Coco Chanel
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Subtitles: claire |
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Coco Chanel is back. |
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For15 years the gates of the empire |
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Now, at70 years, she returns |
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to a surprising |
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The world of fashion is breathless: |
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today is the legendary designer |
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after more than a decade. |
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Bouchier Monsieur? |
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As Coco Chanel reply |
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now dominated by designers |
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Coco Chanel is a woman who |
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I am sure that your collection |
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- What about your relationship with Coco Chanel? |
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- She refers to you as a |
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Old crook? |
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I hope you enjoy |
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Thank you. |
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Hello! |
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Oh! Good to see you |
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Fry! See you |
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Adrienne! What a pleasure |
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Odette! |
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How is she? |
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You can imagine! Although it |
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- You will enter? |
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We fight to enter! |
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Koktov will call you that he was here. |
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All your old friends. |
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And some of my old enemies. |
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And Coco? More telegrams arrived. |
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You will always be the largest |
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Marlene Dietrich |
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Only the Parliament I |
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Winston Churchill |
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Lift the arm. |
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This is not working. |
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Coco, please! |
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People are getting |
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Scissors, scissors! |
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Go, go! |
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Oh, God! How bad is finished! |
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There was a fiasco. |
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They showed their claws. |
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- I regret so much! |
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- Maybe could be avoided. |
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- Coco, please try not to ... |
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I suffered rejection before, |
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Even when I still |
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Let me finish this. |
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Gabrielle. |
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You have to promise me |
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... that will take care of Julia. |
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You are stronger than her. |
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Of course. |
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Gabrielle, Julia. |
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I want you to stay with |
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I know that yes, Adrienne. |
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See. The situation is this: |
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I do not have resources |
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I understand. |
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When I have a job in America, |
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- Please, let us go with you. |
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- Promise? |
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Come back, please. Return. |
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Le Combat says: "Coco Chanel is |
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"A collection for vovós!" |
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The Express |
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Well, they do not appear suddenly |
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Oh, please! |
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Spare me that silence |
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Let write |
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I know what women like. |
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I admire your confidence. |
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But perhaps the times have changed ... |
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... and now we lost millions of francs. |
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Maybe you lost the faith in |
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Let us be honest: I warned you |
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Let 's hope that this disaster does not affect |
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... then it will be the final collapse. |
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You have nothing more to |
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Mademoiselle. |
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And if they are certain, anyway? |
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And if I just |
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sweetie, sweetie! |
00:10:00 |
- Where were you? Why you left? |
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But I was wrong. |
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He is in America. |
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Good morning! Let's raise? |
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Today you do18. |
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The world outside is not easy. |
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Especially for women, |
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I can work hard, as |
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- You prayed to God, asking for your help? |
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As my mother asked to keep |
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Perhaps a new birth |
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It can make you |
00:11:02 |
She is so stubborn |
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Adrienne told me that you are |
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I have lived with the angels |
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I try not to disappoint her, |
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I demand accuracy. |
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No, no. |
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Punctuality. |
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And hard work. |
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Our hours are from7 am to |
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Room and board are deducted |
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Gabrielle! Bring the dresses of |
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Yes, Madame. |
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Carole! |
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Take this and more these ... Go. |
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Hold your stomach. |
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Force more. More. |
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I can not breathe. |
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There is no beauty without pain! |
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There is. |
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Thousands of francs in this dress. |
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Look at this! |
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The size of a house! |
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- Your legs, Madame. |
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They are very short for the model, |
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Mademoiselle Chanel! |
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If subirmos the bar's blouse |
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and reduced slightly in the back, |
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you look more slim. |
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It's all a question |
00:14:00 |
You want to change the fashion |
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If you spend all this |
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should not be happy with it? |
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You know, I think it will work! |
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Madame, |
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Chanel, take your coat |
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- Hurry, girl! |
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Hurry. |
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I am sure it will be more beautiful in |
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- It is very expensive for me. |
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There are a multitude of men that |
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- You are a volunteer, Nexon? |
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Ah, I feel much more fresh. |
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What elegance! |
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This style can only come |
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Thank you, Lieutenant. |
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... to wear such beautiful ladies |
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- Oh, thank you! |
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Go with care! |
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Stradivarius. |
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They have in common |
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Come on, Nexon. |
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- Is it for me. One of the officers yesterday. |
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- But which one? Had someone? |
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He wants to see me again. |
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You have to come with me, you know? |
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Go! |
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Adrienne! |
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- It's him! |
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Sure. |
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Hello, Adrienne. |
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You are more beautiful than |
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Good! You brought |
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I am happy to |
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Come with me! |
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- Come. |
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"Close to my blonde, |
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near my blonde, |
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In the garden of my father, |
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Hello! |
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- A glass of champagne? |
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- Sure. |
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- You are of Granville, Miss? |
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- And what do you do? |
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- A singer? |
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- No, no ... |
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Get up! |
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They want, boys? |
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- Please. |
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Come on, a big applause! |
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What will you sing? |
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You know a song called |
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Sure, who does not know Coco? |
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It is your friend! |
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a puppy that got lost somewhere |
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... was a cat, |
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... Coco was the little prince |
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While you were hiding |
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Coco is but lost his heart |
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I admit, out of Power, |
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and a little later |
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It was Coco, the little prince |
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While you were hiding |
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Please. |
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Coco is but lost his heart |
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Did you know? My impression |
00:19:02 |
I have no idea. |
00:19:03 |
Come to me before the winter! |
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I hope you, all the time, |
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Coco, My Coco, |
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Bravo! |
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Bravo, Mademoiselle. |
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- Have not we met before? |
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- What a pity! |
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Because we pursue |
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- Who is she? |
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Varices already displayed? |
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Here she is. |
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The lieutenant's uniform is bored. |
00:20:22 |
The lieutenant wanted you to do |
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I want to do |
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More enhanced, |
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Stay still. |
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- You know, I am a subject of much luck. |
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Because you chose last night |
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You remember me, |
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Really? |
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Sorry. |
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Sorry. |
00:21:10 |
You are excused. |
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Ready. |
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Thank you. |
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By the way, was a cut |
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If I do not know, |
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And yet you say it, Gabrielle! |
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I call it Coco? |
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As you wish. |
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Hold on. |
00:21:40 |
I need to see it again. |
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It is impossible. I work all day |
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Mademoiselle Chanel. |
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- Thank you, bye. |
00:22:28 |
CLOSED |
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- You got my flowers? |
00:22:34 |
- What? |
00:22:36 |
- Do not send more. |
00:22:41 |
You see so many men and |
00:22:44 |
I believe in you. |
00:22:46 |
Whether I swear to you? |
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Please! |
00:22:52 |
I gotta go. |
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Since I went to coffee, |
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- Have you kissed a man before? |
00:23:03 |
- Do not believe? |
00:23:06 |
I will be waiting for you here |
00:23:12 |
I can not promise anything. |
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Be here anyway. |
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What would your girlfriend |
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My what? |
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The "Stradivarius" ... |
00:23:52 |
You're referring to |
00:23:55 |
Actually there is nothing between us. |
00:24:00 |
I have some days off. You |
00:24:07 |
You and I? |
00:24:09 |
Alone? |
00:24:10 |
My family is there. |
00:24:53 |
- I am worried. |
00:24:56 |
- In your mother know. |
00:25:03 |
Here we are. Here is Royallieu. |
00:25:07 |
My horses, love of my life, |
00:25:10 |
than you, maybe one day. |
00:25:33 |
- Good afternoon, Monsieur Balsan. |
00:25:37 |
- What the guest room is ready? |
00:25:42 |
She will show you your room. |
00:25:46 |
I see my horses. |
00:25:54 |
Here. |
00:26:21 |
Que linda! |
00:26:29 |
Dinner is served, sir. |
00:26:37 |
Please. |
00:26:40 |
Just you and me? |
00:26:42 |
Well, my family will not |
00:26:46 |
Sorry, but I was not totally |
00:26:49 |
- So it was a trap? |
00:26:54 |
You lied to me. |
00:26:56 |
We loucuras when |
00:26:58 |
Please. |
00:27:03 |
Well, you have a |
00:27:05 |
the horses, the employees. |
00:27:08 |
Ah, everything is impressed! |
00:27:10 |
But I prefer honesty. |
00:27:13 |
Please Coco. |
00:27:14 |
I can not convince her to stay? |
00:27:18 |
Okay. You want the truth? |
00:27:22 |
Then be moved to here, this |
00:27:29 |
Be here quite alone. |
00:27:32 |
At this very moment, my feeling |
00:27:35 |
So if you leave me now, |
00:27:42 |
That's what you want? |
00:27:45 |
Not you. |
00:27:49 |
Coco. |
00:27:52 |
He invited me to live with him |
00:27:55 |
You know what that means? |
00:27:57 |
That means throw away everything that |
00:27:59 |
You bought your new job? |
00:28:04 |
It is my life, Adrienne. |
00:28:06 |
This is what I do. |
00:28:09 |
Get something better to do |
00:28:20 |
- Madame, I must tell you ... |
00:28:22 |
- I decided to leave. |
00:28:26 |
Exit? |
00:28:27 |
- To do what? |
00:28:30 |
Do not tell me you fell in |
00:28:35 |
You know how many girls as |
00:28:39 |
- If you leave, do not think in return. |
00:28:46 |
I will not braise the chest, hoping |
00:28:53 |
Shut up you! |
00:29:18 |
Welcome to your new home, |
00:29:24 |
I very miss you. |
00:29:26 |
Aldo, the doors, please. |
00:30:18 |
- Etienne! |
00:30:38 |
- Are you straight? |
00:30:40 |
So, put your leg here, this here. |
00:30:44 |
Yes What beauty! |
00:30:48 |
Sorry. |
00:30:50 |
Take the reins and upper |
00:30:55 |
- Okay? |
00:30:59 |
Yes, there is! |
00:31:01 |
Tic-tac-tic-tac. |
00:31:26 |
Okay, you are great. |
00:31:52 |
- Who is that? |
00:31:59 |
You, a bloodthirsty madman. |
00:32:03 |
I broke a few roses in my life, |
00:32:06 |
I have the honor to say. |
00:32:08 |
What is my crime, Miss? |
00:32:10 |
You, driving, scared my horse. |
00:32:12 |
I could have broken his neck! |
00:32:13 |
Oh, forgive me. |
00:32:17 |
In future, try to address |
00:32:20 |
But I can promise. I am |
00:32:24 |
Ah, you are here, finally. |
00:32:26 |
Coco, you were duly |
00:32:31 |
This is Boy Capel. |
00:32:33 |
Magnate and polo champion of |
00:32:36 |
A barbaric violent as all |
00:32:39 |
I see that already met. |
00:32:42 |
Yes, we are already good friends. |
00:32:46 |
What happened to you? |
00:32:48 |
Nothing. |
00:32:53 |
Women ... |
00:32:54 |
Since when did you know? |
00:32:56 |
Since the university in England. |
00:32:59 |
who really likes to work. |
00:33:01 |
What exactly does it do? |
00:33:03 |
He inherited a company in |
00:33:07 |
And now is driving an empire. |
00:33:13 |
You're gorgeous! |
00:33:19 |
He is a strange man. |
00:33:21 |
It is complicated. |
00:33:24 |
There are things about which |
00:33:35 |
- What is it? |
00:33:56 |
- You should not. |
00:34:13 |
Waiting for you. |
00:34:34 |
Good night. |
00:34:36 |
Bonsoir. |
00:34:37 |
Oh, my dear. |
00:34:40 |
Thanks. |
00:34:49 |
Oh, Coco. You are here! |
00:34:50 |
For sure you remember |
00:34:52 |
This is the bird singer. |
00:34:55 |
Only a little with Etienne. |
00:34:59 |
Etienne. My pearls! |
00:35:03 |
I never saw this before, |
00:35:05 |
Watch the glass. |
00:35:11 |
I was once. |
00:35:17 |
Talk to woman. |
00:35:21 |
Grazie mille, Mario. |
00:35:25 |
And now, ladies and gentlemen, |
00:35:31 |
Do not worry. Actually, |
00:35:35 |
Are allowed the girl of the moment. |
00:35:38 |
When my time away, |
00:35:42 |
I was so young and |
00:35:46 |
Dance the tango? |
00:35:49 |
Coco? |
00:35:55 |
A "night" in Buenos Aires for some |
00:36:03 |
It's easy. |
00:36:22 |
You are not thinking about |
00:36:27 |
What do you think? |
00:37:02 |
Oops! |
00:37:03 |
- No, do not do it. |
00:37:19 |
I think it's for me. |
00:37:23 |
What? |
00:37:25 |
- Get out. Get out. |
00:37:28 |
You called me without saying. |
00:37:30 |
She came with Alley Carter, |
00:37:34 |
I am so surprised as you, |
00:37:37 |
This is not even the first |
00:37:40 |
Coco, I am the first man |
00:37:43 |
even if it is free from me. |
00:37:45 |
There is no mystery. |
00:37:47 |
I believe in you. |
00:37:50 |
This is with you. |
00:37:54 |
If there is one thing I do not |
00:37:57 |
is jealousy. |
00:38:00 |
Good night. |
00:38:13 |
I found eight. |
00:38:16 |
I do not think you should return them |
00:38:23 |
We are only a game for him. |
00:38:25 |
The trick is to make the most of a |
00:38:31 |
I found another. |
00:38:34 |
It's another game, because |
00:38:36 |
Like what? How do I? |
00:38:39 |
Keeping a poor bastard that |
00:38:42 |
It is different. I love him and |
00:38:48 |
But he will not marry you. |
00:38:50 |
I'm telling you this |
00:38:53 |
I found another. |
00:38:55 |
In these rules, the man makes the rules. |
00:38:59 |
We women, we must trust and |
00:39:04 |
It seems fate. |
00:39:07 |
I suggest that you take |
00:39:10 |
As I took. |
00:39:12 |
I have been a dancer, an artist. |
00:39:18 |
I did not have to be a dancer |
00:39:20 |
When I do not have to go, |
00:39:22 |
If I could be sustained |
00:39:29 |
And when he leaves? |
00:39:35 |
If this were to happen, |
00:39:39 |
Have lived before. |
00:39:58 |
Come on. Come on. |
00:40:03 |
The trophy is really good when it deserves |
00:40:09 |
Go, girl! |
00:40:12 |
Exit. Go. |
00:40:21 |
She was very happy. |
00:40:24 |
Understand the mood of the animal is |
00:40:27 |
You seem to love |
00:40:30 |
No. Everything is very well here. |
00:40:35 |
But after some days, bad |
00:40:38 |
In fact, I started. |
00:40:39 |
And where are you going? |
00:40:41 |
Back to the problems |
00:40:45 |
The work is my passion. |
00:40:51 |
I envy you. |
00:40:53 |
You have a passion? |
00:41:05 |
Bonjour, Madame. |
00:41:08 |
Gabrielle! |
00:41:11 |
Coco. Now call me that. |
00:41:13 |
Look at you! |
00:41:15 |
Listen, I'm here as a client. |
00:41:17 |
Want to buy some tissues |
00:41:20 |
Of course, Madame! |
00:41:22 |
Thanks. |
00:41:25 |
How is life in Royallieu? |
00:41:27 |
How Well is |
00:41:31 |
We have found |
00:41:32 |
I look like a piece of cake |
00:41:37 |
It is the color of fashion in Paris! |
00:41:44 |
How are you, Chanel? |
00:41:49 |
Since he returned, |
00:41:52 |
As this awful dress |
00:41:59 |
Try this. |
00:42:00 |
But it is a Marquise de Saint Euvert. |
00:42:04 |
Try. |
00:42:05 |
Only needs to be opened along the |
00:42:07 |
the belt, and a pair of gloves |
00:42:11 |
She will be appearing |
00:42:14 |
Be quiet! |
00:42:23 |
Is delayed. All were hunting. |
00:42:43 |
Their pants. Take them. |
00:42:48 |
How old were |
00:42:50 |
Many. |
00:42:55 |
I was happy with you. |
00:42:57 |
What we celebrate. |
00:42:59 |
You left me for a rich man |
00:43:08 |
I made a mistake. |
00:43:22 |
Upa! You can see their legs. |
00:43:25 |
Oh, God. Even the women have. |
00:43:40 |
You really shocked at all today. |
00:43:43 |
- Up to you? |
00:43:48 |
- And then? |
00:43:48 |
I am in love with you |
00:43:52 |
With you, there is never boredom. Love |
00:43:56 |
- What temptation? |
00:43:59 |
besides the fact that I overcome them, |
00:44:15 |
My dear Julia, |
00:44:17 |
happy birthday. |
00:44:20 |
I am sending you a dress and a |
00:44:24 |
and a lot of hope in the plot. |
00:44:32 |
Over one year has gone |
00:44:35 |
I can not wait to hug her. |
00:44:38 |
I am glad to know you |
00:44:40 |
began to make some hats |
00:44:45 |
It is only a dream at the moment. |
00:44:53 |
Poop! |
00:44:55 |
What the hell are you using |
00:45:02 |
Yes, but ... Coco, women of |
00:45:06 |
The pole is more formal, elegant. |
00:45:10 |
But I am not a lady of truth. |
00:45:13 |
Actually, I noticed. |
00:45:19 |
Hurry. Hurry. |
00:45:28 |
Good morning, sir. |
00:45:31 |
Where is the princess? |
00:45:42 |
Ah, Balsan! |
00:45:47 |
Poop! |
00:45:50 |
Etienne is also its shadow? |
00:45:52 |
Do not worry, come back soon. |
00:45:57 |
And you? |
00:46:02 |
I am very well alone. |
00:46:17 |
What beautiful beads! |
00:46:20 |
Have not seen before? |
00:46:22 |
You have Etienne. |
00:46:32 |
Who's that fat extravagant |
00:46:35 |
And Paul Poiret. |
00:46:38 |
He is looking for you. |
00:46:41 |
Enhances it. |
00:46:49 |
What are you using on the head, |
00:46:52 |
A straw. |
00:46:57 |
You do not recognize a hat |
00:47:01 |
Obviously some women like |
00:47:03 |
Let Paul Poiret determine |
00:47:08 |
That is, what you want |
00:47:11 |
But sure it is |
00:47:13 |
I do not see many women here that |
00:47:20 |
Excuse me. |
00:47:23 |
My lady, the Princess Charlotte, |
00:47:30 |
Maison Chanel. |
00:47:39 |
Put it in its place. |
00:47:42 |
Who knows? |
00:47:46 |
Why not? |
00:47:47 |
You could start making me a |
00:47:50 |
I want you to start |
00:47:54 |
contrary to what I have |
00:47:58 |
The men we deserve, Coco. |
00:48:04 |
Please. |
00:48:35 |
- Coco, Etienne. |
00:48:38 |
Good to see them! |
00:48:43 |
You taught it, professor? |
00:48:47 |
It is one of many things |
00:48:54 |
An order came from Paris |
00:48:56 |
Ah, finally! |
00:49:03 |
What is this? |
00:49:13 |
You'll see! |
00:49:49 |
No, please. |
00:49:54 |
You can make a hat |
00:49:59 |
Please. |
00:50:01 |
You have a talent given by God, Coco. |
00:50:04 |
- You joke with me? |
00:50:09 |
And you play polo as its |
00:50:12 |
I was worried about you! |
00:50:13 |
Next time, promise, |
00:50:17 |
I remember what I said Etienne |
00:50:21 |
Violent and barbaric as any English. |
00:50:24 |
I am not even English. |
00:50:27 |
Certainly I am not so English to them. |
00:50:30 |
You feel more welcome in France? |
00:50:33 |
Actually, no. I am a homeless man. |
00:50:41 |
A home? Yes |
00:50:51 |
My mother was Jewish. |
00:50:57 |
She was studying to be |
00:51:01 |
But my father interrupted his career. |
00:51:03 |
And my mother forgot their dreams. |
00:51:07 |
He left before I was born. |
00:51:11 |
Ettiene told me that you never spoke |
00:51:14 |
Yes, true. |
00:51:18 |
But today, here with you, |
00:51:24 |
- Coco! |
00:51:31 |
Good to see you! |
00:51:36 |
Thank you for inviting us. |
00:51:42 |
I can hardly wait to tell you. |
00:51:46 |
Really? I am so glad |
00:51:49 |
And when the big day? |
00:51:51 |
His parents still oppose much. |
00:51:53 |
And they think that I have no life. |
00:51:56 |
Well, they are wrong. |
00:51:58 |
However, I am convinced |
00:52:02 |
I still think that Madame Desboutins |
00:52:11 |
Ah, a letter for me! |
00:52:15 |
From Emilienne! |
00:52:22 |
Princess Charlotte asked her |
00:52:26 |
Great. It seems that you caused |
00:52:29 |
Yes It would be great? |
00:52:33 |
You are serious? |
00:52:35 |
You should try. |
00:52:38 |
However, Boy. |
00:52:41 |
- I could help it. |
00:52:44 |
Which team would you! |
00:52:48 |
Etienne, you had a |
00:52:50 |
Yes |
00:52:51 |
An apartment would be a great start. |
00:52:55 |
Well, think about it. |
00:53:05 |
Go slowly, Etienne. |
00:53:06 |
Hey! Hey! Care! |
00:53:10 |
Etienne! Stop. |
00:53:14 |
Damn! |
00:53:15 |
Just because you are a drug |
00:53:18 |
He needs to learn to listen. |
00:53:20 |
Yeah? Who says? |
00:53:21 |
Can I try? |
00:53:22 |
Well, if I was not able to |
00:53:26 |
- She is a student better. |
00:53:29 |
Well, someone has to |
00:53:31 |
I can hardly wait for the show! |
00:53:34 |
Dimitri, my cigarettes! |
00:53:43 |
- So, here coupling. |
00:53:46 |
Slowly back and this will ... |
00:53:47 |
accelerate. |
00:53:52 |
That is right. |
00:53:55 |
Slowly, slowly. |
00:53:56 |
- Go slowly. |
00:53:59 |
No, not for me. |
00:54:02 |
- Please, come. |
00:54:21 |
Also, it! |
00:54:28 |
It's easy. |
00:54:31 |
Perfect! |
00:54:32 |
Yes |
00:54:34 |
- Careful. |
00:54:39 |
Move! |
00:54:40 |
Go down! |
00:54:46 |
You hurt? |
00:54:48 |
No. |
00:55:00 |
- I am so sorry! |
00:55:03 |
Can be repaired or exchanged. |
00:55:07 |
Worth it, just for pleasure |
00:55:13 |
- You better get back, will rain. |
00:55:48 |
Come on. |
00:56:48 |
The rain field is so depressing. |
00:56:51 |
As depressing as the city, |
00:56:56 |
- I mean in Paris, no? |
00:57:09 |
Check mate. |
00:57:11 |
Boy, where English is their education? |
00:57:15 |
That is, this is my house. |
00:57:20 |
Did you ever lose? |
00:57:22 |
The worst part is not recognizing |
00:57:29 |
Of course. |
00:57:43 |
The electricity is in the air tonight. |
00:59:23 |
Boy? |
00:59:24 |
Coco? |
00:59:26 |
Yes |
00:59:29 |
Where are you? |
00:59:35 |
Everything is in order, sir? |
00:59:40 |
Yes, okay, now. |
01:00:26 |
I think it was better he ido. |
01:00:29 |
Thank you, Albert. |
01:00:30 |
I am very surprised that he |
01:00:32 |
Coco. |
01:00:36 |
I. .. I felt threatened. |
01:00:40 |
I felt like I was losing you. |
01:00:43 |
Now I realize that nothing else matters |
01:00:49 |
I really want you to be happy. |
01:00:59 |
Here is the love of my life. |
01:01:53 |
I'm almost ready. |
01:01:55 |
Monsieur Etienne said he could see her |
01:02:01 |
After your dinner? |
01:02:04 |
Madame Balsan is tired and |
01:02:09 |
So how long will stay |
01:02:11 |
You are not the kind of woman to |
01:02:24 |
You will not make me, Etienne? |
01:02:26 |
I would get you. |
01:02:29 |
I spared him the job. |
01:02:31 |
You leave us, Mommy. |
01:02:39 |
Then his mother was tired, huh? |
01:02:41 |
Spare me the lies, Etienne. |
01:02:44 |
Gallardonne has clearly |
01:02:46 |
Let me explain. |
01:02:47 |
You did not have the courage to tell me |
01:02:51 |
I had the chance. |
01:02:53 |
- My mother was talking about. |
01:02:56 |
On the day of our marriage? |
01:03:00 |
You're right. |
01:03:03 |
You're right. Maybe I ... Maybe I should |
01:03:10 |
- I am listening. |
01:03:15 |
So Gallardonne was right. |
01:03:22 |
I was not made for marriage. |
01:03:24 |
Seriously, what would change between us |
01:03:30 |
Honestly? |
01:03:33 |
I do not believe you're |
01:03:38 |
Do you have any idea of what it means |
01:03:43 |
Coco, I want you living here with me. |
01:03:45 |
And I said, nothing has changed. |
01:03:49 |
Today you say that. But, |
01:03:52 |
- You want guarantees. |
01:03:55 |
What you offer me then? |
01:03:57 |
So what do you want? |
01:04:00 |
I want to go. |
01:04:05 |
This place was like a dream. |
01:04:09 |
But now, you opened my eyes. |
01:04:14 |
So now you is a dream for me? |
01:04:15 |
What you feared I made you, |
01:04:19 |
As you once said, Etienne, |
01:04:23 |
maybe I will forget, |
01:05:01 |
So sad! |
01:05:05 |
So sad. Sad, too sad! |
01:05:08 |
- You remember, Adrienne? |
01:05:12 |
So I had to start over, |
01:05:19 |
It is interesting to notice the price that is paid |
01:05:25 |
I do not know how you find strength. |
01:05:28 |
The strength is built by failures |
01:05:33 |
I was swimming against a strong tide. |
01:05:38 |
What is it that you are wearing? |
01:05:40 |
Stand up. |
01:05:44 |
Please. |
01:05:46 |
Oh, my God! |
01:05:49 |
How can your brain function |
01:05:53 |
I go to a cocktail. |
01:06:00 |
It is disastrous. |
01:06:06 |
The meeting may not be for a night. |
01:06:12 |
Turn around. |
01:06:16 |
Does not feel happy to or within |
01:06:19 |
The fashion nowadays forget |
01:06:25 |
What should I do to save it that |
01:06:29 |
Some minor adjustments ... You will be unique. |
01:06:34 |
So ... |
01:06:36 |
Cut ... |
01:06:41 |
Very well. Now ... the excess. |
01:06:47 |
I do not like the size. |
01:06:51 |
In response to my needs ... |
01:06:55 |
But the cocktail? |
01:06:58 |
You will. |
01:07:00 |
We will make the dress style |
01:07:05 |
- Yes, Mademoiselle? |
01:07:07 |
The curtain on the inside. The most mosey. |
01:07:14 |
The woman's body is what determines |
01:07:18 |
This is also nice. |
01:07:23 |
The poetry of fashion is the creation of illusion, |
01:07:27 |
A woman may be too tidy |
01:07:31 |
Now ... |
01:07:32 |
- This fabric is for curtain! |
01:07:36 |
Tissue is not important. |
01:07:41 |
Now ... |
01:07:43 |
A latent ... |
01:07:45 |
but silent beauty! |
01:07:49 |
Honey, that gun! |
01:07:53 |
Thus, fashion is at the same time be |
01:07:58 |
The dress should both crawl |
01:08:02 |
That will be good. |
01:08:05 |
The butterfly is not a market. |
01:08:10 |
Linda! What do you think? |
01:08:15 |
- It is ... |
01:08:18 |
E. .. a woman with the wrong perfume |
01:08:26 |
Go. |
01:08:38 |
I think it was your idea to |
01:08:40 |
using the name of a |
01:08:42 |
- How can you think such a thing ... |
01:08:50 |
Not overcome the difficulties it is painful. |
01:09:06 |
- END OF PART1 -- |
00:00:51 |
Your creditors are |
00:00:53 |
Yesterday, the clothier. |
00:00:57 |
How long you expect |
00:01:00 |
I know. |
00:01:03 |
Then you can pay me what I should? |
00:01:10 |
Excuse me, Madame, |
00:01:15 |
Has been the same story by |
00:01:18 |
This time I contact the owner, |
00:01:22 |
He failed to pay their debts. |
00:01:24 |
No, please. I need only |
00:01:38 |
I take one of the hats, |
00:01:47 |
This one, I think. |
00:01:49 |
But that costs50 francs! |
00:01:51 |
Only if someone is |
00:01:58 |
You really believe it can survive |
00:02:17 |
- It is very, huh? |
00:02:21 |
It is in Argentina, you know? |
00:02:25 |
- I80 francs. |
00:02:29 |
- Please. |
00:02:58 |
His collection, six months ago, |
00:03:04 |
As his friend and partner, now I can not |
00:03:08 |
Please be reasonable! |
00:03:10 |
I was never reasonable. Never! I hate |
00:03:17 |
Yes, but you have risked everything. |
00:03:21 |
Well, live is to risk it. |
00:03:23 |
You were out of business for15 years. |
00:03:27 |
Fashion is not just clothes, for God's sake! |
00:03:33 |
You are thinking of what to do, my dear. |
00:03:36 |
It is about what people think, |
00:03:39 |
Look around you. The mode is |
00:03:42 |
People only remember the name |
00:03:46 |
The fragrance Chanel will not be |
00:03:48 |
if not I find a replacement |
00:03:51 |
Hey! What do you mean with |
00:03:53 |
Now you're wondering what ideas, |
00:03:56 |
The same as always, Marc. |
00:03:57 |
The principle that women must |
00:04:02 |
You understand? |
00:04:10 |
There is a woman in the world |
00:04:13 |
that look in the mirror and that |
00:04:18 |
My legacy is that women wear, right? |
00:04:21 |
Stop chasing me like a lover |
00:04:26 |
If I am not mistaken, is for |
00:04:29 |
- I here? |
00:04:31 |
Go check, please. |
00:04:33 |
I already have a solution. |
00:04:35 |
Look, I examined the issue in all |
00:04:39 |
Unfortunately, the only solution for you |
00:04:45 |
Sell? |
00:04:49 |
How this will be, Mark? |
00:04:52 |
I have someone who is interested. |
00:04:55 |
I could keep my position as director, |
00:05:01 |
Ah, I see you as a mentor to all, no? |
00:05:03 |
Well, its position above all. |
00:05:06 |
Of course, you still |
00:05:15 |
Creative leadership? |
00:05:17 |
Yes! From his chalet in Saint Moritz or |
00:05:22 |
That is, with time being |
00:05:27 |
You worked hard for this, Coco. |
00:05:33 |
This proposal is very, very |
00:05:39 |
What do you think, Adrienne? We sell? |
00:05:44 |
- Coco, you can not conceive that. |
00:05:47 |
I have a quiet life in |
00:05:52 |
Of course! You .. I sorry but ... |
00:05:58 |
Brand! |
00:06:03 |
See, if you agree - if -- |
00:06:10 |
Here is an excellent agreement |
00:06:16 |
Look to the draft of the contract. Call later. |
00:06:25 |
He really wants to sell. |
00:06:28 |
Why not, love? |
00:06:34 |
I tried, but this is what |
00:06:36 |
I never quit before and have no |
00:06:41 |
Oh! Look at that! |
00:06:46 |
Mademoiselle Chanel. |
00:06:50 |
They wanted to break the door. |
00:07:19 |
Boy! |
00:07:22 |
I did not know who was in Paris! |
00:07:26 |
Will not invite me to join? |
00:07:29 |
Yes, of course! |
00:07:42 |
How is business? |
00:07:44 |
Ah, well. |
00:07:46 |
You know, things are starting |
00:07:54 |
I hope that is not disappointed |
00:07:58 |
No, no. On the contrary. |
00:08:01 |
If you give me your address, |
00:08:03 |
I live in the Ritz. |
00:08:11 |
Gabrielle Chanel. |
00:08:17 |
I have a warrant to ensure payment |
00:08:23 |
A rug. |
00:08:24 |
A round table. |
00:08:26 |
Three hats. |
00:08:28 |
A chandelier. |
00:08:39 |
I returned to you by |
00:08:43 |
I could not let it take |
00:08:47 |
Balsan Imagine sleeping on the floor next to |
00:08:59 |
You left without goodbye ... |
00:09:04 |
I wrote a letter to you. |
00:09:07 |
I never got to. |
00:09:08 |
I never sent to. |
00:09:16 |
What about you? |
00:09:20 |
Etienne seen again? |
00:09:22 |
No. |
00:09:25 |
I thought he would marry you. |
00:09:29 |
This was never really his intention. |
00:09:35 |
But I am grateful to him. |
00:09:37 |
He opened my eyes. |
00:09:42 |
I am grateful to you. |
00:09:44 |
For having believed in me. |
00:09:47 |
And even if I lost that first round, |
00:09:52 |
You just started |
00:09:55 |
As hopes that the customers get three |
00:09:58 |
and then find a room, |
00:10:02 |
If you want to be successful, |
00:10:05 |
With a showroom in a busy street. |
00:10:10 |
I have a proposal for you. |
00:10:16 |
You enter with the talent. |
00:10:39 |
You want to know what I wrote in the letter? |
00:10:46 |
There is no single day that I do not think of you. |
00:10:54 |
Maybe we should not mix |
00:11:01 |
You should believe more in me, |
00:11:05 |
I am not Etienne. |
00:11:09 |
You are not him tonight. |
00:11:18 |
Good night. |
00:11:30 |
Sounds just wonderful! |
00:11:37 |
What's happening? |
00:11:39 |
You promised me that no |
00:11:42 |
I never promised anything to you. |
00:11:43 |
Okay. You led me |
00:11:46 |
I did not ask you to believe. |
00:11:49 |
Do you have idea of what I did to |
00:11:53 |
Oh! Watch this! See each piece |
00:11:59 |
Every thing that is worth |
00:12:02 |
You received a substantial advance |
00:12:05 |
Now, you must fulfill the agreement. |
00:12:12 |
Lift your arms, I and |
00:12:16 |
And so is ... only because of the tape. |
00:12:20 |
I case you! |
00:12:21 |
See that the chain weighs ... |
00:12:22 |
I case you until the last penny. |
00:12:25 |
... gives no right to open the jacket ... |
00:12:27 |
Please pay attention! |
00:12:31 |
I'm serious. |
00:12:34 |
What should we do? The skirts above |
00:12:38 |
Listen. |
00:12:43 |
I have always been a loyal friend |
00:12:47 |
Fair to me or fair to profits and |
00:12:50 |
You are a bad and ungrateful woman. |
00:12:53 |
And anyone who seeks revenge. |
00:12:56 |
Many people to count. |
00:12:58 |
And if there were those to whom you |
00:13:02 |
I do not owe anything to anyone. |
00:13:04 |
If there are those who were coming |
00:13:08 |
is because they benefit the |
00:13:11 |
The only person whom I |
00:13:17 |
And for a reason. |
00:13:18 |
Now, we can work? |
00:13:39 |
There is something more simple? |
00:13:43 |
If you want simple, I suggest you buy |
00:13:48 |
Ink! White ink! |
00:14:00 |
Oh, Adrienne! |
00:14:04 |
How wonderful! |
00:14:07 |
I wanted to make you a surprise. |
00:14:12 |
He is doing it |
00:14:14 |
Listen. Because you will not be |
00:14:18 |
You can live with me and help me |
00:14:21 |
It would be a change of vision for you. |
00:14:41 |
How is that? |
00:14:52 |
What do you think that? |
00:14:53 |
Coco Chanel calls for |
00:14:56 |
- Hello, good to see you. Welcome. |
00:14:59 |
- Nice to see you again. |
00:15:07 |
I can not believe you did |
00:15:10 |
Hopefully give some! |
00:15:12 |
Life is risk. |
00:15:16 |
Excuse me! |
00:15:18 |
- Coco, darling! |
00:15:21 |
- Glad you came! |
00:15:26 |
- I want to try another. |
00:15:32 |
- What do you think? |
00:15:34 |
- Not? |
00:15:36 |
I am so proud of you. |
00:15:38 |
- Thanks. |
00:15:40 |
Take a look at these. |
00:15:45 |
Well, they could be perfect for |
00:15:48 |
- Yeah, right. |
00:15:53 |
Doucet? |
00:15:54 |
The Doucet? |
00:15:55 |
The most important fashion designer in Paris, |
00:15:59 |
He designs the clothes her. |
00:16:01 |
You can show him my hat? |
00:16:03 |
Well, I do not know. Not so easy, |
00:16:06 |
We can try. |
00:16:07 |
- Oh, thanks. |
00:16:09 |
Girls, a toast! |
00:16:12 |
- Coco! |
00:16:13 |
Yes? |
00:16:16 |
Mademoiselle Chanel knows? |
00:16:19 |
- I should? |
00:16:22 |
I had the pleasure of |
00:16:24 |
If this is considered a pleasure. |
00:16:28 |
Excuse me. |
00:16:31 |
- Your friend is very rude. |
00:16:36 |
- It was absolutely wonderful. |
00:16:40 |
- Bye. |
00:16:44 |
- Coco? |
00:16:46 |
Let me present it to the Lord and |
00:16:48 |
- Hello! |
00:16:51 |
- Thanks. |
00:16:52 |
Diana asked me to buy a |
00:16:54 |
- Well, if I can help it. |
00:17:00 |
- I get it now. |
00:17:02 |
- See you later, dear. |
00:17:05 |
Ah, that good to see you here, Diana! |
00:17:10 |
Ah, not really a friend. |
00:17:12 |
His father is my godfather. |
00:17:15 |
- And Mademoiselle Chanel, you know? |
00:17:19 |
Balsan transferred to the Capel, |
00:17:22 |
Who do you think is paying |
00:17:25 |
Well, it seems to be a witch. |
00:17:31 |
Just a sucker, |
00:17:36 |
What about you, Diana? |
00:17:39 |
It is a great success. |
00:17:42 |
- There is something wrong? |
00:18:01 |
I can not just waiting. |
00:18:10 |
I will try because you insisted much, |
00:18:15 |
Wait for me here. |
00:18:35 |
An artist provides the answers. |
00:18:39 |
It is not understood. |
00:18:45 |
So let's see. |
00:18:49 |
This not. |
00:18:52 |
You make them, yourself? |
00:18:54 |
Yes, I will do, Monsieur Doucet. |
00:18:58 |
This will not work either. |
00:19:02 |
This is not the type of work to improvise. |
00:19:05 |
Nobody. |
00:19:09 |
You have not played with dolls? |
00:19:10 |
I prefer tapes, buttons, velvet. |
00:19:16 |
This hat. This hat is Yes |
00:19:25 |
It is the work of an artist. |
00:19:31 |
I see your brand. |
00:19:33 |
What do you think, |
00:19:36 |
I think perfect for Bel Ami. |
00:19:38 |
Then combine. |
00:19:39 |
Doucet, clothing. |
00:19:47 |
I am wanting to buy a hat as |
00:19:50 |
This here. |
00:19:53 |
Of course. |
00:19:57 |
Thanks. |
00:20:19 |
CLOSED |
00:20:34 |
- You're beautiful! |
00:20:36 |
I am happy that has accepted |
00:20:40 |
Boy Capel and |
00:20:42 |
Boy Capel, of course. |
00:20:45 |
But I think |
00:20:49 |
Could look again, please? |
00:20:56 |
Sorry, but there is no Chanel |
00:21:00 |
Mademoiselle Chanel here. |
00:21:04 |
Do not worry. |
00:21:08 |
I want to talk to the person responsible |
00:21:11 |
Ducrot Madame Elizabeth, the wife |
00:21:17 |
Her friend Elizabeth. |
00:21:22 |
Hold on! |
00:21:24 |
Poop! |
00:21:25 |
Hold on! |
00:21:26 |
You should go to that party. |
00:21:29 |
I will not give the minimum for them. |
00:21:31 |
The only person who really |
00:21:33 |
I do not belong to your world. |
00:21:35 |
Even at the beginning of my life, |
00:21:38 |
And this girl has easy |
00:21:44 |
You always asked me to tell you |
00:21:51 |
I love you! |
00:21:53 |
Coco. |
00:21:57 |
Please do not say that. |
00:22:07 |
Do not you think that I do not know how |
00:22:13 |
You and I are not so different. |
00:22:18 |
I live with the rejection during |
00:22:22 |
My father even once expressed |
00:22:35 |
I walk away. |
00:22:40 |
I never felt this for anyone in |
00:22:47 |
We are equal. |
00:22:49 |
You and me. |
00:22:54 |
We are one. |
00:23:23 |
Monsieur Capel! |
00:23:25 |
- Madame. |
00:23:50 |
Coco? |
00:24:18 |
- You forgot it? |
00:24:26 |
Why you gone? |
00:24:30 |
If I offended you in any way ... |
00:24:37 |
You afraid? |
00:24:39 |
From me, from you. |
00:24:41 |
Of my feelings. |
00:24:45 |
One day, in Royallieu, I heard |
00:24:50 |
But I'll never leave you. |
00:24:52 |
Coco, I want you to marry me. |
00:24:56 |
- Marry me with you? |
00:24:59 |
- You will be my wife? |
00:25:06 |
... but I just be his wife, |
00:25:15 |
You are so proud. |
00:25:20 |
You will suffer. |
00:25:35 |
Good morning. |
00:25:37 |
Yes Thanks. |
00:25:40 |
Your welcome. |
00:25:45 |
Nothing. |
00:25:47 |
He left two weeks ago and since then |
00:25:51 |
I am not sure. |
00:25:53 |
If you do not like, is not obliged to buy, |
00:26:00 |
Thank you for quitting, Madame. |
00:26:06 |
He never goes back. |
00:26:07 |
After all, why |
00:26:11 |
You know what you should do? |
00:26:15 |
I do not want to go anywhere. |
00:26:17 |
We can not live |
00:26:25 |
You know what will we do? |
00:26:26 |
Come for Deauville! |
00:26:46 |
Health to you! |
00:26:50 |
Because women may be freely |
00:26:55 |
Because the world is well. |
00:27:00 |
Really? |
00:27:05 |
Mademoiselle? |
00:27:07 |
I would like to see these beautiful shells? |
00:27:12 |
Listen! |
00:27:14 |
The sound of the sea. |
00:27:19 |
Cute, huh? |
00:27:23 |
Beautiful girls, no? |
00:27:30 |
- I will buy. |
00:27:32 |
- All of them. |
00:28:10 |
Come out for a walk. |
00:28:11 |
Look at them! |
00:28:14 |
Everyone is looking at us. |
00:28:17 |
They are jealous of us. |
00:28:19 |
I hope you are not stuck. |
00:28:44 |
Do you dance tango? |
00:28:45 |
Mademoiselle? |
00:29:03 |
I hope you sense my absence. |
00:29:09 |
Who told you I was in |
00:29:14 |
I will find anywhere. |
00:29:16 |
Even without the card Adrienne. |
00:29:23 |
I was worried |
00:29:25 |
It is what I wanted to do. |
00:29:30 |
- I could not sleep. You made me suffer. |
00:29:36 |
You can be very cruel. |
00:29:39 |
Like any one is enough. |
00:30:06 |
I terminate my contract with the Germans. |
00:30:10 |
I do not have much supply |
00:30:15 |
You think you can be a war? |
00:30:17 |
If men could choose between |
00:30:21 |
Especially the British. |
00:30:23 |
With their agreement for power. |
00:30:26 |
Starting with my father. |
00:30:29 |
Tell me about it. |
00:30:31 |
Sir David. |
00:30:34 |
Member of Parliament. |
00:30:36 |
I paid for the study |
00:30:39 |
but never wanted to meet me, |
00:30:43 |
And you? |
00:30:45 |
You never spoke of his family. |
00:30:51 |
It is a sad story. |
00:31:03 |
You do not have to tell me anything. |
00:31:05 |
Our family is not a fairy tale. |
00:31:07 |
You and I |
00:31:38 |
I want to open a shop |
00:31:40 |
Not only for hats, but for clothes |
00:31:45 |
And not just for rich women, too. |
00:31:48 |
If you think you can handle everything, |
00:31:52 |
Living is risking it. |
00:32:00 |
I'll get one. |
00:32:09 |
We return to Paris. |
00:32:12 |
- Why? |
00:32:15 |
The Archduke Franz Joseph is |
00:32:28 |
So you are criticizing the British and |
00:32:31 |
It is my duty. |
00:32:35 |
That damned uniform transforms you. |
00:32:38 |
Stay one more day. |
00:32:40 |
The Germans are30 km from Paris. You |
00:32:46 |
Go back to Deauville. It's safer there. |
00:32:48 |
And you can open your store. |
00:32:51 |
I did this for you. |
00:32:56 |
Do not be afraid. |
00:32:59 |
But I'm afraid. |
00:33:02 |
I always have the same nightmare. |
00:33:08 |
There is the man I love. |
00:33:13 |
I try to keep you with me, |
00:33:17 |
I gotta go. |
00:33:21 |
And I have to stay. |
00:34:12 |
Ah, here it is. |
00:34:21 |
Well, this is perfect! |
00:34:24 |
I do not know. |
00:34:29 |
Women have to dress in |
00:34:51 |
I had to leave my entire wardrobe |
00:34:55 |
... we only have one loves us here! |
00:34:59 |
You can feel how the fabric is soft? |
00:35:02 |
As he adapts to you? |
00:35:03 |
Try walking. |
00:35:07 |
You can wear easily, yourself. |
00:35:11 |
Armand, that? |
00:35:16 |
It is indecent! |
00:35:34 |
Put on the table and wrap. |
00:35:37 |
Stay still. |
00:35:39 |
You can not draw on paper |
00:35:42 |
Never draw it, you know. |
00:35:55 |
Coco is not too short? |
00:35:58 |
Women have to be comfortable. |
00:36:01 |
The rich will not have more because their |
00:36:07 |
The poor because they need work. |
00:36:10 |
And if both wear the same way. |
00:36:15 |
Take a look. |
00:36:52 |
My dear, |
00:36:57 |
Deauville is full of women, |
00:37:00 |
All who fled to Paris. |
00:37:03 |
How sad life without men. |
00:37:10 |
The number of injured here |
00:37:13 |
I wanted to do more for them. |
00:37:17 |
During the day, I leave the store open. |
00:37:23 |
Businesses are beginning to improve. |
00:37:26 |
We are so helpless |
00:37:39 |
Hey! I need medical help here. |
00:37:43 |
Come, quick, quick. |
00:37:49 |
Lieutenant! |
00:37:50 |
I have a telegram here |
00:37:56 |
He wants to see it. |
00:37:57 |
- When? |
00:37:59 |
Yes, sir. |
00:38:02 |
- Diana? |
00:38:07 |
Looks like a whole life long |
00:38:10 |
You went to front for a long time? |
00:38:12 |
My brother and my husband died |
00:38:16 |
Serving the Red Cross, I feel like |
00:38:20 |
I very much. |
00:38:22 |
Stay safe. |
00:38:28 |
There was nothing. |
00:38:34 |
Do you have any Jersey? |
00:38:36 |
Jersey? |
00:38:37 |
I thought clothes were feminine. |
00:38:39 |
No work clothes for laborers. |
00:38:41 |
Let me decide which fabric to use. |
00:38:43 |
I want to Jersey. Everything you have. |
00:38:46 |
Will sell to me or not? |
00:38:52 |
I have never sold that quantity. |
00:38:54 |
So I take a price promotion. |
00:39:00 |
This dresses as well. |
00:39:05 |
It's Jersey, Madame. |
00:39:09 |
But it is less expensive. |
00:39:11 |
Well, if so, my husband |
00:39:26 |
Coco, my dear. |
00:39:27 |
I can not stop thinking about |
00:39:38 |
The city is dark and desolate. |
00:39:43 |
I was assigned to work |
00:39:47 |
I have to act as an intermediary |
00:39:52 |
That's all I can say at this time. |
00:39:58 |
I miss you, |
00:40:01 |
The only thought that gives me strength |
00:40:05 |
is that you exist, |
00:40:10 |
and walk the streets freely. |
00:40:14 |
But even under the wide sky. |
00:40:21 |
I'm glad you enjoyed. |
00:40:22 |
- Bye. |
00:40:23 |
Mademoiselle! |
00:40:26 |
His clothes are well tailored |
00:40:30 |
Your Jersey will transform women |
00:40:37 |
I do not see anything wrong about it. |
00:40:39 |
These women work in factories. |
00:40:45 |
I concentrate in class |
00:40:50 |
Shame you concentrate |
00:40:54 |
Lack imagination to you, my man. |
00:40:56 |
That is why you wear women |
00:41:00 |
Best sellers in the store that |
00:41:08 |
Poop! |
00:41:12 |
- Boy is here! |
00:41:14 |
True, I saw him. |
00:41:16 |
- Where? |
00:42:08 |
I was desperate for |
00:42:13 |
I wanted to be successful and independent. |
00:42:24 |
Tell me that we are always together. |
00:42:35 |
Tell me if you like this: |
00:42:39 |
This war has no meaning. |
00:42:41 |
And the only history repeat itself, |
00:42:46 |
A thought, strengthened |
00:42:50 |
You have already decided on the title? |
00:42:53 |
Reflections on a Victory |
00:42:56 |
I think it's wonderful. |
00:42:58 |
The editor also like. |
00:43:00 |
He is organizing a major release |
00:43:04 |
There can be our honeymoon. |
00:43:15 |
You did all this alone. |
00:43:19 |
I was never able to do that |
00:43:28 |
My talent. Your money. |
00:43:32 |
Remember? |
00:43:36 |
As I told you that you return the |
00:43:41 |
You no longer need me. |
00:43:44 |
I do not know if I like it. |
00:43:47 |
I need you forever. |
00:43:51 |
The war is over! |
00:43:56 |
The war is over! |
00:44:33 |
You are perfect! |
00:44:35 |
The ground floor easily accommodate |
00:44:39 |
The ground floor? |
00:44:41 |
No, no, no. |
00:44:44 |
- There are6 floors, Madame. |
00:44:48 |
For now. |
00:44:49 |
Adrienne! |
00:44:52 |
Excuse me. |
00:44:56 |
- My baby! |
00:45:01 |
- I love you! |
00:45:05 |
She could not choose another date? |
00:45:07 |
I can not deny that to Adrienne. |
00:45:10 |
She is waiting ... |
00:45:10 |
... so long to marry. |
00:45:14 |
If I knew! |
00:45:18 |
Do not worry. |
00:45:21 |
Be waiting for you. |
00:45:24 |
Back soon. |
00:45:28 |
Number1, has less bergamot. |
00:45:31 |
Okay. Okay. |
00:45:34 |
Both have80 fragrances in each |
00:45:38 |
It is enough to awaken |
00:45:42 |
This here. |
00:45:45 |
And thought about a name? |
00:45:50 |
Item5. |
00:45:52 |
Chanel number5. |
00:45:54 |
I am sure that this will |
00:45:56 |
Come, quick! |
00:45:59 |
Here it is. |
00:46:01 |
I miss the work. |
00:46:04 |
But most of all, |
00:46:08 |
Honey, it was you who decided that a |
00:46:13 |
Maurice is different from Boy. |
00:46:16 |
You never sacrifice their work. |
00:46:22 |
If ... I just think about how you started ... |
00:46:27 |
and now ... |
00:46:31 |
You're right. |
00:46:38 |
But if he asked me, I married |
00:46:47 |
Thank you. |
00:46:55 |
The title of his book |
00:46:58 |
Diana! |
00:47:00 |
What a nice surprise! |
00:47:03 |
And as you have been? |
00:47:06 |
Better. Now that the war is over. |
00:47:10 |
You will autograph it for me? |
00:47:12 |
Yes, of course. |
00:47:23 |
My dear Coco! |
00:47:26 |
How wonderful to see you! |
00:47:29 |
You look beautiful as always. |
00:47:32 |
Thanks. |
00:47:33 |
I heard you opened a shop |
00:47:37 |
Your clothes are amazing. But |
00:47:41 |
Since you opened your shop millionaire. |
00:47:43 |
E Boy? You have seen? |
00:47:46 |
Occasionally. |
00:47:48 |
You have been the submission of |
00:47:51 |
Apparently, all the influential people |
00:47:54 |
I could not attend. |
00:47:56 |
Oh, he must have been inconsolable. |
00:48:00 |
You saw the Time? |
00:48:04 |
It has a picture of him there. |
00:48:07 |
Says he and Lady Wyndham have seen |
00:48:12 |
The reporters can be so malicious. |
00:48:16 |
Lady Wyndham is goddaughter of Sir David, |
00:48:20 |
No. |
00:48:26 |
Boy apparently resumed with his father. |
00:48:33 |
What good news, Elizabeth! |
00:48:34 |
You have come here especially |
00:48:38 |
- I came for a costume. |
00:48:43 |
Fold the prices for |
00:48:48 |
Ah, here we are! |
00:48:50 |
I want a shot of it, |
00:48:53 |
Fashion is not fashion unless ... |
00:48:58 |
- Please! |
00:48:59 |
Poop! |
00:49:01 |
- Coco! |
00:49:02 |
I must ask one last time |
00:49:05 |
Imagine a marmot made these! |
00:49:08 |
The show will continue and |
00:49:11 |
Be sure to show |
00:49:14 |
This letter is from my lawyers. |
00:49:15 |
What is this? |
00:49:17 |
I regret that proposing a |
00:49:21 |
Why, for God's sake? |
00:49:23 |
Read your contract. |
00:49:26 |
The contract allows ... |
00:49:27 |
you act as the lead creative. |
00:49:31 |
What you want from me, Marc? |
00:49:33 |
What I feel in my town alone, |
00:49:36 |
Look, excuse me, but ... |
00:49:39 |
So the thing is for it, right? |
00:49:42 |
My dear friend, my partner. |
00:49:45 |
Oh no! No, no, no. |
00:49:50 |
Dedicated years of my life, |
00:49:55 |
Ah, you are more generous than me. |
00:49:57 |
But both know that I have |
00:50:01 |
But I know people. I can see that |
00:50:05 |
I am expecting that. |
00:50:15 |
Come here. |
00:50:19 |
I already told you some time as |
00:50:25 |
I already told you? |
00:50:29 |
There you are. |
00:50:35 |
Well, they changed the curtains, but |
00:50:42 |
Here is where it all began, you know? |
00:50:45 |
I owe everything to Boy Capel. |
00:50:51 |
He was the love of my life. |
00:51:27 |
I do not see you for3 months. |
00:51:36 |
You are here because of that? |
00:51:41 |
Hello. |
00:51:46 |
You will marry her? |
00:51:51 |
Yes |
00:51:55 |
No need of explanation, then. |
00:52:00 |
There is nothing to understand. |
00:52:06 |
You have ... You have a woman as |
00:52:15 |
You made a great choice, Boy. |
00:52:18 |
She comes from an important family. |
00:52:27 |
She is the goddaughter of her father too. |
00:52:40 |
Once you told me |
00:52:45 |
And that was not true. |
00:52:50 |
I rather would have given anything |
00:52:57 |
I should not have said to you. |
00:53:08 |
You want to marry Diana? |
00:53:12 |
If not now, |
00:53:17 |
It's all my fault! |
00:53:21 |
The day you asked me |
00:53:26 |
I was afraid of my hand |
00:53:37 |
Do not be afraid to make |
00:53:42 |
Do not worry about me, Boy. |
00:53:46 |
I will survive. |
00:54:11 |
You are perfect! |
00:54:13 |
Is not perfect enough! |
00:54:16 |
No more sewing machines! |
00:54:18 |
From now on, we |
00:54:48 |
- Good night! |
00:55:00 |
Frau Ericka Muelller sent a telegram to Berlin, |
00:55:10 |
The dress was made of it already. |
00:55:18 |
- Hello! |
00:55:28 |
I was wrong to ask for you |
00:55:34 |
We both made the biggest mistake |
00:55:39 |
If I were there with you now, I |
00:55:50 |
You ... |
00:56:00 |
Tell me that accepts back and I will |
00:56:07 |
I will be waiting for you. |
00:57:19 |
Tell me that we will be always together. |
00:57:46 |
Hallo! |
00:57:48 |
Yes, I am. |
00:57:51 |
What? |
00:57:54 |
No! |
00:58:02 |
No, stop please! |
01:00:06 |
Well, that thought gave me |
01:00:09 |
He thought that nothing |
01:00:14 |
And after the death of Boy, I ... |
01:00:18 |
... I drew a black dress, |
01:00:21 |
because, what else could I do? |
01:00:23 |
And, without intention, without even knowing, |
01:00:29 |
Boy was my companion, my friend, |
01:00:36 |
And after that boy died, I plunged |
01:01:28 |
Thus, I can not allow |
01:01:32 |
It is the reason, Marc, for which I |
01:01:41 |
Yes |
01:01:43 |
I sincerely hope, Marc, that |
01:02:02 |
Hello, how are you? Good to see you! |
01:02:05 |
Ah, Madame. How are you? |
01:02:11 |
Ah! Welcome back! |
01:02:14 |
Thanks for coming. |
01:02:16 |
Adrienne, hello. |
01:02:19 |
Great night! |
01:02:21 |
Andrew, nice to see you! |
01:02:39 |
Welcome back, Marc. |
01:02:43 |
Welcome back, |
01:02:46 |
Coat! |
01:02:53 |
Beautiful! |
01:02:55 |
Lindo demais! |
01:02:58 |
Is splendid. |
01:07:21 |
Second Collection of Coco Chanel of Period |
01:07:26 |
The design of Chanel was instant success |
01:07:32 |
a position without competition |
01:07:36 |
which she remained for two decades, |
01:07:55 |
subtitles, translation and synchronization: |