Choke
|
00:00:17 |
These are the legends. |
00:00:20 |
You've heard about them for years. |
00:00:22 |
The pretty housewife- |
00:00:25 |
The friends burst in at the surprise party, |
00:00:28 |
with the family dog licking peanut butter |
00:00:32 |
Well, she's real. |
00:00:33 |
Remember the cheerleader? |
00:00:36 |
- They find a quart of sperm. Her name's Luann. |
00:00:39 |
They may not look like much to you, |
00:00:44 |
The hooker reunites |
00:00:46 |
the molester with the molested. |
00:00:49 |
The guy hanging naked |
00:00:51 |
half dead from autoerotic asphyxiation? |
00:00:55 |
- Hi. My name is Lonnie, and I'm a sex addict. |
00:00:58 |
Hi, Lonnie. |
00:01:01 |
These people are the reason |
00:01:04 |
to remove the champagne bottle, |
00:01:08 |
- Did you ever experience- |
00:01:11 |
- like gambling, or drugs, or shoplifting. |
00:01:14 |
At least this one looks like love... |
00:01:16 |
if you squint. |
00:01:18 |
That's my best friend, Denny. |
00:01:20 |
Denny showed up here |
00:01:23 |
for waxing his weasel |
00:01:26 |
Not like the model was even fine. |
00:01:28 |
Just some old hippie |
00:01:31 |
But Denny didn't care. By then he was |
00:01:36 |
Got so he could barely |
00:01:39 |
Nico gets released from the halfway house |
00:01:43 |
just like Cinderella. |
00:01:45 |
Only at midnight |
00:01:49 |
Don't get me wrong- I'm no different. |
00:01:52 |
We're all here for the same reason: |
00:01:54 |
to dig through our personal valise |
00:01:58 |
until we find one that helps us |
00:02:02 |
For me, that means no more constant |
00:02:06 |
all the time. |
00:02:09 |
I come to meetings. |
00:02:11 |
I even try to abstain. |
00:02:13 |
So far, it's not going so well. |
00:02:20 |
- Not that it's any picnic to quit. |
00:02:23 |
Sex addicts become literally dependent |
00:02:26 |
Around the world, Nico. |
00:02:28 |
Orgasms release endorphins. |
00:02:32 |
And I'm all for that. |
00:02:34 |
- You got something to write with? |
00:02:35 |
Hold on a second. I'm Nico's sponsor, |
00:02:40 |
Here you go, babe. |
00:02:42 |
I mean, please, |
00:02:45 |
than, say, sniffing the greatest rose |
00:02:50 |
But I'm not thinking about that now... |
00:02:52 |
because at any moment |
00:02:55 |
No bills, no stupidjob, no crazy mother. |
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All I'm going to feel is perfect, |
00:03:02 |
Fuck you! Not yet. |
00:03:11 |
Here it comes. Perfect. |
00:03:13 |
- Beautiful. |
00:03:20 |
Keep coming back. |
00:03:22 |
It works if you work it, |
00:03:25 |
Yeah. |
00:03:34 |
What'd you say you do again? |
00:03:36 |
I am the backbone |
00:03:40 |
- Welcome to the Village of Dunsboro. |
00:03:44 |
Here, life in an 18th-century settlement |
00:03:48 |
Here. Take it. |
00:03:50 |
- For some, it's more vivid than others. |
00:03:52 |
Not that you can blame 'em. |
00:03:54 |
We're all marooned here |
00:03:57 |
who never age and never escape. |
00:04:00 |
Think Gilligan meets Groundhog Day... |
00:04:02 |
in hell. |
00:04:05 |
Hmm. Can I get a turn? |
00:04:08 |
- Sure you can. |
00:04:10 |
When the Mayflower |
00:04:13 |
- Hey, kids. |
00:04:15 |
- Ooh. |
00:04:20 |
Whoa, you've got skills. |
00:04:22 |
How do you know how to do that? |
00:04:34 |
- Get off me. Aah.! |
00:04:39 |
Hey, get out of here, you little shits! |
00:04:41 |
Easy, easy, easy. |
00:04:44 |
It's me. It's me. |
00:04:46 |
- Sorry, dude. |
00:04:49 |
Yeah, these kids kept putting |
00:04:52 |
Am I bleeding? |
00:04:54 |
- Oh, God. |
00:04:57 |
Ursula, man. |
00:04:59 |
- She's a milkmaid. |
00:05:03 |
No. |
00:05:05 |
No. |
00:05:06 |
Yeah. |
00:05:08 |
She's milking those cows all day... |
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working those fingers up and down |
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- Hey! Hey, hey, man! |
00:05:18 |
- Yeah, you may not want to do that. |
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Hi. |
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Look at this guy. |
00:05:26 |
Man's a glutton for punishment. |
00:05:28 |
She laughed. |
00:05:30 |
- Did you see that? |
00:05:33 |
Right. |
00:05:41 |
Oh, shit. Let's roll. |
00:05:44 |
Wait, wait. Where is it? Fuck. |
00:05:47 |
- What the fuck are you doing? |
00:05:50 |
- Leave the goddamn wig, will you? |
00:05:54 |
- Who hast released thee from thy bonds? |
00:05:57 |
Thou knowest the rules. |
00:05:59 |
Miscreants may be freed only by a duly |
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Give it a rest with the olden spiel, |
00:06:04 |
You heard the bells. We're off. |
00:06:06 |
- And what of his uncovered pate? |
00:06:09 |
Your pate! Your pate. |
00:06:12 |
Discarding period attire whilst within |
00:06:16 |
Fine. Okay? You happy? |
00:06:19 |
- Thy purse shall suffer for thy transgressions. |
00:06:23 |
I don't mind if you wanna play method Mussolini |
00:06:27 |
- but you dock my check one more time- |
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thou wilt feel the wrath |
00:06:33 |
- Bring it then, varlet, if thou be a man. |
00:06:36 |
- What wilt thou do? |
00:06:38 |
- What sayest thou? |
00:06:42 |
- What wilt thou do? |
00:06:44 |
- Come on. |
00:06:46 |
- Where dost thou go? |
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Fuckin' knave. |
00:06:51 |
# Years ago I lost my guard |
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# Standing up like a man # |
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# Like a father |
00:07:00 |
# That all I do is not enough # |
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- # For myself I am tough # |
00:07:05 |
- It's coming up. |
00:07:07 |
- Here. |
00:07:09 |
# Show me all the rules, girl # |
00:07:13 |
- # I just wanna get 'em wrong ## |
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Can't we just this once enjoy |
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No. |
00:07:32 |
- You can't fool people into loving you. |
00:07:44 |
Somebody saves your life... |
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they'll love you forever. |
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It's like the old Chinese custom. |
00:07:52 |
They feel responsible. |
00:07:54 |
They'll write. |
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Play it right, even cash. |
00:08:02 |
Unless you let yourself get rescued by |
00:08:08 |
Hey.! That's mine. |
00:08:11 |
So, who's it gonna be tonight? |
00:08:14 |
How 'bout you, honey? |
00:08:17 |
Uh-oh. Swatch. |
00:08:19 |
Okay. Come on.! |
00:08:21 |
There he is. You and me, |
00:08:26 |
- Come on. Come on, come on. |
00:08:30 |
One heroic deed thatjustifies |
00:08:36 |
They grab you and hold you. |
00:08:40 |
They rock you softly in their arms. |
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All right. It's gonna be all right. |
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And before you know it, |
00:08:50 |
- You're okay. |
00:08:52 |
Yeah. |
00:08:56 |
- Okay. |
00:09:05 |
- Hey, Kim. |
00:09:07 |
- How art thou? |
00:09:10 |
- That's very funny. |
00:09:19 |
Mrs. Novak is an undresser. |
00:09:21 |
That's why she gets the special pantsuit. |
00:09:26 |
Other patients express themselves |
00:09:29 |
which can also be disturbing. |
00:09:32 |
Eva here is what you call a squirrel. |
00:09:36 |
Colin? Oh, Colin, is that you? |
00:09:38 |
What do we have tonight, Eva? |
00:09:40 |
Hmm. Roast beef. |
00:09:42 |
That's not doing you any good |
00:09:45 |
You hurt me, Colin. |
00:09:47 |
- That might prove challenging. |
00:09:50 |
I definitely did not touch |
00:09:54 |
If it wasn't for that chip in her |
00:09:57 |
squawking about her poor woo-woo. |
00:09:59 |
St. Anthony's is what you call |
00:10:04 |
It's for loony broads of all ages. |
00:10:06 |
But mostly, |
00:10:12 |
You see that look shejust gave me? |
00:10:14 |
That's 'cause that really happened. |
00:10:17 |
Guess you could say |
00:10:20 |
Hello. Who are you? |
00:10:22 |
Oh, that's right. |
00:10:26 |
But of course, I don't know that yet. |
00:10:30 |
Well, it's about time. |
00:10:32 |
She's been asking for you all day. |
00:10:35 |
- Who am I today? |
00:10:38 |
- Sounds like another one of the lawyers. |
00:10:40 |
- "Was"? |
00:10:43 |
- Fall of'97. |
00:10:46 |
Oh. |
00:10:48 |
- So, you good? |
00:10:52 |
Well, my lady, |
00:10:54 |
Okay. |
00:11:03 |
That's nice. |
00:11:06 |
Upstairs. |
00:11:09 |
Oh. Well, she'll be back. |
00:11:12 |
Oh, no, she won't, Fred. |
00:11:15 |
They take you up to the second floor, |
00:11:18 |
But they take you up to the third floor, |
00:11:21 |
I got... cannelloni! |
00:11:24 |
- Huh? |
00:11:27 |
You're just like my son, Victor, always trying |
00:11:32 |
I thought you liked Italian. |
00:11:35 |
You gotta eat, you know. |
00:11:38 |
You gotta- |
00:11:42 |
Oh, it's you! |
00:11:49 |
What happened, Fred? |
00:11:53 |
You used to cut quite the dashing figure. |
00:11:56 |
You look like my son, Victor, |
00:11:59 |
- He's not a tour guide. |
00:12:04 |
You know what he did? |
00:12:07 |
- Did you know that? |
00:12:09 |
Now he's so busy ruining his life, |
00:12:12 |
That's disgraceful. |
00:12:14 |
When I think what I went through to give |
00:12:18 |
And do you know how he repays me? |
00:12:21 |
- He had me committed- |
00:12:23 |
Who told you that? |
00:12:25 |
I heard he dropped out |
00:12:27 |
just so you could move into |
00:12:30 |
Didn't I hear something like that? Huh? |
00:12:33 |
Look, there's my show. |
00:12:35 |
And I got a feelin' |
00:12:37 |
if you didn't spend all your time |
00:12:41 |
- Huh? |
00:12:45 |
You're always defending |
00:12:48 |
That's not how you drown a cat. |
00:12:58 |
You're in a hospital. |
00:13:02 |
- Uh, that means somebody stopped breathing. |
00:13:05 |
- Pamela Cosgrove paged in an airport. |
00:13:08 |
- Quick, quick, quick. |
00:13:11 |
Terrilynn Mayfield, |
00:13:14 |
Uh, nerve gas? |
00:13:17 |
- Think cows and horses. |
00:13:21 |
That's all right. Learn half these names, |
00:13:24 |
Forget what |
00:13:27 |
These fake people are all that matter. |
00:13:30 |
- What is it? |
00:13:33 |
- Could we go over there? |
00:13:38 |
Mmm, just to swing and stuff, |
00:13:42 |
We have to keep moving, honey. |
00:13:44 |
If we stopped at every playground we came |
00:13:49 |
Eat your supper. |
00:14:11 |
What are you supposed to be? |
00:14:15 |
Oh, I'm the backbone of colonial America. |
00:14:18 |
- Which is? |
00:14:22 |
- Where's Dr. Fielding? |
00:14:25 |
- Are you in charge of my mother? |
00:14:28 |
- Victor. |
00:14:30 |
Oh. Um, Ida Mancini. |
00:14:33 |
- You're the son. |
00:14:35 |
- The tour guide. |
00:14:39 |
I'm a historical interpreter. |
00:14:41 |
Okay. |
00:14:43 |
How come you never visit? |
00:14:45 |
I visit all the time, just not as myself. |
00:14:47 |
Kind of defeats the purpose, |
00:14:51 |
She's an amazing woman, your mother. |
00:14:53 |
- Yeah. Listen, Dr. - |
00:14:57 |
Hi. She's getting worse. |
00:14:59 |
She-She never knows who I am anymore |
00:15:02 |
- Even when the lawyer comes to visit? |
00:15:05 |
I'm the lawyer. Today she spat out |
00:15:08 |
That's like her death row favorite meal. |
00:15:10 |
I've seen her sprint 10 blocks in heels |
00:15:13 |
We're reaching the point |
00:15:16 |
Decisions? |
00:15:18 |
Dr. Marshall.! |
00:15:22 |
- You'll have to excuse me now. |
00:15:24 |
Could we go somewhere and talk, |
00:15:28 |
- Now? |
00:15:30 |
We could meet for a drink |
00:15:33 |
Are you asking me out? |
00:15:36 |
Well, no. Sort of. I mean, yeah. |
00:15:40 |
I have to finish my rounds now, |
00:15:44 |
We'll talk again on your next visit. |
00:15:46 |
But- |
00:15:49 |
- These are your grandparents, right? |
00:15:52 |
- I never met them. |
00:15:55 |
- They're Italian. |
00:15:59 |
Yeah. |
00:16:01 |
Uh, Mom came for boarding school |
00:16:04 |
Ah. Look at her here. |
00:16:09 |
Wow. She was really, |
00:16:13 |
Hey, hey! What the fuck! |
00:16:16 |
- Dude.! That's my mom. |
00:16:19 |
- It's just, she was hot. |
00:16:21 |
Here. Make yourself useful. |
00:16:26 |
Man. |
00:16:27 |
"Dear Victor... |
00:16:30 |
"sorry to hear about your gums. |
00:16:32 |
"Hope this will help. |
00:16:34 |
Your pal, Bennett." |
00:16:36 |
- Who's Bennett? |
00:16:39 |
Oh, yeah. Big guy? |
00:16:42 |
That's him. How much? |
00:16:45 |
Uh, 32. |
00:16:49 |
Dollars? Thirty-two dollars? |
00:16:52 |
You know what $32 gets you |
00:16:55 |
- Why? What's wrong with your gums? |
00:16:57 |
- I'm just saying, if there was. |
00:17:01 |
Let me explain something to you. |
00:17:03 |
They send some cash. |
00:17:06 |
It's like when you adopt an overseas orphan, |
00:17:09 |
Besides, if I don't come up |
00:17:13 |
those vipers at St. Anthony's |
00:17:16 |
- Fuck! |
00:17:17 |
I'm light. |
00:17:19 |
Again, Mr. Mancini? |
00:17:22 |
You're light again. |
00:17:25 |
Not to worry. |
00:17:27 |
I'm sure there's room |
00:17:32 |
I hear they do a lovely porridge. |
00:17:35 |
Okay, okay, okay, okay. |
00:17:39 |
You got a pen? |
00:17:47 |
God bless you, Mr. Mancini. |
00:17:58 |
Come on. |
00:18:01 |
You love their eggplant. One bite. |
00:18:04 |
I'm not hungry. |
00:18:06 |
So, what are you doing? What's - |
00:18:10 |
You're crying. |
00:18:13 |
What do you expect, Artie? |
00:18:17 |
You're not dying. You're not dying. |
00:18:19 |
For Pete's sake, look at me. |
00:18:21 |
Half the time I don't even know |
00:18:26 |
Fine. Whatever. |
00:18:29 |
I've had enough |
00:18:35 |
It's Victor. |
00:18:38 |
I can't bear it. |
00:18:42 |
- He has to know. |
00:18:46 |
Who he comes from. |
00:18:48 |
You said his father was a traveling salesman |
00:18:51 |
- I had to tell him something. |
00:18:55 |
Of course he's not. |
00:18:59 |
You, uh- |
00:19:02 |
You have to tell him the truth, Ida. |
00:19:05 |
He's got a right to know. |
00:19:07 |
I've been trying for months now... |
00:19:09 |
but he so rarely comes to visit, and when |
00:19:14 |
Listen to me now, Ida. |
00:19:17 |
It's very important that Victor |
00:19:20 |
other than just, you know... |
00:19:23 |
you. |
00:19:25 |
- You really think so? |
00:19:27 |
Let me call him. I bet you |
00:19:30 |
- Oh, no. Oh, no, no, no, no. I couldn't face that. No. |
00:19:33 |
You can tell me then. |
00:19:36 |
Attorney-client privilege and all. |
00:19:39 |
But, Artie, I really can't do that. |
00:19:41 |
Why not? |
00:19:45 |
'Cause I'm not even sure who you really are. |
00:19:51 |
Oh, I'm sorry, Artie. |
00:19:56 |
- Hey. |
00:20:04 |
Do you think she'll take you back? |
00:20:06 |
Pretty women |
00:20:10 |
You're pretty. |
00:20:14 |
I might have known. |
00:20:17 |
This work requires vision. |
00:20:20 |
What work? |
00:20:22 |
All you do is get in trouble. |
00:20:25 |
Don't you see? You are my work. |
00:20:27 |
All the political acts, |
00:20:30 |
They're all designed |
00:20:32 |
- Where's my father? |
00:20:36 |
offending his poor customers |
00:20:39 |
I want to see him. |
00:20:42 |
He doesn't want you, Victor. |
00:20:48 |
We need to talk. |
00:20:51 |
I think it's time we consider |
00:20:54 |
The second floor? |
00:20:57 |
Mr. Mancini, your mother suffers |
00:21:00 |
that's been exacerbated |
00:21:03 |
Dr. Fielding said it was Alzheimer's. |
00:21:05 |
There's a reason Dr. Fielding's |
00:21:09 |
Can we walk? |
00:21:13 |
Hey, did you try Aricept or Cognex? |
00:21:15 |
How would you know |
00:21:17 |
What about a glutamine blocker |
00:21:19 |
We've tried everything. Once they've stopped |
00:21:23 |
Couldn't you force-feed her? |
00:21:26 |
I understand how you feel. |
00:21:28 |
Facing the possibility of a loved one's |
00:21:32 |
Oh, no. I want her to die, just not |
00:21:36 |
Perhaps we should talk later |
00:21:39 |
- You're absolutely right. What time do you get off? |
00:21:42 |
- What? |
00:21:44 |
Oh, I really do. |
00:21:46 |
Well, I suppose that's flattering, |
00:21:49 |
- Why? |
00:21:54 |
And you're realizing for the first time |
00:21:56 |
probably won't be getting better. |
00:22:00 |
And sleeping with me isn't gonna |
00:22:04 |
Only one way to find out. |
00:22:06 |
Good night, Mr. Mancini. |
00:22:10 |
Hey. |
00:22:12 |
There's a little piece missing |
00:22:15 |
- I was clawed. |
00:22:17 |
- By what? |
00:22:19 |
- A lynx? |
00:22:21 |
- I know what a lynx is. |
00:22:25 |
You lie a lot, huh? |
00:22:27 |
I guess. |
00:22:38 |
- You hurt me, Colin. |
00:22:41 |
You touched me in my private place. |
00:22:43 |
Would you stop saying that? |
00:22:45 |
You said that it was just |
00:22:48 |
and then you put |
00:22:51 |
Okay, listen. |
00:22:59 |
Fine. You got me. I did it. |
00:23:03 |
- You admit it? |
00:23:06 |
I boned you silly. |
00:23:10 |
After all these years, |
00:23:14 |
That's right. Now if you'll excuse me, |
00:23:17 |
- It's not doing you any favors. |
00:23:21 |
Eva, baby, little sis, |
00:23:23 |
I was a wretched, disgusting horn dog. |
00:23:26 |
But you were such a hot tamale, |
00:23:29 |
Oh, look. Okay. Don't - |
00:23:32 |
Look, for Christ's sakes, don't do that. |
00:23:34 |
I hurt your woo-woo, |
00:23:38 |
Can we please move on? |
00:23:43 |
Oh, Colin. |
00:23:45 |
Oh, Colin, I forgive you. |
00:23:47 |
I forgive you, Colin. |
00:23:52 |
- You can't nail your mom's doctor. |
00:23:55 |
'Cause later, when she hates you, |
00:23:58 |
Nah, she wouldn't do that. She took an oath. |
00:24:01 |
Why? |
00:24:03 |
Because she pinned me to the cork |
00:24:05 |
without even breaking a sweat. |
00:24:07 |
And so now you want to |
00:24:10 |
Yeah. |
00:24:12 |
I need her to keep my mom alive long enough |
00:24:16 |
Why? What do you think |
00:24:18 |
That I come from somebody else too. |
00:24:21 |
After all the psychotic shit she put me |
00:24:26 |
I'm supposed to lock him in, Victor. |
00:24:28 |
He was very specific about that. |
00:24:30 |
You touch these stocks, |
00:24:32 |
and you won't be wearin' |
00:24:35 |
Dick. |
00:24:37 |
You shouldn't have done that. |
00:24:39 |
Now Charlie's gonna lobby |
00:24:43 |
- So, what'd you do this time? |
00:24:47 |
You ever think you might be fuckin' up |
00:24:52 |
Maybe. All this time in the stocks, |
00:24:56 |
I wouldn't get too carried away |
00:24:58 |
Given to what your body's used to, |
00:25:01 |
How 'bout you? |
00:25:04 |
That's the, um- |
00:25:06 |
That's the searching, fearless inventory |
00:25:09 |
and was done to you |
00:25:13 |
If you need some help, I'd be happy |
00:25:17 |
Thanks. I'm good. |
00:25:19 |
Hey, wait a minute. |
00:25:21 |
If your mom already thinks... |
00:25:24 |
that you're Artie, or Fred, |
00:25:27 |
how are you gonna convince her |
00:25:30 |
I'm not. |
00:25:34 |
- Hi. I'm Victor. |
00:25:41 |
- That's her? |
00:25:43 |
She's young, for this place. |
00:25:46 |
- I know. |
00:25:49 |
Jesus! |
00:25:51 |
And she won't notice I'm not you? |
00:25:54 |
We're about to find out. |
00:26:01 |
Mrs. Mancini, I brought your son. |
00:26:05 |
No. |
00:26:08 |
- No. It's not. |
00:26:13 |
It's Victor. Hi. |
00:26:20 |
Victor! |
00:26:25 |
- Is that really you? |
00:26:28 |
It really is. |
00:26:33 |
Oh, Victor. |
00:26:36 |
Mom, your hands are freezing. |
00:26:40 |
Dude? |
00:26:43 |
Oh, Victor. |
00:26:46 |
Hey, you know, in my experience... |
00:26:48 |
I have found |
00:26:51 |
if you find all the edge pieces first. |
00:26:54 |
Oh! Found a corner. |
00:26:56 |
Hey, wasn't there |
00:27:00 |
- Huh? |
00:27:02 |
Oh, yeah. |
00:27:05 |
I'm so happy you've come, Victor. |
00:27:09 |
I have so much to tell you. |
00:27:17 |
Murray. |
00:27:19 |
This is between my son and I. |
00:27:22 |
- I think maybe I should stay here because- |
00:27:25 |
- But you know, I don't think- |
00:27:35 |
My boy. My beautiful boy. |
00:27:38 |
- Are you Victor? |
00:27:41 |
What'd I-What-What'd I do to you? |
00:27:44 |
Nothing. |
00:27:49 |
I'm so scared. |
00:28:04 |
That ceiling |
00:28:08 |
but they painted over them. |
00:28:10 |
- Some papal decree. |
00:28:15 |
- Are you Catholic? |
00:28:19 |
Italy. I know. |
00:28:25 |
I think I've found a way to save her. |
00:28:29 |
But it's going to require |
00:28:33 |
It's an experimental procedure. |
00:28:37 |
I can't even guarantee it will work. |
00:28:39 |
In order to attempt this procedure... |
00:28:41 |
I'm going to need some embryonic tissue. |
00:28:44 |
Okay. Ho-Hold on a second. |
00:28:46 |
It's difficult for me to be so direct, |
00:28:50 |
My mucosa's so thick, |
00:28:54 |
Are you fucking with me? |
00:28:56 |
Given the options available to us, |
00:28:59 |
The good news is |
00:29:02 |
All she needs is a healthy, |
00:29:06 |
And-And you know what to do? |
00:29:08 |
I put myself through med school |
00:29:11 |
That's hot. But why-why would you |
00:29:16 |
Your mother |
00:29:19 |
She changed my life. |
00:29:21 |
I'd never be able to forgive myself |
00:29:25 |
Are we talking about the same person? |
00:29:28 |
Let's just do this before I lose my nerve. |
00:29:31 |
H- Here? |
00:29:34 |
I can never see you outside of this place. |
00:29:36 |
This has nothing to do with love... |
00:29:39 |
or commitment, |
00:29:43 |
I simply need your seed. |
00:29:46 |
You should know, |
00:29:49 |
Well, just do what comes naturally. |
00:29:52 |
But I've got almost three days |
00:29:55 |
All right, two. |
00:29:57 |
Don't worry. |
00:29:59 |
With a little luck, your mother will soon |
00:30:11 |
You couldn't get it up? |
00:30:14 |
- That's nice. A little louder. |
00:30:17 |
I'd like to see you cop a chubby |
00:30:21 |
Wow, man. This is huge. |
00:30:25 |
- What are you talking about? |
00:30:28 |
Maybe you're really into her, |
00:30:31 |
but the fact |
00:30:34 |
turning this into the usual nothing? |
00:30:38 |
Well, I'm calling that a really big step. |
00:30:40 |
You know, I think I liked you better |
00:30:46 |
Hey, did you find out who I am yet? |
00:30:49 |
I'm trying, but, uh, |
00:30:51 |
- Really? |
00:30:54 |
Check this out. |
00:30:56 |
- You putz, put that away. Put that away, man. |
00:31:00 |
No, check out- check out that one. |
00:31:04 |
- Yeah. |
00:31:07 |
- Isn't that your number? |
00:31:10 |
- But you still live there. |
00:31:13 |
Unless the date on that is 1763, |
00:31:17 |
- Promise? |
00:31:20 |
Wasn't there anything in her diary? |
00:31:25 |
- Huh? What? |
00:31:31 |
- God! Come on. |
00:31:34 |
Thank you so much. |
00:31:38 |
- Take it. |
00:31:43 |
- Afternoon, Your Loftiness. |
00:31:47 |
Spare me your dissembling |
00:31:50 |
Okay! You're doin' |
00:31:53 |
- He is, right? |
00:31:56 |
I was reared in Yorkshire |
00:31:58 |
and only recently made the voyage |
00:32:01 |
Come on, Charlie. You went to |
00:32:04 |
Shh, shh. Dude, dude. He's trying to- |
00:32:06 |
You know something? You two are |
00:32:09 |
- You hear me? This close. |
00:32:12 |
- Give me the goddamn newspaper! |
00:32:14 |
Yeah, Charlie. I don't think they |
00:32:18 |
That's good. You're funny. |
00:32:21 |
You both- |
00:32:24 |
Always making fun of anything |
00:32:35 |
- Oh, shit. |
00:32:38 |
Jesus. |
00:32:40 |
Take him to the stocks. This shall be evidence |
00:32:44 |
No! Fuck. |
00:32:49 |
Hey, Denny! Wait a minute. |
00:32:52 |
- Huh? |
00:32:55 |
Oh, shit, dude, yeah. Your mom has |
00:33:00 |
- I don't know, dude. That's her diary. |
00:33:03 |
- Where is it? |
00:33:26 |
Oh. Oh, fuck! |
00:33:30 |
Fuck! |
00:33:32 |
I'd have thought a purely physical encounter |
00:33:36 |
- It usually is. |
00:33:38 |
I don't know! |
00:33:40 |
Well, you'd better figure it out soon. |
00:33:44 |
Hey, maybe- maybe I'm happy |
00:33:46 |
Maybe I like knowing she's not gonna |
00:33:49 |
Maybe I don't want her back |
00:33:53 |
You don't want her to live. |
00:33:56 |
- You don't know what you want. |
00:33:59 |
I want somebody who speaks Italian. |
00:34:03 |
Well, why didn't you say so? |
00:34:06 |
You might not think the best way... |
00:34:09 |
to spend your first day of freedom... |
00:34:12 |
after a lengthy incarceration... |
00:34:15 |
would be to immediately |
00:34:18 |
the tranny hooker... |
00:34:20 |
who knocked out six teeth... |
00:34:22 |
and had you put away to begin with. |
00:34:25 |
That's how I roll. |
00:34:29 |
When I woke up in the hospital... |
00:34:32 |
an orderly named Terrence... |
00:34:35 |
wheeled me into my first meeting. |
00:34:39 |
All I can say is, |
00:34:43 |
The rooms have saved my life. |
00:34:45 |
The rooms are sacred. |
00:34:52 |
Come on. Give it to me. Perfect. |
00:34:55 |
- Here... we... go! |
00:35:01 |
What the fuck? |
00:35:04 |
Excuse me, miss? |
00:35:06 |
Excuse me? |
00:35:09 |
- Yeah? |
00:35:12 |
Melanoma's the most common |
00:35:15 |
between 19 and 34, especially blondes. |
00:35:17 |
Couldn't get it up again, huh? |
00:35:21 |
- What makes you say that? |
00:35:25 |
Don't forget to draw |
00:35:29 |
Break out some cash |
00:35:32 |
Let me see this, Picasso. |
00:35:34 |
Dude, you made her look too pretty... |
00:35:38 |
and her ass is way bigger than that. |
00:35:40 |
Here, let me see that. |
00:35:56 |
He's right. |
00:35:59 |
No. It's not. |
00:36:03 |
- What's your name? |
00:36:06 |
I'm Cherry Daiquiri. |
00:36:10 |
It's not my real name. |
00:36:29 |
Dude, if this shit gets you laid... |
00:36:33 |
I'm gonna- |
00:36:35 |
You know, dude, before you |
00:36:38 |
maybe you ought to go ahead |
00:36:41 |
I will. Absolutely. |
00:36:48 |
You wanna come with? Denny? |
00:36:52 |
Come on, man. |
00:37:34 |
Oh, fuck. |
00:38:05 |
Quentin Fairweather... |
00:38:08 |
please meet your wife |
00:38:10 |
Mr. Quentin Fairweather. |
00:38:16 |
You remembered Quentin Fairweather. |
00:38:18 |
Good boy. |
00:38:21 |
You look skinny. |
00:38:25 |
Come here. |
00:38:28 |
She's young, this one. |
00:38:31 |
You like her? |
00:38:34 |
Don't tell me you don't, |
00:38:37 |
She's just another foster mom. |
00:38:43 |
Do you love her? |
00:38:45 |
No. |
00:38:49 |
Do you hate her? |
00:38:51 |
Um, yeah? |
00:38:55 |
That's right. |
00:38:57 |
Lots and lots. |
00:39:14 |
I think our work here is done. |
00:39:17 |
But... this one's nice. |
00:39:19 |
- What? |
00:39:23 |
You're mine. Say it. |
00:39:25 |
Yours. I'm yours. |
00:39:27 |
- For? |
00:39:29 |
That's right. |
00:39:32 |
Don't you forget it. |
00:39:37 |
- The little boy is approximately 10 years old. |
00:39:41 |
Where are you presently? |
00:39:48 |
Jesus! God! What have you done? |
00:39:51 |
Relax. I had to do this |
00:39:54 |
People see a big guy like me with a rock, |
00:39:57 |
Think I could stay with you for a while? |
00:40:00 |
- Just till I find a place? |
00:40:03 |
No way. Hey, what are you-What are you- |
00:40:09 |
Hey, hey! |
00:40:11 |
Shit, man. |
00:40:16 |
So you gonna let me in |
00:40:19 |
I collect one for every day of sobriety. |
00:40:22 |
- Keeps the hands busy, if you know what I mean. |
00:40:25 |
I was afraid |
00:40:28 |
- So how'd you make out with Cherry Daiquiri? |
00:40:31 |
Oh, right. Did you fuck Beth? |
00:40:34 |
Where's the diary? Can I see the diary? |
00:40:37 |
- It's in Italian. Paige is translating it for me. |
00:40:41 |
- Dr. Marshall. |
00:40:44 |
And she speaks Italian too. |
00:40:48 |
You know something? |
00:40:50 |
Hey! Where are you going? |
00:40:52 |
I'm gonna find out who my father is. |
00:40:59 |
That's him. He came to my potluck, |
00:41:02 |
- He beat my sister almost to death. |
00:41:09 |
I think that's sweet- |
00:41:11 |
you giving them closure like that. |
00:41:13 |
So did you read it? |
00:41:15 |
Yes. |
00:41:18 |
And I'm afraid what I have to tell you |
00:41:21 |
It seems she was delusional |
00:41:24 |
What about my father? |
00:41:26 |
According to this, she got pregnant with you |
00:41:30 |
She'd been living here for some time, |
00:41:33 |
at an experimental clinic in the Alps. |
00:41:35 |
So, what? He's some Italian doctor? |
00:41:38 |
No. And this is where it |
00:41:42 |
According to your mother's journal... |
00:41:44 |
this was about a year |
00:41:47 |
of religious relics |
00:41:50 |
Six childless women were offered |
00:41:54 |
Five were a no-go |
00:42:01 |
What kind of relic? |
00:42:03 |
The relic, according to the journal, |
00:42:07 |
Mummified, I would imagine. |
00:42:09 |
A foreskin? Whose foreskin? |
00:42:11 |
- The holy foreskin. |
00:42:13 |
It's all in here. |
00:42:16 |
So that would make me the son of- |
00:42:18 |
Jesus, more or less. |
00:42:20 |
But really more like a half clone. |
00:42:23 |
It's kind of sweet really. |
00:42:26 |
In her mind, you're literally |
00:42:30 |
- Dr. Marshall? |
00:42:34 |
Beatrice? Where you going? |
00:42:37 |
I know you. |
00:42:40 |
Yeah. Of course you do. What, did I give you |
00:42:45 |
No. My son saved you. |
00:42:48 |
You were choking in a restaurant, |
00:42:51 |
Secretly, I think Paul always |
00:42:56 |
until that night. |
00:42:58 |
His wife was on the verge |
00:43:01 |
But when she saw what he did, |
00:43:05 |
It was a miracle. |
00:43:07 |
You have an enormous capacity |
00:43:12 |
I have a capacity for shit. |
00:43:15 |
It was a scam, lady. |
00:43:19 |
I know what I saw. |
00:43:21 |
- Uh- Come here! Let's go. Come on. |
00:43:25 |
Hey, let me ask you something. |
00:43:27 |
You don't think I'm |
00:43:30 |
No way, dude. You're an asshole. |
00:43:32 |
Thanks, man. Thanks. |
00:43:35 |
Eh-eh. |
00:43:38 |
This is how they drink beer in Europe. |
00:43:40 |
- From a slug trap? |
00:43:48 |
- So what happened? |
00:43:50 |
So, you know, |
00:43:53 |
My unit's enraged. |
00:43:57 |
I'm so hot, I'm flashing dead kittens and |
00:44:02 |
Hey. |
00:44:05 |
Hey. |
00:44:07 |
Over here. |
00:44:12 |
I want you to hear me. |
00:44:17 |
I want you moving |
00:44:28 |
There. |
00:44:32 |
Isn't that better? |
00:44:48 |
Fuck. |
00:44:54 |
If you don't want to do this, |
00:44:56 |
I want to do this. |
00:44:58 |
Believe me, |
00:45:01 |
Well, then help me out here. |
00:45:03 |
Because apparently, you're capable of |
00:45:07 |
Hey, look, I'm trying to ignore |
00:45:11 |
and the fact that I'm trying to fuck you |
00:45:15 |
But so far it's not workin' |
00:45:17 |
- Why? |
00:45:23 |
I can't fuck you 'cause |
00:45:29 |
Has it occurred to you |
00:45:32 |
aren't mutually exclusive? |
00:45:36 |
You said that? |
00:45:38 |
- Yeah. |
00:45:41 |
Maybe you're not so bad after all. |
00:45:43 |
No, dude. I am. I really am. |
00:45:45 |
I mean, the cloning thing? |
00:45:49 |
I saw this thing on Discovery. |
00:45:51 |
They've been tryin'it since the '60s. |
00:45:53 |
- Do like this. |
00:45:56 |
Stop looking at me like that. |
00:45:58 |
You're creepin' me ou- |
00:46:02 |
Hi. |
00:46:06 |
Nice azaleas. |
00:46:09 |
Hey! Where you goin' |
00:46:15 |
What are you- |
00:46:18 |
Belonged to my Uncle Don. |
00:46:21 |
That is, until he got hammered last month |
00:46:24 |
Those Mothers Against Drunk Driving |
00:46:29 |
Who owns it now? |
00:46:32 |
Apparently, I do. |
00:46:41 |
Now? |
00:46:43 |
Not yet. |
00:46:45 |
Okay. You can open 'em. |
00:46:49 |
- The zoo? We're goin' to the zoo? |
00:46:52 |
Give me your foot. |
00:46:55 |
What do you see? |
00:46:58 |
Animals. |
00:47:00 |
Prisoners, held captive |
00:47:05 |
without risk, or struggle, or danger. |
00:47:08 |
The only difference |
00:47:11 |
that deny them all hope of escape. |
00:47:16 |
Until now. |
00:47:21 |
Mom? |
00:47:30 |
Mom! |
00:48:11 |
You go to bed, for Christ's sakes. |
00:48:14 |
- Go to bed. |
00:48:29 |
Mom? Mom. |
00:48:33 |
You scared me. |
00:48:37 |
Fuck! |
00:48:39 |
It wasn't my decision. |
00:48:43 |
I want her moved back downstairs... |
00:48:47 |
right now! |
00:48:49 |
Keep your voice down. |
00:48:53 |
- Okay. Fine. I'll do this myself. |
00:48:56 |
Victor, please! |
00:48:58 |
She's better off up here. |
00:49:01 |
You said you were gonna do something. |
00:49:03 |
I couldn't do it by myself. |
00:49:09 |
Okay. Fine. Come here. |
00:49:15 |
What about here? Is this okay? |
00:49:17 |
- Come on. |
00:49:19 |
It's too late. My time's passed. |
00:49:22 |
All right. Okay. |
00:49:24 |
I mean, that'll buy some time, right? |
00:49:28 |
- What? What's the matter? |
00:49:32 |
- What? |
00:49:37 |
It all checks out- |
00:49:40 |
the clinic, |
00:49:43 |
- What are you talking about? |
00:49:48 |
It was in the Vatican newspapers |
00:49:51 |
Come on! Come on! |
00:49:54 |
Here. You can check for yourself. |
00:49:57 |
In fact, I suggest you do, |
00:50:01 |
You're not seriously telling me |
00:50:04 |
I don't know what to believe. |
00:50:08 |
I think it's better if we don't |
00:50:13 |
What? Why? |
00:50:16 |
It's not that |
00:50:19 |
I do. |
00:50:21 |
It's just, I've seen the way |
00:50:24 |
'Cause my crazy mother's journal |
00:50:27 |
- Half clone. |
00:50:30 |
Paige, please- please, say i- |
00:50:33 |
Say it's 'cause I'm a-a pervert... |
00:50:37 |
or- or a failure, |
00:50:40 |
But please, not over this. |
00:50:43 |
What the fuck? |
00:50:45 |
What are you doing? |
00:50:49 |
I'm not who you think I am, okay? |
00:50:53 |
Get the fuck out of here! |
00:50:56 |
- And he's so humble. |
00:50:59 |
I'm not even good. |
00:51:02 |
Huh? |
00:51:05 |
What about this? |
00:51:09 |
- Hey! |
00:51:12 |
Okay, what about this? |
00:51:38 |
And faster than you can |
00:51:42 |
I was alone... again. |
00:51:46 |
#How'd I arrive in a place like this # |
00:51:50 |
# Red right hand |
00:51:54 |
To reclaim my personal booth at the |
00:52:01 |
all I had to do was answer |
00:52:06 |
What would Jesus not do? |
00:52:11 |
Don't kiss me on the mouth. |
00:52:13 |
Don't ask if you're hurting me. |
00:52:15 |
And if you hear the safe word, |
00:52:18 |
Do you have panty hose? |
00:52:20 |
You want me to rip you in drag? |
00:52:22 |
- F-For your head. |
00:52:25 |
I need you to be a faceless attacker. |
00:52:29 |
Here, you'll need this. |
00:52:31 |
Whoa! Jesus. |
00:52:33 |
Um, couldn't I just, you know, |
00:52:36 |
Mmm. No, absolutely not. The knife is |
00:52:40 |
I mean, be careful with it, 'cause if you |
00:52:44 |
I will have you in prison |
00:52:47 |
- Anything else? |
00:52:51 |
Whatever you do, |
00:52:54 |
The bedspread is silk. It will spot. |
00:52:56 |
So rape me on the floor, |
00:53:00 |
On a towel on the floor, |
00:53:03 |
- Got it? |
00:53:08 |
What's the safe word? |
00:53:10 |
Poodle. |
00:53:24 |
- Oh, God! No! |
00:53:26 |
No, help me, please! |
00:53:28 |
Or the rug! Or the- |
00:53:31 |
- Remember? The towel? |
00:53:33 |
- Oh, ow! Ow, ow, ow, ow! Stop! Please! |
00:53:36 |
Please, you're hurting me. Stop! |
00:53:40 |
Please.! Ow.! Ow.! Ow.! |
00:53:42 |
- Okay. |
00:53:45 |
- No. |
00:53:49 |
- Wait a minute. Wait! Are those my hose? |
00:53:53 |
For Christ's sake, what kind of rapist |
00:53:56 |
- Look, I'm sorry, but the drugstore- |
00:54:00 |
Just demean me, you stupid shit! |
00:54:02 |
Oh. Okay. |
00:54:07 |
- Do you want me to use the knife, or- |
00:54:10 |
When you hit someone with a knife, |
00:54:14 |
Ow! But not in the head, |
00:54:16 |
You're gonna give me a concussion. |
00:54:20 |
How 'bout you shut the fuck up |
00:54:24 |
- How 'bout that? |
00:54:25 |
Well, if that's how you feel about it... |
00:54:28 |
you might want to take your little |
00:54:31 |
Or your way's good. |
00:54:33 |
Come on! |
00:54:37 |
Okay. Okay. Okay. |
00:54:39 |
Hey, wait a minute. |
00:54:42 |
What about me? How 'bout me? |
00:54:44 |
Well, you can take care of yourself. Just put |
00:54:53 |
I've got to switch. |
00:54:57 |
Mmm. |
00:55:18 |
Hey, wait a minute. |
00:55:21 |
Where did you put your- |
00:55:24 |
Hey! |
00:55:26 |
Poodle. |
00:55:50 |
As the body doth regurgitate |
00:55:53 |
so shalt the ungodly be cast |
00:55:59 |
We therefore commit this body |
00:56:02 |
to be turned once more |
00:56:19 |
Victor, I- |
00:56:26 |
Feel like I'm not a very good sponsor. |
00:56:33 |
Oww! |
00:56:35 |
Fuck! Oh, fuck! |
00:56:37 |
I'm not a lawn mower. |
00:56:39 |
Jesus. |
00:56:43 |
- Oops. |
00:56:46 |
Man overboard. |
00:56:48 |
What are you saying? |
00:56:51 |
Oh. Well, it'll work its way out. |
00:56:55 |
Yeah? |
00:56:57 |
- Yeah. |
00:57:05 |
Hey! You changed your hair. |
00:57:09 |
Yeah, 'cause of what you said |
00:57:12 |
- Good thinkin' |
00:57:19 |
Can I get some nuts, please? Nuts? |
00:57:22 |
How is she? |
00:57:24 |
- Who cares? I wasn't that into her anyway. |
00:57:29 |
Oh. Yeah. Tell you the truth, |
00:57:32 |
You need to go see her, dude. And go to |
00:57:37 |
You're stalking a stripper, |
00:57:40 |
No, I'm not stalking her. |
00:57:45 |
I love her. |
00:57:47 |
You what? |
00:57:49 |
I love her. |
00:57:51 |
And... |
00:57:53 |
we're moving in together. |
00:57:55 |
That's nice. |
00:58:05 |
You know, |
00:58:21 |
What? |
00:58:26 |
You're my best friend in the whole world. |
00:58:30 |
But this girl... |
00:58:32 |
she's, like, the only nice thing |
00:58:36 |
So you think you could resist the impulse |
00:58:41 |
Sure. |
00:58:43 |
Thanks. |
00:58:47 |
I just hope you're cool paying a kid's |
00:58:52 |
Go see your mom, dude. |
00:58:56 |
And start your fourth step already. |
00:58:59 |
No. |
00:59:07 |
Ira. |
00:59:11 |
Ira and Tammy Hastings. |
00:59:16 |
Do you love him... |
00:59:18 |
Ira here? |
00:59:21 |
I do. |
00:59:23 |
Do you love her? |
00:59:26 |
- No. |
00:59:29 |
Okay. Yeah, I love her. |
00:59:31 |
Do you know how lucky you are? |
00:59:36 |
Poor Victor isn't very good |
00:59:40 |
I'm afraid that when I'm gone... |
00:59:43 |
there won't be anyone left in |
01:00:04 |
Hey. |
01:00:06 |
- Uh, yeah, thanks, but- |
01:00:08 |
For, uh, lying back there. |
01:00:10 |
Look, I know I overreacted before... |
01:00:14 |
but the information |
01:00:17 |
Now the prospect of dating |
01:00:20 |
If I could take it back I would. |
01:00:25 |
But the thing is, I wasn't lying in there. |
01:00:28 |
So if you feel anything... |
01:00:31 |
you know... |
01:00:33 |
remotely similar for me... |
01:00:35 |
then now would be |
01:00:53 |
Pathetic. |
01:00:55 |
What the f- |
01:00:58 |
- You should be ashamed. |
01:01:00 |
Go back to bed, for God's sake. |
01:01:02 |
That woman just placed her heart |
01:01:05 |
and you toss it aside |
01:01:07 |
because you can't muster the guts |
01:01:10 |
Who says I feel the same way? |
01:01:12 |
Oh, please. |
01:01:15 |
You'd sooner let the woman you love walk out |
01:01:20 |
- Okay, whatever- |
01:01:22 |
I'm not Fred! It's me! |
01:01:25 |
It's Victor. |
01:01:27 |
And you're right- I'm pathetic. |
01:01:30 |
I have sex with strangers... |
01:01:32 |
because I'm incapable of doing it |
01:01:35 |
I can't even ask anyone out on a date... |
01:01:38 |
'cause if it doesn't end up |
01:01:41 |
That's not what I'm talking about. |
01:01:44 |
I've kept myself numb for so long... |
01:01:46 |
that now I want to actually |
01:01:49 |
because no matter where I go, |
01:01:52 |
I always end up back here with you. |
01:01:55 |
Well, you say that like it's a bad thing. |
01:01:58 |
I need to break up, Ma. |
01:02:01 |
Now. |
01:02:03 |
Before it's too late. |
01:02:06 |
You were always so good at walking- |
01:02:08 |
walking away. |
01:02:11 |
Show me how. |
01:02:15 |
All right. |
01:02:23 |
Of course I will. |
01:02:27 |
All I've ever wanted to do |
01:02:31 |
You know that, Fred. |
01:02:36 |
I'm hungry now. |
01:02:45 |
Victor, don't play with your food. |
01:02:47 |
Come on. Eat your hot dog. |
01:02:51 |
Victor, no. |
01:02:53 |
We cannot go to that park. It's late. |
01:03:14 |
Okay. |
01:03:16 |
We got bus boys to clear the table, hon. |
01:03:19 |
Charlene. |
01:03:22 |
Come on, honey, toss it in. |
01:03:28 |
Victor. |
01:03:31 |
Victor, what are you doing? |
01:03:34 |
Victor. |
01:03:41 |
Victor! |
01:03:43 |
Victor. Victor. |
01:03:48 |
Oh! He's okay. |
01:03:53 |
Oh, boy. |
01:03:57 |
Check this out. |
01:04:03 |
I'm sorry. |
01:04:08 |
Oh, my God. |
01:04:36 |
No, no, no, no. |
01:04:43 |
So, what is this? |
01:04:45 |
I don't know yet. |
01:04:47 |
You don't know what you're building, huh? |
01:04:50 |
This isn't about getting something done. |
01:04:53 |
It's about process. I |
01:04:59 |
Instead of just trying not |
01:05:02 |
This is pretty ridiculous, dude, |
01:05:10 |
You need some help? |
01:05:13 |
You can help if you want to, |
01:05:18 |
By "we," you mean that you and Cherry |
01:05:22 |
Her name's Beth. |
01:05:25 |
And I'm sorry if our relationship |
01:05:29 |
Blah, blah, blah. |
01:05:42 |
You have to forgive me, Victor. |
01:05:47 |
Please. |
01:05:51 |
I'll do anything. |
01:06:07 |
If this was a churn |
01:06:10 |
It's not you. |
01:06:12 |
Yes. I'm aware of that. |
01:06:16 |
You sure you're all right? There's some |
01:06:19 |
Are you kidding me? |
01:06:22 |
Did you go out |
01:06:25 |
No. |
01:06:27 |
He asks me all the time, |
01:06:30 |
- Which is typical. |
01:06:33 |
Because he's sweet and... |
01:06:36 |
I kind of like him. |
01:06:39 |
But me, |
01:06:44 |
No offense. |
01:06:46 |
None taken. |
01:06:50 |
Hey. We got company. |
01:06:54 |
Hey. |
01:06:56 |
Let me just rest |
01:06:59 |
See this goat? |
01:07:04 |
Hey, little goat. |
01:07:06 |
Hey. |
01:07:08 |
You want some food? |
01:07:20 |
Oh, no. No. No, no. |
01:07:24 |
Not you. Not with you. |
01:07:26 |
- Charlie- |
01:07:29 |
- Shh, shh, shh. |
01:07:33 |
- Oh, my God. Oh, my God! |
01:07:35 |
- Oh, my God! |
01:07:37 |
Charlie? Don't do- Don't do that. |
01:07:40 |
What is wrong with me? Why do I fall |
01:07:45 |
- It's not what you're thinking. |
01:07:49 |
Well, yeah, but- |
01:07:51 |
You don't care about her. |
01:07:55 |
How could she possibly |
01:07:58 |
Human nature, I guess. |
01:08:00 |
I thought she was so special. |
01:08:04 |
Charlie, don't say that. She's a- |
01:08:08 |
She was just saying |
01:08:11 |
When? |
01:08:14 |
Well, yeah. But this is nothing. |
01:08:17 |
Believe me. I'm just |
01:08:20 |
You, you've got the guts |
01:08:24 |
let her know how you feel. |
01:08:26 |
That's - |
01:08:29 |
She sees that. She respects it. |
01:08:32 |
- Clearly. |
01:08:35 |
The way I see it, you got one chance |
01:08:39 |
and that's to back on out of this barn |
01:08:44 |
She deserves that. You both do. |
01:08:50 |
- Really? |
01:08:55 |
Thank you. |
01:09:04 |
Hello, everybody. |
01:09:08 |
Hello. Hi, Phil. |
01:09:11 |
Hold this. |
01:09:13 |
Tonight's meeting is a step meeting. |
01:09:15 |
Whether you just started |
01:09:22 |
What's the matter with you? |
01:09:24 |
Anybody here working on a fourth step? |
01:09:28 |
Anybody? |
01:09:32 |
Swear to God, you go in there with those losers, |
01:09:36 |
Once you get started, |
01:09:40 |
because you can begin |
01:09:47 |
Hi. My name's Victor. |
01:09:50 |
I'm a sex addict. |
01:09:52 |
Hi, Victor. |
01:09:54 |
This is Nico. |
01:09:58 |
Yeah. My name is Nico. |
01:10:01 |
And you people can all get fucked! |
01:10:19 |
I've been trying to start my fourth step |
01:10:23 |
You know, Victor, |
01:10:26 |
is at the beginning. |
01:10:28 |
Try thinking back |
01:10:46 |
S- Sorry. |
01:10:48 |
If you're trying to make me |
01:10:53 |
Are you ta-Are you talking to me? |
01:10:56 |
You see anyone else around? |
01:11:00 |
Um- |
01:11:13 |
Hi. |
01:11:15 |
- Hi. |
01:11:17 |
Where you coming from? |
01:11:19 |
Um, Thanksgiving with my mom... |
01:11:21 |
at the state mental hospital. |
01:11:23 |
Oh. And how was that? |
01:11:26 |
Um- |
01:11:28 |
Aww. That's okay, honey. |
01:11:30 |
- It was kinda- |
01:11:33 |
Shit. |
01:11:36 |
- Maybe we- - That's the one |
01:11:40 |
Have you done this before? |
01:11:42 |
Haven't you ever opened a door |
01:11:46 |
seen someone standing there |
01:11:48 |
"Why don't they just lock the door?" |
01:11:51 |
I thought that was, like, an accident or- |
01:11:54 |
There are no accidents |
01:11:58 |
Circuit? |
01:12:01 |
So- |
01:12:03 |
Um- |
01:12:07 |
- Late bloomer, huh? |
01:12:10 |
Here, let me help you. |
01:12:18 |
Oh! |
01:12:22 |
See? |
01:12:24 |
All you needed was a jump start. |
01:12:38 |
Feeling better? |
01:12:41 |
Yeah. |
01:12:43 |
Good. |
01:12:45 |
But please don't think |
01:12:48 |
And don't forget to lock the door. |
01:12:53 |
That is, |
01:12:58 |
#Daylight is creeping # |
01:13:02 |
Thank you for that, Richard. |
01:13:04 |
We're here on scene |
01:13:06 |
- one of the builders of this mystery rock structure. |
01:13:10 |
Hey, Victor! You're on TV. |
01:13:12 |
All the people around are wanting to know, |
01:13:16 |
- We don't know. It's about process. |
01:13:19 |
The structure will continue |
01:13:24 |
People should bring one by. They can |
01:13:28 |
- So, there you have it. |
01:13:32 |
- This is Roger Fessenden, Action 2 News. |
01:13:37 |
Hey, that rock thing was a nice touch. |
01:13:40 |
Thanks. |
01:13:48 |
Hey, you thinkJesus was |
01:13:53 |
You don't hear much |
01:13:55 |
MaybeJesus was kind of a dick |
01:13:58 |
Then he started helping old ladies |
01:14:01 |
and turning off people's headlights |
01:14:03 |
and he just kinda grew |
01:14:07 |
I mean, that's not impossible, right? |
01:14:09 |
- This is Jesus? |
01:14:13 |
I don't know. |
01:14:14 |
Yeah. Of course you don't. |
01:14:17 |
But if you read the New Testament... |
01:14:20 |
especially some |
01:14:24 |
Jesus was all about the idea |
01:14:28 |
not by being loved, |
01:14:31 |
no matter how difficult it is. |
01:14:34 |
So it only stands to reason |
01:14:37 |
on his whole, you know, |
01:14:54 |
Hello. |
01:14:57 |
Yeah. Okay. I'll tell him. |
01:15:02 |
Um, it's about your mom. |
01:15:08 |
I brought you some pudding. |
01:15:12 |
Oh, that's very sweet, Victor... |
01:15:14 |
but I'm not very hungry. |
01:15:17 |
Well, you have to tr- |
01:15:19 |
What did-What did you call me? |
01:15:22 |
Victor. |
01:15:26 |
Yeah. Yes, it is. |
01:15:32 |
We have to talk, sweetie. |
01:15:34 |
Forget about that now. |
01:15:37 |
There's something I've been meaning |
01:15:40 |
Don't worry. I already know |
01:15:44 |
You do? |
01:15:46 |
I know you came from Italy |
01:15:51 |
The what? |
01:15:53 |
You wrote it in Italian |
01:15:57 |
but Dr. Marshall told me the truth. |
01:15:59 |
I know who I am, |
01:16:04 |
What the hell are you talking about? |
01:16:08 |
I stole you from a stroller |
01:16:12 |
Mom, you don't have to- |
01:16:16 |
Who's lying? |
01:16:18 |
You were at the Cadillac Bowling Alley |
01:16:22 |
Wh- |
01:16:25 |
You're saying that you, uh- |
01:16:28 |
You're saying you're not- |
01:16:34 |
What are you saying? |
01:16:37 |
You're saying you're not my- |
01:16:41 |
That you're not my- |
01:16:49 |
Mom. |
01:16:51 |
Hey. |
01:16:53 |
Mom. |
01:16:55 |
Mom. Mom! |
01:16:57 |
Mom! |
01:16:59 |
Help! Help! Help! |
01:17:03 |
Ida? |
01:17:05 |
Ida? |
01:17:07 |
She's choking. I choked her. |
01:17:10 |
She denied my- my birth origins. |
01:17:12 |
She made up some story about Iowa. |
01:17:15 |
Your birth origins? |
01:17:16 |
Oh. |
01:17:19 |
Live! Live! |
01:17:22 |
I command you to live! Live! |
01:17:25 |
I'm afraid |
01:17:27 |
Live. Live. |
01:17:39 |
You're a patient? |
01:17:41 |
- Yeah. |
01:17:47 |
Is she okay- Is she-Wh- |
01:17:51 |
Oh, God. |
01:17:55 |
Is she- |
01:17:58 |
What have I-What have I done? |
01:18:13 |
We don't need this. |
01:18:15 |
But we're lost. |
01:18:17 |
We're not lost, we're pioneers... |
01:18:19 |
blazing a trail through the new frontier. |
01:18:22 |
And if you look very closely... |
01:18:25 |
you'll see an opportunity |
01:18:28 |
- How do we know which way to go? |
01:18:32 |
Come on. |
01:18:35 |
Okay. Take the wheel. |
01:18:37 |
Good. |
01:18:39 |
And listen very closely. |
01:18:41 |
'Cause nothing worth having |
01:18:45 |
'Cause I won't always |
01:18:48 |
'Cause sometimes it's not important |
01:18:52 |
just that you jump. |
01:18:54 |
Victor, I know it was an accident. |
01:18:57 |
Let's be on the safe side. |
01:19:00 |
Victor. Come on. |
01:19:04 |
- You're not even really a doctor, are you? |
01:19:07 |
- All that crap about stem cells and curing my mother? |
01:19:11 |
- But it might have worked. |
01:19:14 |
Okay, that I made up. |
01:19:16 |
You mean you- |
01:19:18 |
Well, once I got to know you, I realized |
01:19:21 |
unless I helped you connect |
01:19:25 |
What does it say? |
01:19:27 |
You don't even speak Italian, do you? |
01:19:30 |
I mean, I- I can order dinner, but- |
01:19:34 |
My God, you're crazy! |
01:19:36 |
No. |
01:19:38 |
I'm just working a few things out. |
01:19:44 |
Go ahead. I can't go any closer, |
01:19:54 |
Who are you? |
01:19:57 |
Just a med school dropout with... |
01:20:00 |
you know, some issues. |
01:20:02 |
Is that true? |
01:20:04 |
Can you just say one thing that's true? |
01:20:07 |
Okay. |
01:20:13 |
I did... |
01:20:15 |
20 perfect years... |
01:20:17 |
in the most difficult schools |
01:20:20 |
Then in my last week of med school... |
01:20:23 |
I got a "B"... minus. |
01:20:27 |
I guess when they found me |
01:20:32 |
My parents were mortified. |
01:20:36 |
The next thing I remember... |
01:20:37 |
is your mother... |
01:20:39 |
sitting in my room telling me stories... |
01:20:42 |
about this... |
01:20:44 |
brilliant, loyal boy... |
01:20:47 |
who stuck by her |
01:20:51 |
despite the many, many ways |
01:20:56 |
And then one day... |
01:20:58 |
there you were. |
01:21:01 |
And I introduced myself... |
01:21:05 |
sort of. |
01:21:09 |
I lied to you. |
01:21:13 |
A lot. |
01:21:15 |
But I never lied about my feelings. |
01:21:20 |
I gotta- I gotta go. |
01:21:31 |
Dr. Blue, please report to Room 328, stat. |
01:21:35 |
Dr. Blue. |
01:21:44 |
- Victor Mancini? |
01:21:48 |
Rape? What are you- |
01:21:50 |
She asked me to rape her. It turns her on. |
01:21:54 |
- At 90? |
01:21:56 |
Eva Mueller, a resident |
01:22:00 |
Her daughter said you held her down |
01:22:03 |
- Said it was your secret game. |
01:22:08 |
You realize we're the police, right? |
01:22:10 |
- I think we better go downtown and straighten this out. |
01:22:15 |
Hey.! Good going, Charlie.! |
01:22:20 |
Check this shit out. |
01:22:22 |
You gonna tell me you nailed |
01:22:25 |
We're interested in talking with |
01:22:28 |
in connection with your mother's death. |
01:22:30 |
Problem is, we can't find her. |
01:22:32 |
Apparently she'd been operating |
01:22:35 |
Checked in catatonic. |
01:22:37 |
Hadn't spoken for over a year |
01:22:40 |
Staff let her wear it after that. |
01:22:42 |
Nobody said a word. |
01:22:45 |
Sounds like you made a few enemies |
01:22:48 |
And you can't find her? |
01:22:52 |
- Did you try her room? |
01:22:54 |
We can't find her because she checked |
01:22:59 |
- Checked herself out? |
01:23:04 |
You wanna tell us about the diary? |
01:23:06 |
It's my mom's. It's in Italian. |
01:23:08 |
What the hell is this? |
01:23:10 |
That was me when I was a kid. |
01:23:15 |
A long time ago, in ancient Greece... |
01:23:17 |
there was a young girl who fell in love |
01:23:22 |
One day word came that the young boy |
01:23:25 |
So on their last night together she |
01:23:30 |
so that she could always remember |
01:23:33 |
on the very last moments |
01:23:41 |
Oh! No! |
01:23:44 |
Come here! Whoa, whoa, whoa! |
01:23:46 |
No.! |
01:23:47 |
Oww! |
01:23:53 |
No! No! No! No! |
01:23:56 |
Victor.! No.! No.! Victor.! Victor.! |
01:24:00 |
Eat something, kid. |
01:24:02 |
You look like ass. |
01:24:29 |
He talks about that in here. |
01:24:37 |
Looks pretty real. |
01:24:42 |
Shit. |
01:24:48 |
Oh, man! |
01:24:52 |
You did notjust shit |
01:25:00 |
Sometimes you have to lose |
01:25:04 |
You lose this? |
01:25:06 |
Hmm. |
01:25:08 |
Or whatever. |
01:25:11 |
So here's what I figured out. |
01:25:14 |
We're not evil sinners |
01:25:18 |
We let the world tell us |
01:25:22 |
sane or insane, heroes or victims... |
01:25:27 |
whether we're good mothers |
01:25:35 |
But we can decide for ourselves. |
01:25:39 |
As a certain wise fugitive |
01:25:41 |
sometimes it's not important |
01:25:46 |
I wish I could say I'd left the circuit |
01:25:50 |
but that wouldn't be entirely true. |
01:25:57 |
I still wonder about Paige- |
01:26:00 |
another beautiful psycho |
01:26:04 |
or a twisted soul mate |
01:26:08 |
#Disavow # |
01:26:12 |
# The pleasure # |
01:26:14 |
Only one way to find out. |
01:26:28 |
# You are not # |
01:26:33 |
# To blame # |
01:26:35 |
# For# |
01:26:40 |
# Bittersweet # |
01:26:44 |
# Distractors # |
01:26:51 |
# Dare not speak # |
01:26:56 |
# His name # |
01:27:03 |
# Dedicated # |
01:27:07 |
# To all # |
01:27:10 |
# You # |
01:27:12 |
# All # |
01:27:15 |
# You need, yes # |
01:27:30 |
# Because # |
01:27:32 |
# We separate # |
01:27:37 |
# It ripples # |
01:27:39 |
# Our reflections # |
01:27:58 |
# Because # |
01:28:00 |
# We separate # |
01:28:04 |
# It ripples # |
01:28:06 |
# Our reflections # |
01:28:16 |
# Ooh # |
01:28:19 |
# Reckoner# |
01:28:30 |
# Take me with # |
01:28:35 |
# You # |
01:28:42 |
# Dedicated # |
01:28:46 |
# To all you # |
01:28:51 |
# All you # |
01:28:56 |
# Need, yes ## |