|
8MM
|
| 00:01:24 |
Welcome to Miami. |
| 00:01:25 |
While in the airport, please |
| 00:01:29 |
... which prohibit smoking |
| 00:01:31 |
Thank you for not smoking. |
| 00:02:49 |
Your son-in-law dealt with the |
| 00:02:52 |
He saw that woman every night. |
| 00:02:56 |
The specifics are in my report, |
| 00:03:01 |
It`s unpIeasant, I know. |
| 00:03:04 |
Discreet, isn`t he? |
| 00:03:06 |
What an imbeciIe! |
| 00:03:08 |
I tried to warn my daughter, |
| 00:03:11 |
I worry about the chiIdren. |
| 00:03:14 |
My invoice is in the enveIope, |
| 00:03:17 |
Yes, Mr. WeIIes. Thank you. |
| 00:03:20 |
Senator, Iet me know if I can be |
| 00:03:23 |
I`II be in touch. |
| 00:04:01 |
HeIIo? |
| 00:04:03 |
You`re home. |
| 00:04:05 |
We`re back here. |
| 00:04:07 |
How did it go? |
| 00:04:09 |
I think very weII. |
| 00:04:10 |
Good. |
| 00:04:11 |
Daddy`s home, sweetie. |
| 00:04:14 |
How`s the textbook business? |
| 00:04:17 |
I got 1 0,000 words on |
| 00:04:21 |
It shouId be 4000 and the writer |
| 00:04:24 |
So, kind of bad. |
| 00:04:27 |
How was Miami? |
| 00:04:28 |
Fine. Lonesome. |
| 00:04:30 |
CouIdn`t pay me enough |
| 00:04:32 |
Then why`d you go? |
| 00:04:34 |
Senator MichaeIson |
| 00:04:43 |
HeIIo, CindereIIa. |
| 00:04:45 |
Did you miss me? |
| 00:04:48 |
Oh, that`s my girI. |
| 00:04:49 |
She missed you. |
| 00:04:53 |
You been smoking? |
| 00:04:56 |
Smoking? I`m not smoking. |
| 00:04:59 |
Come on, honey. |
| 00:05:01 |
You reek of it. |
| 00:05:03 |
Amy, I`ve been sitting around |
| 00:05:06 |
Is this the first thing I get? |
| 00:05:08 |
-You`re accusing me? |
| 00:05:12 |
I`m not smoking, okay? |
| 00:05:16 |
I`II make dinner. |
| 00:05:18 |
You`re cooking? |
| 00:05:23 |
I missed you. |
| 00:05:30 |
I don`t Iike it when you Ieave. |
| 00:05:37 |
ShouId I go? |
| 00:05:39 |
I`m going to do it. |
| 00:05:52 |
Come on. |
| 00:05:53 |
What`s aII the troubIe, CindereIIa? |
| 00:05:57 |
There, there. |
| 00:06:07 |
I Iove you. |
| 00:06:11 |
I Iove you. |
| 00:06:26 |
Honey, phone! |
| 00:06:36 |
Okay, I`ve got it! |
| 00:06:38 |
Sorry, I was just switching phones. |
| 00:06:44 |
It`s a pIeasure to make |
| 00:06:47 |
How can I be of assistance to you? |
| 00:06:54 |
Four o`cIock wouId be fine. |
| 00:07:00 |
I think I know where it is. |
| 00:07:41 |
DanieI LongdaIe. |
| 00:07:44 |
PIeasure. |
| 00:07:45 |
I`m the Christians` attorney and |
| 00:07:48 |
This is Mrs. Christian. |
| 00:07:49 |
An honour to meet you. |
| 00:07:51 |
You come highIy |
| 00:07:54 |
I`ve spoken to associates of mine in |
| 00:07:58 |
You have infIuentiaI friends. |
| 00:07:59 |
I`ve been priviIeged to provide |
| 00:08:03 |
You were praised |
| 00:08:05 |
...your strict adherence |
| 00:08:09 |
Thank you. |
| 00:08:12 |
As you know, |
| 00:08:16 |
My condoIences, Mrs. Christian. |
| 00:08:18 |
His passing has Ieft me |
| 00:08:23 |
I`II do whatever I can to heIp. |
| 00:08:26 |
My husband`s inner sanctum. |
| 00:08:29 |
Not many peopIe have been |
| 00:08:34 |
My father worked the Pittsburgh miII. |
| 00:08:36 |
Irving United SteeI, I beIieve. |
| 00:08:38 |
But you attended Penn |
| 00:08:41 |
That`s right. |
| 00:08:42 |
Peers went into Iaw and finance. |
| 00:08:44 |
I decided it was the future. |
| 00:08:47 |
Your husband is a Iegend. |
| 00:08:48 |
PIease. |
| 00:08:50 |
We were married 45 years. |
| 00:08:52 |
Four chiIdren, seven grandchiIdren. |
| 00:08:56 |
But his true passion Iay... |
| 00:08:58 |
...in his work. |
| 00:08:59 |
But he was aIways IoyaI. |
| 00:09:01 |
I Ioved him deepIy. |
| 00:09:04 |
I understand. |
| 00:09:08 |
DanieI. |
| 00:09:10 |
My husband was the onIy one |
| 00:09:14 |
We hired somebody to open it. |
| 00:09:16 |
I prevented anyone... |
| 00:09:18 |
...from seeing the contents. |
| 00:09:20 |
I feIt these were |
| 00:09:24 |
I didn`t.... |
| 00:09:26 |
I didn`t reaIize.... |
| 00:09:29 |
Do you want to teII me |
| 00:09:34 |
Cash, stock certificates. |
| 00:09:36 |
Nothing out of the ordinary, |
| 00:09:42 |
It`s a fiIm... |
| 00:09:45 |
...where a girI appears to be murdered. |
| 00:09:47 |
I`m not sure I understand. |
| 00:09:49 |
It`s very reaIistic. |
| 00:09:51 |
But how many peopIe seem to be |
| 00:09:54 |
...in movies and on TV every day? |
| 00:09:57 |
It begins as a reIativeIy |
| 00:10:01 |
...and rapidIy turns |
| 00:10:09 |
What you`re taIking about |
| 00:10:11 |
Snuff fiIms are a kind of urban myth. |
| 00:10:14 |
Sex industry foIkIore. |
| 00:10:17 |
That`s what I expIained |
| 00:10:19 |
This is probabIy |
| 00:10:22 |
SimuIated rape, simuIated vioIence. |
| 00:10:24 |
It`s hard to stomach, |
| 00:10:26 |
Fake bIood, speciaI effects. |
| 00:10:28 |
WouId you Iook at the fiIm |
| 00:10:32 |
AII I want... |
| 00:10:33 |
...is to know that |
| 00:10:38 |
I want the proof. |
| 00:12:30 |
WeII... |
| 00:12:31 |
...whoever made the fiIm |
| 00:12:34 |
But I`m no expert. |
| 00:12:38 |
Out of the question. |
| 00:12:39 |
That`d be so unnecessary |
| 00:12:42 |
...not the Ieast of which is |
| 00:12:47 |
Find out who made this fiIm... |
| 00:12:49 |
...and estabIish whether it`s reaI. |
| 00:12:51 |
You can name your price. |
| 00:12:52 |
You`II be provided with |
| 00:12:58 |
GirI`s aII I`ve got to go on. |
| 00:13:00 |
I couId treat it |
| 00:13:02 |
Understood. |
| 00:13:03 |
Of course... |
| 00:13:05 |
...we need to be assured |
| 00:13:08 |
You have my word on that. |
| 00:13:10 |
But I`II be deaIing |
| 00:13:13 |
...and onIy you. |
| 00:13:14 |
Your reIationship with |
| 00:13:16 |
-No offense. |
| 00:13:18 |
I reaIize you`ve given this |
| 00:13:23 |
You couId have destroyed it. |
| 00:13:24 |
TeII me the poor girI wasn`t kiIIed. |
| 00:13:27 |
PIease? |
| 00:13:28 |
Find her aIive. |
| 00:13:30 |
I`II do the best I can, ma`am. |
| 00:14:12 |
Cleveland? |
| 00:14:13 |
You just got home. |
| 00:14:14 |
I wish I couId stay, |
| 00:14:17 |
It`s Cindy`s coIIege money. |
| 00:14:19 |
If I do right by her, |
| 00:14:21 |
...this couId be a big break. |
| 00:14:23 |
Do we need a break? |
| 00:14:24 |
Your father thinks we do. |
| 00:14:29 |
So, what was Mrs. Christian Iike? |
| 00:14:32 |
Like you`d expect, I guess. |
| 00:14:36 |
It`s a missing persons. |
| 00:14:37 |
I toId her I`d give it |
| 00:14:40 |
It can`t take Ionger than that. |
| 00:14:43 |
That`s aII I can teII you. |
| 00:14:48 |
It`s aIways that way. |
| 00:14:51 |
-She`s awake. I`II get her. |
| 00:15:22 |
-You`re taking the gun? |
| 00:15:24 |
Don`t take it. |
| 00:15:25 |
I won`t wear it. |
| 00:15:28 |
WiII you caII me |
| 00:15:45 |
I`ve been hired by a couple in |
| 00:15:50 |
A few days ago, they picked up |
| 00:15:53 |
...a runaway, about 1 8, maybe. |
| 00:15:55 |
They buy her a meal. |
| 00:15:59 |
... that, at least, |
| 00:16:01 |
Not surprisingly, the girl ate, |
| 00:16:04 |
...that was the Iast they saw of her. |
| 00:16:06 |
We had a friend of mine |
| 00:16:09 |
They want to see |
| 00:16:12 |
...then pass aIong |
| 00:16:14 |
...Ietting them know |
| 00:16:17 |
You don`t mind if I run a check? |
| 00:16:19 |
Go ahead. |
| 00:16:21 |
You want it, you got it. |
| 00:16:24 |
Anywhere from 850,000 to 1 ,000,000 |
| 00:16:27 |
We got as much as we can on computer, |
| 00:16:31 |
Files are by state |
| 00:16:33 |
Children are separate. |
| 00:16:36 |
-There`s coffee. |
| 00:16:38 |
Horrible. |
| 00:16:39 |
It`ll be your best friend |
| 00:16:41 |
... if you last that long. |
| 00:16:43 |
Good luck. |
| 00:16:48 |
Honey, it`s me. |
| 00:16:49 |
How are you? |
| 00:16:50 |
I`m good. |
| 00:16:52 |
Where are you? |
| 00:16:53 |
I`m still in Cleveland. |
| 00:16:56 |
She`s sweet. |
| 00:16:59 |
-I`m missing you bigtime. |
| 00:17:03 |
I`ll call you tomorrow night. |
| 00:17:06 |
Good night. |
| 00:17:07 |
Good night, sweetheart. |
| 00:17:51 |
Hello, Mrs. Christian? |
| 00:17:53 |
Here`s where we stand. |
| 00:17:55 |
I checked the film stock. |
| 00:17:58 |
The company that made that |
| 00:18:02 |
So the fiIm was made prior to that? |
| 00:18:04 |
Yes. I`m probabIy being |
| 00:18:07 |
...but you might dig up your husband`s |
| 00:18:11 |
...about 6 or 7 years ago. |
| 00:18:12 |
See if there`s anything |
| 00:18:15 |
This isn`t a movie you drop off |
| 00:18:19 |
So you think it`s one of a kind. |
| 00:18:21 |
The film is what we`ve got. |
| 00:18:25 |
Unlike video, it`s not |
| 00:18:28 |
Whatever this is, |
| 00:18:30 |
... there aren`t many copies |
| 00:18:33 |
I`m looking for a girl |
| 00:18:37 |
With this happening 6 or 7 years ago... |
| 00:18:39 |
... finding the guys who made this film |
| 00:18:44 |
I know you can do it. |
| 00:18:47 |
Please tell me you`ll |
| 00:18:50 |
I will. I`ll keep trying for you. |
| 00:18:52 |
You can count on me. |
| 00:18:56 |
We can`t come to the phone now, |
| 00:19:00 |
Honey, it`s me. |
| 00:19:02 |
I`m sorry I forgot |
| 00:19:05 |
I won`t forget tonight. |
| 00:19:07 |
I`ve been gone a Iong time. |
| 00:19:09 |
I Iove you, and I miss you. |
| 00:20:31 |
You Iooking for Janet? |
| 00:20:39 |
HeIIo, Mrs. Mathews? |
| 00:20:41 |
I`m Thomas Hart. |
| 00:20:44 |
I`ve been hired by the U.S. Resource |
| 00:20:48 |
...as part of an internaI audit. |
| 00:20:50 |
I`d Iike you to answer questions |
| 00:20:55 |
I spoke to your FBI contact |
| 00:20:59 |
NeiI. NeiI CoIe? |
| 00:21:01 |
Yes, Agent CoIe. He toId me |
| 00:21:05 |
He didn`t caII? |
| 00:21:13 |
Is this you? |
| 00:21:16 |
You Iook about five years oId. |
| 00:21:18 |
A IittIe oIder. |
| 00:21:20 |
Sweet. |
| 00:21:24 |
It`s important that you don`t |
| 00:21:29 |
It`s not going to effect |
| 00:21:33 |
AII I`m saying is, pIease know... |
| 00:21:35 |
...I`m not here to create |
| 00:21:41 |
We fought aII the time, |
| 00:21:45 |
...and her stepdad. |
| 00:21:46 |
She hated him... |
| 00:21:48 |
...because he wasn`t her reaI dad. |
| 00:21:50 |
TroubIe here, troubIe at schooI. |
| 00:21:54 |
TroubIe. |
| 00:21:55 |
Didn`t Iike ruIes. |
| 00:21:59 |
I had to Iearn the hard way. |
| 00:22:03 |
Can I speak to your husband? |
| 00:22:04 |
Her stepfather? |
| 00:22:06 |
Dave? |
| 00:22:07 |
Gone. |
| 00:22:09 |
Two years after Mary Anne Ieft. |
| 00:22:11 |
AII the time, she resented him. |
| 00:22:14 |
I Iost her because of him, |
| 00:22:19 |
I`m the onIy one stiII here. |
| 00:22:22 |
Did Mary have a boyfriend? |
| 00:22:24 |
She was sneaking out with someone. |
| 00:22:27 |
She wouIdn`t teII me who. |
| 00:22:29 |
Coming home with hickeys, |
| 00:22:34 |
I am sorry to bring this up, |
| 00:22:37 |
...with the stepfather... |
| 00:22:39 |
...were there any indications |
| 00:22:42 |
There was nothing Iike that. |
| 00:22:46 |
There wasn`t anything Iike that. |
| 00:22:49 |
I apoIogize. I had to ask. |
| 00:22:53 |
Those are for her birthday. |
| 00:22:57 |
They`II be waiting for her |
| 00:23:02 |
It`s because I sIapped her. |
| 00:23:05 |
I know. |
| 00:23:08 |
We was fighting about Dave, |
| 00:23:12 |
And I sIapped her. |
| 00:23:15 |
Jesus! |
| 00:23:18 |
Next day, she was gone. |
| 00:23:20 |
When kids run, they |
| 00:23:23 |
It`s guiIt, usuaIIy. |
| 00:23:25 |
There wasn`t one. |
| 00:23:27 |
PoIice Iooked. |
| 00:23:28 |
An abduction`s one thing, |
| 00:23:31 |
Sometimes it`s not the priority |
| 00:23:34 |
There wasn`t anything. |
| 00:23:38 |
You`re probabIy right, |
| 00:23:43 |
You teII me... |
| 00:23:44 |
...not to get my hopes up... |
| 00:23:47 |
...not to raise my expectations. |
| 00:23:54 |
Go ahead. |
| 00:23:56 |
I need a drink. |
| 00:23:58 |
Thank you. |
| 00:25:43 |
Dear Mom, |
| 00:25:45 |
... it means I called you |
| 00:25:49 |
I left my diary behind because |
| 00:25:53 |
It`s not because you hit me. |
| 00:25:55 |
I hid this so Dave the dickhead |
| 00:25:58 |
Warren Anderson and me |
| 00:26:00 |
I`m going to start |
| 00:26:02 |
His dad owns |
| 00:26:05 |
But Warren has even bigger plans. |
| 00:26:07 |
He`ll become a star |
| 00:26:10 |
He says I`m prettier |
| 00:26:12 |
I could be a star too. |
| 00:26:14 |
You want a drink? |
| 00:26:16 |
When we cruise into Hollywood... |
| 00:26:18 |
...I`ll have fiery eyes that everyone |
| 00:26:24 |
You were right. |
| 00:26:28 |
Fixed you a drink. |
| 00:26:29 |
Thanks, no. |
| 00:26:32 |
I`II stop by tomorrow night. |
| 00:26:34 |
We`ll probably be married |
| 00:26:38 |
Don`t come looking for me, |
| 00:26:41 |
Maybe someday you`ll see me |
| 00:26:45 |
Don`t worry about me. |
| 00:26:48 |
Mr. Anderson? |
| 00:26:52 |
Who`s asking? |
| 00:26:53 |
Tom Hart. |
| 00:26:56 |
I`m Iooking for your son. |
| 00:27:00 |
Sure. |
| 00:27:02 |
What`s it about? You a cop? |
| 00:27:05 |
No, sir. |
| 00:27:06 |
Just a friend from a whiIe back. |
| 00:27:10 |
You owe him money? |
| 00:27:12 |
That`s a new one. |
| 00:27:15 |
You can Ieave it |
| 00:27:18 |
If it`s aII the same, |
| 00:27:21 |
CaIifornia, right? |
| 00:27:24 |
CaIifornia? |
| 00:27:27 |
Son, you know where |
| 00:27:31 |
That`s where Warren is. |
| 00:27:33 |
Doing eight months on a B and E. |
| 00:27:38 |
Thank you. |
| 00:27:42 |
Yeah, man, I knew her. |
| 00:27:46 |
Dumped that bitch right |
| 00:27:49 |
She shows up knocking at my door |
| 00:27:52 |
ToId that bitch she couId go to heII. |
| 00:27:56 |
Where`d she go? |
| 00:27:59 |
HeII, maybe. |
| 00:28:02 |
I don`t know and |
| 00:28:06 |
She said she might work |
| 00:28:09 |
Ask me, her tits |
| 00:28:14 |
Did you hear from her again? |
| 00:28:17 |
Because I fucked her |
| 00:28:21 |
She came to HoIIywood to be |
| 00:28:24 |
And so did I. |
| 00:28:31 |
Why don`t you pass me |
| 00:28:41 |
I don`t smoke. |
| 00:28:46 |
How you doing? |
| 00:28:48 |
I`m okay. |
| 00:28:49 |
You don`t sound okay. |
| 00:28:51 |
It`s not easy. |
| 00:28:53 |
Why? What`s going on? |
| 00:28:55 |
It`s just tougher than |
| 00:28:57 |
Is it getting to you? |
| 00:28:59 |
I got a lead I can`t drop. |
| 00:29:01 |
I`m aImost done. |
| 00:29:03 |
I miss you too. |
| 00:29:04 |
Give Cindy a kiss for me. |
| 00:29:06 |
Wait, I think she wants to say bye. |
| 00:29:09 |
Hi, sweetie. Hi, honey. |
| 00:29:12 |
Hi, Cinderella. |
| 00:29:14 |
She`s touching the phone. |
| 00:29:17 |
You shouId see her face |
| 00:29:20 |
I Iove you. |
| 00:29:21 |
I Iove you too. Bye. |
| 00:29:26 |
I was just making dinner. |
| 00:29:28 |
I`ve made enough for two, |
| 00:29:31 |
I`m sorry, I can`t stay. |
| 00:29:33 |
I wanted to Iet you know |
| 00:29:37 |
I toId them to keep |
| 00:29:41 |
WeII... |
| 00:29:43 |
...stay for a drink, at Ieast. |
| 00:29:50 |
You sure you`re not hungry? |
| 00:29:52 |
It`d be nice to have a meaI |
| 00:29:55 |
I have a Iong drive ahead of me. |
| 00:29:57 |
It`s one of the most |
| 00:30:00 |
I don`t know why. You think |
| 00:30:14 |
Mrs. Mathews? |
| 00:30:16 |
Janet. |
| 00:30:19 |
Do you ever consider.... |
| 00:30:21 |
Do you reaIize that |
| 00:30:25 |
I think about it every day. |
| 00:30:27 |
Every time the phone rings... |
| 00:30:29 |
...every time, I stiII think it`s her. |
| 00:30:33 |
She`s aII I think about. |
| 00:30:37 |
Can you teII me... |
| 00:30:39 |
...if you had to make a choice, |
| 00:30:43 |
...between imagining her |
| 00:30:47 |
...Iiving a good Iife, being happy... |
| 00:30:51 |
...but you don`t know... |
| 00:30:54 |
...you never find out... |
| 00:30:57 |
...or the worst being true... |
| 00:31:00 |
...her being gone... |
| 00:31:02 |
...but you know. |
| 00:31:05 |
You finaIIy know... |
| 00:31:08 |
...what`s happened to her. |
| 00:31:11 |
What wouId I choose? |
| 00:31:14 |
Yes. |
| 00:31:19 |
I wouId choose to know. |
| 00:31:23 |
I need to know. |
| 00:31:32 |
Excuse me, |
| 00:32:26 |
You`re Ieaving. |
| 00:32:33 |
I`II caII you if I find anything out. |
| 00:35:11 |
How you doing? |
| 00:35:13 |
Big date tonight? |
| 00:35:15 |
Yeah, guess so. |
| 00:35:17 |
CouId I interest you |
| 00:35:21 |
It`s tempting, but no thanks. |
| 00:35:23 |
I`d hate to see you in one |
| 00:35:26 |
...that caIIs for it |
| 00:35:30 |
I`II risk it. |
| 00:35:32 |
AII right, your totaI |
| 00:35:39 |
A hundred. |
| 00:35:45 |
TotaI`s $25 and some change. |
| 00:35:52 |
Thank you for shopping |
| 00:35:55 |
And have yourseIf a fabuIous day. |
| 00:35:57 |
What are you reading? |
| 00:36:01 |
Catchy titIe. |
| 00:36:03 |
Hard to beIieve it`s got |
| 00:36:10 |
Capote. |
| 00:36:13 |
You know how it is. |
| 00:36:15 |
WouIdn`t want to embarrass yourseIf |
| 00:36:19 |
I might get drummed out |
| 00:36:23 |
Where wouId I be then? |
| 00:36:27 |
Have a good day. |
| 00:36:55 |
How are you? |
| 00:36:57 |
Hey, honey. |
| 00:36:58 |
-How you doing? |
| 00:37:00 |
How`s Cindy? |
| 00:37:01 |
She`s sweet. She misses you. |
| 00:37:03 |
How`s it going? |
| 00:37:05 |
The way things are going, |
| 00:37:09 |
ReaIIy? |
| 00:37:12 |
Honey, wait. |
| 00:37:15 |
Can I caII you back? |
| 00:37:18 |
I`ll call you right back, I promise. |
| 00:38:01 |
Mrs. Christian, there were three men. |
| 00:38:03 |
Not just the cameraman |
| 00:38:06 |
I caught a glimpse of a third man. |
| 00:38:11 |
I`ll get a clearer image |
| 00:38:13 |
But this probably happened |
| 00:38:17 |
All right, I`ll keep trying. |
| 00:38:19 |
Thank you, I appreciate |
| 00:38:22 |
What we have here is |
| 00:38:26 |
...a hundred-pIus thousand |
| 00:38:28 |
...and the resuIt is an enhancement |
| 00:38:35 |
Want it framed? |
| 00:38:38 |
There you go. Have a nice day. |
| 00:38:42 |
It`s Iike a gas station, |
| 00:38:45 |
Remember me? |
| 00:38:49 |
Came back for the battery-operated |
| 00:38:53 |
I need information. |
| 00:38:55 |
Thomas WeIIes. Nice picture. |
| 00:38:59 |
What sort of information? |
| 00:39:02 |
The kind I`II pay for. |
| 00:39:04 |
I don`t know |
| 00:39:07 |
...so we`re cIear from the start, |
| 00:39:09 |
CongratuIations. |
| 00:39:10 |
Thank you. |
| 00:39:12 |
Zip it! |
| 00:39:13 |
I can hook you up. |
| 00:39:14 |
Name the vice, |
| 00:39:17 |
-How Iong you been working here? |
| 00:39:20 |
What`s your name, |
| 00:39:22 |
Max. |
| 00:39:25 |
Here`s the deaI. |
| 00:39:26 |
This thing has to do |
| 00:39:29 |
Stuff that`s soId |
| 00:39:32 |
There`s not much iIIegaI out there. |
| 00:39:34 |
Whatever there is, I want to know. |
| 00:39:38 |
If you`ve got that kind of |
| 00:39:42 |
You`re not a cop, are you? |
| 00:39:44 |
If I ask and you are, |
| 00:39:46 |
I`m not a cop. |
| 00:39:48 |
A private detective? |
| 00:39:50 |
Like Shaft? |
| 00:39:52 |
You ever seen Private Dicks? |
| 00:39:55 |
How much you make in there? |
| 00:39:59 |
Around 400 bucks a week, |
| 00:40:02 |
Let`s pretend I Iive |
| 00:40:05 |
...where you make $400 |
| 00:40:07 |
I`II give you 500 for a few days. |
| 00:40:09 |
Six sounds good, Pops. |
| 00:40:11 |
Five. |
| 00:40:13 |
Here`s my number. |
| 00:40:19 |
When can you start? |
| 00:40:21 |
WeII, tomorrow night I get off Iate. |
| 00:40:24 |
Tomorrow. |
| 00:40:26 |
AII right. |
| 00:40:27 |
And don`t caII me Pops. |
| 00:40:30 |
Of course not. I wouIdn`t |
| 00:40:36 |
I don`t know what your scene is. |
| 00:40:38 |
You may like porn |
| 00:40:40 |
You don`t look like your average |
| 00:40:43 |
So when you ask people |
| 00:40:47 |
...it has a certain patina to it. |
| 00:40:49 |
Patina. |
| 00:40:50 |
It`s a Truman Capote word. HeIIo? |
| 00:40:52 |
If someone never soId a snuff fiIm, |
| 00:40:56 |
If they have, |
| 00:40:58 |
Whoever acts insuIted, |
| 00:41:01 |
Look, Pops, it`s not too Iate |
| 00:41:05 |
There`s things you`II see |
| 00:41:08 |
-They stay in your head. |
| 00:41:11 |
Okay, fine. |
| 00:41:15 |
I`ve been here six fucking years |
| 00:41:18 |
So I start part-time |
| 00:41:22 |
And boom, a coupIe years go by, |
| 00:41:25 |
I`m just saying, before you know it, |
| 00:41:29 |
Don`t worry about me. |
| 00:41:31 |
But thank you. |
| 00:41:32 |
You`re weIcome. |
| 00:41:34 |
Pops, you dance with the deviI, |
| 00:41:38 |
DeviI changes you. |
| 00:41:40 |
Some of your Iyrics? |
| 00:41:41 |
That`s cute. |
| 00:41:53 |
This pIace has been around |
| 00:41:55 |
...but they keep moving it |
| 00:42:13 |
This is the tip of the iceberg. |
| 00:42:15 |
Lots of Mexican S & M, |
| 00:42:18 |
...aII kinds of bestiaIity, |
| 00:42:21 |
Don`t touch nothing. |
| 00:42:24 |
Ask him. |
| 00:42:37 |
Don`t do that! |
| 00:42:38 |
AII right! It`s cooI! |
| 00:42:41 |
AII right? Okay. |
| 00:42:50 |
Come on, Iet`s go. AII right! |
| 00:42:56 |
Are you affiIiated with Iaw enforcement? |
| 00:42:59 |
Fuck you, Larry. |
| 00:43:01 |
Are you a Iaw enforcement agent, |
| 00:43:05 |
Fuck you, Larry. |
| 00:43:06 |
You`re getting cooI there, WeIIes. |
| 00:43:08 |
You got your porn zombies here. |
| 00:43:12 |
But these saIes |
| 00:43:15 |
It`s risky, |
| 00:43:17 |
Chicken hawks swapping photos |
| 00:43:19 |
Then there`s cIassified ads |
| 00:43:23 |
...wires through dummy corporations. |
| 00:43:25 |
If something`s iIIegaI, the buyers |
| 00:43:28 |
Nobody knows what nobody knows, |
| 00:43:31 |
How`s it going, SamueI? |
| 00:43:37 |
I`II say hi to her. |
| 00:43:40 |
How are you? I Iove that. |
| 00:43:42 |
It`s the MichaeI Jackson Iook, |
| 00:44:15 |
What are these? |
| 00:44:17 |
Extreme bondage. |
| 00:44:19 |
Rape fiIms. |
| 00:44:22 |
Sick shit. |
| 00:44:24 |
Buy five, get one for free. |
| 00:44:28 |
Anything harder? |
| 00:44:30 |
There`s nothing harder. |
| 00:44:33 |
Snuff? |
| 00:44:37 |
There`s no such thing as snuff. |
| 00:44:39 |
What you see is what I got, mister. |
| 00:44:42 |
Do you know where I can get some? |
| 00:44:44 |
Fuck off. |
| 00:45:32 |
There she is. |
| 00:45:33 |
There she is. |
| 00:45:36 |
That chick couId be |
| 00:45:39 |
The swing on her is unreaI. |
| 00:45:41 |
Some of these S & M and bondage fiIms |
| 00:45:45 |
Foot fetish, orgies, shit fiIms... |
| 00:45:47 |
...hermaphrodites, mutiIation. |
| 00:45:50 |
But mostIy IegaI. |
| 00:45:51 |
Stick. |
| 00:45:52 |
One guy sees it and pukes. |
| 00:45:54 |
Another guy sees it |
| 00:45:57 |
This is the guy I toId you about. |
| 00:46:02 |
$1 000. |
| 00:46:03 |
-1 200 for the two. |
| 00:46:05 |
I know. This is more fun. I raise |
| 00:46:10 |
-I thought we had a reIationship. |
| 00:46:12 |
Sickest shit you`II ever see. |
| 00:46:19 |
Is that reaI? |
| 00:46:22 |
That sure as shit Iooks reaI. |
| 00:46:31 |
She`s not breathing. |
| 00:46:42 |
Who makes these fiIms? |
| 00:46:43 |
I don`t know. |
| 00:46:45 |
Looks Iike the PhiIippines. |
| 00:46:52 |
Yeah, definiteIy the PhiIippines. |
| 00:47:16 |
Wait a minute. |
| 00:47:19 |
Isn`t that the same girI? |
| 00:47:21 |
Look. |
| 00:47:23 |
It is the same. |
| 00:47:25 |
They`re fakes. |
| 00:47:28 |
That`s great. |
| 00:47:32 |
Snuff 2.. The Resurrection. |
| 00:47:35 |
Oh, boy. |
| 00:47:37 |
WeII, what do you expect for 1 200? |
| 00:47:42 |
You want a beer or something? |
| 00:47:46 |
But I`m sorry, man. |
| 00:47:49 |
I just wish I wouId have |
| 00:47:52 |
`` Hard Spank.`` |
| 00:47:54 |
`` Max CaIifornia.`` |
| 00:47:56 |
That`s my oId band. |
| 00:47:58 |
We broke up. |
| 00:48:00 |
When? |
| 00:48:01 |
Maybe about a year ago. |
| 00:48:04 |
I don`t mean any offense... |
| 00:48:06 |
...but what are you doing |
| 00:48:10 |
I`m not mixed up in anything, Pops. |
| 00:48:13 |
You strike me as being smart enough |
| 00:48:16 |
Thanks. |
| 00:48:17 |
I wish you owned a record IabeI. |
| 00:48:21 |
Look, it beats pumping gas. |
| 00:48:24 |
I don`t buy it. |
| 00:48:27 |
I just point the way. |
| 00:48:29 |
You said it gets to you. |
| 00:48:31 |
WeII, heII, yeah. |
| 00:48:33 |
Parade of Iosers I see every day? |
| 00:48:35 |
What choices have I got? |
| 00:48:37 |
The music industry is not exactIy |
| 00:48:42 |
And what about you, Tom WeIIes? |
| 00:48:45 |
You got a ring on your finger. |
| 00:48:49 |
A daughter. |
| 00:48:52 |
So you got a wife and a daughter... |
| 00:48:54 |
...and a nice IittIe yeIIow house... |
| 00:48:56 |
...and a dog named Shep. |
| 00:48:58 |
What the heII are you doing here? |
| 00:49:03 |
Good question. |
| 00:49:08 |
Do you get turned on |
| 00:49:11 |
No, I am not. |
| 00:49:13 |
You don`t exactIy |
| 00:49:17 |
DeviI`s changing you aIready. |
| 00:49:20 |
Good night, Max. |
| 00:49:59 |
This gentIeman was asking if anyone |
| 00:50:04 |
Yes. |
| 00:50:05 |
I remember Mary. |
| 00:50:07 |
Mary Anne Mathews? |
| 00:50:10 |
She Iived here for onIy about a month, |
| 00:50:14 |
She didn`t return one night. |
| 00:50:18 |
Not yet, but I`m Iooking |
| 00:50:21 |
CouId you get |
| 00:50:24 |
That`s her suitcase. |
| 00:50:26 |
I`d forgotten about it |
| 00:50:30 |
I suppose I aIways |
| 00:50:34 |
She seemed so Iost. |
| 00:50:36 |
After a time, aII I couId do was pray |
| 00:50:39 |
Can you get this suitcase |
| 00:50:41 |
If it`s appropriate. |
| 00:50:43 |
Yes, of course. Thank you. |
| 00:51:28 |
Starlight, star bright |
| 00:51:30 |
First star I`ve seen tonight |
| 00:51:32 |
I wish I may, wish I might |
| 00:51:34 |
Have this wish I wish tonight |
| 00:51:41 |
The number you have reached |
| 00:51:46 |
Hello, Hollywood Wax Museum. |
| 00:51:50 |
This is operator 1 49. |
| 00:51:53 |
I don`t know. Hollywood. |
| 00:51:55 |
A listing for Celebrity Films, |
| 00:51:58 |
Please hold for |
| 00:52:24 |
-I was here first. |
| 00:52:29 |
Eddie PooIe? |
| 00:52:31 |
A process server? |
| 00:52:33 |
No, I`ve been inquiring around if, |
| 00:52:38 |
You a cop? |
| 00:52:39 |
I`m a member of her famiIy. |
| 00:52:41 |
You know how much pussy |
| 00:52:43 |
PIease, if you`d just take a Iook. |
| 00:52:55 |
Her name is Mary Anne Mathews. |
| 00:53:00 |
Never seen her. |
| 00:53:03 |
You sure? |
| 00:53:05 |
I just Iooked |
| 00:53:08 |
Come on. I got |
| 00:53:14 |
Who`s next? |
| 00:53:46 |
This`II be fine. |
| 00:54:27 |
What kind of shit are you peddling? |
| 00:54:29 |
My tapes sell. |
| 00:54:31 |
I had three jerks |
| 00:54:34 |
You know how bad it has to be |
| 00:54:37 |
... with a receipt |
| 00:54:40 |
How bad? |
| 00:54:42 |
Get together some upscale product |
| 00:54:46 |
Till then, fuck you! |
| 00:54:49 |
Does your mother have any teeth? |
| 00:54:51 |
If she does, |
| 00:55:55 |
He`s not answering. |
| 00:56:23 |
Hey, boss. |
| 00:56:24 |
There`s a case of beer in there. |
| 00:56:30 |
-How was your day? |
| 00:56:35 |
-Everybody here? |
| 00:56:38 |
Been watching them? |
| 00:57:52 |
Celebrity Films. |
| 00:57:55 |
I know aII about it. |
| 00:57:57 |
Yeah, you know about what? |
| 00:57:58 |
About that girI... |
| 00:58:03 |
I know what you did to her. |
| 00:58:05 |
Who is this? |
| 00:58:07 |
You murdered her. |
| 00:58:09 |
You and your friends. |
| 00:58:11 |
What the fuck are |
| 00:58:14 |
You kiIIed her on fiIm. |
| 00:58:15 |
Now you`re fucked. |
| 00:58:17 |
You`re aII fucked. |
| 00:58:33 |
Come on. |
| 00:58:40 |
Come on, give me something, Eddie. |
| 00:58:54 |
It`s me. |
| 00:58:56 |
What do you want? |
| 00:58:58 |
I just got a call. |
| 00:58:59 |
We got to talk. |
| 00:59:02 |
So one of us |
| 00:59:05 |
Blow me, you paranoid fuck. |
| 00:59:11 |
Fuck! Fuck! |
| 00:59:23 |
So you Iike to watch, paranoid fuck. |
| 00:59:33 |
Phone is listed under ``D. Velvet`` |
| 00:59:36 |
Dino VeIvet. |
| 00:59:37 |
He`s a producerIdirectorIweirdo. |
| 00:59:41 |
He`s Iike the Jim Jarmusch of S & M. |
| 00:59:42 |
How hard is his stuff? |
| 00:59:44 |
How hard do you want it? |
| 00:59:45 |
Bondage, fetish, Gothic hard-core. |
| 00:59:49 |
Kind of hard to come by. |
| 00:59:51 |
MostIy out of the back |
| 00:59:53 |
But he`s got fans. |
| 00:59:55 |
This guy I know, he thinks it`s art. |
| 00:59:57 |
He`s toId me VeIvet wiII do |
| 01:00:01 |
Nothing iIIegaI, but borderIine. |
| 01:00:03 |
If a guy wants to see |
| 01:00:06 |
I got the picture. |
| 01:00:07 |
Max, get in here! |
| 01:00:10 |
So... |
| 01:00:12 |
...you`re going to New York? |
| 01:00:13 |
Maybe. |
| 01:00:15 |
Looking Iike that. |
| 01:00:17 |
You`II need me. |
| 01:00:19 |
This Frenchie guy is more |
| 01:00:22 |
I can get you in if you want. |
| 01:00:25 |
For more money, of course. |
| 01:00:26 |
PIus expenses. I fIy first cIass. |
| 01:00:29 |
So when are we Ieaving? |
| 01:00:35 |
What are you doing? |
| 01:00:38 |
Man, my first time in |
| 01:00:44 |
I toId you, don`t fiIm me. |
| 01:00:46 |
Fine, Howard Hughes. |
| 01:00:58 |
You didn`t say it`d be this Iuxurious. |
| 01:01:00 |
-It`s the PresidentiaI suite. |
| 01:01:04 |
I`II be a coupIe of doors down. |
| 01:01:06 |
Tom, I don`t know why |
| 01:01:09 |
PeopIe mind their own |
| 01:01:11 |
I`m going out. Dig up |
| 01:01:14 |
Get receipts. |
| 01:01:17 |
Yes, sir. |
| 01:01:19 |
My husband had |
| 01:01:22 |
Between November... |
| 01:01:24 |
...of 1 992... |
| 01:01:26 |
...and March... |
| 01:01:27 |
...of 1 993... |
| 01:01:30 |
...he wrote one check out |
| 01:01:35 |
My husband never dealt |
| 01:01:38 |
Certainly not cash. |
| 01:01:40 |
These checks he wrote |
| 01:01:43 |
When totaIIed together, |
| 01:01:46 |
...from the five different accounts, |
| 01:01:51 |
That is interesting, Mrs. Christian. |
| 01:01:53 |
I onIy mentioned this because... |
| 01:01:56 |
...you asked me to Iook |
| 01:01:59 |
I`ve got about $5000 Ieft in cash. |
| 01:02:01 |
I`II need another 50, if you approve |
| 01:02:05 |
I`m very cIose to identifying |
| 01:02:09 |
I`II have Mr. LongdaIe arrange it. |
| 01:02:11 |
How will I get it to you? |
| 01:02:13 |
I`II give you the address. |
| 01:02:15 |
Welcome to the world of Dino Velvet. |
| 01:02:50 |
Welcome to the world of Dino Velvet. |
| 01:03:20 |
Who is this? |
| 01:03:23 |
Come on, wake up. |
| 01:03:25 |
One of Dino`s Iunatics. |
| 01:03:29 |
What`s his name? |
| 01:03:30 |
I don`t know. |
| 01:03:33 |
He aIways wears a mask. |
| 01:03:35 |
He caIIs himseIf Machete-- |
| 01:03:38 |
He caIIs himseIf Machine. |
| 01:03:42 |
He`s a Iover, man. |
| 01:03:45 |
DefiniteIy Ioves |
| 01:03:49 |
Can`t say the same about you. |
| 01:04:01 |
Yes, yes. |
| 01:04:04 |
You can see they reaIIy |
| 01:04:07 |
I`m not the kind to bIend in |
| 01:04:11 |
Like these Iadies here, |
| 01:04:19 |
Who is it? |
| 01:04:20 |
This is Max CaIifornia. |
| 01:04:22 |
I caIIed earIier. |
| 01:04:25 |
My partner and I wouId Iike |
| 01:04:28 |
He`s not here. |
| 01:04:29 |
We have to give him |
| 01:04:32 |
If he`s not interested, we`II spIit. |
| 01:04:51 |
What are you taIking about? |
| 01:04:53 |
Can`t you just answer |
| 01:04:58 |
I asked you a question! |
| 01:05:02 |
I`ve been asking you that |
| 01:05:05 |
Sit down. |
| 01:05:08 |
You idiot! |
| 01:05:09 |
Going to shoot in two days? |
| 01:05:11 |
Man, you`re spending my money. |
| 01:05:13 |
Yeah, you better do that. |
| 01:05:16 |
Fucking asshoIe! |
| 01:05:18 |
It`s an honour to meet you. |
| 01:05:22 |
God! |
| 01:05:26 |
So, what can I do you for? |
| 01:05:27 |
We`d Iike to commission a fiIm. |
| 01:05:33 |
That`s right. |
| 01:05:34 |
I`m a huge admirer of yours. |
| 01:05:37 |
God, I Iove fIattery. |
| 01:05:39 |
You`re a genius, Mr. VeIvet. |
| 01:05:43 |
The onIy one stiII transferring |
| 01:05:45 |
Nobody reaIIy appreciates |
| 01:05:48 |
The grain and the gritty Iook you get. |
| 01:05:54 |
Which is your favourite? |
| 01:05:55 |
If I had to choose, it`d either be |
| 01:05:59 |
The subIiminaI imagery in Choke |
| 01:06:04 |
WeII, Devil frightened me |
| 01:06:09 |
...but I`d be hard-pressed |
| 01:06:16 |
What kind of a budget |
| 01:06:19 |
Five thousand now. |
| 01:06:24 |
Two women. One white, one bIack. |
| 01:06:26 |
Hard bondage, of course. |
| 01:06:29 |
Other than that, trusting... |
| 01:06:30 |
...your artistic interpretation... |
| 01:06:33 |
...I onIy have two stipuIations. |
| 01:06:40 |
ChaIIenge me. |
| 01:06:43 |
I want to watch you work. |
| 01:06:45 |
You don`t want a franchise, do you? |
| 01:06:48 |
SteaI the recipe for my secret... |
| 01:06:51 |
...hot sauce? |
| 01:06:54 |
No. |
| 01:06:57 |
That`s good. |
| 01:06:59 |
I appreciate that. |
| 01:07:06 |
Second stipuIation. |
| 01:07:07 |
The other performer... |
| 01:07:10 |
...has to be... |
| 01:07:12 |
...that animaI you use. |
| 01:07:14 |
The man in the mask. |
| 01:07:17 |
Machine. |
| 01:07:25 |
I don`t know. |
| 01:07:27 |
He might be interested. |
| 01:07:30 |
But I think it`II cost you another... |
| 01:07:36 |
...five to seven grand. |
| 01:07:38 |
I can arrange something |
| 01:07:41 |
You can do that. |
| 01:07:42 |
Good enough for me. |
| 01:07:46 |
I`II just have to put |
| 01:07:53 |
I`m going to keep this as a deposit. |
| 01:07:57 |
You make sure you caII me |
| 01:08:00 |
1 0 o`cIock. |
| 01:08:05 |
You know, you have a very speciaI, |
| 01:08:09 |
The way Iight hits it. |
| 01:08:12 |
I`d Iike to shoot you. |
| 01:08:15 |
You don`t mind? |
| 01:08:17 |
I`m camera-shy. |
| 01:08:19 |
You trust me to take your money, |
| 01:08:22 |
Those are two different |
| 01:08:25 |
I hope we can do business. |
| 01:08:35 |
Hoyt Avenue, BrookIyn, 3 o`cIock. |
| 01:08:41 |
I`II be there. |
| 01:08:45 |
I got something to tend to. Thanks. |
| 01:08:48 |
So are we in the movie business? |
| 01:08:52 |
That`s for you. |
| 01:08:53 |
-What is it? |
| 01:08:54 |
PeopIe use it to purchase goods. |
| 01:08:56 |
That`s awfuIIy generous and everything-- |
| 01:08:59 |
It`s not mine. |
| 01:09:01 |
There`s a pIane ticket for the fIight |
| 01:09:05 |
This is as far as I want you to go. |
| 01:09:07 |
What are you taIking about? |
| 01:09:09 |
We`re a team. |
| 01:09:10 |
Max, I`m sure you reaIize |
| 01:09:16 |
...are extremeIy disturbed. |
| 01:09:18 |
That`s why you need me. |
| 01:09:21 |
You did a great job. |
| 01:09:24 |
But this is, Iike, our big case. |
| 01:09:26 |
Tom, I know what`s going on, okay? |
| 01:09:29 |
Okay, what? |
| 01:09:31 |
Dino and Machine and Eddie |
| 01:09:34 |
I can`t figure out why you`re invoIved. |
| 01:09:37 |
First, who said you`re right? |
| 01:09:39 |
Second, who said |
| 01:09:41 |
OnIy 3 ruIes in Iife, Tom WeIIes. |
| 01:09:44 |
One, there`s aIways a victim. |
| 01:09:47 |
And three? |
| 01:09:48 |
I forgot three. |
| 01:09:49 |
Good, I want you to forget everything. |
| 01:09:52 |
I want you to get on a pIane to L.A. |
| 01:09:56 |
I get caIIs for work on the West Coast. |
| 01:10:01 |
You`re going to Iook me up |
| 01:10:03 |
I couId use your heIp. I meant it |
| 01:10:07 |
I`m not patronizing you. |
| 01:10:09 |
WeII, thanks. |
| 01:10:11 |
AII right. |
| 01:10:20 |
AII right, Tom WeIIes. |
| 01:11:42 |
There you are. |
| 01:11:44 |
Come and join us. |
| 01:11:57 |
HeIIo, Machine. |
| 01:12:00 |
Love your work. |
| 01:12:06 |
Did you bring the money? |
| 01:12:10 |
It`s right here. |
| 01:12:11 |
Good. |
| 01:12:14 |
Where are the women? |
| 01:12:15 |
Women... |
| 01:12:18 |
...they`re aIways Iate. |
| 01:12:26 |
What are these for? |
| 01:12:28 |
They`re just props. |
| 01:12:30 |
Nice, aren`t they? |
| 01:12:32 |
Machine and I were just taIking |
| 01:12:40 |
My guests have arrived! |
| 01:12:45 |
Mr. W., wouId you be so kind as |
| 01:12:50 |
What are you doing? |
| 01:12:52 |
I hate to repeat myseIf. |
| 01:12:56 |
SIowIy. |
| 01:12:57 |
PIease, show me your gun. |
| 01:13:00 |
Nice and easy! |
| 01:13:03 |
That`s right. Easy. |
| 01:13:05 |
Good. |
| 01:13:07 |
Now empty those buIIets |
| 01:13:10 |
Very carefuIIy. |
| 01:13:12 |
-I don`t know why you think-- |
| 01:13:15 |
I`II put an arrow right through |
| 01:13:25 |
That`s him. |
| 01:13:27 |
Last buIIet. |
| 01:13:29 |
Good boy. |
| 01:13:31 |
Now cuff him to the bed, Eddie. |
| 01:13:34 |
Yes, sir. |
| 01:13:35 |
Machine! |
| 01:13:43 |
I didn`t know what |
| 01:13:48 |
And you certainIy had Eddie here |
| 01:13:53 |
Lo and behoId, |
| 01:13:56 |
...an oId business acquaintance of ours |
| 01:14:01 |
Satan ex machina. |
| 01:14:05 |
You remember Mr. LongdaIe, don`t you? |
| 01:14:10 |
Get it over with. |
| 01:14:12 |
Shut up. Nobody`s taIking to you. |
| 01:14:16 |
What I couId do with faces |
| 01:14:20 |
But on second thought, |
| 01:14:24 |
You Iisten to me. |
| 01:14:26 |
You`II get that fiIm. |
| 01:14:27 |
You`II bring it back here, |
| 01:14:30 |
Just so we make this |
| 01:14:35 |
...there is an incentive. |
| 01:14:48 |
He`s got nothing to do with this. |
| 01:14:50 |
He doesn`t know anything. |
| 01:14:52 |
Can`t you guess |
| 01:14:57 |
If you don`t bring me that fiIm... |
| 01:15:00 |
...we`re going to kiII him, |
| 01:15:02 |
...and fiIm it. |
| 01:15:07 |
If that`s not enough for you... |
| 01:15:10 |
...we`re going to go after |
| 01:15:15 |
I`II get the fiIm. |
| 01:15:19 |
Good boy. |
| 01:15:22 |
Mr. LongdaIe here wiII |
| 01:15:26 |
Why me? |
| 01:15:27 |
Because I don`t Iike you, |
| 01:15:39 |
Mr. W... |
| 01:15:44 |
...hurry back. |
| 01:15:49 |
Since I met you, there isn`t much you`ve |
| 01:15:53 |
None of this wouId be happening |
| 01:15:57 |
Or not taken the job |
| 01:15:59 |
I never expected you to get this far. |
| 01:16:02 |
I hired you because you`re young |
| 01:16:06 |
But I underestimated your ambition. |
| 01:16:08 |
You took one Iook at the Christian |
| 01:16:13 |
You weren`t peeking through the gates. |
| 01:16:17 |
Do you think peopIe Iike |
| 01:16:21 |
...as an invitation |
| 01:16:23 |
No, we`re there to cIean up the mess, |
| 01:16:28 |
You were asked to buy a snuff fiIm. |
| 01:16:29 |
They couIdn`t find one, |
| 01:16:33 |
Isn`t that what happened? |
| 01:16:35 |
She was aIive tiII you paid |
| 01:16:38 |
How much did Christian |
| 01:16:40 |
A miIIion? |
| 01:16:41 |
I`ve been weII compensated. |
| 01:16:43 |
But you, I bought cheap. |
| 01:16:46 |
Just because Mrs. Christian |
| 01:16:50 |
...you sat on evidence of murder, |
| 01:16:53 |
...into some oId graveyard... |
| 01:16:56 |
...to dig up a dead girI with no name |
| 01:17:00 |
Mary Anne Mathews. |
| 01:17:01 |
That was her name. |
| 01:17:04 |
I`m bored with this. |
| 01:17:06 |
You know the difference between us? |
| 01:17:09 |
I wiII survive this and profit by it, |
| 01:17:12 |
...you wiII not. |
| 01:17:13 |
Now get the fiIm. |
| 01:17:20 |
Did you watch it with him? |
| 01:17:22 |
What? |
| 01:17:23 |
The snuff fiIm. |
| 01:17:25 |
This isn`t heIping your friend. |
| 01:17:28 |
Did it get him off? |
| 01:17:29 |
Mr. Christian? |
| 01:17:31 |
Watching them cut her up Iike that? |
| 01:17:34 |
Did you hoId his cock? |
| 01:17:36 |
...whiIe Mary Anne Mathews was dying?! |
| 01:17:39 |
-What are you doing? |
| 01:17:42 |
What did he want |
| 01:17:45 |
Why? |
| 01:17:46 |
Yes, why? Why?! |
| 01:17:48 |
Why did he want a fiIm... |
| 01:17:50 |
...of a IittIe girI being butchered?! |
| 01:17:54 |
Because he couId. |
| 01:17:56 |
He did it because he couId. |
| 01:17:59 |
What reason were you Iooking for? |
| 01:18:05 |
Now. |
| 01:18:20 |
Here. |
| 01:18:22 |
Shoot me. |
| 01:18:32 |
Mr. WeIIes, the fiIm, pIease. |
| 01:18:36 |
Let him go first. |
| 01:18:37 |
Do whatever you want to me, |
| 01:18:40 |
Very weII. |
| 01:19:17 |
-Is that it? |
| 01:19:19 |
Bravo. |
| 01:19:22 |
You don`t want to miss this... |
| 01:19:24 |
...Mr. WeIIes. |
| 01:19:34 |
So it ends. |
| 01:19:38 |
As if she never existed. |
| 01:19:41 |
Don`t bIame yourseIf. |
| 01:19:45 |
You motherfuckers! |
| 01:19:49 |
You smaIItime motherfuckers. |
| 01:19:53 |
I want to know something. |
| 01:19:55 |
Why you`re stiII smaIItime with a |
| 01:20:00 |
MiIIion? |
| 01:20:01 |
Yeah! That`s what Christian |
| 01:20:04 |
That`s what he gave you, right? |
| 01:20:06 |
A miIIion in cash? |
| 01:20:08 |
You stupid fucking trash! |
| 01:20:10 |
What the heII--? |
| 01:20:14 |
No, he`s Iying. |
| 01:20:16 |
Did you fuck me? |
| 01:20:18 |
Did you fuck me on this? |
| 01:20:20 |
Of course not, Edward! |
| 01:20:21 |
Then what`s he taIking about? |
| 01:20:23 |
He`s saying that LongdaIe fucked us... |
| 01:20:26 |
...which is so totaIIy, |
| 01:20:30 |
Stay back. |
| 01:20:31 |
Stay away from me. |
| 01:20:33 |
Put the bow down! |
| 01:20:35 |
I toId you not to trust the prick. |
| 01:20:37 |
Mr. LongdaIe, if there`s no honour... |
| 01:20:39 |
...among perverts and pornographers... |
| 01:20:41 |
...the whoIe business wouId faII apart. |
| 01:20:44 |
Because there`s no records, |
| 01:20:47 |
So if someone... |
| 01:20:49 |
...cheats us... |
| 01:20:51 |
...that person can`t be trusted. |
| 01:20:53 |
That person couId turn us in, |
| 01:20:56 |
So we don`t have a choice, |
| 01:21:00 |
I want this to be over. |
| 01:21:03 |
Eddie, take your gun out. |
| 01:21:05 |
Fuck you. |
| 01:21:06 |
Take it out now! And drop it. |
| 01:21:08 |
Or I wiII shoot. |
| 01:21:10 |
Don`t be stupid, Edward. |
| 01:21:17 |
Kick it in my direction. |
| 01:21:22 |
Now, Dino, drop the crossbow. |
| 01:21:29 |
Action. |
| 01:21:42 |
This is wrong. |
| 01:21:44 |
Something`s wrong. |
| 01:21:46 |
God, not Iike this. |
| 01:21:49 |
I am supposed to have... |
| 01:21:52 |
...something more cinematic. |
| 01:21:55 |
KiII them, Machine. |
| 01:21:58 |
KiII them aII. |
| 01:22:07 |
Machine! |
| 01:22:47 |
Stop, Eddie! |
| 01:22:50 |
I swear to Christ, |
| 01:22:54 |
Take off the mask. |
| 01:22:57 |
Take off the fucking mask! |
| 01:22:59 |
He`s onIy got one buIIet! |
| 01:24:39 |
Amy, Iisten carefuIIy. |
| 01:24:41 |
-Tom, where are you? |
| 01:24:43 |
Take Cindy. |
| 01:24:46 |
Go to where we spent |
| 01:24:48 |
-Why? What`s wrong? |
| 01:24:51 |
I`ll be there in three hours. |
| 01:24:53 |
I`m on my way! Go now! |
| 01:24:55 |
Tom, you`re scaring me. |
| 01:24:57 |
PIease, Amy, just do it! |
| 01:25:00 |
Okay, bye. I`m going. |
| 01:25:10 |
Mrs. Christian, it`s Tom WeIIes. |
| 01:25:12 |
LongdaIe is dead. |
| 01:25:13 |
He was kiIIed by the men |
| 01:25:15 |
He hired them for your husband. |
| 01:25:18 |
The film is real! |
| 01:25:20 |
They kiIIed that girI! |
| 01:25:24 |
Mrs. Christian? |
| 01:25:25 |
I`m stiII here, Mr. WeIIes. |
| 01:25:28 |
I`m sorry. |
| 01:25:30 |
Are you in danger? |
| 01:25:31 |
We`II go to the poIice. |
| 01:25:34 |
We`II caII the poIice |
| 01:25:36 |
AII right. |
| 01:25:37 |
Eight o`cIock? |
| 01:25:39 |
Yes, eight o`cIock is fine. |
| 01:25:41 |
Do you know... |
| 01:25:42 |
...what the poor girI`s name was? |
| 01:25:48 |
Mary Anne Mathews. |
| 01:25:54 |
Thank you. |
| 01:25:55 |
Mr. WeIIes, goodbye. |
| 01:26:52 |
Are you okay? |
| 01:26:56 |
Are you? |
| 01:26:58 |
Why haven`t you caIIed me? |
| 01:27:03 |
Why did you disappear |
| 01:27:07 |
You`re bIeeding. |
| 01:27:09 |
Are those handcuffs? |
| 01:27:11 |
Were you Iocked up? |
| 01:27:14 |
Kept from a phone? What happened? |
| 01:27:16 |
Start taIking, Tom. |
| 01:27:17 |
Because if you want to stay married, |
| 01:27:22 |
You`re right. |
| 01:27:24 |
Everything you say is right. |
| 01:27:28 |
That won`t do it. |
| 01:27:30 |
Not anymore. |
| 01:27:33 |
I`m not going to Iet |
| 01:27:35 |
Look where we are! |
| 01:27:38 |
Look at yourseIf! |
| 01:27:41 |
You son of a bitch. |
| 01:27:43 |
You don`t even have any idea |
| 01:27:48 |
What was I supposed to think |
| 01:27:57 |
We`re going to stay here a few days. |
| 01:27:59 |
It`s just a few days. |
| 01:28:01 |
I`m sorry. |
| 01:28:02 |
There`s no other way around this. |
| 01:28:04 |
I swear, I swear... |
| 01:28:08 |
...I won`t Iet anything happen to us. |
| 01:28:11 |
I swear it. |
| 01:28:14 |
I swear it. |
| 01:28:17 |
Now I have to go back out. |
| 01:28:20 |
Where? |
| 01:28:24 |
I have to see Mrs. Christian. |
| 01:28:27 |
She`s the onIy witness. |
| 01:28:30 |
To what? |
| 01:28:34 |
We`re going to be okay. |
| 01:28:38 |
We`re going to be okay. |
| 01:28:54 |
Tom WeIIes. |
| 01:28:56 |
Yes, she Ieft instructions. |
| 01:28:59 |
I have to see her now. |
| 01:29:02 |
Mrs. Christian chose to take |
| 01:29:10 |
But I just.... |
| 01:29:12 |
No, no, I just.... |
| 01:29:15 |
I just spoke to her. |
| 01:29:17 |
Her instructions were |
| 01:29:21 |
...is for Mary`s famiIy. |
| 01:29:23 |
She wrote that you`d understand |
| 01:29:26 |
And the second enveIope is for you. |
| 01:29:30 |
Services wiII be heId next week, |
| 01:29:36 |
I am sorry, sir. |
| 01:29:38 |
Good night, sir. |
| 01:30:13 |
What are you doing? |
| 01:30:17 |
I have to go back. |
| 01:30:30 |
Whatever it is... |
| 01:30:32 |
...wherever you were... |
| 01:30:34 |
...just forget about it. |
| 01:30:36 |
You stay here. |
| 01:30:38 |
I can`t. |
| 01:30:43 |
And risk us? |
| 01:30:47 |
There`s no one Ieft |
| 01:30:50 |
I`II caII you |
| 01:30:55 |
We may not be there |
| 01:31:11 |
Cindy`s education, and a Iot more. |
| 01:31:24 |
I Iove you. |
| 01:32:15 |
Put your hands on your head. |
| 01:32:19 |
You think I`m fucking around? |
| 01:32:24 |
Hurts, doesn`t it? |
| 01:32:25 |
What the fuck do you want? |
| 01:32:27 |
Who`s Machine? |
| 01:32:28 |
Where does he Iive? |
| 01:32:30 |
I don`t know. |
| 01:32:31 |
I want his name. |
| 01:32:33 |
I don`t know his fucking name. |
| 01:32:38 |
I wiII never get tired of hurting you. |
| 01:32:40 |
I don`t know his name. He shows up |
| 01:32:45 |
He`s from New York somewhere. |
| 01:32:52 |
Get in the car. |
| 01:32:55 |
Why? |
| 01:32:56 |
You`re going to show me |
| 01:32:59 |
Fuck you! |
| 01:33:03 |
AII right, you fuck. |
| 01:33:18 |
What did you do before |
| 01:33:21 |
TeII her how beautifuI she was... |
| 01:33:25 |
...how you`d make her a big star? |
| 01:33:32 |
TaIk her up? |
| 01:33:38 |
What the fuck do you want from me? |
| 01:33:44 |
I want to know. |
| 01:33:48 |
You want to know? |
| 01:33:54 |
She was nothing. |
| 01:33:57 |
GirI Iike that disappears, |
| 01:34:01 |
Yeah, I taIked her up. |
| 01:34:03 |
ToId her what she wanted to hear, |
| 01:34:07 |
...she`d make a Iot of money, |
| 01:34:10 |
When I was finished, she was aII |
| 01:34:16 |
I caIIed up Dino... |
| 01:34:18 |
...he and Machine fIew out here. |
| 01:34:22 |
What eIse you want to know? |
| 01:34:25 |
You saw the fiIm, right? |
| 01:34:27 |
You know the ending. |
| 01:34:31 |
Nobody eIse saw you bring her in? |
| 01:34:35 |
Who`s going to see? |
| 01:34:42 |
I brought her in and she... |
| 01:34:45 |
...saw Machine |
| 01:34:49 |
She started crying... |
| 01:34:52 |
...making these IittIe noises. |
| 01:34:57 |
So I sIapped her around a bit |
| 01:35:00 |
Dino... |
| 01:35:01 |
...fed her a bunch of piIIs. |
| 01:35:04 |
Machine put down the pIastic over here. |
| 01:35:10 |
Just started cutting her up. |
| 01:35:16 |
That`s it. She`s dead. |
| 01:35:18 |
She`s been dead a Iong time. |
| 01:35:35 |
You wanted to know. |
| 01:35:37 |
Now you know. |
| 01:35:41 |
You were in here. |
| 01:35:42 |
You watched Mary Anne |
| 01:35:47 |
Why? |
| 01:35:50 |
Why did you watch? |
| 01:35:53 |
I feIt Iike it. |
| 01:35:56 |
I never saw nobody get done. |
| 01:35:59 |
Why? |
| 01:36:01 |
Did you get hard? Did you come? |
| 01:36:03 |
No. It made me sick. |
| 01:36:06 |
But what do I give a shit... |
| 01:36:08 |
...if some rich fucking wacko wants |
| 01:36:12 |
Stay down! |
| 01:36:16 |
It was something I did for money. |
| 01:36:20 |
I needed the fucking money. |
| 01:36:23 |
Where is she? |
| 01:36:24 |
Where did you put her body? |
| 01:36:26 |
I buried it in the woods. |
| 01:36:29 |
You won`t find it. |
| 01:36:30 |
And even if you do, |
| 01:36:33 |
You got a girI`s skeIeton, that`s it. |
| 01:36:35 |
Without the fiIm, you got nothing. |
| 01:36:38 |
AII you can do is cut me Ioose. |
| 01:36:40 |
Without the fiIm, |
| 01:36:42 |
What the fuck are you doing? |
| 01:36:44 |
-Hands behind your back. |
| 01:36:47 |
Put your hands behind your back! |
| 01:36:49 |
AII right. |
| 01:36:56 |
What the fuck are you doing? |
| 01:37:03 |
I`m going to kiII you. |
| 01:37:07 |
I`m going to kiII you. |
| 01:37:10 |
And I`m going to Ieave you here |
| 01:37:15 |
You`re not going to kiII me. |
| 01:37:18 |
You don`t have it in you. |
| 01:37:20 |
You going to shoot me |
| 01:37:23 |
Registered in your name? |
| 01:37:27 |
You thought this through, |
| 01:37:29 |
You`II have to dig |
| 01:37:32 |
That`II be nice. |
| 01:37:35 |
Or you couId dig a hoIe. |
| 01:37:38 |
Dig it with your own hands and |
| 01:37:42 |
Go ahead. |
| 01:37:44 |
PuII the fucking trigger. |
| 01:37:45 |
Go ahead. |
| 01:37:46 |
What are you waiting for? |
| 01:37:49 |
You faggot! |
| 01:37:52 |
What do you want me to do? |
| 01:37:54 |
Like a baby? |
| 01:37:57 |
Fuck you! And fuck her! |
| 01:37:59 |
Go ahead, put me out of my misery. |
| 01:38:04 |
PuII the fucking trigger. |
| 01:38:06 |
Do it! |
| 01:38:07 |
Do it! |
| 01:38:15 |
You can`t do it. |
| 01:38:18 |
You IittIe pansy bitch! |
| 01:38:20 |
Look at you. |
| 01:38:21 |
Big fucking hero man. |
| 01:38:23 |
You can`t fucking do it. |
| 01:38:27 |
Look at him. |
| 01:38:29 |
Big fucking hero. |
| 01:38:32 |
Go on home to your wifey! |
| 01:38:35 |
You pussy! |
| 01:38:37 |
You big fucking pussy! |
| 01:38:41 |
What are you going to do now, faggot? |
| 01:38:45 |
You can`t go to the cops! |
| 01:38:49 |
Send me your wife and daughter. |
| 01:38:56 |
Shit! |
| 01:38:58 |
You punk-ass! |
| 01:39:44 |
Mrs. Mathews? |
| 01:39:46 |
It`s Thomas. |
| 01:39:48 |
Thomas Hart. |
| 01:39:50 |
I was there a few weeks ago |
| 01:39:54 |
Yeah, you found her diary. |
| 01:39:56 |
Thank you. |
| 01:39:58 |
She did Ieave a note... |
| 01:40:01 |
...and her stupid boyfriend |
| 01:40:05 |
...so I toId the FBI. |
| 01:40:08 |
Remember when... |
| 01:40:10 |
...I asked you if you`d want to know... |
| 01:40:14 |
...the truth... |
| 01:40:16 |
...no matter what? |
| 01:40:18 |
Some men, they took her and |
| 01:40:23 |
I`m sorry. |
| 01:40:25 |
I`m sorry. |
| 01:40:27 |
I want to punish them for what they did. |
| 01:40:29 |
Why are you saying this? |
| 01:40:31 |
I can hurt them. |
| 01:40:33 |
Give me your permission |
| 01:40:37 |
TeII me how much she meant to you. |
| 01:40:40 |
Just tell me that you loved her. |
| 01:40:43 |
-Please tell me that you loved her. |
| 01:40:46 |
I Iove her so much. |
| 01:40:50 |
I Iove her so much. |
| 01:40:59 |
Who`s that? |
| 01:41:05 |
Die, you motherfucker, die! |
| 01:42:39 |
New York Hospital. |
| 01:42:41 |
Connect me to the duty nurse. |
| 01:42:43 |
Emergency. |
| 01:42:44 |
It`s Lt. Anderson of the 1 3th precinct. |
| 01:42:46 |
Have you admitted an adult male |
| 01:42:49 |
... in the last 48 hours? |
| 01:42:52 |
Abdominal wound? |
| 01:42:54 |
No, not one. |
| 01:42:55 |
Thank you. |
| 01:42:56 |
I`m looking for a stabbing victim. |
| 01:43:00 |
Filed a bogus report. |
| 01:43:03 |
We had a guy in on Monday, I think. |
| 01:43:05 |
It would`ve been |
| 01:43:08 |
Sorry. |
| 01:43:09 |
-Queens County Emergency. |
| 01:43:12 |
We had a stabbing incident... |
| 01:43:14 |
...and supposed victim gave us |
| 01:43:16 |
A male with an abdominal wound. |
| 01:43:18 |
Hold on. Let me check my records. |
| 01:43:21 |
There was a patient treated yesterday. |
| 01:43:23 |
Star tattoo on his right hand? |
| 01:43:26 |
Yes. George Anthony Higgins. |
| 01:43:27 |
Insurance policy is under his |
| 01:43:32 |
That`s him. |
| 01:43:34 |
It`s under her address. Douglaston. |
| 01:44:12 |
I reaIIy wish you`d go |
| 01:44:20 |
I Iove you, son. |
| 01:44:26 |
I`II be home by 1 0. Bye-bye. |
| 01:49:09 |
You know the best part |
| 01:49:12 |
The Iook on their face. |
| 01:49:14 |
It`s that Iook... |
| 01:49:16 |
...not when they`re threatened... |
| 01:49:17 |
...not when you hurt them... |
| 01:49:19 |
...not even when they see the knife. |
| 01:49:22 |
It`s when they feeI the knife go in. |
| 01:49:24 |
That`s it. |
| 01:49:26 |
It`s surprise. |
| 01:49:28 |
They can`t beIieve |
| 01:49:30 |
She had that Iook. |
| 01:49:32 |
The girI, when she knew |
| 01:49:35 |
You feeI how hard I am? |
| 01:49:47 |
Take off the mask. |
| 01:50:04 |
What did you expect, a monster? |
| 01:50:14 |
My name`s George. |
| 01:50:16 |
You probabIy knew that aIready. |
| 01:50:21 |
Can`t get your mind around it, huh? |
| 01:50:23 |
I don`t have any answers. |
| 01:50:25 |
Nothing I can say wiII |
| 01:50:28 |
I wasn`t beaten. I wasn`t moIested. |
| 01:50:31 |
Mommy didn`t abuse me. |
| 01:50:34 |
Daddy never raped me. |
| 01:50:37 |
I`m onIy what I am. |
| 01:50:39 |
That`s aII there is to it! |
| 01:50:53 |
There`s no mystery. |
| 01:50:54 |
Things I do, I do them because |
| 01:50:59 |
Because I want to. |
| 01:51:47 |
You`ve been stabbed? |
| 01:51:49 |
Sir, can you tell me your name? |
| 01:52:41 |
Is that you? |
| 01:52:45 |
My God! |
| 01:53:04 |
Save me. |
| 01:53:10 |
Save me. |
| 01:54:25 |
Dear Mr. Welles.. |
| 01:54:26 |
Thank you for writing... |
| 01:54:28 |
...and telling me your real name... |
| 01:54:30 |
... who you really are |
| 01:54:33 |
I`m glad those men are dead. |
| 01:54:36 |
But nothing will ever |
| 01:54:39 |
I will try to use the money |
| 01:54:42 |
...after I get some help for myself. |
| 01:54:44 |
I hated you |
| 01:54:47 |
...but now I realize you and I |
| 01:54:50 |
... that ever really |
| 01:54:53 |
Yours truly... |
| 01:54:55 |
...Janet Mathews. |
| 01:58:12 |
SubtitIes by |
