|
Darkman
|
| 00:00:29 |
OCR and synch by ShooCat |
| 00:01:06 |
'Cause he's an asshole! |
| 00:01:09 |
Tell him no, too. |
| 00:01:11 |
Him, |
| 00:01:13 |
No, I'll be here |
| 00:01:15 |
Got some guy coming up |
| 00:01:16 |
who thinks he'll muscle me |
| 00:01:19 |
Another tough guy, |
| 00:01:21 |
They're driving up. |
| 00:01:22 |
Get their pieces. |
| 00:01:27 |
Hmm. |
| 00:01:29 |
We got a surprise |
| 00:01:51 |
Robert Durant, |
| 00:01:52 |
you and your girls are going |
| 00:02:03 |
All right, move it. |
| 00:02:04 |
There you go. |
| 00:02:06 |
Oh, a bunch of cuties, |
| 00:02:09 |
Just hold it |
| 00:02:56 |
Bum leg? |
| 00:03:01 |
No leg. |
| 00:03:03 |
I was engaged to a girl |
| 00:03:06 |
What happened? |
| 00:03:07 |
Had to break it off. |
| 00:03:11 |
All right, cut the crap. |
| 00:03:13 |
I got three things |
| 00:03:16 |
One, |
| 00:03:17 |
I ain't selling |
| 00:03:19 |
Two, nobody |
| 00:03:23 |
especially |
| 00:03:25 |
And three, if y'alls |
| 00:03:28 |
which I can already |
| 00:03:30 |
we can cut |
| 00:03:33 |
Maybe that would be |
| 00:03:40 |
Ha ha ha ha! |
| 00:03:42 |
Die! |
| 00:03:51 |
Take them down! |
| 00:04:04 |
Take him down! |
| 00:04:06 |
Take that one |
| 00:04:48 |
Now... |
| 00:04:50 |
let's consider |
| 00:04:53 |
one by one. |
| 00:04:57 |
One. |
| 00:05:00 |
I try not to let |
| 00:05:02 |
get the better |
| 00:05:06 |
Two. |
| 00:05:08 |
I don't always |
| 00:05:13 |
Three. |
| 00:05:15 |
I've got seven |
| 00:06:51 |
System ready |
| 00:07:56 |
Just hold together, |
| 00:08:01 |
shit. |
| 00:08:02 |
Fragmentation. |
| 00:08:04 |
99 minutes... |
| 00:08:06 |
again. |
| 00:08:09 |
Why? |
| 00:08:10 |
Why, why, why? |
| 00:08:14 |
Synthetic skin |
| 00:08:19 |
What is |
| 00:08:22 |
Why won't the liquid |
| 00:08:28 |
The vivification process |
| 00:08:31 |
Tissue rejection? |
| 00:08:33 |
We licked that. |
| 00:08:36 |
We're smart guys, |
| 00:08:40 |
Why can't we make |
| 00:08:48 |
What now? |
| 00:08:53 |
Now? |
| 00:08:54 |
Well... |
| 00:08:55 |
we think it out again. |
| 00:08:58 |
Patiently. |
| 00:08:59 |
Objectively. |
| 00:09:00 |
I don't care how long |
| 00:09:03 |
I know it's out there |
| 00:09:06 |
Ah, I can feel it. |
| 00:09:08 |
God, I can almost |
| 00:09:17 |
Here she is... the |
| 00:09:20 |
Oh! Oh, Peyton! |
| 00:09:21 |
Ah, you were sweet. |
| 00:09:23 |
How's the skin coming? |
| 00:09:27 |
Still won't last |
| 00:09:30 |
It'll happen. It will |
| 00:09:35 |
Ha ha ha! |
| 00:09:38 |
Rebel without a clue. |
| 00:09:40 |
Those were the days. |
| 00:09:42 |
Hey... |
| 00:09:43 |
What? |
| 00:09:46 |
Come here. |
| 00:09:47 |
What? |
| 00:09:48 |
Come here. |
| 00:09:49 |
Oh, I know what's |
| 00:09:55 |
God, you always wear |
| 00:09:56 |
things that are |
| 00:09:58 |
Ta-da! |
| 00:09:59 |
Oh, yeah! |
| 00:10:02 |
Come on, |
| 00:10:24 |
Herb Gorson, please. |
| 00:10:28 |
Here you go, babe. |
| 00:10:29 |
Peyton! |
| 00:10:30 |
Oops. Sorry. |
| 00:10:31 |
Yeah? |
| 00:10:32 |
Herb, hi. |
| 00:10:34 |
Listen, |
| 00:10:36 |
when I was researching |
| 00:10:39 |
that I don't think |
| 00:10:42 |
They're from Strack |
| 00:10:45 |
Claude Bellasarious. |
| 00:10:46 |
They're records |
| 00:10:48 |
to various people |
| 00:10:50 |
Well, I think |
| 00:10:52 |
Yeah, well, |
| 00:10:54 |
is talk |
| 00:10:56 |
give him the benefit |
| 00:10:59 |
Yeah, O.K. |
| 00:11:00 |
All right, I'll talk |
| 00:11:03 |
Bye, Herb. |
| 00:11:06 |
Oh, I don't want to go. |
| 00:11:08 |
Don't go. |
| 00:11:09 |
I have to go. |
| 00:11:11 |
I have to go now! |
| 00:11:13 |
Julie! |
| 00:11:14 |
I'll call you |
| 00:11:15 |
Maybe. |
| 00:11:21 |
Julie! |
| 00:11:23 |
What is it? |
| 00:11:24 |
I've been thinking. |
| 00:11:26 |
Mm-hmm. |
| 00:11:27 |
We should get married. |
| 00:11:31 |
Marriage? |
| 00:11:33 |
Uh-huh. |
| 00:11:35 |
I've just started |
| 00:11:38 |
and I really like |
| 00:11:40 |
We're practically |
| 00:11:43 |
All marriage means |
| 00:11:44 |
is you answer the phone |
| 00:11:46 |
and if |
| 00:11:48 |
you don't pretend |
| 00:11:50 |
The woman thinks |
| 00:11:52 |
I can't talk |
| 00:11:54 |
Jules, I'm asking you |
| 00:11:56 |
Peyton, I love you... |
| 00:11:58 |
I realized... |
| 00:11:59 |
but I got to |
| 00:12:14 |
Mr. Strack, I've been |
| 00:12:16 |
going over |
| 00:12:17 |
I've come across |
| 00:12:18 |
that puzzles me. |
| 00:12:20 |
It's a memo |
| 00:12:22 |
to a Mr. Claude |
| 00:12:24 |
It details certain |
| 00:12:27 |
Yes, I know the memo. |
| 00:12:29 |
It seems like |
| 00:12:31 |
were payoffs |
| 00:12:34 |
Bribes, to call |
| 00:12:37 |
Does that shock you? |
| 00:12:38 |
No. I guessed as much. |
| 00:12:41 |
You weren't supposed |
| 00:12:42 |
That file was not |
| 00:12:45 |
However, I am asking you |
| 00:12:49 |
Take a look |
| 00:12:52 |
That's the dream... |
| 00:12:53 |
acres of riverfront |
| 00:12:58 |
thousands of jobs |
| 00:13:00 |
A building block, |
| 00:13:03 |
laid for the future. |
| 00:13:04 |
Not such a bad dream, |
| 00:13:09 |
And if the price |
| 00:13:11 |
is the occasional |
| 00:13:14 |
well, I don't run away. |
| 00:13:17 |
I say so be it. |
| 00:13:20 |
So... |
| 00:13:23 |
want to book me? |
| 00:13:25 |
The fact remains |
| 00:13:28 |
of evidence of the |
| 00:13:30 |
Let me suggest this... |
| 00:13:32 |
you excuse yourself |
| 00:13:33 |
go to the ladies room |
| 00:13:37 |
What happens |
| 00:13:38 |
while it's |
| 00:13:40 |
is my responsibility. |
| 00:13:42 |
I wish it were |
| 00:13:45 |
but I don't have |
| 00:13:48 |
I'm trying to protect you. |
| 00:13:52 |
Does the name |
| 00:13:55 |
mean anything to you? |
| 00:13:57 |
Drugs, racketeering... |
| 00:14:00 |
and real estate. |
| 00:14:01 |
Robert Durant is a competitor |
| 00:14:04 |
He's a very |
| 00:14:07 |
I fully believe |
| 00:14:09 |
to get his hands |
| 00:14:15 |
DNA content... |
| 00:14:18 |
Glucose... |
| 00:14:19 |
We've |
| 00:14:21 |
the collagen |
| 00:14:22 |
They're fine. |
| 00:14:23 |
This is |
| 00:14:25 |
Every day, |
| 00:14:26 |
it's a different |
| 00:14:27 |
Time, Yakitito. |
| 00:14:29 |
98 minutes. |
| 00:14:34 |
Oh... |
| 00:14:35 |
the circuit again. |
| 00:14:36 |
I knew we pulled |
| 00:14:38 |
too much juice |
| 00:14:40 |
Yakitito, time. |
| 00:14:41 |
Huh? |
| 00:14:42 |
Time? |
| 00:14:43 |
99. |
| 00:14:45 |
100 minutes! |
| 00:14:47 |
What? What? |
| 00:14:49 |
The cells, |
| 00:14:50 |
They're stable! |
| 00:14:51 |
But, Dr. Westlake, |
| 00:14:55 |
The dark. |
| 00:14:57 |
Oh, of course. |
| 00:14:59 |
The dark. |
| 00:15:01 |
I think the |
| 00:15:03 |
are |
| 00:15:04 |
This is |
| 00:15:05 |
What is it |
| 00:15:10 |
What secret |
| 00:15:14 |
They're still |
| 00:15:16 |
Time, Yakitito, |
| 00:15:17 |
101 minutes. |
| 00:15:19 |
Finally... |
| 00:15:21 |
we can replace |
| 00:15:23 |
No, Yakitito, |
| 00:15:25 |
We've just got |
| 00:15:27 |
There's still |
| 00:15:29 |
how to keep |
| 00:15:30 |
past 99 minutes |
| 00:15:32 |
Now we know |
| 00:15:36 |
I'll get it. |
| 00:16:12 |
No foolish heroics, |
| 00:16:16 |
We've come |
| 00:16:18 |
Tell us where to find |
| 00:16:19 |
the Bellasarious |
| 00:16:21 |
and we shall disappear |
| 00:16:22 |
like a nightmare |
| 00:16:25 |
I don't know what |
| 00:16:28 |
Unfortunate. |
| 00:16:29 |
What memorandum? |
| 00:16:33 |
No, please. |
| 00:16:48 |
We want |
| 00:16:50 |
Should your houseboy's |
| 00:16:53 |
not jog your memory... |
| 00:16:56 |
you may bid him |
| 00:16:58 |
He's a lab assistant. |
| 00:16:59 |
For God's sakes, |
| 00:17:02 |
You heard the doctor. |
| 00:17:04 |
No... |
| 00:17:05 |
No! |
| 00:17:24 |
Ooh! Ooh! |
| 00:17:26 |
Bingo. |
| 00:17:28 |
Goody! |
| 00:18:18 |
Bring the Asian's fingers. |
| 00:18:23 |
Gentlemen. |
| 00:18:24 |
Rick, I'm proud of you. |
| 00:18:26 |
Clean through the brain... |
| 00:19:05 |
"Marry me?" |
| 00:20:14 |
Didn't see you |
| 00:20:16 |
That guy got |
| 00:20:17 |
All they found |
| 00:20:19 |
Tiny little |
| 00:20:21 |
Didn't take long |
| 00:20:42 |
You'll be all right. |
| 00:20:43 |
You'll be all right. |
| 00:21:06 |
We'll need |
| 00:21:07 |
O.K., I got 'em. |
| 00:21:09 |
Great. |
| 00:21:11 |
Let's check |
| 00:21:13 |
Get a gurney |
| 00:21:15 |
Right there. |
| 00:21:17 |
Straight in. |
| 00:21:18 |
Next, we have |
| 00:21:21 |
no I.D., |
| 00:21:23 |
He was found |
| 00:21:25 |
just south of the city. |
| 00:21:26 |
There are homeless |
| 00:21:28 |
We get three no-names |
| 00:21:31 |
Nobody does anything until |
| 00:21:33 |
like Mr. John Doe here. |
| 00:21:35 |
He's got burns |
| 00:21:37 |
The hands and face |
| 00:21:40 |
Ten years ago, |
| 00:21:41 |
pain from the burns |
| 00:21:44 |
He would have spent |
| 00:21:46 |
Now we use |
| 00:21:49 |
Quite simply, |
| 00:21:50 |
we sever the nerves within |
| 00:21:53 |
there... which, as you know, |
| 00:21:55 |
of pain and vibratory sense |
| 00:21:59 |
No longer receiving |
| 00:22:03 |
you stick him |
| 00:22:08 |
Ouch. |
| 00:22:09 |
And he can't |
| 00:22:13 |
As in many |
| 00:22:16 |
there are serious side |
| 00:22:20 |
When the body |
| 00:22:22 |
when so much |
| 00:22:25 |
the mind grows hungry. |
| 00:22:27 |
Starved of |
| 00:22:30 |
it takes the only remaining |
| 00:22:33 |
the emotions... |
| 00:22:34 |
and amplifies them, |
| 00:22:37 |
giving rise to alienation |
| 00:22:39 |
Uncontrolled rage |
| 00:22:41 |
Now surges of adrenaline |
| 00:22:42 |
flow unchecked |
| 00:22:45 |
giving him |
| 00:22:46 |
Hence, the restraints. |
| 00:22:49 |
Naturally, we give them |
| 00:22:52 |
Remain optimistic, |
| 00:22:53 |
inspire confidence, |
| 00:22:54 |
talk to him about |
| 00:23:03 |
Personally, I give him a 9 |
| 00:23:30 |
Code blue, burn unit. |
| 00:23:33 |
Doctor? |
| 00:23:36 |
I'm in charge here. |
| 00:23:38 |
Damn it, |
| 00:24:44 |
Ju... lie. |
| 00:24:55 |
Julie! |
| 00:24:57 |
It's... |
| 00:24:58 |
me! |
| 00:26:04 |
My lab. |
| 00:26:09 |
All my work. |
| 00:27:04 |
Oh, my God, no. |
| 00:27:06 |
No! No! |
| 00:27:08 |
No! No! No! |
| 00:28:15 |
Hello, my friend. |
| 00:28:29 |
Home. |
| 00:28:52 |
Good. Good. |
| 00:29:08 |
System re... |
| 00:29:09 |
System... System ready |
| 00:29:14 |
Enter code. |
| 00:29:23 |
O.K. |
| 00:29:25 |
Digitalization |
| 00:29:28 |
In progress. |
| 00:29:35 |
Insufficient data. |
| 00:29:41 |
Oh, God. |
| 00:29:43 |
Oh, no, please. |
| 00:29:44 |
Please, no. |
| 00:29:45 |
Quadrant A, Quadrant C |
| 00:29:48 |
unrecognizable. |
| 00:29:58 |
What am I doing |
| 00:30:00 |
What? |
| 00:30:02 |
Yes. |
| 00:30:03 |
Quadrants. |
| 00:30:04 |
Extrapolate. |
| 00:30:05 |
Yes. |
| 00:30:11 |
Quadrant recognition |
| 00:30:22 |
Digitization |
| 00:30:30 |
Yes, that's it. |
| 00:30:31 |
Clever, clever. |
| 00:30:37 |
I must perfect the skin. |
| 00:30:54 |
Wrong! |
| 00:30:55 |
Wrong! |
| 00:31:45 |
My hands. |
| 00:31:48 |
They took... |
| 00:32:03 |
They... They took... |
| 00:32:05 |
They took my hands! |
| 00:32:25 |
Thank you for coming. |
| 00:32:28 |
Julie... with what you've |
| 00:32:31 |
I, uh... |
| 00:32:32 |
I haven't wanted |
| 00:32:34 |
But I have to know |
| 00:32:36 |
whether you've come |
| 00:32:37 |
regarding the Bellasarious |
| 00:32:39 |
The decision's been |
| 00:32:42 |
The papers were |
| 00:32:46 |
And I'd rather not |
| 00:32:48 |
if you don't mind. |
| 00:32:53 |
Julie, I'm sorry |
| 00:32:56 |
Believe me, |
| 00:32:57 |
I understand |
| 00:32:59 |
I really do. |
| 00:33:00 |
Unfortunately, |
| 00:33:01 |
there's no cure |
| 00:33:03 |
But there is |
| 00:33:05 |
that eases |
| 00:33:06 |
It's called dancing. |
| 00:33:33 |
Would you, uh, |
| 00:33:36 |
Yes. |
| 00:33:51 |
Ventilate him. |
| 00:34:24 |
His name's |
| 00:34:27 |
I told you where |
| 00:34:31 |
Oh, God! Don't! |
| 00:34:33 |
I've told you |
| 00:34:35 |
I know, Rick. |
| 00:34:37 |
I know you did. |
| 00:34:41 |
But let's pretend |
| 00:35:01 |
Here you are, doll. |
| 00:35:04 |
Here's your favorite. |
| 00:35:05 |
How you doing, honey? |
| 00:35:07 |
I'm pretty good today. |
| 00:35:16 |
It wasn't that bad. |
| 00:35:18 |
Hey, Pauly. |
| 00:35:19 |
Hey, Pauly. |
| 00:35:20 |
¿Que pasa? |
| 00:35:21 |
¿Que pasa? |
| 00:35:21 |
How are you, man? |
| 00:35:23 |
Where's Rick? |
| 00:35:24 |
Here's the cash, man. |
| 00:35:27 |
Got you a gift, |
| 00:35:29 |
You be good. |
| 00:35:30 |
I'll see ya. |
| 00:35:32 |
See you later, pal. |
| 00:35:45 |
System ready for |
| 00:35:52 |
Enter code. |
| 00:35:54 |
Code... Code recognized. |
| 00:35:58 |
Data entry required. |
| 00:36:17 |
System standing by. |
| 00:37:02 |
It's time. |
| 00:38:52 |
Yeah. |
| 00:39:13 |
Yo, Pauly. |
| 00:39:19 |
Hey, Durant wants to know |
| 00:39:22 |
and he is hot. |
| 00:39:24 |
Don't ask me why. |
| 00:39:26 |
I know |
| 00:39:28 |
Pauly, do you know |
| 00:39:32 |
Mmm-mmm. |
| 00:39:39 |
You O.K., Pauly? |
| 00:39:41 |
Yeah. |
| 00:39:43 |
Here's the cash. |
| 00:40:03 |
Pauly, we've been very |
| 00:40:06 |
Hey, Mr. Durant. |
| 00:40:07 |
I must've overslept. |
| 00:40:09 |
I'm sorry. I guess |
| 00:40:13 |
Where's the money, |
| 00:40:14 |
What money? L... I didn't |
| 00:40:24 |
Rio. |
| 00:40:25 |
And first class. |
| 00:40:29 |
And another one |
| 00:40:32 |
Well. That explains |
| 00:40:34 |
Hey, I don't know |
| 00:40:36 |
Where is the money, Pauly? |
| 00:40:38 |
What money? |
| 00:40:40 |
I didn't make |
| 00:40:42 |
I've been here sleeping. |
| 00:40:43 |
Jesus, |
| 00:40:45 |
Why... I don't even know |
| 00:40:52 |
Well, Pauly... |
| 00:40:57 |
have a nice flight. |
| 00:41:56 |
Oh, God. What have I become? |
| 00:41:59 |
What have I become? |
| 00:42:09 |
Please. |
| 00:42:16 |
Hold. Please hold. |
| 00:42:22 |
Oh, just this once. |
| 00:42:48 |
Oh, what? |
| 00:42:52 |
What am I? |
| 00:42:56 |
What am I, hmm? |
| 00:42:58 |
Some kind of a circus freak? |
| 00:43:02 |
Is that it? Huh? |
| 00:43:05 |
Maybe I should wear |
| 00:43:07 |
Do you like it? |
| 00:43:09 |
Yeah? Yeah? |
| 00:43:10 |
See the dancing freak |
| 00:43:12 |
Pay five bucks |
| 00:43:14 |
To see the dancing freak |
| 00:43:15 |
Only five bucks |
| 00:43:17 |
To see the dancing freak |
| 00:43:21 |
Just five bucks |
| 00:43:39 |
I'll give you a show! |
| 00:43:41 |
I'll give you |
| 00:43:44 |
Yeah! |
| 00:43:46 |
I'll show you |
| 00:43:53 |
Yeah! |
| 00:44:03 |
Oh, God. |
| 00:44:04 |
Oh, Jesus, God. |
| 00:44:07 |
Oh, keep a lid on it! |
| 00:44:11 |
I'm a scientist. |
| 00:44:12 |
Uh-huh. That's it. |
| 00:44:14 |
Think objectively. |
| 00:44:17 |
Analyze. Analyze. |
| 00:44:19 |
Wait. Wait. That's it. |
| 00:44:22 |
Control the rage. |
| 00:44:23 |
Just... |
| 00:44:24 |
take it easy, Peyton. |
| 00:44:26 |
Just... |
| 00:44:27 |
take it easy, boy. |
| 00:44:29 |
I'm a scientist. |
| 00:44:32 |
I'm a scientist. |
| 00:44:33 |
Reconstruction program... |
| 00:44:38 |
Reconstruction program complete. |
| 00:45:38 |
Julie. |
| 00:45:43 |
No. |
| 00:45:46 |
It's all right, Julie. |
| 00:45:47 |
It's me, sweetheart. |
| 00:45:48 |
No. |
| 00:45:50 |
Please, Julie, please. |
| 00:45:51 |
Don't be afraid. |
| 00:45:54 |
Who are you? |
| 00:45:56 |
It's me. |
| 00:45:57 |
Peyton. |
| 00:46:00 |
You... are dead. |
| 00:46:02 |
No, no, Jules. No. |
| 00:46:06 |
I was in the hospital. |
| 00:46:08 |
A coma. |
| 00:46:11 |
Jules... please. |
| 00:46:15 |
Please. |
| 00:46:20 |
Oh, I'm... |
| 00:46:21 |
I'm sorry. I didn't know |
| 00:46:25 |
I needed to see you. |
| 00:46:27 |
I needed to know if things |
| 00:46:30 |
Yes. But, Peyton, |
| 00:46:32 |
Shh. |
| 00:46:35 |
There's so much to it. |
| 00:46:36 |
And I'll tell you |
| 00:46:38 |
I just need |
| 00:46:41 |
Then just hold me, |
| 00:46:44 |
I just... I just need |
| 00:46:51 |
I understand why |
| 00:46:53 |
you shouldn't see me |
| 00:46:55 |
That's their opinion. |
| 00:46:58 |
What's yours? |
| 00:47:01 |
I've got to have time |
| 00:47:03 |
to work this out, |
| 00:47:04 |
on my own. |
| 00:47:06 |
But where does that |
| 00:47:11 |
I don't want to be |
| 00:47:14 |
I need you, too, Jules. |
| 00:47:16 |
That's why I'm here. |
| 00:47:20 |
It's just that I've... |
| 00:47:21 |
I feel like a rag doll |
| 00:47:24 |
My insides |
| 00:47:26 |
If you could only see |
| 00:47:29 |
I was ashamed. Afraid. |
| 00:47:31 |
that you wouldn't |
| 00:47:33 |
Of course |
| 00:47:37 |
Julie... |
| 00:47:38 |
Julie, |
| 00:47:41 |
Like... |
| 00:47:42 |
that you couldn't bear |
| 00:47:45 |
or have me touch you. |
| 00:47:48 |
Huh? |
| 00:47:50 |
I don't know. |
| 00:47:52 |
Honestly, |
| 00:47:56 |
But why do you |
| 00:47:58 |
Look at you. You're fine. |
| 00:48:03 |
Yes. I am back, |
| 00:48:06 |
Just like always. |
| 00:48:19 |
Yeah, what do you |
| 00:48:21 |
The name isn't Buddy. |
| 00:48:23 |
It's Durant, |
| 00:48:24 |
and I wish to speak |
| 00:48:27 |
O.K. |
| 00:48:28 |
Thank you. |
| 00:48:29 |
Rudy, some asshole's |
| 00:48:32 |
Hey, Mr. Durant. |
| 00:48:33 |
Ah, Rudy. |
| 00:48:34 |
Pay attention. |
| 00:48:35 |
Don't speak. Listen. |
| 00:48:37 |
The funds Pauly |
| 00:48:38 |
are beginning |
| 00:48:40 |
He's caused a serious |
| 00:48:43 |
Did you receive |
| 00:48:45 |
certain monies |
| 00:48:46 |
No, not today. |
| 00:48:47 |
Unfortunate. |
| 00:48:49 |
Then we shall have |
| 00:48:51 |
Either he provides |
| 00:48:54 |
or he becomes |
| 00:48:57 |
It would make |
| 00:48:59 |
Ha ha. |
| 00:49:00 |
You want me |
| 00:49:03 |
at your place |
| 00:49:04 |
tomorrow morning |
| 00:49:05 |
That would be... |
| 00:49:07 |
just fine. |
| 00:49:13 |
That would be... |
| 00:49:16 |
just fine. |
| 00:49:23 |
That would be... |
| 00:49:25 |
just fine. |
| 00:49:29 |
That would be... |
| 00:49:32 |
just fine. |
| 00:49:35 |
That would be... |
| 00:49:37 |
just fine. |
| 00:49:40 |
That would be... |
| 00:49:43 |
Just fine. |
| 00:49:52 |
Would you like a bag |
| 00:49:55 |
That would be... |
| 00:49:56 |
just fine. |
| 00:49:57 |
Hey, hey, |
| 00:49:59 |
My name isn't Buddy. |
| 00:50:02 |
It's Durant. |
| 00:50:04 |
Robert G. Durant. |
| 00:50:08 |
Yes. |
| 00:50:08 |
I'm Robert G. Durant. |
| 00:50:17 |
Just fine. |
| 00:51:08 |
Robert. |
| 00:51:10 |
It's so good of you |
| 00:51:13 |
with your |
| 00:51:15 |
The money. |
| 00:51:16 |
The money? Yes, Robert. |
| 00:51:19 |
How I tremble |
| 00:51:22 |
I have no money. |
| 00:51:26 |
How many times |
| 00:51:29 |
I was nowhere near |
| 00:51:31 |
They had the whole thing |
| 00:51:34 |
Keep them |
| 00:51:36 |
You have to sign |
| 00:51:39 |
Where are you going? |
| 00:51:40 |
Hong Kong Restaurant, |
| 00:51:44 |
White powder no longer flows |
| 00:51:48 |
All the members of Tong |
| 00:51:51 |
Of all your |
| 00:51:54 |
Hung Fat is |
| 00:51:56 |
Even my own |
| 00:51:58 |
sometimes ignore |
| 00:52:01 |
and upset those whom |
| 00:52:04 |
So, until |
| 00:52:06 |
may it soon come... |
| 00:52:09 |
when I shall once again |
| 00:52:14 |
goodbye, Robert. |
| 00:52:17 |
Robert, goodbye. |
| 00:52:38 |
You will provide |
| 00:52:40 |
by the time |
| 00:52:44 |
But, Robert... |
| 00:53:16 |
O.K., Bob, you win. |
| 00:53:29 |
Damn! Drive! |
| 00:53:30 |
Can't go no further. |
| 00:53:32 |
It's a parade. |
| 00:53:34 |
I'll get there myself. |
| 00:53:35 |
What about |
| 00:53:36 |
Eat it! |
| 00:53:39 |
Move! |
| 00:53:40 |
Move it! |
| 00:53:46 |
Where is he? |
| 00:53:48 |
Where's who? |
| 00:53:49 |
Guzman! |
| 00:53:50 |
I thought |
| 00:53:52 |
Shit! |
| 00:54:03 |
Dios mio! ¿Que pasa? |
| 00:54:04 |
There's two of those |
| 00:54:11 |
Shoot him! |
| 00:54:12 |
Shoot him! |
| 00:54:14 |
Which one is Durant? |
| 00:54:15 |
Not me, him! |
| 00:54:16 |
Shoot him! |
| 00:54:18 |
Shoot him! |
| 00:54:19 |
Goddamn it! |
| 00:54:21 |
Whose little boy are you? |
| 00:54:24 |
It doesn't matter. |
| 00:54:27 |
You're dead! |
| 00:54:29 |
No, no. This one. |
| 00:54:32 |
Don't just stand there. |
| 00:54:35 |
Do something! |
| 00:54:39 |
Son of a bitch sets |
| 00:54:42 |
and you practically |
| 00:54:51 |
Madre mia! |
| 00:54:59 |
Mr. Durant, I'm sorry. |
| 00:55:33 |
Step right up and take |
| 00:55:57 |
Come on! |
| 00:55:58 |
One more! |
| 00:56:00 |
Would you stop looking |
| 00:56:03 |
To hell with time! |
| 00:56:04 |
Forget about going |
| 00:56:07 |
We're going to spend |
| 00:56:09 |
And the whole night. |
| 00:56:11 |
I can't. I've got |
| 00:56:13 |
Peyton, we need |
| 00:56:15 |
Why are you so |
| 00:56:20 |
All right, Jules. |
| 00:56:22 |
Listen to me. |
| 00:56:27 |
I got to tell you |
| 00:56:30 |
how I've... |
| 00:56:31 |
changed. |
| 00:56:33 |
When I was |
| 00:56:36 |
See the mutant man! |
| 00:56:39 |
Witness this cruel |
| 00:56:42 |
with your own eyes. |
| 00:56:48 |
Everybody gather 'round |
| 00:56:50 |
As you can see... |
| 00:56:52 |
Peyt, what? |
| 00:56:54 |
Peyton, what is it? |
| 00:56:59 |
When I was |
| 00:57:02 |
was there |
| 00:57:03 |
No. |
| 00:57:05 |
Yes. There was a man |
| 00:57:08 |
and I respected him |
| 00:57:10 |
but he means |
| 00:57:13 |
Is that what it was? |
| 00:57:15 |
Was that it, Peyt? |
| 00:57:16 |
God, I love you, |
| 00:57:19 |
Oh, it's good |
| 00:57:22 |
Come on, |
| 00:57:23 |
I'm going to win |
| 00:57:26 |
fuzziest, pinkest |
| 00:57:28 |
Yes. |
| 00:57:29 |
Then I |
| 00:57:31 |
You always |
| 00:57:33 |
Why is it always |
| 00:57:34 |
I have my hospital |
| 00:57:36 |
I'm not 100% cured yet, |
| 00:57:38 |
but I soon will be. |
| 00:57:41 |
Where is |
| 00:57:43 |
I want to be |
| 00:57:45 |
Can I take you there? |
| 00:57:47 |
No. Please, Julie, |
| 00:57:49 |
I don't want you |
| 00:57:51 |
I don't want you to think |
| 00:57:55 |
or some kind of a freak. |
| 00:58:02 |
Uh, the pink |
| 00:58:05 |
It don't count unless |
| 00:58:08 |
I was |
| 00:58:11 |
Not hardly. |
| 00:58:12 |
I was standing right |
| 00:58:15 |
Now, the pink elephant, |
| 00:58:19 |
No way. |
| 00:58:25 |
It doesn't matter, |
| 00:58:27 |
It matters. |
| 00:58:30 |
I won a pink elephant |
| 00:58:34 |
Why don't you |
| 00:58:37 |
get lost, pal? |
| 00:58:42 |
The elephant. |
| 00:58:44 |
Quickly. |
| 00:58:47 |
Didn't you hear me... |
| 00:58:50 |
weirdo? |
| 00:58:55 |
Scram. |
| 00:59:16 |
Take it! Take it! |
| 00:59:18 |
Take the fucking elephant! |
| 00:59:22 |
Please, no! |
| 00:59:24 |
Forgive me. |
| 00:59:29 |
Peyton, wait! |
| 00:59:32 |
Half man and a freak. |
| 00:59:35 |
He's a freak, |
| 00:59:38 |
he's a freak. |
| 00:59:40 |
A freak. |
| 00:59:59 |
Peyton. |
| 01:00:00 |
Peyton? |
| 01:00:15 |
Synthetic skin |
| 01:00:19 |
Amino acid content |
| 01:00:27 |
Membrane potential equals |
| 01:00:34 |
Destabilization |
| 01:00:44 |
Why didn't you |
| 01:00:47 |
You should have |
| 01:00:49 |
You should have |
| 01:00:51 |
You didn't |
| 01:00:57 |
Peyton. |
| 01:01:11 |
I would have tried |
| 01:01:16 |
I can help you now. |
| 01:01:20 |
You don't have to hide |
| 01:01:53 |
Julie. |
| 01:01:54 |
Louis, |
| 01:01:56 |
Excellent. |
| 01:01:58 |
Brandy? |
| 01:02:00 |
No. |
| 01:02:01 |
I'll have one. |
| 01:02:03 |
It's Napoleon, |
| 01:02:04 |
and it's |
| 01:02:05 |
I can't see you anymore. |
| 01:02:10 |
Honey, take it easy. |
| 01:02:13 |
As you say, |
| 01:02:15 |
You know about Peyton, |
| 01:02:17 |
the man I was |
| 01:02:20 |
Of course. |
| 01:02:21 |
He's alive. |
| 01:02:22 |
He's back. |
| 01:02:26 |
I won't be a moment. |
| 01:02:33 |
Yes? |
| 01:02:36 |
Franz, |
| 01:02:40 |
The closing price? |
| 01:02:47 |
I think it's |
| 01:02:49 |
It's immaterial to me |
| 01:02:53 |
I want you to buy. |
| 01:02:55 |
10,000 krugerrands. |
| 01:02:57 |
Fresh ones. |
| 01:03:06 |
Yes. The Bellasarious |
| 01:03:10 |
I'm sorry you had |
| 01:03:13 |
Our relationship didn't |
| 01:03:17 |
You burned |
| 01:03:20 |
Not me personally. |
| 01:03:22 |
I have an employee who does |
| 01:03:25 |
unofficially, |
| 01:03:29 |
Robert doesn't |
| 01:03:33 |
And now you'll kill me. |
| 01:03:38 |
Hardly. |
| 01:03:40 |
You have nothing on me. |
| 01:03:42 |
You'd find the extremely |
| 01:03:45 |
quite unsympathetic. |
| 01:03:49 |
Julie, consider |
| 01:03:57 |
Consider what |
| 01:04:13 |
You and I, |
| 01:04:16 |
We can't let anything |
| 01:04:23 |
Despite the way |
| 01:04:26 |
you can't pretend |
| 01:04:27 |
certain moments haven't |
| 01:04:30 |
We still have that. |
| 01:04:35 |
If you're not |
| 01:04:39 |
I have things to do. |
| 01:04:51 |
I suppose this is |
| 01:05:07 |
Send Robert in. |
| 01:05:08 |
Yes, Mr. Strack. |
| 01:05:23 |
Robert, I have |
| 01:05:27 |
Custom dictates that you |
| 01:05:31 |
We have a little problem |
| 01:05:34 |
It appears she has |
| 01:05:37 |
No problem at all. |
| 01:05:39 |
And the good news? |
| 01:05:41 |
Your wife died. |
| 01:05:46 |
I'm joking, of course. |
| 01:05:47 |
No. The good news |
| 01:05:50 |
who's behind our little |
| 01:05:53 |
When you retrieved |
| 01:05:55 |
you failed to excise |
| 01:05:57 |
Westlake? |
| 01:05:59 |
He's extinct. |
| 01:06:03 |
He's alive. |
| 01:06:04 |
I don't like |
| 01:06:08 |
Finish it. |
| 01:06:09 |
Where is he? |
| 01:06:10 |
I believe we have a guide. |
| 01:06:38 |
Julie! |
| 01:06:39 |
Look out! |
| 01:07:01 |
I think he's out here! |
| 01:07:08 |
He just went |
| 01:07:14 |
Julie! |
| 01:08:28 |
Oh, you've got to be |
| 01:08:33 |
Hey, Smiley, he went |
| 01:08:36 |
He's in here. |
| 01:08:37 |
This door! |
| 01:09:16 |
System ready |
| 01:09:22 |
Data entry required. |
| 01:09:28 |
Smiley, is that you? |
| 01:09:33 |
Smiley. |
| 01:09:38 |
Where the hell are you? |
| 01:09:41 |
Close. |
| 01:10:01 |
Chinga tu madre! |
| 01:10:41 |
Don't shoot, Smiley! |
| 01:10:42 |
It's Guzman! |
| 01:10:55 |
Holy shit. |
| 01:10:59 |
Good shooting. |
| 01:11:11 |
Come here. |
| 01:11:12 |
You... have... |
| 01:11:14 |
been... a... |
| 01:11:15 |
bad... boy. |
| 01:11:21 |
Set it down. |
| 01:11:23 |
Set it down! |
| 01:11:24 |
I want anything done, |
| 01:11:25 |
I guess |
| 01:11:30 |
O.K., Durant. |
| 01:11:34 |
I'll take care of that... |
| 01:11:37 |
Take it up! |
| 01:11:42 |
Take it up! |
| 01:11:44 |
Knock him off! |
| 01:11:46 |
Get him off! |
| 01:12:05 |
Oh, shit! |
| 01:12:08 |
You're dead! |
| 01:12:10 |
You're dead! |
| 01:12:19 |
Holograph |
| 01:12:36 |
Holographic imaging |
| 01:12:56 |
You're next, Durant! |
| 01:12:57 |
I'm coming for you! |
| 01:13:00 |
Shake him. |
| 01:13:30 |
What the hell was that? |
| 01:13:32 |
Go after him! |
| 01:13:38 |
I got him! |
| 01:13:48 |
Get away! |
| 01:13:57 |
Get back! |
| 01:13:58 |
Get back! |
| 01:14:00 |
He's mine! |
| 01:14:05 |
Oh, shit! |
| 01:14:10 |
Excuse me. |
| 01:14:22 |
This is Police Air-12. |
| 01:14:24 |
Set down the man gently |
| 01:14:27 |
Put down your craft! |
| 01:14:35 |
Dip him. |
| 01:14:40 |
Look out! |
| 01:14:57 |
Watch it! |
| 01:15:04 |
No more Mr. Nice Guy. |
| 01:15:33 |
Damn! |
| 01:15:36 |
Hold it steady. |
| 01:15:49 |
What the hell's he up to? |
| 01:15:56 |
Kiss your ass goodbye! |
| 01:15:59 |
No! No! |
| 01:16:09 |
Burn in hell! |
| 01:16:36 |
You look like hell, |
| 01:16:38 |
That son of a bitch |
| 01:16:40 |
malfunctioned |
| 01:16:41 |
How terrible for you. |
| 01:16:43 |
He's a cockroach. |
| 01:16:45 |
You think |
| 01:16:47 |
and he pops up |
| 01:16:49 |
I expect |
| 01:16:53 |
See, I know |
| 01:16:57 |
I don't think |
| 01:17:00 |
over one less attorney. |
| 01:17:08 |
It's the tragedy |
| 01:17:11 |
that I have to kill |
| 01:17:14 |
My wife... |
| 01:17:15 |
late wife... |
| 01:17:16 |
held certain deeds. |
| 01:17:18 |
I sent her on a plane |
| 01:17:22 |
Let's just say |
| 01:17:24 |
I landed on my feet. |
| 01:17:35 |
I'm glad |
| 01:17:37 |
I'd hate to see your kids |
| 01:17:39 |
deprived of a role model. |
| 01:17:42 |
They do look up to me. |
| 01:17:45 |
When I was young, |
| 01:17:46 |
my father made me work |
| 01:17:50 |
Just me and the Indians. |
| 01:17:51 |
No one else crazy enough |
| 01:17:53 |
to run around up here |
| 01:17:56 |
at $4.50 an hour. |
| 01:17:58 |
Call me crazy. |
| 01:18:00 |
Sometimes I miss it. |
| 01:18:02 |
Life on the edge. |
| 01:18:05 |
Five inches wide, |
| 01:18:06 |
650 feet down. |
| 01:18:19 |
High steel! |
| 01:18:22 |
Oh, by the way, |
| 01:18:24 |
you don't have |
| 01:18:32 |
You truly are one |
| 01:18:35 |
What do you think, |
| 01:18:37 |
Who's the real |
| 01:18:40 |
I destroy to build |
| 01:18:45 |
Whereas you, |
| 01:18:46 |
you're a man |
| 01:18:50 |
Look. |
| 01:18:52 |
Look about you. |
| 01:18:54 |
It's all mine. |
| 01:18:58 |
Because I built it. |
| 01:19:01 |
I built it all! |
| 01:19:09 |
What have you got, |
| 01:19:11 |
besides a little trouble |
| 01:19:14 |
I'm joking, of course. |
| 01:19:16 |
A troubled conscience? |
| 01:19:19 |
A little blood |
| 01:19:21 |
from what you |
| 01:19:23 |
Justice. |
| 01:19:24 |
You and I know |
| 01:19:26 |
it's just another |
| 01:19:28 |
We should be |
| 01:19:30 |
I could use |
| 01:19:33 |
That's why |
| 01:19:38 |
You'll make lots of money |
| 01:19:41 |
If you still want her, |
| 01:19:44 |
Sound good? |
| 01:19:46 |
Oops. |
| 01:20:08 |
Pey... |
| 01:20:11 |
Bitch! |
| 01:20:13 |
Peyton! |
| 01:20:27 |
Here you go! |
| 01:20:32 |
Julie. |
| 01:20:33 |
Peyton? |
| 01:20:42 |
Come on. |
| 01:21:08 |
You're going down, |
| 01:21:22 |
Oh, no! |
| 01:21:24 |
Help me! |
| 01:21:53 |
In your absence, |
| 01:21:54 |
I've gotten to know Julie |
| 01:21:57 |
Her tastes are varied, |
| 01:22:00 |
but I can tell you this... |
| 01:22:03 |
she doesn't date freaks. |
| 01:22:16 |
Peyton! |
| 01:22:21 |
Julie! |
| 01:22:50 |
Go ahead. |
| 01:22:52 |
Do it. |
| 01:22:53 |
Do it, |
| 01:22:54 |
But think of this... |
| 01:22:56 |
you let me die, |
| 01:22:58 |
and you become |
| 01:23:03 |
You can't. |
| 01:23:05 |
I know you too well. |
| 01:23:08 |
Dropping me |
| 01:23:10 |
is not really |
| 01:23:14 |
It's not something |
| 01:23:25 |
I'm learning to live |
| 01:23:39 |
Don't look at me. |
| 01:23:40 |
I want to look. |
| 01:23:56 |
You'll perfect the skin. |
| 01:23:57 |
You'll make it work. |
| 01:23:59 |
It doesn't matter. |
| 01:24:00 |
Julie... |
| 01:24:03 |
don't you think |
| 01:24:05 |
night after |
| 01:24:07 |
It's just a burn. |
| 01:24:09 |
It doesn't matter. |
| 01:24:12 |
And if I covered it, |
| 01:24:14 |
hid behind a mask, |
| 01:24:15 |
you could love me |
| 01:24:18 |
Without pity. |
| 01:24:22 |
But a funny thing |
| 01:24:25 |
As I worked on the mask, |
| 01:24:27 |
I found the man inside |
| 01:24:30 |
He became wrong... |
| 01:24:33 |
a monster. |
| 01:24:36 |
I can live with it now, |
| 01:24:38 |
but nobody else can. |
| 01:24:55 |
I want our life back. |
| 01:25:06 |
Peyton! |
| 01:25:13 |
Peyton! |
| 01:25:16 |
Peyton is gone. |
| 01:25:40 |
Peyt? |
| 01:25:45 |
Hey! |
| 01:25:47 |
I'm everyone... |
| 01:25:49 |
and no one... |
| 01:25:52 |
everywhere... |
| 01:25:54 |
nowhere. |
| 01:25:56 |
Call me... |
| 01:25:59 |
Darkman. |
| 01:30:51 |
OCR and slight synchronization |
| 01:31:02 |
Thanks a lot to Ursule for providing the vobsub file |
| 01:31:13 |
stick_shoocat@hotmail.com |
