Control
|
00:00:32 |
[man] Existence. |
00:00:35 |
Well, what does it matter? |
00:00:41 |
I exist on the best terms I can. |
00:00:45 |
The past is now part of my future. |
00:00:49 |
The present is well out of hand. |
00:01:18 |
[kids kicking football] |
00:01:23 |
[boy] Get it. |
00:01:28 |
lan. Pass us the ball, will you? |
00:01:31 |
Knob cheese. |
00:01:33 |
[# David Bowie: Drive-ln Saturday] |
00:02:00 |
[door opens] |
00:02:01 |
All right, lan? |
00:02:19 |
[song continues on record player] |
00:02:59 |
[door opens] |
00:03:02 |
lan. |
00:03:04 |
Oh, you got it. |
00:03:06 |
Today. |
00:03:09 |
This is Deborah, you know, |
00:03:11 |
From the youth club. |
00:03:18 |
You can't be in my gang |
00:03:21 |
Don't wanna be in your gang. |
00:03:24 |
Neither do I. |
00:03:37 |
[# Roxy Music: 2HB] |
00:03:50 |
I think we should go. |
00:03:52 |
- Now? |
00:03:58 |
OK. |
00:04:00 |
lan, we're getting off. |
00:04:10 |
- Who's the writer? |
00:04:35 |
- [male teacher] Glucose... |
00:04:38 |
...plus oxygen... |
00:04:41 |
Carbon dioxide plus water. |
00:04:48 |
You can clearly see here |
00:04:51 |
are currently out of balance. |
00:04:53 |
Your task will be |
00:04:56 |
in order to make the chemicals balance |
00:04:59 |
before and after the combustion |
00:05:08 |
Wouldn't you say that was so, |
00:05:12 |
lan? |
00:05:14 |
Come on, stop messing. |
00:05:16 |
Uh, Mr Curtis? |
00:05:25 |
What? |
00:05:30 |
Sorry, sir. |
00:05:36 |
Who have we got today, then? |
00:05:38 |
Mrs Brady. |
00:05:41 |
- We done her before? |
00:05:44 |
Let's hope she's got |
00:05:49 |
[Mrs Brady] I mean, I like |
00:05:53 |
Mind you, the stink of some of them. |
00:05:56 |
I tell you, they don't wash |
00:06:00 |
Stink, stink, stink. |
00:06:03 |
Stink to high heaven of piss. |
00:06:05 |
Mrs Brady, please can I use |
00:06:09 |
'Course you can, love. |
00:06:11 |
- Second on the left, down the hall. |
00:06:16 |
Where was I? |
00:06:18 |
Oh, yes. |
00:06:30 |
[lan] It says here Cirazapan usually |
00:06:35 |
Side effects include drowsiness, |
00:06:40 |
and blurred vision. |
00:06:43 |
I'm taking two. |
00:06:50 |
[groans] |
00:06:53 |
[coughs] |
00:06:59 |
[woman] Oh, here we go. Who's that? |
00:07:01 |
- [dog barking] |
00:07:06 |
- Hi. |
00:07:07 |
Nick, yeah. Hi. |
00:07:11 |
- lan. |
00:07:13 |
- Hi. |
00:07:15 |
Oh, wow, a dog. What's her name? |
00:07:18 |
- Tess. |
00:07:20 |
Come around to speak to, you know... |
00:07:23 |
See if she wants to... for a bit. |
00:07:26 |
- Debbie. |
00:07:30 |
Debbie. Hi. |
00:07:32 |
- Hi. |
00:07:35 |
Hi. Do you want to come in? |
00:07:42 |
Hi. |
00:07:44 |
Hi. |
00:07:58 |
My heart leaps up when I behold |
00:08:01 |
A rainbow in the sky |
00:08:04 |
So it was my life began |
00:08:07 |
So is it now I am a man |
00:08:11 |
So it be when I shall grow old |
00:08:15 |
Or let me die |
00:08:18 |
The child is the father of the man |
00:08:21 |
And I could wish my days to be |
00:08:25 |
Bound each to each by natural piety |
00:08:39 |
- Did you write that? |
00:08:54 |
[# David Bowie: The Jean Genie] |
00:10:04 |
[chuckling] |
00:10:06 |
- Cheers. |
00:10:11 |
- I'm really excited for this. |
00:10:13 |
Never really into Bowie before, |
00:10:21 |
It's a shame Nick couldn't come. |
00:10:24 |
He did say I could go out with you. |
00:10:26 |
He said it was all right. |
00:10:30 |
Did he now? |
00:10:34 |
Well, I didn't want him thinking we were |
00:10:39 |
That's a bit presumptuous, |
00:10:43 |
Why? |
00:10:44 |
I might not have wanted |
00:10:47 |
- [man] Go over there. |
00:11:03 |
[lan] I wish I were a Warhol silkscreen |
00:11:06 |
Hanging on the wall |
00:11:08 |
Or little Joe or maybe Lou |
00:11:11 |
I'd love to be them all |
00:11:14 |
All New York City's broken hearts |
00:11:16 |
And secrets would be mine |
00:11:19 |
I'd put you on a movie reel |
00:11:21 |
And that would be just fine |
00:11:26 |
[Debbie shrieks] |
00:11:51 |
I think we should get married. |
00:11:56 |
Are you asking? |
00:12:00 |
You're mine. |
00:12:02 |
Irretrievably. |
00:12:06 |
- Am I now? |
00:12:10 |
And you know it. |
00:12:27 |
[bells chiming] |
00:12:32 |
[people cheering and applauding] |
00:13:01 |
lan? |
00:13:03 |
I've got a brew for you. |
00:13:09 |
lan? |
00:13:19 |
[# lggy Pop: Sister Midnight] |
00:13:22 |
All right, lads? |
00:13:24 |
- All right. |
00:13:27 |
It's a bit empty in here tonight. |
00:13:29 |
- Tony Wilson's over there. |
00:13:31 |
Posh bloke from Granada TV. |
00:13:34 |
- Oh, yeah. |
00:13:37 |
- You'll have to be out a bit more. |
00:13:40 |
Been a bit busy. |
00:13:42 |
Getting married, finding a house. |
00:13:44 |
Sounds like fun. |
00:13:47 |
- How's the band? |
00:13:51 |
It's not particularly good |
00:13:55 |
No. We're pretty shite. |
00:13:58 |
Be a lot less shite if we could find |
00:14:06 |
I'm really looking forward |
00:14:09 |
Apparently they tear up the stage |
00:14:13 |
- All right? |
00:14:16 |
- Take it easy. |
00:14:21 |
- Embarrassed of me or something? |
00:14:27 |
- He's all right, him, isn't he? |
00:14:29 |
A bit tall, bit odd, but yeah. |
00:14:32 |
[# The Sex Pistols: Problems] |
00:15:05 |
[inhales] So you're really |
00:15:15 |
[# Joy Division: No Love Lost] |
00:16:44 |
So, what do you like doing, Colin? |
00:16:47 |
Watching telly. |
00:16:50 |
- Apart from watching telly? |
00:16:56 |
Food? Well, that's a start. |
00:16:58 |
There's plenty ofjobs |
00:17:00 |
And watch telly. |
00:17:02 |
- So you like food and watching telly? |
00:17:06 |
Well... |
00:17:07 |
There's a job here working |
00:17:10 |
behind the hot dog counter. |
00:17:13 |
- I do not like hot dogs! |
00:17:16 |
Well, should we give 'em |
00:17:22 |
[dialling on rotary phone] |
00:17:26 |
[man] The colour scheme is fuckin' brown |
00:17:28 |
Everywhere in chicken town |
00:17:30 |
The fuckin' pubs are fuckin' dull |
00:17:33 |
Of fuckin' girls and fuckin' guys |
00:17:35 |
A fuckin' bloke gets fuckin' stabbed |
00:17:38 |
You fuckin' stay at fuckin' home |
00:17:41 |
Keep the fuckin' racket down |
00:17:43 |
- [muffled spoken word] |
00:17:47 |
- I'm a bit nervous, me. |
00:17:50 |
Just with it being recorded |
00:17:55 |
I mean, we're actually |
00:17:57 |
I can play it at my gran's |
00:18:03 |
How about you, Hooky? |
00:18:05 |
Am I fuck, man? |
00:18:07 |
[flatulence] |
00:18:09 |
- What about you, lan? |
00:18:13 |
[flatulence] |
00:18:16 |
Steven? |
00:18:19 |
- No. |
00:18:24 |
The fuckin' pies are fuckin' old |
00:18:27 |
The fuckin' beer is fuckin' flat |
00:18:30 |
The fuckin' clocks are fuckin' wrong |
00:18:33 |
It fuckin' gets you fuckin' down |
00:18:36 |
Thank you. Good night. |
00:18:38 |
[cheers and applause] |
00:18:41 |
[applause, muffled] |
00:18:43 |
Right, Warsaw, we're on. |
00:18:45 |
Fuckin' hell! Who's opened the ham? |
00:18:57 |
[man] The next band of the night, folks: |
00:18:59 |
- Warsaw! |
00:19:11 |
You all forgotten Rudolf Hess? |
00:19:13 |
[Steven taps count] |
00:19:15 |
[# Leaders of Men] |
00:20:44 |
lan, it's 400 pound. |
00:20:49 |
Are you sure you want to do this? |
00:20:51 |
I know, but... |
00:20:53 |
The band are gonna pay us back. |
00:20:59 |
OK. |
00:21:07 |
Let's have a baby. |
00:21:12 |
OK. |
00:21:36 |
Four hundred quid. |
00:21:42 |
What are you lot called again? |
00:21:43 |
We were Warsaw. |
00:21:46 |
Excuse me, but what happened |
00:21:49 |
OK. |
00:21:51 |
- All right. Joy Division's good. |
00:21:54 |
What's all that about? |
00:21:56 |
It's the name of a brothel German |
00:22:02 |
Well, whatever. Studio's yours. |
00:22:09 |
And it folds up to hold the record. |
00:22:14 |
Have a look. |
00:22:23 |
Yeah, it's good that, Bernard. |
00:22:26 |
Thought-provoking. |
00:22:29 |
That's right. Her name's Corrine Lewis. |
00:22:35 |
Is 2.45 Thursday all right? |
00:22:40 |
OK, then, Mr Mathers, |
00:22:43 |
Bye. |
00:22:45 |
Done. He sounds keen. |
00:22:53 |
[gasping] |
00:22:59 |
I'll get some water. |
00:23:03 |
[lan] When you're looking at life |
00:23:09 |
Maybe drowning soon |
00:23:11 |
Is this the start of it all? |
00:23:14 |
[# Buzzcocks: Boredom] |
00:23:18 |
I'd never stand for that. |
00:23:22 |
What? |
00:23:23 |
Being called something like |
00:23:27 |
What are you on about? |
00:23:29 |
I don't know. I don't mind the Buzz, |
00:23:32 |
I don't get it. |
00:23:35 |
They're not calling themselves |
00:23:37 |
They're calling themselves |
00:23:41 |
Still got the word "cock" in it, though. |
00:23:44 |
Just saying I wouldn't stand for it, |
00:23:46 |
Shh! |
00:23:47 |
[man] They were the Buzzcocks. |
00:23:52 |
- As you'll soon know about these lot... |
00:23:55 |
... a Manchester band called |
00:23:58 |
An Ideal for Living. |
00:24:00 |
Keep the music coming in. Next week |
00:24:04 |
We've just been on telly, lads. |
00:24:07 |
So is Tony Wilson a fan, |
00:24:09 |
That was bollocks. |
00:24:12 |
He didn't even say if he liked it |
00:24:14 |
- 'Course he liked it. |
00:24:19 |
He waved it |
00:24:22 |
Forget the record. |
00:24:32 |
Hiya. |
00:24:34 |
[Hooky] There he is. |
00:24:36 |
[Tony] Um, just orange juice, please. |
00:24:39 |
Go on, tell him. |
00:24:48 |
OK, how are you? |
00:24:49 |
You're gonna go out there, |
00:24:55 |
You're not up there having a wank, OK? |
00:24:57 |
Think. |
00:25:04 |
You're a twat, you are. |
00:25:08 |
Am I? Why is that? |
00:25:09 |
Because you haven't |
00:25:13 |
Well, then, you'll be the next band |
00:25:17 |
[man and Hooky argue] |
00:25:18 |
Fuckin' right we're going on |
00:25:21 |
Your band ain't even |
00:25:23 |
- Fuck off. |
00:25:25 |
- Fuck off! |
00:25:33 |
[# Digital] |
00:26:20 |
That was superb, that, lads. |
00:26:24 |
I've not seen a reaction like that |
00:26:26 |
since George Best got kicked out |
00:26:29 |
I know how you can be better... |
00:26:33 |
- Go on, then. |
00:26:35 |
You play, I manage. |
00:26:37 |
We all get stinkin' rich and go buy |
00:26:41 |
- Job's a good 'un. |
00:26:43 |
Rob Gretton. I already manage |
00:26:45 |
But they couldn't sniff the sweat |
00:26:48 |
You lot are somethin' else. |
00:26:51 |
I am a believer in Joy Division. |
00:26:53 |
I'm also resident DJ here, |
00:26:56 |
which means I know anyone of any |
00:26:59 |
I'll have you lot signed within |
00:27:03 |
We've already got a manager, |
00:27:05 |
- Who's that, then? |
00:27:08 |
- What's your name, mate? |
00:27:10 |
- Terry what? |
00:27:11 |
Terry Mason. Tez. |
00:27:15 |
Tez, you know jack shit about this |
00:27:19 |
'Cause I haven't heard of you. |
00:27:20 |
I bet you haven't even got |
00:27:24 |
Didn't think so. How will you book gigs |
00:27:26 |
and cut deals without a phone, |
00:27:29 |
No offence. I call everyone that. |
00:27:32 |
Look, I've got to pack up my gig. |
00:27:44 |
[telephone ringing] |
00:28:01 |
[clears throat] |
00:28:04 |
Rob's Records, Rob speaking. |
00:28:07 |
All right, lan. Yeah, good, yeah. |
00:28:16 |
Well, that's fuckin' brilliant, lan. |
00:28:21 |
Well, I'll speak to you later, then. |
00:28:23 |
Fine, I understand. |
00:28:24 |
But you've got to sign with Factory. |
00:28:27 |
We're a fresh and exciting label, |
00:28:31 |
And, most importantly, we both fly |
00:28:35 |
- Don't give a fuck about that. |
00:28:37 |
- And I suppose they're Nazis as well. |
00:28:40 |
- What about the money? |
00:28:43 |
You own all the publishing rights |
00:28:47 |
- You serious? |
00:28:49 |
I don't fuck about with talent |
00:28:53 |
I'll even sign the contracts in my |
00:28:57 |
We'll speak later, then. |
00:29:01 |
Now remember, we are live, |
00:29:04 |
- What about "arse"? |
00:29:06 |
- Is "arse" a swear word? |
00:29:10 |
- No, it's not. |
00:29:12 |
out there I know |
00:29:15 |
Here, in TV land, |
00:29:19 |
Trust me, I know |
00:29:22 |
I'm a master of knowing |
00:29:26 |
What about "big dog's cock"? |
00:29:29 |
[chuckling] |
00:29:32 |
No. |
00:29:37 |
Seeing as how this is |
00:29:40 |
which brought you the |
00:29:43 |
from The Beatles to the Buzzcocks, |
00:29:46 |
the most new and interesting sounds |
00:29:49 |
They're called Joy Division, |
00:29:51 |
except for the guitarist who comes from |
00:29:55 |
This is called Transmission. |
00:30:02 |
[# Transmission] |
00:32:41 |
I can't believe you did it. |
00:32:45 |
Must have lost about half a pint. |
00:32:47 |
Shows he's serious, though. |
00:32:49 |
- How you feelin', Tony? |
00:32:52 |
I've felt better. |
00:32:55 |
Hold on. You spelled Morriss wrong. |
00:32:59 |
Tony, you're gonna have to add |
00:33:02 |
Do I have to? |
00:33:03 |
It's not very professional to spell |
00:33:21 |
Job's a good 'un. Thanks, Tony. |
00:33:25 |
So... |
00:33:27 |
...I can officially announce |
00:33:29 |
Joy Division have signed with Factory? |
00:33:31 |
Can you fuck? I'll give you a ring |
00:33:35 |
[groans] |
00:33:39 |
Bit of a drama queen, isn't he? |
00:33:46 |
- [gunfire] |
00:33:51 |
[man whistles, yells] |
00:33:59 |
lan... |
00:34:03 |
...please come to bed. |
00:34:14 |
Right, Geoff, well, |
00:34:17 |
Thank you. |
00:34:23 |
- [Geoff] That's fine. |
00:34:26 |
- Thank you very much. |
00:34:28 |
We are gonna be late, you know. |
00:34:30 |
All right? |
00:34:35 |
- What's up? |
00:34:38 |
He's all right, |
00:34:40 |
He's fuckin' scared of playing |
00:34:43 |
Chocks away. |
00:35:11 |
[# Insight] |
00:35:47 |
Well, that was shit. |
00:35:49 |
First gig in London, |
00:35:52 |
And now I'm freezing. |
00:35:56 |
I told you it's broke. |
00:35:57 |
Well, you're probably just too thick |
00:36:01 |
It's a heater, lan. |
00:36:03 |
And that one doesn't, 'cause it's broke. |
00:36:12 |
Give us a go on your sleeping bag. |
00:36:15 |
- I'm dying here. |
00:36:18 |
- No. |
00:36:21 |
- I'm not. I'm dying! |
00:36:24 |
and that's it, babyface! |
00:36:25 |
- Hey! |
00:36:28 |
- Pack it in, the pair of you. |
00:36:31 |
I'm gonna crash the bloody car. |
00:36:34 |
- lan, you fuckin' menk! |
00:36:37 |
- Fuckin' hell. |
00:36:40 |
Pull over. Steve, pull over. |
00:36:45 |
[engine revving] |
00:36:49 |
Hooky, quick, quick, give us a hand. |
00:36:52 |
- [horn honking] |
00:36:58 |
Fuckin' hell. |
00:37:04 |
- lan, what's up with you, mate? |
00:37:09 |
Fuck, I thought he was just |
00:37:12 |
This isn't right, this, Rob. |
00:37:19 |
[buzzer sounding] |
00:37:30 |
- What's the story, then? |
00:37:34 |
Oh, right. They're clever, |
00:37:37 |
- What kind? |
00:37:41 |
I thought epilepsy |
00:37:44 |
- What? |
00:37:48 |
Nice, Hooky, nice. |
00:37:52 |
- So is he gonna be all right? |
00:37:55 |
Well, if he were chatty we'd be worried. |
00:38:00 |
[sighs] |
00:38:02 |
[man] We'll try you on... |
00:38:06 |
...phenytoin, |
00:38:12 |
to be taken with the, uh, phenobarbital |
00:38:17 |
In the meantime you'll be |
00:38:20 |
a neurologist specialist |
00:38:24 |
You should also be getting |
00:38:26 |
and steering away from alcohol. |
00:38:34 |
It's a matter of trial and error |
00:38:37 |
until the right drug or |
00:38:40 |
Some might work. |
00:38:48 |
And... are there any side effects? |
00:38:58 |
Carbamazepine's side effects |
00:39:04 |
double vision, drowsiness, dizziness, |
00:39:06 |
gastric disturbances... |
00:39:10 |
Phenytoin's side effects |
00:39:14 |
acne, overgrowth of the gums, |
00:39:17 |
nausea, vomiting, mental confusion, |
00:39:20 |
mental slowing. That's it. |
00:39:26 |
[sighs] |
00:39:32 |
[Debbie] lan, you're |
00:39:42 |
[man] lan? |
00:39:48 |
- [moans] |
00:39:52 |
Uh, I'm sorry, Earnest. |
00:39:56 |
- [sighs] You all right? |
00:40:00 |
It's these tablets. |
00:40:03 |
Yeah, well, them and |
00:40:06 |
Listen, um... |
00:40:08 |
I'm not sure you can do |
00:40:12 |
so just have a little think |
00:40:15 |
As your supervisor I do need you |
00:40:20 |
[softly] Yeah. |
00:40:23 |
[door opens and closes] |
00:40:30 |
[dialling number] |
00:40:45 |
Hello, is Corrine there, please? |
00:40:49 |
It's lan Curtis from |
00:40:51 |
I was just wondering how she'd been... |
00:40:56 |
What? |
00:40:58 |
Just like that? |
00:41:02 |
From having a fit? |
00:41:05 |
I didn't know that could... |
00:41:09 |
Oh. I'm so, so sorry. |
00:41:34 |
[knock on door] |
00:41:36 |
[Debbie] lan, love, |
00:41:40 |
Are you comin'? |
00:41:50 |
[footsteps ascending stairs] |
00:42:11 |
[# She's Lost Control] |
00:42:36 |
[crowd cheering] |
00:43:30 |
[Tony] All right? |
00:43:32 |
Hi. They wouldn't let me in. |
00:43:36 |
I didn't know. |
00:43:37 |
Somebody should've. |
00:43:40 |
No, I didn't know you were pregnant. |
00:44:05 |
- [chuckles] |
00:44:11 |
- Hiya. |
00:44:12 |
- Where's lan? |
00:44:17 |
Oh, don't look so shocked, Rob. |
00:44:37 |
Hiya. |
00:44:39 |
What are you doing here? |
00:44:44 |
- She's a mate of Hooky's. |
00:44:47 |
Hi. I'm lan's wife. |
00:44:51 |
Hi. |
00:44:56 |
Do you think it's right for you |
00:45:11 |
lan. |
00:45:14 |
[moans] |
00:45:21 |
[groaning] |
00:45:34 |
[panting] lan. |
00:45:35 |
- [woman] Come on, into the pain. |
00:45:38 |
Keep going... |
00:45:40 |
Well done, well done. One last time. |
00:45:42 |
- One last time. |
00:45:44 |
Go on. Yes, you can, |
00:45:46 |
- Good girl. Well done. |
00:45:52 |
Good. That's great. |
00:45:54 |
Here we are. That's right. |
00:45:56 |
[baby cries] |
00:45:58 |
Ah, here we are. It's a girl. |
00:46:02 |
- Ohh! |
00:46:05 |
Congratulations. |
00:46:08 |
Mum and Dad. |
00:46:15 |
[baby fusses, cries] |
00:46:17 |
[Debbie] Hello. Hello. |
00:46:20 |
Hey. |
00:46:24 |
I need a cig. |
00:46:38 |
[sighs] |
00:46:54 |
[exhales] |
00:47:07 |
- [telephone ringing] |
00:47:19 |
[tapping on window] |
00:47:24 |
[door opens and closes] |
00:47:33 |
Silklands Nightclub. |
00:47:36 |
Part-time barmaid. |
00:47:38 |
One pound ten an hour. |
00:47:40 |
Mum and Dad can look after Natalie. |
00:47:45 |
What do you think? |
00:47:51 |
Well, it won't be for long. |
00:47:53 |
I'll take care of you as soon |
00:48:06 |
[crowd cheering] |
00:48:09 |
[# Candidate] |
00:49:23 |
[cheering and applause] |
00:49:38 |
Well, what happened |
00:49:49 |
Well, my wages are the same |
00:49:58 |
- Talk to lan, you know. Find out. |
00:50:01 |
[woman] OK. |
00:50:04 |
- [Rob] No promises. |
00:50:08 |
Look, I've gotta go. |
00:50:11 |
Give Natalie a kiss for me. |
00:50:16 |
I love you too. |
00:50:26 |
Not bad, eh? |
00:50:28 |
The journalist makes us out to be |
00:50:32 |
A bunch of cool pricks, |
00:50:35 |
- Who's that? |
00:50:37 |
Wants to do an interview. |
00:50:39 |
She's not a Frenchy. |
00:50:42 |
- [lan] What did you tell her? |
00:50:45 |
but it's unlikely to happen now. |
00:50:47 |
It's only a crappy European fanzine. |
00:50:50 |
Well, I'm all right. |
00:50:55 |
We can invite her back |
00:50:58 |
- What's her name? |
00:51:01 |
Annik. Different. |
00:51:05 |
It's foreign. |
00:51:09 |
I'll have a word, boss. |
00:51:12 |
Annik? Hola. |
00:51:24 |
Come on, then. Let's have it. |
00:51:32 |
OK. [inhales] |
00:51:34 |
OK, so, um... |
00:51:40 |
They're a good laugh. |
00:51:42 |
Yeah, they're all right, |
00:51:49 |
- There you go. |
00:51:51 |
What is the most beautiful thing |
00:51:56 |
I saw a beautiful drum kit down at |
00:52:02 |
[Annik] What about music? |
00:52:05 |
Some of it. |
00:52:09 |
What about Joy Division's music? |
00:52:11 |
Some of it, yeah, but... |
00:52:13 |
...some of it's |
00:52:21 |
Does anyone believe in love? |
00:52:25 |
I believe in pure... sex. |
00:52:32 |
[Hooky] I believe in feeling, yeah. |
00:52:36 |
[Annik] What does that mean? |
00:52:39 |
You know, like if I had a car, |
00:52:41 |
and I felt love for the car |
00:52:44 |
I'd be as upset as if |
00:52:48 |
[snickering] |
00:52:54 |
So you're not a journalist, then? |
00:52:57 |
It's a hobby thing, not a full-time job. |
00:53:01 |
I work for the Belgian embassy, |
00:53:05 |
Sounds interesting. |
00:53:08 |
Free, independent woman. |
00:53:12 |
I suppose so, yes. |
00:53:21 |
Tell me about Macclesfield. |
00:53:26 |
[sighs] It's grey, it's miserable. |
00:53:31 |
I've wanted to escape it my whole life. |
00:53:40 |
What about your wife? |
00:53:44 |
She loves it in Macclesfield. |
00:53:53 |
You were married so young. |
00:53:56 |
I've never heard of people |
00:53:59 |
Yeah, I know. |
00:54:07 |
My marriage was a mistake. |
00:54:22 |
- Are you tired? |
00:54:33 |
[door opens and closes] |
00:55:38 |
[door closes] |
00:55:40 |
[Debbie cooing] |
00:56:06 |
[kissing and moaning] |
00:00:17 |
- lan? |
00:00:27 |
lan? |
00:00:53 |
What time are they coming for you? |
00:00:56 |
Half an hour. |
00:00:58 |
Right. I'm gonna nip to the shop. |
00:01:00 |
Back in a minute, OK? |
00:01:17 |
[door closes] |
00:01:31 |
[horn honking] |
00:01:39 |
You got your passport, lan? |
00:01:45 |
Up the continental in the rental. |
00:02:06 |
[# Kraftwerk: Autobahn] |
00:02:24 |
[Bernard] Fresh air. |
00:02:26 |
All right, love? |
00:02:29 |
- Hi. |
00:02:30 |
Hiya. |
00:02:35 |
I'll get in the back this time. |
00:03:10 |
Hi, Debbie. |
00:03:19 |
[tapping] |
00:03:35 |
[Debbie] I must have been out |
00:03:38 |
- [Natalie coos] |
00:03:47 |
Come on, girl. Yeah. |
00:03:50 |
Come on, girl. [grunts] |
00:04:01 |
Did you remember to take your pills? |
00:04:03 |
Yeah. |
00:04:08 |
- Are they working? |
00:04:12 |
I had an attack in Berlin. |
00:04:14 |
Oh, lan, if they're not working |
00:04:16 |
we need to get you a doctor's |
00:04:26 |
We really missed you. |
00:04:35 |
Oh, there's this girl at work |
00:04:37 |
and, uh, she's invited us |
00:04:40 |
- Hasn't she? |
00:04:42 |
And I said, um, that we'd go. 'Cause |
00:04:46 |
That way we get a lie in. Don't we? |
00:04:52 |
Daddy. Daddy's home. |
00:04:55 |
- Do you like the Buzzcocks? |
00:04:57 |
We're on tour with them as well. |
00:04:59 |
[Claire] Don't know what you were |
00:05:03 |
But he can seem a bit distant |
00:05:09 |
Do you trust him when he's away? |
00:05:11 |
- You know, with other girls. |
00:05:15 |
[# Supersister: She Was Naked] |
00:05:18 |
He's so protective, you know. |
00:05:22 |
Goes mad if I talk to other blokes. |
00:05:26 |
He is quite famous now, |
00:05:30 |
Not to me. |
00:05:32 |
I still wash his underpants. |
00:05:40 |
Do you want to sleep with other men? |
00:05:42 |
What? |
00:05:43 |
Do you want to sleep with other men? |
00:05:48 |
That's a strange question. |
00:05:52 |
Because... if you did... |
00:05:56 |
...it'd be OK. |
00:05:59 |
I'd be OK. |
00:06:02 |
Are you being serious? |
00:06:08 |
When you say a thing like that it makes |
00:06:15 |
I don't think I do. |
00:06:23 |
[# Joy Division: |
00:08:04 |
[line ringing] |
00:08:15 |
[woman] Belgian Embassy. |
00:08:18 |
Hello, um... |
00:08:21 |
Can I speak with Annik Honore, please? |
00:08:25 |
One moment. |
00:08:30 |
Annik Honore, bonjour. |
00:08:39 |
Steve! Hey, kill it! Kill it! |
00:08:42 |
Kill it, kill it. |
00:08:46 |
- Something's up. |
00:08:48 |
Rob's got one of his cheesy grins |
00:08:50 |
You've been spending our wages, |
00:08:53 |
Come on, then, |
00:08:56 |
It's all happenin', boys. |
00:09:00 |
Nineteenth of May we're off to the |
00:09:06 |
- You're joking? |
00:09:09 |
We're gonna be somebodies. |
00:09:12 |
How'd you wangle that one? |
00:09:13 |
I put a lackey band |
00:09:16 |
Did it drop off? |
00:09:18 |
I thought we'd celebrate. |
00:09:21 |
[Steve] Nice one. |
00:09:26 |
[door opens] |
00:09:28 |
- [footsteps] |
00:09:40 |
What are you doing in here? |
00:09:43 |
Who's Annik? |
00:10:04 |
Eh? |
00:10:07 |
How long have you been seeing her? |
00:10:15 |
Answer me, lan! Don't ignore me! |
00:10:24 |
Eh? |
00:10:27 |
How long have you been seeing her? |
00:10:38 |
Do you love her? |
00:10:45 |
Do you love her, lan? |
00:10:56 |
[sobs] I love you. |
00:10:59 |
I really, really love you. |
00:11:12 |
No one loves you like me. |
00:11:19 |
Just answer me, lan! |
00:11:30 |
I don't deserve this. |
00:11:33 |
I don't deserve this. |
00:11:37 |
[door opens and closes] |
00:11:44 |
[sighing] |
00:11:48 |
[sobbing and sighing] |
00:11:58 |
Fuckin' hell. |
00:12:03 |
[sobs] |
00:12:19 |
[sniffling] |
00:12:34 |
Sorry, Debbie. |
00:12:40 |
I owe you everything. |
00:12:46 |
I love you. |
00:12:52 |
What does that mean? |
00:12:57 |
I'll finish with her. |
00:13:02 |
Please. |
00:13:07 |
[# Isolation] |
00:13:21 |
[woman] London Euston. |
00:13:23 |
The next train to arrive |
00:13:27 |
- Eh-up. You all right, love? |
00:13:30 |
- Good to see you. |
00:13:32 |
- Hello. Hi. |
00:13:40 |
[song continues through headphones] |
00:13:55 |
Steve, go and turn the heating off. |
00:13:57 |
I wanna get it colder in here. |
00:13:59 |
[murmuring, indistinct] |
00:14:03 |
Will you two twats |
00:14:08 |
- All right. |
00:14:11 |
[song switched off] |
00:14:13 |
[song switched on] |
00:15:00 |
Got it, lan. It's good. |
00:15:04 |
It's fuckin' genius, actually. |
00:15:09 |
- [rainfall] |
00:15:16 |
[line ringing] |
00:15:22 |
[Debbie] Hello? |
00:15:24 |
I told her. |
00:15:37 |
[buzzer rings] |
00:16:03 |
[woman shouts] |
00:16:06 |
[# Dead Souls] |
00:18:01 |
Fuckin' hell! |
00:18:03 |
Twinny, come on, give us a hand. |
00:18:06 |
Come on, take him your way. |
00:18:17 |
Here, Twinny, get him some water. |
00:18:24 |
[cheering and applause] |
00:18:30 |
We're Joy Division, you're the crowd. |
00:18:38 |
- Was it a bad one? |
00:18:43 |
Did Annik see? |
00:18:45 |
Everyone saw. |
00:18:47 |
That was superb, that, lan, mate. |
00:18:50 |
You played a fuckin' blinder. |
00:18:52 |
Who won the fight, lan or lan? |
00:18:53 |
It's like lan knocked lan out to me. |
00:18:55 |
Twatted himself |
00:18:58 |
- [door closes] |
00:19:02 |
- Brilliant! Absolutely brilliant. |
00:19:05 |
Hang on. Come with me. |
00:19:07 |
- I'll show you my... |
00:19:17 |
I'll go find Gillian. |
00:19:29 |
Taking your medication? |
00:19:32 |
For what it's worth. |
00:19:35 |
Chin up. Could be worse. |
00:19:37 |
Could be the lead singer in The Fall. |
00:19:41 |
[knock on door] |
00:19:57 |
lan. |
00:19:58 |
- Are you OK? |
00:20:06 |
- I'm so sorry. |
00:20:09 |
I'm all right now. |
00:20:20 |
[grunts] |
00:20:30 |
lan, Debbie on the phone for you. |
00:20:55 |
[door closes] |
00:21:02 |
- Hello? |
00:21:05 |
Hi. |
00:21:18 |
lan, you are so depressing. |
00:21:34 |
I'm so happy to sit with you here. |
00:21:40 |
Me too. |
00:21:52 |
I don't know what to say. |
00:21:59 |
I never felt this way before. |
00:22:06 |
But... |
00:22:08 |
...at the same time I feel like |
00:22:11 |
I don't really know |
00:22:16 |
...you don't know me, and... |
00:22:24 |
Well, what do you want to know? |
00:22:34 |
Tell me your favourite movie. |
00:22:37 |
Hmm... |
00:22:40 |
I really like... The Sound of Music. |
00:22:48 |
- What? |
00:22:54 |
- Anything else? |
00:22:58 |
Mine is purple. |
00:23:01 |
Blue. Man City blue. |
00:23:06 |
What is Man City blue? |
00:23:09 |
Well, Man City is a football club. |
00:23:13 |
And they wear blue. |
00:23:28 |
- lan... |
00:23:36 |
I'm a little scared. |
00:23:40 |
Scared of what? |
00:23:45 |
Scared of falling in love with you. |
00:24:23 |
[door opens] |
00:24:32 |
[Natalie coos] |
00:24:36 |
[footsteps approach] |
00:24:42 |
Hiya. |
00:24:46 |
I'm so glad you're home. |
00:24:49 |
I'll make you a cup of tea. |
00:24:59 |
[door closes] |
00:25:03 |
[crying] |
00:25:12 |
[# The Velvet Underground: |
00:25:15 |
[indistinct chatter] |
00:25:57 |
I don't want to hurt you, Debbie. |
00:26:04 |
lan? |
00:26:09 |
Come to bed, eh? |
00:26:14 |
- Taken my pills. |
00:26:19 |
[running footsteps] |
00:26:31 |
[line ringing] |
00:26:35 |
Ambulance, please. |
00:26:40 |
[gagging] |
00:26:45 |
Charcoal. |
00:27:26 |
[man] Mr Curtis, I am here to tell you |
00:27:30 |
but you must get some rest |
00:27:33 |
Just be aware that your condition |
00:27:37 |
But I am discharging you. |
00:27:39 |
Thank you. |
00:27:47 |
Well, that's that, then. |
00:27:53 |
[lan] I don't want to be |
00:27:56 |
Unknown Pleasures was it. |
00:27:59 |
I was happy. |
00:28:02 |
I never meant for it to grow like this. |
00:28:05 |
When I'm up there, singing... |
00:28:09 |
... they don't understand |
00:28:13 |
And how it affects me. |
00:28:15 |
Panic's over. He's here. |
00:28:19 |
Now they want more. |
00:28:20 |
- They expect me to give more. |
00:28:25 |
And I don't know if I can. |
00:28:30 |
It's like it's not happening to me, |
00:28:33 |
but... someone pretending to be me, |
00:28:36 |
someone dressed in my skin. |
00:28:41 |
Now we're going to America. |
00:28:47 |
I have no control anymore. |
00:28:53 |
I don't know what to do. |
00:28:58 |
- I was pissed. |
00:29:14 |
You're on. |
00:29:25 |
- I need a few minutes. |
00:29:37 |
Go and get Alan from Crispy Ambulance, |
00:29:47 |
I'm sorry. |
00:29:48 |
[# Disorder] |
00:29:50 |
Take as long as you need. |
00:30:00 |
You know the words to our songs, |
00:30:02 |
- Most of them. What? |
00:30:05 |
First two tracks, Disorder, Colony, |
00:30:09 |
- Serious? |
00:30:27 |
Off! Off! Off! |
00:30:28 |
Shit! |
00:30:30 |
You all right, lan, mate? |
00:30:37 |
Ready to go on? |
00:30:39 |
[chanting] lan! lan! lan! lan! |
00:30:42 |
- lan, talk to me. |
00:30:46 |
- OK. |
00:30:54 |
[cheering] |
00:31:08 |
- Where's my 20 quid? |
00:31:15 |
[cheering] |
00:31:43 |
Twenty quid. Go on. |
00:31:45 |
I want 50. |
00:31:47 |
You fucker. |
00:31:51 |
[booing] |
00:31:59 |
Get Hooky off the stage now! |
00:32:09 |
Get off! Fuckin' get off! |
00:32:12 |
You, you fucker! |
00:32:14 |
Get the fuck out! |
00:32:25 |
I don't get it, lan. |
00:32:27 |
I don't get why you're |
00:32:31 |
- It's all coming apart. |
00:32:34 |
Tonight was great. |
00:32:39 |
You remember Lou Reed |
00:32:42 |
- The riot? |
00:32:44 |
Best gig I've ever been to. |
00:32:49 |
It all used to be so simple, |
00:32:53 |
Now everyone hates me. |
00:32:57 |
No one hates you. |
00:32:58 |
- Even the people who love me hate me. |
00:33:01 |
- And Natalie. |
00:33:03 |
- For Christ's sake. |
00:33:08 |
You're a good dad, lan. |
00:33:09 |
No, Tony, I'm not. I know I'm not. |
00:33:13 |
If I was a good dad, |
00:33:19 |
And what about Annik? |
00:33:26 |
- I hate her. |
00:33:33 |
[Rob] You can't pin all that on us. |
00:33:35 |
We didn't start the fuckin' riot. |
00:33:40 |
Mate, you're pissing up |
00:33:43 |
You think I owe you money |
00:33:45 |
I don't. So shut the fuck up |
00:33:48 |
'cause that's the only way you're |
00:33:52 |
Wanker. |
00:33:55 |
- [buzzer] |
00:34:01 |
- Hello. |
00:34:13 |
Oh, fuckin' shine a light! |
00:34:19 |
- We need somewhere to stay. |
00:34:22 |
I'm skint, and you still |
00:34:25 |
Fuckin' hell! Have I got Barclays |
00:34:30 |
Get in. |
00:34:39 |
Tea's in the pot, bedroom's in there. |
00:34:41 |
Spare noddys in the drawer. |
00:34:43 |
Is this a bad time? |
00:34:45 |
No! I'm just in the mood |
00:34:47 |
- from you and Joan of Arc. |
00:34:52 |
Yes? |
00:34:54 |
Debbie! Great! |
00:34:56 |
And what the fuck can I do for you? |
00:35:00 |
Fuckin' lightbulb need changin'? |
00:35:04 |
And you don't know where he is. |
00:35:07 |
Quelle surprise. |
00:35:11 |
Something about Derby? |
00:35:14 |
Well, it's nice to know you two |
00:35:19 |
Listen, Debbie, |
00:35:21 |
As usual, I know fuck all. |
00:35:24 |
Don't I? |
00:35:28 |
Don't I? |
00:35:30 |
Rob, who are you talking to? |
00:35:41 |
lan. |
00:35:44 |
What, he's there with you? |
00:35:50 |
Is she with him? |
00:35:54 |
Yeah. We're all here. |
00:36:07 |
She wants a divorce. |
00:36:17 |
[Bernard] You can sleep here. |
00:36:23 |
Stay as long as you like, lan. |
00:36:32 |
- You hungry? |
00:36:57 |
lan? I've got an idea. |
00:37:03 |
I've been studying hypnosis. |
00:37:11 |
[electronic music playing] |
00:37:34 |
[Debbie] lan? |
00:37:37 |
Let me in, love. |
00:37:40 |
Just want to talk. |
00:37:42 |
[lan] You're mine. Irretrievably. |
00:37:47 |
[Annik] I'm a little scared. |
00:37:51 |
Scared of falling in love with you. |
00:37:54 |
[lan] This has to be for good. |
00:37:56 |
[sniffles] I'm sorry. |
00:38:00 |
I owe you everything. |
00:38:03 |
[Debbie] What does that mean? |
00:38:07 |
[Annik] I've never felt this way before. |
00:38:09 |
[lan] So it was my life began... |
00:38:11 |
- [Debbie] I don't deserve this. |
00:38:15 |
I didn't do enough. |
00:38:16 |
So it be you and I shall grow old |
00:38:19 |
I should have tried harder. |
00:38:20 |
Or let me die |
00:38:24 |
And I could wish my days to be |
00:38:27 |
Bound each to each |
00:38:30 |
By natural... |
00:38:42 |
Hi. |
00:38:44 |
Hi. |
00:38:47 |
I miss you. |
00:38:50 |
- [Annik] Is everything all right? |
00:38:53 |
I don't know. |
00:38:56 |
It all feels wrong. |
00:39:02 |
lan, you are confusing me. |
00:39:07 |
I know. I know I am. |
00:39:18 |
[lan] Dear Annik, |
00:39:21 |
I know I'm intruding on your life, |
00:39:25 |
I felt as if things were becoming |
00:39:28 |
but can now see everything |
00:39:34 |
I'm paying dearly for past mistakes. |
00:39:37 |
I never realised how |
00:39:40 |
some four or five years ago |
00:39:46 |
I struggle between what I know |
00:39:50 |
and some warped truthfulness |
00:39:54 |
who have no heart, and |
00:39:57 |
Eh-up, you. |
00:40:01 |
Come on in. |
00:40:03 |
I saw Apocalypse Now at the cinema. |
00:40:05 |
I couldn't take me eyes |
00:40:07 |
What you been up to, then, eh? |
00:40:09 |
On the record, there's Marlon Brando |
00:40:12 |
the struggle between man's conscience |
00:40:18 |
get out of hand, |
00:40:24 |
Is everything so worthless in the end? |
00:40:26 |
Is there any more? |
00:40:28 |
What lies beyond? |
00:40:31 |
[woman] lan, your room's still here. |
00:40:36 |
I know, Mum. |
00:40:40 |
Thanks. |
00:40:48 |
[lan] I have the feeling |
00:40:51 |
It frightens me. |
00:40:56 |
It's a lie to say |
00:40:59 |
There's nothing the doctors can do |
00:41:04 |
I felt I had to tell you this |
00:41:05 |
even though it might change |
00:41:09 |
I've been thinking of you constantly, |
00:41:13 |
thinking of the things we've done. |
00:41:16 |
Images and thoughts prey on my mind, |
00:41:18 |
before my eyes all times |
00:41:22 |
And while some things are beyond |
00:41:25 |
I know that I love you |
00:41:29 |
Until I see you again, |
00:41:34 |
All my love... lan. |
00:41:50 |
[rotary phone dialling] |
00:42:06 |
- [Bernard] Hello? |
00:42:08 |
- You all right? |
00:42:12 |
Why not? |
00:42:14 |
I'm gonna go home. Speak to Debbie. |
00:42:17 |
Does she want to speak to you? |
00:42:19 |
Dunno. I just feel |
00:42:23 |
Well, if you're sure. |
00:42:25 |
I'll see you Monday morning |
00:42:27 |
- You all ready and packed? |
00:42:30 |
I'm not gonna sleep tonight. |
00:42:33 |
Yeah. Same here. |
00:42:35 |
I've got all my clothes laid out |
00:42:40 |
- I'll see you Monday. |
00:42:43 |
Don't worry. I'll be there. |
00:43:00 |
I'm off. |
00:43:02 |
I'm gonna go meet up |
00:43:30 |
[man] Could we have your attention |
00:43:33 |
We are ready to begin now |
00:43:36 |
to disperse the repossessed property |
00:43:39 |
formerly owned by a Mr Stroszek. |
00:43:42 |
Colonel Ralph Wade |
00:43:44 |
I'll be serving as your clerk. |
00:43:50 |
[auctioneer calling rapidly] |
00:44:09 |
- [music playing on TV] |
00:44:20 |
[women singing] |
00:44:42 |
[white noise] |
00:45:22 |
[Debbie] What are you doing here? |
00:45:25 |
Don't divorce me, Debbie. |
00:45:29 |
I don't want to lose you. |
00:45:33 |
It's not that simple, though, |
00:45:37 |
Is this really what you want? |
00:45:39 |
No. No, I don't. |
00:45:46 |
But you love someone else. |
00:45:52 |
What's that got to do with us? |
00:45:56 |
Everything. |
00:46:03 |
You can't leave her, can you? |
00:46:08 |
It's not that easy. |
00:46:10 |
I've tried. She won't go away. |
00:46:18 |
Well, then you've made your decision. |
00:46:25 |
Go on then. |
00:46:26 |
- What? |
00:46:29 |
lan. |
00:46:30 |
Don't come back until the morning. |
00:46:34 |
Get out! |
00:46:39 |
[sniffles and sobs] |
00:46:43 |
[door opens and closes] |
00:46:50 |
- [car door closes] |
00:47:18 |
[downtempo music playing] |
00:48:23 |
[lan] So this is permanence |
00:48:26 |
Love shattered pride |
00:48:30 |
What once was innocence |
00:48:32 |
Turned on its side |
00:48:36 |
A cloud hangs over me |
00:48:38 |
Marks every move |
00:48:42 |
Deep in the memory of what once was love |
00:49:15 |
[rapid breathing] |
00:49:24 |
[grunting] |
00:50:09 |
[groans] |
00:50:17 |
[groans] |
00:50:54 |
[sighs] |
00:51:40 |
[sighing] |
00:51:54 |
[creaking] |
00:52:00 |
[table falls] |
00:52:25 |
- [Natalie cries] |
00:52:28 |
One minute. |
00:52:48 |
[screams] |
00:52:52 |
No! |
00:52:57 |
No! |
00:53:03 |
[Natalie crying] |
00:53:14 |
[# Joy Division: Atmosphere] |
00:53:52 |
[sobbing] |
00:53:57 |
[sobbing] Can someone help me? |
00:54:01 |
Anybody, please? |
00:54:05 |
Can someone help me? |
00:56:56 |
[# The Killers: Shadowplay] |