|
Crime Delicado Delicate Crime
|
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"DELICATE CRIME" |
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Nineteenth Century. |
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In the streets, |
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In the patriarchal households, |
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An arduous and unequal combat. |
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A struggle, which lacked |
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Idealists dreaming of a new world... |
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where women would be redeemed... |
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and men would pay |
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Leave! |
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What a cave of debauchery, |
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Carlota, what are you doing |
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What are you doing in my house |
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Is it you the ignominious |
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You've something to look forward to, |
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I will send my carriage |
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Carlota's aware |
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used on your hypnotized patients. |
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These magnesium |
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Those are fake, gross impostures. |
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You did not even bother closing |
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They cannot ruin my career like that! |
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- You are such a scoundrel, Johann. |
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- Herman! |
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Search his pockets, |
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Herman was the outcome |
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with electricity applied |
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Dearest, as of now, |
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- Out with these shackles! |
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"Poor Schubert, who can no longer |
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The play, scene after scene, |
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Everything becomes a frenzy of ins |
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Instead of commotion, |
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under precarious |
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What is the meaning of |
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with a rabbi's accent, beside a |
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calling a analyst |
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thru hypnosis a pervert? |
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Self-promotional... |
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hysteria of the |
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On that location, |
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where people use theatricalism |
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a farce like this |
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The relations of sexuality |
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like a rope, a whip, a needle. |
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Instead of speech, the phallus. |
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Instead of theater, |
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The actors do suffer, |
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I'm leaving already. |
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I'll stay a little longer. |
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- I'm great! |
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Take care. See ya. |
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- Aren't you gonna ask my name? |
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Inês. |
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Antonio. |
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Antonio, a saint's name. |
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St. Expeditus, the patron |
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I pray every night, |
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Everything is alright with my life. |
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What is that? |
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A pill to make life easier. |
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You were staring at me. |
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You were staring at me! |
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I was indeed. |
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You're fast, huh? |
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Is it bad? |
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No. Actually, |
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Nice hand... big. |
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I like it. |
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I like to be firmly grabbed by hands. |
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Is this how your |
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Can you see me there? |
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Just a bit. |
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- I barely know you. |
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- Take me somewhere. |
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Antonio Martins. |
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How do you know my name? |
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I was told you're a well-known |
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Is that so? |
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- Yeah. |
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I don't find you all that fierce. |
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Is that why you called me? |
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- That too. |
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Curiosity. |
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Shall we? |
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Say something without |
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What? |
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Anything. |
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Let it come. |
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"One day... |
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I will paint your body |
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I will be a Duchess of Museum. |
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Is there not a love between |
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which knows how to swallow |
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Look at me, Cayetana... |
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and free me from those red ribbons |
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as if destroying an empire... |
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and be what this joy must be... |
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even if life so soon flees from us... |
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drawing new faces |
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Say something. |
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What do you want me to say? |
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Why are you looking at me like that? |
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What do you mean? |
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A while ago, you were at that bar |
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and now you're asking yourself |
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What have you seen in me? |
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What kind of question is that? |
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Speak. |
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I don't know, I just looked at you. |
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Looked at me... |
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When you look at a woman, |
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It depends on the woman. |
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You are complicated. |
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A man looks at a woman |
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turns his head, stares at her butt. |
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falls in love. |
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Me, first thing you notice... |
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is my imperfection. |
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I don't know. |
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You don't know? |
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You are feeling confused. |
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You are lost. |
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Do you want me to |
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What a drag! |
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Do you want me to show you |
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Inês... Inês... |
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Get out! |
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You are pretty, Maria. |
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Pretty as a sin. |
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My God! |
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Can a mortal sin be... |
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...as pretty as this? |
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A lot of people pass thru here, |
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You can talk to whoever you want. |
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- You spoke to him! |
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I cannot forbid people from walking |
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You cannot leave your lips |
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Ain't it so? |
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What a pit it would be. |
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Ain't it so? |
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Did they swell up? |
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You watch it, Maria! |
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- And which wasp stung you? |
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Him. |
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I wish I were him. |
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Did he come through here? |
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Did he stop here like this? |
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Walked up to here, came here |
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Or like this? |
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Or like this? |
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He came over here and |
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Or did he stop here, like this? |
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Franz, as long as the day is |
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people may be in the same place, |
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- You bitch! |
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I'd rather have a knife in my body |
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I saw it now. |
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We can see a lot of stuff... |
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when we have two eyes |
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While the sun shines. |
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You're gonna die, Maria! |
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And you won't? |
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Every man is an abyss... |
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and you get dizzy looking into it. |
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She looks like innocence itself. |
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But you, Innocence... |
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have you any sign |
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A stain? A scar? |
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"It'd be something we could |
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something we could |
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Modern art revalues the sketches from |
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As masterpieces in their unfinished |
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The same occurs in the exuberance |
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of unmeasured words... |
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previously cut with a sharp |
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from a playwright |
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The most unaccomplished |
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Woyzeck has in it the triumph |
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An atavistic and rustic sculpting. |
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Walter Benjamin theorized about |
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around the framing |
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The sanctity of the represented |
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to the physical integrity |
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The efficient transposition of |
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the coming of Pre Expressionism |
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fails solely by trying to complete... |
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the unfinished and extraordinary |
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- Hi, Mr. Antonio. Your mail. |
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DIVERGENT BODIES COLLECTIVE |
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Desire. |
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Secretly. |
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Touched me. |
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Deeply. |
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Critic. |
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Cruelty. |
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Complacency. |
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Challenges. |
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Desire. |
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Critic. |
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- Antonio Martins? |
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- I'm Lenita. Nice to meet you. |
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- Oh, shit... I'm so clumsy. |
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- Do you forgive me? |
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- Everything is fine. |
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And where is she? |
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She'd never come. |
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However, Jose Torres Campana, |
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Don't you want to meet him? |
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No, don't bother. |
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So, what do you think? |
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- It is interesting, at least. |
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Yes. |
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No! |
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What about the last name? |
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It is an artistic last name. |
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That's all. |
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I think it would be nice if you... |
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No. Look... |
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But I have another appointment. |
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It was nice meeting you. |
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Thank you for coming. |
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It's here! |
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You know all about it. |
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Where is he? |
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He... |
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Who, sir? |
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Thou comest terrible and menacing |
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Tumultuously, |
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to break down the doors |
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What cause, sir? |
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Am I but an insignificant woman, |
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not worthy even that thou shouldst |
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discredits me the minds |
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- Good Duke... |
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Thou madest light thy park... |
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sentest thy fighting men, |
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For what cause, sir? |
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I am a woman, and thou mightest |
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a shameful scandal, without |
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Thou camest encircled by a |
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whom thou needest, but beckon |
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for I am a woman and frail, |
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- Is that being noble? |
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Where is he indeed! |
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Here in my bed. |
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Let they be a testament |
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A ribbon! |
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Oh, Lord! |
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- Thou shall die! |
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I shall make plain this awful chance |
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Thou art well disguised |
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to look an outraged man in the |
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on thy hands and knees, |
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and mercy for that which |
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A villain who finds in his bed an |
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might he smash them with impunity |
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Thou canst kill me, sir! |
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Yet thou wilst regret it, |
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Thou wilst know my innocence and |
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Justify thyself |
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Let it not be said of me that |
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I can read my condemnation |
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I can see that thou |
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And not a heavenly miracle |
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My life has e'er been a stumbling |
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Thou hidest thy conviction so |
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I know and see it! |
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So, if thou wishest to slay me, |
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if that is thy purpose, |
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then kilest me thine own self, |
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Let then my name be stained |
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yet humiliate me not in the |
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My name in thine own, sir duke. |
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Thou canst not remove it. |
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Yes, m'lady! |
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and t 'was thou who undertookst |
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Thou spokest well I might kill ye both, |
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trample ye underfoot. |
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Yet such vengeance, while it might |
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would please me not. |
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Were I sure that this furnace |
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would not consume me whole |
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if I could be sure of life |
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were mine vengeance otherwise. |
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Whereas I cannot be sure of life, |
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though less splendid, |
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- Enter! |
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On my knees, I beg thee: Let me |
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of mine subjects who all about me |
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...at mine pleas and my forsakenness! |
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Bye, everybody. |
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Antonio Martins... |
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- It's a pleasure. |
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Maria Luisa. |
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- How are things? |
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- I don't know what to say... |
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Well, it's been a pleasure. |
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Wait! |
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I really wanted to meet you. |
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- I'm a little embarrassed. |
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- Really? |
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- But it may seem that I... |
| 00:28:22 |
- Have you eaten yet? |
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What about dinner? |
| 00:28:30 |
I don't go out with actresses. |
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Fine. |
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Shall we? |
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Where to? |
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Hello! |
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- Are you lonesome? |
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- You look like a lonely man. |
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Like those who need care. |
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That's good. |
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You know a lot about men, |
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- Enough. |
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- To take care of them. |
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Have you ever been married? |
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- I've had some affairs. |
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Is this some sort of interrogatory |
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- I'm the journalist here. |
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- I was just asking. |
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I don't know. |
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I don't know. I came because you |
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Maybe you have, |
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You probably want to establish |
| 00:29:53 |
so that you can ask me what |
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thus compromising |
| 00:30:00 |
If not about the play, |
| 00:30:04 |
It must be difficult for you since |
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for so long on your career and |
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Bringing me here, |
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Maybe you wanted that, |
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Who knows, |
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Maybe you could |
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while I wrote an exclusive about |
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Maybe you could be a little more |
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to change this lonely |
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I might even fall in love, |
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soon I'd notice that passion is |
| 00:30:54 |
Then you'd regret approaching me... |
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realizing that a shitty compliment... |
| 00:31:00 |
means nothing more than a |
| 00:31:06 |
That on the next day would be |
| 00:31:13 |
Maybe I could look into your eyes, |
| 00:31:18 |
and say how obvious the world is... |
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that if death touched me right |
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Excuse me. |
| 00:31:45 |
Antonio, did you know that I still |
| 00:31:50 |
...from a play I was in? |
| 00:31:55 |
You know, sometimes I... |
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take it from my drawer and... |
| 00:32:04 |
...read it again. |
| 00:32:08 |
- You got dirty here? |
| 00:32:14 |
Don't you... |
| 00:32:20 |
I'll have a scotch. |
| 00:32:32 |
- Where's the bathroom? |
| 00:33:07 |
Antonio! |
| 00:33:19 |
Now you'll see who only works |
| 00:33:48 |
Money isn't everything. |
| 00:33:51 |
- Sex? |
| 00:33:57 |
What really matters is that |
| 00:34:00 |
- Did you meet him again? |
| 00:34:05 |
- What mattered was the moment. |
| 00:34:09 |
It's not love. |
| 00:34:14 |
maybe it could be him. |
| 00:34:16 |
Wake up! Move on. |
| 00:34:24 |
What about you? |
| 00:34:26 |
What did you get |
| 00:34:28 |
Gee, this amazing guy. |
| 00:34:31 |
He asked me to fuck him. |
| 00:34:34 |
It was wonderful, really great. |
| 00:34:36 |
I just don't get it |
| 00:34:40 |
you know, to fuck him. |
| 00:34:43 |
But it was great! |
| 00:34:47 |
- Was it worth it for the money? |
| 00:34:52 |
I'm not satisfied with money only. |
| 00:34:56 |
- I'd trade the money for a man. |
| 00:34:59 |
- I want jewelry, I want... |
| 00:35:02 |
- That just won't happen. |
| 00:35:07 |
Maybe in the movies... |
| 00:35:10 |
not in real life. |
| 00:35:14 |
I want to find a man who will get |
| 00:35:19 |
You won't find it. |
| 00:35:21 |
Maybe not. |
| 00:35:23 |
But I won't give up trying. |
| 00:35:29 |
You think he's the one? |
| 00:35:33 |
I don't know. |
| 00:35:37 |
- He loves me. |
| 00:35:41 |
Does he love you? |
| 00:35:46 |
I'm not talking about him. |
| 00:35:48 |
No, but what about |
| 00:35:51 |
Does anyone love you? |
| 00:35:57 |
I'm not as pretty as |
| 00:36:00 |
- You know that. |
| 00:36:04 |
You gotta change, be violent, |
| 00:36:13 |
This is not just our tiny little world. |
| 00:36:16 |
- Five bucks for a blowjob? |
| 00:36:19 |
I'll leave this life for real. |
| 00:36:21 |
By myself, or with a man |
| 00:36:24 |
That's what inspires me. |
| 00:36:29 |
You're not leaving... |
| 00:36:32 |
Who's gonna pay the check? |
| 00:36:35 |
- How come? |
| 00:36:39 |
If I pay the check |
| 00:36:42 |
What is life? |
| 00:36:45 |
It's a shadow passing by. |
| 00:36:48 |
Exactly! |
| 00:36:53 |
I'm not talking about Shakespeare. |
| 00:37:00 |
I've had... |
| 00:37:06 |
great passions in life. |
| 00:37:11 |
Wonderful women. |
| 00:37:15 |
And I tell you: |
| 00:37:22 |
I mean it. |
| 00:37:26 |
- It's funny. |
| 00:37:31 |
I don't have children. |
| 00:37:36 |
Do I like that? |
| 00:37:40 |
No. |
| 00:37:42 |
I don't like that. |
| 00:37:57 |
You wanna talk and just can't! |
| 00:38:02 |
- We met today... |
| 00:38:07 |
And it's not easy for me |
| 00:38:17 |
If you want some ready phrases... |
| 00:38:22 |
- I've got tons of them. |
| 00:38:29 |
- Do you want one... |
| 00:38:31 |
...which defines my life? |
| 00:38:35 |
One. |
| 00:38:37 |
I don't need a phrase. |
| 00:38:41 |
I need a word. |
| 00:38:45 |
Mistakes. |
| 00:38:48 |
- Is it good? |
| 00:38:50 |
- It's good for you... |
| 00:38:53 |
One who won't react... crawls. |
| 00:38:57 |
- Humanity... |
| 00:38:59 |
- Humanity lives out of misery. |
| 00:39:03 |
And don't you stare at this guy, |
| 00:39:05 |
- Him? |
| 00:39:07 |
I hadn't even seen the guy, |
| 00:39:10 |
You want to sit with me? |
| 00:39:12 |
- No, please, I insist. |
| 00:39:15 |
- No. You... |
| 00:39:19 |
You come over here! |
| 00:39:23 |
- I'm gonna take a piss. Fuck off! |
| 00:39:40 |
What do I do? |
| 00:39:43 |
Tell me, what do I do? |
| 00:39:47 |
Tell me what to do, man! |
| 00:39:56 |
Slow down, will ya? |
| 00:39:58 |
- What are you talking about? |
| 00:40:01 |
Don't sell yourself cheap. |
| 00:40:05 |
When I saw you, |
| 00:40:08 |
I loved you and you loved me. |
| 00:40:10 |
- And you were not... |
| 00:40:13 |
- You're asking this asshole... |
| 00:40:15 |
- Leave me alone! |
| 00:40:17 |
Get that fucking purse and |
| 00:40:20 |
- Get it for me. |
| 00:40:21 |
- No. |
| 00:40:23 |
My cigarettes. My cigarettes! |
| 00:40:26 |
This shit isn't good for nothing! |
| 00:40:29 |
Now, you fuck, |
| 00:40:32 |
and you love nothing. |
| 00:40:38 |
Really? |
| 00:40:40 |
Look at him and kiss me. |
| 00:40:47 |
And tell him it was |
| 00:41:11 |
Antonio? |
| 00:41:14 |
Are you with someone? |
| 00:41:17 |
- No. |
| 00:41:20 |
Yes. |
| 00:41:33 |
You must be asking yourself |
| 00:41:37 |
I'm not sure if we're that close, |
| 00:41:44 |
I'm a man who has always lived |
| 00:41:50 |
Until recently... |
| 00:41:54 |
Not really long ago... |
| 00:41:57 |
before seeing you, |
| 00:42:02 |
I was someone who lived life |
| 00:42:06 |
I looked to the world as |
| 00:42:12 |
And now... |
| 00:42:15 |
the more I try to dodge |
| 00:42:20 |
of your mouth... |
| 00:42:23 |
the deeper it enters my soul. |
| 00:42:36 |
So? |
| 00:42:38 |
What? |
| 00:42:41 |
What do you say? |
| 00:42:44 |
I think you'd |
| 00:42:48 |
- We can talk tomorrow. |
| 00:42:51 |
Tomorrow is the end! |
| 00:42:54 |
Just a while ago, I saw life rising |
| 00:42:57 |
I saw the pain of the world |
| 00:43:00 |
and yet, as an impassive ignorant, |
| 00:43:03 |
I had only eyes for you. |
| 00:43:06 |
I rebuilt my life in a second, |
| 00:43:09 |
it was your image that |
| 00:43:15 |
And now I know... |
| 00:43:18 |
I would be capable of anything... |
| 00:43:22 |
of making yours my will. |
| 00:43:28 |
Why are you saying all this? |
| 00:43:37 |
Inês, I'm yours! |
| 00:43:41 |
I never belonged |
| 00:43:50 |
I need some water. |
| 00:44:14 |
- Do you own this apartment? |
| 00:44:17 |
- By whom? |
| 00:44:19 |
Because I do. |
| 00:44:24 |
I see. |
| 00:44:27 |
And that hat, is it yours? |
| 00:44:29 |
He put it there. |
| 00:44:31 |
So he just puts things around? |
| 00:44:34 |
No, he does not put his things around. |
| 00:44:36 |
This place belongs to him. |
| 00:44:39 |
- And you're just his model? |
| 00:44:43 |
And why are you living here? |
| 00:44:45 |
- What are you trying to suggest? |
| 00:44:48 |
I just want you to look at my |
| 00:44:50 |
and tell me that you have nothing |
| 00:44:54 |
You look at me! |
| 00:44:57 |
My life's already too complicated. |
| 00:45:01 |
Who do you think you are... |
| 00:45:03 |
to come to my place at this hour |
| 00:45:06 |
You don't even |
| 00:45:08 |
- Go away! We'll talk tomorrow. |
| 00:45:11 |
You want to hear what |
| 00:45:14 |
Better yet, about that |
| 00:45:17 |
and just as you wanted it, |
| 00:45:19 |
- I don't want to hear anymore! |
| 00:45:22 |
You will listen. |
| 00:45:31 |
Inês... |
| 00:45:34 |
you're not just a model. |
| 00:45:38 |
You're a character. |
| 00:45:41 |
A character, got it? |
| 00:45:46 |
This is not an atelier. |
| 00:45:49 |
This is a scenario, |
| 00:45:52 |
and you are incarcerated here. |
| 00:45:56 |
Subordinated to the eccentricity |
| 00:45:59 |
Inês, you're being fooled. |
| 00:46:03 |
It's just perversion. |
| 00:46:05 |
He's a fetishist. |
| 00:46:12 |
What? |
| 00:46:15 |
You two-bit shitty critic! |
| 00:46:20 |
Are you trying to destroy my life? |
| 00:46:23 |
You son of a bitch! |
| 00:46:25 |
- You're frustrated! |
| 00:46:27 |
Get out! |
| 00:46:32 |
Get out of here, Antonio! |
| 00:46:40 |
No! No! |
| 00:47:31 |
Go away. |
| 00:47:33 |
Go away, Antonio. |
| 00:48:04 |
I am... |
| 00:48:08 |
a prisoner. |
| 00:48:13 |
"A word from you... |
| 00:48:18 |
and I will free myself. |
| 00:48:22 |
Just one word... |
| 00:48:26 |
and I will be yours. |
| 00:48:32 |
Besides the pleasure... |
| 00:48:35 |
which overwhelmed |
| 00:48:42 |
there's a detail... |
| 00:48:46 |
you didn't notice. |
| 00:48:51 |
I tasted your blood, Inês... |
| 00:48:59 |
which drained from |
| 00:49:09 |
To say that the flavor... |
| 00:49:14 |
was sweet... |
| 00:49:17 |
does not really... |
| 00:49:25 |
express what I felt at that moment. |
| 00:49:37 |
Could we have made... |
| 00:49:44 |
with that blood... |
| 00:49:46 |
an eternal pact? |
| 00:49:54 |
From someone... |
| 00:49:57 |
who wants you entirely... |
| 00:50:06 |
Antonio. " |
| 00:52:18 |
You've been indicted for violating |
| 00:52:22 |
Rape. |
| 00:52:24 |
Records show that you went to |
| 00:52:27 |
known in the art world as |
| 00:52:30 |
and, in an inebriated state... |
| 00:52:31 |
forced her into carnal conjunction |
| 00:52:35 |
Is this true? |
| 00:52:38 |
No, it's not true. |
| 00:52:42 |
I'm in love with this woman. |
| 00:52:45 |
I don't know why |
| 00:52:48 |
Did you have a |
| 00:52:51 |
- Yes. |
| 00:52:54 |
A previous relationship wouldn't |
| 00:52:58 |
There are signs of physical |
| 00:53:02 |
We fought. |
| 00:53:05 |
There was no rape. |
| 00:53:08 |
...sex. |
| 00:53:11 |
I don't know why |
| 00:53:12 |
She never spoke to me again. |
| 00:53:14 |
Did you or did you |
| 00:53:18 |
This is the opportunity for |
| 00:53:21 |
In the police statement, |
| 00:53:24 |
She expelled you from her |
| 00:53:27 |
She says there was no consent |
| 00:53:30 |
That's the point: The consent. |
| 00:53:34 |
What happened? |
| 00:53:38 |
We argued. |
| 00:53:41 |
She... I think she got upset |
| 00:53:45 |
There was voluptuousness, |
| 00:53:48 |
I've already said |
| 00:53:50 |
She's overpowered by an artist, |
| 00:53:54 |
That's the point. |
| 00:53:56 |
He uses her as a model to shock, |
| 00:53:58 |
but it is pornography |
| 00:54:02 |
She even uses his name. |
| 00:54:04 |
He manipulates her, |
| 00:54:09 |
- We fought over this... |
| 00:54:11 |
I repeat: She says the |
| 00:54:19 |
Accusation shows you took advantage |
| 00:54:22 |
This is a lie. It's him, |
| 00:54:25 |
who does that. Not me! |
| 00:54:33 |
I may have been impulsive but |
| 00:54:40 |
I didn't hurt Inês. |
| 00:54:43 |
It's too difficult to say what |
| 00:54:46 |
We fought, we argued, |
| 00:54:51 |
But she agreed. |
| 00:54:55 |
I'm sure she gave herself in, |
| 00:54:59 |
There was no rape. |
| 00:55:02 |
What about the bruises? |
| 00:55:04 |
That was before. |
| 00:55:07 |
Therefore, |
| 00:55:10 |
- Yes, I do. |
| 00:55:13 |
I don't think she's lying. |
| 00:55:18 |
Since when have you known her? |
| 00:55:21 |
A few days before that night. |
| 00:55:24 |
- How many times did you meet? |
| 00:55:27 |
- And you say you're in love... |
| 00:55:31 |
- It's just not normal... |
| 00:55:36 |
We are rigorous when it comes |
| 00:55:40 |
The newspaper cannot overlook that. |
| 00:55:42 |
I thought you guys would |
| 00:55:44 |
This newspaper is part of my life, |
| 00:55:47 |
Of course, Antonio. |
| 00:55:50 |
Your column disappears all of |
| 00:55:53 |
That you took a vacation? |
| 00:55:56 |
There is also the internal situation. |
| 00:55:58 |
Besides, what if some magazine |
| 00:56:03 |
What if she decides to talk |
| 00:56:07 |
Can you picture us running the story |
| 00:56:11 |
That would be demoralizing. |
| 00:56:13 |
I haven't even been cited yet. |
| 00:56:15 |
not to publish my name. |
| 00:56:20 |
You were accused of raping a girl |
| 00:56:27 |
- What does your lawyer have to say? |
| 00:56:32 |
The leave you've requested |
| 00:56:37 |
It's an ethically correct and |
| 00:56:41 |
- You're condemning me. |
| 00:56:44 |
I said I'd be a defense |
| 00:56:48 |
I'll go the judge and tell him |
| 00:56:52 |
I'll tell him you are incapable |
| 00:56:58 |
I see. |
| 00:58:56 |
I think I'll place... |
| 00:59:00 |
That's better. |
| 01:00:39 |
But it won't be shown... |
| 01:00:43 |
- You said you'd remember! |
| 01:00:46 |
We'll figure out something new. |
| 01:00:48 |
That's fine now. |
| 01:00:50 |
Yeah, that was it... |
| 01:00:53 |
or something similar. |
| 01:01:36 |
We found it, see? |
| 01:01:42 |
You're completely wet. |
| 01:01:51 |
My hand is coming back now. |
| 01:02:19 |
I liked it. |
| 01:02:31 |
More to the back. |
| 01:02:34 |
One moment. |
| 01:02:39 |
- Won't bother you? |
| 01:02:47 |
Place your hand over here. |
| 01:02:49 |
No, not there. |
| 01:02:50 |
Let's make it a bit more |
| 01:02:56 |
Lean over. That's it. |
| 01:03:01 |
Good. |
| 01:03:06 |
That's great! |
| 01:04:15 |
It's better already. |
| 01:04:19 |
That's the curve... |
| 01:04:23 |
I'll work at this part a little more. |
| 01:10:04 |
Good afternoon, Ms. Inês. |
| 01:10:06 |
You may give us your testimony |
| 01:10:11 |
Are you sure you're not |
| 01:10:15 |
- No. I don't think so. |
| 01:10:18 |
As a victim, |
| 01:10:22 |
but we do expect the truth. |
| 01:10:26 |
We investigate the accusation |
| 01:10:33 |
Do you recognize him? |
| 01:10:43 |
Yes. |
| 01:10:44 |
Were you forced to have sexual |
| 01:10:47 |
by means of violence |
| 01:10:52 |
He forced me. |
| 01:10:54 |
How did it happen? |
| 01:10:56 |
He came to my apartment, |
| 01:11:00 |
He was confused, |
| 01:11:04 |
I asked him to leave. |
| 01:11:08 |
He really insulted me. |
| 01:11:11 |
I tried to send him away, |
| 01:11:16 |
Go on, please. |
| 01:11:18 |
We argued and he grabbed me. |
| 01:11:21 |
He squeezed my arms |
| 01:11:25 |
Then he took it out and... |
| 01:11:30 |
and laid over me. |
| 01:11:33 |
Excuse me, but I have to ask: |
| 01:11:35 |
Did he insert his penis |
| 01:11:38 |
Yes. |
| 01:11:39 |
- Did you consent to it? |
| 01:11:41 |
- Did he ejaculate? |
| 01:11:44 |
- Did he wear a condom? |
| 01:11:47 |
I see. |
| 01:11:51 |
Thank you, Your Honor. |
| 01:11:54 |
Ms. Inês, please understand that |
| 01:11:59 |
This is a grievous lawsuit. |
| 01:12:01 |
A punishment of 6 to 10 years |
| 01:12:04 |
mostly likely to be inflicted on |
| 01:12:10 |
I don't believe you're lying, |
| 01:12:15 |
It's your word against my client's. |
| 01:12:19 |
It's natural that today's |
| 01:12:23 |
blur it all a bit. |
| 01:12:26 |
It is the judge's decision whether |
| 01:12:31 |
It is also natural that |
| 01:12:35 |
You've said you were insulted. |
| 01:12:38 |
What exactly did he say that |
| 01:12:47 |
He insulted what is the most |
| 01:12:51 |
which is my relationship with |
| 01:12:55 |
I don't really remember |
| 01:12:58 |
What kind of relationship is that? |
| 01:13:02 |
That is private. I don't have |
| 01:13:05 |
I owe Jose my artistic career. |
| 01:13:09 |
He inspires me, teaches me. |
| 01:13:12 |
And I won't allow |
| 01:13:16 |
Did the defendant hit you? |
| 01:13:19 |
No, no hitting. |
| 01:13:21 |
Did he threaten you in any form? |
| 01:13:24 |
- How so? |
| 01:13:28 |
I was scared... |
| 01:13:30 |
- Did he make verbal threats then? |
| 01:13:33 |
The apartment you live in is rented |
| 01:13:38 |
Yes. |
| 01:13:39 |
- Does he visit it frequently? |
| 01:13:43 |
- Any neighbors living close by? |
| 01:13:47 |
- In the same floor? |
| 01:13:50 |
After you both fell, |
| 01:13:55 |
I don't quite recall... |
| 01:14:00 |
You said there was no sexual |
| 01:14:03 |
Was there any sexual intimacy |
| 01:14:07 |
Yes. |
| 01:14:09 |
Is Antonio in love with you? |
| 01:14:16 |
I don't know. |
| 01:14:20 |
A woman would notice, |
| 01:14:22 |
I don't know. A man in love |
| 01:14:27 |
- What? |
| 01:14:30 |
- After that, did you meet again? |
| 01:14:35 |
- Did he go after you? |
| 01:14:39 |
He called and left messages. |
| 01:14:45 |
Did he send you a letter, a note? |
| 01:14:49 |
- Yes, he did... |
| 01:14:53 |
It was a note... |
| 01:14:58 |
It talked about freeing himself, |
| 01:15:02 |
When did you get this note? |
| 01:15:06 |
Yes. |
| 01:15:08 |
Then he didn't know you'd |
| 01:15:11 |
- No. |
| 01:15:14 |
or during the sexual intercourse? |
| 01:15:17 |
No. |
| 01:15:18 |
Did he stop you from screaming? |
| 01:15:29 |
No. |
| 01:15:33 |
I'll never forget the smell |
| 01:15:37 |
I'll never forget either |
| 01:15:42 |
from those who found death... |
| 01:15:45 |
while others caused it. |
| 01:15:48 |
I remember tons of rocks... |
| 01:15:53 |
gravel, debris, everything. |
| 01:15:56 |
The silence required every time |
| 01:16:04 |
in the middle of the debris. |
| 01:16:07 |
Particularly at night, |
| 01:16:12 |
Then we would find a body. |
| 01:16:14 |
A body already in... |
| 01:16:19 |
putrefaction. |
| 01:16:20 |
And there were people with pliers... |
| 01:16:23 |
who stole the gold teeth. |
| 01:16:29 |
They would cut fingers... |
| 01:16:30 |
to get them gold rings, anything. |
| 01:16:35 |
Just looting, really. |
| 01:16:38 |
There were also those who'd |
| 01:16:43 |
to kill, to deprive, |
| 01:16:47 |
Policemen, soldiers, |
| 01:16:51 |
who'd take advantage of all that. |
| 01:16:54 |
That was the scenario a few |
| 01:17:06 |
She's missing a leg... |
| 01:17:09 |
as simple as that. |
| 01:17:12 |
She's someone extremely sensual... |
| 01:17:16 |
extremely beautiful. |
| 01:17:18 |
And I think... |
| 01:17:23 |
I can still be... |
| 01:17:27 |
attractive, sensual. |
| 01:17:32 |
This chemical combination |
| 01:17:36 |
that happens |
| 01:17:40 |
one over the other... |
| 01:17:43 |
it's such an intimate moment that... |
| 01:17:50 |
it eliminates any possibility |
| 01:17:56 |
a moment which |
| 01:18:01 |
demands sweetness, |
| 01:18:09 |
maybe love. |
| 01:18:11 |
I don't know if at this moment |
| 01:18:14 |
I don't know how to say that... |
| 01:18:16 |
Yeah, lightning. |
| 01:18:18 |
When the artist undresses and |
| 01:18:21 |
there ends the relationship |
| 01:18:28 |
Both are equally vulnerable... |
| 01:18:32 |
or equally powerful. |
| 01:18:36 |
One of these moments is when |
| 01:18:41 |
The other, when we have the |
| 01:18:47 |
Observe the works of Maya... |
| 01:18:52 |
Aztec, Pre-Colombian, Inca. |
| 01:18:57 |
Both culminating moments |
| 01:19:04 |
Death, almost always violently... |
| 01:19:07 |
and procreation... |
| 01:19:09 |
beautifully, erotically, sensually. |
| 01:19:14 |
This hand was an homage |
| 01:19:18 |
Jose Quadalupe Posada... |
| 01:19:20 |
who synthesized like no other... |
| 01:19:25 |
the fascination Mexico has... |
| 01:19:28 |
with death as a metaphor for life. |
| 01:19:31 |
I think I had this done, |
| 01:19:36 |
I thought it was very important, |
| 01:19:39 |
and it has occupied my life since. |
| 01:19:44 |
I wake up every day, |
| 01:19:48 |
and remember that, |
| 01:19:50 |
I'm becoming more wrinkled, older... |
| 01:19:53 |
that my bones are melting. |
| 01:19:56 |
I'm reaching the end and still want... |
| 01:20:02 |
to reproduce, to go on living. |
| 01:20:05 |
This to me is a beautiful |
| 01:20:10 |
What is art for? |
| 01:20:14 |
I know it serves the State Affairs. |
| 01:20:20 |
I know it has many functions. |
| 01:20:22 |
However, we're artists... |
| 01:20:27 |
who believe that through |
| 01:20:33 |
the transformations... |
| 01:20:38 |
I was about say suffer, |
| 01:20:41 |
they are the transformations |
| 01:20:59 |
Subs. ripeados por bluciano para |
