Chemical Wedding
|
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( rock music playing ) |
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* How happy is the human soul? * |
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* Not enslaved by dull control * |
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* Left to dream and roam and play * |
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* shed the guilt of former days * |
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* Walking on the foggy shore * |
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* Watch the waves come rolling home * |
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* Through the veil of pale moonlight * |
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* My shadow stretches out its hand * |
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* And so we lay * |
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* We lay in the same grave * |
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* Our chemical wedding day * |
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* And so we lay * |
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* We lay in the same grave * |
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* Our chemical wedding day. ** |
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( clock ticking ) |
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( big band music playing ) |
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** Children have you ever met ** |
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** The bogie man before? ** |
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** No, of course you haven't ** |
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** For you're much too good I'm sure ** |
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** Don't you be afraid of him ** |
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** If he should visit you ** |
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** He's a great big coward ** |
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** so I'll tell you what to do ** |
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** Hush hush hush ** |
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** Here comes the bogie man ** |
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** Don't let him come |
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** He'll catch you if he can ** |
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** When the shadows of the evening ** |
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** Creep across the sky ** |
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** And your mommy comes upstairs ** |
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** To sing a lullaby ** |
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** Tell her that the bogie man ** |
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** No longer frightens you ** |
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** Uncle Henry's very kindly ** |
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** Told you what to do ** |
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** Hush hush hush ** |
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** Here comes the bogie man ** |
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** Don't let him come too close to you ** |
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** He'll catch you if he can ** |
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** Just pretend |
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** Then shout out, |
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** And he'll hop off like a frog ** |
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** say "Meow" ** |
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** Pretend that you're a cat ** |
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** He'll think you may scratch him... ** |
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I can't wait to meet |
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Alex, you promised |
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But does that mean |
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Don't play games, Alex. |
00:03:00 |
He's powerful |
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and dangerous if you cross him. |
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** Here's one way |
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- ( doorbell rings ) |
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Oh, symonds. |
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** And put it on his tail. ** |
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You know your way up. |
00:03:18 |
Oh, take the post up, will you? |
00:03:26 |
Come on, symonds, |
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He's the forgotten man of magic. |
00:03:30 |
Not so forgotten. |
00:03:32 |
He still gets post |
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One born every minute. |
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( knocks ) |
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Mr. Crowley? |
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"Do what thou wilt |
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shall be the whole of the Law." |
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"Love is the law, |
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Iove under will." |
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( ticking ) |
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Midday. |
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I did have to speed |
00:04:09 |
Well done. |
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Time is important. |
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How go the studies? |
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I'm rereading the Bible |
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It's most interesting. |
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Unfortunately |
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of primeval magic. |
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Who is this? |
00:04:27 |
Alex Lepard, sir. |
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Reading theology |
00:04:33 |
No, sir-- science. |
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science? |
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Ah. The new magic. |
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( laughs ) |
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You're no scientist. |
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You ooze disbelief. |
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A good ritualized fuck |
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will expand your consciousness, |
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not to mention |
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so, symonds, |
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Nothing special-- |
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Ah. Thank you. |
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stupid woman. |
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Ah. Now, symonds... |
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( coughs ) |
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time is of the essence. |
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I do want to learn. |
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No no no, symonds, |
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that won't do at all. |
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It won't work |
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unless you believe in me |
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right down to your very soul. |
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I do, sir. It's just there's only three |
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Ah, yes. |
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Let's begin at the beginning. |
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Put that down! |
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My magical diaries |
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They contain every rite, |
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every sacrament |
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of sexual magic. |
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Thank you. |
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Now... |
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the oldest and most powerful ritual |
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comes to us |
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It's tells of the murder |
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of Osiris by seth. |
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seth cut the dead body |
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into 15 parts |
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and scattered them |
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Isis found most of the pieces, |
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and using her magic |
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she fused them together |
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in resurrection. |
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But... |
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she was missing |
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the phallus. |
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so... |
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using a reed |
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she performed |
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and brought forth |
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Horus. |
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It's a non-carnal union. |
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A virgin birth. |
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Exactly. |
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Only four magnificent times |
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has this rite been performed-- |
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Joshua with the Magdalene, |
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Abelard with Heloise-- |
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Who were the others? |
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On Friday, when you return... |
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alone, |
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we shall begin your initiation. |
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I'm not sure I can afford |
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Don't worry, symonds. |
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This will... |
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where's the money? |
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Where's the money? |
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What? |
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No. |
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The head |
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seems to have fallen |
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of a writer of science fiction. |
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They invoke my scarlet ritual |
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to produce |
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a moonchild. |
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Moonchild? |
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What are you going to do? |
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I shall invoke |
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such a miraculous illumination... |
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that Jack Parsons will-- |
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( coughing ) |
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Can I get you anything, sir? |
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No. No. |
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Leave me. |
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I need medication. |
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What the hell is a moonchild? |
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A moonchild is an elemental, |
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a reincarnated soul |
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By sexual magic? |
00:09:18 |
It's elemental, |
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The fellow is a perverted nut. |
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Alex, you're mad. |
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He's traced back |
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Previous lives? |
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Ko Hsuan, Count Cagliostro, |
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each one fixed by the wedding rite, |
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what he calls the chemical wedding. |
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Chemical wedding? |
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- ( clattering ) |
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( knocks ) |
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Mr. Crowley? |
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Oh my God. |
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Alex, stay with him. |
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( ticking ) |
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Mr. Crowley. |
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I curse the hand |
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that steals my time. |
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( groaning ) |
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( ticking ) |
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- He's dead. |
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50 years I've kept his watch, |
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ticking away |
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marking triumphs and failures, |
00:11:00 |
Iove and loss |
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and the long painful path |
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Then four days ago |
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Four days that would change |
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( bell tolling ) |
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Professor Mathers? |
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- Hi. |
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Thanks for the promotion, |
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- Welcome to Cambridge. |
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- You the welcoming party? |
00:11:36 |
I'm Lia Robinson. |
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- lnterview? |
00:11:42 |
My work just isn't suitable |
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for interviews or magazines. |
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Why not? |
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It's fascinating. |
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I know I could write |
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Okay, you're standing on a moving |
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- do you land in the same spot? |
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Um, no. |
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No, you'd land further back? |
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Lia Robinson. |
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From "Varsity." |
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- You got your interview. |
00:12:08 |
- I should be free by 5:00. |
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Oh, was I right? |
00:12:13 |
No. |
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( keyboard clacking ) |
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- ( computer beeps ) |
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Ah. This is Victor, |
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Victor, Joshua Mathers. |
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- How do you do? |
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Well, yes, I've begun |
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and vacuum pumps |
00:12:46 |
The porters call it the space coffin. |
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( stuttering ) |
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Miss Robinson seems to be later |
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rather than sooner. |
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The comparison |
00:13:03 |
I'm sorry, Dr. Haddo. |
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I had to meet someone |
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( stuttering ) |
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Can you illuminate, Mr. Jones? |
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"Julius Caesar," |
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"The evil that men do lives on." |
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Meaning? |
00:13:20 |
Well, I suppose-- |
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the bad things about people |
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But in the spiritual sense? |
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Miss Robinson? |
00:13:31 |
Um, people abused, |
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Iike children abused |
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their minds could be |
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so that the evil lives on in them. |
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Devil worship |
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and evil. |
00:13:47 |
Perhaps we're in danger of taking |
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certain value judgments for granted. |
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The church may have blackened |
00:13:55 |
the name of Lucifer... |
00:13:59 |
but who was it |
00:14:01 |
who first asked man |
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to take a bite |
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Was it the serpent? |
00:14:10 |
The serpent. |
00:14:13 |
Pity you didn't think |
00:14:15 |
of that apple yourself, |
00:14:19 |
The Z93 should cope with the problems |
00:14:22 |
- It's really something, isn't it? |
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Its speed comes |
00:14:27 |
of Josephson junctions and these |
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If it works, |
00:14:34 |
I presume? |
00:14:35 |
I shall take the journey if I am |
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Mind you, if I put |
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maybe they'll sack me and have |
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- ( knocks ) |
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Ah. |
00:14:59 |
Victor, look. |
00:15:13 |
Water into wine. |
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Very good. |
00:15:18 |
Oh, you've moved. |
00:15:21 |
Yes, I'm really rather pleased-- |
00:15:26 |
Oh. |
00:15:28 |
Um... |
00:15:30 |
Well, it's in. |
00:15:31 |
The computer? |
00:15:33 |
Aleister Crowley |
00:15:36 |
His rituals reenacted |
00:15:38 |
from Montevideo to Madras. |
00:15:40 |
Would they be able to trace a virus |
00:15:42 |
to the Z93? |
00:15:44 |
No, not the way I'm working it, |
00:15:47 |
Who would want to open it? |
00:15:50 |
Well, sexual magic. |
00:15:51 |
You see, that's what he recognized. |
00:15:53 |
The one way |
00:15:56 |
When we perform Crowley's rites, |
00:16:00 |
then you see union. |
00:16:04 |
The ceremonies |
00:16:07 |
Oh, you have |
00:16:11 |
Look, the Z93 works |
00:16:14 |
and quantum physics |
00:16:16 |
but alchemy at a sub-particle level. |
00:16:19 |
Your Z93 |
00:16:21 |
can't experience fear |
00:16:24 |
or hatred |
00:16:26 |
or passion. |
00:16:28 |
What are you expecting it to do, |
00:16:32 |
cast spells? |
00:16:40 |
Cast spells. |
00:16:43 |
Yes. Yes. |
00:16:46 |
That's exactly what |
00:17:30 |
( pulsating ) |
00:17:38 |
( knocking ) |
00:17:45 |
( knocking continues ) |
00:18:00 |
( sighs ) |
00:18:02 |
Man: |
00:18:04 |
on the visiting chaos professor |
00:18:06 |
- I'll get it. |
00:18:08 |
What about the Masonic story? |
00:18:10 |
I've got a few names, |
00:18:12 |
how far it goes |
00:18:14 |
Not ready then. |
00:18:16 |
Did you see that Prince William |
00:18:19 |
Is that news? |
00:18:21 |
We could try and find out |
00:18:23 |
Circumcised? |
00:18:25 |
Well, Prince Charles was circumcised |
00:18:27 |
It's part of the ancient rites |
00:18:30 |
Rick, I'll tell you what: |
00:18:32 |
Write the first part |
00:18:34 |
as if the big revelation |
00:18:37 |
That should stir something up. |
00:18:39 |
Brethren... |
00:18:41 |
assist me to open the preceptory. |
00:18:49 |
Is the lodge properly tiled? |
00:18:52 |
Eminent preceptor, |
00:18:54 |
the lodge is properly tiled. |
00:18:57 |
( bangs ) |
00:19:01 |
I then call upon the chaplain. |
00:19:06 |
Knights, |
00:19:08 |
it is time to commence our labors. |
00:19:12 |
set a watch before my lips. |
00:19:16 |
All: |
00:19:19 |
Registrar. |
00:19:21 |
Bring forth the novitiate. |
00:19:31 |
"Thou shall take |
00:19:34 |
to keep inviolate |
00:19:39 |
or else thy tongue |
00:19:45 |
( bell tolling ) |
00:20:00 |
Haddo. Haddo. |
00:20:02 |
I need to talk to you. |
00:20:04 |
I'll catch you in a minute. |
00:20:06 |
Okay. |
00:20:09 |
symonds's voice: That was |
00:20:21 |
You want human contact? |
00:20:23 |
The link between |
00:20:30 |
There it is. |
00:20:32 |
And I'll really be able |
00:20:34 |
to experience him? |
00:20:37 |
Are you scared? |
00:20:39 |
What are you afraid of? |
00:20:42 |
An encounter with him |
00:20:44 |
or with your secret self? |
00:20:49 |
Relax, Haddo. |
00:21:05 |
What-- |
00:21:07 |
This is a restricted zone. |
00:21:08 |
- Is that Dr. Mathers? |
00:21:11 |
- I've been there. |
00:21:13 |
Can you tell him if you see him |
00:21:15 |
that Lia Robinson from "Varsity" |
00:21:18 |
about the interview? |
00:21:20 |
Yes. Yes, I can tell him. |
00:21:24 |
And shut the door |
00:21:26 |
Haddo: |
00:21:28 |
Relax. |
00:21:31 |
suit activated. |
00:21:35 |
Electromagnets on. |
00:21:39 |
Here we go. |
00:21:43 |
( electricity crackling ) |
00:21:45 |
Haddo: Victor! |
00:21:49 |
( electronic hum ) |
00:21:57 |
( bell tolling ) |
00:22:18 |
( knocks on glass ) |
00:22:31 |
- Dr. Mathers. |
00:22:34 |
from "Varsity." Yes. |
00:22:36 |
Weird, I thought I dreamt you. |
00:22:38 |
You said 5:00, |
00:22:41 |
I'm sorry. |
00:22:43 |
Look, there's no one here, so why don't |
00:22:46 |
Great. |
00:22:48 |
Well, we were having some problems |
00:22:52 |
and here, the Z93 is-- |
00:22:55 |
Have you got it working? |
00:22:57 |
Uh, yeah yeah. |
00:23:01 |
Okay. |
00:23:04 |
No, I haven't actually tried it out. |
00:23:07 |
I'll go and fire up the Z93. |
00:23:15 |
Mathers: |
00:23:17 |
I watched my father |
00:23:20 |
And I thought that if I could |
00:23:25 |
( dialing ) |
00:23:27 |
( phone ringing ) |
00:23:41 |
Oh, where the fuck are you, Haddo? |
00:23:49 |
Mathers: |
00:23:50 |
That matter and time don't exist. |
00:23:53 |
They're just byproducts |
00:23:55 |
the slowing down of light. |
00:23:58 |
so you don't believe in time? |
00:23:59 |
Well, chaps, are we all set? |
00:24:01 |
Yeah, Victor is just wiring us up. |
00:24:04 |
You can't go in |
00:24:06 |
Why not? |
00:24:08 |
I'm having |
00:24:10 |
time-date sequence. |
00:24:12 |
Can I help? |
00:24:13 |
Give me the morning |
00:24:16 |
And who might you be? |
00:24:17 |
- she's a reporter. |
00:24:19 |
I was hoping |
00:24:22 |
Press are not allowed on campus |
00:24:24 |
I'm from "Varsity." |
00:24:25 |
What faculty are you? |
00:24:28 |
Classics, Dr. Haddo. |
00:24:29 |
Look, we've got to get back |
00:24:32 |
- Lia: It was just getting interesting. |
00:24:35 |
I'm sorry. |
00:24:37 |
Are scientists superstitious? |
00:24:39 |
A few. Why? |
00:24:42 |
This interview is |
00:24:44 |
I hope not. |
00:24:46 |
Hope? Forget it. |
00:24:48 |
Very probable. |
00:24:50 |
With how much uncertainty? |
00:24:52 |
Only what can't be ruled out |
00:24:55 |
Oh, that means I can't calculate |
00:24:58 |
the where or the when. |
00:25:00 |
You did your homework. |
00:25:03 |
I'll be at the bursar's office later, |
00:25:05 |
and maybe we could have dinner. |
00:25:08 |
Maybe I'll get better service |
00:25:10 |
- I'll be there. |
00:25:12 |
But that was British service-- |
00:25:14 |
it won't get any better |
00:25:16 |
Well, at least the wait |
00:25:24 |
Did you just say that |
00:25:28 |
- Have you seen him today? |
00:25:31 |
but he's giving the Modern Classics |
00:25:34 |
Oh, Christ. |
00:25:39 |
Haddo? |
00:26:28 |
Where the hell did you |
00:26:38 |
Normally he's so punctual. |
00:26:40 |
Fuck him. |
00:26:42 |
He's coming. |
00:26:46 |
This year's Modern Classics lecture |
00:26:50 |
will be given by Dr. Oliver Haddo, |
00:26:53 |
who will be discussing |
00:26:55 |
the psychology of "Hamlet." |
00:26:59 |
** Hallelujah, |
00:27:02 |
** Hallelujah, hallelujah ** |
00:27:05 |
** Hallelujah. ** |
00:27:13 |
( without stutter ) |
00:27:16 |
His characters |
00:27:19 |
are veiled facsimiles |
00:27:21 |
of the ancient Egyptian gods |
00:27:23 |
Isis and Osiris. |
00:27:26 |
Moreover, Hamlet is not |
00:27:29 |
and never was |
00:27:33 |
On the contrary, |
00:27:34 |
he is a man moved to action |
00:27:38 |
by a spiritual encounter |
00:27:41 |
Academia's attempts |
00:27:44 |
confirm that they are mere boils |
00:27:47 |
- on the Bard's asshole. |
00:27:49 |
For enlightenment, |
00:27:53 |
of England's |
00:27:57 |
Aleister Crowley. |
00:27:59 |
( whispers ) |
00:28:02 |
"To pee or not to pee: |
00:28:05 |
that is the question: |
00:28:07 |
Whether 'tis nobler |
00:28:09 |
The slings and arrows |
00:28:12 |
Or take arms against |
00:28:16 |
And by abscission, end it? |
00:28:19 |
To fuck: to come: |
00:28:22 |
No more; |
00:28:24 |
And, by that come, |
00:28:27 |
To say we end |
00:28:30 |
The cockstand |
00:28:33 |
That flesh is heir to. |
00:28:35 |
'Tis a consummation |
00:28:37 |
Devoutly to be wished. |
00:28:38 |
To fuck: |
00:28:41 |
To come; |
00:28:43 |
To come, perchance to clap! |
00:28:47 |
Ay, there's rub. |
00:28:50 |
There's the chordee |
00:28:53 |
That makes calamity |
00:28:57 |
There the jerks |
00:28:59 |
And drops of piss." |
00:29:03 |
( women screaming ) |
00:29:07 |
( playing classical music ) |
00:29:12 |
( whispering ) |
00:29:25 |
"England's greatest living |
00:29:28 |
- Is he crazy? |
00:29:31 |
- Who is Aleister Crowley? |
00:29:34 |
He was a 1920s occultist. |
00:29:35 |
He's one of the characters on |
00:29:37 |
He scandalized the world by practicing |
00:29:41 |
You know he was here at Cambridge. |
00:29:42 |
I just we'd had a camera. |
00:29:45 |
shall I write it all up? |
00:29:46 |
Yeah, one of Crowley's books |
00:29:48 |
Hold on. The university is gonna |
00:29:50 |
They can't stop us |
00:29:52 |
If he's ill or having a breakdown, |
00:29:55 |
Well, Lia can get an interview. |
00:29:57 |
she could, |
00:29:59 |
Teacher's pet? |
00:30:02 |
( mimicking stutter ) |
00:30:03 |
surely you've noticed |
00:30:07 |
( all laughing ) |
00:30:10 |
( ticking ) |
00:30:12 |
He's late. |
00:30:14 |
- ( door opens ) |
00:30:17 |
Bother. |
00:30:24 |
"Do what thou wilt |
00:30:30 |
sit down, please. |
00:30:33 |
Perhaps you could start by explaining |
00:30:37 |
In 10 years' time, |
00:30:38 |
that is the only lecture that |
00:30:42 |
That's hardly an explanation, |
00:30:44 |
Haddo resides in the abyss. |
00:30:49 |
You are now addressing |
00:30:52 |
of Ko Hsuan, |
00:30:53 |
Count Cagliostro, |
00:30:56 |
Eliphas Levi. |
00:30:59 |
You may refer to me |
00:31:02 |
Delusional behavior may impress |
00:31:05 |
but it's hardly an explanation, |
00:31:08 |
- Dr. Haddo. |
00:31:11 |
I've already told you |
00:31:14 |
Haddo is in the abyss! |
00:31:17 |
And save the Masonic signals, |
00:31:21 |
for the promotion boards. |
00:31:26 |
I am, I must admit, |
00:31:30 |
I suggest we suspend your classes |
00:31:33 |
until you've had time |
00:31:35 |
But I'm in excellent health. |
00:31:37 |
And as it says in satan's book, |
00:31:40 |
in three days my resurrection |
00:31:43 |
I see no reason |
00:31:45 |
you clearly know |
00:31:47 |
Oh, really? |
00:31:49 |
Open it anywhere you like. |
00:31:51 |
I do not intend to get involved-- |
00:31:53 |
No no, please. Open it. |
00:31:55 |
A reading will do |
00:32:03 |
Genesis, 6:4. |
00:32:06 |
"ln those days the sons of God |
00:32:10 |
and they bore them children." |
00:32:12 |
Am I right? |
00:32:14 |
Does it say "sons of God"? |
00:32:18 |
Yes, it does. |
00:32:20 |
Next? |
00:32:24 |
Numbers, 31 :7. |
00:32:28 |
"They warred with the Midianites |
00:32:31 |
They burnt the cities |
00:32:33 |
They brought |
00:32:35 |
He said, 'Have you left alive |
00:32:39 |
Even those who tempted |
00:32:42 |
to transgress the Lord? |
00:32:44 |
Therefore kill every male |
00:32:49 |
and every woman who has |
00:32:54 |
And keep for yourselves |
00:32:57 |
the young girls |
00:33:00 |
who have not known |
00:33:03 |
These are Old Testament interprets. |
00:33:06 |
Let us see the words |
00:33:09 |
in the Gospel. |
00:33:11 |
Haddo: |
00:33:13 |
Mark, 14:51-- |
00:33:17 |
it's the homosexual rituals |
00:33:20 |
in Gethsemane. |
00:33:22 |
"Now a certain young man |
00:33:25 |
followed Jesus |
00:33:26 |
and he wore only a linen cloth |
00:33:29 |
over his naked body. |
00:33:30 |
And the men laid hands on him, |
00:33:32 |
and he left the linen cloth |
00:33:35 |
and ran from them |
00:33:37 |
naked." |
00:33:39 |
That's enough |
00:33:43 |
Amateur?! |
00:33:46 |
I shall return in three days |
00:33:49 |
and then you will be as ants |
00:33:52 |
beneath my feet. |
00:33:54 |
You will not succeed in threatening |
00:33:58 |
Not a threat, a promise. |
00:34:01 |
That watch of mine still keeping |
00:34:04 |
- What? |
00:34:06 |
It's not your fault. |
00:34:07 |
It was that thieving |
00:34:10 |
Alex. |
00:34:13 |
( door opens, closes ) |
00:34:17 |
What the hell was |
00:34:21 |
I've no idea. |
00:34:24 |
But I've only ever |
00:34:27 |
who knew the Bible like that. |
00:34:29 |
( bell tolling ) |
00:34:48 |
Dr. Haddo. |
00:34:50 |
I'd just like a comment for "Varsity." |
00:34:52 |
The new age has dawned, |
00:34:54 |
the Aeon of Horus. |
00:34:56 |
"Do what thou wilt |
00:35:00 |
Did the board suspend you? |
00:35:02 |
Them? |
00:35:04 |
Those cockless wonders |
00:35:07 |
hiding in their darkened bedrooms |
00:35:09 |
to perform the rite |
00:35:11 |
You're not advocating |
00:35:14 |
Miss Robinson, you're forgetting |
00:35:16 |
Puck, Robin Goodfellow-- |
00:35:19 |
of dancing around |
00:35:21 |
was followed by a sexual romp. |
00:35:23 |
Offspring of that |
00:35:25 |
as Robin's son. |
00:35:28 |
so a very great ancestor of yours |
00:35:31 |
in some past time |
00:35:33 |
performed a most public sexual rite. |
00:35:36 |
Um, in the lecture |
00:35:38 |
you quoted Aleister Crowley |
00:35:40 |
as England's greatest living poet. |
00:35:43 |
Without question. |
00:35:44 |
Isn't he dead? |
00:35:46 |
Death is but a short sleep |
00:35:48 |
Meaning he's not dead? |
00:35:49 |
Do you believe in the resurrection |
00:35:52 |
Nazarene? |
00:35:53 |
Nazarene is a mystic |
00:35:55 |
sampson was a Nazarene. |
00:35:58 |
And speaking of hair, |
00:36:00 |
you have the wonderful red hair |
00:36:04 |
Perhaps your chance of immortality |
00:36:07 |
Ah. Here's the man |
00:36:09 |
The man with the Lazarus touch. |
00:36:13 |
Have we met? |
00:36:14 |
Only on the astral plane. |
00:36:16 |
Born in Pasadena, |
00:36:20 |
first girlfriend susan, yes? |
00:36:23 |
You two should get on |
00:36:26 |
His mother was a redhead-- |
00:36:29 |
He never met |
00:36:38 |
Who is that? |
00:36:39 |
Dr. Haddo-- |
00:36:41 |
my classics tutor. |
00:36:45 |
Is your mother a redhead? |
00:36:47 |
I don't know. |
00:36:50 |
Have you been researching me? |
00:36:52 |
No, it's nothing I did. |
00:36:54 |
something to do with him. |
00:36:58 |
Aleister Crowley. |
00:37:00 |
He's dead. |
00:37:02 |
Not according to Dr. Haddo. |
00:37:08 |
( ticking ) |
00:37:18 |
Oh, I didn't hear you. |
00:37:21 |
Listen to this. |
00:37:23 |
"The universe is full of obscure |
00:37:26 |
and subtle manifestations |
00:37:29 |
( through voice box ) |
00:37:33 |
Well, I just never noticed it before. |
00:37:35 |
He's come back, hasn't he? |
00:37:55 |
( switch clicking ) |
00:38:19 |
Hail the conquering hero. |
00:38:22 |
Haddo. |
00:38:24 |
How the hell did you get in here? |
00:38:26 |
The lock does not exist |
00:38:28 |
that can stop the Beast. |
00:38:30 |
Another one of your tricks? |
00:38:32 |
Oh, Victor, ye of little faith. |
00:38:35 |
Hiding away, |
00:38:38 |
wanking over |
00:38:43 |
Why do you not take |
00:38:46 |
Your laws? |
00:38:48 |
"Do what thou wilt." |
00:38:50 |
"Love is the law, |
00:38:52 |
Iove under will." |
00:38:54 |
Who is it you think you are? |
00:38:56 |
Victor, |
00:38:58 |
who is it you think I am? |
00:39:00 |
You are Oliver Haddo. |
00:39:02 |
H-A-D-D-O. |
00:39:06 |
Oh, Victor, |
00:39:09 |
before the cock grows? |
00:39:15 |
Oh, God, |
00:39:16 |
what-- what have you done? |
00:39:18 |
Don't stutter so, Victor dear. |
00:39:21 |
Don't worry. |
00:39:24 |
I come not to bury Victor |
00:39:27 |
but to praise him. |
00:39:31 |
Oh, Jesus. |
00:39:33 |
Another one of your stupid tricks. |
00:39:35 |
- Mathers: What do you think? |
00:39:39 |
Aleister Crowley was born |
00:39:41 |
in the same year |
00:39:43 |
and he claimed to be |
00:39:45 |
Levi wrote, |
00:39:48 |
"An elder from the line of David |
00:39:50 |
would impregnate a young girl |
00:39:54 |
I meant the menu. |
00:39:56 |
What? |
00:39:58 |
I'm so sorry. |
00:40:00 |
No no no, not at all. |
00:40:02 |
It's just that this |
00:40:04 |
"Resurrected lecturer reveals |
00:40:06 |
A visiting physicist? |
00:40:08 |
What hidden truths do you have? |
00:40:10 |
Born in Pasadena, |
00:40:13 |
researching at Cal Tech, |
00:40:16 |
mother redhead... maybe. |
00:40:19 |
He really shook you, didn't he? |
00:40:21 |
Yeah. I mean, |
00:40:24 |
announces that he knows |
00:40:26 |
Well, maybe he just |
00:40:30 |
Where? |
00:40:33 |
And susan was my first girlfriend... |
00:40:35 |
when I was nine. |
00:40:39 |
( sighs ) |
00:40:41 |
- Are you ready to order? |
00:40:43 |
Wait a minute, |
00:40:45 |
The founder of Cal Tech |
00:40:48 |
and the head of the Crowley |
00:40:50 |
Jack Parsons, and...? |
00:40:52 |
They're both Crowley fans. |
00:40:55 |
and got the information from him. |
00:40:57 |
He'd need a medium. |
00:40:58 |
Parsons blew himself up |
00:41:01 |
Well, how did he do it then? |
00:41:05 |
Magical meeting on the astral plane. |
00:41:08 |
Come on, |
00:41:12 |
You've got to believe |
00:41:15 |
Really? |
00:41:17 |
What about the uncertainty principle? |
00:41:19 |
What about it? |
00:41:21 |
The implications are |
00:41:25 |
Chaos. |
00:41:27 |
Exactly-- |
00:41:30 |
cause and effect. |
00:41:32 |
The unexpected. |
00:41:35 |
You've got it. |
00:41:38 |
To the unexpected. |
00:41:42 |
Long may it surprise us. |
00:41:48 |
I can't bear to think of you |
00:41:50 |
perverting your natural urges, |
00:41:53 |
the power of your sexual magic. |
00:41:58 |
see how the flame |
00:42:00 |
burns through her |
00:42:03 |
just as your red-hot |
00:42:06 |
passion calls forth... |
00:42:12 |
the whore of Babylon. |
00:42:19 |
The mother of abomination. |
00:42:22 |
she hath defiled herself |
00:42:26 |
to suck dry |
00:42:29 |
its mysteries. |
00:42:31 |
How did you...? |
00:42:38 |
Touch her. |
00:42:40 |
Caress her. |
00:42:47 |
Come, O serpent of passion, |
00:42:50 |
grasp the moment now. |
00:42:53 |
O great whore of Babylon, |
00:42:56 |
Iet us gaze upon the cavern |
00:42:59 |
where lies Choronzon. |
00:43:07 |
In man rages. |
00:43:10 |
( Victor moaning ) |
00:43:16 |
Let your fingers draw open |
00:43:18 |
the chasm of creation. |
00:43:21 |
Call her. |
00:43:23 |
Name her. |
00:43:25 |
Jesus! |
00:43:27 |
Kundalini! |
00:43:29 |
The serpent strikes! |
00:43:31 |
( moans ) |
00:43:33 |
suck him. |
00:43:38 |
Oh God. |
00:43:42 |
( moaning ) |
00:43:43 |
Who rewards you, Victor? |
00:43:47 |
What's my name? |
00:43:49 |
What's my name, Victor? |
00:43:51 |
- What's my name, Victor? |
00:43:55 |
Oh, Crowley! |
00:43:57 |
Crowley! |
00:44:02 |
On him, whore. |
00:44:05 |
Take him through to the abyss. |
00:44:26 |
And now... |
00:44:30 |
the final journey. |
00:44:35 |
( screaming ) |
00:44:42 |
( bell tolling ) |
00:45:00 |
Hi. still jet-lagged? |
00:45:02 |
No. |
00:45:04 |
Just thinking about an equation |
00:45:08 |
When the car pulled away, |
00:45:10 |
I looked back and I thought |
00:45:14 |
- My light? |
00:45:15 |
and-- why are we whispering? |
00:45:18 |
Rose might hear us. |
00:45:20 |
- Who's Rose? |
00:45:22 |
Will she mind? |
00:45:24 |
"Do what thou wilt |
00:45:26 |
- What? |
00:45:28 |
The late magician. |
00:45:30 |
Not so late, according to Haddo. |
00:45:32 |
speaking of late, |
00:45:34 |
- 9:00 |
00:45:36 |
- ( laughs ) |
00:45:37 |
I didn't think you believed in time. |
00:45:40 |
( rock music playing ) |
00:45:44 |
How was he, |
00:45:48 |
I hope you didn't commit the cardinal |
00:45:52 |
Rose, this is Josh Mathers. |
00:45:55 |
- Oh. |
00:45:57 |
Hi. |
00:45:59 |
Thank you. |
00:46:01 |
I'm going to go and die now. |
00:46:18 |
Oh my goodness. |
00:46:21 |
Oh! |
00:46:24 |
What happened there? |
00:46:26 |
Oh, I fell. |
00:46:30 |
sometimes it's hard to keep |
00:46:33 |
Russia? |
00:46:35 |
No, the environment on the other side |
00:46:38 |
Brent: |
00:46:41 |
Of course. |
00:46:55 |
( laughing ) |
00:47:01 |
Dr. symonds, |
00:47:03 |
this is how I found it. |
00:47:13 |
( groans ) |
00:47:22 |
And he claims |
00:47:25 |
Not dead? |
00:47:28 |
Okay, I'll dig out a picture of Haddo |
00:47:32 |
You see if you can get |
00:47:34 |
I'll try the library. |
00:47:35 |
Is there any way of getting one |
00:47:39 |
Great, it's working. |
00:47:42 |
It's flying. |
00:47:47 |
Okay, Professor. |
00:47:48 |
Victor is going to fire off |
00:47:55 |
- What's that? |
00:47:58 |
What's going on? |
00:48:01 |
Uh, just a slight technical hitch. |
00:48:03 |
We did it together-- |
00:48:07 |
What is the matter with you? |
00:48:08 |
Oh, sorry. |
00:48:10 |
We're just very excited. |
00:48:15 |
Oh, go on. Go on. |
00:48:18 |
You fired up? |
00:48:19 |
- ( computer beeps ) |
00:48:22 |
Okay, Professor, |
00:48:25 |
You're on the 50th floor |
00:48:29 |
Brent: |
00:48:31 |
I'm going to activate the squids now. |
00:48:33 |
Look in the mirror behind you. |
00:48:38 |
But I'm not in the suit. |
00:48:41 |
No, because you're not really there. |
00:48:43 |
The Z93 is regenerating |
00:48:48 |
Now let's see if your computer |
00:48:50 |
"Do what thou will." |
00:48:52 |
Professor Brent, |
00:48:54 |
Hello, I'm Professor Brent. |
00:48:57 |
Hello, Professor. |
00:49:00 |
My name is Mei Ling. |
00:49:03 |
Pretty damn good. |
00:49:06 |
We're getting a lot |
00:49:09 |
- How are you feeling? |
00:49:11 |
Brent: |
00:49:13 |
I'm pleased. |
00:49:15 |
Would you like to come this way? |
00:49:17 |
- Brent: What do I do? |
00:49:20 |
Ask her if she does blowjobs. |
00:49:27 |
Damn it, there's supposed |
00:49:30 |
- Why isn't the Z93 generating it? |
00:49:33 |
No, don't go in that space. |
00:49:35 |
There's no information for it. |
00:49:38 |
Enter and kneel before |
00:49:45 |
Brent: |
00:49:47 |
What's that? |
00:49:57 |
Professor Brent, |
00:50:00 |
We meet again |
00:50:02 |
in the kingdom of the Beast. |
00:50:07 |
( screaming ) |
00:50:10 |
( yells ) |
00:50:14 |
( screaming ) |
00:50:15 |
( alarm beeping ) |
00:50:21 |
Disengage the suit. |
00:50:42 |
( flatline beep ) |
00:50:46 |
"Every man and woman is a star." |
00:50:49 |
I always say, Mr. Crowley, |
00:50:51 |
there's a little bit of good and evil |
00:50:54 |
Rene, you are a philosopher. |
00:50:56 |
Now you should be |
00:51:00 |
Only minor bruises. |
00:51:02 |
No lasting damage. |
00:51:04 |
Let's hope so. |
00:51:07 |
so it's a redheaded girl |
00:51:10 |
I have one in mind. |
00:51:11 |
Let me see what I can do. |
00:51:13 |
so be it. |
00:51:15 |
Good afternoon, ladies. |
00:51:28 |
** Up the west end, |
00:51:32 |
** Where the nightclubs thrive ** |
00:51:34 |
** Down into a dive you go ** |
00:51:40 |
** There's a jazz queen, |
00:51:42 |
** Has been Lord knows what ** |
00:51:45 |
** Every night she's there on show ** |
00:51:50 |
** she dances underneath |
00:51:56 |
** she's full of charm |
00:52:02 |
** she's 66 but looks 16 ** |
00:52:04 |
** Her friends don't know her, |
00:52:07 |
** Fanlight Fanny, |
00:52:13 |
** see her glide around the floor ** |
00:52:15 |
** Then glide around |
00:52:18 |
** Fanlight Fanny, |
00:52:23 |
** she looks well in the lime, |
00:52:26 |
** You get your money's worth ** |
00:52:29 |
** By day, you'd say ** |
00:52:32 |
** It's her second time on earth. ** |
00:52:35 |
- Dr. Haddo. |
00:52:38 |
I haven't prepared |
00:52:41 |
What have you done to your hair? |
00:52:43 |
And who is |
00:52:46 |
This is my sister stella. |
00:52:48 |
Not that much help. |
00:52:51 |
How very fortunate. |
00:52:53 |
I happen to know an ancient ritual |
00:52:56 |
which redirects |
00:52:59 |
Never fails. |
00:53:02 |
Dr. Haddo is very clever. |
00:53:04 |
( laughs ) |
00:53:08 |
Dean: |
00:53:10 |
no one is to go |
00:53:13 |
That suit is a danger. |
00:53:14 |
Look, I understand. |
00:53:16 |
It's just-- it's not real. |
00:53:19 |
Dean: Well, whatever it is, |
00:53:22 |
Who was in that suit last? |
00:53:24 |
I was, at Cal Tech. |
00:53:26 |
so this was the first time |
00:53:29 |
- Uh, l-- |
00:53:31 |
Well, it seems that traumatic |
00:53:35 |
Dean: |
00:53:37 |
The heart will recover, but... |
00:53:39 |
the brain appears frozen. |
00:53:42 |
something seems to have caused |
00:53:45 |
( bell jingling ) |
00:53:49 |
Her back is cured. |
00:53:51 |
That's amazing. |
00:53:53 |
Now for the ceremony. We shall be |
00:53:56 |
- Not the-- |
00:54:01 |
There are some |
00:54:04 |
some of them quite expensive. |
00:54:08 |
- Yes. |
00:54:10 |
to the upstairs room. |
00:54:12 |
Neither you nor anyone else |
00:54:14 |
will enter without my permission. |
00:54:17 |
Do you understand? |
00:54:24 |
( bell jingles ) |
00:54:34 |
- Hey. |
00:54:35 |
- Where's Victor? |
00:54:38 |
- What's going on? |
00:54:42 |
There's something seriously wrong |
00:54:44 |
It's generating a tremendous |
00:54:47 |
Information? Is that bad? |
00:54:48 |
No. Yes. |
00:54:50 |
What are you doing here? |
00:54:52 |
Nothing. I-- look at this. |
00:54:55 |
- You didn't write this, did you? |
00:54:58 |
It's not my book, I just-- |
00:55:00 |
I just don't understand |
00:55:02 |
It was working perfectly fine |
00:55:05 |
Well, you weren't |
00:55:07 |
Yeah, I was, at Cal Tech. |
00:55:09 |
No, Victor had someone in it |
00:55:10 |
Victor's out of his mind. |
00:55:12 |
Out of his mind he may be, |
00:55:17 |
and I know who it was. |
00:55:19 |
- It was Dr. Haddo. |
00:55:22 |
I'd recognize that stutter anywhere. |
00:55:24 |
What stutter? |
00:55:26 |
- The astral plane. |
00:55:29 |
The astral plane-- that's where |
00:55:33 |
when he was in the suit-- |
00:55:36 |
Dean: |
00:55:39 |
you think Dr. Haddo |
00:55:41 |
to be the reincarnation |
00:55:44 |
Yes. |
00:55:46 |
What do you make of that, symonds? |
00:55:49 |
Didn't he mumble something about being |
00:55:53 |
Count Cagliostro, |
00:55:57 |
exactly the same people that Crowley |
00:56:01 |
I'm surprised he doesn't think |
00:56:05 |
You know what Oscar Wilde |
00:56:06 |
"Aleister Crowley is a madman |
00:56:10 |
I don't see how any of this |
00:56:12 |
excuses or justifies |
00:56:16 |
Dr. Haddo was in the suit |
00:56:19 |
- In the suit? |
00:56:21 |
see, I believe Victor |
00:56:24 |
in from the Z93. |
00:56:26 |
Information? |
00:56:28 |
What sort of information? |
00:56:31 |
My guess is, amongst other things, |
00:56:33 |
energy coordinates |
00:56:46 |
** Fanlight Fanny, |
00:56:52 |
Mr. Crowley, |
00:56:54 |
my name is Ruby. |
00:56:56 |
Rene sent me |
00:56:59 |
I've got a wedding dress |
00:57:02 |
and a white veil. |
00:57:04 |
step this way. |
00:57:10 |
You look like the fairy |
00:57:13 |
More than 12 days late. |
00:57:16 |
Not at all. |
00:57:22 |
You know |
00:57:25 |
Looking to take |
00:57:29 |
Jesus Christ was born |
00:57:31 |
on January the 6th. |
00:57:34 |
December the 25th was |
00:57:38 |
They were sun worshippers, you see. |
00:57:41 |
It was the Emperor Constantine |
00:57:43 |
who pushed Christmas back |
00:57:46 |
to December the 25th. |
00:57:47 |
so all those Christian simpletons |
00:57:51 |
are really worshipping the sun. |
00:57:54 |
I'm not a simpleton. |
00:58:04 |
stand here. |
00:58:11 |
- ( cloth tears ) |
00:58:24 |
Redhead, my ass. |
00:58:29 |
This your idea? |
00:58:31 |
No, it was Rene's. |
00:58:33 |
"What fools these mortals be." |
00:58:43 |
- ( rips ) |
00:58:47 |
( gasps ) |
00:58:50 |
He thinks I'm crazy. |
00:58:53 |
He won't believe that Haddo |
00:58:56 |
Well, why don't you |
00:58:58 |
Or better still, Victor? |
00:59:01 |
Victor... what's his name? |
00:59:03 |
Newman. I wonder if I could have |
00:59:06 |
It's okay, I'll get Victor's address |
00:59:09 |
- see you later. |
00:59:11 |
Look, I may not know much |
00:59:14 |
but I know a hell of a lot |
00:59:17 |
Vile locks of deception. |
00:59:21 |
Oh! |
00:59:23 |
Offending filaments, |
00:59:25 |
thy time has come. |
00:59:28 |
- ( razor scraping ) |
00:59:31 |
What a fool I was |
00:59:33 |
to trust such vermin. |
00:59:38 |
Oh, scarlet woman, |
00:59:41 |
I wasted time. |
00:59:45 |
"And now doth time |
00:59:47 |
waste me." |
00:59:52 |
- ( scrapes ) |
00:59:54 |
It must have taken years |
00:59:58 |
But it's just information, |
01:00:00 |
Victor has got to have |
01:00:03 |
Did that mean anything to you? |
01:00:06 |
Hmm, yes, it's all |
01:00:09 |
How do you know so much |
01:00:12 |
I met Crowley. |
01:00:14 |
- The original? |
01:00:16 |
I was a student. |
01:00:19 |
He was quite a showman, |
01:00:22 |
but underneath he had access |
01:00:24 |
to some extraordinary knowledge. |
01:00:27 |
Have you seen this? |
01:00:30 |
Rites of Eleusis. |
01:00:32 |
It's tonight. |
01:00:34 |
What's this? |
01:00:47 |
- Victor Newman? |
01:00:49 |
- I have a few questions for "Varsity." |
01:00:52 |
The other night |
01:00:55 |
Whatever you did |
01:00:57 |
- The ghost in the machine. |
01:01:00 |
- Haddo's been possessed... |
01:01:02 |
...by the greatest spiritual leader |
01:01:05 |
Aleister Crowley. |
01:01:08 |
The Aeon of Horus, |
01:01:11 |
In Haddo's body? |
01:01:13 |
The ultimate transplant. |
01:01:15 |
That's just not possible. |
01:01:17 |
Then tonight the chosen |
01:01:20 |
Where? How? |
01:01:22 |
E equals MC-squared. |
01:01:23 |
What's that supposed to mean? |
01:01:25 |
Reverse it, what do you get? |
01:01:27 |
Mass times the speed of light |
01:01:31 |
The creation of matter |
01:01:37 |
You don't believe that. |
01:01:39 |
Victor: Einstein did. |
01:01:42 |
( hammer pounding ) |
01:01:49 |
Coming. |
01:01:53 |
( keys jingling ) |
01:02:07 |
( screaming ) |
01:02:12 |
Hey, how come he's allowed in? |
01:02:14 |
sorry, strictest instructions. |
01:02:17 |
But I've come all the way |
01:02:21 |
Oh, Mathers, oh, I'm glad you came. |
01:02:25 |
You can be a witness. |
01:02:28 |
It'll change your life. |
01:02:30 |
No one's supposed to go in. |
01:02:50 |
Crowley, I've got it. |
01:02:52 |
- Did he say Crowley? |
01:03:05 |
( thunder crashing ) |
01:03:19 |
sip the wine |
01:03:30 |
sip the wine |
01:03:40 |
sip the wine |
01:03:56 |
sip the wine |
01:04:04 |
sip the wine |
01:04:10 |
( glass shatters ) |
01:04:26 |
( heart thumping loudly ) |
01:04:55 |
( door opens ) |
01:05:00 |
Crowley: |
01:05:02 |
Aren't we staying? |
01:05:04 |
The 12 apostles will |
01:05:08 |
We must prepare |
01:05:30 |
Woman: |
01:05:32 |
It was the Beast! |
01:05:36 |
( laughing ) |
01:05:45 |
( bell jingles ) |
01:05:51 |
( women crying ) |
01:06:07 |
( car honks ) |
01:06:10 |
- ( rock music playing on radio ) |
01:06:12 |
and check out my sounds? |
01:06:26 |
Can you spare some change? |
01:06:29 |
Bastard! |
01:06:31 |
Your time will come! |
01:06:33 |
** Your time will come... ** |
01:06:36 |
Time! Time! |
01:06:38 |
- ** Your time will come... ** |
01:06:40 |
No, master! You'll kill him! |
01:06:42 |
** Your time will come ** |
01:06:46 |
( mutters ) |
01:06:47 |
** Your time will come ** |
01:06:52 |
** Whoa whoa ** |
01:06:57 |
** Whoa |
01:07:01 |
** Whoa whoa. ** |
01:07:08 |
Are you all right? |
01:07:11 |
( woman crying ) |
01:07:13 |
( people moaning ) |
01:07:49 |
( screams ) |
01:07:51 |
It's the Beast! The Beast! |
01:07:58 |
- ( glass shatters ) |
01:08:11 |
( timer clicks, ticking ) |
01:08:21 |
( doorbell rings ) |
01:08:34 |
Can I help you? |
01:08:36 |
I thought this was the residence |
01:08:40 |
- she's out. |
01:08:43 |
Maybe Victor and I can go |
01:08:47 |
or perhaps |
01:08:50 |
might be prevailed upon |
01:08:53 |
There's a chance |
01:08:55 |
- she's with a friend. |
01:08:58 |
Well, give her this. |
01:09:03 |
Tell her Mr. Crowley called. |
01:09:09 |
- ( woman crying ) |
01:09:13 |
- You have to believe us. |
01:09:15 |
He was there! |
01:09:19 |
He was the Beast! |
01:09:32 |
That's right. Very good. |
01:09:36 |
And now the bra. |
01:09:41 |
It's so warm on the beach. |
01:09:44 |
You should enjoy the sun. |
01:09:48 |
Take your skirt off. |
01:09:50 |
Don't you agree, my dear? |
01:09:53 |
Yes. |
01:09:59 |
What a very pleasant figure |
01:10:02 |
eh, Victor? |
01:10:07 |
You must free yourself |
01:10:10 |
Am I allowed? |
01:10:13 |
Of course you are. |
01:10:15 |
Clothes are such a burden. |
01:10:23 |
Here, |
01:10:24 |
take this as a present. |
01:10:29 |
I want you to lie on that couch. |
01:10:38 |
And now... |
01:10:42 |
Dr. Victor will give you |
01:10:54 |
I want to show you something. |
01:10:55 |
- Hmm? |
01:11:00 |
It's a letter Crowley wrote |
01:11:04 |
Look at the handwriting. |
01:11:07 |
- It's identical. |
01:11:10 |
And this book was published |
01:11:15 |
Who are you saying wrote this? |
01:11:17 |
- Crowley. |
01:11:20 |
Why not? |
01:11:22 |
There's no scientific principle |
01:11:25 |
We transfer memory |
01:11:28 |
- Why not human memories? |
01:11:29 |
What, reincarnation? |
01:11:32 |
Basic tenet of several religions. |
01:11:34 |
so are delusions of grandeur. |
01:11:40 |
Look, I'll confront Haddo |
01:11:42 |
No no no no. |
01:11:44 |
symonds told me that |
01:11:46 |
Crowley could always spot a weakness |
01:11:48 |
and learn how to exploit it. |
01:11:51 |
Are you saying I'm not perfect? |
01:11:54 |
No. |
01:11:57 |
Just promise me you won't go. |
01:12:06 |
( bell tolling ) |
01:12:14 |
( keyboard clacking ) |
01:12:31 |
she's thinking of me. |
01:12:35 |
Get up! |
01:12:37 |
Let's go home. |
01:12:39 |
What? |
01:12:41 |
she's thinking of me. |
01:12:44 |
What time is it? |
01:12:46 |
Time?! |
01:12:48 |
Time, you imbecile?! |
01:12:50 |
"The innocent and the beautiful |
01:12:52 |
have no enemy but time"! |
01:12:55 |
We have work to do. |
01:12:58 |
she awaits my call. |
01:13:04 |
What's this? Can't sleep? |
01:13:06 |
I've got a new front page. |
01:13:08 |
Your story's already front page. |
01:13:10 |
Everything's changed. |
01:13:12 |
Don't worry, I've laid it out. |
01:13:13 |
Let's have a look. |
01:13:19 |
- How are you all? |
01:13:21 |
( whispers ) |
01:13:25 |
"Pale or purple, |
01:13:29 |
thou who art all the pleasure |
01:13:32 |
of the innermost sense |
01:13:35 |
Now the spell to bring her to me. |
01:13:39 |
Hand me my stick. |
01:13:41 |
( thunder crashes ) |
01:13:43 |
Get my stick. |
01:13:54 |
You damn fool. |
01:14:01 |
My scarlet woman awaits. |
01:14:05 |
strike. |
01:14:10 |
( grunting ) |
01:14:12 |
Harder. |
01:14:20 |
Harder! |
01:14:33 |
Now read. |
01:14:39 |
"Put on the wings |
01:14:42 |
and arouse the coiled splendor |
01:14:45 |
within you: |
01:14:48 |
- Come! Come unto me!" |
01:14:51 |
Come unto me!" |
01:14:53 |
Come! |
01:14:56 |
Come! Come! |
01:15:02 |
Come! |
01:15:04 |
( fax machine rings ) |
01:15:09 |
It's for you. |
01:15:16 |
Oh, God! |
01:15:19 |
There's something wrong |
01:15:20 |
It's leaking ink |
01:15:49 |
( phone ringing ) |
01:15:58 |
Hey, where the hell are you going? |
01:15:59 |
You said you wanted |
01:16:03 |
Crowley? |
01:16:04 |
Crowley? It's Haddo. |
01:16:07 |
( computer beeping ) |
01:16:15 |
- ( phone rings ) |
01:16:18 |
Lia? she just left. |
01:16:21 |
No, she never said. |
01:16:28 |
( doorbell ringing ) |
01:16:34 |
( ringing continues ) |
01:16:37 |
Ah. Mathers. |
01:16:38 |
( ringing stops ) |
01:16:40 |
I thought you were going |
01:16:42 |
I can't find her anywhere. |
01:16:45 |
- ( whispers ) shit. |
01:16:48 |
Well... it's her hair. |
01:16:52 |
Mathers: Her hair? |
01:17:00 |
( door creaking ) |
01:17:05 |
- symonds: Do you see that Rafael? |
01:17:07 |
- And that Bellini? |
01:17:10 |
Ah. And that one there? |
01:17:12 |
All paintings of the Magdelene. |
01:17:14 |
Painted centuries apart. |
01:17:17 |
But do you notice |
01:17:21 |
Perhaps it's more obvious |
01:17:26 |
They all have red hair. |
01:17:28 |
The occult power |
01:17:31 |
was something Crowley |
01:17:36 |
Crowley: Behold the place |
01:17:53 |
Mate in one. |
01:18:01 |
I mean is Haddo playing a role, |
01:18:03 |
or is he actually Aleister Crowley? |
01:18:05 |
How could we tell? |
01:18:07 |
Being possessed |
01:18:10 |
he wouldn't appear any different |
01:18:13 |
( through voice box ) |
01:18:16 |
sorry, did we startle you? |
01:18:18 |
I'd like you to meet a friend. |
01:18:20 |
Alex, this is Dr. Mathers. |
01:18:23 |
Alex is in the same field as you-- |
01:18:25 |
theoretical physics. |
01:18:27 |
Pleased to meet you, Mathers. |
01:18:31 |
And you, sir. |
01:18:32 |
Remember I told you, |
01:18:36 |
He cursed me. |
01:18:39 |
We can't say that for sure, Alex. |
01:18:42 |
( thunder crashing ) |
01:18:56 |
( Crowley whispering ) |
01:19:28 |
( footsteps approaching ) |
01:19:38 |
Well, she was at the college |
01:19:42 |
Ieft a little while ago. |
01:19:45 |
Jack Parsons. |
01:19:48 |
Excuse me? |
01:19:49 |
Jack Parsons. |
01:19:52 |
Alex has a theory that |
01:19:56 |
As Crowley was dying, |
01:19:59 |
Jack Parsons and Ron Hubbard |
01:20:04 |
were performing Crowley's ritual |
01:20:09 |
to produce an elemental. |
01:20:12 |
A moonchild. |
01:20:16 |
At such a time |
01:20:17 |
when all conditions combine-- |
01:20:22 |
do you believe in destiny? |
01:20:28 |
Excuse me, |
01:20:30 |
Oh, I'm sorry. |
01:20:32 |
Yes, of course. |
01:20:37 |
( phone rings ) |
01:20:42 |
- Hello? |
01:20:46 |
This is Dr. Mathers. |
01:20:49 |
How? |
01:20:54 |
Okay. |
01:20:56 |
What is it? Lia? |
01:20:57 |
There's been an accident. |
01:20:59 |
Wait, I'll drive you. |
01:21:12 |
I'm sorry, sir, but you can't enter. |
01:21:14 |
- Are you Dr. Mathers? |
01:21:29 |
"l will open my mouth in parables. |
01:21:31 |
I will utter things |
01:21:34 |
from the foundation of the world." |
01:21:37 |
secrets. |
01:21:40 |
Now Romans, 16:25. |
01:21:46 |
Huh. |
01:21:47 |
"Now to him that is of the power, |
01:21:51 |
according to the revelations |
01:21:54 |
which has been kept secret |
01:22:00 |
The ceremony will begin at 9:00. |
01:22:03 |
Nine, the number of life and death. |
01:22:05 |
Very good, Victor. |
01:22:10 |
You will be the only witness |
01:22:12 |
to secrets hidden from history |
01:22:15 |
since the sphinx aligned with Leo |
01:22:19 |
10,000 years ago. |
01:22:25 |
Got my altar knife? |
01:22:33 |
Now we shall embark |
01:22:35 |
on the greatest |
01:22:41 |
Will you walk |
01:22:46 |
We'll walk, |
01:22:48 |
- but let us make haste. |
01:22:51 |
I feel a storm coming on. |
01:22:56 |
Police think it was a suicide. |
01:22:58 |
should I have told them? |
01:23:00 |
What, go to the police |
01:23:02 |
Am I being crazy? |
01:23:04 |
Take a look at that |
01:23:08 |
"Massage Parlor Atrocity. |
01:23:10 |
Police search for a Mr. Crowley |
01:23:14 |
Haddo. |
01:23:17 |
Yes, I do. |
01:23:42 |
( doorbell rings ) |
01:23:47 |
( glass shatters ) |
01:24:09 |
she has been here. |
01:24:14 |
she's in serious trouble, isn't she? |
01:24:16 |
I wonder where they might be. |
01:24:18 |
- Have you seen this? |
01:24:21 |
"Thou shalt conquer space, |
01:24:23 |
And lastly climb |
01:24:27 |
And take the golden path |
01:24:31 |
What is that? |
01:24:33 |
Crowley wrote it. |
01:24:35 |
- He's scared. |
01:24:39 |
Time. |
01:24:40 |
If he's not fixed in this time, |
01:24:43 |
he'll need to perform |
01:24:46 |
What is that, |
01:24:50 |
I mean, where does he do this? |
01:24:52 |
I'm not sure, |
01:24:55 |
but there's one person |
01:25:34 |
The curious cat |
01:25:36 |
comes willingly. |
01:25:40 |
( door slams ) |
01:25:45 |
- Ow! Fuck! |
01:25:48 |
( gasps ) |
01:25:51 |
Down down |
01:25:55 |
into a deep deep sleep. |
01:26:02 |
You'll hear nothing |
01:26:06 |
Do you understand? |
01:26:08 |
Yes. |
01:26:13 |
What did you see in the suit? |
01:26:17 |
We are forbidden to speak. |
01:26:19 |
Who forbids you to speak? |
01:26:21 |
- No. |
01:26:24 |
He can't hear you. |
01:26:27 |
Was it Aleister Crowley? |
01:26:30 |
( gibbers ) |
01:26:35 |
Look, Haddo knew |
01:26:38 |
He must know what's going on. |
01:26:42 |
What do you need |
01:26:45 |
The relics |
01:26:49 |
A knife, |
01:26:51 |
a cup to catch the holy blood |
01:26:54 |
and a reed. |
01:26:56 |
Ask him where it's performed. |
01:26:58 |
Professor Brent, |
01:27:00 |
where is this ceremony performed? |
01:27:03 |
Notre Dame. |
01:27:05 |
Paris? |
01:27:07 |
No no no no. Crowley told me |
01:27:10 |
with Abelard and Heloise. |
01:27:13 |
Okay, well, the knife, the cup to catch |
01:27:16 |
A substitute phallus |
01:27:18 |
to perform a non-carnal union-- |
01:27:20 |
a virgin birth. |
01:27:22 |
she's not going |
01:27:24 |
she just has to arrive willingly, |
01:27:27 |
and then-- |
01:27:29 |
Professor, |
01:27:30 |
He can't hear you. |
01:27:33 |
The next voice you hear |
01:27:37 |
You will answer his questions. |
01:27:40 |
Professor, |
01:27:42 |
where did you see Aleister Crowley? |
01:27:45 |
High throned between-- no! No. |
01:27:49 |
What was through the door? |
01:27:51 |
Was it the ho tekton? |
01:27:55 |
The blackness! |
01:27:57 |
- ( crying ) |
01:28:00 |
I can't have you |
01:28:03 |
Now bring him back. |
01:28:09 |
Brother Omnia Vincarn, |
01:28:12 |
you're watching me |
01:28:24 |
I've had the meal. |
01:28:25 |
Would you like the scraps? |
01:28:29 |
"By the pricking of my thumbs, |
01:28:41 |
"'Tis now the very |
01:28:46 |
When churchyards yawn, |
01:28:48 |
and hell itself breathes out |
01:28:52 |
Contagion to this world: |
01:28:55 |
now could I drink |
01:28:58 |
hot blood..." |
01:29:03 |
But before we start, Victor-- |
01:29:05 |
get that fucking watch off! |
01:29:09 |
And be a good chap |
01:29:13 |
and make sure |
01:29:16 |
Time, after all, |
01:29:19 |
is only... |
01:29:23 |
relative. |
01:29:26 |
What did you say to Brent? |
01:29:28 |
Hoticon, or something? |
01:29:30 |
No, ho tekton. |
01:29:31 |
It's the Greek rendition |
01:29:35 |
The Bible mistranslates it |
01:29:39 |
The actual translation |
01:29:42 |
is the Masonic term |
01:29:46 |
Professor Brent mentioned |
01:29:49 |
Does this relate to anything |
01:29:52 |
Mathers: No, we only saw part |
01:29:55 |
but there is one way |
01:29:59 |
Come on. |
01:30:01 |
These are the instructions you enter |
01:30:05 |
The last person who went in there |
01:30:12 |
This disc contains |
01:30:16 |
Are you sure about this? |
01:30:19 |
What other choice have I got? |
01:30:22 |
If you think I'm in trouble, |
01:30:24 |
enter this. |
01:30:27 |
"space flight simulator." |
01:30:29 |
How does that help? |
01:30:32 |
Acceleration changes |
01:30:34 |
Einstein. |
01:30:38 |
Wait. |
01:30:42 |
Take this. |
01:30:44 |
It belonged to Crowley. |
01:30:46 |
In demonology |
01:30:48 |
if you possess an object |
01:30:51 |
it gives you power over them. |
01:30:54 |
Good luck. |
01:30:56 |
Uncertainty may be your best chance. |
01:31:00 |
( watch jingles ) |
01:31:02 |
I feel like schrodinger's cat. |
01:31:07 |
Let's hope God doesn't throw dice. |
01:31:11 |
( speaking Latin ) |
01:31:53 |
( yells in Latin ) |
01:32:01 |
Who's that? |
01:32:03 |
she's computer-generated. |
01:32:05 |
I'm pleased to meet you, Dr. Mathers. |
01:32:08 |
How do you know my name? |
01:32:10 |
Professor Brent |
01:32:12 |
as he came through. |
01:32:14 |
How can I help you? |
01:32:16 |
I would like |
01:32:25 |
Where is the door? |
01:32:27 |
I'm afraid that was |
01:32:30 |
Mathers: |
01:32:37 |
( computer whirs, beeps ) |
01:32:41 |
"Now are our brows bound |
01:32:48 |
"Give me my crown; |
01:32:50 |
I have immortal longings in me." |
01:33:09 |
"The earth was |
01:33:13 |
and darkness was upon |
01:33:16 |
the face of the deep." |
01:33:36 |
( whirring ) |
01:33:40 |
It's working. |
01:33:43 |
Damn it. |
01:33:45 |
What was there before? |
01:33:47 |
I don't know. |
01:33:50 |
He was mouthing some religious ritual. |
01:34:01 |
Brent's blackness. |
01:34:13 |
( speaking Latin ) |
01:34:20 |
I summon thee |
01:34:23 |
from the dark abyss |
01:34:26 |
to enter this Holy Union! |
01:34:39 |
( screams ) |
01:34:50 |
Choronzon! |
01:35:04 |
- What's happening? |
01:35:08 |
- ( grunting ) |
01:35:11 |
( alarm blaring ) |
01:35:24 |
( grunts ) |
01:35:44 |
( gasping ) |
01:36:08 |
As above, so below! |
01:36:17 |
( screaming ) |
01:36:22 |
( watch ticking loudly ) |
01:36:29 |
( snaps, ticking quickly ) |
01:36:32 |
( screams ) |
01:36:36 |
( alarm blaring ) |
01:36:52 |
- ( alarm stops ) |
01:37:04 |
Mathers. |
01:37:11 |
( gasping ) |
01:37:15 |
Haddo? |
01:37:16 |
( stuttering ) |
01:37:21 |
Where is Mathers? |
01:37:24 |
Who's Mathers? |
01:37:26 |
What's going on down there? |
01:37:29 |
You damned idiot! |
01:37:32 |
I could have drowned in here. |
01:37:35 |
What are you talking about? |
01:37:38 |
It was much longer than that, |
01:37:42 |
You fat idiot, you panicked. |
01:37:45 |
A girl came in looking for Mathers. |
01:37:52 |
( bells tolling ) |
01:38:03 |
( knocking on glass ) |
01:38:15 |
Dr. Mathers. |
01:38:17 |
Lia Robinson from "Varsity," yes. |
01:38:22 |
Weird, I thought I dreamt you. |
01:38:23 |
You said 5:00, |
01:38:26 |
Mathers: |
01:38:29 |
Thank God you're all right. |
01:38:31 |
I'm sorry. |
01:38:33 |
Have we met? |
01:38:39 |
You don't know me, do you? |
01:38:42 |
No, I don't. |
01:38:45 |
should l? |
01:38:47 |
No. |
01:38:52 |
No. |
01:38:59 |
Um, the interview. |
01:39:02 |
Yes. |
01:39:03 |
so why did you develop |
01:39:06 |
symonds: suddenly, |
01:39:09 |
as if I was on a different planet |
01:39:13 |
Not one other person noticed |
01:39:19 |
You witnessed his death. |
01:39:22 |
And so his resurrection. |
01:39:24 |
Ah. Maybe I just dreamt |
01:39:28 |
No, scientific equations |
01:39:31 |
are reversible, |
01:39:34 |
even those with time. |
01:39:36 |
The uncertainty principle |
01:39:39 |
almost demands |
01:39:41 |
parallel universes exist. |
01:39:45 |
What could have happened is |
01:39:48 |
schrodinger's |
01:39:52 |
of the cat in the box. |
01:39:56 |
Only when the experimenter |
01:40:01 |
opens the lid-- |
01:40:04 |
or in your case |
01:40:06 |
takes off the helmet-- |
01:40:08 |
only then will he find out |
01:40:12 |
what universe he's in. |
01:40:15 |
so in some parallel universe, |
01:40:20 |
And in that other universe, |
01:40:24 |
the world will be |
01:40:26 |
a more evil place-- |
01:40:31 |
wars, earthquakes, |
01:40:35 |
atrocities. |
01:40:38 |
Thank God he's not in ours. |
01:40:40 |
It's time. |
01:40:47 |
There's a couple of details |
01:40:50 |
I don't understand. |
01:40:52 |
How did Mathers |
01:40:55 |
when the door was locked? |
01:40:58 |
And who killed Rose? |
01:41:01 |
- Brent: What happened there? |
01:41:06 |
sometimes it's hard to keep |
01:41:09 |
- Brent: Russia? |
01:41:12 |
- Yeah. |
01:41:14 |
- could be carrying a virus? |
01:41:18 |
Well, there's a problem |
01:41:22 |
- Yeah, so? |
01:41:25 |
The Z93 is set |
01:41:28 |
and it's not allowing me to correct it. |
01:41:31 |
Is there a code to access |
01:41:34 |
Try 1 2-1-47. |
01:41:36 |
My birthday. |
01:41:38 |
( beeps ) |
01:41:40 |
Oh, it's Aleister Crowley's death. |
01:41:52 |
"Moonchild"? |
01:42:04 |
- Hi. |
01:42:09 |
( stuttering ) |
01:42:13 |
of critical discourse... |
01:42:16 |
"The time is out of joint: |
01:42:19 |
O cursed spite, |
01:42:21 |
That I was ever born |
01:42:27 |
You set it right |
01:42:29 |
because you had the watch. |
01:42:32 |
That's another thing. |
01:42:35 |
Where is the watch? |
01:42:42 |
"O, that this too |
01:42:47 |
would melt, |
01:42:50 |
- Thaw..." |
01:42:52 |
"...and resolve itself |
01:42:55 |
into a dew!" |
01:43:06 |
** Here in a church ** |
01:43:10 |
** A schoolboy is kneeling ** |
01:43:13 |
** He prays to a God ** |
01:43:16 |
** He does not know, |
01:43:20 |
** All of his sins of childhood ** |
01:43:24 |
** He will remember ** |
01:43:27 |
** He will not cry ** |
01:43:30 |
** Tears he will not cry ** |
01:43:35 |
** Man of sorrows ** |
01:43:38 |
** I won't see your face ** |
01:43:42 |
** Man of sorrows ** |
01:43:44 |
** You left without a trace ** |
01:43:48 |
** A small boy wonders ** |
01:43:51 |
** What was it all about? ** |
01:43:55 |
** Is your journey over? ** |
01:43:58 |
** Has it just begun? ** |
01:44:16 |
** The vision of the new world ** |
01:44:19 |
** From the ashes of the old ** |
01:44:23 |
** "Do what thou wilt" ** |
01:44:25 |
** He screams |
01:44:30 |
** A tortured seer ** |
01:44:32 |
** A prophet of our emptiness ** |
01:44:36 |
** Wondering why ** |
01:44:40 |
** Wondering why ** |
01:44:45 |
** Man of sorrows ** |
01:44:47 |
** I won't see your face ** |
01:44:52 |
** Man of sorrows ** |
01:44:54 |
** You left without a trace ** |
01:44:58 |
** A small boy wonders ** |
01:45:01 |
** What was it all about? ** |
01:45:04 |
** Is your journey over? ** |
01:45:07 |
** Has it just begun? ** |
01:45:40 |
** Man of sorrows ** |
01:45:42 |
** I won't see your face ** |
01:45:46 |
** Man of sorrows ** |
01:45:48 |
** You left without a trace ** |
01:45:53 |
** A small boy wonders ** |
01:45:55 |
** What was it all about? ** |
01:45:59 |
** Is your journey over? ** |
01:46:02 |
** Has it just begun? ** |
01:46:16 |
** Has it just begun? ** |