|
Cherry Crush
|
| 00:00:17 |
(young man) |
| 00:00:18 |
had their own motives |
| 00:00:21 |
And I didn't put them |
| 00:00:26 |
Put your shoulders back. |
| 00:00:28 |
I n fact, a lot |
| 00:00:30 |
after they saw |
| 00:00:33 |
That's great |
| 00:00:36 |
(man) |
| 00:00:38 |
that they came to you |
| 00:00:42 |
and then post |
| 00:00:44 |
It's not a porn thing |
| 00:00:52 |
Did you have sex |
| 00:00:54 |
There were rules. |
| 00:00:57 |
Rules? |
| 00:01:01 |
I would never shoot |
| 00:01:03 |
I would never post |
| 00:01:06 |
These were simple rules |
| 00:01:09 |
so I wouldn't end up |
| 00:01:15 |
The most important |
| 00:01:18 |
We found ten girls |
| 00:01:25 |
Honey Delight. |
| 00:01:29 |
Sherry-licious. |
| 00:01:31 |
Where'd you get |
| 00:01:33 |
Lipsticks. |
| 00:01:36 |
Your favorite shade? |
| 00:01:40 |
So, since we can't |
| 00:01:42 |
why don't you just |
| 00:01:44 |
Their names were |
| 00:01:46 |
How many of them |
| 00:01:48 |
None of them |
| 00:01:50 |
They're all |
| 00:01:51 |
Can you prove that? |
| 00:01:53 |
Stop, stop. |
| 00:01:55 |
Are you gonna |
| 00:01:57 |
I'm trying |
| 00:01:59 |
What is there to work out? |
| 00:02:02 |
No one's come forward |
| 00:02:05 |
So, the only thing |
| 00:02:07 |
by letting this out |
| 00:02:10 |
And not to mention |
| 00:02:14 |
I'm sure the press'll |
| 00:02:18 |
Dean M ullen, it's your call. |
| 00:02:22 |
I don't think that'll |
| 00:02:27 |
Jordan. I think I speak |
| 00:02:32 |
when I say that you have |
| 00:02:37 |
Your father has |
| 00:02:40 |
to this school |
| 00:02:41 |
not to mention |
| 00:02:44 |
And even so, after speaking |
| 00:02:49 |
the only solution |
| 00:03:02 |
(Jordan) |
| 00:03:05 |
that the pictures |
| 00:03:08 |
Or that they |
| 00:03:13 |
Three miles from Xavier, |
| 00:03:17 |
My name is Jordan Wells. |
| 00:03:20 |
A marketer's report |
| 00:03:23 |
Rich, privileged. |
| 00:03:25 |
Future doctor. |
| 00:03:28 |
Future somebody. |
| 00:03:30 |
It would be accurate |
| 00:03:34 |
It probably wouldn't |
| 00:03:38 |
lacks confidence. |
| 00:03:42 |
Kids like me, |
| 00:03:45 |
They're scripted |
| 00:03:49 |
At Edgerton, |
| 00:03:51 |
I thought I could |
| 00:03:53 |
[School bell rings] |
| 00:03:58 |
The record will show that |
| 00:04:03 |
I enrolled in some |
| 00:04:07 |
Joined the photo club. |
| 00:04:11 |
Figured I'd just fly |
| 00:04:15 |
Write my own story. |
| 00:04:18 |
(M r. Wells) |
| 00:04:20 |
(Jordan) |
| 00:04:24 |
M hmm. |
| 00:04:25 |
[Whispers] |
| 00:04:28 |
Yeah, alright. |
| 00:04:29 |
because I wanna close |
| 00:04:31 |
Alright. |
| 00:04:36 |
What do you think? |
| 00:04:37 |
It's an art school |
| 00:04:39 |
M hmm. |
| 00:04:40 |
Whose funding is |
| 00:04:43 |
I'm considering chairing |
| 00:04:45 |
I was thinking you |
| 00:04:48 |
I don't really know |
| 00:04:51 |
So what? |
| 00:04:53 |
Jordan. |
| 00:04:55 |
Getting decent grades |
| 00:04:58 |
might move your resume |
| 00:05:00 |
if you're looking |
| 00:05:03 |
but if you aspire |
| 00:05:07 |
then you gotta distinguish |
| 00:05:09 |
Fine. |
| 00:05:12 |
Fine. |
| 00:05:14 |
Your friend Desiree chaired |
| 00:05:17 |
Why don't you |
| 00:05:27 |
I'll think |
| 00:05:29 |
I wanna make sure |
| 00:05:31 |
How could it not be? |
| 00:05:34 |
for city kids. |
| 00:05:36 |
It's not the kids! |
| 00:05:39 |
I wanna make sure |
| 00:05:41 |
I'm a busy girl. |
| 00:05:42 |
Are you still |
| 00:05:44 |
Yeah. I'm officially a |
| 00:05:49 |
Which is what? |
| 00:05:51 |
for someone who |
| 00:05:54 |
Ha! |
| 00:05:56 |
Yeah. And I |
| 00:05:58 |
There's a lot of aspects |
| 00:06:01 |
Which brings us |
| 00:06:04 |
How did Ben |
| 00:06:06 |
This? |
| 00:06:07 |
Yeah, this. |
| 00:06:10 |
I bet your sabotage effort |
| 00:06:13 |
And don't bother |
| 00:06:16 |
I know you. |
| 00:06:20 |
Then, I bet you know |
| 00:06:23 |
Jordan, they just want |
| 00:06:28 |
I guess not. |
| 00:07:13 |
You get that |
| 00:07:25 |
[Crowd cheers] |
| 00:07:27 |
[Cheerleaders singing] |
| 00:07:31 |
[Loud cheering of crowd] |
| 00:07:36 |
(Jordan) |
| 00:07:39 |
you would've |
| 00:07:42 |
We all have ways |
| 00:07:46 |
She flashed hers |
| 00:07:50 |
Daring you to drive by |
| 00:08:00 |
Of course I wanted |
| 00:08:10 |
She had everything |
| 00:08:16 |
Loneliness. |
| 00:08:21 |
Mystery. |
| 00:08:31 |
You guys |
| 00:08:33 |
Okay? Yearbook's |
| 00:08:38 |
A lot of kids hide |
| 00:08:42 |
They become masters |
| 00:08:46 |
Behind perfect G PAs. |
| 00:08:50 |
Behind fixed smiles. |
| 00:08:54 |
Designer clothes. |
| 00:08:56 |
The kids they |
| 00:09:02 |
Some have been hiding |
| 00:09:14 |
That's what I've tried |
| 00:09:19 |
Who they really are. |
| 00:09:28 |
[Indistinct conversation] |
| 00:09:37 |
Any recommendation |
| 00:09:44 |
By a woman, |
| 00:09:47 |
but required |
| 00:09:49 |
The A wakening. |
| 00:09:51 |
Doesn't this end with |
| 00:09:54 |
It's like the ultimate |
| 00:09:56 |
It's kind of a contrast, |
| 00:10:00 |
Edna awakened to the fact |
| 00:10:04 |
And her mentor, |
| 00:10:07 |
that the artist must posses |
| 00:10:10 |
She felt like the only way |
| 00:10:14 |
was to refuse |
| 00:10:16 |
That's a very |
| 00:10:19 |
But wouldn't you say |
| 00:10:21 |
You'd do it |
| 00:10:23 |
Sure. I'd fake |
| 00:10:25 |
Set up a shop in some |
| 00:10:27 |
You'd run away. |
| 00:10:28 |
I would live to fight |
| 00:10:30 |
And paint many, |
| 00:10:32 |
(Trish) |
| 00:10:34 |
No, I think |
| 00:10:36 |
Whatever. |
| 00:10:39 |
What's your name? |
| 00:10:40 |
Jordan Wells. |
| 00:10:45 |
Shay Bettencourt. |
| 00:10:46 |
What are you doing |
| 00:10:49 |
Do you have |
| 00:11:07 |
It's right here. |
| 00:11:14 |
Thanks. |
| 00:11:16 |
Thanks? |
| 00:11:18 |
That's all I get? |
| 00:11:21 |
I'm sorry. |
| 00:11:23 |
Can you get someone |
| 00:11:25 |
My boss doesn't like it |
| 00:11:28 |
Where's that? |
| 00:11:29 |
Oak Valley. |
| 00:11:30 |
The country club? |
| 00:11:33 |
I've done your brunches. |
| 00:11:36 |
You don't like |
| 00:11:38 |
I don't like |
| 00:11:40 |
Guess you haven't |
| 00:11:43 |
There's a new |
| 00:11:46 |
It's not the smoke |
| 00:11:48 |
Thanks for the ride. |
| 00:11:52 |
(Desiree) |
| 00:11:55 |
This is some |
| 00:11:57 |
you guys are gonna |
| 00:12:00 |
You're welcome. |
| 00:12:02 |
Thank you, dear. |
| 00:12:06 |
Okay. Well, |
| 00:12:19 |
(Jordan) |
| 00:12:21 |
She fit perfectly |
| 00:12:24 |
Did everything |
| 00:12:27 |
Comfortable |
| 00:12:29 |
Effortless. |
| 00:12:33 |
Seems everything I did |
| 00:12:38 |
Took me twice as |
| 00:12:45 |
We dated a few times |
| 00:12:50 |
A good relationship |
| 00:12:59 |
[Ding-dong] |
| 00:13:02 |
(woman) |
| 00:13:04 |
H i. Is Shay home? |
| 00:13:05 |
I'm sorry? |
| 00:13:07 |
Shay? We go |
| 00:13:09 |
I think you have |
| 00:13:12 |
Is this |
| 00:13:15 |
No. |
| 00:13:59 |
I dropped |
| 00:14:01 |
I noticed. |
| 00:14:05 |
Aren't you |
| 00:14:07 |
What? |
| 00:14:09 |
Nice fake. |
| 00:14:12 |
No, not really. |
| 00:14:15 |
Why is that? |
| 00:14:16 |
Because it's not |
| 00:14:18 |
I'm sorry. |
| 00:14:20 |
You think I'm so shallow |
| 00:14:23 |
We can talk about |
| 00:14:29 |
Wouldn't you prefer |
| 00:14:39 |
I asked around. |
| 00:14:42 |
I heard all about you |
| 00:14:45 |
You wanna add me |
| 00:14:47 |
Oh, come on. |
| 00:14:50 |
Those other ones |
| 00:14:53 |
homework assignments. |
| 00:14:55 |
And I'm like |
| 00:14:57 |
Yeah. And that's |
| 00:14:59 |
'cause I always |
| 00:15:01 |
So what exactly |
| 00:15:03 |
Some unbelievable |
| 00:15:07 |
Yeah, but those |
| 00:15:10 |
I guess I'm just |
| 00:15:13 |
Maybe not. |
| 00:15:28 |
(Jordan) |
| 00:15:31 |
at Rutherford |
| 00:15:34 |
Her mom's idea. |
| 00:15:36 |
Thought it would add |
| 00:15:39 |
to an otherwise |
| 00:15:43 |
She told me her mom |
| 00:15:47 |
Now she lived |
| 00:15:50 |
who wasn't around |
| 00:15:53 |
How's this? |
| 00:15:56 |
I'll let you shoot a |
| 00:15:58 |
if you take some |
| 00:16:00 |
I'm sorry. |
| 00:16:02 |
I'm kind of slow |
| 00:16:05 |
Can you translate |
| 00:16:07 |
I'm in a bit |
| 00:16:09 |
A situation? |
| 00:16:10 |
Relationship. |
| 00:16:12 |
Somebody at school? |
| 00:16:14 |
It's complicated. |
| 00:16:15 |
How so? |
| 00:16:16 |
He is... older. |
| 00:16:19 |
Married. |
| 00:16:20 |
No, not married. |
| 00:16:22 |
But let's just say in his |
| 00:16:25 |
And what position |
| 00:16:27 |
That would be in fact |
| 00:16:30 |
Okay. |
| 00:16:34 |
I'm not exactly sure |
| 00:16:37 |
but it seems |
| 00:16:39 |
How does my camera |
| 00:16:42 |
I'd like you |
| 00:16:43 |
Capture a few moments, |
| 00:16:46 |
J ust in case |
| 00:16:48 |
My advice, |
| 00:16:49 |
He made me a promise |
| 00:16:52 |
So I take pictures |
| 00:16:54 |
and you let me take |
| 00:16:56 |
Exactly. |
| 00:16:59 |
I don't know |
| 00:17:02 |
I've got my |
| 00:17:04 |
Okay. |
| 00:17:16 |
(Jordan) |
| 00:17:21 |
Pictures for pictures. |
| 00:17:28 |
But the more I shot |
| 00:17:31 |
the more intrigued |
| 00:17:38 |
And it made me realize |
| 00:17:51 |
Every picture I took |
| 00:18:00 |
And every time |
| 00:18:04 |
it seemed like |
| 00:18:10 |
For the first time |
| 00:18:12 |
I felt excited |
| 00:18:14 |
(Shay) |
| 00:18:17 |
His a member |
| 00:18:19 |
and a parter |
| 00:18:24 |
We had a recital last |
| 00:18:26 |
for supporting patrons |
| 00:18:29 |
And, um, |
| 00:18:31 |
and said he |
| 00:18:34 |
And he liked |
| 00:18:36 |
And he promised |
| 00:18:41 |
A performance scholarship |
| 00:18:44 |
Full ride. |
| 00:18:49 |
Do you know |
| 00:18:51 |
That's one of the best |
| 00:18:54 |
It means |
| 00:18:56 |
Not being trapped. |
| 00:19:00 |
The fast lane into |
| 00:19:05 |
And he's just going |
| 00:19:09 |
He has some friends |
| 00:19:11 |
H uh. |
| 00:19:13 |
So, this beautiful |
| 00:19:17 |
who, uh, basically |
| 00:19:21 |
he takes this |
| 00:19:23 |
It wasn't like that. |
| 00:19:25 |
It just slowly |
| 00:19:27 |
And how many |
| 00:19:31 |
Any overweight |
| 00:19:33 |
with club feet |
| 00:19:36 |
You don't do jealous well. |
| 00:19:39 |
It feels |
| 00:19:40 |
I'm glad you think |
| 00:19:43 |
Sorry. You're the one |
| 00:19:46 |
Clearly you're |
| 00:19:48 |
Can I see |
| 00:19:55 |
Thanks. |
| 00:20:03 |
Good. |
| 00:20:05 |
Okay. So, your place |
| 00:20:07 |
Better make it yours. |
| 00:20:11 |
(Jordan) |
| 00:20:13 |
a good photographer |
| 00:20:16 |
But a good subject |
| 00:20:21 |
She had me. |
| 00:20:23 |
There was no doubt |
| 00:20:27 |
She wasn't like |
| 00:20:31 |
But that's what |
| 00:20:41 |
Sit down. |
| 00:21:22 |
Play. |
| 00:21:45 |
Look at me. |
| 00:21:54 |
(Jordan) |
| 00:21:59 |
I became |
| 00:22:07 |
Her haunted eyes |
| 00:22:10 |
challenged me. |
| 00:22:17 |
It's a strange |
| 00:22:19 |
when an artist |
| 00:22:24 |
A synergy |
| 00:22:30 |
Each senses that |
| 00:22:32 |
in something that's |
| 00:22:46 |
But it's unspoken. |
| 00:22:52 |
Say that out loud |
| 00:23:15 |
Hey! |
| 00:23:16 |
You wanna shoot |
| 00:23:18 |
Absolutely. |
| 00:23:19 |
Meet me at my place |
| 00:23:29 |
[Indistinct conversation] |
| 00:23:39 |
(Jordan to Shay) |
| 00:23:51 |
How about this |
| 00:23:55 |
Yeah, that's it. |
| 00:24:04 |
Wanna change roles? |
| 00:24:05 |
No, I've got |
| 00:24:09 |
Cute. |
| 00:24:10 |
What's it |
| 00:24:22 |
You're out of film. |
| 00:24:24 |
[Whispers] |
| 00:24:34 |
(woman) |
| 00:24:37 |
T? |
| 00:24:39 |
Why aren't you |
| 00:24:41 |
T, this is Jordan, |
| 00:24:44 |
You should answer your cell. |
| 00:24:47 |
I haven't got any calls |
| 00:24:51 |
What the fuck |
| 00:24:54 |
You should go now. |
| 00:24:56 |
Are going |
| 00:24:57 |
(Tarra) |
| 00:24:59 |
Where is what, |
| 00:25:01 |
You fucking |
| 00:25:05 |
Tarra, you have |
| 00:25:07 |
(Jordan) |
| 00:25:10 |
But that the secret |
| 00:25:15 |
The M useum of Kids Art, |
| 00:25:18 |
helps artistically |
| 00:25:22 |
But MoKA's |
| 00:25:26 |
will remain, |
| 00:25:29 |
Without commitment, |
| 00:25:31 |
without a few |
| 00:25:34 |
[Laughter] |
| 00:25:36 |
We started this foundation |
| 00:25:39 |
that they do not stand |
| 00:25:42 |
That there are a number |
| 00:25:51 |
(Ben) |
| 00:25:55 |
I can retire. |
| 00:25:59 |
Jordan! |
| 00:26:01 |
Someone I want you |
| 00:26:04 |
M r. Chandler is a |
| 00:26:08 |
Hopefully you'll never |
| 00:26:10 |
You're cleaning up |
| 00:26:14 |
Yeah, if I can get |
| 00:26:16 |
After what happened |
| 00:26:19 |
every state-funded |
| 00:26:21 |
It's a dead end. |
| 00:26:24 |
I liked your speech. |
| 00:26:26 |
Thank you. |
| 00:26:28 |
Listen, if you ever need |
| 00:26:31 |
I will. |
| 00:26:37 |
Jesus, Jordan. |
| 00:26:39 |
I'm abducting you. |
| 00:26:42 |
No, Jordan. |
| 00:26:44 |
What if he |
| 00:26:46 |
Let him. |
| 00:26:48 |
What did you guys |
| 00:26:50 |
Some pictures |
| 00:26:52 |
Very funny. |
| 00:26:54 |
I gotta go. |
| 00:26:56 |
Kiss me. |
| 00:26:57 |
I gotta go. |
| 00:26:59 |
Shay. |
| 00:27:21 |
# Tell me |
| 00:27:24 |
# Do you speak |
| 00:27:27 |
# The way I do # |
| 00:27:28 |
# Do you dance |
| 00:27:30 |
# The hands on you # |
| 00:27:35 |
(Jordan) |
| 00:27:39 |
Perfect. |
| 00:27:42 |
# I make a mistake # |
| 00:27:44 |
# Forgive me now |
| 00:27:48 |
# Do you see |
| 00:27:51 |
# Dance with me |
| 00:27:56 |
# I become a prison |
| 00:28:00 |
# With you I can |
| 00:28:03 |
# If you dance with me # |
| 00:28:06 |
(Jordan) |
| 00:28:07 |
[Laughs] |
| 00:28:11 |
Cotton Candy? |
| 00:28:13 |
No. |
| 00:28:18 |
Crimson Red. |
| 00:28:19 |
No! |
| 00:28:23 |
You're not |
| 00:28:26 |
Not until you tell me |
| 00:28:29 |
Okay. |
| 00:28:31 |
I don't know. |
| 00:28:34 |
Something no one else |
| 00:28:38 |
You scare me. |
| 00:28:40 |
I already knew that. |
| 00:28:43 |
You scare me |
| 00:28:47 |
You're such |
| 00:28:49 |
Oh, yeah? |
| 00:29:39 |
(Jordan) |
| 00:29:42 |
It fit so perfectly |
| 00:29:52 |
One thing I did know. |
| 00:29:56 |
There was something |
| 00:29:59 |
I love you. |
| 00:30:00 |
Have a good time. |
| 00:30:02 |
She felt like |
| 00:30:06 |
More than I wanted. |
| 00:30:16 |
That maybe I was |
| 00:30:35 |
That uniform would look |
| 00:30:41 |
Jordan Wells. |
| 00:30:43 |
M r. Chandling. |
| 00:30:45 |
Call me Wade. |
| 00:30:50 |
A Coke. |
| 00:30:51 |
Ooh, boy. |
| 00:30:58 |
That speech you made |
| 00:31:01 |
Thanks. |
| 00:31:04 |
Thanks, Gary. |
| 00:31:05 |
Funny thing is, |
| 00:31:08 |
watching you |
| 00:31:12 |
really reminded me |
| 00:31:17 |
How is that? |
| 00:31:20 |
H igh-powered father. |
| 00:31:22 |
Gives you a lot, |
| 00:31:26 |
Am I close? |
| 00:31:34 |
Gotta give your father |
| 00:31:39 |
He must have |
| 00:31:44 |
After that |
| 00:31:51 |
Can't keep a secret |
| 00:31:55 |
[Chuckles] |
| 00:31:59 |
Yeah. |
| 00:32:00 |
Got your eye |
| 00:32:02 |
That's the plan. |
| 00:32:04 |
Look, |
| 00:32:06 |
very few kids |
| 00:32:12 |
I mean, growing up |
| 00:32:16 |
an astronaut, |
| 00:32:19 |
Not a lawyer. |
| 00:32:22 |
Do you think I |
| 00:32:25 |
Fuck, no! |
| 00:32:27 |
You know what |
| 00:32:31 |
Lawyers are translators. |
| 00:32:34 |
Translating the language |
| 00:32:36 |
What is the language |
| 00:32:42 |
Money. |
| 00:32:44 |
Money. Fuck, yeah. |
| 00:32:47 |
The question is, |
| 00:32:50 |
are you gonna speak |
| 00:32:52 |
or are you going |
| 00:32:55 |
Freud had it right. |
| 00:32:59 |
Two most important |
| 00:33:02 |
Your work, |
| 00:33:07 |
Don't need to make it |
| 00:33:09 |
J ust don't let anyone |
| 00:33:15 |
or your pussy. |
| 00:33:28 |
Drink your Coke. |
| 00:33:39 |
I was so nervous |
| 00:33:42 |
He's fearless. |
| 00:33:43 |
I mean, he's the kind |
| 00:33:46 |
to let the world |
| 00:33:51 |
You know how they |
| 00:33:54 |
No, I do not know how |
| 00:33:59 |
Would you like |
| 00:34:04 |
With a basket. |
| 00:34:07 |
They cut a little |
| 00:34:09 |
that's just big enough |
| 00:34:12 |
Then they put |
| 00:34:13 |
So, when the monkey |
| 00:34:17 |
his closed fist is |
| 00:34:20 |
So, instead of just |
| 00:34:24 |
he just waits until |
| 00:34:31 |
Is that true? |
| 00:34:33 |
Sucks for the monkey. |
| 00:34:38 |
It's kinda like |
| 00:34:41 |
Once they get a taste |
| 00:34:44 |
Even though logic |
| 00:34:48 |
they can't. |
| 00:34:50 |
They just |
| 00:34:54 |
(Jordan) |
| 00:34:56 |
That much I was |
| 00:35:00 |
There was something |
| 00:35:07 |
A feeling which |
| 00:35:10 |
[Telephone rings] |
| 00:35:12 |
And that at any moment |
| 00:35:17 |
[Phone rings] |
| 00:35:20 |
Hey. |
| 00:35:22 |
(Shay) |
| 00:35:24 |
What's wrong? |
| 00:35:26 |
I need to see you. |
| 00:35:29 |
I called Hartley. |
| 00:35:30 |
They said the letters |
| 00:35:34 |
Did you call him? |
| 00:35:37 |
I'm gonna show him |
| 00:35:41 |
What? |
| 00:35:43 |
Shay! |
| 00:35:45 |
You gotta think |
| 00:35:47 |
No. Fuck him! |
| 00:35:51 |
Fuck him! Treating me |
| 00:35:54 |
like he can just |
| 00:35:57 |
Fuck that! |
| 00:36:01 |
I'm gonna show his |
| 00:36:03 |
I'm gonna show somebody |
| 00:36:08 |
Shay, I don't think |
| 00:36:12 |
It's too late. |
| 00:36:14 |
We're meeting |
| 00:36:18 |
I can't let you |
| 00:36:21 |
It's not up |
| 00:36:23 |
I'm involved in this. |
| 00:36:25 |
You made me |
| 00:36:27 |
Oh, I did? |
| 00:36:30 |
You're excused. |
| 00:36:34 |
One way or another |
| 00:36:37 |
Without a scholarship? |
| 00:36:41 |
You think he's just |
| 00:36:43 |
J ust wave |
| 00:36:45 |
No, they want me. |
| 00:36:47 |
I just need the money. |
| 00:36:50 |
Trust me. |
| 00:36:53 |
Did you know that |
| 00:36:58 |
Have you seen these? |
| 00:37:02 |
Yes. |
| 00:37:05 |
There was a metal box |
| 00:37:08 |
It's not really a safe, |
| 00:37:11 |
that you put |
| 00:37:13 |
I was at his place once |
| 00:37:17 |
A lot of cash. |
| 00:37:19 |
[Exhales] |
| 00:37:21 |
What? |
| 00:37:22 |
Say it! |
| 00:37:25 |
Tell me how naive I am. |
| 00:37:30 |
for thinking that he |
| 00:37:32 |
I think you should |
| 00:37:36 |
That's easy for |
| 00:37:38 |
'cause you can hop back |
| 00:37:42 |
It doesn't work |
| 00:37:44 |
The world doesn't work |
| 00:37:48 |
I needed this! |
| 00:38:09 |
[Cell phone rings] |
| 00:38:16 |
Are you okay? |
| 00:38:17 |
(Shay) |
| 00:38:19 |
We should come up |
| 00:38:22 |
For? |
| 00:38:24 |
I n case you have the |
| 00:38:27 |
I'll deal with it. |
| 00:38:30 |
J ust open up the door |
| 00:38:33 |
Okay. And then what? |
| 00:38:35 |
And then I'll come |
| 00:38:41 |
Jordan? |
| 00:38:42 |
Yeah. |
| 00:38:44 |
I'm gad you're here. |
| 00:39:36 |
Right now. |
| 00:39:49 |
Shay! |
| 00:40:05 |
What the hell happened? |
| 00:40:08 |
We were supposed |
| 00:40:11 |
You totally |
| 00:40:19 |
Jesus, what... |
| 00:40:21 |
What happened |
| 00:40:24 |
I'm okay. |
| 00:40:26 |
Okay? |
| 00:40:27 |
I'm okay, please. |
| 00:40:30 |
Jordan, look at you. |
| 00:40:39 |
I've been waiting |
| 00:40:40 |
and you're not gonna |
| 00:40:45 |
[Whispers] |
| 00:40:51 |
Whatever. |
| 00:40:58 |
[Starts engine] |
| 00:41:05 |
J ust take it easy. |
| 00:41:06 |
You're fucking in |
| 00:41:08 |
What? |
| 00:41:13 |
You trying to take |
| 00:41:15 |
You wanna take |
| 00:43:07 |
I don't think you and I |
| 00:43:12 |
Okay? |
| 00:43:13 |
Yeah. |
| 00:43:20 |
Where are |
| 00:43:22 |
I've got them. |
| 00:43:23 |
Let me see. |
| 00:43:35 |
One of these keys |
| 00:43:40 |
I know Wade's |
| 00:43:43 |
He left me the key |
| 00:43:45 |
Look, I think |
| 00:43:49 |
should be focused |
| 00:43:51 |
is how to keep us |
| 00:43:55 |
for the rest |
| 00:44:22 |
[Aircraft engines roaring] |
| 00:44:47 |
[Indistinct conversation] |
| 00:44:52 |
(Jordan) |
| 00:44:55 |
frame by frame. |
| 00:44:58 |
And come up with |
| 00:45:04 |
But life doesn't |
| 00:45:13 |
Should we have |
| 00:45:16 |
Call the cops, |
| 00:45:17 |
pleaded self-defense? |
| 00:45:21 |
Or should we have |
| 00:45:25 |
Driven his body |
| 00:45:27 |
Dropped into a river or |
| 00:45:33 |
A thousand things |
| 00:45:37 |
But all we're left with |
| 00:45:40 |
(reporter) |
| 00:45:43 |
when no one heard |
| 00:45:45 |
Police searched for signs |
| 00:45:49 |
but found |
| 00:45:51 |
Early this morning his body |
| 00:45:56 |
Sarah Cowen |
| 00:45:58 |
They found Wade |
| 00:46:00 |
Attorney Wade Chandling |
| 00:46:04 |
Really? |
| 00:46:06 |
He'd been missing |
| 00:46:08 |
A hiker found him |
| 00:46:11 |
I'm Sarah Cowen. |
| 00:46:16 |
(woman teacher) |
| 00:46:31 |
Help you? |
| 00:46:36 |
Shay's not here. |
| 00:46:37 |
She didn't show up |
| 00:46:42 |
Elena, please, |
| 00:46:44 |
Is she sick? |
| 00:46:45 |
The office said |
| 00:46:51 |
Thanks. |
| 00:47:06 |
Is Shay home? |
| 00:47:07 |
No, she's not home. |
| 00:47:09 |
D'you know |
| 00:47:11 |
No, I thought |
| 00:47:16 |
Gordie, right? |
| 00:47:18 |
Gordon? |
| 00:47:20 |
Jordan. |
| 00:47:22 |
What do you want |
| 00:47:25 |
Nothing. |
| 00:47:26 |
We were just... |
| 00:47:32 |
[Calling by cell phone] |
| 00:47:34 |
Hey, this is Shay. |
| 00:47:36 |
Leave me a message |
| 00:47:40 |
Shay, it's Jordan. |
| 00:47:42 |
I'm just trying |
| 00:47:44 |
I'm on my cell. |
| 00:47:53 |
(Desiree) |
| 00:47:54 |
donations that we got |
| 00:47:58 |
and drawings from |
| 00:48:01 |
And they're all estimated |
| 00:48:06 |
We got very lucky I |
| 00:48:15 |
Jordan. |
| 00:48:17 |
Put the phone away. |
| 00:48:20 |
What's up? |
| 00:48:22 |
What do you mean? |
| 00:48:23 |
You didn't say |
| 00:48:25 |
There was not much |
| 00:48:28 |
Who's co-charing this |
| 00:48:31 |
Besides, last I heard |
| 00:48:37 |
I swear, Jordan, sometimes |
| 00:48:44 |
You do your homework |
| 00:48:47 |
If you sit there |
| 00:48:49 |
I'm gonna break it off |
| 00:48:53 |
Put the phone away. |
| 00:49:16 |
Remember me? |
| 00:49:19 |
We met when you had |
| 00:49:22 |
Yeah. |
| 00:49:24 |
D'you take these? |
| 00:49:26 |
Yes. |
| 00:49:27 |
Not bad. |
| 00:49:29 |
You're a regular |
| 00:49:32 |
No, not really. |
| 00:49:34 |
He was more |
| 00:49:38 |
You know, you're just |
| 00:49:40 |
I'm thinking |
| 00:49:43 |
Any suggestions? |
| 00:49:47 |
makes my head spin. |
| 00:49:52 |
How much you |
| 00:49:54 |
Not a lot. |
| 00:49:57 |
Well, I'll give it |
| 00:50:00 |
I understand you're |
| 00:50:03 |
Yeah, that's right. |
| 00:50:06 |
Any idea |
| 00:50:07 |
She's been out |
| 00:50:09 |
You know, I think |
| 00:50:11 |
I don't think so. |
| 00:50:12 |
I checked her place. |
| 00:50:15 |
You and Shay |
| 00:50:18 |
We hang out, yeah. |
| 00:50:20 |
Does she like having |
| 00:50:26 |
What's this about? |
| 00:50:27 |
How much did |
| 00:50:31 |
What do you mean? |
| 00:50:33 |
You know about |
| 00:50:36 |
Yeah. |
| 00:50:38 |
Who told you that? |
| 00:50:40 |
Shay mentioned it. |
| 00:50:42 |
Well. No! |
| 00:50:44 |
Her mom's alive |
| 00:50:46 |
and living in the Attica |
| 00:50:53 |
How is that? |
| 00:50:56 |
She carved up Shay's step |
| 00:51:03 |
I think we're talking |
| 00:51:06 |
Don't think so. |
| 00:51:09 |
You know who |
| 00:51:13 |
Never mentioned him. |
| 00:51:15 |
I guess dating a guy |
| 00:51:17 |
that's not something |
| 00:51:20 |
How do you know this? |
| 00:51:21 |
Well, Wade |
| 00:51:24 |
was a member |
| 00:51:26 |
Same place |
| 00:51:28 |
Some of the members had |
| 00:51:31 |
in the past few months, |
| 00:51:34 |
to keep an eye |
| 00:51:36 |
We got a look |
| 00:51:38 |
Lots of video of Shay |
| 00:51:45 |
Yeah. That's a real |
| 00:51:50 |
If you see Shay, |
| 00:51:52 |
it's important |
| 00:51:56 |
Take care, Warhol. |
| 00:52:00 |
(attorney) |
| 00:52:03 |
I've spoken to Chief Malley |
| 00:52:07 |
and made it very clear |
| 00:52:10 |
I n an investigation |
| 00:52:12 |
This is Desiree. |
| 00:52:14 |
(Jordan) |
| 00:52:16 |
Watching my dad feed the |
| 00:52:20 |
I need to see you. |
| 00:52:22 |
Jordan Wells |
| 00:52:25 |
Can you meet me |
| 00:52:27 |
Are you gonna |
| 00:52:28 |
D, come on. |
| 00:52:31 |
Yeah, okay. |
| 00:52:52 |
Hey. |
| 00:52:56 |
With soy milk? |
| 00:52:57 |
Yeah. |
| 00:52:59 |
H m. You must |
| 00:53:06 |
I want to talk to you |
| 00:53:11 |
And you've just gotta |
| 00:53:14 |
And that I'm sorry. |
| 00:53:17 |
Okay. |
| 00:53:20 |
I wanted to get together and |
| 00:53:26 |
You're saving |
| 00:53:29 |
Right. |
| 00:53:30 |
How's everything |
| 00:53:32 |
How's everything going |
| 00:53:35 |
Everything's fine. |
| 00:53:36 |
You guys must be on |
| 00:53:39 |
Not officially, |
| 00:53:44 |
Do you have |
| 00:53:46 |
I'm an intern, Jordan. |
| 00:53:52 |
That's never |
| 00:53:55 |
True. |
| 00:53:58 |
Okay. So off |
| 00:54:00 |
it looks like they haven't |
| 00:54:03 |
What do you mean? |
| 00:54:05 |
It means whoever did it, |
| 00:54:08 |
They are hoping to catch |
| 00:54:12 |
What about this whole audit |
| 00:54:16 |
What about it? |
| 00:54:18 |
If he was shuffling |
| 00:54:21 |
things could have |
| 00:54:22 |
Yeah. Okay. |
| 00:54:25 |
Okay, what's the deal? |
| 00:54:26 |
You trade in your camera |
| 00:54:30 |
Does the Edgerton Bugle |
| 00:54:33 |
I'm interested |
| 00:54:40 |
Okay. |
| 00:54:44 |
I don't really feel |
| 00:54:46 |
Especially when it's |
| 00:54:51 |
Thanks for the chai. |
| 00:55:00 |
[Door closes] |
| 00:55:09 |
What are you |
| 00:55:12 |
I freaked out. |
| 00:55:14 |
We talked about not |
| 00:55:17 |
Do you remember that? |
| 00:55:20 |
I'm just really |
| 00:55:24 |
Where have |
| 00:55:25 |
I went to the abandoned |
| 00:55:29 |
H uh. |
| 00:55:30 |
I had to sort some |
| 00:55:33 |
I got a visit from |
| 00:55:38 |
They know about Wade |
| 00:55:40 |
Yeah. They have security |
| 00:55:44 |
at the country club. |
| 00:55:46 |
So yeah, |
| 00:55:52 |
Why didn't you tell me |
| 00:55:55 |
My mother? |
| 00:55:56 |
You know |
| 00:55:59 |
Because I was |
| 00:56:01 |
You made it out |
| 00:56:03 |
As far as |
| 00:56:08 |
You didn't have |
| 00:56:11 |
Not that. |
| 00:56:16 |
You have to go |
| 00:56:19 |
What if they put |
| 00:56:21 |
I just talked to my |
| 00:56:24 |
They don't know |
| 00:56:26 |
What if they find |
| 00:56:29 |
They know you were in the car. |
| 00:56:35 |
If you keep |
| 00:56:37 |
they're gonna get |
| 00:56:42 |
And then they |
| 00:56:51 |
What do I tell them? |
| 00:56:52 |
(Jordan) |
| 00:56:57 |
I mean, in my |
| 00:56:58 |
when I first decided |
| 00:57:01 |
I did not think that |
| 00:57:04 |
So many of you |
| 00:57:07 |
Not that I'm implying |
| 00:57:11 |
but there is some money |
| 00:57:13 |
I don't think there's |
| 00:57:17 |
[Muffled laughter] |
| 00:57:19 |
What we've all |
| 00:57:20 |
What is worth more |
| 00:57:23 |
is the invaluable |
| 00:57:26 |
respect for education, |
| 00:57:28 |
and belief in our |
| 00:57:36 |
(Jordan) |
| 00:57:40 |
and lied her way |
| 00:57:44 |
Later that day I put |
| 00:57:49 |
I completed my image |
| 00:57:53 |
to a shining crusader |
| 00:57:57 |
Right back into |
| 00:57:59 |
(auctioneer) |
| 00:58:02 |
Sometimes it feels |
| 00:58:06 |
(auctioneer) |
| 00:58:08 |
(man) |
| 00:58:12 |
Awesome job. |
| 00:58:13 |
Thanks. |
| 00:58:24 |
Hey. |
| 00:58:30 |
You got a good |
| 00:58:31 |
Probably made |
| 00:58:34 |
That should definitely |
| 00:58:37 |
You sure know how |
| 00:58:40 |
What do you |
| 00:58:41 |
I do. |
| 00:58:44 |
It's in my blood. |
| 00:58:47 |
The question |
| 00:58:49 |
is it in yours? |
| 00:58:51 |
What does that mean? |
| 00:58:56 |
They found Chandling's |
| 00:58:59 |
It was parked |
| 00:59:01 |
They're sure that |
| 00:59:03 |
because they found some |
| 00:59:07 |
He's a 12. |
| 00:59:09 |
The mud matches |
| 00:59:12 |
that they took |
| 00:59:15 |
They also found |
| 00:59:18 |
that, uh, someone |
| 00:59:28 |
The Police got a tip |
| 00:59:32 |
was parked at the glen |
| 00:59:36 |
Right about the same time |
| 00:59:42 |
You know the girl |
| 00:59:50 |
Yeah. |
| 00:59:54 |
Jesus, Jordan! |
| 00:59:56 |
That's what the |
| 00:59:59 |
Oh, come on, don't! |
| 01:00:01 |
Don't you dare. |
| 01:00:02 |
I saw you that night. |
| 01:00:05 |
and I hoped to God |
| 01:00:08 |
You know something. |
| 01:00:13 |
I know that |
| 01:00:17 |
But that's... |
| 01:00:20 |
That's really just |
| 01:00:37 |
They cleared me. |
| 01:01:42 |
[Cell phone rings] |
| 01:01:48 |
Hello? |
| 01:01:49 |
(Detective Griffin) |
| 01:01:52 |
Griffin. |
| 01:01:53 |
We gotta talk |
| 01:01:57 |
I'm kind of in a little |
| 01:01:59 |
I suggest you drop it |
| 01:02:24 |
This was |
| 01:02:27 |
You might not believe it |
| 01:02:31 |
During football games |
| 01:02:35 |
by myself. |
| 01:02:37 |
Observing life like |
| 01:02:42 |
Football players |
| 01:02:44 |
cheerleaders |
| 01:02:46 |
guys like you. |
| 01:02:48 |
Wade Chandling |
| 01:02:52 |
Smiles on |
| 01:02:54 |
Not a care |
| 01:02:56 |
I gotta get |
| 01:02:58 |
Hey. |
| 01:03:00 |
I'll write you |
| 01:03:15 |
Your girl's off the hook, |
| 01:03:18 |
Yeah. |
| 01:03:19 |
And, um, |
| 01:03:22 |
look what landed |
| 01:03:26 |
You already know |
| 01:03:29 |
But open it |
| 01:03:31 |
I wanna see |
| 01:03:42 |
Now, there's two ways |
| 01:03:45 |
One, I take those pictures |
| 01:03:50 |
to check your shoe size |
| 01:03:53 |
Your previous history |
| 01:03:55 |
should make that |
| 01:03:58 |
Or two, |
| 01:04:01 |
you help me conduct |
| 01:04:03 |
that just might |
| 01:04:06 |
I've never seen those |
| 01:04:08 |
Right. And your A4 |
| 01:04:13 |
I've got you, Warhol. |
| 01:04:16 |
And the thing is, |
| 01:04:20 |
It was all hers. |
| 01:04:29 |
You know anything |
| 01:04:37 |
It's the most amazing |
| 01:04:41 |
You store a file |
| 01:04:44 |
with a photo |
| 01:04:46 |
All sorts of juicy stuff |
| 01:04:49 |
Date, time, |
| 01:04:52 |
what kind of camera, |
| 01:04:57 |
It's like a digital |
| 01:04:59 |
It's the nail |
| 01:05:01 |
if somebody decides |
| 01:05:04 |
against the number |
| 01:05:13 |
A scholarship. |
| 01:05:16 |
He was gonna help her |
| 01:05:20 |
A scholarship? |
| 01:05:21 |
To Hartley. |
| 01:05:25 |
Oh, man. |
| 01:05:28 |
All for the |
| 01:05:31 |
I don't think |
| 01:05:35 |
It's just a theory |
| 01:05:37 |
I don't have it |
| 01:05:39 |
But it involves |
| 01:05:41 |
and a whole |
| 01:05:43 |
I think your girl |
| 01:05:46 |
And I am not talking |
| 01:05:52 |
I'm talking about |
| 01:05:58 |
Come on. |
| 01:05:59 |
See, I think Shay |
| 01:06:02 |
that it was about |
| 01:06:05 |
But really Chandling |
| 01:06:09 |
And she knew it. |
| 01:06:11 |
So she tried |
| 01:06:13 |
to get him to pay her |
| 01:06:15 |
Things went bad. |
| 01:06:18 |
And then you came along |
| 01:06:20 |
It was supposed to be |
| 01:06:22 |
Like I said, |
| 01:06:27 |
But we can test it. |
| 01:06:31 |
I'm thinking, once |
| 01:06:33 |
they're gonna do |
| 01:06:36 |
Maybe not enough to put |
| 01:06:40 |
for the rest |
| 01:06:42 |
but you think for |
| 01:06:45 |
Which brings us back |
| 01:06:50 |
I want $1 million. |
| 01:06:52 |
What? |
| 01:06:53 |
One million. |
| 01:06:57 |
I don't have that. |
| 01:06:58 |
But she does. |
| 01:07:01 |
And maybe you |
| 01:07:11 |
Here's my number. |
| 01:07:13 |
I wanna hear from you |
| 01:07:19 |
Now, get the fuck |
| 01:07:48 |
Jordan? |
| 01:07:51 |
What happened |
| 01:07:53 |
You went back |
| 01:08:00 |
Why would |
| 01:08:03 |
I met with that cop |
| 01:08:06 |
What did he tell you? |
| 01:08:10 |
That he found the box |
| 01:08:14 |
Empty. |
| 01:08:20 |
Was this ever |
| 01:08:22 |
Of course it wasl |
| 01:08:24 |
He's trying to get us |
| 01:08:29 |
I'm telling you |
| 01:08:31 |
What do you want me |
| 01:08:37 |
Where's the |
| 01:08:40 |
It's not here. |
| 01:08:43 |
I n a few hours, |
| 01:08:45 |
so they can check |
| 01:08:47 |
If you wanna prove it, |
| 01:08:49 |
You pay him, |
| 01:08:52 |
He could arrest you. |
| 01:08:54 |
We have two options |
| 01:08:56 |
We can either |
| 01:08:59 |
or we kill him. |
| 01:09:02 |
We're not? |
| 01:09:03 |
No, we're not I |
| 01:09:05 |
I know a place where we |
| 01:09:08 |
And the cops |
| 01:09:14 |
I can't live |
| 01:09:30 |
(Jordan) |
| 01:09:31 |
But it was a lie. |
| 01:09:34 |
The only place |
| 01:09:38 |
Back to simple. |
| 01:09:41 |
Back to scripted. |
| 01:09:47 |
Shay could ad-lip. |
| 01:09:48 |
She could make it up |
| 01:09:51 |
She'd been doing it |
| 01:09:55 |
And my whole life |
| 01:10:01 |
I wasn't going anywhere. |
| 01:10:03 |
[Cell phone rings] |
| 01:10:10 |
(Griffin) |
| 01:10:11 |
You'll have it |
| 01:10:13 |
(Jordan) |
| 01:10:16 |
is so much better. |
| 01:10:19 |
So much more appealing |
| 01:10:22 |
than the one they're |
| 01:10:26 |
But almost always |
| 01:10:29 |
the moment they |
| 01:10:30 |
the real one |
| 01:10:32 |
the equation changes. |
| 01:11:02 |
How much is there? |
| 01:11:04 |
A little over |
| 01:11:13 |
We're gonna be |
| 01:11:17 |
Shay, I can't. |
| 01:11:21 |
What do you mean? |
| 01:11:23 |
Sorry. |
| 01:11:27 |
No! But everything |
| 01:11:32 |
I have to take |
| 01:11:33 |
J ust wait. |
| 01:11:35 |
I already have. |
| 01:11:37 |
[Gunshot] |
| 01:11:43 |
Where did |
| 01:11:46 |
It was in the box |
| 01:11:48 |
What are you gonna do? |
| 01:11:50 |
I'm sorry, but |
| 01:11:57 |
Do whatever |
| 01:12:05 |
Jordan I |
| 01:12:07 |
Jordan. |
| 01:14:11 |
Goddamn. |
| 01:14:13 |
Got the pictures? |
| 01:14:21 |
We done? |
| 01:14:22 |
Yeah. |
| 01:14:25 |
Well, maybe |
| 01:14:29 |
Get on your knees. |
| 01:14:30 |
What? |
| 01:14:33 |
I'm taking you |
| 01:14:35 |
And you can tell |
| 01:14:38 |
that I took this |
| 01:14:40 |
because nobody's ever |
| 01:14:42 |
I placed a call to Hartley |
| 01:14:46 |
There was no |
| 01:14:49 |
She never auditioned. |
| 01:14:53 |
Nobody there |
| 01:14:58 |
(Shay) |
| 01:15:00 |
I'll do it. |
| 01:15:02 |
Shay, get out |
| 01:15:03 |
Shut up, Jordan. |
| 01:15:05 |
It's not |
| 01:15:08 |
No, Shay I |
| 01:15:09 |
[gunshot] |
| 01:15:31 |
We gotta go. |
| 01:15:33 |
I'm not going |
| 01:15:36 |
You don't have |
| 01:15:39 |
Who are you? |
| 01:15:41 |
Me? |
| 01:15:45 |
I guess I'm just a girl |
| 01:15:48 |
For the money? |
| 01:15:53 |
I only have two |
| 01:15:55 |
And the second one |
| 01:15:58 |
That's why you needed me. |
| 01:16:01 |
You probably even have |
| 01:16:06 |
I lied about Hartley. |
| 01:16:08 |
Okay, I did. |
| 01:16:11 |
Look at me. |
| 01:16:13 |
I'm here, right? |
| 01:16:20 |
You saved... |
| 01:16:23 |
Believe whatever |
| 01:16:25 |
But the reality is if |
| 01:16:29 |
Okay? |
| 01:16:32 |
Jordan? |
| 01:16:37 |
Come on. |
| 01:16:45 |
You do realize your |
| 01:17:21 |
(Jordan) |
| 01:17:27 |
But a good subject |
| 01:17:31 |
captures the photographer. |
| 01:17:35 |
I'd been captured alright. |
| 01:18:09 |
D? |
| 01:18:13 |
What the hell |
| 01:18:16 |
How long have |
| 01:18:19 |
Not long. |
| 01:18:22 |
J ust got off the phone |
| 01:18:25 |
He's been out |
| 01:18:29 |
They found another |
| 01:18:31 |
Detective Griffin |
| 01:18:36 |
You know him? |
| 01:18:39 |
[Whispers] |
| 01:18:40 |
That's the right |
| 01:18:42 |
They took a look at |
| 01:18:45 |
an hour before |
| 01:18:49 |
Where you there? |
| 01:18:58 |
M hmm. |
| 01:19:00 |
(Jordan) |
| 01:19:04 |
What Shay meant. |
| 01:19:08 |
My life, |
| 01:19:12 |
was over. |
| 01:19:13 |
[Door closes |
| 01:19:20 |
(Desiree) |
| 01:19:23 |
Jordan! |
| 01:19:37 |
Where were you |
| 01:19:38 |
I was right here. |
| 01:19:39 |
We'll take it |
| 01:19:42 |
Jordan, would you |
| 01:19:48 |
You know Detective |
| 01:19:53 |
Yeah, um, I spoke |
| 01:19:56 |
Why did he come |
| 01:19:58 |
I'm friends with a girl |
| 01:20:02 |
(Ben) |
| 01:20:04 |
It's just someone |
| 01:20:06 |
We found these |
| 01:20:09 |
I don't know anything |
| 01:20:11 |
[All interrogate |
| 01:20:16 |
Where you |
| 01:20:18 |
[All talk at |
| 01:20:25 |
Where were you |
| 01:20:27 |
I was here. |
| 01:20:29 |
(Ben) |
| 01:20:32 |
And I think |
| 01:20:34 |
You know, M r. Wells, |
| 01:20:37 |
You don't have |
| 01:20:39 |
Who's this? |
| 01:20:40 |
Desiree Thomas. |
| 01:20:42 |
D A Thomas' daughter. |
| 01:20:44 |
I was with Jordan |
| 01:20:45 |
We were right here. |
| 01:20:48 |
Are there any |
| 01:20:53 |
Well, I guess |
| 01:20:54 |
You know what, |
| 01:20:56 |
I think |
| 01:20:58 |
(J ulia) |
| 01:21:00 |
That won't be |
| 01:21:07 |
How well did |
| 01:21:09 |
(Jordan) |
| 01:21:11 |
Jesus Christ, Jordan. |
| 01:21:13 |
Do not let them |
| 01:21:15 |
There's nothing else. |
| 01:21:17 |
There better |
| 01:21:41 |
D, I, uh... |
| 01:21:46 |
I don't know |
| 01:21:50 |
You know |
| 01:21:53 |
Neither do I. |
| 01:22:03 |
I just bought you |
| 01:22:07 |
But this isn't |
| 01:22:23 |
(Jordan) |
| 01:22:29 |
Her last favor. |
| 01:22:36 |
It's strange to think |
| 01:22:45 |
But it wasn't going to |
| 01:22:52 |
Money was her |
| 01:22:55 |
And now it became mine. |
| 01:22:59 |
And that's why I |
| 01:23:04 |
before meeting Griffin. |
| 01:23:08 |
The money was |
| 01:23:13 |
There's always a moment. |
| 01:23:15 |
Sometimes more |
| 01:23:20 |
When you can walk away. |
| 01:23:26 |
Choose not to play a role |
| 01:23:34 |
Reality finally |
| 01:23:39 |
For my life, |
| 01:23:45 |
it was time I started |
| 01:24:00 |
My name's Jordan Wells. |
| 01:24:04 |
A marketer's report |
| 01:24:09 |
Rich, privileged, |
| 01:24:14 |
future doctor, |
| 01:24:17 |
future lawyer, |
| 01:24:19 |
future somebody. |
| 01:24:21 |
But you wouldn't expect |
| 01:24:26 |
Twice. |
| 01:24:28 |
With a million dollars |
| 01:25:08 |
# She dances for you # |
| 01:25:12 |
# I n the fading |
| 01:25:15 |
# We're loosing |
| 01:25:18 |
# From the start # |
| 01:25:22 |
# It's fatal within # |
| 01:25:25 |
# If she knows |
| 01:25:28 |
# She could tear |
| 01:25:33 |
# Fatal beauty # |
| 01:25:40 |
# Fatal beauty # |
| 01:25:46 |
# Fatal beauty # |
| 01:25:53 |
# Fatal beauty # |
| 01:26:00 |
# Some one you |
| 01:26:04 |
# To walk away # |
| 01:26:06 |
# If only you |
| 01:26:10 |
# To see through victory # |
| 01:26:13 |
# Before there's |
| 01:26:17 |
# J ust the paces |
| 01:26:20 |
# They crumbled |
| 01:26:25 |
# To a fatal beauty # |
| 01:26:31 |
# Fatal beauty # |
| 01:26:38 |
# Fatal beauty # |
| 01:26:44 |
# Fatal beauty # |
| 01:26:55 |
# It's the killing now # |
| 01:26:58 |
# And tell if your |
| 01:27:05 |
# How many times # |
| 01:27:08 |
# M ust you get |
| 01:27:11 |
# Before you |
| 01:27:31 |
[inaudible] |
| 01:27:33 |
# You're not the first |
| 01:27:37 |
# To her is just a game |
| 01:27:43 |
# It was too late |
| 01:27:46 |
# When the poison |
| 01:27:50 |
# And she carved |
| 01:27:58 |
# Fatal beauty # |
| 01:28:05 |
# Fatal beauty # |
| 01:28:11 |
# Fatal beauty # |
| 01:28:18 |
# Fatal beauty # |
| 01:28:24 |
# Fatal beauty # |
| 01:28:30 |
# Fatal beauty # |
| 01:28:36 |
# It's a fatal beauty # |
| 01:28:43 |
# Fatal beauty # |
| 01:30:00 |
ENGLISH |
