Code of Silence
|
00:03:35 |
Have a shot, kid. A little nerve tonic. |
00:03:41 |
I'm not nervous, Cragie. |
00:03:44 |
Then do it now. |
00:03:46 |
- On some poor bastard's grave? |
00:03:48 |
If someone was smart, they'd rip out |
00:03:53 |
These people are no good. They're dead. |
00:04:12 |
Say, hey, hey, hey, Cub fans. |
00:04:14 |
I sure hope to hell you all are down there, |
00:04:19 |
Today is our day, baby... |
00:04:29 |
Dig this, man. |
00:04:33 |
Spider's gettin' ready for the big play. |
00:04:42 |
- What's happenin', Doc? |
00:04:46 |
- You take too fuckin' long. |
00:04:50 |
Get your ass in the car. |
00:04:53 |
- I got everything we need. |
00:04:57 |
They'll be waitin', man. |
00:05:00 |
- Home team, ready in the bull pen. |
00:05:04 |
Break out the nuts. |
00:05:09 |
Centre's in. |
00:05:11 |
- Where's Cragie? |
00:05:13 |
Dammit... Ready, sir. |
00:05:16 |
OK, guys. Runner on first base. |
00:05:18 |
- Double play. You got 'em in sight? |
00:05:23 |
(Doc) What is this? This guy's got |
00:05:28 |
Funky fuckin' neighbourhoods. |
00:05:33 |
I'm glad to get out though, |
00:05:36 |
You can't tell nobody about this stress. |
00:05:47 |
Here we go. |
00:05:49 |
Nice and easy, nice and easy. |
00:05:59 |
Leave a space for the good guys. |
00:06:02 |
I ain't never lettin' the car out of my sight. |
00:06:09 |
This is lovely. Look at this. Zaro |
00:06:14 |
This is my vacation. Ain't this nice? |
00:06:20 |
I'm tellin' ya, Spider, this ain't my style. |
00:06:23 |
I can dig it, baby. It's too much |
00:06:27 |
You'll have everything you want |
00:06:32 |
Trick or treat, smell my feet. |
00:06:47 |
Come on, baby. |
00:06:52 |
Come on, baby. Do your thing. |
00:06:54 |
Man, we're clean. |
00:06:58 |
- Watch it, baby. |
00:07:01 |
- We oughta get married. |
00:07:04 |
This guy is nervous. |
00:07:08 |
B Fuck, man. |
00:07:13 |
You do this every fuckin' time. |
00:07:15 |
That one should have taken a Valium. |
00:07:20 |
- Found you a present. |
00:07:25 |
These people trust me. |
00:07:27 |
I trust you too, |
00:07:31 |
You're gonna get what you want, man. |
00:07:35 |
B Hola. ¿ Cómo está, amigo? Soy yo. |
00:07:40 |
- Tengo una cosa para ti. |
00:07:44 |
I don't like the way it sounds. Where's |
00:07:50 |
These guys ordering me up the hallway. |
00:07:53 |
Caballeros. |
00:08:02 |
I don't like people |
00:08:06 |
- I don't care where they come from... |
00:08:09 |
I don't dig motherfuckers |
00:08:13 |
¿ Qué pasa? |
00:08:22 |
Come on, Eenie. Move your ass. |
00:08:24 |
What the hell are those guys up to? |
00:08:27 |
They're going to work. What do you think? |
00:08:30 |
- At this hour? |
00:08:34 |
They got a hard-ass for a boss. Like us. |
00:08:43 |
I just wanna get outta here real quick. |
00:08:48 |
I wanna find out |
00:09:12 |
Oh, Christ. |
00:09:14 |
- Told you this was the right place. |
00:09:17 |
Amor, váyase al otro cuarto. |
00:09:20 |
Tell him I think that's a nice decoration. |
00:09:23 |
Watch it. Cool it, man. |
00:09:26 |
- Comachos'll shoot your ass. |
00:09:43 |
- Man, Victor's got the best. |
00:09:47 |
You Comacho dudes are too much. |
00:09:52 |
Parece que el hombre está contento. |
00:09:54 |
This really looks right. |
00:09:57 |
- This looks good. |
00:10:05 |
By the numbers. |
00:10:08 |
They got a good reputation. Tell him I'm |
00:10:13 |
I'm not insulting the guy. |
00:10:15 |
El hombre como que tiene |
00:10:19 |
Said you got |
00:10:21 |
Tell him it's too bad. I thought |
00:10:24 |
That's the colour I need. Let's go. |
00:10:27 |
(Spider) How's that? |
00:10:32 |
OK, everybody. Get ready. |
00:10:43 |
Right field's clear. |
00:10:46 |
- What are you talking about? |
00:10:50 |
They're gonna wreck that building. |
00:10:53 |
Call 'em in. |
00:10:55 |
Jump street. Let's move, move! |
00:11:05 |
Like I told you, Vic, |
00:11:08 |
Go! |
00:11:44 |
The door, Cragie. Get the door. |
00:11:49 |
Come on, get the board. |
00:11:53 |
Come on! Let's go. Let's go. |
00:12:01 |
(child speaks Spanish) |
00:12:04 |
Shh. |
00:12:11 |
Give me the bag! |
00:12:17 |
Check the door. Come on. |
00:12:32 |
Come on. Hurry! |
00:12:51 |
Forget it, Eenie! We're outta here! |
00:13:02 |
- Get around to the hallway. |
00:13:07 |
I'm going around to the front. |
00:13:35 |
Shit! |
00:13:40 |
Go, go, go. |
00:13:49 |
Motherfuckin' son of a bitch! |
00:13:59 |
Rosa, ¿ dónde estás, mi vida? |
00:14:04 |
(woman) No salgas de ahí. |
00:14:13 |
Cragie! Cragie? |
00:14:16 |
It's OK. I got the son of a bitch. |
00:14:46 |
Citywide units, we have an officer shot - |
00:14:49 |
Request for additional ambulances. |
00:14:53 |
Use caution. Plain-clothes units |
00:14:57 |
Hey. |
00:15:03 |
(Cragie) Told you to stay in there. |
00:15:07 |
- Take it easy, Kopalas. |
00:15:10 |
The kid didn't dust him. I did. |
00:15:14 |
Him or me, sarge. |
00:15:17 |
The kid saw the whole thing. |
00:15:27 |
Yeah, that's what happened. |
00:15:34 |
Stay here, Cragie. |
00:15:49 |
I want this kept clear. |
00:16:01 |
Don't do that. Do you have any idea |
00:16:06 |
Eddie, listen to this. |
00:16:08 |
A bait shop. We get |
00:16:12 |
We don't even have to get real worms. |
00:16:26 |
Ow! You goddamn Dr Jekyll! |
00:16:29 |
He's a butcher. |
00:16:39 |
Sarge, I don't think these guys |
00:16:42 |
I'm gettin' tired of this shit. |
00:16:45 |
Efren, what's gonna happen to you when |
00:16:50 |
I'll tell you. Your ass is gonna be |
00:16:56 |
You gotta know who did it! |
00:16:59 |
- Luis ain't gonna like this. |
00:17:01 |
You want a tune-up, fuckface? |
00:17:03 |
Sarge, you know why |
00:17:08 |
Cos the harder you hit 'em, |
00:17:11 |
You wanna play pool? |
00:17:15 |
Save it, Brennan. |
00:17:21 |
Book 'em. |
00:17:25 |
Come on, come on. Talk to me. |
00:17:30 |
What do you know about it? |
00:17:34 |
Bella. |
00:17:38 |
- They got Vito and Eenie. |
00:17:45 |
Ready? Now open. |
00:17:50 |
Oh! |
00:17:51 |
- Happy birthday, Mama. |
00:17:54 |
- Happy birthday, Molly. |
00:17:59 |
Molly, come here. Come on! |
00:18:04 |
I want you to pack me a bag for the lake. |
00:18:07 |
- Come on! I'm in a hurry. |
00:18:10 |
Business. |
00:18:11 |
Now move. Do what I tell you. |
00:18:14 |
Papa... |
00:18:21 |
- Don't do it, Mama. |
00:18:23 |
None of your lip today. |
00:18:31 |
I cannot believe you. Nothing's changed. |
00:18:36 |
She deserves better than this |
00:18:44 |
Hey, Tony! Sorry I'm late. |
00:18:48 |
Picked up something nice. |
00:18:50 |
Fuckin' Victor Comacho's alive. |
00:18:54 |
Jesus Christ! You pulled that hit? |
00:18:56 |
- Don't go, Diana. |
00:19:00 |
You put somebody on the house, |
00:19:02 |
You gone crazy? You're starting a war. |
00:19:07 |
- They'll probably try to starch your uncle. |
00:19:10 |
What Mr Scalese don't know |
00:19:18 |
Happy birthday. |
00:19:26 |
Cragie, you're assigned |
00:19:29 |
Hearing? |
00:19:31 |
Who called for a hearing? That goddamn |
00:19:39 |
Sit down. |
00:19:45 |
- Lucy Partida. |
00:19:48 |
Shut up, Cragie. |
00:19:52 |
You'll be under oath. The department |
00:19:57 |
The citizens-review-board member |
00:20:00 |
Doesn't sound like |
00:20:03 |
Kopalas, you work with Cusack |
00:20:08 |
Yes, sir. |
00:20:09 |
That'll be all. |
00:20:15 |
Thank you, sir. |
00:20:21 |
- Where'd they take Dorato? |
00:20:25 |
Listen, I don't have time to nursemaid |
00:20:30 |
That's right. You don't need a partner. |
00:20:34 |
Jesus Christ! |
00:20:38 |
We gave you 600 man-hours. |
00:20:40 |
You took a month to plan it, |
00:20:44 |
Eight bodies, one dead informant, one |
00:20:49 |
You'll have me back on the beat, |
00:20:53 |
We've got a bigger problem. |
00:20:56 |
This Luis Comacho's crazy. |
00:20:59 |
That's all I need. A goddamn war. |
00:21:02 |
- What about this business with Cragie? |
00:21:08 |
All right, I'll deal with downtown. |
00:21:10 |
You find out who burned |
00:21:13 |
Kates. |
00:21:16 |
Eddie, you had a good setup. |
00:21:22 |
Yeah. |
00:21:27 |
Los Comachos sabemos |
00:21:31 |
Luis, a war does no good for any of us. |
00:21:35 |
It can only make what's bad... worse. |
00:21:39 |
Get them out of here and fix them up. |
00:21:43 |
I want them beautiful for their mother. |
00:21:50 |
My brothers, I promise you |
00:22:13 |
How you doin', sarge? |
00:22:23 |
Ése es el policía hijo de puta |
00:22:25 |
Hey! I'd like to talk to you. |
00:22:37 |
One day I would like to give you a gift... |
00:22:43 |
Very special. You slit the throat, |
00:22:47 |
and on you... it would look beautiful. |
00:22:52 |
Why don't you give it to me right now? |
00:22:55 |
Come. We're running late. |
00:23:02 |
Hey, Eddie, you'd better grow |
00:23:06 |
Come on. Good shot again, Eddie. |
00:23:09 |
Keep going. Keep it up. |
00:23:13 |
Good combination. Come on, Eddie. |
00:23:17 |
Come on, again. |
00:23:20 |
Come on, he's running. |
00:23:22 |
Shit! Oh, man. |
00:23:25 |
Out of my way, you side of beef. |
00:23:29 |
Hey, partner! |
00:23:32 |
I'm all right, man. |
00:23:36 |
- How's the foot? |
00:23:39 |
We open up a beef-and-sausage stand |
00:23:42 |
You dish out the beef, I take in the cash. |
00:23:45 |
Free games. |
00:23:49 |
How are we gonna watch the games |
00:23:54 |
I never thought of that. |
00:23:56 |
Davis, I want a word with you, man. |
00:23:59 |
Amano, when you're through |
00:24:04 |
Dooey, I want you to help me get some |
00:24:08 |
I figure down the 14th - |
00:24:11 |
I think we'll find |
00:24:17 |
Beautiful. |
00:24:19 |
Gus, put that thing down and sit up. |
00:24:23 |
I want you to sign this. It's for Cragie. |
00:24:27 |
(PA) Attention all senior personnel. |
00:24:29 |
There'll be a demonstration of the Prowler |
00:24:34 |
Your attendance is required. |
00:24:37 |
Cusack! How about taking the gloves off |
00:24:42 |
- About the hearing? |
00:24:45 |
- I pass. |
00:24:50 |
He's burned out, Brennan, |
00:24:53 |
Get off your high horse! |
00:24:55 |
He made a couple of mistakes, OK? |
00:24:58 |
What do civilians know about |
00:25:02 |
scared out of your shorts? |
00:25:07 |
They only know |
00:25:09 |
Cragie's gonna kill somebody else, |
00:25:14 |
Maybe even you, Brennan. |
00:25:18 |
Thanks a lot, sarge. You're a real prince. |
00:25:22 |
Good shot. One more time. Come on. |
00:25:25 |
The Prowler's standard |
00:25:28 |
includes one MB40 recoilless rifle, |
00:25:33 |
and twin HB.50Bcalibre machine guns. |
00:25:36 |
I have sufficient firepower to neutralise |
00:25:41 |
As you can see, this lightweight |
00:25:45 |
enables you to direct my movements |
00:25:47 |
while simultaneously operating |
00:25:51 |
either in manual or full automatic mode. |
00:25:54 |
In full automatic mode, my infrared |
00:25:59 |
mean that I can acquire |
00:26:01 |
without assistance from the operator. |
00:26:04 |
That concludes |
00:26:07 |
Now our factory representative |
00:26:09 |
will discuss the features of the simplified |
00:26:14 |
After the gyros are locked, |
00:26:16 |
any movement of the hand controller |
00:26:20 |
This simple control system means that |
00:26:24 |
He's talking about you, Cusack, |
00:26:28 |
You've all got to qualify on this. |
00:26:31 |
As they say, even a child can operate it. |
00:26:34 |
You're looking at the perfect cop. |
00:26:37 |
- Damn thing follows orders. |
00:26:41 |
Twin 50mm machine guns can be linked |
00:26:47 |
If you pick someone |
00:26:50 |
I'll show you |
00:26:53 |
Halt. Police. Throw down your weapon. |
00:26:56 |
We will not harm you. Please place |
00:27:00 |
- Drop it. |
00:27:03 |
Please do not resist. |
00:27:30 |
Eenie Verona's the gentleman's name. |
00:27:33 |
Looks like you did |
00:27:37 |
- He's just a punk thief. |
00:27:40 |
(Kopalas) He sure flunked house painting. |
00:27:43 |
He had an uncle. Served time together. |
00:27:48 |
- Gagleoni? |
00:27:52 |
I think we should get to know him better. |
00:28:54 |
This Gamiani is a real swinger. |
00:29:02 |
Goodbye. |
00:29:03 |
Take it easy, baby. |
00:29:06 |
Here we go. |
00:29:51 |
(Diana) He's the most active one of all. |
00:29:56 |
What about the lion? |
00:29:59 |
Look at that one. |
00:30:02 |
He's trying to figure out what we're doing. |
00:30:08 |
His pretty white breast - isn't that pretty? |
00:30:16 |
Well, that's good. And, uh... |
00:30:25 |
- I'll be back in a second. |
00:30:27 |
Kinda young for that old guy, |
00:30:30 |
What the hell's going on? |
00:30:33 |
Why don't you watch, kid? |
00:30:40 |
- What are you doing here? |
00:30:43 |
Get outta here, Lou, and leave me alone. |
00:30:47 |
We're gonna go see the ducks. |
00:30:49 |
- I don't wanna see the ducks. |
00:31:27 |
Yeah, come on. |
00:31:28 |
- Hey, Jenna! |
00:31:39 |
(woman) Diana, thanks again! |
00:33:10 |
What's so funny? |
00:33:14 |
Enough already. |
00:33:17 |
We're following them, |
00:33:20 |
and nobody knows nothin'. |
00:33:23 |
Let's find out something. |
00:33:26 |
Stay here. |
00:34:02 |
- Congratulations. |
00:34:05 |
Excuse me. This is Mrs Wilson. |
00:34:09 |
Hi. Nice to meet you. |
00:34:12 |
It is. In fact I just sold |
00:34:16 |
Terrific. I really like your new stuff a lot, |
00:34:27 |
- I wanna see some of the other stuff. Bye. |
00:34:33 |
He is really a character. |
00:34:38 |
Maybe we should set up a date |
00:34:41 |
I'd be delighted. |
00:34:44 |
Excuse me. |
00:34:46 |
Who was that girl you were talking to |
00:34:50 |
Diana Luna. |
00:35:13 |
- Understand it? |
00:35:17 |
Uh-uh. |
00:35:21 |
I'm Eddie Cusack. |
00:35:25 |
I make it Eddie the cop. |
00:35:28 |
That obvious, huh? |
00:35:32 |
I don't know where my father is, |
00:35:36 |
I have nothing to do |
00:35:40 |
Uncle Scalese's business, or any of it. |
00:35:42 |
So why don't you just leave me alone? |
00:35:50 |
It was nice meeting you. |
00:35:54 |
Whoa! I thought I was feeling good, but... |
00:35:57 |
Happy? Whoo! |
00:36:03 |
- Can I use your phone? |
00:36:15 |
Kobas, this is Sergeant Cusack. |
00:36:17 |
I want a team to cover a house |
00:36:20 |
Luna. L-u-n-a. Anthony. |
00:36:23 |
Yeah, "Crazy Tony" Luna. |
00:36:26 |
I don't know if he's around. |
00:36:29 |
Thanks. |
00:36:37 |
Catch you later. |
00:36:41 |
That's a very nice choice. |
00:37:03 |
Oh, yeah. |
00:37:06 |
Hey! You comfortable? |
00:37:09 |
They're wastin' the show. |
00:37:15 |
He'll get the word. |
00:37:16 |
(woman) Mrs Luna, |
00:37:45 |
- How about yourself? |
00:37:48 |
I'll take care of him. |
00:37:57 |
Wait here. |
00:38:01 |
- Eddie, I can back you up. |
00:38:06 |
- Felix, you all right? |
00:38:20 |
Get me yesterday's numbers on Phoenix. |
00:38:31 |
What the hell are you doin' here? |
00:38:36 |
Off, asshole. |
00:38:45 |
Cusack. |
00:38:51 |
The modern age's answer |
00:38:55 |
Marvellous, if you know how to read it. |
00:38:58 |
If you got some extra cash, buy oranges. |
00:39:01 |
The price is low and I can promise you |
00:39:05 |
That a bribe, Mr Scalese? |
00:39:07 |
It's a prediction. |
00:39:09 |
No. I wouldn't try to bribe Eddie Cusack. |
00:39:13 |
They tell me you're incorruptible, |
00:39:17 |
I hear they call you |
00:39:20 |
Me, I think you're a pain in the ass. |
00:39:24 |
I'm looking for one of your nephews. |
00:39:30 |
- Tony Luna. |
00:39:33 |
There's a shitstorm coming, old man. |
00:39:36 |
Goodbye, Mr Cusack. |
00:39:42 |
- Nobody talks, right? |
00:39:45 |
Just like the cops. |
00:39:49 |
Nobody talks. |
00:39:51 |
B Omertà. |
00:40:04 |
I'm gonna find Tony Luna. |
00:40:07 |
I'm gonna nail his ass, and anyone else |
00:40:12 |
Why, you punk! Nobody threatens me. |
00:40:16 |
It's not a threat, Mr Scalese. |
00:40:23 |
It's a prediction. |
00:40:30 |
(man) Roger, Homicide. |
00:40:34 |
The victim is male Caucasian. |
00:40:37 |
The coroner's on the scene. |
00:40:51 |
Tony Luna's bagman. |
00:40:55 |
They call that a Colombian necktie. |
00:40:59 |
The manager of Tony's restaurant |
00:41:02 |
Someone tried to carve |
00:41:04 |
Tony's used-car lot on Ashland |
00:41:08 |
Head salesman is fried zucchini. |
00:41:10 |
Oh, Jesus. It's startin'. |
00:41:15 |
Let's go. |
00:41:32 |
- Good morning, Mrs Luna. |
00:41:36 |
Don't the eggplants look wonderful? |
00:42:24 |
They're all over the place. In the house |
00:42:29 |
- How many victims, 1021? |
00:42:31 |
Four adult females, one adult male. |
00:42:33 |
This is Cusack. Was there a girl? |
00:42:38 |
Negative. We got four adult females pretty |
00:42:43 |
What kind of people are these guys? |
00:42:56 |
What's it about? I'm not going. |
00:42:59 |
Your mother got killed. |
00:43:02 |
Take it easy. Just put your jacket on. |
00:43:06 |
Let's get out of here. |
00:43:15 |
Stick with me. |
00:44:10 |
Run... |
00:44:29 |
Stay here. |
00:45:32 |
- Cut the chica. |
00:45:35 |
Let her go. |
00:45:39 |
Take out your weapons. Left hand. |
00:45:45 |
Up against the wall. Move it! |
00:45:48 |
Shit! |
00:45:49 |
You heard me, Angel. |
00:45:52 |
Diana, come here. |
00:45:56 |
Back! |
00:45:57 |
Angelo, llévatela. Vete, ¿ eh? |
00:46:01 |
Angel, let her go! |
00:46:12 |
Eddie! |
00:46:25 |
Come on! |
00:47:28 |
Wait. |
00:47:37 |
Angel. |
00:47:45 |
One more step... I'll cut her head off! |
00:47:49 |
Give it up! |
00:49:16 |
Get your ass up. |
00:49:21 |
Shit! |
00:49:33 |
No! |
00:51:07 |
Is it true? |
00:51:13 |
Yeah. |
00:51:43 |
Keep your goddamn pants on. |
00:51:50 |
Eddie, what the hell's goin' on? |
00:51:59 |
Fred Pirelli... Diana Luna. |
00:52:04 |
Hiya, kid. |
00:52:07 |
She won't go into protective custody |
00:52:14 |
I hate putting you on the spot like this. |
00:52:17 |
I spent 30 years on the spot. |
00:52:20 |
Can you put her up |
00:52:23 |
Whatever you need. |
00:52:26 |
Brennan, I heard you're gonna retire |
00:52:29 |
In that case, I'll never retire. |
00:52:32 |
Dorato, you only gotta buy one boot now. |
00:52:35 |
I'm sick about it. |
00:52:38 |
$17.50 they cost me. |
00:52:42 |
Hey, Eddie. |
00:52:44 |
Yeah, it's me. |
00:52:46 |
Yeah... |
00:52:48 |
Why don't you come by and tip a few? |
00:52:51 |
Come on. Have a few beers with me. |
00:52:57 |
Do I know it's late? I know it's late. |
00:53:02 |
Eddie... I gotta talk to you. |
00:53:11 |
Yeah. At Mike's. |
00:53:14 |
All right, great. Thanks, pal. |
00:53:27 |
What the fuck are you doin'? |
00:53:30 |
Would you try and relax... Flash? |
00:53:32 |
This is gonna be a slide, man. |
00:53:35 |
- Piece of cake, man. Nothing to it. |
00:53:40 |
- You sure you checked it out, man? |
00:53:43 |
- Man, you know the drill. |
00:53:46 |
- You go to the bar. You order a drink. |
00:53:49 |
- What you gonna order? |
00:53:51 |
- You got to know what you gonna order! |
00:53:55 |
- Relax, will you? Have a toothpick. |
00:54:13 |
Hey, Nick! You oughta crash, babe. |
00:54:19 |
- How you doing? |
00:54:24 |
Hurry up. |
00:54:25 |
- It's a piece of art. |
00:54:29 |
You're talking to a ballerina. |
00:54:49 |
What's happenin'? |
00:54:59 |
How you doing? |
00:55:01 |
Give me a Black Russian |
00:55:06 |
Straight up. |
00:55:12 |
Where's the dancing girls? |
00:55:27 |
All right! |
00:55:31 |
Which of you two guys |
00:55:33 |
You stupid motherfucker. |
00:55:38 |
Bring that piece of shit over here. |
00:55:40 |
Worm-brain motherfucker, you! |
00:55:43 |
Kiss the bar. |
00:55:44 |
My old lady told me |
00:55:47 |
"Piece of cake, man. Nothing to it, man." |
00:55:52 |
Screw your old lady. Everybody else has. |
00:55:55 |
Cuff 'em and get 'em outta here. |
00:55:58 |
- Gimme your paw. |
00:56:01 |
(Eddie) Let her get some sleep. |
00:56:05 |
- Get some, and take care. |
00:56:17 |
- Here's some tea. |
00:56:33 |
What if you... |
00:56:37 |
What do you do |
00:56:43 |
You find someone. |
00:56:47 |
Will you hold me? |
00:56:59 |
You'll be fine. |
00:57:07 |
I'll see you tomorrow. |
00:57:13 |
- You talk big when my hands are cuffed. |
00:57:20 |
Shoot me so I don't have to |
00:57:23 |
Are you John Wayne? |
00:57:25 |
I'll make you Jane Wayne |
00:57:30 |
- Hey, sarge. |
00:57:33 |
- What's this? |
00:57:37 |
We called the station 45 minutes ago |
00:57:41 |
Eddie, partner, come here. |
00:57:46 |
Eddie, I want you to meet |
00:57:49 |
This is Ruthie. |
00:57:53 |
This is Marlene. She works for a |
00:57:58 |
- Eddie, have a drink. I got a proposition. |
00:58:01 |
Just let me plant two words in your brain - |
00:58:06 |
- Alligator farming. |
00:58:09 |
Yeah. |
00:58:11 |
It'll work. |
00:58:21 |
Thanks. |
00:58:23 |
- How's the girl? |
00:58:27 |
That fucker. What's he doing down here? |
00:58:30 |
Want a beer? Val, give me another |
00:58:39 |
I really wanna be a good cop, Eddie. |
00:58:43 |
Sometimes I get so scared, you know. |
00:58:45 |
- Only a fool doesn't get scared. |
00:58:49 |
Like you got all the answers. |
00:58:52 |
But for me, I don't... |
00:58:55 |
I don't know. |
00:59:09 |
Cragie planted the gun on that kid. |
00:59:13 |
He just wasted him. Blew him away. |
00:59:18 |
And I went right along with it. |
00:59:22 |
My partner. |
00:59:26 |
Now I don't know what I'm gonna do |
00:59:31 |
Tell the truth. |
00:59:36 |
See? You make it sound so easy. |
00:59:40 |
I got a wife, I got a kid, |
00:59:44 |
and you're telling me to commit suicide. |
00:59:47 |
How the fuck do I live with these guys |
00:59:50 |
And if you don't? |
00:59:54 |
Cragie gets away with it. |
00:59:56 |
And the chance to do it again. |
00:59:58 |
It was a mistake. It was a fuckin' accident. |
01:00:00 |
- And a kid was killed. |
01:00:12 |
I see that boy's face |
01:00:18 |
Tell it like it is, Nick. |
01:00:21 |
I'll back you up. |
01:00:29 |
- See you guys later. |
01:00:32 |
- Look what's here. |
01:00:37 |
Cragie. |
01:00:38 |
They tell me my sergeant wouldn't |
01:00:44 |
- You know why. |
01:00:47 |
You don't belong on the streets any more. |
01:00:49 |
Fuck you. Where do you get off? |
01:00:52 |
Right about here. |
01:00:59 |
Good night, sarge. |
01:01:02 |
If it was dark, Officer, |
01:01:06 |
We got lucky. There was a glint of light, |
01:01:10 |
Officer Cragie, you have heard |
01:01:14 |
Yes, ma'am. |
01:01:16 |
You heard her tell this panel that she saw |
01:01:20 |
I'm not saying the woman |
01:01:23 |
but there's no way she could have seen |
01:01:29 |
Like you said, |
01:01:31 |
(whistles) |
01:01:41 |
Young lady, you are about to have |
01:01:49 |
You got your protein, your carbohydrates, |
01:01:53 |
vitamin D, vitamin C. |
01:01:55 |
Good for you. Strength. Eat now. |
01:02:09 |
Eat. |
01:02:15 |
Right after you heard Officer Cragie's gun |
01:02:20 |
I immediately advanced down the hall. |
01:02:22 |
What did you see? |
01:02:24 |
The deceased - Vega - lying on the floor. |
01:02:28 |
Officer Cragie was |
01:02:31 |
What happened then? |
01:02:33 |
We recovered a.25-calibre automatic |
01:02:37 |
Did you see that weapon in Vega's hand |
01:02:43 |
Yes, ma'am. |
01:02:46 |
No more questions. |
01:02:50 |
You made that uniform look good. |
01:02:53 |
That guy next to me - |
01:02:57 |
That's Eddie's dad. |
01:03:02 |
He was killed in the line of duty. '71. |
01:03:06 |
An accident. |
01:03:40 |
- What do you want? |
01:03:46 |
How you doing? |
01:03:48 |
I can't comment on that. |
01:03:51 |
You are his superior officer, are you not? |
01:03:54 |
Cragie's in my unit, yes. |
01:03:56 |
Did you request that |
01:03:59 |
I did not. |
01:04:00 |
Sergeant, I have a department document |
01:04:05 |
It is a request by you to have |
01:04:09 |
- Are you familiar with this document? |
01:04:14 |
Why did you request this transfer? |
01:04:18 |
Maybe 30 years is too long for anyone |
01:04:22 |
Are you saying Officer Cragie |
01:04:31 |
That's what I'm saying. |
01:04:35 |
Come on, lady. Give the guy a break. |
01:04:46 |
- Fuck him? No, fuck you. |
01:04:51 |
He took me off of tactical. |
01:05:03 |
Operator, can you check |
01:05:06 |
The man's got his tongue |
01:05:09 |
That don't bother him. |
01:05:12 |
Sorry, sir. The number's out of service. |
01:05:17 |
Wanna take on the whole world by |
01:05:48 |
We just got here, sarge. |
01:05:54 |
- He was a friend of yours, wasn't he? |
01:06:04 |
- Where's the girl? |
01:06:17 |
Squad, this is 1462. I need backup. |
01:06:20 |
Have 64 and 63 from TAC 4 meet me at |
01:06:24 |
Ten-four, 1462. |
01:06:26 |
Come in, 1463. |
01:06:30 |
- 1463, come in. |
01:06:36 |
1463, you've got 1462 requesting backup. |
01:06:39 |
Meet him at the pool hall, |
01:06:43 |
Unit 1463 here. We can't respond on that. |
01:06:50 |
Reassign that. |
01:06:51 |
Anybody got an assist car? We got a |
01:06:55 |
5447, we've got a call |
01:06:59 |
Tactical Sergeant 1462 needs assistance |
01:07:04 |
- He's a one-man unit. |
01:07:07 |
We got a dead dog blocking traffic. |
01:07:10 |
1420. We're tailing a suspicious vehicle |
01:07:14 |
Jack, do you have a backup |
01:07:17 |
You heard what happened. |
01:07:20 |
You're playing games, Brennan. |
01:07:22 |
If you wanna respond, take a cab. This car |
01:07:26 |
Zone 10, we're not getting |
01:07:31 |
Can somebody assist car 62? He's alone. |
01:07:34 |
B Go, 20. |
01:07:37 |
We're going in for a radio check. |
01:07:58 |
You don't wanna be in here. |
01:08:00 |
If I want your opinion, |
01:08:30 |
Where is he? |
01:08:37 |
- I don't know what you're talkin' about. |
01:08:40 |
You better get your ass outta here. |
01:08:46 |
Agh! |
01:08:53 |
¡Ay! |
01:08:55 |
Talk, asshole. |
01:08:58 |
He's... he's on his way. |
01:09:18 |
Who wants the first one? |
01:09:25 |
You, amigo? |
01:09:29 |
How about you? |
01:09:47 |
Gun, cabrón. |
01:10:11 |
Take him apart. |
01:10:54 |
Grab his legs. Grab his legs! |
01:11:07 |
Victor! |
01:11:13 |
Victor! |
01:11:18 |
Save him. |
01:11:32 |
When the sun comes up, |
01:11:35 |
or the girl dies... |
01:11:37 |
slowly. |
01:11:44 |
Este señor no comprende, ¿ eh? |
01:11:47 |
You don't understand, Eddie? Told you, |
01:12:13 |
Eddie? Eddie? |
01:12:18 |
Eddie! |
01:12:20 |
Where the fuck is he? |
01:12:35 |
Cusack! |
01:12:43 |
Hey, Eddie. |
01:12:46 |
- Jesus Christ! Are you all right? |
01:12:49 |
Eddie, I'd have been here, |
01:12:52 |
I talked to a friend of mine, Maggie. |
01:12:56 |
- You're gonna die. |
01:12:59 |
She got a wire that Tony Luna's been |
01:13:03 |
and he's comin' in town tonight |
01:13:10 |
Hey, Eddie! |
01:13:12 |
Eddie! |
01:14:01 |
Hello, Uncle Felix. |
01:14:05 |
You're a bad boy, Tony. |
01:14:08 |
But no, you had to start this. |
01:14:10 |
You were always that way. |
01:14:12 |
You're like a kid. |
01:14:18 |
- Give it to me. |
01:14:30 |
I'm only here to cooperate. |
01:14:35 |
There's someone with us, boss. |
01:14:39 |
Move it. |
01:15:39 |
Son of a bitch is crazy. |
01:15:45 |
Get rid of him. |
01:15:59 |
- Don't fuck with me, old man. |
01:17:04 |
You tell Luis... I've got Tony Luna. |
01:17:08 |
I want a time and a place. |
01:17:15 |
Got it. |
01:17:37 |
Cusack! Where are you going |
01:17:49 |
Hello, my angel. |
01:17:51 |
Have you had a nice night? |
01:17:53 |
I have wonderful news for you. |
01:17:56 |
Look at the man, huh? |
01:18:00 |
Daddy's on his way. |
01:18:03 |
Pow! Pow! He's dead. |
01:18:16 |
(man) Beautiful job. |
01:18:19 |
Keep an eye on that. |
01:18:22 |
Hi, Eddie. How are you? |
01:18:25 |
Eddie's a heck of a guy. |
01:18:49 |
You gotta learn about football. To learn |
01:19:19 |
I want not one, but two guys up there. |
01:19:23 |
- How many guys you put up front? |
01:19:26 |
Make it four. |
01:19:29 |
I don't trust this son of a bitch. |
01:19:32 |
- Victor, take the girl back. |
01:19:35 |
Got a present for Luna. |
01:19:37 |
- I got two more guys up the middle. |
01:19:39 |
Efren, come with me. |
01:20:16 |
Victor, when this is over, |
01:20:21 |
Donde me quieras, Luis. Estaré contigo. |
01:20:41 |
I don't know. |
01:20:44 |
Next thing I know, |
01:20:48 |
- I don't know what happened. |
01:20:50 |
- Cusack took a truckload of armour. |
01:20:54 |
The son of a bitch is crazy. |
01:20:56 |
OK, everybody, no more games. |
01:20:59 |
He's savin' the world. |
01:21:21 |
Eddie's by himself and you guys |
01:21:24 |
- Hey, kid, cool it. |
01:21:27 |
No, no. You fuckin' cool it. |
01:21:31 |
He laid a gun on that kid. |
01:21:34 |
You fuckin' little bastard! |
01:21:37 |
- Cragie! Kopalas! |
01:21:40 |
What's this for, partner? |
01:21:44 |
You'd better be straight, Kopalas. |
01:21:47 |
If I can't do this right, you can have it. |
01:21:52 |
Get someone in the air. |
01:22:22 |
Get out there. |
01:22:39 |
This is Kates. We got a TAC sergeant |
01:22:44 |
We're lookin' for him. Who's in the air? |
01:22:47 |
(woman) Citywide. |
01:23:35 |
Go get him! |
01:23:37 |
Move it! |
01:23:56 |
Get the girl! |
01:24:11 |
(machineBgun fire) |
01:24:41 |
Argh! |
01:26:19 |
This concludes our demonstration. |
01:26:21 |
If you have further questions, our factory |
01:26:33 |
Vámonos p'arriba. |
01:27:26 |
Get up, you son of a bitch. |
01:27:43 |
Come on, Eddie. |
01:27:51 |
Come on, asshole! |
01:27:53 |
Come on, Pompas. We got him. |
01:27:55 |
Come on out, you chickenshit. |
01:28:15 |
Come on, you bastard! |
01:28:17 |
Come on, Luis. We got him. |
01:28:20 |
Pompas! |
01:28:21 |
Efren! |
01:28:24 |
Argh! |
01:29:12 |
Cusack, you just killed that girl! |
01:31:19 |
You know where to find me. |
01:31:38 |
Hey, Eddie. |
01:31:40 |
Hey, partner. I got a great idea. |
01:31:44 |
Mail-order Christmas trees. |
01:31:47 |
Think about it. |
01:31:53 |
See you tomorrow? |
01:32:05 |
Yeah. |