Conversation The
|
00:00:10 |
[Band Plays Bill Bailey, |
00:00:36 |
# Won't you come home, |
00:00:38 |
# Won't you come home? # |
00:00:39 |
# I moan |
00:00:43 |
# I'll do the cooking, honey, |
00:00:46 |
# I know |
00:00:48 |
# Yes, you did # |
00:00:50 |
# Remember |
00:00:51 |
# She threw me out # |
00:00:53 |
# With nothing but |
00:00:55 |
# But I know |
00:00:57 |
# Yeah, ain't it |
00:01:09 |
[Electronic Beeps] |
00:01:25 |
# Oh, Bill Bailey, |
00:01:27 |
# Bill Bailey, |
00:01:29 |
# Bill Bailey, |
00:01:34 |
[Applause] |
00:01:44 |
[Electronic Beeps] |
00:01:50 |
# When the red, red robin # |
00:01:51 |
# Comes bob, |
00:01:54 |
# Along # |
00:01:55 |
# There'll be |
00:01:56 |
# When he |
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# His own sweet song # |
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# Wake up # |
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# Wake up, |
00:02:03 |
# Get up # |
00:02:04 |
# Get up, |
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# Cheer up # |
00:02:07 |
# Cheer up, the sun is red # |
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# Live, love # |
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# Laugh and be happy # |
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# What if I've been blue # |
00:02:13 |
# Now I'm walkin' through |
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# Rain may glisten # |
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# But still I listen # |
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# For hours and hours # |
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# I'm just a kid again # |
00:02:23 |
# Doin' what |
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# Singin' my song # |
00:02:27 |
# When the red, |
00:02:29 |
# Goes bob, bob, |
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[Electronic Beeps Continue] |
00:03:17 |
# When the red, |
00:03:19 |
# Goes bob, bob, |
00:03:21 |
# Along # |
00:03:22 |
# There'll be |
00:03:24 |
# When he |
00:03:26 |
# His own sweet song # |
00:03:28 |
# Wake up # |
00:03:29 |
# Wake up, |
00:03:31 |
# Get up # |
00:03:32 |
# Get up, |
00:03:34 |
# Cheer up # |
00:03:35 |
# Cheer up, |
00:03:37 |
# Live, love, |
00:03:46 |
I want to go over |
00:03:49 |
and start, |
00:03:52 |
I was terrible. |
00:03:54 |
Yeah? |
00:03:55 |
Did you ever, uh... |
00:03:57 |
Be thankful. |
00:03:58 |
Do you have |
00:04:01 |
Yes, I do. |
00:04:03 |
# Bob, bob, bob, bob, |
00:04:09 |
[Ann] |
00:04:10 |
# Wake up, |
00:04:12 |
# Da da da da da da ## |
00:04:24 |
Well, what about me? |
00:04:27 |
You'll see. |
00:04:29 |
A lot of fun you are. |
00:04:32 |
You're supposed |
00:04:34 |
give me hints, |
00:04:36 |
[Static] |
00:04:39 |
[Static] |
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Oh, look. |
00:04:52 |
He's not |
00:04:57 |
Neither are we. |
00:05:00 |
Oh, God. |
00:05:01 |
Every time I see |
00:05:04 |
I always think |
00:05:07 |
What do you think? |
00:05:09 |
I always think... |
00:05:11 |
that he was once |
00:05:14 |
Really, I do. |
00:05:15 |
I think he was once |
00:05:18 |
and he had a mother |
00:05:21 |
and now there he is... |
00:05:23 |
half dead |
00:05:24 |
and where are |
00:05:27 |
all his uncles now? |
00:05:29 |
Anyway, that's |
00:05:32 |
How's he |
00:05:34 |
When they had |
00:05:36 |
[Stan] |
00:05:39 |
[Harry] |
00:05:43 |
[Static] |
00:05:45 |
It's not so good. |
00:05:51 |
[Static] |
00:06:03 |
Uh-oh. What |
00:06:06 |
Come on, babies, |
00:06:09 |
Give me some tongue. |
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Just a little tongue. |
00:06:12 |
Come on. |
00:06:16 |
How about a nice |
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Come on. |
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Pay attention |
00:06:26 |
She's coming in |
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Look, Mark. |
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The man with the hearing aid |
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There with |
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[Stan] |
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They spotted him. |
00:06:38 |
[Harry] |
00:06:39 |
[Ann] |
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[Mark] |
00:06:45 |
We're spending too much time |
00:06:48 |
No. Let's stay |
00:06:50 |
[Playing Bongos] |
00:07:12 |
I got burned, Harry. |
00:07:14 |
She looked at me. |
00:07:15 |
I know. We heard. |
00:07:16 |
Oh, did we hear. |
00:07:18 |
What do you think? |
00:07:21 |
I got some |
00:07:29 |
Paul, I'll call you |
00:07:31 |
if I need you. |
00:07:32 |
Paul, you going |
00:07:35 |
You bet. |
00:07:36 |
Hey, how about |
00:07:38 |
Yeah. Maybe. |
00:07:39 |
Little party like we did |
00:07:42 |
Huh? |
00:07:43 |
Hey, Stan? |
00:07:44 |
See you, Harry. |
00:07:46 |
Okay. |
00:07:47 |
Here. |
00:07:54 |
He's a nice guy |
00:07:57 |
You go. |
00:07:58 |
I'll stay here a while. |
00:08:01 |
[Stan] Who's interested |
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[Harry] |
00:08:06 |
[Stan] |
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[Harry] |
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I figure it must be |
00:08:11 |
Their tapes always |
00:08:14 |
Since when are you |
00:08:17 |
Sometimes it's nice to know |
00:08:20 |
I don't care what |
00:08:23 |
All I want is |
00:09:27 |
Hello, Mr. Caul. |
00:09:30 |
And happy birthday. |
00:09:57 |
[Alarm Sounds] |
00:10:08 |
[Alarm Stops] |
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Happy birthday, Harry. |
00:10:17 |
Happy birthday. |
00:10:51 |
Hello. |
00:10:53 |
Hello, uh, |
00:10:55 |
Uh, yes. |
00:10:56 |
This is Harry Caul |
00:10:59 |
Uh, uh... |
00:11:01 |
Yes. |
00:11:02 |
Well... |
00:11:03 |
Thank you very much. |
00:11:05 |
Thank you. |
00:11:06 |
Uh-huh. |
00:11:07 |
Yes, well, |
00:11:10 |
Yes. |
00:11:12 |
Uh, but... |
00:11:13 |
I know, uh... |
00:11:15 |
Yes, I found it. Yes. |
00:11:18 |
But what I wanted to talk |
00:11:21 |
How did you put it |
00:11:24 |
Uh-huh. |
00:11:26 |
Right. |
00:11:28 |
Well, what about the alarm? |
00:11:33 |
Oh, you did? |
00:11:38 |
Well... |
00:11:39 |
uh... |
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I thought I had |
00:11:42 |
Uh-huh. |
00:11:46 |
Well, what emergency |
00:11:49 |
All right. |
00:11:50 |
Yes. |
00:11:51 |
Well, see, I would |
00:11:54 |
to have all |
00:11:56 |
burned up in a fire... |
00:11:58 |
because I don't |
00:12:01 |
Nothing of value. |
00:12:02 |
Nothing personal |
00:12:04 |
which I would like |
00:12:07 |
Mrs. Evangelista. |
00:12:11 |
Mrs. Evangelista... |
00:12:12 |
how'd you know |
00:12:15 |
Nah. I don't remember |
00:12:17 |
Would you like to take |
00:12:21 |
44. Well, |
00:12:24 |
Mrs. Evangelista... |
00:12:26 |
as of today, my mail |
00:12:31 |
with a combination on it |
00:12:34 |
Goodbye. |
00:12:38 |
[Jazz Music Plays] |
00:13:11 |
[Applause] |
00:13:51 |
Morning, Harry. |
00:13:52 |
Morning. |
00:13:53 |
There's an article |
00:13:55 |
about the convention. |
00:13:56 |
It mentions your name. |
00:13:57 |
You're one |
00:13:59 |
who's going |
00:14:01 |
I told them |
00:14:03 |
Listen to this here. |
00:14:06 |
Listen. |
00:14:07 |
"Among those |
00:14:10 |
expected to attend... |
00:14:11 |
are Hal Lipset |
00:14:13 |
from San Francisco. |
00:14:15 |
Kenneth Sperry |
00:14:16 |
on Surveillance and The Law." |
00:14:18 |
Wait a minute. |
00:14:19 |
Listen to this. |
00:14:23 |
"Also attending |
00:14:25 |
of Detroit, Michigan." |
00:14:26 |
Since when did William P. Moran |
00:14:30 |
become pre-eminent |
00:14:32 |
Oh, he's very big there. |
00:14:33 |
You want some coffee? |
00:14:37 |
He's the guy |
00:14:40 |
that Cadillac was |
00:14:43 |
It was a while ago... |
00:14:44 |
but it was a big thing |
00:14:58 |
December 2nd, |
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Shopping bag... |
00:15:01 |
unit "A." |
00:15:06 |
[Beep] |
00:15:10 |
December 2nd, |
00:15:12 |
Parabolic, |
00:15:15 |
[Beep] |
00:15:21 |
December 2nd, |
00:15:23 |
City of Paris, |
00:15:26 |
[Beep] |
00:15:42 |
[Band Plays] |
00:15:47 |
[Applause] |
00:15:48 |
[Ann] |
00:15:50 |
# Wake up, |
00:15:51 |
[Mark] |
00:15:53 |
What do you think? |
00:15:55 |
I don't know what I'm going |
00:15:59 |
He's already |
00:16:00 |
He doesn't need |
00:16:02 |
Well... |
00:16:03 |
I haven't decided |
00:16:06 |
to get you yet. |
00:16:07 |
[Distortion] |
00:16:15 |
...get him |
00:16:17 |
He's already |
00:16:18 |
He doesn't need |
00:16:20 |
Well, I haven't decided |
00:16:25 |
[Mark] |
00:16:27 |
[Ann] |
00:16:30 |
[Mark] |
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Whoo! A lot of fun |
00:16:35 |
You're supposed |
00:16:37 |
give me hints... |
00:16:38 |
make me guess, |
00:16:40 |
Does it bother you? |
00:16:41 |
What? |
00:16:42 |
Walking around |
00:16:46 |
[Ann] |
00:16:50 |
[Mark] |
00:16:52 |
Neither are we. |
00:16:57 |
Oh, God. |
00:16:59 |
Every time I see one |
00:17:03 |
[Distortion] |
00:17:11 |
Every time I see one |
00:17:13 |
I always think |
00:17:16 |
What do you think? |
00:17:17 |
I always think he was once |
00:17:22 |
No, really, I do. |
00:17:23 |
I think he was once |
00:17:26 |
and he had |
00:17:29 |
who loved him... |
00:17:30 |
and now there he is... |
00:17:31 |
half dead |
00:17:33 |
and where are his |
00:17:35 |
all his uncles now? |
00:17:37 |
Anyway, that's what |
00:17:40 |
I always think how, when |
00:17:44 |
more of those |
00:17:46 |
50 of them froze |
00:18:27 |
Good afternoon. |
00:18:27 |
May I help you? |
00:18:29 |
Yes. |
00:18:32 |
One moment, please. |
00:18:35 |
Director's office. |
00:18:36 |
Uh, yes, |
00:18:38 |
[Tapping On Glass] |
00:18:40 |
I have the material. |
00:18:42 |
I'm calling |
00:18:43 |
I'm sorry. |
00:18:45 |
The director has already |
00:18:47 |
We'll call you back |
00:18:49 |
May I have |
00:18:52 |
I'm at a payphone... |
00:18:53 |
and I don't have |
00:18:55 |
Hold on |
00:18:59 |
[Tapping On Glass] |
00:19:03 |
Mr. Caul? |
00:19:04 |
Yes? |
00:19:05 |
2:30 tomorrow afternoon. |
00:19:07 |
2:30 in |
00:19:08 |
Is that |
00:19:11 |
Whatever was arranged. |
00:19:14 |
Thank you very much. |
00:19:15 |
I'll be there. |
00:20:32 |
Harry? |
00:20:33 |
Hello, Amy. |
00:20:34 |
I didn't think |
00:20:38 |
[Lock Turns] |
00:20:41 |
I brought |
00:20:44 |
someone gave me |
00:20:49 |
I didn't know |
00:20:51 |
You want some? |
00:20:53 |
Yeah. |
00:20:54 |
I do. |
00:21:06 |
How old are you, |
00:21:10 |
42. |
00:21:15 |
Sweet. |
00:21:20 |
Does something special |
00:21:22 |
on your birthday? |
00:21:24 |
Like what? |
00:21:25 |
Something personal. |
00:21:30 |
What? |
00:21:33 |
Like, uh, telling me |
00:21:36 |
your secrets. |
00:21:54 |
I don't have any secrets. |
00:21:59 |
I'm your secret. |
00:22:01 |
You do have |
00:22:03 |
I know you do. |
00:22:04 |
No. |
00:22:05 |
Sometimes |
00:22:07 |
and you don't tell me. |
00:22:09 |
Once I saw you |
00:22:12 |
hiding... |
00:22:13 |
watching... |
00:22:15 |
for a whole hour. |
00:22:21 |
You think you're going |
00:22:25 |
You know? |
00:22:26 |
I know. A woman |
00:22:31 |
You have a certain way |
00:22:36 |
First the key |
00:22:39 |
and then the door |
00:22:42 |
like you think you'll |
00:22:57 |
Sometimes I even think |
00:23:00 |
when I'm talking |
00:23:04 |
What are you |
00:23:06 |
I don't know. |
00:23:08 |
I just feel it. |
00:23:09 |
Really, I do. |
00:23:19 |
# Wake up # |
00:23:20 |
# Wake up, |
00:23:24 |
# Get up # |
00:23:25 |
# Get up, |
00:23:27 |
Why are |
00:23:30 |
It's pretty. |
00:23:40 |
What's the matter? |
00:23:41 |
Nothing. |
00:23:43 |
It's just that, uh... |
00:23:45 |
somebody else |
00:23:48 |
A girl? |
00:23:50 |
Yes. |
00:23:51 |
Who is she? |
00:23:52 |
No. No. It isn't... |
00:23:54 |
I'm jealous. |
00:23:55 |
No. |
00:23:56 |
Just somebody at work... |
00:23:57 |
and she, uh... |
00:24:00 |
She reminded me of you. |
00:24:08 |
Where do you work, Harry? |
00:24:11 |
Oh, different places, |
00:24:13 |
jobs, you know? |
00:24:16 |
I'm kind of, uh, |
00:24:19 |
Oh. |
00:24:23 |
Freelance musician and, uh... |
00:24:26 |
Uh-huh. |
00:24:31 |
Where do you live? |
00:24:32 |
Why can't I call you |
00:24:35 |
'Cause I don't |
00:24:40 |
Do you live alone? |
00:24:47 |
Why are you asking me |
00:24:51 |
'Cause it's your birthday. |
00:24:56 |
I don't want people asking me |
00:25:00 |
I want to know you. |
00:25:06 |
Yes, I live alone. |
00:25:09 |
Oh. |
00:25:11 |
I don't feel like |
00:25:22 |
Your rent is due. |
00:25:24 |
Here's the money for it. |
00:25:55 |
You never used to ask |
00:25:58 |
Harry, I was so happy |
00:26:02 |
When I heard you |
00:26:04 |
my toes were dancing |
00:26:07 |
But I don't think I'm going |
00:27:22 |
I have a package |
00:27:25 |
All right. |
00:27:27 |
No. I'm supposed to |
00:27:30 |
I have |
00:27:31 |
Are you Mr. Caul? |
00:27:32 |
Yes, I am. |
00:27:34 |
A Mr. Caul is here. |
00:27:36 |
Make yourself comfortable. |
00:27:38 |
The director's assistant |
00:28:17 |
There are some nice |
00:28:20 |
They're good. |
00:28:21 |
No, thanks. I... |
00:28:50 |
What do you see? |
00:28:52 |
Oh, not much. |
00:28:53 |
Here's your money... |
00:28:56 |
These are our tapes? |
00:28:58 |
I had an arrangement |
00:29:00 |
I was to give those |
00:29:02 |
I understand. |
00:29:05 |
He's out of the country. |
00:29:07 |
He asked me to get the tapes |
00:29:31 |
I guess I can just |
00:29:40 |
Now, look, don't get involved |
00:29:44 |
These tapes |
00:29:47 |
You heard them. |
00:29:50 |
Someone may get hurt. |
00:30:01 |
Mr. Caul, |
00:30:27 |
[Elevator Bell Rings] |
00:31:54 |
[Ann] |
00:31:55 |
[Mark] |
00:31:57 |
Whoo! |
00:32:03 |
# When the red, |
00:32:05 |
# Goes bob, bob, |
00:32:09 |
# Along ## |
00:32:13 |
Who started |
00:32:17 |
You did. |
00:32:18 |
I did not. |
00:32:20 |
Yes, you did. |
00:32:29 |
Pretend like |
00:32:31 |
Ha ha ha ha. |
00:32:36 |
Does it bother you? |
00:32:38 |
What? |
00:32:39 |
Walking around |
00:32:41 |
Oh, look. |
00:32:44 |
He's not |
00:32:47 |
Neither are we. |
00:32:51 |
Oh, God. |
00:32:52 |
Every time I see |
00:32:56 |
I always think |
00:32:58 |
What do you think? |
00:32:59 |
Yeah, what do you think? |
00:33:01 |
I always think |
00:33:07 |
Hey, Harry, what do you say |
00:33:10 |
We'll go to Al's Transbay. |
00:33:14 |
No. I want to |
00:33:16 |
I thought you turned |
00:33:18 |
Stan, be quiet, |
00:33:23 |
Do you think |
00:33:25 |
I'm tired of drinking |
00:33:27 |
[Stan] |
00:33:29 |
Stan, please. |
00:33:32 |
I'm tired |
00:33:34 |
Tired of me? |
00:33:35 |
Tired of you... |
00:33:39 |
What the hell they talking about, |
00:33:42 |
Stanley, please, |
00:33:45 |
All right. |
00:33:47 |
Well, I'm getting fed up. |
00:33:50 |
About what? |
00:33:51 |
About your asking me questions |
00:33:54 |
[Tape Rewinds] |
00:33:55 |
Jesus. |
00:33:56 |
Don't say that. |
00:33:58 |
Well, for Christ's sakes! |
00:34:00 |
Stan, don't say that |
00:34:02 |
Don't use that word |
00:34:04 |
It bothers me. |
00:34:07 |
What's the matter, Harry? |
00:34:09 |
[Tape Rewinds] |
00:34:10 |
Your work's |
00:34:15 |
Later in the week, |
00:34:19 |
Sunday definitely. |
00:34:22 |
We'd have |
00:34:25 |
if you'd paid more attention |
00:34:27 |
and less to what |
00:34:30 |
Why do questions about |
00:34:33 |
I can't explain |
00:34:41 |
Jack Tar Hotel. |
00:34:45 |
3:00. |
00:34:46 |
Room 773. |
00:34:48 |
If you filled me in |
00:34:51 |
Ever think of that? |
00:34:52 |
It has nothing to do |
00:34:54 |
It's curiosity, |
00:34:59 |
Listen, if there's |
00:35:01 |
I've learned |
00:35:03 |
I don't know anything about |
00:35:06 |
That's not part |
00:35:09 |
This is my business, |
00:35:20 |
I'll see you later. |
00:35:33 |
[Bongos Playing] |
00:35:37 |
I think he's been |
00:35:46 |
I love you. |
00:35:47 |
We're spending too much time |
00:35:50 |
No. Let's stay |
00:35:53 |
[Bongos Playing] |
00:36:02 |
[Conversation Continues, |
00:36:07 |
I think he's been |
00:36:14 |
[Bongos Playing] |
00:37:00 |
[Bongos Filtered] |
00:37:07 |
[Distorted Speech] |
00:37:16 |
[Bongos Filtered] |
00:37:27 |
He'd kill us |
00:37:50 |
He'd kill us |
00:38:38 |
Bless me, Father, |
00:38:45 |
It's been three months |
00:38:49 |
I... |
00:38:55 |
These are my sins. |
00:39:00 |
I've taken |
00:39:02 |
on several occasions. |
00:39:07 |
I... |
00:39:12 |
On a number of occasions, I've |
00:39:15 |
without paying for them. |
00:39:18 |
I... |
00:39:24 |
have deliberately taken pleasure |
00:39:27 |
and... |
00:39:30 |
I've been involved |
00:39:32 |
that I think |
00:39:35 |
to hurt these |
00:39:37 |
It's happened to me before. |
00:39:39 |
People were hurt |
00:39:42 |
I'm... I'm afraid |
00:39:45 |
and I... I was in no way |
00:39:48 |
I'm not responsible. |
00:39:49 |
For these and all the sins |
00:39:53 |
I am heartily sorry. |
00:39:57 |
[Indistinct Chattering] |
00:40:06 |
Hi. Can I help you? |
00:40:08 |
You could explain |
00:40:10 |
Mr. Caul, |
00:40:12 |
How do you do? |
00:40:13 |
Come in and take a look |
00:40:16 |
This is for |
00:40:18 |
of telephone |
00:40:20 |
I see. |
00:40:21 |
Now available. |
00:40:22 |
Here's the new LT 500. |
00:40:24 |
If you're in surveillance, |
00:40:29 |
You can hear... |
00:40:30 |
[Buzzer] |
00:40:32 |
and know exactly which door |
00:40:34 |
And you got your local alarms |
00:40:37 |
which I'm sure |
00:40:39 |
It's quite noisy. |
00:40:40 |
It has a Super 8mm |
00:40:42 |
and the dot, |
00:40:44 |
will show exactly what |
00:40:47 |
It's a magazine-loaded |
00:40:49 |
Super 8mm... |
00:40:50 |
William P. Moran. |
00:40:52 |
William P. Moran |
00:40:55 |
House courtesy telephone, |
00:41:00 |
That's your automatic |
00:41:03 |
It undetectably |
00:41:05 |
when the phone is lifted... |
00:41:07 |
and shuts it off |
00:41:11 |
What? |
00:41:12 |
It's real nice, |
00:41:15 |
It's not your old-fashioned |
00:41:17 |
you know, |
00:41:19 |
when nobody |
00:41:20 |
or shutting it off |
00:41:22 |
of an important |
00:41:23 |
Is it like |
00:41:25 |
The Moran E-27 |
00:41:28 |
I won't let him even |
00:41:31 |
You in surveillance? |
00:41:32 |
Yeah. |
00:41:33 |
Law enforcement |
00:41:35 |
Private. |
00:41:36 |
You mind if I take |
00:41:40 |
for our mailing list? |
00:41:41 |
Harry Cau... |
00:41:43 |
I didn't recognize you. |
00:41:44 |
Say, I wonder, |
00:41:47 |
Free of charge. |
00:41:49 |
You know, say, |
00:41:51 |
that we could print |
00:41:55 |
I build all my own equipment. |
00:41:57 |
Maybe we could take a picture |
00:42:00 |
It would be a great honor |
00:42:46 |
This is not |
00:42:48 |
It's helping justice... |
00:43:04 |
That may be affixed to |
00:43:07 |
Slide. |
00:43:08 |
and will transmit |
00:43:11 |
Slide. |
00:43:12 |
which is |
00:43:13 |
Harry, good to see you. |
00:43:15 |
Beautiful suit. |
00:43:17 |
You like it? |
00:43:18 |
Oh. |
00:43:19 |
Let's go get a drink |
00:43:22 |
Requiring no knowledge |
00:43:25 |
Come on. |
00:43:30 |
The TA-30 may be |
00:43:32 |
under the dash |
00:43:36 |
Hey, come on. There's somebody |
00:43:40 |
a competitor of yours. |
00:43:41 |
Hey, Bernie, |
00:43:43 |
Yeah, Paulie, |
00:43:44 |
This is Harry Caul. |
00:43:46 |
Harry Caul, |
00:43:48 |
My friends |
00:43:49 |
I heard a lot |
00:43:51 |
Bernie just moved in |
00:43:53 |
He's the fella |
00:43:55 |
Cadillac was |
00:43:57 |
I heard. |
00:43:59 |
You're a tough man |
00:44:01 |
I've been wanting |
00:44:04 |
Take five. |
00:44:06 |
Maybe in |
00:44:09 |
Honey, sweetheart, |
00:44:11 |
I'd appreciate if you stuck around |
00:44:15 |
Um, ladies |
00:44:18 |
Ladies and gentlemen. |
00:44:19 |
Ladies and gentlemen, |
00:44:22 |
is the Moran S-15 |
00:44:25 |
This electronic marvel |
00:44:27 |
in a matter |
00:44:30 |
Notice here it has its own |
00:44:33 |
so it cannot be detected |
00:44:36 |
Once installed, |
00:44:39 |
from any telephone |
00:44:41 |
Singapore, Karachi, |
00:44:42 |
I say Moscow 'cause |
00:44:45 |
with the beard. |
00:44:47 |
Just dial the target's |
00:44:49 |
pause before |
00:44:51 |
blow the harmonica tone |
00:44:53 |
press the last digit. |
00:44:55 |
The phone will not ring |
00:44:58 |
Instead, the receiver... |
00:44:59 |
will be turned into |
00:45:02 |
thus enabling surveillance |
00:45:05 |
And now, by way of |
00:45:07 |
we've installed one of these units |
00:45:12 |
I will now dial |
00:45:14 |
Thank you. |
00:45:20 |
I pause before |
00:45:24 |
Harmonica. |
00:45:27 |
[Tone] |
00:45:29 |
I dial the last digit. |
00:45:35 |
You will note the phone |
00:45:37 |
[Man] |
00:45:40 |
[Woman] |
00:45:42 |
Where's |
00:45:44 |
He's out |
00:45:47 |
When will |
00:45:49 |
Not until late. |
00:45:51 |
April Fool. |
00:45:53 |
That shows you |
00:45:55 |
Larry Peterson Burns. |
00:45:57 |
Thank you. The demonstration |
00:45:59 |
I'd like you to take some |
00:46:02 |
What did you think of that? |
00:46:05 |
That's a good item. |
00:46:07 |
Good for |
00:46:09 |
Here you go, Harry. |
00:46:11 |
You, too, Paulie. |
00:46:12 |
I'd rather have |
00:46:14 |
Hey, me, too. |
00:46:15 |
Stanley, do me |
00:46:17 |
Mind the booth, |
00:46:19 |
That's what |
00:46:21 |
Just a couple of minutes |
00:46:24 |
Hi, Harry. |
00:46:26 |
[Paul] |
00:46:28 |
That's right. |
00:46:29 |
You two used to |
00:46:34 |
That son of a bitch |
00:46:37 |
A lot of nice ladies |
00:46:39 |
Forget it. |
00:46:41 |
Hey, Harry, |
00:46:43 |
Go on without me. |
00:46:45 |
I'm going to |
00:46:47 |
We'll meet you at |
00:46:49 |
Don't be long, Harry. |
00:46:50 |
[Telephone Rings] |
00:47:00 |
Since when are you |
00:47:07 |
Since yesterday. |
00:47:08 |
Mm-hmm. |
00:47:10 |
Listen, that wasn't serious. |
00:47:11 |
That was just |
00:47:13 |
That wasn't it, Harry. |
00:47:15 |
It's just time |
00:47:17 |
I don't want you |
00:47:20 |
It's not ethical. |
00:47:21 |
There's not much you |
00:47:24 |
Okay. I'll show you |
00:47:27 |
You won't |
00:47:29 |
You'll keep it |
00:47:30 |
You know damn well |
00:47:32 |
No, really, Stan, |
00:47:34 |
Will you |
00:47:36 |
Don't do this |
00:47:43 |
Some guy's |
00:47:45 |
Who? |
00:47:47 |
I don't know. |
00:47:48 |
It has something to do |
00:47:51 |
I don't know what it's about, |
00:47:55 |
Okay, all right. |
00:47:58 |
Thanks, Stan. |
00:48:05 |
This is junk. |
00:48:10 |
[Music Playing] |
00:48:29 |
You have reached |
00:48:32 |
Will you please |
00:48:43 |
Information. |
00:48:44 |
Number for |
00:48:47 |
It's a new listing. |
00:48:48 |
One moment, please. |
00:48:54 |
Sir, I see no listing |
00:48:58 |
Thank you. |
00:49:22 |
What are you |
00:49:24 |
Take it easy. |
00:49:27 |
I brought you a drink. |
00:49:29 |
Why are you |
00:49:31 |
I'm not following you. |
00:49:34 |
There's |
00:49:35 |
How'd you know |
00:49:37 |
It's a convention |
00:49:40 |
Oh, excuse me... surveillance |
00:49:42 |
It was a snap. |
00:49:44 |
I'm not giving those tapes |
00:49:47 |
I know |
00:49:49 |
All right, |
00:49:51 |
We want you to deliver the tapes |
00:49:54 |
The director |
00:49:55 |
He'll accept the tapes |
00:49:58 |
You tell him |
00:50:10 |
[Horn Honks] |
00:50:16 |
Hey, Paulie! |
00:50:17 |
Come on! |
00:50:19 |
Lurleen and Millard, |
00:50:22 |
Stanley, get in front! |
00:50:23 |
I'm trying to dress up |
00:50:26 |
Take one out here. |
00:50:28 |
Bernie, it's a |
00:50:30 |
Wait a minute! |
00:50:34 |
I think |
00:50:36 |
then a left... |
00:50:37 |
Sons of bitches! |
00:50:40 |
Who the hell they think |
00:50:43 |
Easy, we're going |
00:50:49 |
Millard, make them stop. |
00:50:50 |
Relax, honey. |
00:50:51 |
Paul's the best tail man |
00:50:54 |
Meredith, do you |
00:50:55 |
Ha ha. |
00:51:00 |
Make-4, 111. |
00:51:01 |
I'm driving east |
00:51:03 |
I'd like a rolling |
00:51:07 |
California 5-6-0... |
00:51:10 |
Boy Adam Lincoln. |
00:51:12 |
What are you calling |
00:51:15 |
Thanks. |
00:51:19 |
Hey, Willie Sanchez... |
00:51:23 |
162 pounds... |
00:51:25 |
5' 101/2" shit head! |
00:51:30 |
[Laughter] |
00:51:39 |
Want me to pick |
00:51:42 |
Hey, this'll be |
00:51:44 |
It's freezing |
00:51:46 |
Oh, boy, Harry. |
00:51:47 |
Okay. |
00:51:48 |
All right, |
00:51:51 |
Stanley. |
00:51:52 |
Yes, sir. |
00:51:53 |
How about |
00:51:55 |
The man wants |
00:51:57 |
Harry, you got |
00:52:00 |
[Music Plays] |
00:52:15 |
I was rereading Dear Abby |
00:52:18 |
There was a letter from a fella |
00:52:21 |
I think it was Harry. |
00:52:23 |
Hey! |
00:52:27 |
Ahh. |
00:52:28 |
Where's |
00:52:31 |
Let me tell you |
00:52:33 |
There you go. |
00:52:35 |
I know you heard this |
00:52:37 |
but let me |
00:52:39 |
Here's to Harry... |
00:52:40 |
the best, bar none. |
00:52:42 |
I'll drink to that. |
00:52:43 |
Best what? |
00:52:44 |
The best bugger |
00:52:47 |
Who's the best bugger |
00:52:50 |
Me. |
00:52:51 |
I'll drink to that, too. |
00:52:53 |
I'll bet you will. |
00:52:54 |
I'll bet |
00:52:59 |
It's funny we never bumped |
00:53:03 |
Why is that funny? |
00:53:04 |
We're in the same |
00:53:07 |
I figure we'd bump |
00:53:09 |
I didn't know |
00:53:12 |
Are you kidding? |
00:53:15 |
You know the only one |
00:53:18 |
The welfare fund |
00:53:21 |
How'd you know |
00:53:23 |
Everybody |
00:53:25 |
Nobody knows |
00:53:28 |
Hmm? |
00:53:29 |
How'd you do it, |
00:53:31 |
Harry. |
00:53:32 |
Hmm? |
00:53:33 |
10 cents a dance. |
00:53:35 |
Come on. |
00:53:36 |
Ooh. |
00:53:42 |
You all right? |
00:53:43 |
You hurt yourself? |
00:53:45 |
No. Don't worry |
00:53:46 |
It happens |
00:53:48 |
When I was |
00:53:51 |
I loved to love to bang my head |
00:53:54 |
Sometimes I still feel |
00:53:57 |
I tapped |
00:53:59 |
when I was |
00:54:02 |
12 years old. |
00:54:03 |
It was a hallway payphone |
00:54:06 |
For six months, |
00:54:09 |
My father, he was |
00:54:12 |
He was beaming. |
00:54:14 |
Yeah, boy. |
00:54:15 |
"That Bernie's got a real brain," |
00:54:17 |
From then on, |
00:54:20 |
I got contacts you |
00:54:24 |
Here. Well, |
00:54:30 |
Take a cab over. |
00:54:31 |
Nothing's sacred |
00:54:34 |
Sure. The more, |
00:54:36 |
We'll be here |
00:54:39 |
Oh! You son of a... |
00:54:41 |
Ha ha ha ha! |
00:54:44 |
What's the matter, |
00:54:45 |
Can't you |
00:54:47 |
When are you getting |
00:54:50 |
This went out |
00:54:53 |
Come on. |
00:54:56 |
Really obsolete, |
00:54:58 |
Harry got himself |
00:55:00 |
Watch out, Harry. |
00:55:02 |
Where are you from? |
00:55:05 |
New York. |
00:55:06 |
I used to live |
00:55:09 |
First I worked |
00:55:11 |
and then I got |
00:55:14 |
And then I was promoted |
00:55:17 |
and special assistant |
00:55:19 |
and then I married him. |
00:55:39 |
Do you live |
00:55:47 |
Harry? |
00:55:49 |
Are you |
00:55:52 |
Oh, I don't know. |
00:55:54 |
Probably. |
00:55:57 |
I guess |
00:55:59 |
Last time I heard... |
00:56:02 |
Well, he was trying to |
00:56:04 |
to buy another |
00:56:06 |
Yeah. |
00:56:08 |
And I ended up out here |
00:56:12 |
which is the entire story |
00:56:14 |
up until tonight. |
00:56:30 |
Here's to you. |
00:56:33 |
You don't like me |
00:56:36 |
You don't want to |
00:56:39 |
I didn't say that. |
00:56:52 |
Something is |
00:56:54 |
I wish you'd tell me. |
00:56:56 |
I really do. |
00:56:58 |
I wish that you'd feel |
00:57:01 |
and that we |
00:57:03 |
I mean aside from |
00:57:28 |
Would you, um... |
00:57:30 |
If you were a girl who'd |
00:57:41 |
You can trust me. |
00:57:48 |
Well, you never |
00:57:51 |
when he was going to |
00:57:53 |
You just lived |
00:57:56 |
and you knew |
00:57:58 |
And if you loved him... |
00:58:00 |
and were |
00:58:02 |
and even though |
00:58:05 |
tell you anything |
00:58:10 |
Even though he may |
00:58:13 |
would you... |
00:58:14 |
Would I what? |
00:58:17 |
Would you... |
00:58:20 |
Would you |
00:58:27 |
Well, how would I know... |
00:58:29 |
How would I know |
00:58:39 |
You'd have |
00:58:49 |
[Scooter Approaching] |
00:58:54 |
Hey, Harry! |
00:58:56 |
Did you hear the one about |
00:58:59 |
She wore |
00:59:24 |
Where are |
00:59:26 |
Hey! Hey! |
00:59:58 |
You know something, |
01:00:00 |
12 years ago, I recorded |
01:00:03 |
made by the |
01:00:05 |
of a major |
01:00:07 |
I don't want to say |
01:00:08 |
Everywhere he went, |
01:00:10 |
Coast to coast, |
01:00:12 |
I'm not saying I elected... |
01:00:14 |
the president of |
01:00:17 |
but you can draw |
01:00:19 |
I mean, he lost. |
01:00:22 |
Harry, tell them |
01:00:23 |
you put the bug |
01:00:25 |
Parakeet? |
01:00:26 |
No kidding. |
01:00:28 |
Harry one time actually |
01:00:31 |
in a little |
01:00:32 |
Is that right? |
01:00:34 |
Parakeets don't happen |
01:00:36 |
but I sure would |
01:00:38 |
how you did |
01:00:41 |
What was that? |
01:00:43 |
Don't you get papers |
01:00:46 |
Probably |
01:00:47 |
It was all over |
01:00:49 |
Harry was working |
01:00:52 |
You didn't know |
01:00:55 |
The president of |
01:00:57 |
set up a phony |
01:00:59 |
I mean, you correct me |
01:01:03 |
I may be |
01:01:05 |
Only two people |
01:01:07 |
the president |
01:01:09 |
They only talked about it |
01:01:11 |
On a private boat... |
01:01:13 |
That was the only place |
01:01:15 |
That boat was bug-proof. |
01:01:17 |
They wouldn't strike up |
01:01:20 |
if there was another boat |
01:01:23 |
That didn't stop Harry, |
01:01:25 |
No, he recorded |
01:01:26 |
Nobody knows |
01:01:28 |
Caused a hell of |
01:01:30 |
Why? |
01:01:31 |
No reason. |
01:01:34 |
Harry's a bit too modest |
01:01:41 |
It had nothing |
01:01:43 |
I just turned in |
01:01:45 |
The president thought |
01:01:47 |
Nobody really |
01:01:49 |
Three days later... |
01:01:51 |
they found the accountant, |
01:01:54 |
naked and tied up |
01:01:56 |
Hands and feet |
01:01:59 |
all the hair on their bodies |
01:02:02 |
The heads were found |
01:02:04 |
They killed them? |
01:02:06 |
No. They |
01:02:07 |
This is |
01:02:09 |
Harry, how'd you do it? |
01:02:10 |
What they do with the tapes |
01:02:14 |
Next thing I knew, |
01:02:18 |
It had nothing |
01:02:20 |
Come on, show and tell. |
01:02:22 |
For God's sake, |
01:02:24 |
[Plays Bill Bailey, |
01:02:29 |
Turn it off, Stan. |
01:02:31 |
What for? |
01:02:32 |
Stan, turn it off. |
01:02:34 |
They ought to hear this. |
01:02:36 |
It's the best thing |
01:02:42 |
What was that, Stan? |
01:02:46 |
Well, it's the assignment |
01:02:50 |
It'll make history. |
01:02:52 |
Yeah? |
01:02:53 |
There's no moment between |
01:02:56 |
and there's no method |
01:03:00 |
I could figure out |
01:03:03 |
Come on, come on. |
01:03:05 |
Let me give him |
01:03:08 |
Yeah. |
01:03:15 |
This is a quad |
01:03:19 |
These are steps, |
01:03:21 |
It's 12:00 noon... |
01:03:22 |
which means |
01:03:24 |
for the people working |
01:03:27 |
They're walking, talking, |
01:03:29 |
and it's crowded. |
01:03:31 |
Naturally. |
01:03:32 |
Okay. Two people are constantly |
01:03:35 |
in and out |
01:03:37 |
We don't know whether |
01:03:39 |
They're convinced |
01:03:42 |
because they're in a crowd |
01:03:45 |
Yet, they're the target. |
01:03:46 |
The assignment is |
01:03:49 |
How would you do it? |
01:03:51 |
One system |
01:03:53 |
I could've |
01:03:55 |
Why didn't you? |
01:03:56 |
Go on, |
01:03:58 |
You get to |
01:04:00 |
You pre-rig |
01:04:01 |
There's no way |
01:04:03 |
what they're |
01:04:04 |
Get somebody to |
01:04:07 |
Get a drunk to plant |
01:04:10 |
They've been bugged before. |
01:04:12 |
I got it. |
01:04:15 |
You hire a lip-reader |
01:04:17 |
No. The client wants |
01:04:20 |
Why? |
01:04:22 |
So he can |
01:04:24 |
All right. |
01:04:27 |
I don't know. |
01:04:29 |
Who was so interested? |
01:04:31 |
Yeah, was it us? |
01:04:32 |
Who's us? |
01:04:33 |
Federal government. |
01:04:34 |
Private party. |
01:04:35 |
It would take |
01:04:38 |
I did it in three. |
01:04:40 |
Three? That's very nice. |
01:04:43 |
Three-stage directional |
01:04:44 |
with Mosfet amplifier |
01:04:47 |
We got another 20% conventionally |
01:04:50 |
Paul did. |
01:04:51 |
It was beautiful. |
01:04:54 |
It was |
01:04:56 |
You should have |
01:04:59 |
These new microphones |
01:05:00 |
I couldn't believe it |
01:05:02 |
We were 200 yards away. |
01:05:04 |
It was absolutely |
01:05:05 |
I broke in a couple |
01:05:08 |
You should have |
01:05:09 |
What did they do? |
01:05:10 |
They took the cross hairs |
01:05:13 |
and lined it up |
01:05:15 |
No. The boy and the girl. |
01:05:18 |
Oh, I don't know. |
01:05:19 |
But it was beautiful, |
01:05:22 |
Yeah. |
01:05:23 |
I'd like to take |
01:05:26 |
There it is. |
01:05:28 |
Oh. |
01:05:29 |
I always said |
01:05:32 |
You're the best, but you |
01:05:36 |
I need a quick look at |
01:05:39 |
I got all the |
01:05:41 |
We could make a fortune |
01:05:44 |
Did you hear about |
01:05:47 |
who could only tap |
01:05:50 |
No. |
01:05:54 |
Made that up |
01:05:56 |
It's pretty funny. |
01:05:59 |
Can I cut in? |
01:06:00 |
He's got a hell |
01:06:03 |
I'm talking about |
01:06:05 |
he's making |
01:06:07 |
Come on! |
01:06:08 |
Thanks a lot. |
01:06:09 |
What do you say, |
01:06:11 |
How about going |
01:06:14 |
I could use a partner, |
01:06:16 |
50-50, how about it? |
01:06:18 |
I don't need |
01:06:20 |
That's all right. |
01:06:21 |
I do pretty good |
01:06:24 |
You got to give credit |
01:06:27 |
Abracadabra, Harry. |
01:06:28 |
See, I'm number two, |
01:06:30 |
I have to try harder. |
01:06:32 |
Would you, um... |
01:06:35 |
who'd waited |
01:06:37 |
You can trust me. |
01:06:38 |
Harry, that's you and me |
01:06:41 |
What? No shit. |
01:06:43 |
It's the Moran Super P-7 |
01:06:47 |
That's terrific! |
01:06:48 |
The bugger |
01:06:50 |
He got you, |
01:06:51 |
And if you loved him |
01:06:54 |
and even though |
01:06:57 |
tell you anything about |
01:07:00 |
Hey, touché, Harry. |
01:07:02 |
That's wild. |
01:07:04 |
How do you like it? |
01:07:08 |
Would you... |
01:07:13 |
I think you better |
01:07:16 |
Are you kidding? It's just |
01:07:20 |
Bernie, Harry don't like you |
01:07:23 |
Well, I'm sorry, Harry. |
01:07:27 |
What's wrong? |
01:07:27 |
Let's have |
01:07:29 |
Paul, |
01:07:31 |
Come on, |
01:07:33 |
Come on. |
01:07:34 |
Hey, Millard. |
01:07:35 |
Know what |
01:07:36 |
This cost 1,500 beans. |
01:07:38 |
On the house, |
01:07:42 |
Very nice to meet you. |
01:07:46 |
It's only a joke. |
01:07:48 |
Meredith? |
01:07:49 |
He's got no sense |
01:07:50 |
No. I'm going to |
01:07:53 |
Paul! |
01:07:55 |
Okay. |
01:08:00 |
I forgot my bag. |
01:08:03 |
Harry, I'm |
01:08:05 |
I didn't mean |
01:08:06 |
Come on, Stan. |
01:08:08 |
See you Monday, Harry. |
01:08:10 |
You want us to |
01:08:22 |
[Chattering, Indistinct] |
01:08:31 |
Night, Harry! |
01:08:32 |
Yeah. |
01:08:39 |
[Ann] |
01:08:40 |
I don't know what |
01:08:43 |
for Christmas yet. |
01:08:44 |
He's already |
01:08:47 |
[Tape Rewinds] |
01:08:51 |
Harry, are you going to give me |
01:08:55 |
# When the red, |
01:08:57 |
Harry! |
01:08:58 |
Harry! |
01:08:59 |
Come on. |
01:09:01 |
Turn it off. |
01:09:03 |
# Goes bob, bob, |
01:09:05 |
# When the red, |
01:09:06 |
# Goes bob, bob, |
01:09:11 |
[Applause] |
01:09:13 |
[Ann] # Wake up, wake up, |
01:09:16 |
She's frightened. |
01:09:17 |
This is where |
01:09:19 |
I don't know what |
01:09:22 |
for Christmas yet. |
01:09:23 |
This is no ordinary |
01:09:25 |
[Mark] |
01:09:27 |
It makes me feel... |
01:09:28 |
[Ann] I haven't decided |
01:09:32 |
Something. |
01:09:33 |
Forget it, Harry. |
01:09:34 |
It's only a trick. |
01:09:36 |
What? |
01:09:37 |
A job. |
01:09:38 |
You're not supposed |
01:09:41 |
You're just |
01:09:43 |
That's all. |
01:09:45 |
Relax, honey. |
01:09:45 |
[Ann] |
01:09:48 |
You're supposed |
01:09:49 |
give me hints, |
01:09:51 |
You know. |
01:09:53 |
[Mark] |
01:09:55 |
What? |
01:09:56 |
Walking around |
01:10:00 |
Oh, look, |
01:10:04 |
He's not |
01:10:09 |
Neither are we. |
01:10:14 |
Oh, God. |
01:10:15 |
"Oh, God." |
01:10:16 |
Listen to the way |
01:10:21 |
Come here. |
01:10:22 |
Every time I see |
01:10:25 |
I always think |
01:10:28 |
What do you think? |
01:10:30 |
I always think... |
01:10:31 |
that he was once |
01:10:36 |
Really. I... I do. |
01:10:38 |
I think he was once |
01:10:40 |
and he had a mother |
01:10:44 |
And now there he is, |
01:10:48 |
and where are his |
01:10:50 |
all his uncles now? |
01:10:52 |
Anyway, that's what |
01:10:57 |
I always think... |
01:10:58 |
how, when they had |
01:11:01 |
in New York... |
01:11:02 |
more of those |
01:11:04 |
50 of them froze |
01:11:06 |
Just because there were |
01:11:08 |
Really. |
01:11:11 |
Well, that's terrible. |
01:11:14 |
Who started this |
01:11:19 |
You did. |
01:11:20 |
Did not. |
01:11:21 |
Yes, you did. |
01:11:23 |
You just don't |
01:11:26 |
Pretend like I just |
01:11:29 |
[Both Laughing] |
01:11:32 |
Where did you |
01:11:34 |
That's my secret. |
01:11:37 |
Later in the week. |
01:11:40 |
Sunday, maybe. |
01:11:43 |
Sunday, definitely. |
01:11:47 |
The Jack Tar Hotel. |
01:11:51 |
3:00. Room 773. |
01:11:53 |
Look, Mark. |
01:11:55 |
The man with the hearing aid |
01:11:57 |
No. Where? |
01:11:59 |
Right there, |
01:12:01 |
He's been following us |
01:12:03 |
and he's following |
01:12:06 |
It's nothing. |
01:12:11 |
# When the red, |
01:12:13 |
# Goes bob, bob, |
01:12:16 |
# Along ## |
01:12:17 |
Angel... |
01:12:19 |
God, it will be so good... |
01:12:21 |
to be finished |
01:12:24 |
I love you. |
01:12:26 |
It's all right, |
01:12:28 |
It's all right. |
01:12:29 |
We're spending too much |
01:12:31 |
No. Let's stay |
01:12:34 |
[Bongos Playing] |
01:12:37 |
"Kill us." |
01:12:40 |
He'd kill them |
01:12:42 |
He'd kill us |
01:12:45 |
Oh, God. |
01:12:47 |
I have to destroy |
01:12:50 |
I can't let it |
01:12:53 |
I better get back. |
01:12:55 |
Oh, please, don't go. |
01:12:57 |
A family was murdered |
01:13:01 |
I know. |
01:13:03 |
I know, Harry. |
01:13:04 |
Everything |
01:13:07 |
Oh, God. |
01:13:10 |
I follow them |
01:13:13 |
And I can hear them. |
01:13:14 |
Bye-bye. |
01:13:15 |
Oh, wait, you have |
01:13:17 |
Yeah? |
01:13:18 |
You really don't. |
01:13:20 |
I just wanted |
01:13:22 |
I forgive you. |
01:13:24 |
I forgive you, |
01:13:25 |
I forgive you. |
01:13:37 |
[Tape Recorder Clicks Off] |
01:14:01 |
[Train Horn Blaring] |
01:14:54 |
Listen. |
01:14:55 |
Listen. My name |
01:14:59 |
Can you hear me? |
01:15:03 |
Don't be afraid. |
01:15:05 |
I... I know you don't |
01:15:08 |
but I know you. |
01:15:11 |
There isn't much |
01:15:14 |
I... |
01:15:25 |
Sick when I was a boy. |
01:15:28 |
I was very sick |
01:15:31 |
I was paralyzed in my left arm |
01:15:35 |
I couldn't walk |
01:15:37 |
One doctor said that |
01:15:43 |
My mother... |
01:15:45 |
My mother used to |
01:15:47 |
It was therapy. |
01:15:51 |
One time the doorbell rang... |
01:15:52 |
and she went down |
01:15:54 |
I started sliding down. |
01:15:56 |
I could feel the water. |
01:15:57 |
It started coming up |
01:16:00 |
When I woke up... |
01:16:01 |
my body was all greasy |
01:16:04 |
she put on my body. |
01:16:06 |
I remember being |
01:16:09 |
When I was 5... |
01:16:10 |
my... my father introduced me |
01:16:13 |
For no reason, |
01:16:16 |
He died a year later. |
01:16:19 |
He'll kill you |
01:16:24 |
I'm not afraid of death. |
01:16:34 |
I am afraid of murder. |
01:17:32 |
Meredith? |
01:17:37 |
Hey. |
01:18:21 |
Bitch. |
01:18:38 |
Good morning. |
01:18:41 |
Yes. Extension 765, please. |
01:18:42 |
One moment, |
01:18:45 |
Director's office. |
01:18:46 |
I'd like to speak to |
01:18:50 |
Mr. Stett. |
01:18:52 |
Mr. Caul is on the line. |
01:18:54 |
One moment, please. |
01:18:58 |
I'm sorry. That's |
01:19:00 |
Can we get |
01:19:02 |
No, I-I-I have |
01:19:04 |
Can we have |
01:19:06 |
Caul. |
01:19:07 |
Would you mind |
01:19:09 |
C-A-U-L. Caul. |
01:19:12 |
I'm putting you |
01:19:17 |
Mr. Caul, we'll get |
01:19:19 |
No. You don't have |
01:19:22 |
Hello? |
01:19:30 |
[Telephone Rings] |
01:19:36 |
[Ring] |
01:19:42 |
[Ring] |
01:19:48 |
[Ring] |
01:19:53 |
[Ring] |
01:19:59 |
[Ring] |
01:20:05 |
[Ring] |
01:20:11 |
[Ring] |
01:20:15 |
Yes? |
01:20:16 |
Mr. Caul? This is |
01:20:17 |
How did you get |
01:20:19 |
We prepare dossiers |
01:20:21 |
who comes in contact |
01:20:24 |
You know that means |
01:20:26 |
We have the tapes. |
01:20:28 |
They're perfectly safe. |
01:20:29 |
The director was anxious |
01:20:33 |
You seemed to be... |
01:20:35 |
I couldn't risk |
01:20:38 |
You understand, |
01:20:41 |
Our tapes have nothing |
01:20:44 |
Why don't you |
01:20:46 |
and bring |
01:20:48 |
The director's here... |
01:20:49 |
and he's prepared |
01:20:51 |
[Click] |
01:21:44 |
[Muffled Voices] |
01:21:53 |
[Muffled Voices] |
01:22:06 |
[Taps On Door] |
01:22:09 |
[Ann] Every time I see |
01:22:12 |
I think |
01:22:14 |
[Tap Tap Tap] |
01:22:15 |
[Mark] |
01:22:17 |
I always think that he |
01:22:21 |
Really. I... I do. |
01:22:25 |
He was once somebody's |
01:22:27 |
and he had a mother |
01:22:31 |
and now, there he is... |
01:22:32 |
half dead |
01:22:34 |
And where are his mother |
01:22:37 |
all his uncles now? |
01:22:39 |
Anyway, that's what |
01:22:44 |
I always think... |
01:22:45 |
how, when they had |
01:22:48 |
more of those |
01:22:50 |
50 of them froze to death |
01:22:53 |
Just because there were |
01:22:55 |
Really. |
01:22:57 |
Sounds terrible. |
01:23:00 |
Who started this |
01:23:05 |
You did. |
01:23:06 |
Did not. |
01:23:08 |
Yes, you did. |
01:23:12 |
Oh, Mark, it's all right. |
01:23:15 |
I can't stand it. |
01:23:17 |
I can't stand it |
01:23:19 |
You're going to |
01:23:23 |
I know, honey, |
01:23:26 |
No, don't. |
01:23:27 |
Oh, God. |
01:23:28 |
You want to |
01:23:30 |
You want it |
01:23:32 |
No, I don't. |
01:23:34 |
I just |
01:23:36 |
whatever |
01:23:38 |
That's all. |
01:23:39 |
Your money's |
01:23:43 |
[Ann] |
01:23:47 |
[Mark] |
01:23:50 |
I'm tired of |
01:23:53 |
Tired of me? |
01:23:54 |
Tired of you... |
01:23:55 |
but not today. |
01:23:58 |
Later in the week. |
01:24:00 |
Sunday, maybe. |
01:24:04 |
Sunday, definitely. |
01:24:11 |
The Jack Tar Hotel. |
01:24:14 |
3:00. |
01:24:15 |
Room 773. |
01:24:18 |
Look, Mark, |
01:24:20 |
the man with the hearing aid |
01:24:23 |
No. Where? |
01:24:24 |
Right there, with |
01:24:27 |
Please count |
01:24:29 |
[Ann] |
01:24:31 |
He was |
01:24:34 |
It's nothing. |
01:24:41 |
[Ann] |
01:24:43 |
# Goes bob, bob, |
01:24:47 |
# Along ## |
01:24:48 |
[Car Horn Honks] |
01:24:50 |
God, it will be so good... |
01:24:52 |
to be finished |
01:24:57 |
I love you. |
01:25:01 |
These are the pictures |
01:25:04 |
[Mark] We're spending |
01:25:07 |
No. Let's stay |
01:25:09 |
What will you |
01:25:11 |
[Mark] |
01:25:17 |
I think he's been |
01:25:21 |
Listen, I'd better get back. |
01:25:24 |
No, please don't |
01:25:26 |
Not just yet. |
01:25:28 |
All right. |
01:25:36 |
15,000 bucks. |
01:25:38 |
That's not bad for a day's work, |
01:25:42 |
What'll he do |
01:25:46 |
We'll see. |
01:25:49 |
[Bongos Playing] |
01:25:56 |
[Mark] |
01:26:00 |
[Ann] |
01:26:02 |
# Goes bob, bob, |
01:26:05 |
# Along ## |
01:26:09 |
[Mark] Later in the week. |
01:26:16 |
[Ann] |
01:26:21 |
[Mark] |
01:26:24 |
3:00. |
01:26:26 |
Room 773. |
01:26:30 |
Uh... |
01:26:31 |
I wonder if you could give me |
01:26:35 |
773? |
01:26:38 |
That is occupied, sir. |
01:26:43 |
The rooms are all |
01:26:46 |
Well... |
01:26:50 |
Do you have a room |
01:26:53 |
adjoining, uh... |
01:26:55 |
Adjoining, just... |
01:26:56 |
Yes, I do. |
01:26:58 |
You do. |
01:28:08 |
[Tap Tap Tap] |
01:29:52 |
[Toilet Flushes] |
01:30:02 |
[Flush] |
01:30:47 |
[Muffled Voices] |
01:31:00 |
I'm tired of this lying, |
01:31:12 |
[Mark] |
01:31:14 |
I can't stand it |
01:31:17 |
[Ann] |
01:31:19 |
I know. Me, too. |
01:31:22 |
No, don't. |
01:31:23 |
[Ann] I have no idea |
01:31:25 |
No idea! |
01:31:27 |
This is horrible... |
01:31:29 |
[Tape Rewinds] |
01:31:32 |
[Ann] |
01:31:33 |
[Crash] |
01:31:35 |
[Voices Continue] |
01:32:08 |
[Voices Arguing] |
01:32:11 |
[Sliding Door Opens] |
01:32:23 |
Aah! |
01:32:28 |
Aah! |
01:32:31 |
[Television Plays] |
01:32:37 |
It was stated that Nixon |
01:32:39 |
the State of the Union |
01:32:52 |
[TV Plays] |
01:32:55 |
How can you yell |
01:32:58 |
And in my condition. |
01:32:59 |
You're not fit to be |
01:33:02 |
Oh, what is this? |
01:33:04 |
I'm trying |
01:33:06 |
Well, you're |
01:33:07 |
[Music Plays] |
01:33:12 |
All right. |
01:33:15 |
What's the big rush? |
01:33:17 |
I'm taking my wife |
01:33:19 |
She's having |
01:33:21 |
I got to |
01:33:22 |
You got intestinal |
01:33:24 |
Sit down, Fred. |
01:33:25 |
You're wearing a groove |
01:33:28 |
Look at Wilma |
01:33:30 |
How can she be so calm... |
01:33:32 |
when she knows |
01:33:35 |
How are you, Fred? |
01:33:36 |
How do you |
01:33:39 |
Betty, you go out there... |
01:33:40 |
and tell Wilma |
01:37:51 |
Wait. Richard! |
01:37:53 |
I want to see |
01:37:54 |
He's not in today. |
01:37:57 |
I'm afraid you'll |
01:39:53 |
Let's clear an aisle. |
01:39:55 |
Let these people |
01:39:56 |
Come on, |
01:39:58 |
We'll answer your |
01:39:59 |
Let these |
01:40:00 |
Let these |
01:40:02 |
Just one question. |
01:40:03 |
No, please. |
01:40:04 |
Do you suspect foul play |
01:40:07 |
What about your |
01:40:09 |
Will your stock |
01:40:11 |
controlling interest? |
01:40:12 |
What kind of insurance |
01:40:14 |
That's |
01:40:20 |
[Ann] |
01:40:22 |
I don't know what |
01:40:25 |
He's already |
01:40:27 |
[Mark] |
01:40:30 |
[Reporters Ask Questions |
01:40:33 |
Do you feel there's an enemy |
01:40:39 |
[Mark] |
01:40:41 |
[Ann] |
01:40:43 |
Oh, God. |
01:40:46 |
...drunk driving? |
01:40:47 |
[Shouting Questions] |
01:40:51 |
[Mark] |
01:40:52 |
I can't stand it |
01:40:55 |
Aah! |
01:40:58 |
Take it! |
01:41:00 |
Take it! |
01:41:06 |
[Ann] |
01:41:08 |
[Mark] |
01:41:10 |
Sunday, maybe. |
01:41:13 |
Sunday, definitely. |
01:41:16 |
The Jack Tar Hotel. |
01:41:19 |
3:00. |
01:41:20 |
Room 773. |
01:41:25 |
He'd kill us |
01:41:36 |
[Stereo Plays] |
01:41:45 |
[Telephone Rings] |
01:41:50 |
[Ring] |
01:41:55 |
[Ring] |
01:42:00 |
Hello. |
01:42:03 |
Hello. |
01:42:19 |
[Saxophone Plays] |
01:42:37 |
[Telephone Rings] |
01:42:43 |
[Ring] |
01:42:48 |
[Ring] |
01:42:53 |
[Ring] |
01:42:56 |
Hello. |
01:42:57 |
[Tape Rewinds] |
01:43:04 |
Hello. |
01:43:05 |
[Martin Stett] |
01:43:08 |
For your own sake, |
01:43:11 |
We'll be listening |
01:43:13 |
[Recording Of Harry |
01:47:05 |
[Playing Saxophone] |