Contractor The
|
00:01:25 |
Easy, baby. |
00:01:48 |
Hi, James. |
00:02:01 |
Ali Mahmoud Jahar. |
00:02:05 |
Remember him? |
00:02:17 |
Course you do. |
00:02:24 |
Wake up. |
00:02:30 |
Don't. |
00:02:35 |
Back. |
00:02:36 |
Back. |
00:02:44 |
So, they finally got him. |
00:02:47 |
Took a year to put |
00:02:49 |
He's in prison in London. |
00:02:53 |
He's my gift. |
00:02:56 |
Wet work, Jimmy. |
00:02:59 |
Right now he's in solitary, |
00:03:02 |
...British intelligence is gonna be |
00:03:05 |
...that's why I'm here. |
00:03:07 |
I heard you moved up. |
00:03:10 |
Keeping your distance |
00:03:20 |
Since his unfortunate escape... |
00:03:22 |
...there have been three bombings |
00:03:26 |
Belgrade subway, |
00:03:29 |
...and those army barracks in Iraq. |
00:03:34 |
That's 200 deaths... |
00:03:35 |
...you and I know |
00:03:38 |
You wanna see him run |
00:03:40 |
Not to mention the political |
00:03:44 |
...we sponsored his training |
00:03:46 |
We need you to eliminate him |
00:03:49 |
I've got two passports for you, |
00:03:52 |
Your liaison in London is |
00:03:55 |
Used him before. |
00:03:56 |
Moscow Rules, of course. |
00:03:59 |
Every second counts, no mistakes. |
00:04:03 |
I know what it means. |
00:04:05 |
Same old shit. |
00:04:18 |
Flight 679 now boarding |
00:04:26 |
Would passenger |
00:04:28 |
...traveling to Luxor please proceed |
00:04:34 |
Hey. |
00:04:35 |
- Winchell? |
00:04:37 |
And you, it's true honor |
00:04:39 |
The stories I've heard about you |
00:04:42 |
- All right, let me take that. |
00:04:45 |
Well, this way. |
00:04:49 |
Did you have a good flight? |
00:04:51 |
Well, welcome to London. |
00:04:53 |
Excuse me, miss. |
00:04:54 |
Sorry about the weather. |
00:05:26 |
Halt. |
00:05:28 |
Okay, you're the boss. |
00:05:40 |
Okay. |
00:06:22 |
Look, I'll need these things |
00:06:27 |
Easy-peasy. |
00:06:33 |
Oh, where's the safe house |
00:06:36 |
Elephant & Castle. |
00:06:37 |
1212 Statton Road. |
00:06:42 |
Easy to remember. |
00:06:44 |
The name "Whitney" |
00:06:46 |
And if you need anything else... |
00:06:48 |
Beloit Printing's the place to go. |
00:06:50 |
Now, he's a mate. |
00:06:53 |
It's gonna be chaotic real quick. |
00:07:03 |
Two seconds, and any longer |
00:07:41 |
- Hello? |
00:07:43 |
Yeah, yeah, we're ready. |
00:07:45 |
He's good. |
00:07:47 |
...any time. |
00:07:50 |
- Any time. |
00:07:52 |
- Good luck. |
00:07:55 |
Who was that? |
00:07:58 |
That was our dark lord and master. |
00:08:00 |
You just recorded Collins? |
00:08:02 |
Take it easy, all right. |
00:08:04 |
It's just a precaution. |
00:08:05 |
It's a new world out there. |
00:08:07 |
- Paranoia. |
00:08:09 |
I've got loads of these recordings |
00:08:12 |
You can have listen to them |
00:09:40 |
Okay, we're on. |
00:09:45 |
Look lively. |
00:09:53 |
It's like a feeding frenzy here. |
00:10:09 |
Okay, look lively. I gotta go. |
00:10:19 |
Okay. It's on. It's on. |
00:10:26 |
He's coming through. |
00:10:31 |
I'm gonna get bit closer. |
00:10:32 |
It's up to you now. |
00:10:35 |
Here we go. Ten seconds. |
00:10:39 |
Stand by. |
00:10:40 |
Okay, five seconds. |
00:10:42 |
Three seconds. Oh, no, he's covered. |
00:10:45 |
He's got cover on him. |
00:10:50 |
Other way, other way. |
00:10:52 |
Go. Take the shot, now. |
00:10:53 |
What you waiting for? He's in. |
00:10:55 |
Here's your chance. He's there. |
00:11:00 |
Through here. |
00:11:04 |
Right. Quick as you can. |
00:11:06 |
Keep moving. |
00:11:07 |
He's gone, he's gone. |
00:11:13 |
I'm gone. I'm out of here. |
00:11:15 |
It's all fucked. |
00:11:24 |
Where is my lawyer? |
00:11:43 |
Terry, get the car. |
00:11:45 |
It's fucked. It's all fucked. |
00:11:47 |
Terry, get the car. |
00:11:52 |
Everything's arranged. |
00:11:53 |
Don't worry, we'll have you |
00:12:13 |
- Hey, hold it a sec. |
00:12:15 |
- ID, please. |
00:12:16 |
Please, sir. Your ID. |
00:12:21 |
Look at me, look at me. |
00:12:25 |
Do you hear me? |
00:12:27 |
All right. |
00:12:34 |
Right, you check the pews, |
00:12:36 |
- Okay, sir, on your way. |
00:12:41 |
Damn it, Terry. |
00:13:02 |
Sorry, mate, I just... |
00:13:03 |
- Just drive. |
00:13:14 |
Brace yourselves. |
00:13:24 |
Suspects are heading north |
00:13:27 |
Hold on to your pants. |
00:13:36 |
Secure the perimeter. |
00:13:38 |
I repeat, secure the perimeter. |
00:13:43 |
Christ! |
00:15:18 |
Superintendent, sir. |
00:15:19 |
Morning. |
00:15:22 |
Where's Inspector Ballard? |
00:15:24 |
She's down at the tube station, sir. |
00:15:47 |
The next stop, |
00:15:49 |
Elephant and Castle, |
00:15:51 |
Change, please. Change. |
00:16:54 |
Surveillance footage arrived yet? |
00:16:56 |
Cramston. |
00:16:58 |
- Inspector. |
00:17:00 |
Right away. |
00:17:03 |
Let's not make a big deal |
00:17:05 |
Of course not. |
00:17:07 |
Just make sure you phone Mum |
00:17:23 |
...speak about it again. I want it done |
00:17:28 |
Hello, Mr. Whitney. |
00:17:29 |
Lovely weather for a change. |
00:17:45 |
Oh, sir. |
00:17:48 |
The driver of the cab |
00:17:50 |
Posing as journalist, we assume. |
00:17:54 |
There was also a passenger |
00:17:56 |
We might be able to get a clear image |
00:18:00 |
Definitely two suspects then? |
00:18:01 |
Only one accounted for. |
00:18:38 |
Kitty... |
00:18:39 |
Bingo? |
00:18:41 |
Bingo? |
00:18:45 |
Kitty, Kitty. |
00:18:58 |
I'm looking for my cat. |
00:18:59 |
She's white with two brown feet. |
00:19:03 |
Who are you anyway? |
00:19:06 |
I'm a friend of Mr. Whitney. |
00:19:10 |
I like Mr. Whitney. |
00:19:32 |
How'd you hurt yourself? |
00:19:36 |
Let me see it. |
00:19:42 |
It looks really serious. |
00:19:45 |
No, I'm fine. |
00:19:51 |
I'm fine. |
00:20:43 |
You need me to help you. |
00:20:55 |
Hey. |
00:20:58 |
If I see your cat, I'll... |
00:21:00 |
I'll keep it for you. |
00:21:03 |
Don't bother. |
00:21:04 |
I don't really have a cat. |
00:21:12 |
Oh, shit. |
00:21:18 |
Thank you. |
00:21:21 |
Jeremy Collins. |
00:21:22 |
Andrew Windsor. How do you do? |
00:21:31 |
This assassin is obviously |
00:21:34 |
...which is why there's |
00:21:36 |
Now, Mr. Collins, is to be given all |
00:21:41 |
I really appreciate all |
00:21:44 |
My entire department would. |
00:21:47 |
Well, I'm here to, carry out any |
00:21:52 |
...thus making them, as it were, |
00:21:56 |
Oh. Thank you very much. |
00:22:00 |
Exactly what does that mean, |
00:22:04 |
You tell me the word that you didn't |
00:22:08 |
...in simpler terms. |
00:22:09 |
You see, I have 38 police personnel... |
00:22:12 |
...and four specialist units |
00:22:15 |
Am I to notify each one |
00:22:18 |
No. I'd rather you didn't, |
00:22:21 |
It's highly sensitive case |
00:22:23 |
Which department |
00:22:25 |
- The Justice Department. |
00:22:27 |
U.S. Justice Department. |
00:22:29 |
My main concern |
00:22:32 |
My government has instructed me |
00:22:35 |
Thing is, Mr. Collins, if... |
00:22:38 |
When we find him, we will question |
00:22:41 |
It's under my jurisdiction. |
00:22:43 |
Well, see now, this is where we're |
00:22:47 |
When the shooter is found, |
00:22:50 |
...your department is under orders |
00:22:54 |
Well, I thought I'd made |
00:23:00 |
Well I'm sure |
00:23:03 |
- Friendly cooperation. |
00:23:06 |
Right, well, since we're now |
00:23:10 |
...are there any questions |
00:23:14 |
Sure, I see you released a photo |
00:23:17 |
You have any shots |
00:23:20 |
One. |
00:23:23 |
We're working on it. Within the next |
00:23:27 |
Okay. I need to see |
00:23:30 |
Right. |
00:23:32 |
Immediately. |
00:23:35 |
Right. |
00:23:37 |
Okay. |
00:23:44 |
I brought you a sandwich. |
00:23:45 |
And cupcakes. |
00:24:06 |
What...? |
00:24:09 |
Emily. |
00:24:11 |
Emily Day. |
00:24:16 |
I heard you talking to someone |
00:24:19 |
That's just Grams. |
00:24:21 |
Just a bit wonky, |
00:24:24 |
And your parents? |
00:24:28 |
Peace Corps hippies. |
00:24:37 |
They're in South America now, |
00:24:40 |
Touring the country. |
00:24:41 |
But they'll be home by Christmas. |
00:25:01 |
I'll get you some bandages. |
00:25:08 |
Scotland Yard have just |
00:25:12 |
...concerning the dead man in today's |
00:25:16 |
Police have positively |
00:25:18 |
...as Terry Mitchell. |
00:25:21 |
Mitchell is believed |
00:25:23 |
...with today's assassination |
00:25:25 |
...Ali Mahmoud Jahar. |
00:25:28 |
Mitchell's accomplice |
00:25:31 |
The police are appealing for anyone |
00:25:34 |
- Mr. Whitney. |
00:25:38 |
Gramms. |
00:25:40 |
Where you running off to? |
00:25:43 |
- You all right? |
00:25:45 |
Mrs. Jenkins |
00:25:46 |
Asked if I could read |
00:25:51 |
Jane Eyre, is it? |
00:26:05 |
I told my gramms |
00:26:07 |
...to this weird lady |
00:26:10 |
What if she finds out |
00:26:12 |
She won't. |
00:26:16 |
I got her incredibly |
00:26:24 |
Anyway, the thing is |
00:26:34 |
He was really kind to me. |
00:26:40 |
How's your cut, |
00:26:42 |
Look, I need some rest. |
00:26:57 |
I'm glad you're here. |
00:27:01 |
Whoever you are. |
00:28:05 |
Wet work, Jimmy. |
00:28:08 |
He's my gift. |
00:28:11 |
Wet work, Jimmy. |
00:28:12 |
He's my gift. |
00:28:13 |
I'm glad you're here. |
00:28:14 |
Gift. I'm giving him to you. |
00:28:16 |
I'm glad you're here. |
00:28:18 |
You need me to help you. |
00:28:19 |
You need me to help. |
00:28:23 |
It's just a precaution. |
00:28:25 |
Moscow Rules. |
00:28:27 |
It's just a precaution. |
00:28:53 |
No more of that terrible music |
00:28:57 |
You're wicked. I'm off. |
00:28:59 |
You better go, you'll be late. |
00:29:13 |
Forensics came up with this, |
00:29:15 |
They took apart the cab and |
00:29:18 |
...is the corner of a takeout menu |
00:29:21 |
Can we ID it? |
00:29:22 |
We traced the logo |
00:29:25 |
Elephant and Castle. |
00:29:27 |
It's worth looking into. |
00:29:29 |
Take the photo of the suspect. |
00:29:32 |
Right away. |
00:29:44 |
What? |
00:29:47 |
Nothing. |
00:30:07 |
- What? |
00:30:09 |
No. Go away. |
00:30:12 |
I brought you some coffee. |
00:30:21 |
If you want some coffee, |
00:30:29 |
Why aren't you in school? |
00:30:31 |
If you must know, I'm skipping. |
00:30:33 |
I can't be bothered. |
00:30:35 |
I brought you something |
00:30:38 |
What is it? |
00:30:40 |
- Guess. |
00:30:42 |
- Just guess. |
00:30:44 |
Hell, I just... Just tell me. |
00:30:47 |
It's something you need. |
00:30:49 |
Some desert boots... |
00:30:52 |
...a frying pan... |
00:30:53 |
...a Dust Devil, a... |
00:30:55 |
I don't know. |
00:30:57 |
...six toes and a thing for chocolate. |
00:30:59 |
- What? I don't know. |
00:31:05 |
It's been sent to every airport, |
00:31:08 |
They've all been alerted. |
00:31:15 |
Keep it away |
00:31:17 |
Understood. |
00:31:18 |
What about the American? |
00:31:21 |
Don't tell that bastard |
00:31:29 |
Sir? |
00:31:31 |
Agent 52-57 |
00:31:44 |
James. |
00:31:48 |
Terry's dead. |
00:31:50 |
Yeah, he fucked up, didn't he? |
00:31:51 |
You're all over the news, buddy. |
00:31:55 |
Where are you? |
00:31:59 |
James? |
00:32:02 |
I'll bring you in. |
00:32:06 |
James? |
00:32:11 |
Dance is over. |
00:32:12 |
No, no, no. Wait, wait, wait. |
00:32:14 |
Give me 40 minutes, James, |
00:32:24 |
He's getting out? |
00:32:35 |
Your attention, please. |
00:32:38 |
Passengers are reminded |
00:32:42 |
...baggage must not be left |
00:32:46 |
Have a safe flight, |
00:32:58 |
Ballard. |
00:32:59 |
No, no, no, don't do anything. |
00:33:04 |
Next one, please. |
00:33:09 |
Excuse me, sir. |
00:33:10 |
Step to one side. |
00:33:13 |
Thank you. |
00:33:27 |
Under the jacket here, sir. |
00:33:31 |
Right, I need you |
00:33:36 |
Take your belt off. |
00:33:41 |
Thank you. |
00:33:50 |
Right, sir, thank you very much. |
00:34:10 |
- Excuse me. |
00:34:12 |
Could you page |
00:34:14 |
Sure. |
00:34:32 |
This is a call |
00:34:35 |
John Murphy please pick up |
00:34:37 |
Thank you. |
00:34:40 |
This is a call |
00:34:41 |
Can John Murphy please pick up |
00:34:46 |
Thank you. |
00:35:24 |
I've been informed we have to let |
00:35:27 |
Bollocks. |
00:35:28 |
I'll check |
00:35:30 |
Very good. |
00:35:31 |
I've been told we shouldn't interfere. |
00:35:33 |
Don't piss about. Where is he? |
00:35:35 |
- Baggage area, sir. |
00:35:38 |
Wait. Hold up. |
00:35:57 |
Freeze. |
00:36:22 |
King? |
00:36:28 |
You okay? |
00:36:29 |
Yeah. You go run. |
00:36:32 |
Dial. |
00:36:42 |
Come on, Dial. |
00:36:45 |
Hiding again? |
00:37:23 |
That's far enough. |
00:37:27 |
Don't you move a muscle. |
00:37:31 |
Chief Superintendent |
00:37:35 |
Now this whole area is swarming |
00:37:39 |
...so I suggest |
00:37:48 |
My name is |
00:37:51 |
Agent 52-77. |
00:37:55 |
I was trained in Quantico. |
00:37:57 |
Target elimination. |
00:37:58 |
Under the covert |
00:38:02 |
Firezone. |
00:38:05 |
My case officer |
00:38:10 |
You say Collins? |
00:38:46 |
What's going on in there? |
00:39:00 |
Turning on lights now. |
00:39:03 |
Zooming in. |
00:39:06 |
Inspector, |
00:39:13 |
What do you wanna do? |
00:39:17 |
Inspector? |
00:40:07 |
Annette. |
00:40:11 |
We checked out that lead |
00:40:14 |
The owner of the restaurant ID'd |
00:40:17 |
...as someone |
00:40:19 |
Went by the name of Mr. Whitney. |
00:40:27 |
No one tells the American. |
00:41:06 |
Great. |
00:41:23 |
Where have you been? |
00:41:24 |
A costume party. |
00:41:27 |
Don't lie to a liar. |
00:41:35 |
Well, you've messed up |
00:41:40 |
Looking for something, |
00:41:42 |
Yep. |
00:41:44 |
But it's not here. |
00:41:53 |
Mister. |
00:41:55 |
You have to take a look at this. |
00:42:46 |
Easy, for fuck's sake. |
00:42:53 |
Come on. |
00:42:56 |
Quickly. |
00:42:57 |
Where does this go? |
00:43:00 |
The flat is secure. |
00:43:01 |
He was there, |
00:43:03 |
Well, continue searching |
00:43:06 |
Okay. |
00:44:08 |
Quiet. |
00:44:10 |
Police, madam. |
00:44:12 |
- Where are you... |
00:44:25 |
Stand down. |
00:44:26 |
- Get her out. |
00:44:28 |
Go wait with the lady |
00:44:31 |
Get out. |
00:44:37 |
Clear, sergeant. |
00:44:38 |
Clear. |
00:44:40 |
All clear. |
00:45:00 |
Ballard? |
00:45:01 |
I want a picture |
00:45:03 |
...on every television |
00:45:48 |
Oh, I thought they caught you. |
00:45:57 |
They're gone. |
00:46:19 |
Come on, I gotta hide you. |
00:47:20 |
Just got off the phone |
00:47:26 |
You've been called to testify before the |
00:47:31 |
The hearings have started. |
00:47:35 |
When? |
00:47:37 |
Three days. |
00:47:39 |
We need to get him |
00:47:44 |
Then that's how long we've got. |
00:48:31 |
Mister? |
00:48:33 |
You've gotta see this. |
00:48:36 |
This morning, Scotland Yard |
00:48:39 |
...of the man suspected to be involved |
00:48:42 |
...and the murder of Chief |
00:48:46 |
The public are reminded |
00:48:48 |
...and extremely dangerous. |
00:48:50 |
If recognized, |
00:48:53 |
...under any circumstances. |
00:48:56 |
I didn't shoot the cop. |
00:48:58 |
I believe you. |
00:49:02 |
You can't lie to a liar |
00:49:05 |
Yeah, I bet you would. |
00:49:08 |
What are you gonna do? |
00:49:14 |
I'm gonna try |
00:49:57 |
- That's nice. I like it. |
00:49:59 |
Can I order more? |
00:50:01 |
Yeah, of course. |
00:50:04 |
- Like 200? |
00:50:07 |
And they'll be ready till Monday? |
00:50:10 |
Yes, ma'am, just for you. |
00:50:12 |
Thank you, Mr. Beloit. |
00:50:16 |
All right, come on. |
00:50:22 |
Sir, may I help you? |
00:50:33 |
Yes. |
00:50:38 |
And friends like him. |
00:50:41 |
I'm sorry? |
00:50:43 |
Terry Winchell. |
00:50:47 |
I need a passport. |
00:50:49 |
The Passport Office |
00:50:51 |
I'm printing invitations, |
00:50:54 |
Half now... |
00:50:56 |
...half when the job is done. |
00:51:15 |
Be all you can be. |
00:51:20 |
Tomorrow afternoon. |
00:51:22 |
Three p. m. |
00:51:29 |
It's too late. |
00:51:31 |
I need it today. |
00:51:34 |
Not possible. |
00:51:37 |
Anything is possible. |
00:51:45 |
Pressure increases on |
00:51:47 |
...of grace-and-favor homes for |
00:51:51 |
...to scrap them if elected. Martin. |
00:51:53 |
Thank you, Cindy. |
00:51:55 |
No arrests made yet |
00:51:58 |
...of Chief Inspector |
00:52:00 |
...but Scotland Yard are offering |
00:52:02 |
...for information leading |
00:52:13 |
Is this gonna be too hard for you? |
00:52:17 |
- I'll be all right. |
00:52:23 |
Ballard. |
00:52:26 |
Who the hell's Beloit? |
00:52:33 |
My dad wore that coat |
00:52:35 |
"Make a good impression," |
00:52:39 |
He wore it, huh? |
00:52:42 |
You mean when he wasn't |
00:52:46 |
Yeah. |
00:52:48 |
Well, before he left. |
00:52:55 |
I saw the obituary, Emily. |
00:53:18 |
You know, |
00:53:21 |
...I have this horse. |
00:53:26 |
Stubborn thing. |
00:53:28 |
Won't be broken. |
00:53:35 |
I think you'd like it. |
00:53:40 |
What's his name? |
00:53:42 |
I call him "Beauty. " |
00:53:45 |
Original. |
00:53:52 |
You should see him. |
00:53:55 |
I tell you, this horse has a spirit |
00:54:03 |
Well, maybe I'll come |
00:54:07 |
Maybe. |
00:54:14 |
You okay? |
00:54:17 |
Yeah. |
00:54:21 |
It's time. |
00:54:33 |
Okay. Mister, listen to me. |
00:54:35 |
I'm gonna go ahead of you |
00:54:37 |
- What? |
00:54:40 |
...you know, like you see |
00:54:42 |
- No. |
00:54:44 |
- No. |
00:54:46 |
- No. |
00:54:50 |
When I come out... |
00:54:51 |
...if I walk away from you, |
00:54:54 |
But if I walk towards you... |
00:54:56 |
...it means there's cops in there. |
00:55:00 |
Emily, Emily, Emily. |
00:55:01 |
If I walk towards you... |
00:55:04 |
...just run. |
00:55:15 |
He's a wild boy. |
00:55:48 |
Mr. Beloit, |
00:55:52 |
Trust me. |
00:55:55 |
I'm getting married, not you. |
00:55:58 |
- Right? |
00:56:00 |
I'm absolutely sure. |
00:56:02 |
Just have to change the date. |
00:56:05 |
Can I help you, young lady? |
00:56:07 |
I need something photocopied. |
00:56:09 |
This is a printers. We don't have |
00:56:14 |
Right. Well, thanks, then. |
00:56:39 |
A 1 in position. Fifth floor. |
00:56:47 |
Target in sight. |
00:56:49 |
I repeat, target in sight. |
00:56:53 |
One hundred yards downrange. |
00:57:02 |
Target's approaching, |
00:57:44 |
Target's approaching. |
00:57:52 |
Do we have permission to fire? |
00:57:58 |
A 1 in position. |
00:58:00 |
Target heading |
00:58:04 |
King, ID. |
00:58:13 |
Repeat, do we have permission |
00:58:18 |
Clear shot available. |
00:58:28 |
- Twenty seconds. |
00:58:30 |
This operation |
00:58:36 |
Clear shot. |
00:58:39 |
I have reliable information... |
00:58:41 |
- Sir, our task... |
00:58:43 |
Ten seconds. |
00:58:48 |
- Stand your men down, Ballard! |
00:58:52 |
The target's moving away. |
00:58:54 |
Go, go, go. |
00:59:02 |
Target now moving north |
00:59:11 |
Dial! |
00:59:12 |
He's taking a left, left, left |
00:59:22 |
Target moving down |
00:59:25 |
...near the car park. |
00:59:28 |
Target taking a right, right, right |
00:59:32 |
Do not fire. I repeat, do not fire. |
00:59:35 |
Stay in position, A2. |
00:59:41 |
Do not shoot. Repeat, do not shoot. |
00:59:54 |
I've lost sight of the target. |
01:00:08 |
Get off me! |
01:01:02 |
Yeah. He got away. |
01:01:05 |
I'll get back to you as soon as I can. |
01:01:11 |
Mr. Collins. |
01:01:15 |
I know why I want this shooter. |
01:01:18 |
But what I can't figure out |
01:01:25 |
National security |
01:01:52 |
Have we got that footage |
01:01:54 |
- Not yet, but... |
01:01:58 |
Of course they are. |
01:02:01 |
- Just keep me informed, all right? |
01:02:20 |
There you are. |
01:02:22 |
- I was worried to death. |
01:02:26 |
I need you to sit down |
01:02:30 |
- I don't feel much like it. |
01:02:50 |
I know we've had our differences, |
01:02:54 |
It's not you, Gramms. |
01:02:57 |
No, I mean really. L... |
01:03:00 |
Your being here, |
01:03:05 |
And any mothering instinct |
01:03:08 |
You do all right. Honestly. |
01:03:19 |
Honesty's not something |
01:03:34 |
I miss them too, Emmie. |
01:03:59 |
We will try and make the best of it, |
01:04:09 |
That's good. |
01:04:21 |
- I thought you were dead. |
01:04:23 |
- They were waiting there. |
01:04:31 |
The whole world is looking for you. |
01:04:44 |
Things are becoming |
01:04:46 |
Oh, you can say that again. |
01:04:51 |
I'm gonna have to turn myself in. |
01:04:56 |
But you'll go to prison then. |
01:04:59 |
Maybe. |
01:05:06 |
- What will happen to Beauty? |
01:05:13 |
Beauty will be just fine. |
01:05:17 |
I wanna go to your ranch. |
01:05:20 |
I'd only come for a visit, |
01:05:23 |
- I promise. |
01:05:30 |
I'm going to sleep now. |
01:05:32 |
I'm going to sleep now. |
01:05:35 |
I'm going to sleep now. |
01:05:37 |
How long have |
01:05:42 |
It was a present. |
01:05:44 |
From your neighbor, Mr. Whitney. |
01:05:48 |
- How did you know that? |
01:05:50 |
I'm going to sleep now. |
01:05:54 |
It's really not going very well. |
01:05:59 |
Two more days |
01:06:03 |
Yeah, you know what? Fuck them. |
01:06:06 |
Fuck all of them. |
01:06:10 |
People like us, Purcell... |
01:06:13 |
...we're just the soldiers |
01:06:16 |
I know you know that. |
01:06:19 |
Fight fire with fire, sir. |
01:06:22 |
We should be heroes. |
01:06:26 |
It's embarrassing. |
01:06:28 |
We have to hide and cower |
01:06:31 |
...when the whole world |
01:06:43 |
But we've got every phone |
01:06:51 |
And he's gonna be calling in |
01:06:56 |
How do you know? |
01:06:59 |
That's what I'd do. |
01:07:09 |
What's all this about then? |
01:07:13 |
Leverage. |
01:07:18 |
Inspector, that was a really lovely |
01:07:21 |
- Thank you. |
01:07:25 |
At the end of the day, Cramston, I... |
01:07:28 |
I don't know. |
01:07:32 |
- You don't have to. |
01:07:37 |
- Yes? |
01:07:38 |
- We've an urgent call for you. |
01:07:41 |
Sorry to disturb you. |
01:07:43 |
Ballard speaking. |
01:07:47 |
You're looking for me. |
01:07:49 |
I'm sorry? |
01:07:50 |
You've been looking for me. |
01:07:53 |
Of course. |
01:07:58 |
Things aren't the way |
01:08:04 |
In what way? |
01:08:09 |
I'm a... |
01:08:12 |
I'm an operative for the Agency. |
01:08:15 |
My case officer is the one |
01:08:20 |
His name is Jeremy Collins. |
01:08:25 |
I didn't shoot your father. |
01:08:28 |
Really? |
01:08:34 |
I have more proof. |
01:08:39 |
Meet me. |
01:08:41 |
- Where? |
01:08:44 |
- There's a new mall. |
01:08:48 |
In one hour. |
01:08:50 |
And, Ballard... |
01:08:54 |
...no cops. |
01:08:56 |
If there are any cops there, |
01:09:01 |
For good. |
01:09:04 |
Yeah, I understand. |
01:09:39 |
Ready, sir. |
01:10:11 |
Emmie? |
01:10:15 |
Hi, Gramms. |
01:10:17 |
Mr. Brown was sick, so I got |
01:10:21 |
What's all this then? |
01:10:22 |
Made you coffee. Oh, and I've got |
01:10:25 |
Are you possessed, child? |
01:10:27 |
I know you have |
01:10:29 |
...so I heated you up |
01:10:33 |
Have you done something terrible... |
01:10:35 |
...like burn down the school |
01:10:38 |
Of course not. |
01:10:43 |
Emily. |
01:11:04 |
So we take this road |
01:11:06 |
And then the train station's |
01:11:09 |
You have to take the 4:00 to Dover. |
01:11:11 |
And then the ships go |
01:11:14 |
You know, you're a little |
01:11:16 |
Take this road |
01:11:19 |
And then the train station's |
01:11:22 |
You need to avoid the high streets, |
01:11:32 |
Do you know where this is? |
01:11:34 |
Over there. |
01:11:35 |
Listen to me very carefully. |
01:11:38 |
If you don't hear from me |
01:11:40 |
...take your laptop |
01:11:42 |
You ask for Inspector Ballard. |
01:11:45 |
- Inspector Ballard. You got that? |
01:11:47 |
And then you play for her |
01:11:55 |
Okay. |
01:11:57 |
All right. |
01:12:06 |
Hey. |
01:12:09 |
I still don't know your name. |
01:12:12 |
James. |
01:13:07 |
You said you had proof. |
01:13:12 |
Take it easy. |
01:13:21 |
- What's that? |
01:13:25 |
Ordered by Collins. |
01:13:32 |
I need you |
01:13:37 |
Stop running. |
01:13:40 |
You have everything you need. |
01:13:49 |
I don't think so. |
01:13:59 |
Stop right there. |
01:15:09 |
- Which way? |
01:15:14 |
Wait. I want my gun. |
01:15:30 |
Dial! |
01:15:32 |
- Are you okay? |
01:15:35 |
It just grazed me. |
01:15:37 |
Go right. Go right! |
01:16:19 |
Dial? |
01:16:37 |
Over here! |
01:16:47 |
Purcell? Purcell! |
01:16:52 |
Purcell! Come on. |
01:17:05 |
Is this what you do? |
01:17:12 |
Let's go. |
01:17:18 |
Purcell? |
01:17:42 |
Purcell, we're here. |
01:17:44 |
Keep going. Try to find a way out. |
01:17:49 |
- No. |
01:17:52 |
Go! |
01:18:12 |
- Over here. |
01:18:43 |
Purcell. |
01:18:46 |
God. He's dead. |
01:18:55 |
Purcell's dead. |
01:20:50 |
Cramston, I hope you're bloody well |
01:20:53 |
Just look at that. |
01:21:00 |
Fuck me. |
01:21:04 |
I need you to print out |
01:22:11 |
Just spotted them. |
01:22:12 |
Headed into the Brisbane Hotel. |
01:23:41 |
Move! Go. Go. Go. |
01:23:44 |
- Get out of here! |
01:23:57 |
Seems like we're trapped, James. |
01:24:01 |
Just like Croatia. Remember that? |
01:24:07 |
Escape seemed impossible. |
01:24:33 |
If the mission fails, |
01:24:36 |
- Moscow Rules. |
01:26:07 |
Hey. |
01:26:10 |
Hey. |
01:26:15 |
Well, you know... |
01:26:20 |
...this thing here... |
01:26:22 |
...it... It was never personal, man. |
01:26:28 |
Yeah. |
01:26:32 |
I know. |
01:27:13 |
You need to see this. |
01:27:15 |
I know. |
01:27:18 |
I know. |
01:27:25 |
Get this looked at. |
01:28:34 |
After all we went through, you've gone |
01:28:37 |
Yeah, I got a nasty habit |
01:28:45 |
- I'm coming with you. |
01:28:50 |
I've packed everything. |
01:28:53 |
Emily, you can't. |
01:28:55 |
You can't go where I'm going. |
01:28:58 |
You belong here. |
01:29:00 |
This is where you're from. |
01:29:02 |
Please. |
01:29:07 |
I promise I'll... |
01:29:14 |
I'll see you again. |
01:29:27 |
Look, Emily, I gotta go. |
01:30:35 |
- Do you know where he's going? |
01:30:39 |
Do...? Do you know him? |
01:30:43 |
He saved my life. |
01:30:46 |
He's my friend. |
01:31:01 |
Hey. |
01:31:17 |
No, I... No, I wanna come. |
01:31:23 |
Well, I'll tell Sarah. L... |
01:31:25 |
- Emmie. |
01:31:27 |
Got a letter today. |
01:31:30 |
- From who? |
01:31:33 |
America, I think. |
01:31:50 |
Dear Emily... |
01:31:52 |
...I was thinking |
01:31:56 |
Thought you might wanna help. |
01:31:59 |
I've sent two tickets... |
01:32:00 |
...one for you |
01:32:04 |
Hope to see you. |
01:32:07 |
We'll be waiting. |