 |
damn it, I know what |
| 01:22:52 |
I know how to serve people... |
| 01:22:54 |
to prepare my tray, |
| 01:22:57 |
And everyone tells me what to do, |
| 01:23:01 |
Put one wire against |
| 01:23:05 |
Go on! |
| 01:23:12 |
What's wrong? |
| 01:23:15 |
Nothing, Marquinhos. |
| 01:23:19 |
Are you all right? |
| 01:23:25 |
What's wrong? |
| 01:23:39 |
I drank too much. |
| 01:23:42 |
The old bastard got you drunk. |
| 01:23:45 |
We'll go to the beach |
| 01:23:49 |
I don't want to go to the beach. |
| 01:23:55 |
Oh, I want to go home, Marquinhos. |
| 01:23:59 |
I want to go home. |
| 01:24:04 |
What? |
| 01:24:05 |
I want to go home alone! |
| 01:24:08 |
Bel! Bel! |
| 01:24:10 |
I want to go, Marquinhos! |
| 01:24:14 |
What's all this about? |
| 01:24:23 |
Bel! |
| 01:24:28 |
Bel! |
| 01:24:54 |
I bought the peanuts you like. |
| 01:24:59 |
Hey, what's up, Marici? |
| 01:25:02 |
Don't tell me you were |
| 01:25:04 |
For God's sake! |
| 01:25:06 |
You know me. |
| 01:25:08 |
You know I like people, |
| 01:25:15 |
All right, I'd be lying if I said |
| 01:25:20 |
But it was of the moment, |
| 01:25:25 |
Look... |
| 01:25:27 |
there's poem I learned when |
| 01:25:31 |
and it explains exactly |
| 01:25:34 |
If you'd listen you'd understand. |
| 01:25:39 |
But then you'll have to stop. |
| 01:25:42 |
Because I can't remember the |
| 01:25:52 |
Stop, Marici. |
| 01:26:01 |
"If she walked in the garden... |
| 01:26:05 |
What smell of jasmine... |
| 01:26:08 |
As white as moonlight... |
| 01:26:11 |
I hold her so close... |
| 01:26:15 |
Defeated, now she's mine... |
| 01:26:18 |
After such dreams. " |
| 01:26:23 |
Er, "after such dreams..." |
| 01:26:26 |
Oh yeah "Why make me so sad? |
| 01:26:31 |
It wasn't her but what |
| 01:26:36 |
The hour of the jasmine... |
| 01:26:39 |
The aroma of the jasmine... |
| 01:26:41 |
The wave of moonlight." |
| 01:26:48 |
That was it... |
| 01:26:52 |
and I was charmed by the moment. |
| 01:26:56 |
She was a girl... |
| 01:26:58 |
sweet pure, |
| 01:27:08 |
but you're the woman, Marici. |
| 01:27:22 |
You know I've never met |
| 01:27:26 |
Damn you! |
| 01:28:03 |
- Bye Moraes, good night. |
| 01:28:08 |
A lovely night. |
| 01:28:10 |
A few little problems but that's |
