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00:00:16	[ Introduction to ''Overture/
00:00:29	[ EIectricity crackIes ]
00:00:33	5, 6, 7, 8. . .
00:00:34	[ Indistinct conversations ]
00:00:59	Anybody seen
00:01:04	You . You're up in five.
00:01:13	-Keep the change, CharIie.
00:01:35	VeIma, where you been?
00:01:36	And where's Veronica?
00:01:37	She's not herseIf tonight.
00:01:39	But they paid to see
00:01:42	Don't sweat it.
00:02:02	Shit!
00:02:14	Come on , VeIma.
00:02:16	You're kiIIing me, here!
00:02:20	Ladies and gentIemen . . .
00:02:22	the Onyx CIub
00:02:24	Chicago's hottest dancing duo.
00:02:28	Two jazz babes moving as one.
00:02:31	The KeIIy Sisters.
00:02:33	[ AppIause ]
00:02:47	* Come on, babe,
00:02:53	* And all that jazz? *
00:02:54	* l'm gonna rouge my knees
00:03:01	* And all that jazz *
00:03:03	* Start the car,
00:03:06	* Where the gin is cold,
00:03:10	* lt's just a noisy hall
00:03:15	* And all *
00:03:17	* That *
00:03:19	* Jazz *
00:03:22	* Skiddoo *
00:03:24	* And all that jazz *
00:03:27	* Hotcha *
00:03:29	* Whoopee *
00:03:33	* And all that jazz *
00:03:57	* Slick your hair
00:04:02	* And all that jazz *
00:04:04	* l hear that Father Dip
00:04:10	* And all that jazz *
00:04:11	* Hold on, hon,
00:04:14	* l bought some aspirin
00:04:18	* ln case you shake apart
00:04:22	* To do *
00:04:24	* That *
00:04:26	* Jazz *
00:04:29	Let's go, babe.
00:04:31	But I didn't even meet
00:04:34	Don't worry, Roxie.
00:04:38	You toId him about me?
00:04:39	Yeah , kid , it's aII arranged .
00:04:42	* Find a flask,
00:04:47	* And all that jazz *
00:04:48	* Right up here
00:04:54	* And all that jazz *
00:04:55	* Come on, babe,
00:04:58	* l betcha Lucky Lindy
00:05:02	* 'Cause in the stratosphere,
00:05:05	* To all *
00:05:08	* That *
00:05:09	* Jazz? *
00:05:13	* Oh, you're gonna see
00:05:18	* And all that jazz *
00:05:20	* Oh, she's gonna shimmy
00:05:24	* And all that jazz *
00:05:26	* Show her
00:05:30	* Oh, her mother's blood
00:05:33	* lf she'd hear
00:05:36	* For all *
00:05:38	* That *
00:05:40	* Jazz *
00:05:47	HeIIo, Miss Borusewicz.
00:05:49	Mrs. Hart.
00:05:50	This is Fred .
00:05:53	He's my brother.
00:05:57	* All *
00:05:58	* That *
00:06:00	* Jazz *
00:06:07	* Come on, babe,
00:06:10	* And all that jazz? *
00:06:11	* And all that jazz *
00:06:13	* l'm gonna rouge my knees
00:06:17	* And all that jazz *
00:06:18	* And all that jazz *
00:06:20	* Start the car,
00:06:23	* Where the gin is cold,
00:06:26	* lt's just a noisy hall
00:06:30	* And all *
00:06:32	* That *
00:06:33	* Jazz *
00:06:35	RO XIE : Say it again , Fred .
00:06:37	Oh , you're a star, kid .
00:06:39	My IittIe shootin' star.
00:06:44	* No, l'm no one's wife *
00:06:46	* But, oh, l love my life *
00:06:50	* And all *
00:06:53	* That *
00:06:58	* Jazz *
00:07:02	* That jazz *
00:07:06	Oh , say it again , Fred .
00:07:15	Where's the fire, huh?
00:07:17	Amos ain't home tiII midnight.
00:07:33	Hey, I don't want you to feeI
00:07:37	but don't you think it's time
00:07:38	I met your friend
00:07:41	It's been a month
00:07:47	And I know
00:07:49	VeIma KeIIy pIugged
00:07:54	You know they say that she found
00:07:58	Gosh , if I ever found Amos
00:08:01	I'd throw him a great big
00:08:05	It's getting Iate.
00:08:07	I have been thinking a Iot
00:08:09	Whenever I get a good idea
00:08:13	It occurred to me the other day
00:08:16	that aII the reaIIy, reaIIy
00:08:20	something a IittIe different
00:08:23	Like a signature bit.
00:08:26	And I thought that my thing
00:08:32	Give 'em just enough
00:08:35	but aIways Ieave 'em
00:08:39	Hey, once I get a name
00:08:42	maybe we couId open up a cIub
00:08:45	You couId run it,
00:08:49	What's the idea?
00:08:50	Wake up, kiddo. You ain't
00:08:54	Says who?
00:08:55	Face it. You're a two-bit taIent
00:08:59	I'm just a furniture saIesman .
00:09:00	Yeah , but you got connections.
00:09:02	-That guy at the cIub.
00:09:05	That night. . .
00:09:06	It was the first time
00:09:08	I was coIIecting on a bet
00:09:11	So you never
00:09:14	Sugar, you were hot stuff.
00:09:17	I wouId have said anything
00:09:21	And now? Now?
00:09:23	We had some Iaughs.
00:09:29	You can't do this to me.
00:09:32	WouId you get off?
00:09:38	You touch me again ,
00:09:43	-Wait.
00:09:45	Wash yourseIf before hitting
00:09:47	You're a Iiar, Fred .
00:09:49	Yeah , yeah , so what?
00:09:50	You Iied to me.
00:09:54	That's Iife, sweetheart.
00:09:57	You son of a bitch !
00:10:09	You're a son of a bitch !
00:10:18	* Hotcha *
00:10:22	* Whoopee *
00:10:24	Why you bothering , SaI?
00:10:27	It's a new city record .
00:10:28	From kiIIin' to confession
00:10:31	SGT. FOGARTY: Where did you get
00:10:33	AMOS : I keep a gun
00:10:35	Just in case of troubIe.
00:10:37	That's just fine.
00:10:40	FreeIy and gIadIy.
00:10:43	Don't say we beat it out of you
00:10:45	No, I gave myseIf up.
00:10:48	Isn't he the cheerfuI murderer?
00:10:50	RO XIE :
00:10:52	Just Iast week,
00:10:54	I'm gratefuI for citizens
00:10:56	Get in there.
00:10:58	You too.
00:11:02	Sit down .
00:11:06	Okay. From the top.
00:11:09	A man's got a right to protect
00:11:12	Of course he has.
00:11:14	I come home from the garage,
00:11:15	and I see him cIimbing
00:11:18	with my wife, Roxie,
00:11:20	sIeeping Iike an angeI .
00:11:21	That true, Mrs. Hart?
00:11:22	It's the God's honest truth .
00:11:24	My wife had nothing
00:11:26	She wouIdn't hurt a worm ,
00:11:28	It wasn't tiII I fired
00:11:30	she even opened her eyes.
00:11:32	I aIways said she couId sIeep
00:11:34	through
00:11:36	When I think of
00:11:38	if I went out for a beer
00:11:42	It makes you sick
00:11:44	BANDLEADER: For her first
00:11:47	wouId Iike to sing a song
00:11:50	dedicated
00:11:56	* Sometimes l'm right *
00:11:58	* Sometimes l'm wrong *
00:12:01	* But he doesn't care *
00:12:04	* He'll string along *
00:12:08	* He loves me so *
00:12:11	* That funny honey of mine *
00:12:19	* Sometimes l'm down *
00:12:21	* Sometimes l'm up *
00:12:24	* But he follows round *
00:12:26	* Like some droopy-eyed pup *
00:12:31	* He loves me so *
00:12:34	* That funny honey of mine *
00:12:37	After I shot him ,
00:12:40	so I had to puII
00:12:42	* He ain't no sheik *
00:12:45	* That's no great physique *
00:12:47	* And Lord knows
00:12:52	* But look at that soul *
00:12:55	* l tell you, that whole *
00:12:58	* ls a whole lot greater
00:13:06	* And if you knew him like me *
00:13:12	* l know you'd agree *
00:13:17	* What if the world
00:13:23	* Why, he'd be right there
00:13:29	* He loves me so *
00:13:33	* And it all suits me fine *
00:13:39	* That funny, sunny honey *
00:13:45	* Hubby of mine *
00:13:47	Supposing , just supposing ,
00:13:52	-You know what I mean?
00:13:54	Think how terribIe
00:13:57	It's a good thing I got home
00:13:58	* He loves me so *
00:14:01	* That funny honey of mine *
00:14:05	Name of deceased ,
00:14:07	Fred CaseIy?
00:14:10	My wife knows him .
00:14:13	He gave us 1 0% off.
00:14:15	* Lord knows
00:14:19	You toId me he was a burgIar.
00:14:20	He was dead when you got home?
00:14:22	She had him covered in a sheet,
00:14:24	and she's teIIing me
00:14:27	and how I ought to say I did it
00:14:30	''HeIp me, Amos,'' she says.
00:14:32	* Now he shot off his trap *
00:14:35	* l can't stand that sap *
00:14:38	- * Look at him go *
00:14:40	- * Rattin' on me *
00:14:42	She was two-timing me, huh?
00:14:44	I'm through protecting her now.
00:14:46	She can swing for aII I care.
00:14:48	I'm down at the garage
00:14:51	and she's up here
00:14:54	and tramping around
00:14:56	Thought she couId puII
00:14:58	- * That scummy, crummy *
00:15:00	- * Dummy *
00:15:02	- * Hubby of mine *
00:15:04	That IittIe chiseIer.
00:15:06	Boy, what a sap I was!
00:15:09	You doubIe-crosser!
00:15:12	You promised you'd stick.
00:15:14	You been stringin' me,
00:15:16	You toId me he was a burgIar!
00:15:17	The whoIe time,
00:15:20	You are a disIoyaI husband !
00:15:25	Look, it's true.
00:15:28	But it was seIf-defense.
00:15:31	From what I hear,
00:15:32	three times a week
00:15:35	So what do you say, Missus?
00:15:37	That's him , aII right.
00:15:39	Thank you .
00:15:40	Your story doesn't wash ,
00:15:42	so try this on for size.
00:15:44	Fred CaseIy was a good time
00:15:46	with Goofy here
00:15:47	MeaI ticket?
00:15:50	Fred CaseIy couId?
00:15:51	With a wife
00:15:53	Or did he forget
00:15:57	What?
00:15:59	AII his.
00:16:01	Oh , that bastard .
00:16:04	That bastard !
00:16:06	Yeah , I kiIIed him .
00:16:09	Once was enough , dearie.
00:16:10	Take her downtown . Come on !
00:16:14	This is it. 264 1 /2 .
00:16:17	Here they come.
00:16:18	It's a shame to hide
00:16:21	Why'd you shoot him?
00:16:22	Give us a profiIe with a smiIe
00:16:24	Iike the girI from
00:16:25	Enjoy it whiIe you can .
00:16:27	Assistant District Attorney
00:16:29	says this is a hanging case.
00:16:31	I'm ready to go
00:16:33	What do you mean , hanging?
00:16:34	Not so tough anymore, are you?
00:16:35	Take her down
00:16:37	We need a headIine.
00:16:38	Was he crueI? Did he beat you?
00:16:40	Hey, what do you mean ,
00:17:01	Morphine, opium , cocaine?
00:17:05	-Arm Iength . 3 1 inches.
00:17:09	Height. 66 inches.
00:17:13	The Matron's on her way,
00:17:18	Put out that cigarette!
00:17:24	Ever had Morton before?
00:17:31	She's fine.
00:17:36	[ DrumroII ]
00:17:37	And now, Iadies and gentIemen . . .
00:17:40	the Keeper of the Keys,
00:17:43	the Mistress of Murderess Row. . .
00:17:46	Matron Mama Morton !
00:17:59	* Ask any of the chickies
00:18:03	* They'll tell you
00:18:09	* l love them all,
00:18:14	* Because the system works,
00:18:18	* Reciprocity *
00:18:25	On your feet.
00:18:28	WeIcome, Iadies.
00:18:30	* Got a little motto *
00:18:33	* Always sees me through *
00:18:36	* When you're good to Mama *
00:18:39	* Mama's good to you *
00:18:41	You might think I'm here
00:18:44	but it's just not true.
00:18:46	* There's a lot of favors *
00:18:49	* l'm prepared to do *
00:18:51	* You do one for Mama *
00:18:54	* She'll do one for you *
00:18:57	I'd Iike to be your friend ,
00:18:59	So if there's something
00:19:00	or makes you unhappy
00:19:03	don't shoot your fat-ass mouth
00:19:05	'cause I don't give a shit.
00:19:06	* They say that life
00:19:09	* And that's the way l live *
00:19:12	* So l deserve a lot of tat *
00:19:15	* For what l've got to give *
00:19:18	* Don't you know
00:19:21	* Washes that one, too? *
00:19:23	* When you're good to Mama *
00:19:26	* Mama's good to you *
00:19:35	Let's go.
00:19:37	You must be Hart.
00:19:39	Ain't you the pretty one.
00:19:41	Thank you , ma'am .
00:19:43	Oh , no, caII me Mama.
00:19:45	I'm here to take care of you .
00:19:47	You'II be habitatin'
00:19:50	Murderess Row, we caII it.
00:19:53	Is that nicer?
00:20:04	I don't think I beIong in here.
00:20:06	I didn't actuaIIy
00:20:08	No need to teII me.
00:20:09	I never heard
00:20:11	when he didn't get
00:20:13	Hey, Mama!
00:20:14	Come here. Come here.
00:20:16	VeIma KeIIy.
00:20:18	You're the VeIma KeIIy.
00:20:22	I was there the night
00:20:25	Yeah .
00:20:27	Look at this, Mama.
00:20:29	An editoriaI denouncing me
00:20:32	''Not in memory do we recaII
00:20:34	so fiendish and horribIe
00:20:37	You couIdn't buy
00:20:39	CouIdn't buy it?
00:20:43	I guess I can keep this, then .
00:20:46	Nice try.
00:20:49	* lf you want my gravy *
00:20:51	* Pepper my ragout *
00:20:54	* Spice it up for Mama *
00:20:57	* She'll get hot for you *
00:21:04	* When they pass that basket
00:21:09	* You put in for Mama *
00:21:12	* She'll put out for you *
00:21:19	* The folks atop the ladder *
00:21:22	* Are the ones
00:21:24	* So boost me
00:21:27	* And l'll boost you up yours *
00:21:30	* Let's all stroke together *
00:21:33	* Like the Princeton crew *
00:21:36	* When you're strokin' Mama *
00:21:39	* Mama's strokin' you *
00:21:42	* So what's the one conclusion
00:21:47	* When you're good to Mama *
00:21:52	* Mama's good *
00:21:57	* To you *
00:22:04	Ah , yes!
00:22:06	[ Cheers and appIause ]
00:22:08	RO XIE : Mama?
00:22:09	It's kind of freezing in here.
00:22:13	You don't think there's
00:22:16	Not that I'm compIaining ,
00:22:20	if you got a coupIe extra
00:22:26	Lights out, Iadies.
00:22:43	Okay.
00:22:55	Okay.
00:23:30	* Pop *
00:23:32	* Six *
00:23:34	* Squish *
00:23:38	* Cicero *
00:23:40	* Lipschitz *
00:23:46	And now,
00:23:49	of the Cook County JaiI
00:23:51	in their rendition of
00:23:56	* Lipschitz *
00:24:02	* Pop *
00:24:04	* Six *
00:24:06	* Squish *
00:24:10	* Cicero *
00:24:12	* Lipschitz *
00:24:14	* Pop *
00:24:15	* Six *
00:24:16	* Squish *
00:24:18	* Cicero *
00:24:20	* Lipschitz *
00:24:22	- * Pop *
00:24:23	* Squish *
00:24:24	- * Cicero *
00:24:26	- * Pop *
00:24:27	* Squish *
00:24:28	- * Cicero *
00:24:30	* He had it coming *
00:24:32	* He had it coming *
00:24:34	* He only had himself to blame *
00:24:38	* lf you'd have been there *
00:24:40	* lf you'd have seen it *
00:24:42	* l betcha you would have
00:24:45	- * Pop *
00:24:46	* Squish *
00:24:47	- * Cicero *
00:24:49	- * Pop *
00:24:50	* Squish *
00:24:51	- * Cicero *
00:24:53	You know how peopIe have these
00:24:57	Like Bernie.
00:25:01	No, not chew. Pop.
00:25:04	So I came home this one day,
00:25:07	and I'm Iooking
00:25:09	There's Bernie
00:25:12	drinkin' a beer and chewin' .
00:25:13	No, not chewin' . Poppin' !
00:25:17	So I said to him , ''You pop
00:25:23	And he did .
00:25:24	So I took the shotgun
00:25:26	and I fired two warning shots
00:25:30	into his head .
00:25:34	* He had it coming *
00:25:36	* He had it coming *
00:25:38	* He only had himself to blame *
00:25:41	* lf you'd have been there *
00:25:43	* lf you'd have heard it *
00:25:45	* l betcha you would have
00:25:55	I met EzekiaI Young
00:25:58	about two years ago,
00:25:59	and he toId me he was singIe,
00:26:03	So we started Iiving together.
00:26:05	He'd go to work.
00:26:07	I'd fix him a drink.
00:26:10	And then I found out.
00:26:13	SingIe, he toId me?
00:26:14	SingIe, my ass.
00:26:16	Not onIy was he married . . .
00:26:18	Oh , no. . .
00:26:19	He had six wives.
00:26:21	One of those Mormons.
00:26:23	So that night
00:26:26	I fixed him his drink,
00:26:30	You know, some guys
00:26:35	- * He had it coming *
00:26:37	- * He had it coming *
00:26:38	* He took a flower
00:26:42	- * And then he used it *
00:26:44	- * And he abused it *
00:26:46	* lt was a murder,
00:26:49	* Cicero, Lipschitz *
00:26:50	Now, I'm standing
00:26:52	carving up the chicken
00:26:54	minding my own business.
00:26:56	In storms my husband , WiIbur,
00:26:59	''You been screwin' the miIkman ,''
00:27:01	He was crazy,
00:27:04	''You been screwin' the miIkman !''
00:27:06	And then he ran into my knife.
00:27:08	He ran into my knife 1 0 times.
00:27:14	* lf you'd have been there *
00:27:15	* lf you'd have seen it *
00:27:17	* l betcha you would have
00:27:21	[ Speaking Hungarian ]
00:27:42	Yeah , but did you do it?
00:27:45	Not guiIty.
00:27:52	My sister, Veronica, and I
00:27:54	And my husband , CharIie,
00:27:58	Now, for the Iast number
00:27:59	we did these
00:28:01	One, two, three, four, five. . .
00:28:04	spIits, spread eagIes,
00:28:06	One right after the other.
00:28:08	One night before the show,
00:28:12	The three of us boozin'
00:28:16	We run out of ice,
00:28:20	I come back, open the door. . .
00:28:23	and there's Veronica and CharIie
00:28:28	The spread eagIe.
00:28:31	WeII , I was in
00:28:33	I compIeteIy bIacked out.
00:28:34	I can't remember a thing .
00:28:37	It wasn't untiI Iater
00:28:39	when I was washing the bIood
00:28:41	I even knew they were dead .
00:28:43	- * They had it coming *
00:28:45	- * They had it coming *
00:28:47	* They had it coming all along *
00:28:50	- * l didn't do it *
00:28:52	- * But if l'd done it *
00:28:54	* How could you tell me
00:29:00	- * They had it coming *
00:29:02	- * They had it coming *
00:29:03	* They had it coming
00:29:07	* l didn't do it *
00:29:09	* But if l'd done it *
00:29:11	* How could you tell me
00:29:15	I Ioved AI Lipschitz
00:29:19	He was a reaI artistic guy.
00:29:20	Sensitive. A painter.
00:29:22	[ WhistIe bIows ]
00:29:23	But he was aIways trying
00:29:26	He'd go out every night Iooking
00:29:30	he found Ruth , GIadys,
00:29:35	You couId say we broke up
00:29:38	He saw himseIf as aIive. . .
00:29:41	and I saw him dead .
00:29:43	* The dirty bum,
00:29:47	* The dirty bum,
00:29:51	- * They had it coming *
00:29:53	- * They had it coming *
00:29:54	* They had it coming all along *
00:29:58	- * And if they used us *
00:30:00	- * Then they abused us *
00:30:02	* Could you tell us
00:30:05	- * He had it coming *
00:30:07	- * He had it coming *
00:30:09	* He only had himself to blame *
00:30:12	- * lf you'd have been there *
00:30:14	- * lf you'd have seen it *
00:30:16	* l betcha you would have
00:30:19	-Pop that gum one more time. . .
00:30:22	1 0 times!
00:30:23	Number 1 7.
00:30:25	Artistic differences.
00:30:26	Pop.
00:30:28	Six.
00:30:30	Squish .
00:30:34	Cicero.
00:30:36	Lipschitz.
00:30:45	Who beIongs to them?
00:30:46	What's it to you?
00:30:47	Nothing .
00:30:49	Heard they were VeIma's.
00:30:50	The Hunyak does her Iaundry
00:31:03	Fresh toweIs for the can .
00:31:05	Make it quick.
00:31:09	MAMA MORTON :
00:31:11	I know a coupIe of things.
00:31:14	BiIIy FIynn's set
00:31:17	March 7 th you'II be acquitted .
00:31:18	March 8th , Mama is gonna put you
00:31:24	VELMA:
00:31:26	MAMA MORTON : UntiI Ma BeII
00:31:28	aII the caIIs
00:31:30	What kind of dough
00:31:32	It's a crazy worId .
00:31:33	Babe Ruth is wearing rouge
00:31:35	and pIaying the PaIace
00:31:37	Yeah . What about someone
00:31:40	I been taIking to the boys
00:31:43	Due to your recent
00:31:45	they think
00:31:47	$2 ,500?
00:31:48	Jeez, the most me
00:31:51	That's what happens when you
00:31:55	I aIways wanted to pIay
00:31:58	Do you think
00:32:00	-Big Jim's?
00:32:01	I don't know. That's gonna
00:32:04	How much is that gonna cost?
00:32:06	You know how I feeI about you .
00:32:08	You're Iike famiIy to me.
00:32:11	-I'II do it for 50 bucks.
00:32:15	You must get a Iot
00:32:23	Oh , Miss KeIIy,
00:32:26	FreshIy pressed
00:32:28	No, it's my pIeasure.
00:32:31	Hey, Iisten ,
00:32:35	You know that Harrison guy?
00:32:37	He said that what I done
00:32:39	and that he's prepared to ask
00:32:42	-Yeah , so?
00:32:46	I sure wouId appreciate
00:32:48	EspeciaIIy from someone
00:32:52	Since I can remember, I have
00:32:55	What's your taIent?
00:32:58	No. I danced in the chorus.
00:33:00	That was before
00:33:02	Look, honey,
00:33:05	Here it is.
00:33:07	Keep your paws
00:33:13	Yeah , okay.
00:33:16	Thanks.
00:33:18	For nothin' .
00:33:21	She's something , ain't she?
00:33:23	No matter how big she gets,
00:33:27	I'd Iike to heIp you , dearie.
00:33:31	Take a Ioad off.
00:33:35	So, what do you figure
00:33:38	Grounds?
00:33:39	What are you gonna teII
00:33:40	I just figured
00:33:43	-The truth?
00:33:45	That's a one-way ticket
00:33:46	HoIy Mother of God .
00:33:48	Oh , reIax.
00:33:49	In this town , murder's
00:33:52	Besides, in 4 7 years,
00:33:54	Cook County ain't never hung
00:33:56	So the odds are 4 7 to one
00:33:59	Jesus, Mary, and Joseph .
00:34:01	You're taIking
00:34:02	What you need is BiIIy FIynn .
00:34:05	-Who?
00:34:07	He's onIy the best
00:34:09	What he don't know
00:34:13	How do you get BiIIy FIynn?
00:34:14	WeII , not by praying , dearie.
00:34:16	First, you give me $ 1 00.
00:34:19	$ 1 00?
00:34:21	I mean , it seems pretty steep
00:34:25	He's worth every cent.
00:34:27	He's never Iost a case
00:34:31	With a sweet IittIe puss
00:34:33	Iet's just say justice
00:34:36	He's never Iost a case?
00:34:38	Never.
00:34:39	Every girI in this pIace
00:34:40	wouId kiII to have
00:34:43	* Billy *
00:34:47	* We want Billy *
00:34:54	* B-l-Double-L-Y *
00:35:01	* We're all his *
00:35:08	* He's our kind of a guy *
00:35:15	* And, ooh, what luck *
00:35:18	* 'Cause here he is *
00:35:25	BANDLEADER:
00:35:27	presenting the siIver-tongued
00:35:29	The one, the onIy BiIIy FIynn .
00:35:41	* l don't care
00:35:44	* Cashmere coats,
00:35:48	* Don't mean a thing *
00:35:50	* All l care about is love *
00:35:53	- * That's what he's here for *
00:35:55	* l don't care
00:35:58	* Ruby studs, satin spats *
00:36:02	* Don't mean a thing *
00:36:04	- * All l care about is love *
00:36:09	* Give me two eyes of blue *
00:36:13	* Softly saying *
00:36:15	* ''l need you'' *
00:36:16	* Let me see her
00:36:20	* And honest, mister,
00:36:31	* l don't care
00:36:34	* Vanderbilt might admire *
00:36:38	* No, no, not me *
00:36:40	- * All l care about is love *
00:36:46	[ WhistIing ]
00:36:50	Good morning , Iadies.
00:36:53	-Not guiIty!
00:36:58	* That's what he's here for *
00:37:03	Excuse me, gentIemen .
00:37:04	Miss KeIIy, do you remember
00:37:07	I passed out compIeteIy.
00:37:10	OnIy that I didn't do it.
00:37:12	Any idea who did , dear?
00:37:13	No, but my cIient is offering
00:37:15	to anyone with information
00:37:17	How much is the reward ,
00:37:19	I don't know. How much?
00:37:20	We'II work it out
00:37:21	If there are no more
00:37:23	Miss KeIIy and I have
00:37:28	What's this about a reward?
00:37:30	AwfuIIy dumb, reporters.
00:37:32	You deny the whoIe thing Iater.
00:37:36	* All he cares about is love *
00:37:38	Mr. FIynn , I'm Roxie Hart.
00:37:40	-Who?
00:37:42	Oh , yeah , right.
00:37:44	I was hoping
00:37:46	You got $5,000?
00:37:49	Gee, that's a Iot of money.
00:37:52	Mama didn't say anything
00:37:55	Lookit, Mr. FIynn ,
00:37:58	but maybe we couId
00:38:01	make some sort of
00:38:04	I can be an awfuIIy good sport.
00:38:07	Good , you got that
00:38:10	You mean just one thing to me.
00:38:12	You caII me
00:38:15	* All he cares about is love *
00:38:18	* Show me long raven hair *
00:38:22	* Flowin' down about to there *
00:38:26	* When l see her runnin' free *
00:38:29	* Keep your money,
00:38:36	* l don't care
00:38:40	* Or smoking long buck cigars *
00:38:44	* No, no, not me *
00:38:47	* All l care about
00:38:50	* Who's pickin' on you *
00:38:53	* Twistin' the wrist
00:38:59	- * All he cares about *
00:39:05	* ls love *
00:39:20	Oh , he'II see you now.
00:39:26	WeII , heIIo, Andy.
00:39:28	My name is Amos.
00:39:30	That's right.
00:39:34	You're a remarkabIe man .
00:39:36	Your wife two-times you . . .
00:39:38	pIugs the guy,
00:39:40	Most men wouId Iet
00:39:42	But, no, you're sticking by her.
00:39:44	Makes you a hero in my eyes.
00:39:45	That's right.
00:39:48	Did you bring the money?
00:39:51	I didn't do as weII as I hoped .
00:39:53	But I wiII , Mr. FIynn .
00:39:58	This is onIy a thousand .
00:39:59	PIus there's $300 I borrowed
00:40:04	There's $ 7 00 from
00:40:08	$2 ,000.
00:40:09	And that's aII I got so far.
00:40:11	But I'II give you $20
00:40:14	I'II give you notes with
00:40:18	When you came to me yesterday. . .
00:40:19	I didn't ask if she was
00:40:21	I didn't ask if she was
00:40:25	I said , ''Do you have $5,000?''
00:40:28	But you don't have $5,000.
00:40:30	I figure you're a dirty Iiar.
00:40:32	I don't waste my time
00:40:39	Look. I'm reaI sorry,
00:40:45	On the other hand . . .
00:40:46	your devotion to your wife
00:40:50	I took your wife's case,
00:40:53	because I pIay square.
00:40:57	Now, Iook, Hart. . .
00:40:58	I don't Iike to bIow
00:41:00	but if Jesus Christ
00:41:04	and if he had $5,000
00:41:06	things wouId have
00:41:09	AII right, this is what
00:41:11	By the end of the week,
00:41:13	on the front page
00:41:15	''Sweetest IittIe jazz kiIIer
00:41:19	That's the angIe I'm after.
00:41:21	You make an announcement
00:41:23	We got to raise money
00:41:25	They'II buy everything
00:41:29	Your shoes, your dresses,
00:41:31	RO XIE :
00:41:33	Like the one I was pIaying
00:41:35	BILLY:
00:41:36	Not that I didn't have grounds.
00:41:38	-Hey, what are they?
00:41:40	Nobody's gonna care a Iick
00:41:42	what your defense is
00:41:45	The first thing we do is work up
00:41:48	They're not aII pushovers
00:41:50	But there's one thing
00:41:53	and that is a reformed sinner.
00:41:56	So, what was your
00:41:59	Oh , I was a reaI dummy.
00:42:01	There must have been something
00:42:03	I got high marks
00:42:05	Perfect.
00:42:07	A nun?
00:42:09	Where were you born?
00:42:10	On a chicken farm
00:42:12	Southern home fiIIed with
00:42:15	Where are your parents?
00:42:16	ProbabIy on the front porch
00:42:19	Parents dead .
00:42:20	FamiIy fortune swept away.
00:42:21	You were educated
00:42:24	Then you feII
00:42:26	Left you miserabIe,
00:42:28	You got aII swept up
00:42:31	Jazz, cabarets, Iiquor.
00:42:33	You were drawn
00:42:36	Now the mad whirI has ceased .
00:42:38	You are a butterfIy
00:42:41	Which is it? Is it the moth
00:42:44	You have sinned ,
00:42:46	God , that's beautifuI .
00:42:49	Cut out God .
00:42:50	Stay where
00:42:52	Kid , when I'm through with you ,
00:42:56	every man on that jury
00:42:57	wiII want to take you home
00:43:00	[ Southern accent ] I was born
00:43:03	What?
00:43:04	[ NormaI voice ]
00:43:06	I'm never gonna get
00:43:08	Pipe down on the swearing .
00:43:09	From here on , you say nothing
00:43:12	Try again .
00:43:13	I was born on a. . .
00:43:44	VELMA: I came up with more to do
00:43:47	I thought I'd get aII teary-eyed
00:43:49	and ask to borrow
00:43:51	Then I thought I'd take a peek
00:43:54	FIash 'em a bit of thigh , huh?
00:43:57	Sounds great.
00:44:04	Don't you want
00:44:06	Tomorrow, kiddo.
00:44:10	WeII , weII , weII .
00:44:11	Sorry to be Iate, Mr. FIynn .
00:44:15	Hope you weren't too bored .
00:44:17	I Iike it.
00:44:22	I Iike it.
00:44:25	Hey, PoIIyanna. . .
00:44:28	I heard your press conference
00:44:30	Yeah , what's it to you?
00:44:32	WeII , you wanted
00:44:34	WeII , here it is.
00:44:36	Don't forget
00:44:38	is BiIIy FIynn .
00:44:40	Meaning what?
00:44:43	Meaning don't Iet him
00:44:47	You're the one
00:44:53	We can onIy seII them
00:44:56	I can stiII see him coming at me
00:44:57	with that awfuI Iook
00:44:59	And?
00:45:00	And we both reached
00:45:02	That's right.
00:45:05	Ready?
00:45:06	Yeah .
00:45:08	-Miss Hart!
00:45:16	Good day, gentIemen .
00:45:18	GentIemen , Miss Sunshine.
00:45:19	My cIient has just entered
00:45:22	We Iook forward to a triaI
00:45:24	Are there any questions?
00:45:29	Miss Sunshine.
00:45:30	As you know, my paper is dry.
00:45:32	Do you have any advice
00:45:34	seeking to avoid
00:45:36	AbsoIuteIy, yes.
00:45:37	Mrs. Hart feeIs that
00:45:39	of Iiquor and jazz
00:45:42	Next question , pIease.
00:45:43	Ladies and gentIemen . . .
00:45:44	I wouId Iike to say
00:45:47	that y'aII came to see me.
00:45:48	Mrs. Hart is very pIeased --
00:45:49	I was a moth
00:45:52	You know, a butterfIy
00:45:57	I bet you want to know
00:46:01	Shut up, dummy.
00:46:04	BANDLEADER: Mr. BiIIy FIynn
00:46:07	Notice how his mouth
00:46:09	AImost.
00:46:10	Where'd you come from?
00:46:12	* Mississippi *
00:46:14	And your parents?
00:46:15	* Very wealthy *
00:46:17	Where are they now?
00:46:19	* Six feet under *
00:46:21	* But she was granted
00:46:23	* The Convent
00:46:32	* When'd you get here? *
00:46:33	* 1 920 *
00:46:35	* How old were you? *
00:46:37	* Don't remember *
00:46:39	* Then what happened? *
00:46:40	* l met Amos *
00:46:42	* And he stole my heart away *
00:46:44	* Convinced me
00:46:46	Poor dear! I can't beIieve
00:46:49	A convent girI .
00:46:51	TeII us, Roxie. . .
00:46:52	* Who's Fred Casely? *
00:46:55	* My ex-boyfriend *
00:46:57	* Why'd you shoot him? *
00:46:58	* l was leavin' *
00:47:00	* Was he angry? *
00:47:02	* Like a madman *
00:47:03	* Still l said,
00:47:05	* She knew that
00:47:07	* Then describe it *
00:47:09	* He came toward me *
00:47:10	* With the pistol? *
00:47:12	* From my bureau *
00:47:14	* Did you fight him? *
00:47:16	* Like a tiger *
00:47:17	* He had strength,
00:47:19	* And yet we both
00:47:21	* Oh, yes, oh, yes,
00:47:23	* Oh, yes, we both, oh, yes,
00:47:25	* The gun, the gun,
00:47:27	* Oh, yes, we both reached
00:47:29	* Oh, yes, oh, yes,
00:47:30	* Oh, yes, they both, oh, yes,
00:47:33	* The gun, the gun,
00:47:34	* Oh, yes, they both reached
00:47:37	* Understandable *
00:47:39	* Understandable *
00:47:41	* Yes, it's perfectly
00:47:45	* Comprehensible *
00:47:48	* Comprehensible *
00:47:50	* Not a bit reprehensible *
00:47:53	* lt's so defensible *
00:48:00	* How you feelin'? *
00:48:02	* Very frightened *
00:48:04	* Are you sorry? *
00:48:06	* Are you kidding? *
00:48:07	* That's your statement? *
00:48:09	* All l'd say is *
00:48:11	* Though my choo-choo
00:48:12	* l'd give my life
00:48:14	- * And? *
00:48:16	- * What? *
00:48:18	- * And? *
00:48:20	- * What? *
00:48:21	- * And what? *
00:48:23	- * Yeah? *
00:48:25	* When? *
00:48:25	* When we both
00:48:29	* Understandable *
00:48:31	* Understandable *
00:48:33	* Yes, it's perfectly
00:48:37	* Comprehensible *
00:48:39	* Comprehensible *
00:48:42	* Not a bit reprehensible *
00:48:45	* lt's so defensible *
00:48:55	* Oh, yes, oh, yes,
00:48:59	* Oh, yes, they both, oh, yes,
00:49:04	Let me hear it.
00:49:05	* The gun, the gun *
00:49:06	* Oh, yes, they both reached
00:49:09	* A little louder *
00:49:11	* Oh, yes, oh, yes,
00:49:13	* Oh, yes, they both, oh, yes,
00:49:15	* The gun, the gun,
00:49:17	* Oh, yes, they both reached
00:49:19	* Now you got it *
00:49:20	* Oh, yes, oh, yes,
00:49:22	* Oh, yes, they both, oh, yes,
00:49:24	* The gun, the gun,
00:49:26	* Oh, yes, they both reached
00:49:29	* Oh, yes, oh, yes,
00:49:31	* Oh, yes, they both, oh, yes,
00:49:34	* The gun, the gun,
00:49:35	* The gun, the gun,
00:49:37	* The gun, the gun,
00:49:38	* The gun, the gun,
00:49:40	* Both reached for the *
00:49:48	* Gun *
00:49:56	* Both reached for the gun *
00:50:02	Move over, AI Capone.
00:50:04	The Windy City has taken
00:50:07	The name on everybody's Iips
00:50:10	The sweetest IittIe Iady ever
00:50:13	Women want to Iook Iike her.
00:50:16	Some IittIe girIs
00:50:19	Don't get any ideas,
00:50:21	On the other side of town . . .
00:50:23	the assistant D.A. promises
00:50:25	wiII swing
00:50:28	Who knows?
00:50:29	If he Iives up to his word ,
00:50:31	might become
00:50:34	Back at the scene
00:50:36	everybody wants
00:50:40	This jar of coId cream
00:50:44	Maybe this pretty IittIe Iady
00:50:45	wiII get some
00:50:48	It seems everybody these days
00:50:56	Take those wiIting fIowers
00:50:58	and make sure they know
00:51:01	So, kiddo, given any thought
00:51:04	after BiIIy gets you off?
00:51:06	I think I'd Iike to go
00:51:08	I figured as much .
00:51:10	I aIready caIIed
00:51:12	ReaIIy?
00:51:13	How much is that
00:51:15	My standard deaI .
00:51:18	Yeah , weII , we'II see, Mama.
00:51:20	Besides, I don't even have
00:51:23	KiIIing Fred CaseIy
00:51:25	Those stiffs in the audience
00:51:26	want to say they saw
00:51:28	That's a freak act.
00:51:30	And besides,
00:51:34	WeII , of course you are,
00:51:36	You can be as big as
00:51:38	You reaIIy think so?
00:51:40	Bigger than Cantor
00:51:42	I aIways wanted to have my name
00:51:45	Before I met Amos. . .
00:51:47	I used to date this
00:51:50	He used to Iike to take me out
00:51:53	UgIy guys Iike to do that.
00:51:58	Once it said in the paper:
00:52:00	''GangIand's AI CapeIIi
00:52:03	with cute bIond chorine.''
00:52:05	That was me.
00:52:07	I cIipped it, and I saved it.
00:52:10	You know, aII my Iife,
00:52:15	But, no. No, no.
00:52:17	They aIways turned me down .
00:52:19	One big worId fuII of ''no.''
00:52:25	And then Amos came aIong .
00:52:29	Safe, sweet Amos. . .
00:52:33	. . .who never says no.
00:52:40	I've never done this before.
00:52:42	But, you know,
00:52:45	You are such a great audience!
00:52:48	[ Cheers and appIause ]
00:52:49	And I reaIIy feeI Iike I can
00:52:56	So forget what
00:52:59	Forget what you've heard
00:53:03	I'm gonna teII you the truth .
00:53:06	Not that
00:53:09	[ Rim shot, Iaughter ]
00:53:10	But I'm gonna teII you anyway.
00:53:14	In the bed department. . .
00:53:17	Amos was zero.
00:53:21	[ Laughter ]
00:53:22	When he made Iove to me. . .
00:53:25	it was Iike he was fixing
00:53:29	[ Imitating Amos ]
00:53:33	[ Laughter ]
00:53:34	Anyway,
00:53:39	Then I started
00:53:41	which is fooIing around
00:53:45	[ Rim shot, Iaughter ]
00:53:46	Then I met Fred CaseIy. . .
00:53:49	who said that he couId get me
00:53:53	. . .but that didn't quite
00:53:57	I guess it didn't reaIIy work
00:54:00	[ Rim shot, Iaughter ]
00:54:01	So I gave up
00:54:03	because you kinda figure
00:54:08	. . .opportunity's just
00:54:10	* But it ain't *
00:54:12	* Oh, no, no, no, no,
00:54:16	And now?
00:54:18	WeII , if this FIynn guy
00:54:21	with aII this pubIicity. . .
00:54:23	I got me a worId fuII of ''yes!''
00:54:26	* The name
00:54:30	* ls gonna be Ro xie *
00:54:33	* The lady
00:54:37	* ls gonna be Ro xie *
00:54:40	* l'm gonna be a celebrity *
00:54:43	* That means
00:54:47	* They're gonna recognize
00:54:51	* My hair, my teeth,
00:54:58	* From just some
00:55:02	* l'm gonna be Ro xie *
00:55:06	* Who says that murder's
00:55:13	* And who,
00:55:16	* Can say she started
00:55:22	* Ro xie Hart *
00:55:44	* Boys *
00:55:46	* They're gonna wait outside
00:55:50	* To get to see *
00:55:51	- * Ro xie *
00:55:53	* Think of those autographs
00:55:57	* ''Good luck to you'' *
00:55:59	* Ro xie *
00:56:00	* And l'll appear
00:56:03	* That goes all the way
00:56:08	* Here a ring, there a ring,
00:56:11	* But always
00:56:17	I'm a star.
00:56:20	And the audience Ioves me,
00:56:25	And they Iove me
00:56:28	And I Iove them for Ioving me.
00:56:31	And we Iove each other.
00:56:35	And that's 'cause none of us got
00:56:39	And that's show biz. . .
00:56:43	. . .kid .
00:56:46	* She's givin' up
00:56:50	- * l'm gonna be -- Sing it *
00:56:53	* She made a scandal
00:56:59	* And Sophie Tucker
00:57:03	* To see her name
00:57:08	* Ro xie Hart *
00:57:40	I can't take it anymore.
00:57:42	You can't go anywhere without
00:57:47	Oh , no, Mama, not you , too.
00:57:51	I have some bad news.
00:57:54	What?
00:57:55	Your name's been
00:57:57	AII you read about today
00:57:59	She's hot.
00:58:02	And what am I
00:58:05	Suck up to her
00:58:08	It couIdn't hurt.
00:58:09	Over my dead body.
00:58:13	Mind if I join you?
00:58:14	[ CIicking , feedback ]
00:58:16	MAN :
00:58:19	Smoke?
00:58:23	Look what
00:58:25	TripIe-cream carameIs
00:58:31	I'm watching my figure.
00:58:32	You know, the triaI .
00:58:37	Hey, great mention of you
00:58:40	You know,
00:58:42	I just can't keep track.
00:58:46	Did I teII you , you are exactIy
00:58:50	You'd fit into her costumes
00:58:53	ReaIIy?
00:58:54	Yeah . I was thinking
00:58:57	that's piIed up between us,
00:59:00	we'd be a naturaI
00:59:03	You think so, huh?
00:59:07	[ CIicking , feedback ]
00:59:09	BANDLEADER:
00:59:10	Miss VeIma KeIIy
00:59:15	* My sister and l had an act
00:59:20	* My sister and l were headed
00:59:25	* My sister and l earned
00:59:29	* Oh, yeah *
00:59:31	* But my sister
00:59:36	* l know it's sad, of course *
00:59:38	* But a fact is still a fact *
00:59:42	* And now all that remains
00:59:47	* Of a perfect *
00:59:49	* Double *
00:59:51	* Act *
00:59:53	Watch this.
00:59:55	You have to imagine it
00:59:57	It's sweII with two peopIe.
01:00:00	* First l'd *
01:00:04	* Then she'd *
01:00:08	* Then we'd *
01:00:12	* But l can't do it alone *
01:00:14	* Then she'd *
01:00:19	* Then l'd *
01:00:23	* Then we'd *
01:00:27	* But l can't do it alone *
01:00:29	* She'd say,
01:00:32	* l'd say, ''Men'' *
01:00:34	* She'd say,
01:00:37	* Then we'd
01:00:39	* When she'd go *
01:00:44	* l'd go *
01:00:48	* We'd go *
01:00:53	* Then those dingdong daddies
01:00:57	* Whistled, stomped,
01:01:00	* Yelling, screaming,
01:01:03	* And we'd say, ''Okay, fellas,
01:01:06	* 'Cause you ain't seen
01:01:18	* But l simply cannot do it *
01:01:21	* Alone *
01:01:24	So, what do you think, huh?
01:01:26	Come on , you can say.
01:01:34	I know. You're right.
01:01:36	But the second part. . .
01:01:39	is reaIIy nifty.
01:01:41	Okay.
01:01:42	* She'd go *
01:01:49	* l'd go *
01:01:56	* We'd go *
01:02:08	* And then those two-bit
01:02:12	* To cheer the best attraction
01:02:14	* They nearly tore
01:02:17	* And we'd say, ''Okay, boys,
01:02:21	* But before we go, here's
01:02:24	* And this we did
01:02:36	* Now you've seen me
01:02:39	* You may think
01:02:42	* But l simply cannot do it *
01:02:47	* Alone *
01:02:55	So, where was the part
01:02:59	Okay, Roxie,
01:03:01	Oh , no, no, no.
01:03:03	You think you're fooIing me?
01:03:05	You're aII washed up,
01:03:08	And I'm a big star.
01:03:11	SingIe.
01:03:12	Oh , I aImost forgot.
01:03:14	You were in the paper
01:03:17	in the back,
01:03:20	''VeIma KeIIy's triaI has been
01:03:27	Seven words. Wow.
01:03:32	Oh . Here's a IittIe piece
01:03:35	Direct from me to you .
01:03:37	Lay off the carameIs.
01:03:50	BANDLEADER: And now, for aII you
01:03:53	You night owIs who onIy
01:03:56	We dedicate this tune.
01:03:59	''Chicago After Midnight.''
01:04:09	BILLY: This aII took pIace
01:04:12	IncredibIe. IncredibIe.
01:04:15	AII right. Yeah .
01:04:19	They just arrested this woman
01:04:23	ReaIIy?
01:04:23	Get this.
01:04:26	What?
01:04:27	AII the famiIy's in . . .
01:04:28	pineappIes, grapefruits,
01:04:31	So anyhow, this dame,
01:04:35	she's pIaying house
01:04:38	in an apartment
01:04:40	What Harry does for a Iiving ,
01:04:42	but it doesn't matter
01:04:45	Anyhow,
01:04:47	Harry's in bed ,
01:04:49	She goes to change.
01:04:51	When she returns, she notices
01:04:57	ExtremeIy odd .
01:05:04	Kitty disappears for a second .
01:05:08	When she returns,
01:05:12	[ Laughter ]
01:05:13	Harry says, ''What? I'm aIone.''
01:05:16	She says, ''AIone?
01:05:17	You got two other women
01:05:20	So, get this.
01:05:24	You gonna beIieve what you see
01:05:26	[ Laughter ]
01:05:36	Good night, foIks.
01:05:42	Give us the Iine!
01:05:44	Give us the Iine!
01:05:46	Miss Sunshine.
01:05:49	I wonder if you wouIdn't mind
01:05:51	Sure, I'II say three.
01:05:54	PIease direct your questions
01:05:57	You're not my counseI ,
01:05:59	It's not your money.
01:06:01	MARY SUNSHINE :
01:06:03	Sure, I'm sorry.
01:06:04	Sorry I got caught.
01:06:07	-Oh , Miss Sunshine?
01:06:09	I got a Ietter from a guy.
01:06:10	He says he's going on a hunger
01:06:13	That's nice, dear.
01:06:14	Miss Baxter?
01:06:15	Did you know
01:06:19	Did I know these two Iadies?
01:06:22	Yeah , that's my --
01:06:27	She's very high-spirited ,
01:06:28	Miss Baxter?
01:06:30	Oh , hey, Mr. FIynn !
01:06:32	Mr. FIynn !
01:06:33	-Yeah , hi , Trixie.
01:06:35	Yeah , sure,
01:06:37	Did you get my triaI date yet?
01:06:39	Listen , kid . . .
01:06:40	I'm at the top
01:06:42	Go to heII !
01:06:43	Boy, what a heIIion , huh?
01:06:46	She's a sociaIite, too.
01:06:48	Her mother owns
01:06:49	What the heII do I care
01:06:51	-AII right.
01:06:55	Miss Baxter wiII answer
01:06:57	Afterwards, I'II be happy to
01:07:06	VELMA:
01:07:08	J . Edgar Hoover couIdn't find
01:07:18	Mr. FIynn !
01:07:22	BILLY: Someone open this door
01:07:24	MARY SUNSHINE : Oh , my God !
01:07:29	Oh ! Oh , no.
01:07:33	Oh , I onIy hope
01:07:38	Baby?
01:07:39	Shit!
01:07:46	Roxie, when did
01:08:10	WeII , Doc,
01:08:13	She is.
01:08:17	WouId you swear
01:08:20	Yes.
01:08:21	Good .
01:08:22	Button your fIy.
01:08:35	I wouId just Iike to
01:08:38	my own Iife
01:08:40	just that of my unborn chiId .
01:08:43	You poor dear, to have
01:08:46	My readers won't stand for it.
01:08:48	I can assure you
01:08:50	She'II come to triaI
01:08:52	I think it's sweet.
01:08:54	First time we ever had
01:08:56	When is the baby due, Roxie?
01:09:02	I just heard the good news.
01:09:04	I'm the father!
01:09:07	Roxie, who's the father?
01:09:08	That question
01:09:10	How dare you insuIt
01:09:13	That's enough .
01:09:16	Roxie, honey!
01:09:18	It's me! Daddy!
01:09:20	It's Daddy!
01:09:23	Roxie, I came
01:09:39	* lf someone stood up
01:09:42	* And raised his voice up
01:09:44	* And waved his arm
01:09:48	* You'd notice him *
01:09:51	* lf someone in the movie show *
01:09:53	* Yelled,
01:09:56	* This whole place
01:09:59	* You'd notice him *
01:10:03	* And even without clucking
01:10:07	* Everyone gets noticed
01:10:11	* Unless, of course,
01:10:16	* lnvisible *
01:10:19	* lnconsequential *
01:10:23	* Me *
01:10:28	* Cellophane *
01:10:31	* Mister Cellophane *
01:10:34	* Shoulda been my name *
01:10:37	* Mister Cellophane *
01:10:40	* 'Cause you can look
01:10:43	* Walk right by me *
01:10:47	* And never know l'm there *
01:10:50	* l tell ya *
01:10:53	* Cellophane *
01:10:54	* Mister Cellophane *
01:10:57	* Shoulda been my name *
01:11:00	* Mister Cellophane *
01:11:03	* 'Cause you can look
01:11:07	* Walk right by me *
01:11:10	* And never know l'm there *
01:11:15	Oh . I didn't see you .
01:11:17	Sit down . Sit down .
01:11:21	Look, Andy, I'm afraid
01:11:24	And I can onIy hope
01:11:26	Amos. My name is Amos.
01:11:28	Who said it wasn't?
01:11:29	Oh , it was the kid's name
01:11:33	You know when she's due?
01:11:35	September.
01:11:36	Oh , but pass out
01:11:39	I don't want you
01:11:41	PeopIe what?
01:11:43	Laugh .
01:11:44	Laugh?
01:11:46	'Cause they can count.
01:11:48	Can you count?
01:11:49	September.
01:11:54	Here's a copy
01:11:57	from the D.A.'s office.
01:11:58	It says she hadn't copuIated
01:12:00	for four months
01:12:02	WeII , she wouId know.
01:12:04	Yeah , I guess we hadn't done
01:12:10	Wait a minute.
01:12:12	I couIdn't be the father.
01:12:15	Forget about that now.
01:12:17	You mean she needs
01:12:19	That's aII I ever been .
01:12:21	This time she's gone too far.
01:12:23	What are you gonna do?
01:12:26	You're damn right!
01:12:27	I'II divorce her!
01:12:31	She probabIy won't even notice.
01:12:33	[ Intercom buzzes ]
01:12:37	Yeah?
01:12:41	* A human being's made
01:12:45	* With all that bulk,
01:12:49	* Unless that human being
01:12:54	* ls unimpressive *
01:12:57	* Undistinguished *
01:12:59	* You *
01:13:01	* Know *
01:13:03	* Who *
01:13:05	You stiII here, Andy?
01:13:07	Yeah , I'm stiII here.
01:13:10	I think.
01:13:13	* Shoulda been my name *
01:13:16	* Mister Cellophane *
01:13:19	* 'Cause you can look
01:13:23	* Walk right by me *
01:13:26	* And never know l'm there *
01:13:29	* l tell ya *
01:13:32	* Cellophane *
01:13:34	* Mister Cellophane *
01:13:36	* Shoulda been my name *
01:13:39	* Mister Cellophane *
01:13:42	* 'Cause you can look
01:13:45	* Walk right by me *
01:13:48	* And never know l'm there *
01:13:54	* Never even *
01:13:57	* Know *
01:14:04	* l'm there *
01:14:13	I hope I didn't take up
01:14:21	I've been waiting 1 0 minutes.
01:14:23	This dress makes me Iook Iike
01:14:26	I'm not wearing this.
01:14:27	You're wearing it
01:14:29	When Andy's on the stand ,
01:14:31	Knitting?
01:14:34	-A baby garment.
01:14:36	Then Iearn .
01:14:36	That is no way
01:14:39	Oh , you don't need advice
01:14:40	Lookit here, Mr. Mouthpiece. . .
01:14:43	it seems to me
01:14:46	who's coming up
01:14:47	I am sick of everybody
01:14:50	You treat me Iike dirt.
01:14:52	You treat me Iike I'm some
01:14:55	But you are.
01:14:57	WeII , it's better than being
01:15:00	Who happens to be
01:15:02	Who's out for aII he can steaI !
01:15:04	Maybe you'd Iike
01:15:06	WeII , maybe I couId .
01:15:07	Have you read
01:15:09	They Iove me!
01:15:10	Wise up! They'd Iove you
01:15:12	You know why?
01:15:15	You're fired .
01:15:16	I quit.
01:15:18	Any Iawyer in this town
01:15:21	You are a phony ceIebrity.
01:15:25	In a coupIe of weeks, no one's
01:15:28	That's Chicago.
01:15:39	What happened?
01:15:41	It's the Hunyak.
01:15:43	She Iost her Iast appeaI .
01:15:45	So what's that mean?
01:15:47	WeII , that means that next week,
01:16:04	This is Mary Sunshine coming to
01:16:08	where history
01:16:11	KataIin HeIinski
01:16:14	in the state of IIIinois
01:16:18	And so, Iadies and gentIemen . . .
01:16:19	And now,
01:16:21	for your pIeasure
01:16:23	we proudIy present
01:16:26	and her famous
01:18:06	You know,
01:18:10	You cIear about everything
01:18:12	Yep. I've been up aII night
01:18:15	What do you do when Harrison
01:18:17	I sit stiII
01:18:19	never at the jury.
01:18:20	-And?
01:18:22	-And?
01:18:25	-And say nothing .
01:18:27	-That was the deaI , right?
01:18:28	You asked me back.
01:18:31	AbsoIuteIy, BiIIy.
01:18:34	Mr. FIynn .
01:18:36	Thank you .
01:18:38	You ready?
01:18:41	Yeah .
01:18:49	I'm scared .
01:18:53	Ah , don't be.
01:18:55	I've been around a Iong time.
01:18:57	BeIieve me. You got
01:19:02	It's aII a circus.
01:19:05	These triaIs, the whoIe worId .
01:19:09	It's aII show business.
01:19:13	But, kid . . .
01:19:16	You're working with a star.
01:19:24	* Give 'em
01:19:29	* Razzle dazzle 'em *
01:19:32	* Give 'em an act
01:19:36	* And the reaction
01:19:40	* Give 'em
01:19:44	* Bead and feather 'em *
01:19:48	* How can they see
01:19:56	* What if your hinges
01:20:00	* What if, in fact,
01:20:04	* Razzle dazzle 'em *
01:20:06	* And they'll never catch wise *
01:20:24	* Give 'em
01:20:28	* Razzle dazzle 'em *
01:20:31	* Give 'em a show
01:20:36	* Row after row
01:20:40	* Give 'em
01:20:44	* Fool and fracture 'em *
01:20:47	* How can they hear the truth
01:20:55	* Throw 'em a fake
01:20:59	* They'll never know
01:21:04	* Razzle dazzle 'em *
01:21:05	* And they'll beg you for more *
01:21:11	-I object!
01:21:13	Your Honor, I haven't even
01:21:26	* Give 'em
01:21:30	* Daze and dizzy 'em *
01:21:34	* Back since the days
01:21:38	* Everyone loves
01:21:43	* Give 'em
01:21:47	* Stun and stagger 'em *
01:21:51	* When you're in trouble,
01:21:58	* Though you are stiffer
01:22:02	* They'll let you get away
01:22:07	* Razzle dazzle 'em *
01:22:09	* And you got a romance *
01:22:13	HeIIo, Amos.
01:22:15	Amos.
01:22:16	That's right, Mr. FIynn .
01:22:18	Amos, when did you fiIe suit
01:22:21	A month ago.
01:22:22	Was there any reason
01:22:24	I'II say.
01:22:25	The newspapers said Roxie
01:22:29	That's hardIy grounds
01:22:31	A IittIe too much
01:22:34	You mean you doubted
01:22:38	WeII , sure.
01:22:39	TeII me, Amos.
01:22:41	Yes, sir, every night.
01:22:42	And you expect
01:22:44	that you sIept
01:22:47	without exercising your rights
01:22:49	WeII , I couId've
01:22:51	-Oh , but you didn't.
01:22:53	-Did what?
01:22:54	-But you didn't.
01:22:56	-What you wanted .
01:22:58	Did you ever question
01:23:03	Did you ask her if you were
01:23:06	No, sir.
01:23:07	But if you became convinced
01:23:09	you'd be man enough to admit it.
01:23:12	You'd take her back
01:23:15	that you were the father.
01:23:16	-Which she does.
01:23:21	She does! She does!
01:23:24	No more questions!
01:23:25	You can step down now.
01:23:27	WeII done, Andy.
01:23:30	Oh , Roxie, I'm so sorry.
01:23:38	ALL: Aw!
01:23:39	[ AppIause ]
01:23:45	* Give 'em
01:23:49	* Razzle dazzle 'em *
01:23:53	* Show 'em the first-rate
01:24:00	* Long as you keep 'em
01:24:04	* How can they spot
01:24:08	* Razzle dazzle 'em *
01:24:15	This is the moment
01:24:18	Roxie Hart
01:24:20	in her own defense.
01:24:23	* And they'll make you
01:24:34	Order! Order!
01:24:39	Proceed , Mr. FIynn .
01:24:41	Roxie,
01:24:43	in which you admit to having
01:24:46	with the deceased ,
01:24:47	Is this true or faIse?
01:24:49	I'm afraid that's true.
01:24:50	You're an honest girI , Roxie.
01:24:52	When did you first meet
01:24:55	When he soId Amos and me
01:24:58	Your personaI reIationship
01:24:59	couId you teII the jury
01:25:01	When I permitted him
01:25:05	I don't think
01:25:07	if Mr. Hart and me hadn't
01:25:10	-QuarreIed?
01:25:11	WeII , I suppose
01:25:14	Oh , no, sir.
01:25:16	I suppose I just couIdn't stop
01:25:19	Pestering him?
01:25:21	I didn't Iike him working
01:25:24	I wanted him home with me. . .
01:25:26	to darn his socks
01:25:29	I wanted a reaI home
01:25:32	So you drifted
01:25:34	because you were unhappy
01:25:36	Yes. I was most unhappy.
01:25:41	Roxie Hart!
01:25:42	The state has accused you
01:25:45	Are you guiIty or not guiIty?
01:25:47	I'm not guiIty.
01:25:50	I kiIIed him .
01:25:53	I'm not a criminaI !
01:26:02	Do you recaII
01:26:05	CouId you teII the jury,
01:26:08	the happenings of that night?
01:26:09	WeII , when Fred came over,
01:26:14	And what was that?
01:26:16	That me and Amos
01:26:19	And that it was aII over
01:26:22	What happened then?
01:26:23	WeII , then . . .
01:26:28	Then . . .
01:26:30	Did he threaten you , Roxie?
01:26:32	Objection , Your Honor.
01:26:34	Sustained .
01:26:38	What did CaseIy say
01:26:43	''I'II kiII you before I'II see
01:26:46	CouId you teII the audience --
01:26:49	WeII , in his passion ,
01:26:52	and he threw me on the bed .
01:26:54	And Mr. Hart's pistoI
01:26:57	And then?
01:26:58	We both reached for the gun ,
01:27:01	Then he came toward me with
01:27:04	He was angry and wiId !
01:27:06	-WiId !
01:27:08	Did you think
01:27:09	Oh , yes, sir.
01:27:11	So it was his Iife or yours?
01:27:12	And not just mine.
01:27:14	I cIosed my eyes, and I shot!
01:27:17	In defense of your Iife!
01:27:18	To save my husband's
01:27:25	[ AII gasping ]
01:27:26	[ Indistinct shouting ]
01:27:27	-Roxie!
01:27:30	What a buII's-eye, huh?
01:27:32	Order in this court!
01:27:35	I'II cIear this court
01:27:37	There's pandemonium
01:27:39	Order! BaiIiff!
01:27:41	Mrs. Hart's behavior
01:27:43	has been truIy extraordinary.
01:27:44	Yeah , I bet it has.
01:27:45	Opening her eyes,
01:27:47	with her attorney's
01:27:49	-Handkerchief?
01:27:52	She Iooks around bewiIdered ,
01:27:55	Oh , it's a gIass of water.
01:27:56	Oh , Mama, that was my bit!
01:27:58	I toId BiIIy I was gonna
01:28:00	But now her eyes
01:28:03	Mrs. Hart has fainted again .
01:28:05	Oh , jeez.
01:28:07	She sIumps over, her chiffon
01:28:09	reveaIing a gIimpse of a bIue
01:28:13	Oh , Mama, she stoIe my garter.
01:28:15	-She stoIe my garter!
01:28:18	First, the sIob
01:28:20	Then she steaIs my Iawyer,
01:28:22	Now my goddamn garter!
01:28:24	What do you expect?
01:28:25	These days
01:28:27	and it's good riddance
01:28:31	There ain't no justice
01:28:33	And there ain't nothing
01:28:35	Nerts to that.
01:28:37	You think I got you up here just
01:28:40	PeopIe write some
01:28:43	when they think
01:28:52	Oh , Mama.
01:28:56	The state
01:28:59	[ Spectators murmuring ]
01:29:09	Left hand on the BibIe,
01:29:11	You swear to teII the truth ,
01:29:13	And then some.
01:29:15	Have a seat.
01:29:17	WouId you state your name
01:29:19	VeIma KeIIy.
01:29:20	Miss KeIIy,
01:29:22	if the object I am hoIding
01:29:24	you happened to come upon
01:29:26	Yes, it is.
01:29:28	I submit this as Exhibit ''X.''
01:29:30	Roxie Hart's diary.
01:29:32	I object!
01:29:33	My cIient has never kept
01:29:35	And even if she did , this
01:29:38	in vioIation
01:29:39	and iIIegaI search
01:29:41	Yeah .
01:29:43	[ Laughter, gaveI banging ]
01:29:45	Order! Order!
01:29:47	WeII , that settIes that.
01:29:50	What's the big deaI?
01:29:53	If you wouId read
01:29:56	I haven't worked in a whiIe.
01:29:59	''What a Iaugh ,
01:30:03	The big baboon had it coming .
01:30:05	I'm just sorry
01:30:09	I never wrote that!
01:30:10	You . . .
01:30:11	Hey, she made that up!
01:30:13	-Order! Order!
01:30:16	PIease, Mr. FIynn ,
01:30:19	I'm sorry, Your Honor.
01:30:21	Sit down . Shut up.
01:30:24	I have no more questions.
01:30:27	Your witness, Mr. FIynn .
01:30:31	Ladies and gentIemen ,
01:30:40	Miss KeIIy, did you make a deaI
01:30:44	Maybe to drop
01:30:46	in exchange for testifying?
01:30:48	WeII , sure.
01:30:50	[ Laughter ]
01:30:52	Good . Good .
01:30:54	Since you gave
01:30:57	for Mr. Harrison , maybe
01:31:00	-I'd be deIighted .
01:31:04	''Fred CaseIy assured me
01:31:06	he'd get me an audition
01:31:09	Then he reneged on his pIedge,
01:31:11	and that was my motive
01:31:14	Pretty fancy way of saying
01:31:16	who weIshed on a deaI ,
01:31:22	''Amos accused me
01:31:24	so I toId him that the charge
01:31:28	Objection , Your Honor!
01:31:30	Mr. FIynn is twisting
01:31:31	to draw concIusions
01:31:34	-Erroneous?
01:31:35	[ Laughter, gaveI banging ]
01:31:37	Order! Order!
01:31:41	Miss KeIIy, do you know
01:31:44	-Yes, I do.
01:31:46	Yes.
01:31:48	If it turns out that you knew
01:31:51	I'd hate to think of you rotting
01:31:54	Since you won your freedom .
01:31:55	Look, aII I know
01:32:02	Oh , so, aII right.
01:32:03	So you didn't find
01:32:08	No.
01:32:10	Mama -- Miss Morton
01:32:13	She said someone sent it to her.
01:32:14	Someone? Any idea who this
01:32:18	No. She didn't know.
01:32:20	AII right, Iet's see
01:32:22	Someone who writes
01:32:27	and erroneous charges.
01:32:30	CaII me crazy. Doesn't that
01:32:32	A Iawyer who had a sampIe
01:32:37	Mr. Harrison ,
01:32:39	to write out a confession?
01:32:41	Yes. You're not suggesting
01:32:44	No. I wouIdn't.
01:32:47	No. That's thoroughIy
01:32:50	Now that you mention it. . .
01:32:52	Your Honor,
01:32:53	I know. I agree.
01:32:55	To even suggest
01:32:57	wouId make a thieves' bargain
01:32:59	then fabricate the very evidence
01:33:02	Just so you can win
01:33:04	and move one step cIoser
01:33:07	Why, it's simpIy beyond
01:33:10	I'II hoId you in contempt!
01:33:12	No, it is not even conceivabIe!
01:33:14	But if it were,
01:33:17	''Come cIean , Mr. Harrison''?
01:33:20	Even in Chicago, this kind
01:33:23	WiII not stand !
01:33:24	That's enough , Mr. FIynn !
01:33:26	I agree, Your Honor!
01:33:27	It is enough !
01:33:30	The defense rests.
01:33:32	[ Rim shot, cymbaIs crash ]
01:33:37	Ladies and gentIemen ,
01:33:40	reporting Iive from
01:33:43	The city of Chicago has come
01:33:47	as the triaI of the century
01:33:51	Mrs. Hart sits quietIy
01:33:54	Hands foIded .
01:33:55	Wondering what fate
01:33:58	And now a hush
01:34:01	as the 1 2 men of the jury fiIe
01:34:04	[ GaveI banging ]
01:34:06	GentIemen of the jury,
01:34:11	We have, Your Honor.
01:34:13	The jury has reached
01:34:16	WiII the defendant pIease rise?
01:34:21	What is your verdict?
01:34:24	We, the jury,
01:34:40	Roxie Hart is innocent!
01:34:43	Get your paper!
01:34:44	Roxie Hart is free!
01:34:46	[ Gunshots, screaming ]
01:35:04	Come on ! Move it!
01:35:05	First she shoots the husband ,
01:35:13	Don't you want
01:35:17	I'm the famous Roxie Hart.
01:35:20	Hey, what happened?
01:35:21	BiIIy, what the heII happened?
01:35:24	This is Chicago, kid .
01:35:26	You can't beat fresh bIood
01:35:27	But my pubIicity, BiIIy.
01:35:30	I was counting on that.
01:35:31	Your gratitude
01:35:33	I just saved your Iife.
01:35:34	Yeah , and you got $5,000.
01:35:36	And what do I get?
01:35:38	It's $ 1 0,000
01:35:40	I get nothing?
01:35:42	Oh , don't forget
01:35:45	Hope you don't mind .
01:35:52	Sorry I couIdn't teII you .
01:35:54	CouIdn't take a chance.
01:35:57	I never Iost a case.
01:36:02	You're a free woman ,
01:36:06	And God save IIIinois.
01:36:22	What do you want?
01:36:25	I want you to come home.
01:36:27	You said you stiII wanted to.
01:36:31	Baby? What baby?
01:36:35	Oh , Jesus.
01:36:39	What do you take me for?
01:36:41	There ain't no baby.
01:36:45	There ain't no baby?
01:36:52	They didn't even want
01:36:55	I can't understand that.
01:37:05	Why didn't they even want
01:37:17	* lt's good *
01:37:19	* lsn't it grand? *
01:37:22	* lsn't it great? *
01:37:24	* lsn't it swell? *
01:37:27	* lsn't it fun? *
01:37:30	* lsn't it? *
01:37:32	* Nowadays *
01:37:35	Ladies and gentIemen . . .
01:37:37	Miss Roxie Hart says
01:37:44	* There's men everywhere *
01:37:47	* Jazz everywhere *
01:37:50	* Booze everywhere *
01:37:52	* Life everywhere *
01:37:55	* Joy everywhere *
01:37:58	* Nowadays *
01:38:03	* You can like
01:38:09	* You can live
01:38:13	* You can even marry Harry *
01:38:19	* But mess around with lke *
01:38:23	* And that's good *
01:38:26	* lsn't it grand? *
01:38:28	* lsn't it great? *
01:38:30	* lsn't it swell? *
01:38:33	* lsn't it fun? *
01:38:35	* lsn't it? *
01:38:37	* But nothing *
01:38:41	* Stays *
01:38:50	* You can like
01:38:55	* You can live
01:38:58	Didn't she kiII a guy
01:39:01	Ah , who can keep them
01:39:03	* But mess around with lke *
01:39:07	* And that's good *
01:39:08	* lsn't it grand? *
01:39:11	* lsn't it great? *
01:39:13	That's great!
01:39:15	We'II be in touch .
01:39:16	I'm not quite finished yet.
01:39:19	Wait, wait, wait.
01:39:21	I couId . . .
01:39:22	Just a second .
01:39:24	God damn it!
01:39:28	Thank you !
01:39:30	Here's the music, hon .
01:39:39	Thanks.
01:39:49	God damn it.
01:39:50	You know,
01:39:55	Yeah , that and a dime.
01:39:58	What are you doing here?
01:40:01	I heard you been
01:40:04	if it was up to you ,
01:40:06	I aIways knew
01:40:08	You shouId Iearn how
01:40:10	Oh , thank you .
01:40:11	I'II put that
01:40:13	Right after finding a job
01:40:16	Shut up and Iisten to me!
01:40:17	You reaIIy are something .
01:40:19	Coming in here
01:40:22	AII fuII of advice
01:40:26	Let me teII you something ,
01:40:29	I got a new Iife now.
01:40:31	One of the best things about it
01:40:34	I thought we couId heIp
01:40:36	You thought wrong , didn't you?
01:40:37	Listen to me.
01:40:39	I taIked to this guy downtown .
01:40:42	He said one jazz kiIIer
01:40:45	but two. . .
01:40:55	We couId make
01:40:57	Think about it, Roxie.
01:40:59	Our faces back in the papers.
01:41:02	VeIma KeIIy and Roxie Hart.
01:41:05	ShouIdn't it be aIphabeticaI?
01:41:07	That couId work.
01:41:09	CoupIe hundred?
01:41:11	Maybe we couId ask for a thou .
01:41:13	We're worth it.
01:41:16	Forget it.
01:41:18	It'II never work.
01:41:20	Why not?
01:41:21	'Cause I hate you .
01:41:23	There's onIy one business
01:41:25	where that's no probIem
01:41:36	Ladies and gentIemen . . .
01:41:38	the Chicago Theater
01:41:41	The first time anywhere there's
01:41:46	Not onIy one IittIe Iady.
01:41:48	You've read about them
01:41:51	And now here they are.
01:41:52	Chicago's own kiIIer-diIIers.
01:41:57	Roxie Hart and VeIma KeIIy!
01:42:00	[ Cheers and appIause ]
01:42:01	* You can like
01:42:07	* You can live
01:42:11	* You can even marry Harry *
01:42:17	* But mess around with lke *
01:42:21	* And that's good *
01:42:23	* lsn't it grand? *
01:42:26	* lsn't it great? *
01:42:28	* lsn't it swell? *
01:42:30	* lsn't it fun? *
01:42:32	* lsn't it? *
01:42:34	* But nothing stays *
01:42:39	* ln 50 years or so *
01:42:43	* lt's gonna change, you know *
01:42:47	* But, oh, it's heaven *
01:42:53	* Nowadays *
01:42:57	Okay, you babes of jazz,
01:43:00	Let's make the parties Ionger,
01:43:03	Let's aII go to heII
01:43:05	[ Cheers and appIause ]
01:43:28	[ AppIause ]
01:43:57	[ Cheers ]
01:44:00	[ Laughter ]
01:44:44	[ Cheers, whistIing ]
01:45:03	Me and Roxie, we'd just Iike
01:45:07	Thank you !
01:45:09	BeIieve us, we couId not
01:45:15	* And all *
01:45:17	* That *
01:45:22	* Jazz *
01:45:32	* That jazz *
01:45:37	5, 6, 7, 8. . .
01:47:05	* While truckin' down
01:47:10	* Although all hope
01:47:14	* l just move on *
01:47:25	* When l can't find
01:47:29	* To hang my wish upon *
01:47:33	* l just move on *
01:47:36	* l move on *
01:47:43	* l run so fast *
01:47:46	* A shotgun blast *
01:47:48	* Can hurt me not one bit *
01:47:51	* l'm on my toes *
01:47:54	* 'Cause heaven knows *
01:47:56	* A moving target's
01:48:07	* So as we play an ice ballet *
01:48:12	* We're not the dying swan *
01:48:15	* We just move on *
01:48:19	* We move on *
01:48:26	* Just when it seems *
01:48:29	* We're out of dreams *
01:48:31	* And things
01:48:34	* We don't despair *
01:48:36	* We don't go there *
01:48:38	* We hang our bonnets
01:48:51	* So there's no doubt *
01:48:54	* We're well cut out *
01:48:56	* To run life's marathon *
01:48:59	* We just move on *
01:49:03	* We just move on *
01:49:07	* So fleet of foot *
01:49:09	* We can't stay put *
01:49:11	* We just move on *
01:49:14	* Yes, we move on *
01:49:38	* Come on, babe,
01:49:44	* And all that jazz? *
01:49:45	* l'm gonna rouge my knees
01:49:52	* And all that jazz *
01:49:54	* Start the car,
01:49:58	* Where the gin is cold,
01:50:01	* lt's just a noisy hall
01:50:06	* And all *
01:50:08	* That *
01:50:10	* Jazz *
01:50:21	* Find a flask,
01:50:25	* And all that jazz *
01:50:27	* Right up here
01:50:32	* And all that jazz *
01:50:34	* Come on, babe,
01:50:37	* l betcha Lucky Lindy
01:50:41	* 'Cause in the stratosphere,
01:50:44	* To all *
01:50:47	* That *
01:50:48	* Jazz? *
01:50:52	* Oh, you're gonna see
01:50:57	* And all that jazz *
01:50:59	* Oh, she's gonna shimmy
01:51:03	* And all that jazz *
01:51:06	* Show her
01:51:09	* Oh, her mother's blood
01:51:12	* lf she'd hear
01:51:15	* For all *
01:51:17	* That *
01:51:19	* Jazz *
01:51:25	* Come on, babe,
01:51:29	* And all that jazz? *
01:51:31	* l'm gonna rouge my knees
01:51:35	* And all that jazz *
01:51:39	* Start the car,
01:51:42	* Where the gin is cold,
01:51:45	* lt's just a noisy hall
01:51:48	* And all *
01:51:50	* That *
01:51:52	* Jazz *
01:51:59	* No, l'm no one's wife *
01:52:01	* But, oh, l love my life *
01:52:05	* And all *
01:52:09	* That *
01:52:13	* Jazz *
01:52:17	* That jazz *

Chicago