|
Chihwaseon Strokes of Fire
|
| 00:00:56 |
Drink! |
| 00:02:08 |
Starring Choi Min-Sik |
| 00:02:11 |
Ann Sung-Ki |
| 00:02:14 |
Yoo Ho-Jung |
| 00:02:16 |
Kim Yuh-Jin, Son Yeah-Jin |
| 00:02:20 |
Director of Photography |
| 00:02:51 |
Directed by lm Kwon Taek |
| 00:03:12 |
Here it is, mounted. |
| 00:03:18 |
What talent! |
| 00:03:20 |
It emanates divine strength, |
| 00:03:26 |
He seems to paint by the rules, |
| 00:03:30 |
He follows and breaks them |
| 00:03:34 |
One stroke is worth ten thousand. |
| 00:03:39 |
What do rules have to do |
| 00:03:44 |
Crazy yokel! |
| 00:03:48 |
How can a bumpkin dauber claim |
| 00:03:53 |
You'll waste your life believing |
| 00:04:01 |
In 1882, the Chosun dynasty is ending. |
| 00:04:05 |
The Koreans are rebelling against |
| 00:04:11 |
The country is in decline. These were |
| 00:04:21 |
We've been expecting you. |
| 00:04:25 |
Mr. Kaiura is Japanese. |
| 00:04:29 |
I brought him here because he longs |
| 00:04:42 |
I admire you. |
| 00:04:53 |
He hears you like good drink. |
| 00:04:56 |
It's good. |
| 00:05:03 |
Thank you for the wine. |
| 00:05:06 |
But do you really want |
| 00:05:09 |
by a vulgar Korean |
| 00:05:12 |
Don't be so arrogant! |
| 00:05:14 |
Many artists would die |
| 00:05:19 |
Mr. Kaiura genuinely |
| 00:05:45 |
He knows you're a commoner. |
| 00:05:52 |
My poor friend! |
| 00:06:01 |
Give me that! |
| 00:06:04 |
You snotnose brat! Get up! |
| 00:06:08 |
- You there! What are you doing? |
| 00:06:10 |
- Do you want to die? Filthy brat! |
| 00:06:26 |
He's the beggars' leader. |
| 00:06:33 |
like a younger brother. |
| 00:06:38 |
He got her pregnant. |
| 00:06:41 |
I did the drawing to comfort her. |
| 00:06:48 |
Father! Seung-ub is running away |
| 00:06:55 |
Let him go. The rules of a noble |
| 00:07:00 |
and he must have realized |
| 00:07:11 |
Where are your rolls of paper? |
| 00:07:13 |
All sold out. |
| 00:07:17 |
We're out of stock. |
| 00:07:20 |
If you want writing paper, |
| 00:07:25 |
I'll come back. |
| 00:07:35 |
Master! |
| 00:07:39 |
Is it me you're calling? |
| 00:07:41 |
Aren't you master Kim from Hyoja village? |
| 00:07:47 |
Once, by Chungye River, |
| 00:07:53 |
Seung-ub? Is it you? |
| 00:07:56 |
What brings you to |
| 00:08:00 |
- I moved out here last summer. |
| 00:08:07 |
Are those your paintings |
| 00:08:11 |
Yes. I found work with a rotten boss |
| 00:08:29 |
Master, please accept my respects. |
| 00:08:32 |
This boy is gifted. |
| 00:08:37 |
He may grow up to become |
| 00:08:43 |
Take him as your pupil. |
| 00:08:46 |
Hold the brush as if |
| 00:08:50 |
Hold it tight with all five fingers. |
| 00:08:53 |
From fingers to brush, from brush |
| 00:09:00 |
First, lay out the "bone structure". |
| 00:09:03 |
Every stroke, structure. |
| 00:09:08 |
Next, the shading. |
| 00:09:11 |
Shading brings distance |
| 00:09:57 |
Three years later. |
| 00:10:01 |
Is that you, Seung-ub? |
| 00:10:09 |
After barely a year he had a stroke. |
| 00:10:14 |
I kept house and farmed for him. |
| 00:10:21 |
I've come straight from his funeral. |
| 00:10:28 |
He left me his flute. |
| 00:10:30 |
We'll never be stirred |
| 00:10:39 |
The flute was all he left you? |
| 00:10:45 |
He said every painter has to know |
| 00:10:50 |
he taught me the classics. |
| 00:10:57 |
It's been so long. |
| 00:10:59 |
I'd heard you were back from China. |
| 00:11:03 |
Thanks to you, it all went well. |
| 00:11:06 |
I bought this in China. |
| 00:11:09 |
"The Book of the Measure of Qi". |
| 00:11:11 |
The author is our own Hye-gang. |
| 00:11:17 |
We spurn the thoughts |
| 00:11:20 |
while he's admired abroad in China. |
| 00:11:25 |
What does he say in this book? |
| 00:11:29 |
He explains the mysteries |
| 00:11:31 |
how it irrigates our five senses |
| 00:11:42 |
That would be heresy here. |
| 00:11:46 |
That will be our country's downfall. |
| 00:11:49 |
Our ruling class must wake up to the |
| 00:11:56 |
I'll share this precious gift |
| 00:12:03 |
Introduce yourself. |
| 00:12:09 |
His name is Jang Seung-ub. |
| 00:12:14 |
Please take him as your servant. |
| 00:12:17 |
Show him original artworks |
| 00:12:36 |
What is it? |
| 00:12:56 |
The Master's youngest sister. |
| 00:13:00 |
Her frail health worries the family. |
| 00:13:05 |
She's a good, |
| 00:13:09 |
but she's always been ill |
| 00:13:45 |
This precious art album comes |
| 00:14:01 |
This was painted by Zhao Gan |
| 00:14:04 |
He worked at Nanjing |
| 00:14:10 |
This is by Ma He-zhi, |
| 00:14:45 |
On your knees, idler! |
| 00:14:51 |
Everybody works hard here. |
| 00:14:54 |
Fancy yourself as a painter, |
| 00:14:57 |
- All you want is a full belly. |
| 00:15:09 |
It's so real, it could tear |
| 00:15:24 |
You're hurt. |
| 00:15:27 |
Your hand, too. |
| 00:15:32 |
Such a precious hand... |
| 00:15:58 |
Hail to the groom! |
| 00:16:06 |
Hail to the bride! |
| 00:16:57 |
Come here, my boy! |
| 00:17:04 |
I've never shown anyone |
| 00:17:10 |
How did you contrive to copy it? |
| 00:17:13 |
I looked at it once... in secret. |
| 00:17:20 |
I'm harbouring a thief in my home. |
| 00:17:27 |
Compare the two. |
| 00:17:32 |
He painted it after looking at it once. |
| 00:17:35 |
Only the seal is missing. |
| 00:17:41 |
But, even more amazing than |
| 00:17:43 |
the copying look at that vivacity! |
| 00:17:47 |
His gifts of observation |
| 00:17:52 |
There are two birds in the original |
| 00:17:58 |
It looks so lonely and dismal. |
| 00:18:14 |
Not so long, damn it! |
| 00:18:18 |
Don't you recognize me? |
| 00:18:22 |
I heard you were working |
| 00:18:26 |
and now you're |
| 00:18:29 |
I've been drifting around |
| 00:18:34 |
- Bring me some wine. |
| 00:18:41 |
- Who are you? |
| 00:18:47 |
They say you made a perfect copy |
| 00:18:52 |
you'd seen only once. |
| 00:18:58 |
I'm meeting a genius. Delighted. |
| 00:19:04 |
My name is Oh Cheon-suk. |
| 00:19:06 |
I'm buying. Bring him food. |
| 00:19:11 |
These are copies of erotica. |
| 00:19:20 |
That's what sells best these days. |
| 00:19:23 |
Even famous artists like Danwon |
| 00:19:27 |
After all, pornography |
| 00:19:34 |
I'll wait until I'm famous, then. |
| 00:19:37 |
Nonsense! Chinese imitations |
| 00:19:41 |
If you paint what doesn't sell, |
| 00:19:47 |
So why look at them? |
| 00:19:54 |
- Choon-sim, come in. |
| 00:20:03 |
His talent is in your hands. |
| 00:20:09 |
Why are you trembling? |
| 00:20:12 |
It seems like your first time. |
| 00:20:42 |
Mister, this isn't me. |
| 00:21:24 |
I hear that copies of my collection |
| 00:21:32 |
You should be studying till your fingers |
| 00:21:54 |
This is the Footbridge Art School. |
| 00:21:57 |
Painters and scholars study here, |
| 00:22:08 |
Master Hyesan, |
| 00:22:12 |
He hasn't studied long but |
| 00:22:19 |
So you're the one who copied |
| 00:22:31 |
Let's go in. |
| 00:22:32 |
Welcome. Please go upstairs. |
| 00:22:35 |
A bankrupt merchant opened this tavern. |
| 00:22:41 |
This is Mongam. |
| 00:22:46 |
And this young man is Doncho. |
| 00:22:50 |
My name is Songhyun. |
| 00:22:58 |
You know Su Tung-po, |
| 00:23:02 |
He argues that depicting nature |
| 00:23:08 |
Painting must reflect |
| 00:23:13 |
It's rough for daubers like us! |
| 00:23:16 |
Paint the thoughts behind the shape... |
| 00:23:19 |
Go beyond the form |
| 00:23:25 |
It's our Master's motto: |
| 00:23:31 |
As his pupil, |
| 00:23:39 |
Depth and shadow |
| 00:23:43 |
Is that a mouse or a rabbit? |
| 00:23:46 |
Object and painting must be as one. |
| 00:23:51 |
Don't push the brush. Pull it! |
| 00:23:56 |
"Homecoming." |
| 00:23:59 |
Painting is about more than appearance. |
| 00:24:09 |
See the difference? |
| 00:24:12 |
You painted a scholar |
| 00:24:21 |
Here, what feeling do you get from |
| 00:24:28 |
His employer asked him for a bribe. |
| 00:24:36 |
he'd only just found. Tao Yuan-ming's |
| 00:24:41 |
Can't you see him yearning |
| 00:24:46 |
Imagination must breathe fire |
| 00:24:51 |
More important than the strokes |
| 00:24:57 |
The mind's discipline alone |
| 00:25:11 |
Master, I've finished "Homecoming". |
| 00:25:15 |
How dare you claim it's finished? |
| 00:25:19 |
A painting is never finished. |
| 00:25:27 |
I want you to paint this fan. |
| 00:25:29 |
It's a gift for a Chinese dignitary. |
| 00:25:32 |
I asked Master Hyesan to paint it, |
| 00:25:36 |
He did? He really recommended me? |
| 00:25:43 |
Let us be merry |
| 00:25:51 |
When we are old |
| 00:26:08 |
Seung-ub, this party's for you. |
| 00:26:12 |
Come closer. |
| 00:26:14 |
Sit here. |
| 00:26:25 |
Thanks to your painting, |
| 00:26:31 |
A gift from the Chinese dignitary |
| 00:26:36 |
It's a special stone for a seal. |
| 00:26:38 |
Here's a new girl. |
| 00:26:51 |
My name's Mae-hyang. |
| 00:26:54 |
Our Seung-ub plays |
| 00:26:58 |
They'll make a perfect duet. |
| 00:28:02 |
"The plum blossom |
| 00:28:12 |
They say it keeps its scent to itself. |
| 00:28:25 |
In 1866, Regent Daewon orders |
| 00:28:28 |
Nine French missionaries |
| 00:28:51 |
Are you looking for someone, too? |
| 00:28:54 |
Yes. I know a kisaeng, |
| 00:29:00 |
You used to say |
| 00:29:04 |
You wanted to abolish |
| 00:29:09 |
but you're leaving, |
| 00:29:32 |
Very cute! |
| 00:29:35 |
You've beautifully captured |
| 00:29:38 |
of this idle dog |
| 00:29:43 |
Seung-ub. |
| 00:29:45 |
Master Lee wants you urgently. |
| 00:29:54 |
So-woon has returned. |
| 00:29:57 |
She has no hope of recovery. |
| 00:29:59 |
She came back to avoid |
| 00:30:03 |
I sent for you because she longs |
| 00:30:07 |
Think of it as her last wish. |
| 00:30:29 |
Seung-ub is here. |
| 00:30:43 |
What shall I paint for you? |
| 00:30:48 |
Whatever inspires you. |
| 00:31:14 |
Here it is. |
| 00:31:52 |
This is a farewell. |
| 00:32:10 |
This is a farewell. |
| 00:32:29 |
Farewell to my love. |
| 00:33:00 |
If you must leave |
| 00:33:37 |
Three famous painters |
| 00:33:41 |
You could be the third won |
| 00:33:47 |
Choose a forename. |
| 00:33:56 |
Oh, meaning "l". |
| 00:33:58 |
"I too am a Won." |
| 00:34:03 |
but you must see the works that |
| 00:34:09 |
The master of this house |
| 00:34:13 |
but I'm a relative. |
| 00:34:18 |
He's fond of pine mushrooms. |
| 00:34:23 |
What can I get you? |
| 00:34:27 |
He's in the main wing. |
| 00:34:29 |
- Wait for me here. |
| 00:34:50 |
You, get out! |
| 00:34:52 |
Watch where you put |
| 00:34:56 |
- Beat it! |
| 00:34:59 |
This uncouth dauber |
| 00:35:04 |
The famous "Winter Pine Tree" |
| 00:35:08 |
No trace of affectation. |
| 00:35:14 |
A masterpiece which reflects |
| 00:35:17 |
"Come the chill of winter, |
| 00:35:21 |
"The more chaotic the world, |
| 00:35:25 |
The teachings of Confucius. |
| 00:35:28 |
How can an unschooled painter create |
| 00:35:34 |
Painting is the expression |
| 00:35:43 |
A new day dawns but the world |
| 00:35:47 |
Chusa has reached a higher level |
| 00:35:50 |
but, steeped in Chinese culture, |
| 00:35:55 |
He studied with a Chinese master. |
| 00:36:00 |
He adopted the style |
| 00:36:05 |
Create your own style with |
| 00:36:16 |
Are you still angry? |
| 00:36:20 |
Let's go for a drink. |
| 00:36:31 |
Good evening. |
| 00:36:39 |
Go to the bedroom. |
| 00:36:42 |
Bring me some drink. |
| 00:36:50 |
Go to bed. |
| 00:36:52 |
Bring me some drink. |
| 00:36:58 |
You, come here. |
| 00:37:01 |
Get me some drink. |
| 00:37:03 |
You're already drunk. |
| 00:37:08 |
Son of a dog! Guttersnipe! |
| 00:37:11 |
I saved your life and you disobey me? |
| 00:37:16 |
Move! Son of a dog! |
| 00:37:31 |
The fragrance of letters? The harmony |
| 00:37:38 |
If that's what they want. |
| 00:37:40 |
Screw them! If it doesn't have words, |
| 00:37:47 |
Real painting speaks by itself. |
| 00:37:53 |
Only daubers |
| 00:37:58 |
trying to fool people with |
| 00:38:08 |
No more drink. |
| 00:38:21 |
Get up! Get some more drink! |
| 00:38:51 |
Light the candle. |
| 00:40:10 |
You! Get up! |
| 00:40:15 |
Let's go out for some beef soup. |
| 00:40:20 |
The layabout's still asleep? |
| 00:40:27 |
What? |
| 00:40:31 |
What's that? |
| 00:40:40 |
Wake up. |
| 00:40:44 |
I said wake up! |
| 00:40:47 |
Was somebody here last night? |
| 00:40:49 |
How should I know? |
| 00:40:55 |
Was somebody here? |
| 00:41:01 |
Was it Pyeong-san? |
| 00:41:06 |
Pyeong-san? |
| 00:41:07 |
The dauber you used to live with! |
| 00:41:14 |
What about Pyeong-san? |
| 00:41:21 |
I must have painted |
| 00:41:42 |
You're a bastard. I lived with |
| 00:41:46 |
What's wrong if a kisaeng |
| 00:41:49 |
I don't live with you just for sex. |
| 00:41:53 |
I like you for your innocence. |
| 00:41:57 |
But I'm crazy! |
| 00:41:59 |
Crazy to rent this house |
| 00:42:03 |
You stinker! What have you ever |
| 00:42:07 |
All you do is drink |
| 00:42:11 |
You paint a fish on the wall |
| 00:42:14 |
Do you care how we get food? |
| 00:42:19 |
Don't expect me to cry when you leave! |
| 00:42:24 |
All right, leave! I'm not afraid. |
| 00:42:37 |
Why are you following me? |
| 00:42:53 |
Mongrel! |
| 00:42:55 |
Does learning to paint |
| 00:43:37 |
Go to hell! |
| 00:43:41 |
Elsewhere, one painting buys lunch, |
| 00:43:44 |
The aristocrats here |
| 00:43:48 |
They must have good taste! |
| 00:43:51 |
At a glance, |
| 00:43:56 |
They say it's muddy. |
| 00:44:01 |
This kind of painting is for plebs. |
| 00:44:11 |
This one would sell. |
| 00:44:15 |
Don't! It's good! |
| 00:44:18 |
Dirty brat! Go to hell! |
| 00:44:22 |
Dirty brat! |
| 00:44:59 |
Master! Master! |
| 00:45:06 |
Let's run! |
| 00:45:10 |
Wretched thief! |
| 00:45:12 |
Who told you to steal? |
| 00:45:14 |
Did you learn it |
| 00:45:17 |
Bad habits like that |
| 00:45:36 |
- Here. |
| 00:45:39 |
I'll eat the head and neck. |
| 00:45:43 |
Eat it, mongrel. |
| 00:46:05 |
When did we last eat meat? |
| 00:46:21 |
Master! |
| 00:46:25 |
We must part here. |
| 00:46:28 |
Part? Why? |
| 00:46:34 |
It's too hard. |
| 00:46:38 |
You're an orphan. |
| 00:46:41 |
Where will you go? |
| 00:46:43 |
I have a distant uncle in my village. |
| 00:46:50 |
Go, then! |
| 00:47:19 |
That chest costs |
| 00:47:22 |
A famous craftsman |
| 00:48:25 |
Come out! |
| 00:48:29 |
I said come out, you bitch! |
| 00:48:53 |
Drink. |
| 00:48:57 |
Drink, you slut! |
| 00:49:12 |
Who was it? |
| 00:49:18 |
Pyeong-san. |
| 00:49:22 |
He told me to stop waiting for you |
| 00:49:26 |
I'm a young woman. |
| 00:49:31 |
while every passing girl, you... |
| 00:49:33 |
Whore! |
| 00:49:37 |
Why Pyeong-san, bitch? |
| 00:49:43 |
I'm through with you. |
| 00:49:49 |
Let go of me, bitch! |
| 00:49:52 |
I know it's my fault. |
| 00:49:57 |
but you can't just walk out! |
| 00:49:59 |
It's over! |
| 00:50:04 |
Do a painting for me, at least. |
| 00:50:07 |
All right, I will. |
| 00:50:10 |
What will you paint? |
| 00:50:12 |
A Bird and Flower picture |
| 00:50:17 |
Bird and Flower? |
| 00:50:20 |
If we split up, I want something |
| 00:50:27 |
What kind of picture |
| 00:52:06 |
Such a beautiful painting |
| 00:52:11 |
For a kisaeng, |
| 00:52:14 |
She must have suffered, |
| 00:52:18 |
If she was so faithful, |
| 00:52:22 |
It's magnificent. |
| 00:52:24 |
His greatest work yet. |
| 00:52:28 |
What's this screen |
| 00:52:31 |
I'd like to see it, at least. |
| 00:52:34 |
The screen isn't all. There's the |
| 00:52:39 |
and the one that Hwang |
| 00:52:43 |
If it's by him, it can't be bad. |
| 00:52:47 |
He copied Guo Xi's trees, |
| 00:52:49 |
Huang Gong-wang's rocks |
| 00:52:54 |
There's no harm in borrowing |
| 00:52:59 |
Capturing the essence of classics |
| 00:53:05 |
Does alcohol make you envious? |
| 00:53:07 |
Master Hyesan sent for you. |
| 00:53:19 |
Master Hyesan, here, |
| 00:53:22 |
and his majesty's portrait |
| 00:53:27 |
Dongchun. |
| 00:53:30 |
Unhnong. |
| 00:53:34 |
Ohwon, alias Jang Seung-ub. |
| 00:53:37 |
I've heard of you. |
| 00:54:27 |
To celebrate |
| 00:54:32 |
our chosen theme shall be |
| 00:54:37 |
"Pine and Crane" it is. |
| 00:54:39 |
No, a "Gakwan Jinjak". |
| 00:54:41 |
I want Ohwon to begin it. |
| 00:54:44 |
The Governor requests |
| 00:54:48 |
- Ohwon. |
| 00:54:50 |
You go first. |
| 00:54:53 |
How dare I go |
| 00:54:59 |
It's the Governor's order. |
| 00:55:43 |
Father, what's a "Gakwan Jinjak"? |
| 00:55:46 |
It means "Next to the Crown", |
| 00:55:50 |
a wish for the highest rank, |
| 00:56:07 |
Master Hyesan's turn is next. |
| 00:56:16 |
A painting is made of arteries. |
| 00:56:18 |
You took the heart. |
| 00:56:44 |
The peony signifies |
| 00:56:50 |
The peach, celestial fruit, |
| 00:56:55 |
The crab shell signifies |
| 00:56:59 |
The crab knows the art of retreat. |
| 00:57:36 |
Is the Master in? |
| 00:57:39 |
Isn't he well? |
| 00:57:44 |
- Are you all right? |
| 00:57:47 |
How dare you soil this threshold? |
| 00:57:51 |
Master Hyesan has resigned |
| 00:57:54 |
Even on the Governor's order, |
| 00:57:59 |
You dared to paint |
| 00:58:03 |
People who don't respect rank |
| 00:58:06 |
You betrayed your fellows' trust. |
| 00:58:09 |
You disgraced your Master. |
| 00:58:19 |
He refuses to see you. |
| 00:58:28 |
Get up. |
| 00:58:33 |
This merely proves that your talent |
| 00:58:41 |
The blue extracted from indigo is |
| 00:58:49 |
But without the indigo, there |
| 00:58:55 |
You must set the example for future |
| 00:59:06 |
Mae-hyang, |
| 00:59:23 |
After you disappeared, I searched |
| 00:59:30 |
I made this long journey |
| 00:59:33 |
It was dangerous to stay in Seoul. |
| 00:59:41 |
Will you soon go back to Seoul? |
| 00:59:44 |
I have many orders for paintings. |
| 00:59:57 |
Do you have a lover? |
| 01:00:07 |
This place is notorious for |
| 00:00:23 |
Giving solace through painting and |
| 00:00:31 |
Why don't we live together? |
| 00:00:34 |
We have nothing to lose. |
| 00:00:37 |
If I'm caught, they'll kill me |
| 00:00:43 |
Are you at risk here? |
| 00:00:47 |
An official seems to suspect me. |
| 00:00:51 |
It's time I went away. |
| 00:00:59 |
The composition... |
| 00:01:04 |
The harmony of colours |
| 00:01:08 |
The likeness of the rendering... |
| 00:01:15 |
Nonetheless, it's time |
| 00:01:20 |
infused with your spirit and soul. |
| 00:01:25 |
I know. I want to change. |
| 00:01:28 |
I really want to change! |
| 00:01:33 |
I often wake up at night, |
| 00:01:40 |
It churns my blood. |
| 00:01:47 |
So often, having to paint to order, |
| 00:01:50 |
- I feel... |
| 00:01:54 |
and run away whenever you don't |
| 00:02:00 |
How can you make |
| 00:02:04 |
A picture that's painted for profit and |
| 00:02:30 |
- Filthy dog! |
| 00:02:34 |
He only asked why |
| 00:02:37 |
Leave me alone! Filthy shrew! |
| 00:02:46 |
What are you idiots staring at? |
| 00:03:09 |
You wretched fools! |
| 00:03:13 |
Jang Seung-ub! |
| 00:03:17 |
I'd climb roofs too |
| 00:03:37 |
You came back! |
| 00:03:39 |
Give me some wine |
| 00:03:43 |
The money you advanced |
| 00:03:48 |
Stingy bitch! Why talk about money? |
| 00:03:52 |
- This isn't a charity! |
| 00:04:03 |
So why are you here? |
| 00:04:09 |
Stay with me. |
| 00:04:13 |
I'll stay for the winter |
| 00:04:17 |
Sir, I know you'll be angry but... |
| 00:04:21 |
I'd like a painting of yours. |
| 00:04:25 |
I'll treasure it and think of you. |
| 00:04:30 |
Since I gave up painting, |
| 00:04:34 |
Why? |
| 00:04:40 |
I want to change. |
| 00:04:42 |
Whatever the genre, your brush |
| 00:04:48 |
Why do you want to change? |
| 00:04:50 |
People find in my pictures |
| 00:04:55 |
I must get away from that. |
| 00:04:58 |
If I don't, I'll always be |
| 00:05:57 |
- "No more paper on credit," he says. |
| 00:06:01 |
Have some stewed pumpkin. |
| 00:06:03 |
That man Cho is such a bandit! |
| 00:06:47 |
"Hawk in full vigour." |
| 00:06:49 |
His brush never wavers. |
| 00:06:55 |
He has renewed himself. |
| 00:06:58 |
With such a painting, he could |
| 00:07:29 |
You never signed your work before. |
| 00:07:38 |
If a boy like you shows this around |
| 00:07:40 |
who will ever believe I painted it? |
| 00:07:44 |
Take it. |
| 00:07:48 |
Take it, I said! |
| 00:08:14 |
Somewhere in Choungchung Province, |
| 00:08:18 |
a young man had |
| 00:08:20 |
The hawk's eye was so lifelike, |
| 00:08:26 |
but he said he wouldn't sell it |
| 00:08:32 |
Could you paint that hawk for me? |
| 00:08:56 |
Where did you meet this young man? |
| 00:08:59 |
He had a small stand selling paper |
| 00:09:08 |
"Hawk in full vigour..." |
| 00:09:11 |
If it's the one |
| 00:09:16 |
In those days my brush was guided, |
| 00:09:25 |
The Master is here. |
| 00:09:33 |
Come here and look. |
| 00:09:38 |
That black stone. |
| 00:09:44 |
A humble stone must be alive |
| 00:09:49 |
If a stone is alive, it's dynamic. |
| 00:09:56 |
You can't paint a dead stone. |
| 00:10:04 |
Pan-soi. Come and look. |
| 00:10:10 |
Look at it. The rare Mookchong stone, |
| 00:10:17 |
As plump as one of our mountains. |
| 00:10:22 |
That stone was a gift to you. |
| 00:10:26 |
Gifts are piling up, |
| 00:10:30 |
You've done nothing for a month. |
| 00:10:36 |
Come here. |
| 00:10:39 |
You're only a kid. |
| 00:10:42 |
How can I paint |
| 00:10:44 |
Ohwon, are you there? |
| 00:10:51 |
You remember that scholar |
| 00:10:56 |
- wanted a Flower and Bird picture? |
| 00:11:00 |
Now he says he doesn't want |
| 00:11:08 |
Who is this chap? |
| 00:11:14 |
Would it be Gwak Sung-min? |
| 00:11:19 |
Am I right? |
| 00:11:22 |
I've come to see Gwak Sung-min. |
| 00:11:28 |
A man like you an aristocrat and scholar! |
| 00:11:31 |
How can you be such a coward? |
| 00:11:33 |
If you want something, ask me! |
| 00:11:35 |
Don't make me paint it |
| 00:11:41 |
I used this ruse in order to meet you. |
| 00:11:47 |
Come in, please. |
| 00:11:49 |
Hey, Ohwon. When it comes to |
| 00:11:54 |
but your masterful brushwork |
| 00:11:57 |
I'm no match for you |
| 00:12:02 |
Listen, Ohwon. |
| 00:12:06 |
In your Banana Leaf painting with |
| 00:12:12 |
of the leaf and |
| 00:12:16 |
How do you work? |
| 00:12:20 |
Idiot! One little binge |
| 00:12:25 |
If you want to paint, |
| 00:12:31 |
Get in there! Idiot! |
| 00:12:37 |
Get in there! Hurry up! |
| 00:12:58 |
- Pan-soi! |
| 00:13:00 |
Where's my Double Horse painting? |
| 00:13:02 |
At the gallery. |
| 00:13:05 |
Already? |
| 00:13:10 |
You didn't tell me. |
| 00:13:20 |
Where's my Double Horse? |
| 00:13:22 |
It's been mounted. Over there. |
| 00:13:33 |
Chinese soldiers are weaklings. |
| 00:13:38 |
Are you there? |
| 00:13:40 |
I'm asking it back to rework it. |
| 00:13:43 |
You can't. |
| 00:13:47 |
I promised him |
| 00:14:02 |
What a temper! |
| 00:14:07 |
It wasn't bad. |
| 00:14:11 |
The best quality, |
| 00:14:17 |
It's a beautiful colour. |
| 00:14:24 |
For the same price, |
| 00:14:29 |
I'll come back later. |
| 00:14:31 |
Don't go away! |
| 00:14:35 |
Aren't they pretty! |
| 00:14:38 |
They're the new kisaengs |
| 00:14:52 |
Make way! Make way! |
| 00:14:56 |
Make way for |
| 00:14:59 |
You! What impudence! |
| 00:15:03 |
How dare you remain standing? |
| 00:15:08 |
Who is it? |
| 00:15:12 |
The famous painter, |
| 00:15:16 |
Famed for your meagre talent, |
| 00:15:27 |
Master, this one-year-old |
| 00:15:32 |
is a very good cure |
| 00:15:36 |
- Drink it yourself! |
| 00:15:42 |
Look after yourself. |
| 00:15:45 |
- Everything went well. |
| 00:15:49 |
How? |
| 00:15:51 |
You can accomplish |
| 00:15:54 |
The lounge mistress wants you to paint |
| 00:16:02 |
It's a good month's work. |
| 00:16:06 |
Everyone congratulates me on this |
| 00:16:28 |
Delighted to meet you. |
| 00:16:33 |
They say you drink a lot. |
| 00:16:44 |
Hyang-lan... |
| 00:16:54 |
My family name is Cho. My given |
| 00:17:01 |
Hyo-in, I once knew a woman |
| 00:17:05 |
Her family name was Lee. |
| 00:17:08 |
How old are you? |
| 00:17:13 |
Eighteen. |
| 00:17:16 |
Eighteen. Eighteen. |
| 00:17:19 |
What do your parents do? |
| 00:17:23 |
They're ordinary peasants |
| 00:17:32 |
And you, what brought you here? |
| 00:17:37 |
Don't ask unnecessary questions. |
| 00:17:42 |
I've had a long, tiresome night. |
| 00:18:01 |
Ohwon! There you are. |
| 00:18:05 |
This is Ohwon Jang Seung-ub, |
| 00:18:11 |
This is Kim Ok-kyun, |
| 00:18:20 |
My hectic life leaves me no leisure |
| 00:18:25 |
When order is restored, |
| 00:18:32 |
Let's go. |
| 00:18:42 |
You gave away a screen which took you |
| 00:18:47 |
you didn't even get to touch her hand? |
| 00:18:54 |
Now the screen's been sold |
| 00:18:58 |
No one else will ever even see it. |
| 00:19:18 |
A maranta stalk for a brush |
| 00:19:22 |
How eccentric! |
| 00:19:25 |
What rule says |
| 00:19:28 |
I've been unable to paint, |
| 00:19:31 |
You're at the peak of your powers. |
| 00:19:36 |
I'm keeping this painting. |
| 00:19:39 |
You're keeping what? |
| 00:19:41 |
Give it back! |
| 00:20:04 |
Master! Master! |
| 00:20:09 |
Master! |
| 00:20:15 |
Did you really want to die? |
| 00:20:19 |
They said you refused |
| 00:20:25 |
Seoul, 1882 |
| 00:20:38 |
You won't take long to recover. |
| 00:20:42 |
I'll soon be well. |
| 00:20:57 |
So we meet again. |
| 00:21:00 |
Lately, you've become |
| 00:21:05 |
Your paintings have become |
| 00:21:09 |
It's even said that the gauge of nobility |
| 00:21:16 |
Congratulations. |
| 00:21:23 |
I didn't know of your illness |
| 00:21:29 |
Come indoors. |
| 00:21:32 |
Welcome. |
| 00:21:34 |
Some medicinal herbs. |
| 00:21:39 |
They say there is nothing |
| 00:21:46 |
Portraits, still lifes, |
| 00:21:51 |
Blinded by popularity, |
| 00:22:01 |
An old sage once said |
| 00:22:05 |
I want to make progress every day. |
| 00:22:08 |
I won't be entangled |
| 00:22:13 |
It's good that you're aware of it. |
| 00:22:18 |
In our era, |
| 00:22:22 |
whereas your landscapes |
| 00:22:28 |
an exaggerated version |
| 00:22:32 |
Rudimentary echoes |
| 00:22:37 |
Cannot you paint life on this earth |
| 00:22:45 |
The people have nothing |
| 00:22:50 |
If I can bring them comfort |
| 00:22:54 |
I will have been faithful |
| 00:23:00 |
A painting is just a painting. |
| 00:23:03 |
It doesn't feature |
| 00:23:17 |
Don't go out in this downpour! |
| 00:23:20 |
- Wait till it stops. |
| 00:24:20 |
Some pine nut porridge. |
| 00:24:25 |
Looking at that painting |
| 00:24:30 |
Is it that I'm getting old? |
| 00:24:34 |
When you have time, |
| 00:24:40 |
Why not paint the roof yellow? |
| 00:24:45 |
Is anybody in? |
| 00:24:48 |
I've come for Master Ohwon. |
| 00:24:51 |
A royal messenger is here. You are |
| 00:25:04 |
The Office. |
| 00:25:26 |
The sixth rank entitles you |
| 00:25:30 |
It's a temporary rank for you, |
| 00:25:32 |
but no painter from outside |
| 00:25:58 |
How much longer |
| 00:26:11 |
This is rice juice. |
| 00:26:14 |
Without a drink and a woman, |
| 00:26:18 |
Come, now. Don't forget that the King |
| 00:26:40 |
Listen, Ohwon! |
| 00:26:44 |
I'll rake those leaves. |
| 00:26:50 |
Come on, Ohwon! General Yuan |
| 00:26:55 |
What are you waiting for |
| 00:26:58 |
Who's General Yuan Shi-kai? |
| 00:27:00 |
Don't you know |
| 00:27:04 |
He can hit a bird in flight |
| 00:27:08 |
He is second-in-command |
| 00:27:17 |
I should paint for |
| 00:27:21 |
Where are you going? |
| 00:27:22 |
I've run out of paint. |
| 00:27:25 |
You're not allowed out. We have |
| 00:27:30 |
You arrogant rogue! |
| 00:27:36 |
If I deliver late, |
| 00:27:47 |
Let go of me! |
| 00:27:51 |
Who's this I see? It's you! |
| 00:27:56 |
I hear you've become a great painter |
| 00:28:02 |
I never thought |
| 00:28:06 |
- It's been twenty years. |
| 00:28:09 |
You don't look a day older. |
| 00:28:12 |
Don't you recognize her? She's our little |
| 00:28:22 |
Soon after her wedding, fate decreed |
| 00:28:29 |
She came back home |
| 00:28:34 |
Hey, Seung-ub! |
| 00:28:38 |
I'm so glad to see you. Do you |
| 00:28:43 |
How could I ever forget? |
| 00:28:45 |
Erotic picture books |
| 00:28:49 |
They'll fetch high prices |
| 00:28:53 |
Have a look. |
| 00:28:59 |
They're saucy! |
| 00:29:05 |
We've been combing Seoul |
| 00:29:08 |
Where have you been hiding? |
| 00:29:12 |
Come with us. King's orders. |
| 00:29:18 |
Let go of me, halfwits! |
| 00:29:38 |
Excuse me! |
| 00:29:42 |
What's going on outside? |
| 00:29:44 |
The King is moving his residence |
| 00:29:47 |
Why? |
| 00:29:49 |
With the aid of the Japanese army, |
| 00:29:51 |
the Reformists have seized power |
| 00:29:57 |
The world has gone awry. |
| 00:30:00 |
Care to see what I'm working on? |
| 00:30:04 |
Yes, sir. |
| 00:30:13 |
Come on in. |
| 00:30:15 |
Yes, sir |
| 00:30:40 |
Let go of me, halfwits! |
| 00:30:47 |
Let go of me, halfwits! |
| 00:30:49 |
1884. The Reformist Revolution. |
| 00:30:51 |
The Reform Party attempts a coup |
| 00:30:52 |
The coup is foiled |
| 00:31:12 |
It's five days since |
| 00:31:17 |
Everyone's been worried about you. |
| 00:31:20 |
The world has changed a lot. |
| 00:31:22 |
The Reformist Revolution has been |
| 00:31:28 |
Hong and Park have been killed. |
| 00:31:31 |
The other leaders seem |
| 00:31:39 |
What became of |
| 00:31:42 |
Apparently he's hiding in some remote |
| 00:32:07 |
No Entry. House of Kim Byeong-moon, |
| 00:33:20 |
It's a precious piece, |
| 00:33:24 |
What do you think of it, father? |
| 00:33:26 |
I can almost hear the wind |
| 00:33:30 |
- Ohwon! |
| 00:33:33 |
I have seven sons. |
| 00:33:36 |
Paint me seven cranes |
| 00:33:41 |
Imagine the pine tree surrounded... |
| 00:33:44 |
by hills and rivers and |
| 00:34:00 |
I was given this painting |
| 00:34:03 |
Some say it's a forgery. |
| 00:34:10 |
Most paintings attributed to |
| 00:34:20 |
When I see your work, I can tell whether |
| 00:34:25 |
and if you were standing or sitting. |
| 00:34:32 |
That painting we saw was one of yours. |
| 00:34:40 |
I gave it to a friend |
| 00:34:43 |
but he used it as a bribe. |
| 00:34:47 |
Let me see... |
| 00:34:54 |
This is the kisaeng |
| 00:34:58 |
My name is Ae-wol. |
| 00:35:00 |
Mae-hyang left three years ago. |
| 00:35:05 |
Did she say where she went? |
| 00:35:06 |
I don't know. |
| 00:35:08 |
It was dawn |
| 00:35:12 |
Some soldiers came. |
| 00:35:16 |
Three months later, one night |
| 00:35:20 |
took a quilted coat |
| 00:35:24 |
The coat, which she'd |
| 00:35:28 |
and stitched with devotion, |
| 00:35:37 |
All these fields don't feed |
| 00:35:40 |
only the corrupt officials. |
| 00:35:58 |
It's a dream! It's a dream! |
| 00:36:09 |
You and I walk into the dream |
| 00:36:19 |
Waking from a dream makes me |
| 00:36:29 |
Life was born from dreams, |
| 00:36:40 |
All in vain, the waking of dream. |
| 00:37:24 |
Sorry to spoil your enjoyment. |
| 00:37:32 |
Ohwon! |
| 00:37:38 |
I was able to see your painting "Reeds |
| 00:37:45 |
That flock of geese |
| 00:37:51 |
if I could see it again, |
| 00:37:57 |
Thank you for the compliment but I |
| 00:38:03 |
How could I paint them again? |
| 00:38:06 |
To an artist, repetition is death. |
| 00:38:13 |
Why all this foolish talk? |
| 00:38:17 |
If you snubbed him because he's |
| 00:38:22 |
you're in for a surprise. |
| 00:38:24 |
He's very powerful. |
| 00:38:36 |
Those sparrows chased by a hawk |
| 00:38:39 |
They remind me of |
| 00:38:44 |
But I also feel moved when |
| 00:38:48 |
like the people when |
| 00:38:56 |
What kind of man |
| 00:39:00 |
With the King's support |
| 00:39:04 |
he can indulge all his appetites. |
| 00:39:13 |
You cheeky girl! |
| 00:39:15 |
How can a kisaeng like you |
| 00:39:20 |
Keeping company with the hero |
| 00:39:24 |
and escaped from the palace |
| 00:39:43 |
You're a plucky woman! |
| 00:39:56 |
Fine furrowed field, |
| 00:39:59 |
will you receive my seed? |
| 00:40:03 |
I'm ready. I'll bear your child. |
| 00:40:07 |
I'll make him a painter |
| 00:40:11 |
and wipe out the rancour |
| 00:40:17 |
Thank you. |
| 00:40:23 |
Get harder. |
| 00:40:26 |
Gather your energy. |
| 00:40:36 |
Harder. |
| 00:40:39 |
Harder... |
| 00:40:57 |
That's good... |
| 00:41:42 |
Out you come. |
| 00:41:54 |
Let him get dressed. |
| 00:41:57 |
Where is the Governor |
| 00:42:00 |
I don't know. |
| 00:42:04 |
Mongrel dog! |
| 00:42:06 |
The lapdog doesn't know where |
| 00:42:10 |
Beat it out of him! |
| 00:42:14 |
Here's another. |
| 00:42:19 |
Please don't kill him! He's the |
| 00:42:24 |
He came from Seoul just to paint. |
| 00:42:28 |
If it's Ohwon Jang Seung-ub, |
| 00:42:32 |
We can't lose a man |
| 00:42:46 |
You're just a parasite, feeding on |
| 00:42:50 |
A grubby little money-grabber. |
| 00:42:54 |
Piece of shit! |
| 00:43:02 |
Master. |
| 00:43:08 |
I've decided to stay here. |
| 00:43:10 |
Becoming a painter like you always |
| 00:43:17 |
I served you because |
| 00:43:21 |
but seeing those people, |
| 00:43:26 |
If I can help to change the world, |
| 00:44:03 |
Where will you go, Master? |
| 00:44:07 |
Life is a drifting cloud. |
| 00:44:14 |
Protecting the homeland |
| 00:44:20 |
Eliminating the violence |
| 00:44:25 |
1894. The Peasants' Revolt. |
| 00:44:27 |
The tyranny of the governor |
| 00:44:30 |
the sweeping uprise of |
| 00:45:04 |
Master! Master! |
| 00:45:21 |
What are you doing here? |
| 00:45:23 |
I never thought I'd see you |
| 00:45:43 |
The folk here are honest |
| 00:45:47 |
I live quietly, |
| 00:45:55 |
You should come back to Seoul. |
| 00:46:00 |
With Japan in power, the Reformists |
| 00:46:06 |
I like this place. |
| 00:46:09 |
Reform was a useless dream. |
| 00:46:14 |
We should have relied on ourselves. |
| 00:46:17 |
If the revolution had won |
| 00:46:22 |
what future would |
| 00:46:28 |
Rumour has it the rebellious peasants |
| 00:46:38 |
Protecting the homeland and the people... |
| 00:46:44 |
When downtrodden, |
| 00:46:48 |
but one must pick the right moment. |
| 00:46:52 |
They gave foreigners an excuse |
| 00:46:58 |
We should have built up |
| 00:47:06 |
I happened upon |
| 00:47:12 |
In it, I finally felt |
| 00:47:20 |
It's a masterpiece. |
| 00:48:15 |
Who the hell are you? The rebel leader |
| 00:48:20 |
Night is falling |
| 00:48:25 |
Your painting is the last flicker |
| 00:49:13 |
Catholics being less persecuted, |
| 00:49:20 |
Since I'm only a kisaeng, I drifted |
| 00:49:27 |
The Governor of Jeju island liked me |
| 00:49:32 |
He died soon after. |
| 00:49:45 |
I have no worries about money. |
| 00:49:55 |
As I was sure you'd |
| 00:49:59 |
I made this quilted coat with love. |
| 00:50:08 |
At last it has found its lord. |
| 00:50:24 |
Do you recognize this? |
| 00:50:29 |
You painted it for me |
| 00:50:37 |
If I asked you for another one, |
| 00:50:48 |
That jar over there. Where did you |
| 00:50:55 |
The modest hand that made it |
| 00:51:03 |
It looks almost unfinished, |
| 00:51:11 |
Your bath is ready. |
| 00:52:04 |
I'm a wandering painter. |
| 00:52:10 |
With the competition from Japanese |
| 00:52:15 |
As long as I can eat, |
| 00:52:17 |
Pots don't sell any better |
| 00:53:06 |
I messed it. |
| 00:53:12 |
How the hell can he paint |
| 00:53:15 |
Don't be rude! |
| 00:53:47 |
May the gods grant us |
| 00:54:27 |
Please forgive my ignorance. |
| 00:54:33 |
You're no ordinary painter. |
| 00:54:44 |
Speaking for yourself, |
| 00:54:50 |
Painters like you want |
| 00:54:54 |
so that the piece will have life. |
| 00:54:58 |
The glazers want their glaze |
| 00:55:03 |
The owner of the kiln |
| 00:55:08 |
But the decision is not ours. |
| 00:55:31 |
Are you staying up? |
| 00:56:36 |
Ohwon vanished without trace in 1897. |
| 00:56:38 |
According to legend, |
| 00:56:42 |
and became an immortal hermit. |
| 00:00:03 |
Give it back! |
| 00:00:26 |
Master! Master! |
| 00:00:31 |
Master! |
| 00:00:36 |
Did you reaIIy want to die? |
| 00:00:40 |
They said you refused |
| 00:00:46 |
SeouI, 1882 |
| 00:01:00 |
You won't take Iong to recover. |
| 00:01:04 |
I'II soon be weII. |
| 00:01:19 |
So we meet again. |
| 00:01:21 |
LateIy, you've become |
| 00:01:27 |
Your paintings have become |
| 00:01:30 |
It's even said that the gauge of nobiIity |
| 00:01:38 |
CongratuIations. |
| 00:01:45 |
I didn't know of your iIIness |
| 00:01:51 |
Come indoors. |
| 00:01:54 |
WeIcome. |
| 00:01:56 |
Some medicinaI herbs. |
| 00:02:00 |
They say there is nothing |
| 00:02:08 |
Portraits, stiII Iifes, |
| 00:02:13 |
BIinded by popuIarity, |
| 00:02:23 |
An oId sage once said |
| 00:02:27 |
I want to make progress every day. |
| 00:02:30 |
I won't be entangIed |
| 00:02:34 |
It's good that you're aware of it. |
| 00:02:39 |
In our era, |
| 00:02:44 |
whereas your Iandscapes |
| 00:02:50 |
an exaggerated version |
| 00:02:53 |
Rudimentary echoes |
| 00:02:59 |
Cannot you paint Iife on this earth |
| 00:03:07 |
The peopIe have nothing |
| 00:03:11 |
If I can bring them comfort |
| 00:03:16 |
I wiII have been faithfuI |
| 00:03:22 |
A painting is just a painting. |
| 00:03:25 |
It doesn't feature |
| 00:03:38 |
Don't go out in this downpour! |
| 00:03:41 |
- Wait tiII it stops. |
| 00:04:42 |
Some pine nut porridge. |
| 00:04:47 |
Looking at that painting |
| 00:04:52 |
Is it that I'm getting oId? |
| 00:04:56 |
When you have time, |
| 00:05:02 |
Why not paint the roof yeIIow? |
| 00:05:07 |
Is anybody in? |
| 00:05:10 |
I've come for Master Ohwon. |
| 00:05:13 |
A royaI messenger is here. You are |
| 00:05:25 |
The Office. |
| 00:05:48 |
The sixth rank entitIes you |
| 00:05:52 |
It's a temporary rank for you, |
| 00:05:54 |
but no painter from outside |
| 00:06:20 |
How much Ionger |
| 00:06:33 |
This is rice juice. |
| 00:06:36 |
Without a drink and a woman, |
| 00:06:40 |
Come, now. Don't forget that the King |
| 00:07:02 |
Listen, Ohwon! |
| 00:07:05 |
I'II rake those Ieaves. |
| 00:07:12 |
Come on, Ohwon! GeneraI Yuan |
| 00:07:17 |
What are you waiting for |
| 00:07:20 |
Who's GeneraI Yuan Shi-kai? |
| 00:07:22 |
Don't you know |
| 00:07:26 |
He can hit a bird in fIight |
| 00:07:30 |
He is second-in-command |
| 00:07:39 |
I shouId paint for |
| 00:07:43 |
Where are you going? |
| 00:07:44 |
I've run out of paint. |
| 00:07:47 |
You're not aIIowed out. We have |
| 00:07:52 |
You arrogant rogue! |
| 00:07:58 |
If I deIiver Iate, |
| 00:08:09 |
Let go of me! |
| 00:08:13 |
Who's this I see? It's you! |
| 00:08:18 |
I hear you've become a great painter |
| 00:08:24 |
I never thought |
| 00:08:27 |
- It's been twü,enty years. |
| 00:08:31 |
You don't Iook a day oIder. |
| 00:08:34 |
Don't you recognize her? She's our IittIe |
| 00:08:44 |
Soon after her wedding, fate decreed |
| 00:08:51 |
She came back home |
| 00:08:56 |
Hey, Seung-ub! |
| 00:09:00 |
I'm so gIad to see you. Do you |
| 00:09:04 |
How couId I ever forget? |
| 00:09:07 |
Erotic picture books |
| 00:09:11 |
They'II fetch high prices |
| 00:09:15 |
Have a Iook. |
| 00:09:21 |
They're saucy! |
| 00:09:27 |
We've been combing SeouI |
| 00:09:30 |
Where have you been hiding? |
| 00:09:34 |
Come with us. King's orders. |
| 00:09:39 |
Let go of me, haIfwits! |
| 00:10:00 |
Excuse me! |
| 00:10:04 |
What's going on outside? |
| 00:10:06 |
The King is moving his residence |
| 00:10:09 |
Why? |
| 00:10:10 |
With the aid of the Japanese army, |
| 00:10:13 |
the Reformists have seized power |
| 00:10:19 |
The worId has gone awry. |
| 00:10:22 |
Care to see what I'm working on? |
| 00:10:26 |
Yes, sir. |
| 00:10:35 |
Come on in. |
| 00:10:37 |
Yes, sir |
| 00:11:02 |
Let go of me, haIfwits! |
| 00:11:08 |
Let go of me, haIfwits! |
| 00:11:11 |
1884. The Reformist RevoIution. |
| 00:11:12 |
The Reform Party attempts a coup |
| 00:11:14 |
The coup is foiIed |
| 00:11:34 |
It's five days since |
| 00:11:38 |
Everyone's been worried about you. |
| 00:11:42 |
The worId has changed a Iot. |
| 00:11:44 |
The Reformist RevoIution has been |
| 00:11:50 |
Hong and Park have been kiIIed. |
| 00:11:52 |
The other Ieaders seem |
| 00:12:01 |
What became of |
| 00:12:04 |
ApparentIy he's hiding in some remote |
| 00:12:29 |
No Entry. House of Kim Byeong-moon, |
| 00:13:42 |
It's a precious piece, |
| 00:13:45 |
What do you think of it, father? |
| 00:13:48 |
I can aImost hear the wind |
| 00:13:52 |
- Ohwon! |
| 00:13:55 |
I have seven sons. |
| 00:13:58 |
Paint me seven cranes |
| 00:14:03 |
Imagine the pine tree surrounded... |
| 00:14:06 |
by hiIIs and rivers and |
| 00:14:22 |
I was given this painting |
| 00:14:25 |
Some say it's a forgery. |
| 00:14:32 |
Most paintings attributed to |
| 00:14:42 |
When I see your work, I can teII whether |
| 00:14:47 |
and if you were standing or sitting. |
| 00:14:54 |
That painting we saw was one of yours. |
| 00:15:01 |
I gave it to a friend |
| 00:15:05 |
but he used it as a bribe. |
| 00:15:09 |
Let me see... |
| 00:15:15 |
This is the kisaeng |
| 00:15:20 |
My name is Ae-woI. |
| 00:15:22 |
Mae-hyang Ieft three years ago. |
| 00:15:26 |
Did she say where she went? |
| 00:15:28 |
I don't know. |
| 00:15:30 |
It was dawn |
| 00:15:34 |
Some soIdiers came. |
| 00:15:37 |
Three months Iater, one night |
| 00:15:42 |
took a quiIted coat |
| 00:15:46 |
The coat, which she'd |
| 00:15:50 |
and stitched with devotion, |
| 00:15:59 |
AII these fieIds don't feed |
| 00:16:02 |
onIy the corrupt officiaIs. |
| 00:16:20 |
It's a dream! It's a dream! |
| 00:16:31 |
You and I waIk into the dream |
| 00:16:41 |
Waking from a dream makes me |
| 00:16:51 |
Life was born from dreams, |
| 00:17:01 |
AII in vain, the waking of dream. |
| 00:17:46 |
Sorry to spoiI your enjoyment. |
| 00:17:54 |
Ohwon! |
| 00:18:00 |
I was abIe to see your painting ''Reeds |
| 00:18:07 |
That fIock of geese |
| 00:18:12 |
if I couId see it again, |
| 00:18:18 |
Thank you for the compIiment but I |
| 00:18:25 |
How couId I paint them again? |
| 00:18:28 |
To an artist, repetition is death. |
| 00:18:35 |
Why aII this fooIish taIk? |
| 00:18:39 |
If you snubbed him because he's |
| 00:18:43 |
you're in for a surprise. |
| 00:18:46 |
He's very powerfuI. |
| 00:18:58 |
Those sparrows chased by a hawk |
| 00:19:01 |
They remind me of |
| 00:19:06 |
But I aIso feeI moved when |
| 00:19:09 |
Iike the peopIe when |
| 00:19:17 |
What kind of man |
| 00:19:21 |
With the King's support |
| 00:19:25 |
he can induIge aII his appetites. |
| 00:19:34 |
You cheeky girI! |
| 00:19:37 |
How can a kisaeng Iike you |
| 00:19:42 |
Keeping company with the hero |
| 00:19:46 |
and escaped from the paIace |
| 00:20:05 |
You're a pIucky woman! |
| 00:20:18 |
Fine furrowed fieId, |
| 00:20:21 |
wiII you receive my seed? |
| 00:20:24 |
I'm ready. I'II bear your chiId. |
| 00:20:29 |
I'II make him a painter |
| 00:20:33 |
and wipe out the rancour |
| 00:20:39 |
Thank you. |
| 00:20:44 |
Get harder. |
| 00:20:48 |
Gather your energy. |
| 00:20:58 |
Harder. |
| 00:21:01 |
Harder... |
| 00:21:19 |
That's good... |
| 00:22:04 |
Out you come. |
| 00:22:16 |
Let him get dressed. |
| 00:22:18 |
Where is the Governor |
| 00:22:22 |
I don't know. |
| 00:22:26 |
MongreI dog! |
| 00:22:27 |
The Iapdog doesn't know where |
| 00:22:32 |
Beat it out of him! |
| 00:22:36 |
Here's another. |
| 00:22:41 |
PIease don't kiII him! He's the |
| 00:22:46 |
He came from SeouI just to paint. |
| 00:22:50 |
If it's Ohwon Jang Seung-ub, |
| 00:22:54 |
We can't Iose a man |
| 00:23:07 |
You're just a parasite, feeding on |
| 00:23:12 |
A grubby IittIe money-grabber. |
| 00:23:15 |
Piece of shit! |
| 00:23:24 |
Master. |
| 00:23:29 |
I've decided to stay here. |
| 00:23:32 |
Becoming a painter Iike you aIways |
| 00:23:39 |
I served you because |
| 00:23:43 |
but seeing those peopIe, |
| 00:23:48 |
If I can heIp to change the worId, |
| 00:24:25 |
Where wiII you go, Master? |
| 00:24:29 |
Life is a drifting cIoud. |
| 00:24:35 |
Protecting the homeIand |
| 00:24:42 |
EIiminating the vioIence |
| 00:24:47 |
1894. The Peasants' RevoIt. |
| 00:24:49 |
The tyranny of the governor |
| 00:24:52 |
the sweeping uprise of |
| 00:25:26 |
Master! Master!... |
| 00:25:43 |
What are you doing here? |
| 00:25:45 |
I never thought I'd see you |
| 00:26:05 |
The foIk here are honest |
| 00:26:09 |
I Iive quietIy, |
| 00:26:17 |
You shouId come back to SeouI. |
| 00:26:21 |
With Japan in power, the Reformists |
| 00:26:28 |
I Iike this pIace. |
| 00:26:31 |
Reform was a useIess dream. |
| 00:26:36 |
We shouId have reIied on ourseIves. |
| 00:26:38 |
If the revoIution had won |
| 00:26:44 |
what future wouId |
| 00:26:49 |
Rumour has it the rebeIIious peasants |
| 00:27:00 |
Protecting the homeIand and the peopIe... |
| 00:27:06 |
When downtrodden, |
| 00:27:10 |
but one must pick the right moment. |
| 00:27:14 |
They gave foreigners an excuse |
| 00:27:19 |
We shouId have buiIt up |
| 00:27:28 |
I happened upon |
| 00:27:34 |
In it, I finaIIy feIt |
| 00:27:42 |
It's a masterpiece. |
| 00:28:37 |
Who the heII are you? The rebeI Ieader |
| 00:28:41 |
Night is faIIing |
| 00:28:47 |
Your painting is the Iast fIicker |
| 00:29:35 |
CathoIics being Iess persecuted, |
| 00:29:42 |
Since I'm onIy a kisaeng, I drifted |
| 00:29:49 |
The Governor of Jeju isIand Iiked me |
| 00:29:54 |
He died soon after. |
| 00:30:07 |
I have no worries about money. |
| 00:30:16 |
As I was sure you'd |
| 00:30:21 |
I made this quiIted coat with Iove. |
| 00:30:30 |
At Iast it has found its Iord. |
| 00:30:46 |
Do you recognize this? |
| 00:30:51 |
You painted it for me |
| 00:30:58 |
If I asked you for another one, |
| 00:31:10 |
That jar over there. Where did you |
| 00:31:17 |
The modest hand that made it |
| 00:31:24 |
It Iooks aImost unfinished, |
| 00:31:33 |
Your bath is ready. |
| 00:32:26 |
I'm a wandering painter. |
| 00:32:31 |
With the competition from Japanese |
| 00:32:37 |
As Iong as I can eat, |
| 00:32:39 |
Pots don't seII any better |
| 00:33:28 |
I messed it. |
| 00:33:34 |
How the heII can he paint |
| 00:33:37 |
Don't be rude! |
| 00:34:08 |
May the gods grant us |
| 00:34:49 |
PIease forgive my ignorance. |
| 00:34:54 |
You're no ordinary painter. |
| 00:35:06 |
Speaking for yourseIf, |
| 00:35:12 |
Painters Iike you want |
| 00:35:16 |
so that the piece wiII have Iife. |
| 00:35:20 |
The gIazers want their gIaze |
| 00:35:25 |
The owner of the kiIn |
| 00:35:30 |
But the decision is not ours. |
| 00:35:53 |
Are you staying up? |
| 00:37:12 |
Ohwon vanished without trace in 1897. |
| 00:37:13 |
According to Iegend, |
| 00:37:15 |
and became an immortaI hermit. |
