Dead Like Me Life After Death
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Let me tell you a story. |
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My death. |
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But before we go there, we need to |
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when God was getting busy |
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where there was only cosmic goo. |
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God's Play-Doh, if you will. |
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While God was messing with this |
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he put death into |
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until he could figure out |
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One day, God gave the jar |
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to guard it from harm while he went |
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Why he gave it to a frog |
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But one thing led to another. |
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The jar shattered, |
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And ever since, |
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So there you have it. |
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Which brings us to my story. |
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Everybody dies. |
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The life clock ticks at |
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And we all know that |
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And when it does, |
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I'm told I'm not supposed |
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or even try to understand. |
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I'm told it a lot these days, |
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ever since my life was snuffed out |
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and I joined the ranks of the undead |
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This is Rube. He's our boss. |
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Every morning we meet Rube at |
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where he would review the list which |
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which he writes out on a Post-it |
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and then passes on |
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Rube says that you don't |
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People die when they are meant to die. |
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When life is done, it's done. |
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We, the undead, are meant to exist |
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We can move freely |
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My name is George Lass. |
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I take souls for a living. |
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My division is External Influence. |
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Translation: murders, |
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natural disasters, accidents, et cetera. |
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And I do mean et cetera. |
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MAN ON ANSWERING MACHINE: |
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This is Mr. Fielding from |
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I am thrilled to announce to you |
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that you have finally |
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of our $500,000 genius grant. |
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GEORGE: That ugly guy? |
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They set things in motion. |
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look out below. |
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The sun rises, the sun sets. |
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Life comes, and for a |
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who's down on his luck, life goes. |
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Welcome to the afterlife, Mr. Gregor. |
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Sorry about the last-minute reaping, |
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so I wasn't sure you were |
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I don't care. |
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Yes, you did, the jackpot. |
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Now, into your lights. |
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You know, I thought it would |
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Well, that's 'cause |
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Oh! Well, thank you |
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Lass, but you can call me George. |
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Am I gonna see you again |
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Eventually. |
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When I get my lights. |
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I don't know when. |
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Death is full of surprises, huh? |
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You have no idea. |
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I love morning reaps, |
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accomplishing so much |
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and I still have the whole day ahead of me. |
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Reapers are assigned an unspecified |
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You don't know how many souls |
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until you've nabbed the last one, |
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Moving on, much like death, |
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You don't know when |
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And today, fate is telling |
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to move on from Der Waffle Haus. |
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-Smells like bacon. |
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Where the hell |
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People, this is hallowed ground. |
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I'm showing respect. |
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Fond farewell |
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Which didn't extend me |
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Did you have something to do |
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First of all, I don't need |
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How about I just make it |
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in front of a glory hole, |
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I already do! |
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He didn't do it, Roxy. |
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Thanks, George. |
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Excuse me! |
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I'm here to pick up Daisy... |
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Uses sex to get her way. |
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...Roxy... |
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She could kick your ass. |
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...Mason... |
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Ah, Mason, Mason, Mason. |
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...and George. |
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They call me "toilet seat girl. " |
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Yes. That's right. |
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Wait! He's supposed |
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Oh, my bad. |
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Thank you. |
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Ooh, snacky snacks. |
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In the space-time continuum, |
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-Whoo! |
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Show me your tits! |
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Whoa! |
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Change can be fast. |
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or it can come to you in a black limo |
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One thing you can |
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No. Look, |
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No means no. |
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I'm not gonna change |
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Ah, there you all are. |
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Daisy. |
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Died on the set of |
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-Mason. |
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Drilled a hole in your head, 1966. |
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Roxy, strangled with a legwarmer in 1982. |
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And George, |
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killed by a toilet seat |
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Better off dead |
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Oh. Excuse me. |
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Um... |
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Okay, not to be all, "What the fuck?" |
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What the fuck? |
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Look, uh, our workload |
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and we need better ways |
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Now, this Post-it business was fine, |
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Old habits die hard, |
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and if you guys still want to |
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then this table has |
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I can't promise I'll be there every day, |
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but you can always |
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or text me, or e-mail me. |
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-Who... |
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-... are you? |
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Sorry about that. |
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Cameron Kane, died 9/11, |
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I think I met your sister last night. |
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But who are you? |
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Meet the new boss. |
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He had to, uh... |
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They headhunted me because of |
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and they brought me in |
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because, quite frankly, it had gotten |
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Your assignments |
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the car is at your disposal, |
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In perpetuity. |
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I can't wait to get started. |
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What the fuck? I'm hungry. |
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-He's Iying. |
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-Not you. Cameron. |
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Rube. About Rube |
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Do you think he did |
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-Why would he do that? |
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What, to take over |
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-No one's that dumb. |
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It just doesn't make sense. Unless |
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Ugh. |
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He heard you were a stank-ass ho |
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to play an extra on the plantation. |
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-You see how he took her chair out? |
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And? |
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And it matches my eyes. |
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If Rube was still around, |
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he would have been at |
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He would have found us. |
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Goddamn it! |
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We didn't even have |
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Fuck him. |
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Where to? |
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Uh, I've gotta get back |
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Yes, ma'am. Anyone else? |
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Yes, um, 11 Stratford, |
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I have 45 minutes, so we |
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Oh, wait, I'll come with you |
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How do you work this damn thing? |
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Looks like you get the day off. |
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Excuse me? |
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Oh, no. Look, I got another one. |
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They're almost back-to-back. Look at that. |
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You get two, I get none? |
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Well, I don't like it |
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Well, give me one of yours, then. |
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You can't take her reap. |
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-I can if she got two. |
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Reap is slang for... |
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Reap is slang for when we take |
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Sales meeting, |
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We're very competitive. |
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I understand. |
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There's no way in hell |
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It has to be a mistake. |
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Well, I think it shows |
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So do I. |
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I think he knew you |
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about him taking over, |
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So why didn't Mr. Sensitive |
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Because you're the only one |
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Listen, I have a bit of a time |
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All right, we'll take the squad car. |
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Everything changes. |
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Just when I get used to |
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or in my case, death... |
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Asshole! |
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GEORGE:... death throws you a curve. |
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That's the space-time continuum |
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That was entirely uncalled for! |
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See, there's my |
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My daughter is only 16! |
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That's me. That's how |
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You should have a little consideration! |
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Light's still red. |
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Could you please chill? |
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All right. Are you |
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It's crossed my mind. |
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That's comforting. |
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Not lately, though, |
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because I really want |
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Actually, it can be used. I can deal. |
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Oh. That's great. |
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Soon as you make |
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Laura got new boobs for her 16th, |
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Well, that's really sketchy behavior. |
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Mmm. More shady than sketchy. |
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Yeah. Should be your father's job. |
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Except that he lives, |
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When your father was teaching |
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but she thought it was their fault, |
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so she could flip 'em off twice. |
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-Can we go now? |
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-All right, let them know you're coming. |
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-Don't let it bother you. |
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But, um, just in case? |
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What hand should I use |
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The one not holding the cell phone. |
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Do you want to go around back? |
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It's too late. |
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-I love you. |
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That's not true. |
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That's not true. |
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The doctors were wonderful. |
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But as great as they were at |
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they had no idea how |
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that he was going to die. |
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And we couldn't do it, |
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Now, let me just say, |
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I've been running this |
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and I have never heard from a parent |
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I mean that there is no guidebook. |
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How do you manage it? |
00:16:17 |
To be honest, not well. |
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George died suddenly, |
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and earlier that same day, |
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And I... You know, I can't |
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but it wasn't pleasant. |
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And so I've been haunted |
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So now I just make sure |
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to my younger daughter, |
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Drives her crazy. |
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Morning, Crystal. |
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-Meow, Millie. |
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How was your breakfast meeting? |
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It's supposed to be anonymous. |
00:17:21 |
Oh, I'm sorry. I keep forgetting. |
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You're under too much stress. |
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I just keep thinking about |
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-bringing Murray to work. |
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See how much they love him |
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to use the kitty litter box |
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So take some family leave. |
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Spend some time with Murray |
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There's a no-pet |
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Oh. Bastards. |
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I'm gonna have to put |
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directly into Murray's kitty litter box. |
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How many interviews we got today? |
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Sixteen. |
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-Bring 'em on. |
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-Oh, this is so sexy. |
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Toenails and hair all over the floor, |
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faces dead with too much |
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Looks like a mortuary, if you ask me. |
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Oh, I like mortuaries. |
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-That's 'cause you're dead. |
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Uh, can I help you? |
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I hope so. |
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Is there someone who works here |
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-with the last name Baenziger? |
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-Oh. |
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I know. What about a client? |
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Not on the books for today. |
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Oh. |
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Good choice. |
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You know, the yellow rocks |
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That is just what I thought. |
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Yeah. |
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So, do you mind if I go back |
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-Yeah, be my guest. |
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Goody. That means we get to play, |
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High-risk factor. |
00:19:09 |
Okay, ready? |
00:19:12 |
-Running with scissors. |
00:19:18 |
The house is right |
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My instructor says I'm a natural. |
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-Then there's her. |
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Nothing. I just want her dead. |
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Baenziger! |
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Oh, good. Now we get |
00:19:33 |
Hey. |
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Daisy. |
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-Zac? |
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Is that you? |
00:19:50 |
Yeah. No, uh... Sorry. |
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I think so. Are you Zac Baenziger? |
00:19:57 |
Yeah. No. Yeah, that's me, for sure. |
00:20:01 |
Graveling! |
00:20:03 |
-I saw it first. |
00:20:04 |
It's good to see you. Really. |
00:20:08 |
Yeah. |
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Sorry, I need a signature. |
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Now, where did my pens go? |
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There you go. |
00:20:36 |
Call 911! Hurry! |
00:20:42 |
Hey, dead guy. |
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You mean those weren't candies? |
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No, and we didn't go |
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We gotta go, guys. |
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Thank you. |
00:20:53 |
Daisy, what about his lights? |
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Uh, he'll figure it out. |
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Rushing a reap! This is bad form. |
00:21:02 |
This Cameron guy |
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I think his |
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I think Daisy's right. |
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I've got some lovely lemon sage |
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-Look nice for the new boss. |
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-You are? |
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Oh, really? |
00:21:18 |
Just stating the obvious. |
00:21:22 |
-So, Mr. Harding. |
00:21:27 |
Hold on a sec. |
00:21:28 |
Ryan, let the potential |
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if that's what she chooses. |
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First names may be taboo |
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and if that's the case, |
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Go ahead. |
00:21:44 |
What do you think is your greatest |
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I'm 26. |
00:21:50 |
By the age of 26, Tiger Woods |
00:21:53 |
At 26, Henry Ford |
00:21:57 |
By the time he was 26, |
00:22:00 |
Had become a homo. |
00:22:02 |
If she insists on |
00:22:05 |
-of course I'm gonna fall short. |
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May I, Millie? |
00:22:10 |
What do we do here? |
00:22:13 |
We're a temp agency. |
00:22:15 |
Mmm-hmm. |
00:22:16 |
Millie? |
00:22:18 |
We're an agency that gets people jobs |
00:22:21 |
that are temporary. |
00:22:23 |
We are a corporate dating service. |
00:22:26 |
And if we want to find the right match, |
00:22:29 |
we have to understand |
00:22:33 |
We have to find out |
00:22:35 |
We have to ask questions |
00:22:38 |
that really pull their masks off. |
00:22:41 |
Like, "What's your most |
00:22:43 |
My cat. |
00:22:44 |
How about, "What's the best |
00:22:48 |
My cat. People, these |
00:22:49 |
We need a question like, uh... |
00:22:53 |
Questions like, |
00:22:55 |
"What's the one thing you |
00:22:57 |
Now that's a great question. |
00:23:03 |
Carry on. Doing great. |
00:23:08 |
Answer the question, Ryan. |
00:23:10 |
-Do you want me to answer honestly? |
00:23:12 |
That's easy. He wants to get laid. |
00:23:14 |
-Amy! |
00:23:16 |
Okay, you know, let's start over, |
00:23:20 |
and feel free to lie this time. |
00:23:31 |
There were a lot of things |
00:23:36 |
I don't know what they were |
00:23:37 |
because I never asked |
00:23:40 |
What the fuck? |
00:23:46 |
Whoever H. Hart is, |
00:23:48 |
I hope he or she asked the question, |
00:23:59 |
High-risk factors. |
00:24:01 |
Hey, stop. Stop. |
00:24:03 |
So many possibilities, so little time. |
00:24:26 |
The driver didn't even |
00:24:29 |
Hang tough, Jenny. |
00:24:32 |
Hudson's got heart. |
00:24:35 |
What's that you're saying? |
00:24:38 |
It's one of our cheers. |
00:24:40 |
I mean, all the football |
00:24:42 |
I mean, except Gustav Guducek, |
00:24:45 |
because, well, |
00:24:48 |
And, I mean, |
00:24:49 |
I mean, there's part |
00:24:51 |
And then, well, we decided |
00:24:53 |
how sweet and easy |
00:24:56 |
Hudson's got heart. |
00:24:59 |
Get it? |
00:25:02 |
That's Hudson Hart? |
00:25:04 |
Yeah. |
00:25:47 |
Excuse me. |
00:25:49 |
I told you to look |
00:25:52 |
-Well, I never got your message. |
00:25:55 |
-Oh, Georgia, I have the best news. |
00:25:57 |
Cameron seriously |
00:25:59 |
Oh, dear, that's too bad. |
00:26:03 |
I'm returning to the theater. |
00:26:05 |
Returning? |
00:26:07 |
-What's the difference? |
00:26:09 |
Oh, silly George, Cameron |
00:26:13 |
Who? |
00:26:14 |
The producer. And he loves me. |
00:26:18 |
-I start rehearsals demain. |
00:26:21 |
No. In fact, he said |
00:26:24 |
-Do you know what that means? |
00:26:26 |
Daisy, Cameron seriously |
00:26:29 |
Oh, that's too bad for you. |
00:26:32 |
I've had five glasses of Cristal. |
00:26:36 |
-Where's Mason? |
00:26:37 |
In heaven. |
00:26:40 |
Oh, there's the mayor. |
00:26:52 |
Georgie Porgie pudding and... |
00:26:54 |
... Pie? I don't know. |
00:26:57 |
Look what Cameron |
00:27:00 |
-It's not your birthday. |
00:27:03 |
-I don't want to offend my presents. |
00:27:07 |
This is Tiffany. |
00:27:08 |
Hi. |
00:27:10 |
And this is Tiffany. |
00:27:12 |
Hi. |
00:27:14 |
How fucking funny is that? |
00:27:17 |
All you're missing |
00:27:19 |
Oh, do you know what lives |
00:27:22 |
Seriously, do you? Do you? |
00:27:23 |
-No, please tell me. |
00:27:26 |
Cameron screwed up my reap. |
00:27:28 |
And little tiny Eskimos |
00:27:31 |
and they get eaten by lions, |
00:27:33 |
-Are you listening to me? |
00:27:35 |
There is a soul trapped in |
00:27:38 |
Oh, no! |
00:27:41 |
Oh, I don't care. |
00:27:43 |
Not like this. |
00:27:47 |
Fuck Rube. Fuck Rube. |
00:27:50 |
Seriously, I don't care. |
00:27:52 |
Where's Roxy? |
00:27:54 |
You know what is my problem, though? |
00:27:55 |
I really need some Viagra in, like, |
00:28:00 |
Yeah. I love you. |
00:28:02 |
-You don't look so hot. |
00:28:06 |
That shit don't float in my bowl. |
00:28:09 |
-What did Cameron say? |
00:28:12 |
Follow me. |
00:28:14 |
Cameron! George needs some answers. |
00:28:17 |
Ah, Roxy. Just who I was looking for. |
00:28:19 |
Have you said hello to |
00:28:22 |
Commissioner, it's |
00:28:25 |
Pleasure's all mine, Officer. |
00:28:26 |
I was just telling the Commissioner |
00:28:29 |
African-American ranking |
00:28:32 |
Now, maybe it's time |
00:28:34 |
I don't want any affirmative |
00:28:38 |
Well, then, how about a drink? |
00:28:43 |
Love to. |
00:28:46 |
See you later. |
00:28:51 |
Ah, so glad you could make it. |
00:28:54 |
You should be worried. |
00:28:58 |
Easy, princess. |
00:29:01 |
What happened? |
00:29:03 |
The Treo said 5:52. |
00:29:05 |
I was there early, but H. Hart |
00:29:09 |
and taken away to the hospital. |
00:29:11 |
So he was in the ambulance at 5:52. |
00:29:13 |
-Long gone. |
00:29:16 |
But I didn't even touch him. |
00:29:21 |
Then I suggest |
00:29:24 |
you go to the hospital |
00:29:27 |
and make sure your boy is dead. |
00:29:32 |
Take care of business, princess, |
00:30:01 |
WOMAN ON PA: |
00:30:04 |
Dr. Orton to OR one, post op. |
00:30:11 |
-Yes, may I help you? |
00:30:14 |
Oh, I'm sorry, miss. |
00:30:16 |
His parents can't |
00:30:18 |
You'll have to wait |
00:30:19 |
No, I just need to see his body. |
00:30:22 |
To say goodbye? |
00:30:24 |
Don't rush him to heaven, honey. |
00:30:26 |
He's still hanging in there. |
00:30:27 |
He is? |
00:30:29 |
Must have been |
00:30:34 |
The waiting area |
00:30:38 |
-This way. |
00:30:42 |
This can't be happening. |
00:30:45 |
I just spoke to him this morning. |
00:30:48 |
I can't believe |
00:30:52 |
I don't want Hudson to die. |
00:31:16 |
Doctor, is my father gonna be okay? |
00:31:20 |
I hope so. |
00:31:22 |
Good. Here's a picture |
00:31:29 |
Thank you. |
00:31:31 |
There's the ship, |
00:31:33 |
and there's a fast, fast bike. |
00:31:35 |
Are you planning your getaway? |
00:31:37 |
I like to go very fast. |
00:31:40 |
Oh. |
00:31:43 |
Tara, sweetheart, it's time to go. |
00:32:02 |
Give a kid a crayon |
00:32:04 |
of how she's getting |
00:32:07 |
Every kid seems to be |
00:32:10 |
You want a picture of a house, |
00:32:15 |
It's done. |
00:32:18 |
Wow! |
00:32:19 |
-George, you have talent. |
00:32:23 |
Well, where you heading, sweetheart? |
00:32:26 |
-On a secret voyage. |
00:32:30 |
A secret. |
00:32:34 |
Fine, then. It's you and Mom. |
00:32:39 |
I'm not sure why I'm |
00:32:41 |
but why are Reggie |
00:32:44 |
You were kicked off the boat. |
00:32:47 |
Why can't I be on the boat? |
00:32:50 |
Georgia, what do you have to say? |
00:32:53 |
Better luck next life. |
00:32:58 |
Those are the words you're |
00:33:00 |
Who worships the ground you walk on? |
00:33:08 |
What are you doing, sweetie? |
00:33:10 |
I'm getting back on Georgia's boat. |
00:33:22 |
My getaway plan |
00:33:25 |
Dead at 18. |
00:33:37 |
Are his kidneys compromised, too, Doctor? |
00:33:42 |
Uh, that's what I'm here to find out. |
00:33:47 |
Poor kid. |
00:33:49 |
Quarterback turned vegetable. |
00:33:52 |
Oh, I'll say. |
00:33:59 |
You'll thank me for this some day. |
00:34:04 |
Or not. |
00:34:08 |
Die, goddamn it. |
00:34:11 |
Did I say that out loud? |
00:34:12 |
Uh, don't die, Hudson. |
00:34:18 |
Don't... Oh, I need a tissue. |
00:34:30 |
Why are you here? |
00:34:34 |
-I just want to see Hudson. |
00:34:44 |
You didn't have |
00:34:46 |
Hudson doesn't even know that girl. |
00:34:48 |
You didn't have to |
00:34:49 |
Yeah, well, this isn't about her. |
00:35:53 |
10:15, Reggie. |
00:35:56 |
Lisa left work early, |
00:36:00 |
Well, that sucks. |
00:36:03 |
Bus. |
00:36:05 |
Honey, I would have picked you up. |
00:36:08 |
You've got your books. |
00:36:11 |
I didn't want to pull you away. |
00:36:13 |
Well, when did you |
00:36:21 |
A boy at school almost died today. |
00:36:24 |
Hit and run. |
00:36:26 |
Oh, my God! |
00:36:29 |
He's in intensive care. |
00:36:31 |
Did you know him? |
00:36:37 |
-Ow. |
00:36:40 |
Sorry. Um, the buckle on my |
00:36:49 |
Red, but not bleeding. |
00:36:51 |
Yeah, I hate this stupid thing. |
00:36:55 |
Now the buckle puts |
00:37:00 |
Maybe you should take it off. |
00:37:08 |
Maybe I should. |
00:37:11 |
Unless you want to. |
00:37:17 |
Not really. |
00:37:19 |
I mean, everybody knows him. |
00:37:21 |
Hudson Hart. He plays football. |
00:37:26 |
I love you. |
00:37:28 |
Does that mean that you're gonna |
00:37:34 |
Uh, I... |
00:37:38 |
I'm already... |
00:37:40 |
Chill. |
00:37:43 |
You know I wouldn't be |
00:37:45 |
But you could still ask. |
00:37:49 |
I know who you mean. |
00:37:53 |
Jennifer Hardek. |
00:37:58 |
Oh, guess it's too late |
00:38:01 |
Why would you call her parents? |
00:38:03 |
Because I know them. |
00:38:05 |
And it's what I do. |
00:38:08 |
Maybe I could help Jennifer. |
00:38:12 |
Worried he's gonna die. |
00:38:16 |
Yeah. |
00:38:19 |
Reggie, are you upset? |
00:38:24 |
It's okay to cry, sweetheart. |
00:38:27 |
Death is scary, I know. |
00:38:30 |
Even if he wasn't your friend. |
00:39:01 |
Mason. |
00:39:04 |
Mason, wake up. |
00:39:06 |
Mason! |
00:39:08 |
Give me one more kiss then, Tiffany. |
00:39:12 |
Ugh! Mason, pull yourself together. |
00:39:17 |
Goddamn it! |
00:40:00 |
-There you go. There you go. |
00:40:03 |
Right there! Right there! |
00:40:05 |
Right there! Right there! |
00:40:09 |
My reap is still alive, |
00:40:12 |
Daisy and Cameron |
00:40:14 |
And all is right with the world. |
00:40:17 |
This is like invasion |
00:40:20 |
Roxy, snap out of it! |
00:40:21 |
I did. |
00:40:23 |
Then what do we do? |
00:40:25 |
We don't fix what isn't broken. |
00:40:27 |
George, look around. |
00:40:30 |
Look at this place. |
00:40:33 |
Cameron's figured it out. |
00:40:35 |
Figured what out? |
00:40:37 |
That there's no bolt of |
00:40:40 |
What are you talking about? |
00:40:41 |
There are no consequences |
00:40:44 |
Yes, there are. |
00:40:48 |
I loved that man. |
00:40:50 |
But Rube is not here |
00:40:54 |
Well, then, you tell me what to do. |
00:40:57 |
Who knows how much time |
00:41:01 |
Make hay while the sun shines. |
00:41:04 |
With Cameron's blessings. |
00:41:09 |
Oh, great. |
00:41:12 |
Well, that makes it official. |
00:41:16 |
When the world goes mad, |
00:41:20 |
Like I get left in charge. |
00:41:21 |
Visa card application? Says you |
00:41:25 |
No. Oh, don't forget, |
00:41:27 |
the purchase orders get filed in |
00:41:30 |
After they've been stapled |
00:41:33 |
It's only a few more |
00:41:36 |
Oh. And if corporate calls, |
00:41:40 |
that had kidney failure. |
00:41:45 |
Aw, look at my big boy up there. |
00:41:48 |
Insists on jumping up to |
00:41:50 |
when he doesn't have the strength |
00:41:54 |
You're a wonder. |
00:41:56 |
A dentist in our building. |
00:41:58 |
-No. |
00:42:01 |
and it's the next big thing. |
00:42:02 |
Yeah, my behind |
00:42:07 |
Burial at sea, taxidermy, cremation? |
00:42:11 |
Hey, give me that. |
00:42:12 |
Why? |
00:42:13 |
I don't want Murray to know. |
00:42:16 |
What, you don't think |
00:42:18 |
He'll be so busy living, |
00:42:21 |
And neither will I. |
00:42:22 |
Why? What are you two gonna do? |
00:42:24 |
Everything. |
00:42:26 |
Get laid? |
00:42:28 |
I hear Ryan's available. |
00:42:32 |
Let me see that |
00:42:36 |
This is a first. |
00:42:39 |
I'm the responsible one. |
00:42:42 |
Where the hell is everyone? |
00:42:46 |
-When I was alive... |
00:42:47 |
... I was never a defender |
00:42:50 |
Rule breakers were |
00:42:53 |
And I wanted to be cool, |
00:42:57 |
If I got caught, |
00:43:00 |
In death, the rules are unclear. |
00:43:02 |
And if you break them, |
00:43:06 |
As a reaper, we are |
00:43:08 |
and lead them to their lights, |
00:43:12 |
We aren't supposed to |
00:43:15 |
but what if we do? |
00:43:16 |
What are the consequences |
00:43:20 |
Who knows, |
00:43:29 |
Will she be getting |
00:43:32 |
At least one. |
00:43:34 |
-Anything to add, Officer? |
00:43:39 |
Don't be modest. |
00:43:41 |
I was at the right place |
00:43:49 |
No, you don't. No, you don't! |
00:43:51 |
Get back in there! |
00:43:54 |
-Call 911! |
00:43:56 |
You are not gonna die on me. |
00:43:58 |
-You hear me? |
00:44:02 |
Throw me back in the water! |
00:44:05 |
Witnesses say he looked dead |
00:44:06 |
but that you wouldn't |
00:44:09 |
I might have cracked |
00:44:11 |
but I just felt like |
00:44:14 |
Right here, Roxy. |
00:44:29 |
Shit. |
00:44:58 |
-Hello. |
00:45:00 |
Are you Otto Zien? |
00:45:03 |
Yes. How did you know my name? |
00:45:04 |
I got friends in high places. |
00:45:07 |
On the floor, now! Down! |
00:45:28 |
Excuse me. |
00:45:35 |
That really bloody hurt! |
00:45:39 |
You can't kill a dead guy, mate. |
00:45:44 |
Motherfucker! |
00:45:46 |
Money. |
00:45:53 |
Thank you. |
00:46:01 |
Hello. |
00:46:07 |
Excuse me. Excuse me. |
00:46:10 |
Excuse me. |
00:46:11 |
Excuse me. |
00:46:15 |
Clean hospital is a happy hospital. |
00:46:39 |
Well, it's such a short run, Daisy. |
00:46:43 |
Well, how about, um, you know, |
00:46:44 |
just a teensy, weensy |
00:46:46 |
You know, nothing but |
00:46:49 |
I don't think so. Sorry. No offense. |
00:46:55 |
None taken. |
00:47:14 |
And if we fail, |
00:47:16 |
then screw |
00:47:20 |
It's "sticking-place. " |
00:47:22 |
That's what I said! |
00:47:29 |
How do I look? |
00:47:31 |
Deadly. |
00:47:36 |
I'm on. |
00:47:42 |
-Thank you. |
00:47:45 |
-You're welcome. |
00:47:47 |
No, I didn't! |
00:47:48 |
I specifically said |
00:47:53 |
You did not. You said 5:00. |
00:47:56 |
Amy! Just admit |
00:48:00 |
Delores would never |
00:48:03 |
Yeah? Well, maybe she should. |
00:48:05 |
Maybe it would make things run |
00:48:09 |
I quit! |
00:48:12 |
Well, if I had known |
00:48:13 |
I would have |
00:48:19 |
What are you all looking at? |
00:48:32 |
Geronimo! |
00:48:38 |
Let's go, Murray! |
00:48:43 |
Talk about free-falling. |
00:48:45 |
While Delores and Murray were |
00:48:49 |
Daisy was just spaced out. |
00:48:51 |
Out, damned spot. |
00:48:55 |
Out, damned spot? |
00:48:58 |
Out, I say. |
00:49:02 |
The thane of Fife had a wife. |
00:49:07 |
E-I-E-I-O. |
00:49:12 |
And a moo moo here, |
00:49:15 |
Here a moo, there a moo, |
00:49:17 |
Old MacDonald had a farm |
00:49:26 |
I'm Lady Macbeth! |
00:49:33 |
Baby, I'm hungry. |
00:49:36 |
Of course I'm gonna give you a lobster. |
00:49:38 |
All right, just wait one second. |
00:49:42 |
-Do you like her more than us? |
00:49:47 |
I love you. And I love you. |
00:49:50 |
And I especially love you, |
00:49:55 |
Then let's eat. |
00:49:57 |
Not yet. All right? Not yet. |
00:50:00 |
So give us the money, |
00:50:09 |
Okay. Um, could you, um... |
00:50:16 |
All right. Uh, fine. |
00:50:21 |
-I'll catch up with you. |
00:50:47 |
-Daisy. |
00:50:49 |
Where's my goddamn limo? |
00:50:50 |
Daisy? |
00:50:52 |
Want it? |
00:50:54 |
Uh, I think you were brilliant tonight. |
00:50:58 |
Oh, Mason, Mason. |
00:51:02 |
Here. |
00:51:04 |
You're a good boy. |
00:51:06 |
Um... |
00:51:19 |
Cameron! |
00:51:21 |
What did you do |
00:51:24 |
Had to walk home from the theater. |
00:51:28 |
About as humiliating as your |
00:51:33 |
Where are you going? |
00:51:35 |
Oh, I have to head to |
00:51:37 |
What's her name? |
00:51:40 |
Goldman Sachs. |
00:51:42 |
She prettier than me? |
00:51:44 |
And a lot richer, |
00:51:46 |
Oh, no wonder I have attitude. |
00:51:49 |
I decided it was bad judgment |
00:51:52 |
-I hate you. |
00:51:55 |
Oh, you! You! |
00:52:07 |
I really have to do |
00:52:11 |
Hello? |
00:52:13 |
I'm here for Raul. |
00:52:15 |
Oh, hello, hello. Come. Come here. |
00:52:20 |
Come here. Oh, yes. |
00:52:23 |
I guess you are only client |
00:52:27 |
Oh. |
00:52:28 |
Yeah. |
00:52:29 |
Here. Here. |
00:52:31 |
In case we need to, |
00:52:35 |
Oh. |
00:52:45 |
Coming through? |
00:52:47 |
Mr. Poltergeist? |
00:52:49 |
Yeah. |
00:52:51 |
We have the yellow ones. |
00:52:55 |
They're your favorite. |
00:52:56 |
Hmm? |
00:52:58 |
Let us pass. |
00:53:03 |
Uh, how long has |
00:53:07 |
-Oh, that we have been haunted? |
00:53:09 |
Oh, ever since Zac bit the dust. |
00:53:12 |
Oh. |
00:53:13 |
Uh, yes. It, uh, you know, |
00:53:18 |
Oh. Right. |
00:53:22 |
The driver was having |
00:53:25 |
and he slumped over, |
00:53:27 |
we were upside down. |
00:53:29 |
Is he dead? |
00:53:49 |
Sometimes |
00:53:52 |
not only punish you, |
00:54:06 |
Can I help you? |
00:54:09 |
I don't know what I want yet. |
00:54:15 |
Take your time. |
00:54:24 |
Okay. I'm going on break. |
00:54:28 |
Don't inhale. |
00:54:30 |
Have you decided yet, ma'am? |
00:54:35 |
I really have no idea. |
00:54:37 |
Well, you've got your ice cream, |
00:54:40 |
smoothies and lemonade. |
00:54:43 |
What do you like? |
00:54:45 |
Just the lemonade. |
00:54:47 |
Lemonade it is. No ice. |
00:54:50 |
$2.50. |
00:54:52 |
In ninth grade, I knew this kid, Marty Oben, |
00:54:59 |
Not a pretty sight. |
00:55:02 |
I think I heard that story once. |
00:55:06 |
It's sad about this kid, Hudson. |
00:55:08 |
Did you know him? |
00:55:09 |
Yeah, we go to the same high school. |
00:55:12 |
Oh, so you're buddies? |
00:55:14 |
Kind of. |
00:55:16 |
What kind of buddies? |
00:55:19 |
-Um... |
00:55:23 |
-Don't tell anyone. |
00:55:26 |
I don't have any friends. |
00:55:28 |
Well, then you should be |
00:55:31 |
I tried. Didn't really go so well. |
00:55:39 |
Well, what if he dies and |
00:55:44 |
You'd have to live with that forever. |
00:55:48 |
I'm used to it. |
00:55:50 |
Don't let his friends give you shit. |
00:55:55 |
It's not that. It's just that |
00:55:58 |
I don't want them |
00:56:01 |
That he would be |
00:56:03 |
If he dies, then I don't need to |
00:56:08 |
If he lives, then whatever. |
00:56:11 |
Shit. |
00:56:14 |
I gotta go. |
00:56:20 |
What's that for? |
00:56:22 |
Cab money. |
00:56:23 |
To get to the hospital. On me. |
00:56:27 |
Thanks. |
00:56:37 |
Can't you give him |
00:56:39 |
-We've given him all we can. |
00:56:41 |
He's in agony. Please. |
00:56:43 |
Shit. |
00:56:44 |
WOMAN ON PA: |
00:56:46 |
Oh, sorry. |
00:56:48 |
Nursing supervisor |
00:56:55 |
Who the fuck are you, |
00:56:57 |
Look, it's complicated. |
00:56:59 |
I've got time. |
00:57:01 |
This is a really bad idea, |
00:57:05 |
-I could jump out. |
00:57:08 |
-Okay! |
00:57:10 |
Okay! Okay! I'm George Lass. |
00:57:14 |
-That's not funny. |
00:57:17 |
I knocked your front teeth out |
00:57:19 |
When you were seven, |
00:57:22 |
When you were 10, |
00:57:25 |
I swore I'd never talk to you again, |
00:57:27 |
and when I was 18, |
00:57:36 |
I think I'm gonna puke. |
00:57:38 |
Do it out the window. |
00:57:56 |
Sorry I sprayed on you. |
00:57:58 |
Ah, these shoes suck anyway. |
00:58:00 |
-Do not. They're cool. |
00:58:03 |
-Eight, eight and a half. |
00:58:09 |
In elementary school, Mom made |
00:58:11 |
That's right. Every time |
00:58:15 |
you knew what |
00:58:17 |
A box of my old shit. |
00:58:20 |
I hated them. But... |
00:58:22 |
You don't have to take them |
00:58:24 |
I don't care. |
00:58:26 |
But when you died, |
00:58:29 |
even when I begged her. |
00:58:31 |
You know, I got a nice pair of fuck-me |
00:58:35 |
They kind of squish my baby toe. |
00:58:37 |
Mom would be so pissed. |
00:58:39 |
It's against the rules |
00:58:41 |
Yeah, never let your living kid |
00:58:46 |
Word for word. |
00:58:48 |
That's cool, Mom wrote a book. |
00:58:51 |
I don't think she really had a choice. |
00:58:53 |
It was either that, or go crazy. |
00:58:58 |
What about you? |
00:59:00 |
Think it's pretty obvious |
00:59:03 |
You're not crazy, Reggie. |
00:59:07 |
And you're not real, George. |
00:59:11 |
And there I was, |
00:59:15 |
I couldn't have it both ways. |
00:59:18 |
If Reggie was going to |
00:59:21 |
she would have to let go |
00:59:46 |
Delores, what happened? |
00:59:50 |
No. |
00:59:52 |
No. Amy is suing |
00:59:59 |
-Why? |
01:00:03 |
Legal called me on my cell |
01:00:04 |
when Murray and I were |
01:00:06 |
Oh, Delores, I'm sorry. |
01:00:11 |
I trusted you, Millie. |
01:00:15 |
And you let me down. |
01:00:18 |
So, until this matter is resolved, |
01:00:25 |
Millie, you're fired. |
01:00:27 |
Surprise. |
01:00:31 |
Who is this? |
01:00:33 |
I don't know. |
01:00:34 |
Just because you're dead |
01:00:36 |
doesn't mean that |
01:00:37 |
And just because |
01:00:40 |
a splitting headache. |
01:00:41 |
Come on, George. |
01:00:44 |
Reggie, |
01:00:46 |
For Christ sakes, you're 16! |
01:00:49 |
You have your whole life |
01:00:51 |
No! I can't talk to Mom. |
01:00:54 |
Well, that's one thing you and |
01:00:59 |
So, talk to the old man. |
01:01:01 |
Dad moved. He has a new family. |
01:01:04 |
Reggie. |
01:01:07 |
I'm a grim reaper. |
01:01:10 |
I'm way past |
01:01:14 |
-You wouldn't be happy. |
01:01:17 |
And I've lived the past |
01:01:21 |
I guess I don't really |
01:01:29 |
You're right. |
01:01:30 |
I never really did anything |
01:01:33 |
Why would you |
01:01:35 |
-Because you owe me. |
01:01:41 |
Because you love me. |
01:01:52 |
Okay. |
01:01:55 |
Can I drive? |
01:01:57 |
Yeah, why not? |
01:02:02 |
Where the hell is George? |
01:02:05 |
Having texting issues. |
01:02:06 |
I am, too. |
01:02:10 |
Fucking Cameron! |
01:02:13 |
We can't blame |
01:02:15 |
It's not like we didn't |
01:02:18 |
Yeah, well, the fish |
01:02:20 |
And all the dead bodies. |
01:02:22 |
So, what are we gonna |
01:02:24 |
Go above his head. |
01:02:26 |
Do you want to talk into |
01:02:30 |
You're paranoid, moron. |
01:02:33 |
W-W-R-D? |
01:02:35 |
Oh, I love that show. |
01:02:38 |
That Loni Anderson. |
01:02:39 |
What a beautiful pair |
01:02:42 |
What would Rube do? You stupid idiot. |
01:02:44 |
Oh, yeah. What would Rube... |
01:02:46 |
Yeah, that's good. Well, first |
01:02:50 |
Then he'd slurpy slurp |
01:02:53 |
Then he'd abuse me |
01:02:55 |
Then he'd figure out a way |
01:02:59 |
This is only gonna get worse. |
01:03:03 |
Ugh. |
01:03:04 |
Not |
01:03:06 |
if we don't let it. |
01:03:10 |
All right. Let's make this quick. |
01:03:13 |
I've got a hedge fund |
01:03:16 |
Always had a weakness for |
01:03:18 |
-What about our reaps? |
01:03:21 |
You can't just |
01:03:22 |
-Rube wouldn't do that. |
01:03:24 |
And the way you losers bought into |
01:03:26 |
his fire and brimstone |
01:03:28 |
-Oh, fuck you, Cameron. |
01:03:30 |
I've been there, and I've done that. |
01:03:33 |
Although I do agree with Rube on |
01:03:38 |
You drop a pebble in the ocean, |
01:03:41 |
eventually it turns into a tsunami |
01:03:43 |
ripping through Indonesia, |
01:03:48 |
Or not. |
01:03:50 |
Perhaps a drunken performance, |
01:03:53 |
a moronic liquor-store robbery, |
01:03:55 |
a selfish heroic act, a delayed reap, |
01:03:59 |
can create genocide in the Sudan. |
01:04:03 |
And you, my friends, |
01:04:07 |
were the pebbles. |
01:04:09 |
I dropped you in, and one by one, |
01:04:12 |
creating a wave which, frankly, |
01:04:16 |
I'm too bored to ride. |
01:04:17 |
So this is just a game to you? |
01:04:20 |
Oh, we're all players. |
01:04:21 |
You're evil! |
01:04:23 |
Yeah, I must admit I'm getting |
01:04:25 |
you little prick. |
01:04:27 |
You, Mason, are a sad, sad little clown. |
01:04:32 |
-Watch it. |
01:04:34 |
from the passive-aggressive |
01:04:35 |
There's nothing passive |
01:04:40 |
Asshole. |
01:04:42 |
-We have to get rid of him. |
01:04:45 |
We have to kill him. |
01:04:46 |
-Let's kill him. Let's kill him. |
01:04:47 |
How do you kill |
01:04:49 |
I don't know. How do you kill |
01:04:51 |
How do... |
01:04:53 |
I'm thinking. |
01:05:12 |
I'm dead, and I was frightened. |
01:05:15 |
Do you think we should leave a note? |
01:05:16 |
No way. Part of being dead |
01:05:26 |
Are you sure you wanna do this? |
01:05:31 |
Yeah. |
01:05:34 |
And if Jennifer doesn't like it, |
01:05:41 |
Uh, hi. |
01:05:44 |
Um, you don't know me... |
01:05:45 |
Reg? |
01:05:48 |
Reggie Lass. |
01:05:51 |
-This is my sister. |
01:05:53 |
I'm not really her sister. |
01:05:54 |
I'm part of the Big Sister program. |
01:05:57 |
He asked for you. |
01:05:59 |
-He did? |
01:06:01 |
He talked. A couple of words. |
01:06:04 |
We thought Reg would be a boy. |
01:06:07 |
But the way he said your name, |
01:06:10 |
well, it was pretty clear |
01:06:15 |
Sorry. |
01:06:19 |
We'll just step outside |
01:06:22 |
Stay close. |
01:06:24 |
I mean, in case he wakes up. |
01:06:27 |
Talk to him. Hold his hand. |
01:06:29 |
Yes, ma'am. |
01:06:41 |
I'm sorry, Hudson. |
01:06:44 |
I never should have let them |
01:06:49 |
Reggie, I have to do my job. |
01:06:53 |
You're not doing it. |
01:06:56 |
I have to, Reggie. |
01:07:00 |
But he asked his parents for me. |
01:07:02 |
He asked for me, George. |
01:07:04 |
I know. |
01:07:07 |
He can't die. |
01:07:10 |
Please don't take him away from me. |
01:07:12 |
Please. |
01:07:14 |
I have no choice, Reggie. |
01:07:17 |
But I love him. |
01:07:35 |
Reggie, I'm sorry. |
01:07:38 |
What happened? Is Reggie okay? |
01:07:41 |
I don't know. |
01:07:55 |
His heart. |
01:07:58 |
Oh, my God. |
01:08:20 |
Clear. |
01:08:21 |
Where did she go? |
01:08:24 |
Where you can't follow. |
01:08:26 |
Bullshit. |
01:08:30 |
Clear. |
01:08:33 |
Wait. |
01:08:36 |
I've gotta find her. |
01:08:38 |
Trust me, this won't turn out |
01:08:45 |
I love her. |
01:08:48 |
I know. |
01:09:03 |
Tell her... |
01:09:04 |
Tell her that I'm sorry |
01:09:07 |
I will. |
01:09:09 |
Hudson, Hudson, Hudson... |
01:09:32 |
Reggie, wait! Wait! |
01:09:51 |
Are you okay? |
01:09:53 |
I'm fine. |
01:09:54 |
Then why are we going |
01:09:57 |
Because you're dead, |
01:10:00 |
But, Reggie, you have your |
01:10:03 |
It sounds like a line |
01:10:09 |
You're right. |
01:10:11 |
you're not gonna |
01:10:16 |
Whoo! |
01:10:17 |
Yeah! Look what |
01:10:20 |
You know what? I'm on your side. |
01:10:22 |
Let's try to hit 120. |
01:10:27 |
Stop it. You're hurting my foot. |
01:10:28 |
Oh, you have no idea. |
01:10:31 |
Well, you see that wall out there? |
01:10:33 |
When you hit it, it's gonna |
01:10:36 |
-Stop it! |
01:10:39 |
Stop it! We're gonna crash! |
01:10:41 |
Oh, I thought that's |
01:10:42 |
I don't want to die! |
01:11:02 |
Take it from me, |
01:11:05 |
you're gonna die eventually, |
01:11:09 |
Thanks a lot. |
01:11:11 |
What I'm saying is |
01:11:15 |
it's none of my business |
01:11:19 |
But know that |
01:11:20 |
and until then, |
01:11:24 |
Be adventurous, but not reckless. |
01:11:28 |
You sound like Mom. |
01:11:29 |
Fall in love again, |
01:11:34 |
Stay in school. Have a big career. |
01:11:38 |
Get married. Have a lot of kids. |
01:11:42 |
Come 90 years old, |
01:11:46 |
And scare the shit out |
01:11:49 |
It's hard to imagine. |
01:11:53 |
Not for me. |
01:12:00 |
Reggie, |
01:12:02 |
I can't see you anymore. |
01:12:06 |
I know. |
01:12:10 |
I'm just tired of keeping so many secrets. |
01:12:16 |
Then don't. |
01:12:23 |
I love you. |
01:12:26 |
Now you really sound like Mom. |
01:12:31 |
When I was a little girl, |
01:12:33 |
I thought there was |
01:12:36 |
That it had these little hands. |
01:12:40 |
I wish someone had told me |
01:12:44 |
how quickly the clock would stop. |
01:12:47 |
I wouldn't have pretended |
01:12:51 |
I would have paid |
01:12:54 |
To time. |
01:12:58 |
I would have paid more |
01:13:06 |
If you think I'm going gently to that |
01:13:15 |
Ain't nothing gentle |
01:13:24 |
I thought silver bullets |
01:13:29 |
What now? |
01:13:31 |
I'm thinking. |
01:13:33 |
How long's it been? |
01:13:35 |
Top me off then, darling, will you? |
01:13:37 |
Think he's gone? |
01:13:41 |
Christ, this is getting boring. |
01:13:47 |
-What now? |
01:13:53 |
-I'm not convinced. |
01:13:55 |
Neither am I. |
01:13:56 |
Guys, can we stop |
01:14:03 |
Was she upset? |
01:14:04 |
I don't know. |
01:14:06 |
I mean, I don't think so. |
01:14:07 |
You know, Reggie's pretty stoic. |
01:14:11 |
Except she was upset |
01:14:14 |
He'd... He'd had a bad accident. |
01:14:19 |
You're an idiot. |
01:14:21 |
Excuse me? |
01:14:23 |
Not you. Me. |
01:14:55 |
Murray, now you get to play |
01:15:00 |
And JD and Junior. |
01:15:03 |
Oh, and that meanie Stella. |
01:15:08 |
Meanest cat I ever had. |
01:15:12 |
Will you come with me |
01:15:16 |
Anything you need, Delores. |
01:15:34 |
Morning. |
01:15:36 |
Hey. |
01:15:38 |
You are so consistently inconsistent. |
01:15:42 |
Actually, I'm just the opposite. |
01:15:46 |
Well, either way, |
01:15:50 |
you always end up here. |
01:15:53 |
Would have been |
01:15:56 |
I don't think you do that |
01:15:59 |
Is that what this is? |
01:16:02 |
Maybe. |
01:16:09 |
Five years. |
01:16:11 |
Like a blur. |
01:16:15 |
Not for me. |
01:16:18 |
And what exactly are these annual |
01:16:25 |
I'm never coming back here again. |
01:16:27 |
Reggie. |
01:16:29 |
Come on, it's your sister's grave. |
01:16:32 |
Except George isn't in it. |
01:16:37 |
I always knew that she was around. |
01:16:40 |
And yesterday I met her. |
01:16:45 |
Really? |
01:16:47 |
Yeah. |
01:16:48 |
Except her name was Millie, |
01:16:52 |
who works at Happy Time |
01:16:54 |
before they die. |
01:16:57 |
So, this is about the boy. |
01:17:00 |
Look, I have a picture. |
01:17:05 |
-That isn't George. |
01:17:08 |
You'd like her. |
01:17:11 |
-Stop it. |
01:17:17 |
God, I can't stay here any longer. |
01:17:21 |
Do you think I'm a fan of cemeteries? |
01:17:23 |
You say in your book that the |
01:17:28 |
This town is death for the both of us. |
01:17:34 |
I think you're having a nervous breakdown. |
01:17:39 |
Can I have it in California? |
01:17:43 |
What? |
01:17:49 |
I'm sorry I grabbed you. |
01:17:51 |
It's okay. |
01:17:56 |
Maybe we should take a vacation. |
01:18:00 |
A road trip. |
01:18:03 |
-As long as we share the driving. |
01:18:14 |
Why did you guys tell me Cameron |
01:18:17 |
Because he already |
01:18:22 |
-What did I miss? |
01:18:27 |
Oh, Mason, be a dear and |
01:18:38 |
He's finished now. |
01:18:40 |
He's gotta be. |
01:18:43 |
We can't do anything else. |
01:18:47 |
Oh, yes, we can. |
01:18:57 |
Who would have |
01:18:59 |
could fill something this size? |
01:19:02 |
Well, Murray had a big heart. |
01:19:04 |
And Cameron was a big ass. |
01:19:06 |
Silver-plated? Oh, Millie. |
01:19:10 |
This must have set you |
01:19:13 |
A whole unemployment check. |
01:19:16 |
I'm so sorry about all of that. |
01:19:18 |
No apologies necessary. |
01:19:20 |
-Poor judgment. |
01:19:24 |
-You think? |
01:19:26 |
Legal got back to me |
01:19:28 |
Turns out she's pulled this stunt |
01:19:30 |
in the workplace before, |
01:19:34 |
-So I'm back? |
01:19:38 |
-Corner office. |
01:19:43 |
This is Murray Herbig. |
01:19:45 |
DELORES: "My dear, sweet Murray, |
01:19:49 |
"though you've slipped |
01:19:53 |
"I declare you were not just a cat. |
01:19:55 |
"You were so much more. |
01:19:58 |
"You were my companion. |
01:20:00 |
"My pal. My friend. |
01:20:03 |
"You were there with me, |
01:20:04 |
"loving me, until the end. |
01:20:07 |
"Dear one, always patient, never mean. |
01:20:12 |
"You were the best |
01:20:16 |
"Eyes of amber, |
01:20:18 |
"silver whiskers, oh, so tickly. |
01:20:21 |
"That rough little tongue |
01:20:23 |
"and the way you licked me. |
01:20:29 |
"Time is fleeting. |
01:20:31 |
"A life passes so quickly. |
01:20:34 |
"Comforting me in my dark hours, |
01:20:36 |
"you always reminded me, |
01:20:41 |
"When we meet across |
01:20:45 |
"we'll run and play, |
01:20:47 |
"and we'll abide in cool pastures. |
01:20:51 |
"Your loud purr will welcome me |
01:20:53 |
"where we'll laugh |
01:20:55 |
"and cuddle |
01:20:58 |
"and forever be free. " |
01:21:06 |
MAN: 5, 4, 3, 2, 1. |
01:21:24 |
So, who's in charge now? |
01:21:27 |
Have to wait to hear |
01:21:30 |
What should we do? |
01:21:31 |
I'm thinking waffles. |
01:21:37 |
Hey, did you pack your pillow? |
01:22:17 |
I guess the clock |
01:22:20 |
I mean, I'm still here. |
01:22:22 |
I must be clinging to something. |
01:22:25 |
I just wish I knew what it was. |