|
Confessions Of A Shopaholic
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Subpack+corrections+[-HI] by audio |
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When I was a little girl, |
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there were real prices |
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Real prices got you shiny,sparkly |
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and mom prices got |
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...that lasted forever. |
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You notice they |
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Look at... |
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But when I looked |
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I saw another world. |
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A dreamy world full |
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A world where grown-up girls |
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They were beautiful. |
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Like fairies or princesses. |
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They didn't even need any money, |
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I wanted one. |
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Little did I know... |
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...I would end up with 12. |
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Rebecca Bloomwood. |
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Jacket: Visa. Dress: AMEX. |
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Belt: MasterCard. |
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It's vintage. And I got |
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Bag: Gucci! |
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And worth every penny. |
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Moving to New York, I met guys. |
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And that kind of put things |
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'Cause you know that thing, when |
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and your heart kind of goes |
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like warm butter |
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Well, that's what it's like |
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Only it's better. |
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You see, |
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or treat you as well |
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If a man doesn't fit, you can't |
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for a gorgeous |
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And a store always |
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A store can awaken |
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you never even knew |
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And when your fingers grasp |
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Oh, yes! Oh, yes! |
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Oh, no... I spent $900. |
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So you are covering |
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I'm on it. |
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OK, don't panic. |
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Calm. Calm. Bloomingdale's. |
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Well, that would |
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I had to get the pants |
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- Oh, shoes. |
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Hold on... |
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- Somebody's stolen my credit card! |
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Somebody has stolen |
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on an insane spending spree |
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- No! |
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Outdoor World? I've never been |
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Yes, you have. |
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- You bought that tent, remember? |
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- For Kristen's going-away present. |
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I organized the collection |
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Oh... |
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"Special skills: Fencing"? |
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What? |
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Shoe! Thanks. |
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Why can't you get changed |
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And let everyone |
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know I've secretly arranged |
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Did I mention I have |
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Only about a billion times. |
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- OK... |
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Gardening to fashion? |
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I mean, not that I meant |
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Suze... since I was 14 I wanted |
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If I can just get this job |
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Wow. |
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Rebecca, you just |
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You do not need a scarf. |
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Then again... |
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...who needs a scarf? |
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Wrap some old jeans around |
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That's what your mother would do. |
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You're right, she would. |
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The point about this scarf is that |
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it would become part |
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Of your psyche. |
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Do you see what I mean? |
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No, I do. Keep talking. |
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It would make your eyes look bigger. |
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Mmm... |
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It would make my haircut |
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You'd wear it with everything. |
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It would be an investment. |
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You would walk into |
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- Confident. |
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- Poised. |
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The green scarf, please. |
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Good choice. It's the last one. |
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That'll be $120. |
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Here's $50 in cash, |
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Ten on that. |
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Twenty on that. |
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- It's so cute. |
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Really? Could you just... |
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Really declined. |
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- Could you put this to one side...? |
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- Excuse me. It's an emergency. |
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Excuse me, this is an emergency. |
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- Do you do cash back? |
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If I give you a check for $23, |
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one of your hot dogs |
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- Do I look like a bank? |
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They don't hold items. |
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Desperately important scarf. |
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Know what? It's for my great-aunt. |
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Can you ask them |
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Want mustard with that? |
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Please. I will buy all |
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- You'll take 97 hot dogs? |
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Who do I make it... |
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That means you just paid |
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You want your scarf, |
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Cost and worth |
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Thank you! My aunt |
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- Hi. |
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I'm here for the interview |
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Alette... Oh, filled, internally. |
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They did post it on the Web. |
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Oh... |
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Alicia... Billington. |
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She has the longest legs |
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She notes resentfully. |
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Great. Faulty. |
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- Nice scarf. |
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Scusi... |
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As we speak, interviews |
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at Successful Saving. |
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- The money magazine? |
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Alette may be your |
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but Successful Saving |
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Dantay-West is a family of magazines |
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Deeply nepotistic. Ugh. |
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So my advice to you, dear Dorothy, |
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is thus... |
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I'm in. |
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Hello, Successful Saving. |
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Ms. Bloomwood? |
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So what form does |
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Is it just mainly |
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Oh, no, no, no. |
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Butterfly investments, futures. |
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- But he's worth 1 .2 billion... |
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- Thanks. |
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Yeah, of course I did. |
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It's always... |
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Listen, I've got to go. |
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Mm-mm. |
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Sorry about that. |
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- Ah! We met! |
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Sick aunt, scarf. Yep. |
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I did. And when a stranger |
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- Wow. |
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- Do you have a resume for me? |
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Ah... |
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I... could pretty much just tell you. |
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My name is Rebecca Bloomwood, |
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I've been a journalist |
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I'm very comfortable |
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I speak fluent Finnish, I know... |
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- Finnish? |
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- I'm also... |
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What's behind you? |
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- Um... |
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Oh, it's a naked man. Oh, sorry. |
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It gave me such a fright. I, uh... |
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I didn't know what it was. |
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Who would do that to him? |
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Well, a few questions. |
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But, look! Makes you wonder |
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what they're looking at |
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You could turn your desk around |
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I would. |
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- Not. |
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I'm not a pervert. |
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Sit down. |
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I'm sorry, I'm terrible |
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Any financial stories that have |
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Yes. And I am glad |
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Because I am furious. |
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No, I mean, what is the story |
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Fish crisis? |
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- Fiscal... crisis. |
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- Terrifying. Fiscally, I mean. |
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- For the fiscal family. |
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- Not a moment too soon. |
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She died. |
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Oh, Ms. Bloomwood, you have had |
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I'm glad you understand! |
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OK, so I would propose we curtail... |
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Did you just scrub my name off? |
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- Oh, no. Routine. |
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OK, I'm gonna propose that |
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So I'll leave you and your numbers, |
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but thank you very much |
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and I appreciate... Oh! |
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I appreciate everything. |
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Good day. |
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Come on. Let's go give |
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She's not retiring. |
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- What? |
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That little rat! The magazine's |
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She knew and she didn't tell anybody. |
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Well, on the bright side, |
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It was my income, Suze. |
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OK, Bex, the most important thing |
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- Don't answer the phone! |
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- It might be a debt collector! |
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- It's Derek Smeath. |
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- I think I saw it over here. |
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- It's here! |
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- Hospital for depression. |
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Visa, dead dog. |
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All City Debt Collection. |
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- Hello! Hi! |
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- Hello. |
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She's still recovering from... |
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I'll have her call you as soon as... |
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- Yes? |
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- from... From... |
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- Clearly she's not too... |
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Why do so many of your excuses |
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'Cause no one checks up |
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How am I going to pay |
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Well, I'm ripping up |
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No, Suze, you can't do it again. |
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It's my apartment, |
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- but it's my rules. |
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I am! I know where I'm going to go. |
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Tarkie... |
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I'll be at my place. |
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Thanks, baby. Bex, I'll get |
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I'll do this. It can't be that bad. |
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It's just like a Band-Aid. |
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Bex! Two hundred dollars |
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Oh, underwear is a basic human right. |
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Seventy-eight dollars |
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I felt sorry for the shop assistant. |
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I didn't know which way |
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I can't even talk about this one. |
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A foot spa? What were you |
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Let's take a break. |
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They said I was a valued customer. |
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Now they send me hate mail. |
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Bex. |
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Oh, God... |
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How are you going to pay off |
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and 62 dollars |
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I could win the lottery. |
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Maybe you should have a backup plan. |
| 00:15:13 |
Oh! Backup plan, I got it, I got it. |
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OK. When Tarkie |
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he, um, wrote this proposal |
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what he's made of |
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You can write a fashion piece |
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Like, "Hey, Alette, |
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You just gotta figure out |
| 00:15:35 |
"Consider your shoe an investment. |
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Everything is resting upon it. |
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The most important point |
| 00:15:42 |
should earn its place in your..." |
| 00:15:44 |
Bex, this is so funny. You're so smart. |
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- You're the best writer ever! |
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- You're fabulous! |
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To that guy at that savings thingy |
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"Dear Uptight Editor... |
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- You can stick your job up your ass." |
| 00:16:04 |
Hello! |
| 00:16:05 |
"Here's $20. Buy yourself |
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I'm back! |
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Oh, my God. Oh, my God. |
| 00:16:17 |
This is for Alette magazine. |
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Please, please. Kiss it for good luck. |
| 00:16:23 |
- Mwah! |
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...is for Mr. Successful Saving. |
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Bleah... Money, money, money. |
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I better get the job, |
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I've got no money. |
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¶ You put the lime |
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Doesn't this just cheer you up? |
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- It's not working, Mom. |
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Life is like a swap meet. |
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when great riches... |
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...are going to turn up unexpectedly. |
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What can I get for a quarter? |
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This! |
| 00:17:05 |
- Comme ça? |
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- What are they gettin' for that? |
| 00:17:12 |
- How much for this? |
| 00:17:15 |
- Oh! |
| 00:17:18 |
Um, Rebecca. Luke Brandon, |
| 00:17:22 |
Yes? |
| 00:17:23 |
Sorry to call so early, |
| 00:17:27 |
And I have to say |
| 00:17:29 |
Well, I hope I made my point. |
| 00:17:33 |
Oh, you did. You did. Very well. |
| 00:17:36 |
The whole metaphor. Very clever. |
| 00:17:38 |
Yes, wasn't it. |
| 00:17:41 |
Wait... What? I'm sorry... |
| 00:17:44 |
Describing the principles |
| 00:17:46 |
in terms of the way different |
| 00:17:49 |
was... different. |
| 00:17:52 |
Hello? Sounds like you might be |
| 00:17:57 |
I was trying to say |
| 00:18:00 |
Would you like |
| 00:18:03 |
Can I help you, dear? |
| 00:18:05 |
I think I just sent the editor |
| 00:18:07 |
to buy herself decent clothes |
| 00:18:31 |
These go... |
| 00:18:47 |
- Hey, clothes for Alette. |
| 00:18:50 |
Hi. Clothes are here |
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She'll be right out. |
| 00:18:54 |
What do you think about you and me |
| 00:18:58 |
- Ooh... |
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Would you like to go out |
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I don't know. I might have plans. |
| 00:19:04 |
You might... Do you |
| 00:19:07 |
Some of it's a little |
| 00:19:10 |
- Totally far out. |
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It's crazy, but I guess that's |
| 00:19:15 |
- Yes. |
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I am one of the best. I don't |
| 00:19:20 |
I guard it with my life. |
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A lot of pressure on me |
| 00:19:25 |
to make sure everyone |
| 00:19:27 |
- Get them there on time. |
| 00:19:30 |
See, I take my job very seriously. |
| 00:19:32 |
- Yes. And to deliver... |
| 00:19:35 |
And to deliver the mail, |
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it's a lot of pressure on me |
| 00:19:41 |
I've never lost a letter yet. |
| 00:19:42 |
I want |
| 00:19:45 |
I'm so bored with |
| 00:19:47 |
Is this for the |
| 00:19:49 |
Oh, but this! |
| 00:19:55 |
Cavalli. |
| 00:19:59 |
It's marvelous. We can use it all. |
| 00:20:02 |
Take it in. |
| 00:20:08 |
Oh, God. |
| 00:20:12 |
This is Alette. |
| 00:20:23 |
Oh, yes. Oh, yes. |
| 00:20:26 |
Dantay-West didn't hire me to be |
| 00:20:30 |
They hired me to throw it a rope |
| 00:20:34 |
And that's... |
| 00:20:36 |
Hi, everyone. |
| 00:20:38 |
Sit down, Rebecca. |
| 00:20:44 |
What makes a magazine |
| 00:20:50 |
Real, unvarnished stories, |
| 00:20:53 |
whether the people that we are |
| 00:20:57 |
Successful Saving is currently |
| 00:21:00 |
of financial journalism, |
| 00:21:04 |
From now... |
| 00:21:14 |
Sorry. |
| 00:21:16 |
From now on |
| 00:21:20 |
- We probe. |
| 00:21:25 |
I liked your piece. |
| 00:21:28 |
- Good. Good. |
| 00:21:30 |
What do you say a three-week trial. |
| 00:21:32 |
- And give her this cubicle. |
| 00:21:34 |
They're all three by six. |
| 00:21:36 |
You can start with a thousand words |
| 00:21:39 |
interest rate on store card APRs. |
| 00:21:41 |
Good. |
| 00:21:50 |
You still have the label |
| 00:21:55 |
What? Oh. |
| 00:21:57 |
You took a job |
| 00:22:00 |
I know it sounds bad, |
| 00:22:02 |
part of a very structured plan. |
| 00:22:04 |
Yeah, that's great, |
| 00:22:06 |
it's kinda not great. |
| 00:22:08 |
when an animal rights person |
| 00:22:11 |
I don't think there is a word for that. |
| 00:22:13 |
"Ironic." Ironic |
| 00:22:15 |
is advising people |
| 00:22:19 |
But I guess it would be nice |
| 00:22:20 |
if my maid of honor |
| 00:22:25 |
- He asked? |
| 00:22:27 |
Oh, my God! |
| 00:22:28 |
- How did he say it? |
| 00:22:30 |
The, uh, credit limit |
| 00:22:36 |
You know, I think I want my husband- |
| 00:22:39 |
- What are you doing? |
| 00:22:43 |
- Yes, you are. |
| 00:22:47 |
Control Your Urge to Shop, |
| 00:22:51 |
That's me. |
| 00:22:52 |
Do you find yourself |
| 00:22:57 |
- Yes. |
| 00:22:59 |
Does your heart quicken |
| 00:23:02 |
in neatly stacked piles? |
| 00:23:03 |
- Yes! This guy's good. |
| 00:23:06 |
Did you answer no to these questions |
| 00:23:09 |
- Yes. |
| 00:23:11 |
Did you just say "no" again? |
| 00:23:15 |
- No. |
| 00:23:17 |
Step one: de-clutter your life. |
| 00:23:21 |
Just box it up and toss it! |
| 00:23:25 |
Simplicity and order |
| 00:23:28 |
Excuse me. Hello? |
| 00:23:34 |
It's a fresh start calling. |
| 00:23:38 |
And it's for you. |
| 00:23:46 |
On your way to work, |
| 00:23:47 |
ignore the siren call |
| 00:23:52 |
Your new mantra is, |
| 00:23:56 |
No. |
| 00:23:58 |
What's this? |
| 00:24:00 |
A thousand words |
| 00:24:03 |
Which looks as if it's been copied |
| 00:24:09 |
No, I wanted a thousand words |
| 00:24:12 |
Is that not an angle? |
| 00:24:13 |
Not unless you call |
| 00:24:15 |
- No, I don't. |
| 00:24:16 |
- Remind me why I hired you. |
| 00:24:31 |
Rebecca? |
| 00:24:35 |
Did you just type "good angles |
| 00:24:41 |
Yes. I Googled. |
| 00:24:47 |
- Am I fired? |
| 00:24:52 |
You know these guys, right? |
| 00:24:53 |
Comintex? Communications company? |
| 00:24:55 |
Yes. Absolutely. |
| 00:24:57 |
This year has been a year |
| 00:24:59 |
in the communications industry. |
| 00:25:01 |
Overall, pal. Not in your company. |
| 00:25:03 |
For us, at Comintex, |
| 00:25:05 |
profits reflect that this has been |
| 00:25:07 |
both of APL and of the Dutch |
| 00:25:12 |
Neatly masking |
| 00:25:14 |
- these guys paid themselves. |
| 00:25:20 |
Now, what we have here, Rebecca, |
| 00:25:23 |
needs to be asking |
| 00:25:25 |
- Absolutely. |
| 00:25:28 |
- What? No! |
| 00:25:31 |
I don't have hard-hitting questions. |
| 00:25:33 |
- I'll give you questions. |
| 00:25:35 |
- No, Put your hand up. |
| 00:25:37 |
You'll be fine. Put your hand up. |
| 00:25:39 |
Hello. Hi. Hello. |
| 00:25:41 |
- He's not listening. He can't hear me. |
| 00:25:44 |
- Rebecca Bloomwood! |
| 00:25:49 |
Hello. |
| 00:25:52 |
- From. From. From. From. |
| 00:25:57 |
It's a magazine. |
| 00:25:58 |
We'll be taking questions |
| 00:26:01 |
Good. Uh... |
| 00:26:03 |
- Ask him how much he earns. |
| 00:26:05 |
- Earn. |
| 00:26:07 |
- Excuse me? |
| 00:26:08 |
What do you earn? |
| 00:26:10 |
- We'll take questions after. |
| 00:26:14 |
Why did you award |
| 00:26:15 |
- ...twenty-four million... |
| 00:26:17 |
- Twenty-four. Million. |
| 00:26:20 |
- Million dollars... |
| 00:26:22 |
...while your investors |
| 00:26:30 |
As I said, I'll be happy |
| 00:26:32 |
Is that true? |
| 00:26:38 |
A long pause and no answer. |
| 00:26:41 |
- Long pause, no answer. |
| 00:26:47 |
OK. You know why we did that? |
| 00:26:48 |
Some kind of cruel initiation rite? |
| 00:26:50 |
Listen to this. |
| 00:26:52 |
"Security can mean different |
| 00:26:55 |
For some, it's going to a party |
| 00:26:58 |
This might leave you feeling |
| 00:27:01 |
but have a crippling effect |
| 00:27:04 |
- I wrote that. |
| 00:27:06 |
Now, what firms like Comintex |
| 00:27:08 |
thrive on is an endemic lack |
| 00:27:11 |
They get away with murder because... |
| 00:27:13 |
Maisie with a root beer and a $200 |
| 00:27:17 |
what does she know? |
| 00:27:18 |
What does she actually know |
| 00:27:21 |
What she's told. |
| 00:27:23 |
And if the magazines |
| 00:27:26 |
aren't asking the right questions, |
| 00:27:27 |
it isn't good for Maisie. |
| 00:27:30 |
I want you to tell the truth in a way |
| 00:27:36 |
Now, go home, |
| 00:27:39 |
and e-mail it to me by 3:00. OK? |
| 00:28:01 |
Oh, no. |
| 00:28:04 |
Oh, yeah. Nice! |
| 00:28:06 |
You know, I just got a call |
| 00:28:09 |
They're having |
| 00:28:11 |
- Yes, I sent someone. |
| 00:28:13 |
A real find, actually, |
| 00:28:15 |
She's sparky, honest. |
| 00:28:17 |
Exactly the type |
| 00:28:20 |
I assume that's why Edgar West |
| 00:28:24 |
- Damn it! |
| 00:28:26 |
I hired you to fix the bottom line |
| 00:28:29 |
and we know the key to that |
| 00:28:34 |
Now, you hired me |
| 00:28:37 |
- not to sell a product. |
| 00:28:40 |
We're playing golf, and he just turns |
| 00:28:44 |
"Hey, I'd like to know why |
| 00:28:46 |
a journalist who could damage the |
| 00:28:50 |
- What do you think about that? |
| 00:28:58 |
I feel like I've run a marathon. |
| 00:29:02 |
They have Galliano! |
| 00:29:03 |
They have Gucci half off, |
| 00:29:07 |
You'll get your turn, just be patient. |
| 00:29:10 |
At every point |
| 00:29:16 |
There's another entrance this way! |
| 00:29:28 |
Well, these |
| 00:29:30 |
as it is winter and |
| 00:29:33 |
So that's all. |
| 00:29:34 |
I'll buy these and these alone. |
| 00:29:35 |
My gosh, Missoni! |
| 00:29:37 |
Now walk away, |
| 00:29:41 |
Oh, my God! Pucci boots. |
| 00:29:46 |
Fifty percent off? |
| 00:29:48 |
Do I need these? |
| 00:29:50 |
Do I need these? |
| 00:29:54 |
No. |
| 00:29:57 |
Jeannie, Pucci boots! |
| 00:29:59 |
Uh, oh, I'm so sorry. |
| 00:30:01 |
But you put them down. |
| 00:30:02 |
No, I know I did, but I saw 'em |
| 00:30:05 |
Then you took your hands off them. |
| 00:30:07 |
Give me the boots, |
| 00:30:09 |
Give me the boots. |
| 00:30:12 |
Look! There's a sale on Burberry! |
| 00:30:14 |
That's the oldest trick |
| 00:30:16 |
- Give 'em! |
| 00:30:18 |
Give me the boots! |
| 00:30:20 |
I waited in line |
| 00:30:22 |
Ah! Ha-ha! |
| 00:31:13 |
"Your store card is like |
| 00:31:16 |
The first time you meet, |
| 00:31:18 |
it promises to be |
| 00:31:20 |
Until you look closely and |
| 00:31:24 |
You've been ripped off. |
| 00:31:26 |
Right. You get it? You get it. |
| 00:31:29 |
- We get it. Now go away. |
| 00:31:32 |
"Then, as winter comes, |
| 00:31:34 |
isn't actually a friend at all. |
| 00:31:36 |
You should have read the fine print. |
| 00:31:39 |
Should look more closely |
| 00:31:47 |
You should put a picture in that. |
| 00:31:49 |
It's a present. |
| 00:31:53 |
My mom bought me this exact one |
| 00:31:57 |
Probably paid half what you paid, |
| 00:31:59 |
not that they often shop |
| 00:32:03 |
- What? |
| 00:32:07 |
- Really? |
| 00:32:08 |
Is it by Rebecca Bloomwood? |
| 00:32:10 |
Yes! My friend Suze saw me writing it. |
| 00:32:14 |
I mean, is that how |
| 00:32:18 |
- "By Rebecca Bloomwood"? |
| 00:32:20 |
I don't want to be too associated |
| 00:32:22 |
Sorry? |
| 00:32:23 |
Because I just think |
| 00:32:26 |
to be slightly more |
| 00:32:28 |
Um, a little more ooh-ooh-ohh. |
| 00:32:32 |
Mysterious, rather than just... |
| 00:32:38 |
Hmm. |
| 00:32:41 |
"The Girl in the Green Scarf. |
| 00:32:45 |
I bought your magazine |
| 00:32:47 |
told three stores where |
| 00:32:51 |
Oh! Hey, check it out: |
| 00:32:54 |
Jay Brogan, Queens, via e-mail: |
| 00:32:57 |
"Man, is it easy to feel |
| 00:33:00 |
- You never check the APR." |
| 00:33:02 |
- if you want. Oh. |
| 00:33:04 |
"I'll tell you what, I have now. |
| 00:33:06 |
We never get this kind of response. |
| 00:33:08 |
Excuse me, sir. Edgar West. |
| 00:33:12 |
That's not good. He hates us. |
| 00:33:17 |
Luke Brandon. |
| 00:33:19 |
I've just spent a few minutes |
| 00:33:21 |
in your "Green Scarf." |
| 00:33:23 |
I like it. |
| 00:33:24 |
Uh, she obviously has a passion |
| 00:33:29 |
Excuse me, I'm sorry, |
| 00:33:32 |
He needs to talk to you. |
| 00:33:33 |
Could you tell him |
| 00:33:35 |
You're a lucky man, Mr. Brandon. |
| 00:33:37 |
It's this charity that |
| 00:33:39 |
Thank you, sir. It seems that |
| 00:33:44 |
that he's sending extra copies |
| 00:33:48 |
Oh, my God. I can't believe that. |
| 00:33:53 |
I'm really sorry, sir. |
| 00:33:56 |
and he says it's a matter |
| 00:33:59 |
- What's his name? |
| 00:34:03 |
- Derek Smeath. |
| 00:34:10 |
Ha! |
| 00:34:19 |
Exactly how long has this |
| 00:34:26 |
Ever since the relationship ended. |
| 00:34:28 |
He's been following me around |
| 00:34:32 |
I was once stalked... |
| 00:34:36 |
...by a dog. |
| 00:34:40 |
OK. Look, take the rest of the day |
| 00:34:45 |
and block all future calls |
| 00:34:48 |
Yes, sir. |
| 00:35:06 |
Spend it wisely, huh? |
| 00:35:10 |
Oh, God. Dad? |
| 00:35:13 |
Money... is what I came |
| 00:35:17 |
Oh, yeah? |
| 00:35:19 |
- Yeah? |
| 00:35:20 |
- You got them wings? |
| 00:35:23 |
It's funny because your mom and I |
| 00:35:24 |
were gonna call you over here today |
| 00:35:26 |
to talk about pretty much |
| 00:35:30 |
- Savings. |
| 00:35:32 |
Really? |
| 00:35:33 |
All our married life, |
| 00:35:36 |
that we just don't spend, we save. |
| 00:35:38 |
We've built up quite |
| 00:35:40 |
- Of money. |
| 00:35:43 |
- Of dough. |
| 00:35:45 |
And so, we decided... |
| 00:35:47 |
That we wanted to |
| 00:35:49 |
our only beautiful, |
| 00:35:50 |
lovely daughter |
| 00:35:55 |
We spent it! |
| 00:35:58 |
Every last cent. |
| 00:36:06 |
He's still just getting the hang of it. |
| 00:36:10 |
Isn't she a babe? |
| 00:36:12 |
He's wanted one of these |
| 00:36:16 |
It's got a built-in blender, |
| 00:36:19 |
and a thermal sewage disposal. |
| 00:36:20 |
Kathy and Gordon, in England, |
| 00:36:22 |
you know the ones whose pool |
| 00:36:25 |
- Kathy with the beard? |
| 00:36:26 |
Yes, she had electrolysis. |
| 00:36:28 |
They sent us this off the Web. |
| 00:36:31 |
Makes you think about money. |
| 00:36:33 |
- About what it's really worth. |
| 00:36:36 |
Or is it investing in what you love? |
| 00:36:39 |
You have got to read it. |
| 00:36:41 |
It's by someone called |
| 00:36:47 |
She's a genius. |
| 00:36:48 |
Oh, my God. Guys! |
| 00:36:54 |
Yes! |
| 00:36:55 |
Luke, we've taken Asia. |
| 00:36:58 |
Russell, how's that article |
| 00:37:00 |
- It's gonna be huge. |
| 00:37:02 |
- Uh, Rebecca? |
| 00:37:04 |
- Yes? |
| 00:37:06 |
to the APA Conference next week. |
| 00:37:08 |
Absolutely. What's |
| 00:37:11 |
The biggest magazine |
| 00:37:13 |
In Miami. |
| 00:37:14 |
Oh, Luke. I think I should |
| 00:37:17 |
Early, I mean, |
| 00:37:19 |
the hotel's OK and find |
| 00:37:22 |
anyone wants to relax. |
| 00:37:24 |
but you never know, |
| 00:37:26 |
I'm glad |
| 00:37:28 |
- I'm kind of excited myself. |
| 00:37:36 |
Yeah, I mean because |
| 00:37:38 |
are very excited to meet you. |
| 00:37:40 |
You've opened up |
| 00:37:44 |
- You're opening up his what? |
| 00:37:49 |
- Mm-hmm. |
| 00:37:51 |
take me to the beach. |
| 00:37:53 |
Aren't you supposed |
| 00:37:55 |
I'm on my way. |
| 00:37:56 |
- You're in as a finance guru. |
| 00:38:01 |
Bex, have you ever considered |
| 00:38:03 |
- Oh! |
| 00:38:05 |
Like, what would |
| 00:38:07 |
say about hiding Visa bills |
| 00:38:09 |
- That is not relevant. |
| 00:38:12 |
It's the most relevant thing |
| 00:38:14 |
- Ah! |
| 00:38:16 |
why you want to go to Miami? |
| 00:38:17 |
- No! |
| 00:38:19 |
Luke. |
| 00:38:21 |
- Wha... |
| 00:38:23 |
- You're making that face. |
| 00:38:25 |
Bex! You like him! |
| 00:38:27 |
No, no. No, no. |
| 00:38:31 |
Hypothetically |
| 00:38:33 |
You're advising people about debt, |
| 00:38:38 |
Yeah, hide under there. |
| 00:38:46 |
Ooh, Monsieur Sherman. |
| 00:38:53 |
My name is Brandon. |
| 00:38:56 |
Yes. Monsieur discret. Mm-hmm. |
| 00:39:02 |
Oh! |
| 00:39:04 |
- You saved me. |
| 00:39:06 |
Oh, gosh! |
| 00:39:08 |
You work at Successful Saving. |
| 00:39:10 |
- Yes. |
| 00:39:20 |
OK, what am I |
| 00:39:22 |
Just be yourself. |
| 00:39:23 |
- Luke, how are you? |
| 00:39:26 |
They let you out of prison. |
| 00:39:28 |
- Alicia. |
| 00:39:29 |
Can I introduce Rebecca Bloomwood? |
| 00:39:31 |
You may have read |
| 00:39:33 |
What's the name of your column? |
| 00:39:34 |
"Risky investment |
| 00:39:37 |
Wait, nobody has ever |
| 00:39:40 |
- Luke. Got a second? |
| 00:39:43 |
Wait, what were you in prison for? |
| 00:39:44 |
- Oh, that was trumped-up. |
| 00:39:47 |
Butterfly investments. |
| 00:39:55 |
- Thanks. |
| 00:39:56 |
- Champagne, please. |
| 00:39:59 |
Hi. Are you from |
| 00:40:01 |
- I run it. |
| 00:40:04 |
You have the most boring |
| 00:40:08 |
- She means the opposite. |
| 00:40:10 |
It's as if somebody |
| 00:40:12 |
and told me it was OK to sleep |
| 00:40:14 |
- Really. |
| 00:40:15 |
You need to put some pretty |
| 00:40:18 |
- to get people in. |
| 00:40:20 |
Know what else you could do? |
| 00:40:21 |
- You could have a sale. |
| 00:40:24 |
Yes. Fee reductions. |
| 00:40:27 |
She writes a humorous column, |
| 00:40:29 |
- I'll get another. |
| 00:40:31 |
Luke, your writer, |
| 00:40:33 |
Keep her on a leash. |
| 00:40:36 |
She doesn't need a leash, |
| 00:40:38 |
What was the piece of tabloid |
| 00:40:41 |
The Jon Goldman expose? |
| 00:40:43 |
A well-researched, supported article. |
| 00:40:45 |
His organization is corrupt, |
| 00:40:47 |
Not running the piece. His company's |
| 00:40:50 |
- Ryan. |
| 00:40:52 |
Luke, that columnist of yours |
| 00:40:57 |
I'd like to apologize for our company. |
| 00:40:59 |
Outrageous, yet brilliant things. |
| 00:41:01 |
She's like a breath of fresh air. |
| 00:41:02 |
- I couldn't agree more. |
| 00:41:04 |
- He couldn't agree more. |
| 00:41:07 |
- Aren't they? |
| 00:41:08 |
She's honest. |
| 00:41:10 |
I'll be talking to you |
| 00:41:12 |
- Great. |
| 00:41:14 |
- OK. |
| 00:41:16 |
No, you're doing great. |
| 00:41:18 |
There's one more person |
| 00:41:20 |
- Hmm. |
| 00:41:22 |
but having the language |
| 00:41:24 |
Hmm. Language? |
| 00:41:25 |
Yeah, I want you to meet |
| 00:41:28 |
I told him you're part Finnish, |
| 00:41:29 |
and he's very excited to meet you. |
| 00:41:32 |
Rebecca. |
| 00:41:35 |
- Ah. |
| 00:41:39 |
That's how you do it in Finland. |
| 00:41:51 |
- Luke! Luke Brandon! |
| 00:41:53 |
- I can't even translate that. |
| 00:42:11 |
Men like you are the reason |
| 00:42:18 |
- ¿Hola? |
| 00:42:20 |
It's Derek Smeath from |
| 00:42:23 |
- At last we meet. |
| 00:42:27 |
How's your leg? Still broken? |
| 00:42:29 |
Uh... it's, um. It's much better. |
| 00:42:33 |
- Mr. Brandon. |
| 00:42:36 |
We Scandinavians... |
| 00:42:40 |
...like her. A lot. |
| 00:42:45 |
Good. Then kindly limp, |
| 00:42:47 |
to my office this afternoon. |
| 00:42:49 |
Um, absolutely, I would love to. |
| 00:42:51 |
Good. |
| 00:42:52 |
- Except... Oh, my God. |
| 00:42:54 |
My aunt has just fallen from the sky |
| 00:42:57 |
Enough! Unless the outstanding |
| 00:43:01 |
your account first thing |
| 00:43:03 |
- Mr. Smeath, uh... |
| 00:43:07 |
...personal contact. |
| 00:43:09 |
Absolutely, 9:00 on Monday morning. |
| 00:43:11 |
I have to go. |
| 00:43:17 |
You are getting your own ringtone. |
| 00:43:23 |
Do not answer |
| 00:43:27 |
- Do not... |
| 00:43:28 |
- Thanks. |
| 00:43:33 |
I have something |
| 00:43:35 |
OK. |
| 00:43:40 |
You first. |
| 00:43:41 |
Well, Edgar West |
| 00:43:44 |
Print Association Charity Ball, |
| 00:43:47 |
and guess which two people |
| 00:43:49 |
have been invited as representatives? |
| 00:43:52 |
It's a huge mark of respect. |
| 00:43:55 |
This puts us in the major league, |
| 00:43:57 |
and that is mainly down to you. |
| 00:44:00 |
- Huh... |
| 00:44:05 |
- This isn't easy. |
| 00:44:13 |
Your tie does not go with your shirt. |
| 00:44:17 |
Try to enjoy yourself. No, no, |
| 00:44:22 |
No, you don't. |
| 00:44:24 |
You have to strike with precision |
| 00:44:26 |
- Hi. |
| 00:44:27 |
We're looking for clothes for my boss. |
| 00:44:29 |
Absolutely. Were you thinking |
| 00:44:31 |
I'm actually thinking about everything. |
| 00:44:33 |
Oh, well, we can do everything. |
| 00:44:35 |
Pink. Oh, my gosh, |
| 00:44:37 |
- That pink is great. |
| 00:44:39 |
- Would he do pink? |
| 00:44:40 |
Think he'd do it with like a white pant? |
| 00:44:42 |
- He'd do that. |
| 00:44:45 |
What I really need is a, uh, tuxedo, |
| 00:44:47 |
say three buttons, size 48 regular, |
| 00:44:50 |
a white dress shirt, |
| 00:44:52 |
and a black vernice shoe |
| 00:44:58 |
You speak Prada? |
| 00:45:02 |
Occasionally. |
| 00:45:04 |
But if you know how to dress well, |
| 00:45:06 |
why do you come to |
| 00:45:12 |
I don't want to be defined |
| 00:45:17 |
Why would you be defined by family? |
| 00:45:21 |
My mother is Elinor Sherman, |
| 00:45:25 |
Excuse me, did you just say that |
| 00:45:29 |
Did she tell you that we dressed her |
| 00:45:31 |
Oh, she just looked stunning. |
| 00:45:33 |
Well, congratulations on having |
| 00:45:39 |
My, uh, parents are divorced. |
| 00:45:41 |
I grew up in England with my dad. |
| 00:45:43 |
He's great. |
| 00:45:44 |
Very down-to-earth, |
| 00:45:48 |
Anyway, she wasn't interested |
| 00:45:53 |
At which point it was assumed |
| 00:45:56 |
For the throne? |
| 00:46:00 |
Uh, no, for the, um... |
| 00:46:07 |
What's the business? |
| 00:46:09 |
Owning stuff. Real estate, um, |
| 00:46:12 |
Internet businesses, um... |
| 00:46:17 |
- Cable companies... |
| 00:46:25 |
I chose to succeed on my own terms, |
| 00:46:28 |
not kowtow to some controlling family. |
| 00:46:31 |
What's Dantay-West? |
| 00:46:38 |
Do you have a take |
| 00:46:40 |
- Yes. |
| 00:46:42 |
Well, what would your take |
| 00:46:48 |
Go on. |
| 00:46:49 |
What would The Girl in the Green |
| 00:46:57 |
As an investment, you pretty much suck. |
| 00:47:00 |
- What? |
| 00:47:04 |
You put in all these hours, |
| 00:47:07 |
It goes into someone else's pocket. |
| 00:47:14 |
But you're a great editor. |
| 00:47:19 |
And now... |
| 00:47:22 |
...you look like one. |
| 00:47:25 |
Drank a lot of mojitos. |
| 00:47:30 |
It wasn't always work and no play. |
| 00:47:32 |
- Gracias. |
| 00:47:35 |
- Cheers! |
| 00:47:38 |
Oh, por favor. |
| 00:47:41 |
- Mmm? Are you serious? |
| 00:47:43 |
Oh, my God, I love this one. |
| 00:47:46 |
- The red one's cute. |
| 00:47:48 |
- ¿ Cuánto cuesta? |
| 00:47:50 |
No, this is gorgeous. Simple. |
| 00:47:52 |
- Perfect. |
| 00:47:55 |
Because we're going to dance. |
| 00:47:57 |
Oh, I don't know how to do |
| 00:48:00 |
I do. |
| 00:48:05 |
OK? |
| 00:48:08 |
Just follow me. |
| 00:48:10 |
- No... |
| 00:48:33 |
Oh! |
| 00:49:28 |
You know, my instinct is that |
| 00:49:31 |
- That's your instinct? |
| 00:49:35 |
Your delivery has arrived, sir. |
| 00:49:38 |
- No, I'll take that. |
| 00:49:40 |
Thank you. |
| 00:49:41 |
My other instinct is that |
| 00:49:44 |
No? What do you think? |
| 00:49:46 |
Yeah, you know, Rebecca, |
| 00:49:51 |
There's something that I need... |
| 00:49:52 |
Well, finally. |
| 00:49:56 |
Luke, where have you been? |
| 00:49:59 |
I've been looking for you. |
| 00:50:06 |
Did you go shopping? |
| 00:50:08 |
Oh, oh, yes. Yes, |
| 00:50:10 |
pick something out for the... ball. |
| 00:50:12 |
Oh, that's perfect. |
| 00:50:15 |
We're gonna look so major together. |
| 00:50:17 |
Aren't you glad I convinced |
| 00:50:20 |
That's what I was trying to... |
| 00:50:22 |
Oh. Oh, great, well, |
| 00:50:26 |
I'm gonna... |
| 00:50:29 |
Oh, wait, wait, Rebecca. |
| 00:50:31 |
Just, come out for a drink. |
| 00:50:33 |
- Yes, come out for a drink. |
| 00:50:38 |
I just, um, I have to make some calls. |
| 00:50:40 |
- I'll see you in New York. |
| 00:50:42 |
- See ya. |
| 00:51:05 |
- Hey, Suze. |
| 00:51:07 |
I am home. |
| 00:51:08 |
Well, don't come to the front door! |
| 00:51:13 |
- Keep driving! |
| 00:51:17 |
- God, oh, God, oh, God. |
| 00:51:20 |
- Oh, God. |
| 00:51:21 |
OK. I told him that your |
| 00:51:24 |
She died in a skydiving accident. |
| 00:51:27 |
Her parachute didn't open. |
| 00:51:28 |
How am I supposed to know? |
| 00:51:31 |
I know I've made some mistakes, |
| 00:51:34 |
I've got it planned. |
| 00:51:36 |
Impress Alette Naylor. |
| 00:51:37 |
Here! All I have to do first |
| 00:51:40 |
Bex, no! Absolutely not. |
| 00:51:41 |
You've 10,000 dresses already. |
| 00:51:43 |
What? You exaggerate. |
| 00:51:44 |
I know the dress. It's perfect. |
| 00:51:46 |
Know what I'm talking about? |
| 00:51:48 |
I hope we didn't throw it away |
| 00:51:51 |
Oh, Bex. Imagine you wearing this dress. |
| 00:51:55 |
Walk past the mirror. |
| 00:51:58 |
- Yes! |
| 00:51:59 |
Oh, my gosh, |
| 00:52:01 |
And Fluke would love you in that dress. |
| 00:52:05 |
Don't talk about Fluke. |
| 00:52:07 |
Why? What happened? |
| 00:52:09 |
Alicia Bitch Longlegs is what happened. |
| 00:52:12 |
I hate her. Who is she? |
| 00:52:14 |
She's the girl with |
| 00:52:17 |
Well, well, Luke is a raging moron. |
| 00:52:20 |
He's gonna be so bummed |
| 00:52:22 |
at the ball looking like |
| 00:52:24 |
You're gonna be a total hottie. |
| 00:52:28 |
It's perfect. All I have to do now |
| 00:52:32 |
Oh, my God. Bex, there has to be |
| 00:52:36 |
Suze, do not open that closet! |
| 00:52:42 |
Oh, Suze! Suze! |
| 00:52:45 |
Suze, are you there? |
| 00:52:48 |
You didn't throw anything away, did you? |
| 00:52:51 |
I'm sorry. |
| 00:52:55 |
OK. I know what you need. |
| 00:52:59 |
My name is Joyce, |
| 00:52:59 |
My name is Joyce, |
| 00:53:03 |
- Hi, Joyce. |
| 00:53:04 |
Thank you. I'm the wife |
| 00:53:07 |
My husband found my secret stash |
| 00:53:11 |
Yeah, he found all of my cruisewear, |
| 00:53:13 |
and now he says that |
| 00:53:15 |
- Oh. |
| 00:53:18 |
What about you, Ryuichi? |
| 00:53:20 |
My name is Ryuichi, |
| 00:53:24 |
Hi, Ryuichi. |
| 00:53:25 |
It is six months, three weeks |
| 00:53:28 |
and four days since |
| 00:53:31 |
- Oh! |
| 00:53:32 |
That is just wonderful. |
| 00:53:36 |
Did you hear that, Joyce? |
| 00:53:37 |
What about you, Mr. Freak? |
| 00:53:39 |
My name is D. Freak. |
| 00:53:43 |
- Hi, Freak. |
| 00:53:45 |
I'm also a former NBA player. |
| 00:53:49 |
We'll get back to that. |
| 00:53:53 |
How many did you buy this time? |
| 00:53:55 |
Uh... I got seven. |
| 00:53:57 |
One for every different day of the week. |
| 00:53:59 |
See, I got the Santos. |
| 00:54:00 |
Keep comin' back, OK? Give him |
| 00:54:04 |
Which store? |
| 00:54:05 |
Rebecca, why don't you share your story. |
| 00:54:10 |
Um... Hello, everybody. |
| 00:54:14 |
Hi, Rebecca. |
| 00:54:16 |
I just actually came here |
| 00:54:18 |
Uh, I mean, I like shopping. |
| 00:54:21 |
Is there anything so wrong with that? |
| 00:54:23 |
I mean, stores are put there to enjoy. |
| 00:54:26 |
Uh, the experience is enjoyable. |
| 00:54:29 |
Well, more than enjoyable. |
| 00:54:32 |
It's... It's beautiful. |
| 00:54:36 |
The sheen of silk, |
| 00:54:43 |
Oh, the smell of |
| 00:54:46 |
Italian leather shoes, that's the best. |
| 00:54:49 |
Oh... The rush you feel |
| 00:54:52 |
And it's approved. |
| 00:54:57 |
OK, Rebecca. |
| 00:54:59 |
The joy you feel when |
| 00:55:01 |
and it's just you and the shopping. |
| 00:55:02 |
- You and shopping. |
| 00:55:04 |
All you have to do |
| 00:55:06 |
- Yes! |
| 00:55:07 |
Isn't that the best feeling |
| 00:55:09 |
- Yeah. |
| 00:55:11 |
- shout it from the mountaintops? |
| 00:55:13 |
And you feel so... |
| 00:55:17 |
- And happy? |
| 00:55:19 |
- And warm. |
| 00:55:20 |
- What's going on here? |
| 00:55:22 |
- I have to impress Alette Naylor. |
| 00:55:25 |
Oh, there's a sale at |
| 00:55:27 |
- You're like my soul sister. |
| 00:55:30 |
I have to go. Good luck, everybody. |
| 00:55:31 |
They have shoe? |
| 00:55:33 |
- You sit down. |
| 00:55:36 |
My wallet is closed. |
| 00:56:03 |
Ah! |
| 00:56:15 |
Oh, what's in this box? |
| 00:56:18 |
Sparkles. |
| 00:56:21 |
Do you have any more in the back? |
| 00:56:23 |
You. You! Oh! |
| 00:56:28 |
I'm sorry. |
| 00:56:29 |
Get it away from me! |
| 00:56:32 |
Not those! Oh, my God. |
| 00:56:47 |
Alicia! Mmm. You look stunning. |
| 00:56:51 |
Hey. I want you to meet Luke Brandon. |
| 00:56:53 |
- From Successful Saving. |
| 00:56:56 |
There she is. |
| 00:57:00 |
Hello, Alette. |
| 00:57:01 |
Since I was 14 I wanted |
| 00:57:04 |
Rebecca. You look so cute. |
| 00:57:07 |
- You're unraveling. |
| 00:57:13 |
- What? |
| 00:57:20 |
Hi. |
| 00:57:38 |
Oh! |
| 00:57:46 |
I'm sorry. |
| 00:57:49 |
Oh, please. |
| 00:57:52 |
- Isn't she adorable? |
| 00:57:55 |
Oh, oh, oh! |
| 00:57:58 |
Woo! |
| 00:57:59 |
Now, dear. I need a glass |
| 00:58:02 |
- Coming right up. |
| 00:58:06 |
Absolutely. |
| 00:58:07 |
I'm intrigued to meet |
| 00:58:10 |
- Potential TV star, I hear. |
| 00:58:13 |
They want her |
| 00:58:15 |
I think Rebecca |
| 00:58:17 |
She's... She's hard to ignore. |
| 00:58:20 |
- Excuse me! |
| 00:58:22 |
- Plates are beautiful. |
| 00:58:24 |
Bus your tables, |
| 00:58:26 |
I should read this Green Scarf Girl. |
| 00:58:29 |
It seems she's very à la mode, hmm? |
| 00:58:32 |
- Real poise. |
| 00:58:33 |
What are you? |
| 00:58:35 |
Oh. I need a gin and tonic |
| 00:58:37 |
What are you, a drunk? |
| 00:58:39 |
On your feet, Goldilocks. |
| 00:58:41 |
Do you know how short-staffed we are? |
| 00:58:43 |
- I need food on tables now. Go! |
| 00:58:46 |
- Six more, please! |
| 00:58:50 |
I know you're not, honey. |
| 00:58:53 |
I do. Now go, go, |
| 00:59:02 |
What are you doing? |
| 00:59:04 |
- Oh! |
| 00:59:11 |
- Ms. Bloomwood. |
| 00:59:14 |
- I'll have the trout, please. |
| 00:59:17 |
- Do you have low-fat dressing? |
| 00:59:19 |
- Ms. Bloomwood! |
| 00:59:21 |
- This is the famous Ms. Bloomwood? |
| 00:59:23 |
Ms. Bloomwood! |
| 00:59:26 |
Sit. Oh! |
| 00:59:30 |
I'm sorry. I'm sorry. |
| 00:59:34 |
- Sit down, Rebecca. |
| 00:59:35 |
Right, uh, ladies and gentlemen, |
| 00:59:40 |
...the, uh, brook trout |
| 00:59:44 |
Mrs. West, you'll be pleased |
| 00:59:46 |
is a particularly powerful aphrodisiac. |
| 00:59:48 |
- Oh. |
| 00:59:50 |
Oh, Mr. Brandon, you serve |
| 00:59:53 |
Oh, paid my way |
| 00:59:55 |
Coincidentally, |
| 00:59:57 |
- as the girl on your last cover. |
| 01:00:00 |
Oh, Alicia, remind me. |
| 01:00:03 |
You were a trout. |
| 01:00:15 |
Oh... Thanks for saving me in there. |
| 01:00:23 |
So have you filled |
| 01:00:25 |
No. Not yet. |
| 01:00:30 |
You could put a picture |
| 01:00:35 |
Except there probably |
| 01:00:37 |
for her spidery long legs. |
| 01:00:40 |
You know, I've always felt that |
| 01:00:42 |
spidery long legs were vastly overrated. |
| 01:00:48 |
I thought she was your girlfriend. |
| 01:00:53 |
No. She's not my girlfriend. |
| 01:00:59 |
She's not you. |
| 01:01:18 |
Erica, you get her on the phone, |
| 01:01:20 |
you pretend she's your |
| 01:01:22 |
You find out how she got |
| 01:01:25 |
How did she get so far behind? |
| 01:01:27 |
Then you take that information |
| 01:01:29 |
What are her motivators? Pride? |
| 01:01:31 |
Integrity? Honor? Fear? |
| 01:01:33 |
Tell her she'll lose everything. |
| 01:01:36 |
Tell her we'll print it in the papers. |
| 01:01:37 |
Gotta take her |
| 01:01:39 |
Let her think you're gonna push |
| 01:01:42 |
pull her back and get |
| 01:01:44 |
That, Erica, is how you earn |
| 01:01:47 |
Lesson over. |
| 01:01:48 |
Lesson over. |
| 01:01:58 |
Excuse me. |
| 01:02:47 |
Derek Smeath. Hello? Hello... |
| 01:02:52 |
Elevators. Thank goodness for redial. |
| 01:03:07 |
Do not answer |
| 01:03:10 |
Do not answer this call, |
| 01:03:12 |
Do not answer this call, |
| 01:03:15 |
Do not answer this call, |
| 01:03:17 |
Do not answer this call, it... |
| 01:03:33 |
No, he doesn't know it yet, |
| 01:03:36 |
- Speak to you then. |
| 01:03:39 |
- Good morning. |
| 01:03:42 |
- Hi. |
| 01:03:44 |
Am I interrupting something? Hmm? |
| 01:03:46 |
- No. Mm-mm. |
| 01:03:47 |
I've come for the Green Scarf Girl. |
| 01:03:50 |
- Me? |
| 01:03:52 |
has asked me to dress you |
| 01:03:55 |
I have one hour to shop. |
| 01:03:58 |
Oh, uh, I'm sorry, excuse me, |
| 01:03:59 |
but, Rebecca, Derek Smeath is here. |
| 01:04:03 |
God. Um... I, uh... |
| 01:04:08 |
Rebecca is being stalked. |
| 01:04:10 |
So exciting |
| 01:04:13 |
I've had enough of this clown. |
| 01:04:15 |
Whoa! Luke! No! |
| 01:04:17 |
Don't worry. |
| 01:04:19 |
See? She called security. |
| 01:04:22 |
Voilà. Shall we go? Mmm? |
| 01:04:24 |
No. No, no, no, no. |
| 01:04:25 |
This is outrageous! |
| 01:04:28 |
So after the ball, I, myself, actually |
| 01:04:29 |
read Successful Saving. |
| 01:04:32 |
I have been observing you |
| 01:04:33 |
and it seems you have |
| 01:04:35 |
but... do you have genuine style? |
| 01:04:44 |
Dressing is like any |
| 01:04:46 |
It is an art, but also a challenge. |
| 01:04:50 |
Bonjour. |
| 01:04:52 |
This dress is good for you, huh? |
| 01:04:54 |
With maybe... this jacket over. |
| 01:05:00 |
Oh, that's genius, Alette. Parfait. |
| 01:05:04 |
I think that is a great dress, |
| 01:05:07 |
...a little more... |
| 01:05:09 |
...of something... like this? |
| 01:05:16 |
I mean, I'd pair it with |
| 01:05:21 |
Show me. |
| 01:05:22 |
So, Rebecca, hmm. |
| 01:05:26 |
Take her bag. |
| 01:05:30 |
You are sure of your choice? |
| 01:05:32 |
- Yeah. |
| 01:05:44 |
Do not answer |
| 01:05:47 |
Do not answer this call, |
| 01:05:49 |
Do not answer this call, |
| 01:05:52 |
Do not answer this call, |
| 01:05:55 |
Do not answer this call, |
| 01:05:57 |
Do not answer |
| 01:05:59 |
Hello. |
| 01:06:06 |
Ah, yes. Is perfect. |
| 01:06:12 |
So, unfortunately, I cannot stay. |
| 01:06:13 |
But I am looking forward |
| 01:06:16 |
- for your TV debut. Hmm? |
| 01:06:19 |
Goodbye. |
| 01:06:27 |
- Oh, God. |
| 01:06:31 |
Pretty much my entire |
| 01:06:34 |
Mmm. But isn't it worth it? |
| 01:06:39 |
OK, no peeking. Don't peek. |
| 01:06:42 |
Now turn this way. OK, don't peek. |
| 01:06:50 |
Oh, and look, look, look! |
| 01:06:55 |
- Do you love it? |
| 01:06:58 |
Oh, Bex. This is so exciting. |
| 01:07:00 |
I'm getting married |
| 01:07:02 |
and you're getting to Alette, and... |
| 01:07:04 |
What's in that bag? |
| 01:07:07 |
Oh, that's just a dress |
| 01:07:09 |
for the TV show. |
| 01:07:11 |
Mom, can you go get a cupcake? |
| 01:07:15 |
How much did it cost? |
| 01:07:18 |
Alette gets an incredible discount. |
| 01:07:20 |
Still going to Shopaholics Anonymous? |
| 01:07:22 |
Yes! |
| 01:07:23 |
- 'Cause you promised. |
| 01:07:35 |
Oh, excuse me. Are you going |
| 01:07:38 |
Yes. |
| 01:07:39 |
Could you do me a favor |
| 01:07:42 |
Doesn't look good entering |
| 01:07:45 |
carrying a Barneys bag. |
| 01:07:46 |
Oh! I know exactly what you mean. |
| 01:07:48 |
- Leave it to me. |
| 01:07:50 |
- Hey, save me a seat, huh? |
| 01:07:54 |
Thank you! |
| 01:08:00 |
My name is Ms. Korch. |
| 01:08:03 |
I do things differently. |
| 01:08:09 |
Ms. Bloomwood? |
| 01:08:11 |
You're willing to give away |
| 01:08:13 |
that you don't need, |
| 01:08:15 |
the things you don't need |
| 01:08:17 |
But here's the thing: |
| 01:08:19 |
I'll show you who really needs them. |
| 01:08:21 |
Steady! Steady. |
| 01:08:23 |
- Oh, my. Colorful. |
| 01:08:27 |
Please! How many of us |
| 01:08:33 |
OK. I just want you to take |
| 01:08:37 |
Ms. Bloomwood, |
| 01:08:45 |
My will is strong. My wallet is closed. |
| 01:08:49 |
Back to the basement. |
| 01:08:53 |
There's been a mistake. |
| 01:08:56 |
- Hmm. I need it back. |
| 01:08:58 |
Yes? |
| 01:08:59 |
Can't sell those two dresses. |
| 01:09:02 |
- No returns. |
| 01:09:05 |
I'd bring back something tomorrow. |
| 01:09:06 |
- Something better. |
| 01:09:09 |
- OK, so, um, I'll buy 'em. |
| 01:09:13 |
Oh, really. |
| 01:09:15 |
- OK. How much? |
| 01:09:18 |
What? How is this a charity store? |
| 01:09:20 |
This is from Barneys. |
| 01:09:22 |
I know. OK, |
| 01:09:26 |
- This one's twenty. |
| 01:09:30 |
Which is more important? |
| 01:09:32 |
Got money issues? Who hasn't? |
| 01:09:33 |
Got money issues? Who hasn't? |
| 01:09:35 |
Oh! Tarkie, Tarkie, Tarkie, she's on! |
| 01:09:38 |
- This is her? |
| 01:09:41 |
The Girl in the Green Scarf, |
| 01:09:44 |
Oh, she looks like an expert. |
| 01:09:46 |
Hey, Janice. She's in the... |
| 01:09:53 |
...finance. Not my thing. |
| 01:09:54 |
- Jane. |
| 01:09:57 |
- Janey. Janey! |
| 01:10:00 |
...then I read your |
| 01:10:03 |
"Wow. I get it." |
| 01:10:04 |
Right. Which is exactly the point. |
| 01:10:06 |
Because so much |
| 01:10:09 |
- Is really boring. |
| 01:10:12 |
Yes! Go, Bex! |
| 01:10:14 |
It's not accessible. |
| 01:10:16 |
But it's ordinary people that have |
| 01:10:19 |
It is. It's people like my mom and dad. |
| 01:10:22 |
Ow! |
| 01:10:23 |
Tell us about the coat. |
| 01:10:27 |
about the cashmere coat and worth. |
| 01:10:29 |
- Well, that's you. |
| 01:10:32 |
- He inspired me. |
| 01:10:34 |
It's the difference |
| 01:10:37 |
Essentially, something |
| 01:10:40 |
but it's actually the most |
| 01:10:43 |
- And that's... |
| 01:10:47 |
Trust. I'm loving you guys. |
| 01:10:51 |
Who knew that debt |
| 01:10:54 |
But we just have a little bit more time. |
| 01:10:56 |
We wanna get questions |
| 01:10:58 |
Is there anybody out there |
| 01:10:59 |
with any financial issues |
| 01:11:01 |
Yes, you, sir. |
| 01:11:03 |
Well... I'm having trouble with debt. |
| 01:11:06 |
OK. Mortgage debt, car debt? |
| 01:11:12 |
- Ms. Bloomwood's debt. |
| 01:11:17 |
That's right. |
| 01:11:21 |
I'm from the All City |
| 01:11:24 |
- My name is Derek Smeath. |
| 01:11:27 |
Now, look, for God's sake, |
| 01:11:30 |
has been stalking Rebecca |
| 01:11:33 |
Yes, I have. |
| 01:11:34 |
To recover unrepaid credit |
| 01:11:37 |
$9,412 and a quarter. |
| 01:11:40 |
Is this for real? |
| 01:11:43 |
No, I'm sorry, |
| 01:11:48 |
Really? |
| 01:11:51 |
No wonder she didn't bring him home. |
| 01:11:55 |
That's good. I tell ya, |
| 01:11:59 |
the more you look at me, |
| 01:12:04 |
OK, well, uh, my ex-girlfriend |
| 01:12:07 |
told me she couldn't meet me today |
| 01:12:09 |
because I might risk |
| 01:12:12 |
- she picked up in Finland. |
| 01:12:15 |
Know she was part Finnish? |
| 01:12:17 |
OK, we're on limited time. |
| 01:12:20 |
Anybody else like to ask... |
| 01:12:21 |
No, no, no. |
| 01:12:24 |
Oh, God! |
| 01:12:25 |
Did you realize |
| 01:12:27 |
is in the hospital with depression? |
| 01:12:29 |
Currently in the hospital |
| 01:12:32 |
"Check is in the mail" 14 times. |
| 01:12:34 |
Check is lost in the mail 14 times. |
| 01:12:37 |
Recovering from |
| 01:12:40 |
Called back for second tour |
| 01:12:48 |
Which of these excuses is true? |
| 01:12:51 |
Are any of them? |
| 01:12:53 |
Will the real Rebecca Bloomwood |
| 01:13:02 |
Well, at least I don't have to worry |
| 01:13:05 |
Luke, you don't understand! |
| 01:13:06 |
No, you're right, I don't! |
| 01:13:08 |
So do what I hired you to do, Rebecca, |
| 01:13:10 |
and make the truth clear |
| 01:13:11 |
to somebody who absolutely |
| 01:13:13 |
I shop. |
| 01:13:15 |
Oh, so you lie because you shop. |
| 01:13:17 |
OK, OK. Why do you shop? |
| 01:13:20 |
- Well, I... |
| 01:13:22 |
Well, you're not giving me time... |
| 01:13:24 |
For what? |
| 01:13:25 |
Just, for once in your life, |
| 01:13:30 |
Because when I shop, |
| 01:13:35 |
The world is better. |
| 01:13:38 |
And then it's not anymore. |
| 01:13:48 |
Well, what about honesty? |
| 01:13:52 |
What about credibility? |
| 01:13:55 |
Well, I wanted to tell you, |
| 01:13:56 |
but I only took the job |
| 01:14:12 |
Well, I wish you all the best with that. |
| 01:14:14 |
Luke, I'm so sorry. |
| 01:14:15 |
No, no. I understand. |
| 01:14:23 |
That absolutely makes sense. |
| 01:14:39 |
¶ You're breaking my heart |
| 01:14:43 |
¶ Woo, woo |
| 01:14:47 |
¶ Now I've gone insane |
| 01:14:51 |
¶ And you're breaking |
| 01:14:54 |
Is she wearing my bridesmaid's dress? |
| 01:14:57 |
Suze! |
| 01:15:00 |
That, I can absolutely explain! |
| 01:15:03 |
OK! Explain. |
| 01:15:07 |
Oh... |
| 01:15:11 |
Explain! |
| 01:15:22 |
Suze! |
| 01:15:25 |
Mr. West. I like Luke Brandon. |
| 01:15:28 |
But it would seem on |
| 01:15:32 |
allowed his objectivity to lapse. |
| 01:15:37 |
Mr. Brandon? |
| 01:15:43 |
Rebecca Bloomwood... |
| 01:15:51 |
Rebecca Bloomwood |
| 01:15:57 |
funny, inspiring woman I have ever met. |
| 01:16:03 |
And she lived a lie. |
| 01:16:09 |
But what she wrote in her columns |
| 01:16:13 |
She had a voice. |
| 01:16:16 |
She spoke to people |
| 01:16:18 |
that they could understand, |
| 01:16:21 |
they found that they could. |
| 01:16:30 |
Rebecca Bloomwood let me down. |
| 01:16:36 |
But the Girl in the Green Scarf |
| 01:16:48 |
As for you, if Luke Brandon |
| 01:16:53 |
aren't fitting in at Dantay-West, |
| 01:16:56 |
there's really only ever one solution. |
| 01:17:03 |
Maybe we should |
| 01:17:05 |
A magazine driven purely |
| 01:17:11 |
A part of the company, |
| 01:17:16 |
Yeah, sounds... |
| 01:17:18 |
Yeah. It's unexpected, but, you know. |
| 01:17:22 |
You have drive, |
| 01:17:26 |
I've been impressed. |
| 01:17:28 |
Oh, it'll be tough going to start, |
| 01:17:30 |
but that's the way Cy and I |
| 01:17:34 |
On the day that we put that sign up |
| 01:17:39 |
That was when we knew |
| 01:17:44 |
So here's to our new venture. |
| 01:17:49 |
Well, I, um. I can't... |
| 01:17:52 |
I cannot believe it. |
| 01:17:57 |
Mr. West, when you put |
| 01:18:01 |
you wanted to make your name |
| 01:18:04 |
- Oh, more than anything else. |
| 01:18:12 |
Sweetie, she's gonna be fine. |
| 01:18:15 |
And when you talk to her, don't... |
| 01:18:17 |
Sweetie, honestly, |
| 01:18:21 |
"Raising Financially Fit Kids." |
| 01:18:23 |
Do you think it's too late for this? |
| 01:18:25 |
Never too late. Aren't you glad |
| 01:18:32 |
Pretty amazing, ain't it? |
| 01:18:34 |
That's why your mother and I |
| 01:18:37 |
Reminds us of our childhood |
| 01:18:43 |
Your mom and I think, |
| 01:18:45 |
if the American economy |
| 01:18:49 |
and still survive, so can you. |
| 01:18:53 |
- The RV's worth about 13... |
| 01:18:57 |
We want to. |
| 01:18:58 |
I will kill you if you sell it. |
| 01:19:00 |
It completely defines you. Completely. |
| 01:19:07 |
Nothing defines me, |
| 01:20:13 |
So she really did it? |
| 01:20:19 |
What do you mean? |
| 01:20:20 |
You mean you don't know. |
| 01:20:22 |
Oh, this is good. |
| 01:20:25 |
Alette Naylor is going to see |
| 01:20:30 |
to give her the one thing that |
| 01:20:34 |
And now I'm stuck with her. |
| 01:20:39 |
I'm very happy |
| 01:20:39 |
I'm very happy |
| 01:20:41 |
- I went to Mr. West to... |
| 01:20:44 |
Ah. Thank you. Charles et Diana. |
| 01:20:47 |
No, no. They're not from Indiana, |
| 01:20:50 |
No, Dad, she said Charles and Diana. |
| 01:20:52 |
Yes. Well, I went to see Mr. West |
| 01:20:55 |
- ...which he gave. |
| 01:20:59 |
Unfortunately, Monsieur Brandon |
| 01:21:04 |
But he'll land on his feet. |
| 01:21:07 |
He's a Sherman, after all. Rebecca... |
| 01:21:12 |
You may not know this, |
| 01:21:15 |
on that TV show has struck |
| 01:21:19 |
They identify with you. |
| 01:21:21 |
Your column will be Affordable Fashion. |
| 01:21:28 |
Five hundred words once a month. |
| 01:21:32 |
I can do affordable fashion. |
| 01:21:34 |
I mean, I know where all the sales are. |
| 01:21:36 |
Yes, yes, she does. Oh! |
| 01:21:37 |
In fact, she got that from me. |
| 01:21:40 |
No, I didn't. I didn't. |
| 01:21:43 |
- Oh, cake? |
| 01:21:48 |
Oh, no, no, no, no, no! |
| 01:21:50 |
Tiny, tiny, tiny, tiny, tiny, tiny. |
| 01:21:52 |
- Oh. |
| 01:21:55 |
Hmm. |
| 01:22:06 |
Thank you. |
| 01:22:10 |
You will make your column personal. |
| 01:22:12 |
Mm-hmm. |
| 01:22:13 |
You'll take pieces |
| 01:22:15 |
like this for example. |
| 01:22:17 |
- They're swell. |
| 01:22:19 |
Um, well, they're Louboutins, |
| 01:22:22 |
so, I mean, well, |
| 01:22:25 |
Fear not. Chez Alette, |
| 01:22:32 |
And after all, |
| 01:22:35 |
You must know that. |
| 01:22:39 |
Yeah, wow. |
| 01:22:43 |
Yeah, no, I, um... |
| 01:22:47 |
And final notices and debt collectors. |
| 01:22:50 |
Um, they should print that |
| 01:22:54 |
Mm-hmm. |
| 01:22:55 |
Rebecca, you have a moral conscience. |
| 01:22:58 |
But if you want to work |
| 01:23:01 |
No, no, I really... |
| 01:23:04 |
What's the matter, baby? |
| 01:23:06 |
I just, I have that really annoying |
| 01:23:11 |
You know that feeling when...? |
| 01:23:12 |
Yes. I get it... |
| 01:23:14 |
Yeah, when... |
| 01:23:16 |
You wanna do something, but |
| 01:23:19 |
- That's it! |
| 01:23:27 |
I just... I have made |
| 01:23:31 |
and I feel like taking this job |
| 01:23:36 |
Before you make your decision, |
| 01:23:39 |
When I leave this house, |
| 01:23:45 |
Well, then you should both go. |
| 01:23:52 |
C'est la vie. |
| 01:23:55 |
You're a Sherman. |
| 01:23:59 |
Can't you finance this yourself? |
| 01:24:02 |
I'm asking if you will back me. |
| 01:24:05 |
I'm asking if I am a good investment. |
| 01:24:14 |
All right, people, this is it. |
| 01:24:16 |
as a toxic little monkey on your back. |
| 01:24:19 |
Do it, Freak! |
| 01:24:23 |
will have to cut two cards. |
| 01:24:28 |
I'm Rebecca Bloomwood |
| 01:24:30 |
Hi, Rebecca. |
| 01:24:31 |
I destroyed my career |
| 01:24:34 |
I lied to the man I love. |
| 01:24:38 |
I invented a stalker, |
| 01:24:42 |
But I have a plan, and I need your help. |
| 01:24:45 |
Who's with me? |
| 01:24:58 |
Shut up. Sale of the century. |
| 01:25:02 |
Forward to all employees. Send. |
| 01:25:19 |
Oh, uh, Luke, sorry. |
| 01:25:23 |
Sure. What are you doing? |
| 01:25:25 |
Oh! Oh, uh, I have an appointment. |
| 01:25:27 |
- With whom? |
| 01:25:34 |
Um... |
| 01:25:43 |
Uh, I suppose she has to, |
| 01:25:46 |
You know, make room |
| 01:25:53 |
Go, Hayley. |
| 01:25:54 |
May I...? |
| 01:26:03 |
- Bags! |
| 01:26:05 |
- Accessories! |
| 01:26:06 |
- Shoes! |
| 01:26:08 |
- Millinery. |
| 01:26:10 |
- Hats. |
| 01:26:13 |
I hope they've got shoes! |
| 01:26:20 |
They're gettin' antsy out there. |
| 01:26:23 |
Ready when you are, Ms. Bloomwood. |
| 01:26:24 |
Open the doors, Dad! |
| 01:26:34 |
There's plenty for everyone. |
| 01:26:36 |
Just, take your... |
| 01:26:37 |
You'll note the delicious color, |
| 01:26:39 |
the smart collar |
| 01:26:42 |
Thirty dollars is my final offer. |
| 01:26:43 |
I'll give you $30 |
| 01:26:45 |
What about your mother? |
| 01:26:48 |
Sobriety. |
| 01:26:49 |
- I think it's... |
| 01:26:51 |
These are real Prada shoes, ladies. |
| 01:26:54 |
They go with the same pink |
| 01:26:56 |
And the handbag. |
| 01:26:59 |
OK, you know what, not for sale. |
| 01:27:01 |
- Ms. Ptaszinski! |
| 01:27:05 |
And now... |
| 01:27:10 |
The green scarf! |
| 01:27:12 |
An icon. |
| 01:27:15 |
Supple, sensual, |
| 01:27:19 |
Rebecca always had such fabulous taste. |
| 01:27:21 |
No wonder she wound up |
| 01:27:23 |
Oh, Becky didn't end up |
| 01:27:25 |
She turned that "hoppertunity" down. |
| 01:27:27 |
- What? Why? |
| 01:27:29 |
Oh, hi. |
| 01:27:31 |
Now who will be the next |
| 01:27:35 |
- Fifty dollars! |
| 01:27:38 |
- Seventy. |
| 01:27:40 |
- Ninety dollars. |
| 01:27:43 |
- Excuse me. |
| 01:27:45 |
I have a bidder on the phone. |
| 01:27:48 |
One-twenty for the beautiful, |
| 01:27:50 |
- One-fifty! |
| 01:27:52 |
You've sold so much already. |
| 01:27:54 |
- Two hundred dollars. |
| 01:27:59 |
Two-fifty! I have 250. |
| 01:28:04 |
- Well? |
| 01:28:09 |
You can tell your friend on the phone, |
| 01:28:13 |
She's like an assassin. |
| 01:28:15 |
Three hundred dollars. Going once. |
| 01:28:20 |
- Going twice. |
| 01:28:24 |
Sold for 300 to the lady in pink. |
| 01:28:31 |
Wait! |
| 01:28:35 |
Uh... |
| 01:28:49 |
- Don't wear it with yellow. |
| 01:28:52 |
- It could bring you love. |
| 01:29:12 |
One, two, three, four. |
| 01:29:16 |
Wow. |
| 01:29:19 |
$16,586, 72 cents. |
| 01:29:22 |
You are a winner, babe! |
| 01:29:25 |
Oh, my God. |
| 01:29:50 |
Mr. Smeath. |
| 01:29:53 |
What the hell is this? |
| 01:29:57 |
I'm doing exactly what you did to me |
| 01:30:00 |
I'm just giving you what you deserve. |
| 01:30:02 |
But in the most |
| 01:30:05 |
And that, I think, makes 9,412. |
| 01:30:12 |
Oh. And a quarter. |
| 01:30:32 |
I've got it. I've got it. |
| 01:30:38 |
OK. Ladies, it's time! |
| 01:30:43 |
- How'd you get it back? |
| 01:31:00 |
Get her some flowers. |
| 01:31:04 |
- Sorry. OK. |
| 01:31:13 |
- Ready, sweetie? |
| 01:31:15 |
Come here. |
| 01:31:24 |
OK. |
| 01:31:41 |
See you at the reception! |
| 01:33:36 |
You sold all your clothes and kept that? |
| 01:33:49 |
- It's Suze's wedding... |
| 01:33:53 |
I'm an investigative |
| 01:33:56 |
Give me some credit. |
| 01:34:09 |
You really sold it all? |
| 01:34:13 |
You have nothing left. |
| 01:34:15 |
I mean, I wouldn't put it like that. |
| 01:34:25 |
Neither would I. |
| 01:34:28 |
The bidder on the phone was you. |
| 01:34:32 |
But you lost! |
| 01:34:37 |
Both bidders were me. |
| 01:34:42 |
It's a desperately important scarf. |
| 01:35:16 |
Name: Rebecca Bloomwood. |
| 01:35:17 |
Name: Rebecca Bloomwood. |
| 01:35:19 |
Occupation: I am a columnist |
| 01:35:25 |
Dress: Borrowed from Suze |
| 01:35:29 |
- Here, Ryuichi. |
| 01:35:30 |
It is amazing |
| 01:35:32 |
when you're not shopping. |
| 01:35:34 |
For example, |
| 01:35:40 |
Ahh... |
| 01:35:43 |
And instead of |
| 01:35:46 |
I have a relationship |
| 01:35:51 |
And never declines me. |
| 01:35:53 |
Where do you get your moves? |
| 01:35:55 |
Who knows? |
| 01:36:00 |
Oh, you're right. It's a mystery. |
| 01:36:05 |
Subpack+corrections+[-HI] by audio |
