Children of Men
|
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MAN ON TV: Day 1,000 |
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WOMAN ON TV: The Muslim community |
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to the Army's occupation of mosques. |
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The Homeland Security bill is ratified. |
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After eight years, |
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The deportation of illegal immigrants |
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Good morning. Our lead story. |
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The world was stunned today |
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the youngest person on the planet. |
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Baby Diego was stabbed outside a bar |
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after refusing to sign an autograph. |
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Witnesses at the scene say... |
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Excuse me. |
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...that Diego spat in the face of a fan |
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He was killed in the ensuing brawl. |
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Coffee, please. Black. |
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...by the angry crowd. |
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Born in 2009, |
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a working-class couple from Mendoza, |
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he struggled all his life |
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thrust upon him |
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Diego Ricardo, |
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was 18 years, 4 months, |
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20 days, 16 hours and 8 minutes old. |
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(WOMAN SOBBING) |
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(WOMAN SCREAMING) |
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(ALARM BLARING) |
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MAN ON TV: Throughout his life, |
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of the 18 years of infertility |
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and its effect upon the world we now live in. |
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It seems that the mantle of the world's |
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She is 18 years, 5 months and 11 days old. |
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-Faron. |
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I seem to be more affected |
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If you wouldn't mind, I'd appreciate it |
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WOMAN ON TV: ...generation needs |
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MAN ON TV: He's my dentist. |
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WOMAN ON TV 2: He's the waiter. |
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ANNOUNCER ON TV: |
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To hire, feed or shelter |
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It's your life. |
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It's your choice. |
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(SPEAKING FOREIGN LANGUAGE) |
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(SPEAKING FOREIGN LANGUAGE) |
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Hey, amigo! |
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Jasper! |
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Good to see you. Come on. |
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JASPER: You know who did it? |
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THEO: Islamic? Fishes? Fuck knows. |
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I'll bet it was the government. |
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Every time one of our politicians |
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It's the second time in a month. |
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-You okay? |
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I'm glad you don't take |
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Losing you and Baby Diego |
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Well, that was even worse, |
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I mean, Baby Diego, come on. |
00:05:49 |
Yeah, but he was the youngest wanker |
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Pull my finger. Quick, quick! |
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Jasper... |
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Fucking hell! That's disgusting! |
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(TRUCK HONKING) |
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Illegal immigrants. Taking them to Bexhill. |
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Poor fugees. |
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After escaping the worst atrocities |
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our government hunts them down |
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-Any girls? |
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What about the one we had lunch with? |
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Lorna. That was ages ago. |
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-I liked her. What happened? |
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Renouncers? Are those the ones |
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No. They're the Repenters. |
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The Renouncers flagellate themselves |
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Oh, right. |
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Dating ain't what it used to be, is it, amigo? |
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JASPER: What'd you do on your birthday? |
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Come on. You must've done something. |
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No. Same as every other day. |
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Woke up, felt like shit, |
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That's called a hangover, amigo. |
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At least with a hangover, I feel something. |
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Honestly, Jasper, sometimes... |
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You could always come and live with us. |
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Yeah, but if I did that, |
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(LAUGHING) |
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JASPER: Look who it is. It's Theo. |
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-THEO: Hey, Janice, how you doing? |
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Your rebel with a lost cause. |
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She loves this colour. |
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Don't you, darling? You love it. |
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"Is there a chance it will not work for me? |
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"There have been no cases |
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"who has taken the preparation." |
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Daddy government hands out suicide kits |
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but ganja is still illegal. |
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Most of my weed goes to Bexhill now. |
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This bloke buys it from me |
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Guess what he does? His real job? |
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lmmigration cop. |
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Bravo! |
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One of the many perks of having |
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Come on, taste that. |
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Cough. |
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-Cough? |
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(COUGHING) |
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You taste it? Strawberries. |
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This is Strawberry Cough. |
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So, Human Project is having this dinner |
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and all the wisest men |
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"Human Project." |
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You know, even if these people existed |
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Fuck me, that's strong. |
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Even if they discovered |
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Too late. The world went to shit. |
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You know what? |
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It was too late before the infertility thing |
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I was just trying to tell a joke, man. |
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I'm sorry. Go on. |
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-No, I'm not telling it now. |
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-No. Fuck it. I'm not fucking telling you. |
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Okay. The Human Project |
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for all the scientists and sages in the world. |
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They're tossing around theories |
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why are women infertile? |
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Some of them say it's genetic experiments, |
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gamma rays, pollution. Same old, same old. |
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Anyway, in the corner, |
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He hasn't said a word. |
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So they decide to ask him. |
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They say, "Well, why do you think |
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And he looks up at them, |
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and he says, "I haven't the faintest idea," |
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"But this stork is quite tasty, isn't it?" |
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Eating a fucking stork. |
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Eating the stork. |
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Italia. |
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You okay, amigo? |
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Yeah. My ears are still ringing from earlier. |
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Well, a little Zen music |
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(LOUD INDUSTRIAL MUSIC |
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(ALARM CLOCK RINGING) |
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WOMAN ON TV: Good morning. |
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WOMAN ON PA: British citizens, hold out |
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your I.D . cards. |
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(ALARM BLARING) |
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(DOG BARKING) |
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What the fuck? |
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Move along! Move along! |
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PATRIC: This is him. |
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-Get your fucking head down! |
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-Get your fucking head down! |
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ZARA: Get in! |
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Get his fucking legs. |
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PATRIC: Go, go, go, go! |
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IAN: You are under the jurisdiction |
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The Fishes are at war |
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until they recognise equal rights |
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LUKE: We're not gonna hurt you. |
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PATRIC: But don't do anything stupid. |
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JULIAN: Uncover him. |
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PATRIC: Do it. |
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Hello, Theo. |
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It's me, Theo. It's Julian. |
00:13:03 |
You scared the shit out of me. |
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I'm sorry about the theatrics, |
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The police have been |
00:13:11 |
How have you been? |
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Fantastic. Couldn't be better. |
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Cut the lights. |
00:13:26 |
The police keep using |
00:13:30 |
It doesn't do you justice. |
00:13:32 |
What do the police know about justice? |
00:13:33 |
What exactly is it you guys do, anyway? |
00:13:35 |
PATRIC: The Fishes fight for equal rights |
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LUKE: He knows what we do. |
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I know you almost blew me up |
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My ears are still ringing. |
00:13:41 |
-We don't bomb. |
00:13:43 |
That's what they do to spread the fear. |
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What about Liverpool? |
00:13:45 |
JULIAN: After Liverpool, |
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We started speaking to the people. |
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And they're joining us, Theo. |
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I don't talk politics. |
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-That's all you ever used to do. |
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I'm a lot more successful now. |
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Come on, Theo. Walk with me. |
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-IAN: I don't think that's a good idea. |
00:14:10 |
-You're smoking? |
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I heard about your mother. I'm sorry. |
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Were your parents in New York |
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-Yeah. |
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Yeah, well, that's the world we live in now, |
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Why am I here, Jules? |
00:14:25 |
I need your help. I need transit papers. |
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Not for me. A girl, she's a fugee. |
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Need to get her to the coast, |
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I haven't seen you for nearly 20 years |
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-Can you do it? |
00:14:40 |
You could ask your cousin. |
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The government finances his |
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-Yeah, but he'd never do it. |
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I can't. It's too dangerous. |
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I can get you £5,000. |
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(MAN WHISTLING) |
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What are you talking about? |
00:15:00 |
-I don't fucking need your money. |
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My mistake. |
00:15:12 |
You know that ringing in your ears? That... |
00:15:14 |
(IMITATING RINGING) |
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That's the sound of the ear cells dying. |
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Once it's gone, |
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Enjoy it while it lasts. |
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This never fucking happened, |
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so don't go telling tales, |
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At work, when you sleep, |
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when you have a piss, we'll be watching. |
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Jeez, your breath stinks. |
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-No, it doesn't. |
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It was Julian's idea bringing you here. |
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Now you know about the five grand |
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So if you change your mind, |
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pin this to the notice board at Camden tube. |
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Here you are. Bus fare. |
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MAN ON LOUDSPEAKER: |
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Disease and famine! |
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Our sins have encouraged God's wrath! |
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And in his anger he has taken away |
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Mr Faron, the minister is expecting you. |
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I'm afraid this is a non-smoking facility. |
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You got something in your teeth. |
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If you'll excuse me. |
00:18:04 |
Couldn't save La Pietà. |
00:18:10 |
Pretty rummy, huh? |
00:18:12 |
My mom had a plastic one in the bathroom. |
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It was a lamp. |
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Good to see you, Theo. |
00:18:23 |
NIGEL: We got to keep Las Meninas |
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but we only got a hold of two Goyas. |
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THEO: Not to mention people. |
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How's Martha? |
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She's doing her animal charity thing. |
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-Give her my best. |
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Why did you come, Theo? |
00:18:49 |
Well, the thing is, |
00:18:53 |
I met this girl. |
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Cute? |
00:18:56 |
Beautiful. |
00:18:57 |
Is it serious? |
00:18:59 |
Very. |
00:19:03 |
She's got this brother in Brighton and |
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and he's not doing too good. |
00:19:08 |
I mean, pretty sick. |
00:19:12 |
-I don't think he's gonna make it. |
00:19:16 |
I've got money. |
00:19:31 |
I was hoping you could get us |
00:19:34 |
-Transit papers? That's quite a favour. |
00:19:38 |
Highly controlled. |
00:19:42 |
Alex, take your pills. |
00:19:46 |
Alex. |
00:19:48 |
Alex? |
00:19:50 |
Alex! |
00:19:58 |
(SIGHING) |
00:20:04 |
Come with me. |
00:20:08 |
I'm really sorry, Nigel. |
00:20:13 |
I'll see what I can do. |
00:20:17 |
What? |
00:20:19 |
You kill me. |
00:20:21 |
A hundred years from now, |
00:20:22 |
there won't be one sad fuck |
00:20:26 |
What keeps you going? |
00:20:29 |
You know what it is, Theo? |
00:20:31 |
I just don't think about it. |
00:20:41 |
THEO: Where's Julian? |
00:20:46 |
Here's a photo of the girl and her name. |
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Hang on. We got a problem. |
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All I could get were joint transit papers, |
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Will you? |
00:20:58 |
For a couple more grand. |
00:21:03 |
Julian thinks very highly of you. |
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Does she? |
00:21:07 |
Yeah. |
00:21:09 |
Thanks again. |
00:21:13 |
(MAN CHATTERING ON TV) |
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Go on, stay with her. |
00:21:33 |
Stay with her. Stay with her. Yes! |
00:21:39 |
Have you seen this dog? |
00:21:53 |
I'll be one minute. |
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Billy! I'm in a rush, mate. |
00:21:59 |
MAN: Okay, Theo. He'll see to you. |
00:22:01 |
I'm in a rush. Come on. Come on. |
00:22:04 |
That's 70 quid. |
00:22:20 |
Shit. |
00:22:28 |
WOMAN ON TV 1: She's my house cleaner. |
00:22:31 |
Jesus. |
00:22:32 |
MAN ON TV 2: He's my dentist. |
00:22:34 |
WOMAN ON TV 3: She's my cousin. |
00:22:36 |
ANNOUNCER ON TV: |
00:22:38 |
To hire, feed |
00:22:42 |
Protect Britain. |
00:22:43 |
Report all illegal immigrants. |
00:22:44 |
Did you get the papers? |
00:22:46 |
Lovely to see you, too. |
00:22:48 |
Thank you. I really appreciate this. |
00:22:52 |
Just like the old days, back of the bus. |
00:22:54 |
Yeah, except we're the old farts now. |
00:22:57 |
-You're looking good. |
00:22:58 |
Seriously. Look at me. |
00:23:03 |
It's hard for me to look at you. |
00:23:05 |
He had your eyes. |
00:23:14 |
You know, I never understood |
00:23:17 |
You think I got over it? |
00:23:19 |
No one could get over it. |
00:23:21 |
Come on, I mean the way you just... |
00:23:22 |
You don't have a monopoly on suffering, |
00:23:24 |
You always carried his memory |
00:23:26 |
What do you fucking know |
00:23:27 |
-You don't know what I feel or what... |
00:23:28 |
Yeah, there you go. |
00:23:30 |
That's what you always do. |
00:23:33 |
This is our stop. |
00:23:47 |
JULIAN: Thelonius! |
00:23:49 |
(SPEAKING FOREIGN LANGUAGE) |
00:23:56 |
So why did you come to me? |
00:23:59 |
You could have found other ways |
00:24:01 |
Probably. |
00:24:03 |
-So why me? |
00:24:07 |
-And what happens after? |
00:24:10 |
No, I mean what happens to us? |
00:24:13 |
I don't know. |
00:24:18 |
Theo, come on. You came for the money. |
00:24:21 |
Did I? |
00:24:35 |
LUKE: Theo? |
00:24:37 |
-You got my money? |
00:24:40 |
We'll take you down to the first checkpoint |
00:24:43 |
then you and Kee are on your own. |
00:24:49 |
Well, this is obviously the elite unit. |
00:24:51 |
-This is Miriam. |
00:24:52 |
-Is this the girl? |
00:24:58 |
What the fuck you staring at? |
00:25:00 |
Apparently the pleasure's all mine. |
00:25:02 |
Are we planning a sing-along? |
00:25:05 |
Good. I'm gonna take a nap. |
00:25:17 |
MAN ON RADIO: The afternoon |
00:25:20 |
And now one for all the nostalgics |
00:25:22 |
a blast from the past |
00:25:26 |
That beautiful time |
00:25:28 |
the future was just around the corner. |
00:25:31 |
(SNORING) |
00:25:32 |
Hey. |
00:25:33 |
You're snoring. |
00:25:35 |
-No, I wasn't. |
00:25:38 |
(WAIT PLAYING ON RADIO) |
00:25:40 |
Where are we? |
00:25:42 |
Canterbury. We're close. |
00:25:45 |
Anyone know |
00:25:49 |
What? |
00:25:50 |
Julian promised me a little bit of action. |
00:25:52 |
You still like it in the afternoon? |
00:25:56 |
So what did you do? Rob a train? |
00:25:59 |
Leave the girl alone. |
00:26:01 |
You told me he was suave. |
00:26:04 |
He's suave. You should have seen him |
00:26:07 |
You were the activist, |
00:26:10 |
One time the police came |
00:26:12 |
and Theo invited them up for coffee |
00:26:15 |
only the coffee was spiked with ketamine. |
00:26:18 |
No! You didn't, did you? |
00:26:22 |
Fuck off. You gotta be kidding. |
00:26:24 |
You know how many people |
00:26:25 |
I don't wanna know. |
00:26:26 |
You'll be happy to know |
00:26:28 |
-Hundreds? |
00:26:29 |
-I'm not doing it. |
00:26:30 |
-No, I'm not. The car's moving too much. |
00:26:33 |
You are. Ready? |
00:26:35 |
(ALL LAUGHING) |
00:26:37 |
Thelonius! |
00:26:39 |
No, wait, wait. Okay. |
00:26:44 |
KEE: Do it again! Do it again! |
00:26:47 |
Julian, that's disgusting! |
00:26:52 |
Look out! |
00:26:54 |
LUKE: Jesus! Shit! |
00:26:55 |
JULIAN: Go! Go! We're gonna make it. |
00:26:58 |
No, I'm not gonna make it! |
00:27:02 |
-Christ! |
00:27:04 |
Jesus! |
00:27:10 |
Oh, save us! |
00:27:14 |
Blessed Mary, save us. |
00:27:18 |
(GLASS SHATTERING) |
00:27:29 |
Christ, Jesus! |
00:27:30 |
-He's got a gun! |
00:27:32 |
Get down! |
00:27:35 |
Oh, my God! |
00:27:36 |
She's been shot! Fuck. She's been shot. |
00:27:47 |
-How is she? How is she? |
00:27:51 |
She's bleeding, she's bleeding everywhere! |
00:27:57 |
Shit! Julian. |
00:27:59 |
Put pressure on the wound! |
00:28:03 |
Please, please, please. |
00:28:06 |
Please, please. |
00:28:09 |
LUKE: Oh, no. |
00:28:11 |
Oh, no. |
00:28:14 |
THEO: Julian... |
00:28:15 |
Jesus Christ! |
00:28:18 |
THEO: Julian! |
00:28:19 |
LUKE: It's the cops. It's the cops. |
00:28:23 |
Did they see us? |
00:28:26 |
Keep going. Speed up. |
00:28:27 |
LUKE: Are they coming back? |
00:28:28 |
Faster! Faster! |
00:28:29 |
-Are they coming back? |
00:28:32 |
Can't you pull off the road? |
00:28:34 |
(SCREAMS) |
00:28:35 |
-All right, slow down. Slow down! |
00:28:38 |
-COP ON LOUDSPEAKER: Stop the car. |
00:28:40 |
Pull over to the side of the road. |
00:28:43 |
Get your passports out! |
00:28:46 |
COP: Stay inside the vehicle! |
00:28:48 |
LUKE: We're British citizens! |
00:28:50 |
-British citizens! |
00:28:51 |
Hands on the steering wheel! |
00:28:54 |
We were attacked! |
00:28:56 |
Okay. Just wait. |
00:29:00 |
What are you doing? What are you doing? |
00:29:02 |
-Get in the car. |
00:29:04 |
Get in the fucking car! |
00:29:05 |
MIRIAM: Get back in now. Quickly. |
00:29:10 |
KEE: Go! Go! Go! |
00:29:32 |
(MIRIAM CHANTING) |
00:29:51 |
We have to call on help now. |
00:29:56 |
Fucking shit. |
00:29:57 |
May all the ascended beings, |
00:30:00 |
and all those who have walked the surface |
00:30:04 |
come to the aid |
00:30:35 |
LUKE: Theo! Come on! |
00:30:50 |
Theo, come on! |
00:31:08 |
(CHANTING) |
00:31:34 |
This is Tomasz and Emily's farm. |
00:31:38 |
We'll be safe here. |
00:31:44 |
Fishes are coming in |
00:31:52 |
-lan? |
00:31:53 |
-We have to convene. |
00:31:55 |
-Are you all right? |
00:31:57 |
-Emily, Tomasz, this is Kee. |
00:32:01 |
Miriam. |
00:32:02 |
They need to wash up and rest. |
00:32:04 |
How about Julian's mate? |
00:32:05 |
Yeah, can somebody |
00:32:09 |
No, no, no. It's too dangerous. |
00:32:11 |
Tomasz, get him a shower and a clean shirt. |
00:32:14 |
Tomasz, don't block the car in. |
00:32:16 |
Yeah. |
00:32:18 |
They like you. And they don't like anyone. |
00:32:21 |
(WHISTLING) |
00:32:47 |
CAROLINE: You did what you could. |
00:32:49 |
-The shirt fit? |
00:32:52 |
I'll take care of this. |
00:32:54 |
As head Fishes, |
00:32:56 |
We need to choose leadership. |
00:32:57 |
TOMASZ: I don't think |
00:33:01 |
Don't worry about it. Throw it away. |
00:33:10 |
-I'm in charge of watching you. |
00:33:13 |
They told me. |
00:33:15 |
Well, I'm going back to London tomorrow. |
00:33:18 |
I lived there once. Didn't like it. |
00:33:22 |
No. |
00:33:24 |
They kill you. |
00:33:26 |
-Where you from? |
00:33:28 |
Is this your place? |
00:33:30 |
My missus. She's a cod. |
00:33:34 |
-English Fish. |
00:33:36 |
Kee would like a word with you. |
00:33:41 |
I'll watch him. |
00:33:47 |
TOMASZ: Hey, don't smoke in the barn. |
00:33:53 |
EMILY: To Luke, our new leader. Luke. |
00:33:56 |
-To Luke. |
00:33:57 |
(SPEAKING FOREIGN LANGUAGE) |
00:34:06 |
I'll be right outside. |
00:34:12 |
KEE: You know what they do to these cows? |
00:34:17 |
(IMITATING SLICING) |
00:34:18 |
Gone. Bye. |
00:34:20 |
Only leave four. Four tits fits the machine. |
00:34:24 |
It's wacko. Why not make machines |
00:34:28 |
Is that what you want to talk about? |
00:34:31 |
Julian told me about your baby. |
00:34:33 |
Said his name was Dylan. |
00:34:36 |
You taught him to swim when he was two. |
00:34:40 |
She said if anything goes spooky, |
00:34:43 |
Said you'd help me, |
00:34:46 |
-What boat? |
00:34:48 |
The Tomorrow? |
00:34:50 |
I don't know what you're talking about. |
00:34:52 |
But I'm sure |
00:34:54 |
But Julian said only trust you. |
00:34:57 |
She said you'd help me. |
00:34:58 |
I don't know why she said that. |
00:35:02 |
Listen, I don't quite know what's going on. |
00:35:04 |
-You can't leave. |
00:35:06 |
-I'm sorry. |
00:35:09 |
What are you doing? Don't do that. |
00:35:30 |
I'm scared. |
00:35:37 |
Please help me. |
00:35:44 |
Jesus Christ. |
00:35:45 |
LUKE: Kee! Kee! |
00:35:49 |
-Are you all right? |
00:35:53 |
Of course she has. |
00:35:55 |
For God's sake. |
00:35:56 |
When you're ready, come inside. |
00:35:59 |
-She's pregnant. |
00:36:06 |
-But she's pregnant. |
00:36:10 |
It's a miracle, isn't it? |
00:36:17 |
Fishes terrorist leader Julian Taylor |
00:36:21 |
in a gun battle with police near Canterbury. |
00:36:23 |
Four other terrorists escaped |
00:36:27 |
Police say they have sufficient |
00:36:31 |
to identify the four killers. |
00:36:33 |
All suspects should be considered armed |
00:36:38 |
This was broadcast an hour ago. |
00:36:40 |
We have to assume it's just a matter of time |
00:36:43 |
which includes you, Theo. |
00:36:45 |
WOMAN: Why is he here? |
00:36:46 |
-He's not one of us. |
00:36:48 |
LUKE: Kee wants him, he stays. |
00:36:50 |
Now, we all agreed to deliver Kee to our |
00:36:53 |
-ALL: Right. |
00:36:56 |
No, there's no need. |
00:36:59 |
Yes! |
00:37:00 |
She'll never make it. |
00:37:02 |
We can find a way. It's what Julian wanted. |
00:37:04 |
We'd be risking the girl's life. |
00:37:06 |
Listen, listen! She belongs here. |
00:37:08 |
And this baby is the flag |
00:37:10 |
MIRIAM: We said we'd never use this baby |
00:37:13 |
KEE: My baby's not a flag. |
00:37:14 |
Make it public! |
00:37:16 |
WOMAN: What? |
00:37:17 |
-What? |
00:37:18 |
Excuse me? |
00:37:21 |
You should make it public. |
00:37:23 |
You saw the telly. |
00:37:26 |
THEO: It doesn't matter. She's pregnant. |
00:37:28 |
Oh, right. And then the government will say, |
00:37:33 |
Well, whatever is going on, |
00:37:34 |
whatever your political ideas are, |
00:37:36 |
-It doesn't matter. |
00:37:37 |
-She needs a doctor. |
00:37:39 |
WOMAN 2: Look, the government |
00:37:41 |
and parade a posh black English lady |
00:37:43 |
-And she'll never see it again. |
00:37:45 |
We all know this government |
00:37:47 |
the first human birth in 18 years |
00:37:49 |
A wanted fugee. |
00:37:50 |
Why don't we explain to Mr Faron |
00:37:53 |
MIRIAM: He knows. He's seen the cages. |
00:37:56 |
KEE: I'm not going to the government. |
00:37:58 |
You told me |
00:38:00 |
-You promised me. |
00:38:01 |
And we will. |
00:38:04 |
But I don't think it's safe |
00:38:08 |
You could stay here, Kee. |
00:38:12 |
And when you and the baby |
00:38:14 |
we will find a way |
00:38:16 |
I promise you, Kee. |
00:38:17 |
It could take months |
00:38:21 |
This is true. |
00:38:25 |
Kee, this is your decision. |
00:38:30 |
What do you think? |
00:38:34 |
-I think you need proper care. |
00:38:36 |
She has proper care! |
00:38:38 |
-What the fuck does he know? |
00:38:41 |
Kee, this is your choice. |
00:38:46 |
-I have my baby here... |
00:38:47 |
...then you get me to the Human Project. |
00:38:49 |
Thank you, Kee. Thank you. |
00:38:51 |
LUKE: We need to organise safe houses. |
00:38:54 |
MIRIAM: No, no, |
00:38:56 |
LUKE: It's for her safety. |
00:39:18 |
PATRIC: Please help him! |
00:39:20 |
-He's hurt really badly! |
00:39:22 |
-I didn't have anywhere else to go. |
00:39:24 |
There's fucking police everywhere! |
00:39:25 |
-What do you think you're doing? |
00:39:28 |
LUKE: Shut up! Get his bike out of here. |
00:39:43 |
PATRIC: What was I supposed to do? |
00:39:44 |
LUKE: It's a simple fucking plan. |
00:39:47 |
What the fuck are you doing here? |
00:39:51 |
No fucking excuses! |
00:39:52 |
IAN: You have a first aid kit? Medicine? |
00:39:54 |
Iodine, bandages, clean towels, |
00:39:57 |
And for God's sake, |
00:39:59 |
IAN: You put everything at risk. |
00:40:02 |
What about all the fucking police, lan? |
00:40:06 |
IAN: We paid the gang. |
00:40:16 |
You broke the protocol. |
00:40:18 |
What was I thinking? |
00:40:19 |
You could be responsible |
00:40:21 |
He needs a proper doctor! |
00:40:22 |
Don't you get it? |
00:40:24 |
We have a baby. |
00:40:25 |
When people see we have a baby, |
00:40:28 |
But we can forget about the baby |
00:40:32 |
What was I supposed to do? |
00:40:33 |
You saw how he is. |
00:40:36 |
-LUKE: Take it easy. |
00:40:37 |
He's my fucking cousin! |
00:40:40 |
Luke, he needs a doctor. |
00:40:42 |
Don't worry. We'll take care of him. |
00:40:45 |
-Aye, Simon. |
00:40:49 |
Simon is a good Fish. So are you. |
00:40:51 |
Be proud to know that because |
00:40:55 |
The baby will stay with us. |
00:40:58 |
Where's Faron? He's a fucking dead man. |
00:41:01 |
No. Tomorrow. We'll do him then, |
00:41:04 |
Patric, you ever break protocol again, |
00:41:09 |
I'll have to kill you. |
00:41:16 |
(MIRIAM SNORING) |
00:41:22 |
Kee. Kee, it's Theo. |
00:41:25 |
-Listen to me. |
00:41:27 |
Luke killed Julian. |
00:41:31 |
They're gonna... |
00:41:33 |
We have to leave. We have to go now. |
00:41:35 |
Miriam, shut up! |
00:41:37 |
Trust me, we've got to go. |
00:41:39 |
Stop it! Stop it! Both of you! |
00:41:42 |
Get off! |
00:41:43 |
I'm going with him. |
00:41:49 |
Miriam, you have to keep your mouth shut. |
00:41:51 |
-I mean it. |
00:42:14 |
LUKE: We're moving the girl |
00:42:18 |
We need to bring weapons over... |
00:42:22 |
The refugee camps... |
00:42:31 |
RADO: Zaphyr, he looks |
00:42:32 |
ZAPHYR: Yeah. Really? |
00:42:34 |
All that dirt and sand in there, |
00:42:37 |
Shit! It's fucking disgusting. |
00:42:38 |
He's not gonna make it. |
00:42:39 |
Of course not gonna make it, |
00:42:46 |
RADO: Hey, Samir. |
00:42:49 |
(RADO AND SAMIR CHATTERING) |
00:43:20 |
(ENGINE STALLING) |
00:43:22 |
Shit. |
00:43:35 |
Stop! Stop the car! Stop the fucking car! |
00:43:38 |
LUKE: Don't shoot! |
00:43:40 |
Don't shoot! The girl's in the car! |
00:43:43 |
-Stop! |
00:43:44 |
Stop the fucking car! |
00:43:47 |
Give me the fucking keys. |
00:43:50 |
MIRIAM: Get down! Get down! |
00:43:52 |
Can't you get it moving any faster? |
00:43:55 |
Come on. Come on. |
00:43:56 |
Stop! |
00:43:58 |
Stop! |
00:44:00 |
THEO: Shit. |
00:44:02 |
KEE: They're coming! They're coming! |
00:44:05 |
MIRIAM: Get going, get going! |
00:44:12 |
Oh, God! He's gaining on us! |
00:44:15 |
Can I shoot? I got a clean shot! |
00:44:18 |
Fuck off! |
00:44:31 |
Miriam, jump-start the car! |
00:44:33 |
KEE: We have to go! |
00:44:40 |
Wait till it gets faster! |
00:44:42 |
All right! All right! Just push, you push! |
00:44:52 |
Fucking hell! |
00:44:55 |
KEE: Miriam! Miriam! |
00:44:57 |
We have to wait for him! Theo! |
00:45:01 |
Go, go, go! |
00:45:04 |
(COUGHING) |
00:45:13 |
MIRIAM: Kee, are you all right? |
00:45:15 |
We need to find a safe house. |
00:45:17 |
THEO: Yeah, the last one was |
00:45:19 |
Well, what do you suggest? |
00:45:21 |
Don't worry. I know where to go. |
00:45:47 |
Wait here. |
00:45:52 |
Oh, fuck. |
00:46:12 |
Fuck. |
00:46:17 |
Jasper? |
00:46:19 |
Janice? |
00:46:35 |
Jasper? |
00:46:42 |
-Oh, fuck! |
00:46:46 |
What are you doing with this shit? |
00:46:48 |
This? I mix it with bread to poison the rats. |
00:46:52 |
It's not bullshit what they say. |
00:46:57 |
Jasper. |
00:46:58 |
Meet Miriam and Kee. |
00:47:11 |
MIRIAM: The Tomorrow is a hospital ship |
00:47:15 |
They'll take us to the Human Project. |
00:47:16 |
I told you, amigo, the Human Project is real. |
00:47:19 |
Yeah, but you're also the guy |
00:47:22 |
Tell them about that thing |
00:47:24 |
You saw a UFO? |
00:47:27 |
Did you know that the Human Project |
00:47:30 |
is supposed to have |
00:47:32 |
It's a sanctuary. |
00:47:35 |
Can you catch this ship anywhere else? |
00:47:36 |
It's going to stop at the last two |
00:47:41 |
So it will be tonight at Windsmore |
00:47:45 |
You can forget about Windsmore. |
00:47:47 |
No, it's our only chance. |
00:47:49 |
That's a refugee camp. |
00:47:51 |
Eureka! Eat and rest. |
00:47:53 |
With a little bit of luck, |
00:47:56 |
-Where are you going? |
00:48:00 |
Kee, your baby is the miracle |
00:48:03 |
the whole world has been waiting for. |
00:48:05 |
(CHANTING) |
00:48:06 |
Come on. Come on. |
00:48:09 |
(JASPER CHANTING) |
00:48:11 |
Did he really see a UFO? |
00:48:54 |
KEE: Is she doing her voodoo hoodoo? |
00:48:58 |
She's doing something. |
00:49:00 |
She smited me with that. |
00:49:05 |
Does she look posh to you, or gawky? |
00:49:13 |
Earnest. |
00:49:14 |
(KEE LAUGHING) |
00:49:15 |
Yeah. |
00:49:19 |
-How many months? |
00:49:21 |
It takes nine months. |
00:49:23 |
I know. |
00:49:25 |
Who's the father? |
00:49:28 |
Whiffet. I'm a virgin. |
00:49:30 |
Sorry? |
00:49:32 |
(KEE LAUGHING) |
00:49:36 |
That'd be wicked, eh? |
00:49:38 |
Yeah, it would. |
00:49:39 |
Fuck knows. |
00:49:43 |
You know, when I started puking, |
00:49:47 |
But then my belly started getting big. |
00:49:50 |
Nobody ever told me these things. |
00:49:55 |
But I knew. |
00:49:57 |
I felt like a freak. |
00:49:59 |
I didn't tell nobody. |
00:50:02 |
I thought about the Quietus thing. |
00:50:06 |
Pretty music and all that. |
00:50:11 |
Then the baby kicked. |
00:50:13 |
I feel it. Little bastard was alive. |
00:50:18 |
I am alive. |
00:50:24 |
-Froley. |
00:50:29 |
Name my baby Froley. |
00:50:31 |
It's the first baby in 18 years. |
00:50:34 |
-You can't call it Froley. |
00:50:37 |
Kee, I've found you a boat. |
00:50:39 |
-KEE: Great. |
00:50:40 |
We get ourselves arrested. |
00:50:41 |
-Oh, Jesus. |
00:50:42 |
Syd, this border guard I sell pot to, |
00:50:46 |
Nicely ironic, eh? We break into prison! |
00:50:52 |
Wicked. |
00:51:26 |
"Froley." |
00:51:30 |
Come on. |
00:51:37 |
JASPER: Everything is a mythical |
00:51:42 |
between faith and chance. |
00:51:45 |
-MIRIAM: Maybe I shouldn't. |
00:51:51 |
Now cough. |
00:51:53 |
(COUGHING) |
00:51:55 |
-What do you taste? |
00:51:57 |
Strawberries? That's what it's called. |
00:52:02 |
Wicked. |
00:52:03 |
So, you've got faith over here, right, |
00:52:07 |
-Like yin and yang. |
00:52:09 |
Or Shiva and Shakti. |
00:52:11 |
Lennon and McCartney. |
00:52:13 |
Look, Julian and Theo. |
00:52:14 |
Yeah, there you go. Julian and Theo met |
00:52:19 |
by chance. |
00:52:20 |
But they were there |
00:52:23 |
in the first place, their faith. |
00:52:26 |
And their faith kept them together. |
00:52:29 |
But by chance, Dylan was born. |
00:52:33 |
This is him? |
00:52:34 |
Yeah, that's him. He would have been |
00:52:39 |
Beautiful. |
00:52:41 |
-Their faith put in praxis. |
00:52:44 |
-What happened? |
00:52:47 |
He was their sweet little dream. |
00:52:48 |
He had little hands, little legs, little feet. |
00:52:53 |
Little lungs. |
00:52:55 |
And in 2008, along came the flu pandemic. |
00:53:02 |
And then, by chance, |
00:53:04 |
-he was gone. |
00:53:08 |
You see, Theo's faith |
00:53:11 |
lost out to chance. |
00:53:15 |
So, |
00:53:16 |
why bother |
00:53:21 |
-Watcha! Baby's got Theo's eyes. |
00:53:24 |
MIRIAM: Oh, boy. That's terrible. |
00:53:25 |
But, you know, |
00:53:29 |
JASPER: That I don't know. |
00:53:30 |
But Theo and Julian would always |
00:53:39 |
(ALARM SOUNDING IN DISTANCE) |
00:53:44 |
(ALARM BLARING) |
00:53:47 |
JASPER: It's the alarm! |
00:53:50 |
What is it? |
00:53:51 |
Look at this. |
00:53:56 |
Shit. |
00:54:05 |
Jasper, hurry up! |
00:54:09 |
Where's Janice? |
00:54:10 |
Take the back path to the main road, |
00:54:14 |
-Yeah, I've got it. |
00:54:15 |
Wait for Syd at the old school |
00:54:18 |
Give him this, and tell him he's a fascist pig. |
00:54:20 |
-THEO: We need to get Janice. |
00:54:25 |
-What are you talking about? |
00:54:27 |
-No, Jasper. You're coming. |
00:54:30 |
I'll send them the wrong way. |
00:54:33 |
Jasper. |
00:54:34 |
Theo, I've talked my way out of |
00:54:38 |
Go on. Go. |
00:54:42 |
And remember, tell Syd he's a fascist pig. |
00:55:26 |
I love you. |
00:56:16 |
Hey, amigos! |
00:56:18 |
LUKE: We're looking for Theo Faron. |
00:56:20 |
We know he was here a few weeks ago. |
00:56:23 |
-Who? |
00:56:25 |
I haven't seen him in weeks. |
00:56:26 |
There's biscuits and coffee on inside! |
00:56:29 |
You want a drag? |
00:56:34 |
LUKE: What we got? |
00:56:37 |
There's a dead woman and dog inside. |
00:56:39 |
IAN: They're going to Bexhill. |
00:56:41 |
When did they leave? |
00:56:44 |
When did they leave? |
00:56:48 |
Pull my finger, go on. |
00:56:50 |
Pull my finger. |
00:56:53 |
I'll do it. |
00:57:01 |
Fuck you. |
00:57:02 |
(GUN FIRING) |
00:57:13 |
Pull my finger. |
00:57:20 |
-Theo, I'm so sorry. |
00:57:24 |
You tell me the fucking reason in that. |
00:57:26 |
-It's all part of a bigger thing. |
00:57:29 |
Shut up and get in the fucking car. |
00:57:31 |
-Jasper? |
00:57:35 |
Everything's fine. |
00:59:07 |
(CLATTERING) |
00:59:31 |
(KEE SINGING |
00:59:37 |
MIRIAM: I was 31. |
00:59:41 |
I was doing a stint in the antenatal clinic. |
00:59:45 |
Three of my patients |
00:59:48 |
Others were in their fifth and sixth month. |
00:59:53 |
Next week, five more miscarried. |
00:59:57 |
Then the miscarriages |
01:00:01 |
I remember booking a woman in |
01:00:03 |
and noticing that the page |
01:00:07 |
Not a single name. |
01:00:09 |
I rang a friend |
01:00:12 |
and she had no new pregnancies, either. |
01:00:16 |
She then rang her sister in Sydney. |
01:00:20 |
And it was the same thing there. |
01:00:26 |
You can relax. She's finished. |
01:00:32 |
As the sound of the playgrounds faded, |
01:00:35 |
the despair set in. |
01:00:42 |
Very odd what happens in a world |
01:00:48 |
I was there at the end. |
01:00:51 |
Now you're gonna be there at the beginning. |
01:00:54 |
Yeah. |
01:00:56 |
I'll be there at the beginning. |
01:00:59 |
Thank you. |
01:01:01 |
(POLICE SIREN WAILING) |
01:01:04 |
Kee, come on! We've got to go! |
01:01:17 |
COP: Stop where you are. |
01:01:19 |
I'm looking for Syd. |
01:01:23 |
Hands above your head. |
01:01:27 |
You're a fascist pig. |
01:01:42 |
What did you say? |
01:01:45 |
I was told to tell you you're a fascist pig. |
01:01:50 |
-Say it again. |
01:01:53 |
Say it again. |
01:01:55 |
Say it! |
01:01:58 |
You're a fascist pig. |
01:02:08 |
Come on. |
01:02:17 |
SYD: It was Jasper's idea, you know. |
01:02:21 |
He will piss himself laughing |
01:02:25 |
He's a cheeky old bastard. |
01:02:28 |
So proud of his weed. |
01:02:30 |
Syd could get it a lot cheaper from |
01:02:35 |
Jasper's straight. A true gentleman. |
01:02:38 |
(GROANING) |
01:02:39 |
-All right. |
01:02:41 |
MIRIAM: Just carsick. |
01:02:43 |
-She's not going to puke, is she? |
01:02:45 |
Puking's bad. Very, very bad. |
01:02:47 |
It doesn't wash out. |
01:02:51 |
Usually, there's people trying |
01:02:56 |
Syd doesn't know why you want to get in. |
01:03:00 |
Syd doesn't want to know. |
01:03:03 |
Syd doesn't care. |
01:03:06 |
MIRIAM: Just breathe. Just breathe. |
01:03:08 |
(KEE MOANING) |
01:03:09 |
What's wrong with her? |
01:03:10 |
A minor contraction. |
01:03:14 |
All right. |
01:03:15 |
When you're released, |
01:03:17 |
Look for the statue of a soldier. |
01:03:19 |
There you'll meet a woman, Marichka. |
01:03:22 |
Always carries a shitty little dog with her. |
01:03:24 |
She'll find you accommodation for tonight. |
01:03:27 |
All right. You're fugees now. |
01:03:30 |
Show Syd the fugee face. |
01:03:32 |
Sad face. |
01:03:34 |
Sad fugee face. |
01:03:36 |
That's good. That's good. |
01:03:38 |
Okay. Out! |
01:03:45 |
Come on. Come on. Come on. |
01:03:49 |
(MAN SHOUTING) |
01:03:51 |
Hurry up. Hurry up, move. |
01:03:59 |
(MAN SPEAKING |
01:04:09 |
Send me a postcard. |
01:04:11 |
SOLDIER: Seats in the back! |
01:04:19 |
(SPEAKING FOREIGN LANGUAGE) |
01:04:24 |
(SPEAKING FOREIGN LANGUAGE) |
01:04:56 |
What time |
01:04:59 |
Sunset tomorrow. |
01:05:00 |
How do we know that Luke and his mob |
01:05:04 |
Luke has no way of contacting |
01:05:11 |
Say again? |
01:05:14 |
Contact with the Human Project |
01:05:16 |
Julian was our mirror. |
01:05:18 |
(EXCLAIMING) |
01:05:20 |
What do you mean, "mirrors"? |
01:05:23 |
Mirrors. They contact one of our people. |
01:05:26 |
That person contacts someone else, |
01:05:29 |
She tells Luke. |
01:05:30 |
You mean you never |
01:05:33 |
Don't fucking tell me |
01:05:37 |
-Breathe it out. |
01:05:39 |
That's it. Breathe it out, breathe it out. |
01:05:42 |
I can't fucking breathe. |
01:05:44 |
You sure this is normal? |
01:05:46 |
It shouldn't be this frequent. |
01:05:49 |
Come on, breathe it out. All right, all right. |
01:06:17 |
Miriam, |
01:06:19 |
I'm all wet. |
01:06:21 |
Her water's broke. The baby's coming. |
01:06:23 |
Shit. Shit! |
01:06:25 |
All right, sweetheart. All right, sweetheart. |
01:06:29 |
Just breathe it out. That's it. |
01:06:31 |
Tomorrow you'll be safe. |
01:06:35 |
On the Tomorrow, they'll take care of you. |
01:06:37 |
They'll take you far away from all this. |
01:06:41 |
(MAN SPEAKING |
01:06:49 |
Look up, you piece of shite. Look up. |
01:06:52 |
(SPEAKING FOREIGN LANGUAGE) |
01:06:53 |
Out! |
01:06:54 |
Get out! |
01:06:56 |
Lord, give Kee the strength to know |
01:06:59 |
-She has the wisdom... |
01:07:01 |
I said, what's wrong with you? |
01:07:02 |
Look at me! |
01:07:04 |
-Saint Gabriel, help us... |
01:07:07 |
-You! Out! |
01:07:09 |
Listen, you fucking nutcase! Get out! |
01:07:12 |
-Up, now. Come on. |
01:07:14 |
Piss. Piss. Caca. Smell. Girl. |
01:07:18 |
You smell it yourself. |
01:07:32 |
She's okay, Kee. She's okay. |
01:07:35 |
-She's gonna be... |
01:07:39 |
(SHUSHING) |
01:07:52 |
SOLDIER: Move it! Come along now! |
01:08:01 |
Come on, shift it! Shift it! You! |
01:08:03 |
Get down there. Down there. Move. |
01:08:06 |
Follow the line! |
01:08:12 |
-Theo! |
01:08:14 |
-Take it off! |
01:08:20 |
Come on, move! Move it! Come on! |
01:08:23 |
Move it! Move it! |
01:08:25 |
Come on! Move! Move! |
01:08:27 |
WOMAN ON PA: Britain supports you |
01:08:30 |
Do not support terrorists. |
01:08:32 |
Britain supports you |
01:08:35 |
Do not support terrorists. |
01:08:44 |
Hey you, buddy! |
01:08:46 |
You want accommodations? |
01:08:50 |
Just leave the girl alone. |
01:08:51 |
-Who the fuck are you to tell me what to do? |
01:08:54 |
-Who do you fucking think you are? |
01:08:55 |
Don't mind these bastards. |
01:08:57 |
Come on, I've got a room, food, |
01:09:00 |
-I'm fine, thanks. |
01:09:01 |
"Fuck off," is it? Bollocks. |
01:09:14 |
Marichka? |
01:09:27 |
It's okay, Kee. |
01:09:28 |
Just breathe through it. |
01:09:32 |
That's it. It's okay. We're almost there, Kee. |
01:09:36 |
We're almost there. |
01:09:39 |
(MARICHKA SINGING |
01:09:51 |
THEO: It's just a few stairs. |
01:09:53 |
(SPEAKING FOREIGN LANGUAGE) |
01:09:54 |
Just hold onto me. |
01:09:57 |
I've got you. |
01:09:59 |
Just keep breathing. |
01:10:02 |
Marichka? How far? |
01:10:04 |
How far? |
01:10:06 |
We're almost there, Kee. Almost there. |
01:10:09 |
You're doing great. Come on. |
01:10:14 |
You're almost there. Three more steps. |
01:10:26 |
We're there, Kee. We're there. |
01:10:33 |
(SPEAKING FOREIGN LANGUAGE) |
01:10:37 |
Okay, there's a bed. Easy. |
01:10:41 |
Make her go! Make her go! |
01:10:47 |
That's great. Thank you. |
01:10:49 |
KEE: Get her out! |
01:10:51 |
Get her out! |
01:11:00 |
Thank you. |
01:11:02 |
(DOG YELPING) |
01:11:13 |
Okay, Kee. |
01:11:14 |
I'm going to put my coat underneath. |
01:11:22 |
You're okay. |
01:11:25 |
Okay? |
01:11:26 |
There's water. |
01:11:32 |
(GROANING) |
01:11:33 |
-Theo! Theo! |
01:11:37 |
It's okay. Everything's okay. |
01:11:39 |
Do something! |
01:11:45 |
It's looking good, Kee. It's looking good. |
01:11:48 |
You're doing great. Just keep breathing. |
01:11:51 |
-Keep breathing. |
01:11:53 |
No, like Miriam said. Do you remember? |
01:11:59 |
Breathe out and push. Push as well. |
01:12:03 |
-That's it. That's it! |
01:12:05 |
Yes, you can. Yes, you can. |
01:12:09 |
Out and push. |
01:12:11 |
-That's it! |
01:12:14 |
Kee, I can see the head. I can see the head. |
01:12:17 |
You're doing great. You're doing great, Kee. |
01:12:19 |
That's it. That's it. |
01:12:22 |
It's coming again. |
01:12:27 |
-That's it. Out and... |
01:12:29 |
-You can. Yes, you can. |
01:12:31 |
-Yes, you fucking can! Come on! |
01:12:33 |
Kee, the head's coming out. |
01:12:35 |
That's it, you're nearly there! |
01:12:39 |
Push, Kee! Push! |
01:12:42 |
Push! |
01:12:51 |
Oh, my God. |
01:12:53 |
(CRYING) |
01:12:54 |
How is he? |
01:12:57 |
It's a girl. |
01:13:00 |
Kee, you've got a girl. |
01:13:09 |
Hey, baba. |
01:13:18 |
-Aren't we supposed to cut the cord? |
01:13:24 |
You've done it. |
01:13:27 |
Kee, |
01:13:29 |
see? |
01:13:31 |
It wasn't that bad. |
01:13:34 |
Oh, yeah, not for you. |
01:13:42 |
(KNOCKING AT DOOR) |
01:13:48 |
(BANGING AT DOOR) |
01:13:49 |
(DOG BARKING) |
01:13:52 |
SYD: Come on! Hurry up! |
01:13:56 |
Who is it? |
01:13:57 |
The King of England. |
01:14:07 |
How can you sleep through |
01:14:10 |
-What's wrong with her? |
01:14:14 |
Fuck off! |
01:14:15 |
A few hours ago, a bomb blew a hole |
01:14:18 |
But Syd happens to know, |
01:14:20 |
the hole in the fence |
01:14:22 |
-It's about Fishies getting in. |
01:14:24 |
Syd also happens to know that the Army's |
01:14:27 |
But don't worry. Syd is here to get you out. |
01:14:30 |
Fuck off. Go away. Go on. Piss off! |
01:14:32 |
Get your fucking dog. |
01:14:34 |
(SPEAKING FOREIGN LANGUAGE) |
01:14:40 |
What you got there? |
01:14:41 |
-KEE: Nothing. |
01:14:43 |
-Nothing. |
01:14:46 |
-Like to show me? |
01:14:50 |
-It's nothing. |
01:14:55 |
-It's nothing. |
01:14:58 |
-No. |
01:14:59 |
It's okay. Let me see. |
01:15:03 |
Jesus Christ. |
01:15:05 |
Jesus Christ. |
01:15:08 |
-That's a... |
01:15:10 |
We got a baby. |
01:15:12 |
And now we need a rowboat. |
01:15:16 |
(SPEAKING FOREIGN LANGUAGE) |
01:15:17 |
Get her up. Get her up. We need to go. |
01:15:19 |
Can you help us get a boat? |
01:15:20 |
Yeah, yeah, yeah. Just get her up. |
01:15:23 |
(SPEAKING FOREIGN LANGUAGE) |
01:15:25 |
-What's she saying? |
01:15:27 |
Bad! Bad! Bad! |
01:15:28 |
-She doesn't want us to go. |
01:15:30 |
(SPEAKING FOREIGN LANGUAGE) |
01:15:34 |
We need to go. |
01:15:37 |
Syd was watching television last night |
01:15:41 |
She's a sweet old soul. |
01:15:45 |
And then the news came on, |
01:15:49 |
Something about a cop killer. |
01:15:51 |
Something about a big reward. |
01:15:54 |
Syd then finds out |
01:15:57 |
So Syd thinks, |
01:16:00 |
"and the coppers are looking for you, |
01:16:02 |
"you people are first class commodities." |
01:16:04 |
Shut the fuck up! Shut up! |
01:16:07 |
Down, down, down! |
01:16:09 |
Now, Syd has a baby. |
01:16:25 |
Bad! Bad! Bad! |
01:16:28 |
Marichka! |
01:16:30 |
SYD: I'll fucking kill you, you bitch! |
01:16:39 |
Bitch. You bitch. |
01:16:44 |
Baby! Marichka baby! |
01:16:45 |
Quick, quick. The baby! |
01:16:49 |
My baby! She took... |
01:16:53 |
SYD: I'll fucking kill you, you gypsy bitch! |
01:16:56 |
(BABY CRYING) |
01:17:02 |
I'm gonna blow your fucking brains out. |
01:17:04 |
(GUN FIRING) |
01:17:07 |
Go, go! |
01:17:09 |
(GUN FIRING) |
01:17:25 |
Fuck! Shit. |
01:17:33 |
How are you doing? |
01:17:35 |
-How are you? |
01:17:37 |
Marichka, we need a boat. |
01:17:40 |
A boat. The sea, a boat, a rowboat. |
01:17:45 |
We need a boat. |
01:17:49 |
(SPEAKING FOREIGN LANGUAGE) |
01:17:50 |
A fucking boat! A boat. |
01:17:53 |
-A rowboat! |
01:17:55 |
Hurry. |
01:17:57 |
-You okay? Come on. |
01:17:59 |
Hurry. Hurry. |
01:18:01 |
(MACHINE GUNS FIRING) |
01:18:41 |
(MARICHKA AND MAN |
01:18:49 |
(SPEAKING FOREIGN LANGUAGE) |
01:18:53 |
It's okay. |
01:18:58 |
(SPEAKING FOREIGN LANGUAGE) |
01:19:16 |
(WOMAN SINGING |
01:19:21 |
(KEE LAUGHING) |
01:19:24 |
(SINGING IN FOREIGN LANGUAGE) |
01:19:36 |
Look at that, Theo. They love my baby. |
01:19:42 |
I want to call her Bazouka. |
01:19:43 |
Bazouka? |
01:19:45 |
You don't like it? |
01:19:47 |
I was getting used to Froley. |
01:19:50 |
Froley's a man's name. |
01:19:52 |
What is he thinking, giving you |
01:19:57 |
We have a boat. Stay here. |
01:20:01 |
THEO: Thanks. |
01:20:02 |
Human Project real? |
01:20:05 |
It better be. |
01:20:43 |
(SPEAKING IN FOREIGN LANGUAGE) |
01:21:25 |
Drop your gun! Drop your gun! |
01:21:27 |
Put your hands up! |
01:21:29 |
Okay, is clear! Is clear! |
01:21:31 |
Hands above your head |
01:21:33 |
You killed my fucking cousin! |
01:21:34 |
Get on your knees! |
01:21:36 |
He was 19! |
01:21:38 |
LUKE: Don't kill him! |
01:21:40 |
Don't kill him! |
01:21:43 |
Watch the flanks! |
01:21:45 |
Kee. Thank God. |
01:21:49 |
You'll be safe now. How's the child? |
01:21:59 |
You put their lives at risk. |
01:22:00 |
Just let her go. |
01:22:02 |
No? Look around you. |
01:22:04 |
It's the Uprising. |
01:22:06 |
And they haven't even seen the baby. |
01:22:09 |
KEE: No! Get off... |
01:22:11 |
Not in front of the girl. |
01:22:13 |
Wait till we get around the corner. |
01:22:15 |
Come on! |
01:22:16 |
(SINGING) Oh, lads |
01:22:19 |
You should have seen us gannin' |
01:22:22 |
Passing the folks along the road |
01:22:27 |
And all the lads and lasses there |
01:22:31 |
(MACHINE GUNS FIRING) |
01:22:55 |
PATRIC: Fuck! |
01:23:13 |
Sorry. Sorry. |
01:23:32 |
LUKE: Move it! Get her inside! |
01:23:36 |
PATRIC: Faron! |
01:23:47 |
LUKE: Get her inside! |
01:23:50 |
Now! Move it! Now! |
01:23:52 |
(MEN SHOUTING |
01:24:15 |
SOLDIER: Sarge, left flank! |
01:24:17 |
Slug the fuckers! |
01:24:22 |
Don't shoot! Citizens! We citizens! |
01:25:36 |
Go check the roof! |
01:25:51 |
(BABY CRYING) |
01:26:51 |
LUKE: I was carrying the baby up the stairs. |
01:26:55 |
I started crying. |
01:26:57 |
I'd forgotten what they looked like. |
01:27:00 |
They're so tiny. |
01:27:04 |
Julian was wrong! |
01:27:06 |
She thought it could be peaceful! |
01:27:08 |
But how can it be peaceful |
01:27:12 |
We need him, Theo! |
01:27:14 |
We need the baby. We need him! |
01:27:20 |
It's a girl, Luke. |
01:27:24 |
A girl? |
01:27:28 |
I had a sister. |
01:27:32 |
Theo! Theo! |
01:27:52 |
You okay? |
01:27:54 |
(GROANING) |
01:27:55 |
How is she? |
01:27:57 |
Annoyed. |
01:27:58 |
(BABY CRYING) |
01:28:06 |
(WOMAN SINGING |
01:28:37 |
(SPEAKING FOREIGN LANGUAGE) |
01:28:48 |
(MACHINE GUN FIRING) |
01:29:08 |
My God, the baby. |
01:29:10 |
Move back! Fucking move back! |
01:29:16 |
Stop! Cease fire! Cease firing! |
01:29:19 |
SOLDIER 1: Cease firing! |
01:29:22 |
-Cease firing! |
01:29:38 |
We've got two coming through, |
01:30:36 |
SOLDIER: Second floor, left! |
01:30:40 |
Medic! |
01:30:54 |
Marichka! |
01:30:56 |
(MARICHKA SPEAKING |
01:31:38 |
No, Marichka no go. You go. |
01:31:41 |
-You go. |
01:31:44 |
-Marichka, get in the boat! |
01:31:50 |
(SPEAKING FOREIGN LANGUAGE) |
01:32:53 |
The buoy! Theo, the buoy! |
01:33:04 |
You okay? |
01:33:05 |
Yeah. You? |
01:33:07 |
Yeah. |
01:33:13 |
What a day. |
01:33:16 |
We're too late, aren't we? |
01:33:18 |
No. No, we're fine. |
01:33:19 |
But they said they wouldn't wait. |
01:33:21 |
Trust me. They'll come back. |
01:33:24 |
(PLANE SOARING) |
01:33:37 |
I'm bleeding. Jesus, shit, I'm bleeding! |
01:33:40 |
-No, no, no, it's me. |
01:33:43 |
-It's me. |
01:33:46 |
He got me. |
01:33:48 |
Bad? |
01:33:49 |
No. I'm fine. |
01:33:53 |
Keep her close, Kee. |
01:33:56 |
Whatever happens, whatever they say, |
01:34:00 |
you keep her close. |
01:34:06 |
It's going to be okay. |
01:34:09 |
(BABY CRYING) |
01:34:14 |
She's probably got wind. Wind her. |
01:34:18 |
Put her on your shoulder. |
01:34:21 |
Just... Just tap her back. |
01:34:31 |
Gently. |
01:34:38 |
Gently. |
01:34:40 |
(KEE WHISPERING) |
01:34:53 |
There you go. |
01:34:58 |
Oh, Jesus. |
01:35:02 |
Dylan. |
01:35:07 |
I'll call my baby Dylan. |
01:35:32 |
Theo? |
01:35:36 |
Theo? |
01:35:44 |
Theo! |
01:35:59 |
Theo, the boat. |
01:36:04 |
The boat! |
01:36:07 |
It's okay. |
01:36:09 |
We are safe now. |
01:36:12 |
We're safe. |
01:36:21 |
(KEE SINGING |
01:36:42 |
(CHILDREN LAUGHING) |
01:36:45 |
(CHILDREN CHATTERING) |