Dead Poets Society
|
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[ Low Murmuring ] |
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Now remember, |
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Okay, put your arm |
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That's it. |
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Okay, one more. |
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[ People Chattering ] |
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Now, just to review, |
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you're going to follow along |
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until you get to the headmaster. |
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At that point, |
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to light the candles |
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[ Man ] All right, boys, |
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Banners up ! |
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[ Bagpipes ] |
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Ladies and gentlemen, boys... |
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the Light of Knowledge. |
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[ Organ ] |
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[ Continues ] |
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[ Crowd Applauding ] |
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One hundred years ago, |
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41 boys sat in this room... |
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and were asked the same question... |
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that now greets you |
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Gentlemen, |
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Tradition. Honour. |
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In her first year, |
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Welton Academy graduated five students. |
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Last year we graduated 51. |
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And more than 75 percent of those... |
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went on to the lvy League. |
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This-This kind of accomplishment... |
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is the result... |
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of fervent dedication |
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This is why you parents |
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This is why |
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preparatory school |
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[ Applause Continues ] |
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As you know, |
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our beloved Mr Portius of the |
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You will have the opportunity later to |
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himself an honours graduate |
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And who, for the past several years, |
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at the highly regarded |
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[ Applause ] |
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[ Man ] |
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[ Boy ] Hi, Johnny ! |
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[ Man ] Don't worry. |
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[ Crowd Continues Chattering ] |
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[ Continues Honking ] |
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[ Chattering Continues ] |
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They haven't moved |
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Glad you could come by. |
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- Thrilling ceremony, |
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- Hello, Dr Nolan. |
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- This is our youngest, Todd. |
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You have some big shoes to fill. |
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Thank you. |
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- Lovely ceremony. |
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- Gale. |
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- Good to see you again. |
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- We expect great things |
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Well, he won't disappoint us. |
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I'll do my best, sir. |
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- [ Bell Tolling ] |
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- Chin up. |
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- No tears now. |
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- [ Crying ] I don't want to go here. |
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- [ Father ] I'll walk you over. |
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[ Tolling Continues ] |
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Hey ! I hear |
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- I'm Neil Perry. |
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Why'd you leave Balincrest ? |
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My brother went here. |
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Oh, so you're |
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- This is for his sinuses. |
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Oh, and if he can't swallow, |
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And if he has trouble breathing, |
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- Did you remember your vaporizer ? |
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[ Boys Laughing, Chattering ] |
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- Hey, how's it going, Neil ? |
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- [ Chattering Continues ] |
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- Yeah, sure. |
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Hey, I heard you got the new kid. |
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[ Laughing, Stops ] |
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Listen, don't mind Cameron. |
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He was born with his foot in his mouth. |
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Rumour has it... |
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Yep. Chemistry. My father |
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How was your summer, slick ? |
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- Keen. |
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Meeks. Door. Closed. |
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Yes, sir. |
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Gentlemen, what are |
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[ Hushed ] Travesty. Horror. |
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- [ Meeks Cheering ] |
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Meeks aced Latin. |
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- If you want, we got our study group. |
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Cameron asked me too. |
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Hmm, what's his specialty ? |
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- Come on, he's your roommate. |
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- [ Boys Chuckling ] |
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Oh ! |
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- [ Meeks ] Nice to meet you. |
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Charlie Dalton. |
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Knox Overstreet. |
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Todd's brother was |
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- Oh, yeah, sure. |
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- Valedictorian. National Merit Scholar. |
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welcome to Hell-ton. |
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It's every bit as tough as they say |
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He flatters me. |
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- And English. And Trig. |
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- [ Knocking ] |
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[ Voice Cracking ] |
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- Mr Perry. |
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Neil, I've just spoken |
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You're taking too many extracurricular |
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and I've decided that |
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But I'm the assistant editor |
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- Well, I'm sorry, Neil. |
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- It wouldn't be fair. |
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Don't you ever dispute me in public. |
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-Father, I wasn't disputing-- |
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and you're on your own, |
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But until then, you do as I tell you. |
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Yes, sir. |
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[ Clears Throat ] |
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You know how much this means |
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Yes, sir. |
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You know me; |
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Well, that's my boy. |
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- You need anything, you let us know. |
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[ Charlie ] Why doesn't he |
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Yeah, Neil. Tell him off. |
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Oh, that's rich. |
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Mr Future Lawyer |
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Okay, so I don't like it |
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Well, just don't tell me |
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- You guys are the same way. |
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- So what are you gonna do then ? |
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- Drop the annual. |
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It's just a bunch of jerks |
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I don't care. I don't |
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- Well, uh... Latin, 8:00 in my room ? |
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- That sounds okay. |
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- [ Knox ] Yeah, come along, pal. |
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[ Bells Chiming ] |
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[ Chiming Continues ] |
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[ Bell Tolling ] |
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[ Birds Squawking ] |
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[ Tolling Continues ] |
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[ Squawking Continues ] |
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[ Chattering ] |
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[ Chattering Continues ] |
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[ Teacher ] |
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Slow down, you horrible |
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Pick three laboratory experiments |
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and report on them |
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The first 20 questions at the end |
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[ Boys Groaning ] |
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- Agricolam. |
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- Agricola. |
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- Agricolae. |
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- Agricolarum. |
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- Agricolis. |
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- Agricolas. |
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- Agricolis. |
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- Again, please. Agricola. |
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Your study of trigonometry |
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Anyone failing to turn in |
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will be penalized one point |
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Let me urge you now not |
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[ Chattering ] |
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[ Chattering Continues ] |
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[ Knox ] |
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- [ Laughing ] |
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- %% [ Whistling 1812 Overture ] |
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[ Continues Whistling ] |
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Well, come on. |
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[ Boys Murmuring ] |
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- Let's go. |
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- Let's go. |
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[ Whistling ] |
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- %% [ Continues Whistling ] |
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[ Continues ] |
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"Oh, Captain, my Captain." |
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Who knows |
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Anybody ? |
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[ Coughing, |
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Not a clue ? |
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It's from a poem by Walt Whitman |
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Now in this class you can |
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or, if you're slightly more daring, |
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[ Scattered Snickering ] |
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Now, let me dispel a few rumours |
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Yes, l, too, attended Hell-ton |
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And, no, at that time, I was not |
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I was the intellectual equivalent |
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I would go to the beach, and people |
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[ Chuckling ] |
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Now... Mr Pitts ? |
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That's a rather |
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- Mr Pitts, where are you ? |
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Mr Pitts, would you open |
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Read the first stanza |
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[ Spaz Coughs ] |
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"To the Virgins |
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[ Keating ] |
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- Somewhat appropriate, isn't it ? |
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[ Pitts ] |
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"Old Time is still a-flying. |
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And this same flower that smiles today, |
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Thank you, Mr Pitts. |
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"Gather ye rosebuds while ye may." |
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The Latin term for that sentiment |
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Now, who knows what that means ? |
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Carpe diem. |
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- Very good, Mister-- |
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Meeks. |
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Seize the day. |
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"Gather ye rosebuds while ye may." |
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Why does the writer |
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- Because he's in a hurry. |
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Thank you |
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Because we are food |
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Because, believe it or not, |
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is one day going to stop breathing, |
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I would like you |
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and peruse some of the faces |
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You've walked past them |
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They're not that different |
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Same haircuts. |
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Full of hormones, |
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Invincible, just like you feel. |
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They believe they're destined for |
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Their eyes are full of hope, |
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Did they wait |
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to make from their lives even one iota |
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Because, you see, gentlemen, these |
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But if you listen |
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you can hear them whisper |
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Go on, lean in. |
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Listen. |
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[ Keating Whispering ] |
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Hear it ? |
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[ Whispering ] |
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[ Continues Whispering ] |
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Seize the day, boys. |
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Make your lives |
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[ Chattering ] |
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- That was weird. |
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Spooky, if you ask me. |
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Think he'll test us |
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Oh, come on, Cameron. |
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What ? What ? |
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[ Charlie Scoffs ] |
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Let's go, boys. Hustle up in here. |
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Who's up for a quick |
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- [ Cameron, Pitts ] Me. |
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I can't make it, guys. I have to have |
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[ Pitts ] The Danburrys ? |
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[ Cameron ] Big alums. |
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Friends of my dad's. They're probably |
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Ooh ! |
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Anything's better |
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- [ Charlie ] I'll second that. |
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- You coming to the study group tonight? |
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Uh... no. No, l-- |
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- Suit yourself. |
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Ready, Overstreet ? |
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Ready to go, sir. |
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- [ Doorbell Ringing ] |
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- [ Chet ] I can't, Mom. |
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Can I help you ? |
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Hi. Knox Overstreet. |
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- Uh, Dr Hager. |
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This is the Danburrys', |
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- Are you here to see Chet ? |
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- [ Laughing ] No. |
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- You must be Knox. |
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Back by 9:00 ? |
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- [ Chet ] Chris, come on ! |
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Knox. How are you ? |
00:19:18 |
- Nice to meet you, sir. |
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- [ Chuckling ] How is he ? Come on in. |
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- Great. He just did a big case for G.M. |
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- [ Chris ] I'm coming. |
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[ Boy ] |
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- Yes ! |
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- Another game ? |
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Just replace these numbers here |
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- Of course. |
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[ Boy ] You think I can get in there ? |
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- Wait. No. |
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Huh ? |
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- How was dinner ? |
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- Awful. |
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[ Sighs ] |
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Tonight, I met |
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I have ever seen |
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Are you crazy ? |
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She's practically engaged |
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- [ Groans ] |
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- Too bad. |
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It's worse than "too bad," |
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A girl this beautiful |
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All the good ones go for jerks. |
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Yeah, forget her. Open your trig book |
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I can't just forget her, Cameron. |
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And I certainly |
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- [ Radio Humming ] |
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All right, gentlemen. |
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- [ Radio Continues Humming ] |
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- Did you see her naked ? [ Chuckles ] |
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- [ Radio Static ] |
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- would it, Mr Pitts ? |
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Radar. |
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[ Radio Continues Humming ] |
00:21:02 |
Gentlemen, open your text |
00:21:07 |
Mr Perry, will you read |
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entitled |
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"'Understand Poetry' by |
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"To fully understand poetry, |
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"with its metre, rhyme |
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"Then ask two questions. |
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"One: How artfully has the objective |
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"And, two: How important |
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"Question one rates |
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"Question two rates |
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"And once these questions |
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"determining a poem's greatness |
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"If the poem's score |
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"on the horizontal |
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"and its importance |
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"then calculating |
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"yields the measure |
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"A sonnet by Byron might |
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"but only average |
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"A Shakespearean sonnet, |
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"would score high both |
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"yielding |
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"thereby revealing |
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"As you proceed through the poetry in |
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"As your ability to evaluate |
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so will-- so will your enjoyment |
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Excrement. |
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That's what I think |
00:22:44 |
We're not laying pipe. |
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I mean, how can you describe poetry |
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"I like Byron. I give him a 42. |
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Now, I want you |
00:22:59 |
Go on. |
00:23:05 |
You heard me. |
00:23:08 |
Rip it out ! |
00:23:10 |
Go on. |
00:23:14 |
Thank you, Mr Dalton. |
00:23:16 |
Gentlemen, tell you what. |
00:23:18 |
Tear out the entire introduction. |
00:23:23 |
Rip it out ! Rip ! Be gone, |
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Rip ! Shred ! Tear ! |
00:23:30 |
Rip it out ! I want to hear nothing |
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- We'll perforate it, put it on a roll ! |
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It's not the Bible. |
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- [ Boys Chuckling ] |
00:23:41 |
Go on. Make a clean tear. |
00:23:45 |
- [ Boys Chattering ] |
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Rip ! Rip ! Rip ! |
00:23:50 |
[ Keating ] |
00:23:52 |
[ Boys Chattering, |
00:23:56 |
[ Boys Laughing ] |
00:24:00 |
[ Muffled Chattering, Laughing ] |
00:24:03 |
- [ Boy ] Rip it ! |
00:24:08 |
- I don't hear enough rips. |
00:24:11 |
Mr McAllister. |
00:24:14 |
I'm sorry, l-- |
00:24:19 |
- I am. |
00:24:24 |
Excuse me. |
00:24:28 |
[ Keating ] |
00:24:31 |
This is a battle, a war. |
00:24:34 |
And the casualties could be |
00:24:36 |
Thank you, Mr Dalton. |
00:24:38 |
Armies of academics |
00:24:41 |
No ! We will not |
00:24:43 |
No more |
00:24:45 |
Now, my class, you will learn |
00:24:48 |
You will learn |
00:24:52 |
No matter what |
00:24:54 |
words and ideas |
00:24:58 |
I see that look |
00:25:00 |
Iike 19th century literature |
00:25:03 |
with going to business school |
00:25:05 |
Right ? Maybe. |
00:25:07 |
Mr Hopkins, you may agree |
00:25:09 |
"Yes, we should simply study |
00:25:12 |
"and learn our rhyme and metre |
00:25:15 |
of achieving other ambitions." |
00:25:19 |
I have a little secret for you. |
00:25:22 |
Huddle up ! |
00:25:31 |
We don't read and write |
00:25:35 |
We read and write poetry because |
00:25:40 |
And the human race |
00:25:45 |
Medicine, law, |
00:25:47 |
these are noble pursuits |
00:25:50 |
But poetry, |
00:25:53 |
beauty, romance, love; |
00:25:57 |
these are what |
00:26:00 |
To quote from Whitman: |
00:26:03 |
"O me, O life of the questions |
00:26:07 |
"Of the endless trains |
00:26:10 |
"Of cities filled |
00:26:13 |
"What good amid these, |
00:26:16 |
"Answer: |
00:26:20 |
"That life exists |
00:26:25 |
"That the powerful play |
00:26:27 |
and you may contribute |
00:26:32 |
"That the powerful play |
00:26:35 |
and you may contribute |
00:26:42 |
What will your verse be ? |
00:26:48 |
[ All ] For what we are |
00:26:51 |
may the Lord make us |
00:26:54 |
Amen. |
00:27:08 |
Quite an interesting class |
00:27:11 |
-Sorry if I shocked you, Mr McAllister. |
00:27:14 |
It was very fascinating, |
00:27:17 |
You think so ? |
00:27:19 |
You take a big risk by encouraging them |
00:27:22 |
When they realize that they're |
00:27:26 |
they'll hate you for it. |
00:27:28 |
We're not talking artists, George. |
00:27:31 |
Freethinkers at 17 ? |
00:27:34 |
Funny, I never pegged you |
00:27:38 |
Not a cynic. |
00:27:41 |
A realist. |
00:27:43 |
"Show me the heart unfettered |
00:27:47 |
and I'll show you |
00:27:49 |
"But only in their dreams |
00:27:53 |
'Twas always thus, |
00:27:56 |
Tennyson ? |
00:27:58 |
No. Keating. |
00:28:02 |
[ Chuckling ] |
00:28:05 |
Hey, I found his senior |
00:28:08 |
Listen to this. |
00:28:11 |
Editor of the school annual. |
00:28:14 |
Thigh man |
00:28:17 |
"Man Most Likely |
00:28:20 |
Thigh man ? |
00:28:24 |
- [ Chuckling ] |
00:28:26 |
- I don't know. |
00:28:28 |
- Nothing. No other mention of it. |
00:28:30 |
see me after lunch. |
00:28:34 |
[ Whistling 1812 Overture ] |
00:28:36 |
[ Neil ] |
00:28:38 |
- %% [ Continues Whistling ] |
00:28:41 |
- %% [ Continues ] |
00:28:43 |
- Say something. |
00:28:46 |
- Gentlemen. |
00:28:49 |
We were just looking |
00:28:52 |
- Oh, my God. [ Laughs ] |
00:28:55 |
- No, that's not me. |
00:28:58 |
Stanley "The Tool" Wilson. |
00:29:01 |
[ Chuckling ] |
00:29:04 |
- [ Chuckling ] God. |
00:29:12 |
I doubt the present administration |
00:29:15 |
Why ? |
00:29:21 |
- Gentlemen, can you keep a secret ? |
00:29:27 |
The Dead Poets were dedicated |
00:29:33 |
That's a phrase from Thoreau we'd invoke |
00:29:36 |
You see, we would gather |
00:29:39 |
and take turns reading from Thoreau, |
00:29:44 |
Even some of our own verse. |
00:29:45 |
And in the enchantment of the moment, |
00:29:49 |
You mean it was a bunch of guys |
00:29:52 |
No, Mr Overstreet. |
00:29:55 |
We weren't a Greek organization. |
00:29:59 |
We didn't just read poetry, we let it |
00:30:04 |
Spirits soared, women swooned |
00:30:09 |
Not a bad way |
00:30:11 |
Hmm. |
00:30:13 |
Thank you, Mr Perry, |
00:30:16 |
Burn that. |
00:30:18 |
- Especially my picture. |
00:30:21 |
- %% [ Resumes Whistling ] |
00:30:26 |
[ Cameron ] |
00:30:28 |
[ Bell Ringing ] |
00:30:32 |
- I say we go tonight. |
00:30:34 |
- Wait a minute. |
00:30:36 |
- Where's this cave he's talking about ? |
00:30:39 |
- I know where it is. |
00:30:41 |
- Sounds boring to me. |
00:30:44 |
- You know how many |
00:30:47 |
Look, all I'm saying |
00:30:49 |
- We can't get caught. |
00:30:53 |
You boys there ! |
00:30:56 |
- All right, who's in ? |
00:30:59 |
Forget Hager ! No ! |
00:31:02 |
I'm in. |
00:31:05 |
[ Hager Clapping ] |
00:31:08 |
Me too. |
00:31:09 |
- I don't know, Neil. |
00:31:12 |
- [ Charlie ] Pittsie, come on. |
00:31:14 |
- You can help him, Meeks. |
00:31:16 |
Forget it, Pitts. You're coming. |
00:31:19 |
- I'll try anything once. |
00:31:22 |
- [ Meeks ] Ha, ha, ha. |
00:31:24 |
- What about you, Knox ? |
00:31:27 |
Come on, Knox. |
00:31:29 |
Yeah ? How ? |
00:31:31 |
- Women swoon. [ Laughing ] |
00:31:35 |
Charlie, tell me why they swoon ! |
00:31:38 |
[ Boys Whispering ] |
00:31:41 |
[ Neil Whispering ] Okay, |
00:31:43 |
It's right there. |
00:31:45 |
I don't know. |
00:31:47 |
- Oh, well, why don't you stay home ? |
00:31:51 |
For God's sake, |
00:32:02 |
- Todd, are you coming tonight ? |
00:32:04 |
Why not ? God, you were there. |
00:32:07 |
- Don't you want |
00:32:09 |
- But-- |
00:32:15 |
Keating said that everybody |
00:32:19 |
and I don't want to do that. |
00:32:22 |
Gosh, you really have |
00:32:26 |
N-No, I don't have a problem. |
00:32:29 |
Neil, I just-- |
00:32:32 |
All right. |
00:32:35 |
What if you didn't have to read ? |
00:32:38 |
- That's not how it works. |
00:32:42 |
What if-- |
00:32:46 |
What-- What, are you gonna |
00:32:48 |
No. |
00:32:51 |
- I'll be right back. |
00:32:56 |
- [ Whispering ] |
00:33:02 |
- %% [ Snake Charmer ] |
00:33:04 |
- %% [ Continues ] |
00:33:07 |
[ Boy ] What's the matter ? |
00:33:09 |
- You're in. |
00:33:11 |
- Why don't you check your pocket, huh ? |
00:33:14 |
- Come on. I have to brush my teeth. |
00:33:18 |
- Cut out that racket in there ! |
00:34:02 |
[ Door Opens ] |
00:34:05 |
[ Dog Barks ] |
00:34:08 |
[ Boys Whispering ] |
00:34:18 |
[ Whispering, Footsteps ] |
00:34:24 |
- [ Whispering Continues ] |
00:34:36 |
[ Owl Hooting ] |
00:34:48 |
[ Hooting Continues ] |
00:35:05 |
[ Wings Flapping ] |
00:35:55 |
[ Owl Hooting ] |
00:36:02 |
- [ Yells ] I'm a dead poet ! |
00:36:04 |
- [ Neil ] Guys ! Over here ! |
00:36:08 |
- [ Boys Chattering, Laughing ] |
00:36:10 |
[ Charlie ] God, are you trying |
00:36:12 |
[ Meeks ] No, no. The smoke's |
00:36:15 |
- [ Pitts Yells ] |
00:36:18 |
- [ Neil ] You okay ? |
00:36:20 |
- Oh, God. Clowns. |
00:36:23 |
- All right, forget the fire. |
00:36:26 |
- Let's go, gentlemen. |
00:36:29 |
- I hereby reconvene |
00:36:33 |
Welton Chapter. |
00:36:35 |
The meetings will be |
00:36:37 |
and the other |
00:36:40 |
Todd Anderson, because |
00:36:42 |
will keep minutes |
00:36:44 |
I'll now read |
00:36:47 |
by Society member |
00:36:49 |
"I went to the woods because |
00:36:52 |
I wanted to live deep and suck |
00:36:55 |
I'll second that. |
00:36:57 |
"To put to rout |
00:36:59 |
"And not, |
00:37:01 |
discover |
00:37:04 |
[ Whistles ] |
00:37:07 |
- Keating's marked |
00:37:10 |
Dig deep. Right here. |
00:37:13 |
On the mud ? We're gonna |
00:37:15 |
Meeks, put your coat down. |
00:37:17 |
- [ Boys Chattering ] |
00:37:20 |
[ Charlie ] |
00:37:22 |
- You guys are always bumming my smokes. |
00:37:25 |
- [ Knox ] Yuck. |
00:37:27 |
- Who gave us half a roll ? |
00:37:30 |
- Come on ! |
00:37:33 |
It was a dark and rainy night, |
00:37:36 |
who had a passion |
00:37:38 |
sat by herself in her house at her table |
00:37:43 |
But as she pieced |
00:37:46 |
she realized, |
00:37:48 |
that the image that was formed |
00:37:52 |
And the figure |
00:37:54 |
as she completed it, |
00:37:57 |
And with trembling hands, |
00:38:01 |
and stared in horror at the face |
00:38:06 |
The last thing that |
00:38:10 |
- was the sound of breaking glass. |
00:38:13 |
- [ Laughing, Chattering ] |
00:38:15 |
- I've got one that's better than that. |
00:38:18 |
I do. There's a young, |
00:38:21 |
and they're driving through the forest |
00:38:23 |
And they run out of gas, |
00:38:26 |
The thing with the hand ? |
00:38:27 |
- [ All Chattering ] |
00:38:29 |
- [ Charlie ] I told you that one. |
00:38:31 |
- I got that in camp in sixth grade. |
00:38:34 |
"In a mean abode |
00:38:36 |
"Iived a man named |
00:38:38 |
"Now, he had a wife, |
00:38:40 |
"who continually |
00:38:42 |
"And one day at dawn, |
00:38:45 |
he slit |
00:38:47 |
- [ All Chuckling ] |
00:38:49 |
You want to hear |
00:38:51 |
-You want this ? |
00:38:53 |
- What, did you bring one ? |
00:38:55 |
- [ Mumbling ] |
00:38:58 |
- An original piece by Charlie Dalton. |
00:39:00 |
- Take centre stage. |
00:39:03 |
- [ Laughing ] |
00:39:11 |
[ Boys Gasp ] |
00:39:13 |
- Where did you get that ? |
00:39:16 |
[ Cameron ] |
00:39:17 |
- Whoa. |
00:39:20 |
"Go teach thyself more wit. |
00:39:23 |
"I chief professor am of it. |
00:39:25 |
"The god of love, |
00:39:29 |
may learn to love from me." |
00:39:31 |
[ Neil ] |
00:39:34 |
[ Clapping, Cheering ] |
00:39:39 |
Abraham Cowley. |
00:39:41 |
Okay. |
00:39:43 |
Alfred Lord Tennyson. |
00:39:45 |
"Come, my friends. |
00:39:47 |
"'Tis not too late |
00:39:50 |
"For my purpose holds |
00:39:54 |
"And though we are not |
00:39:57 |
"which in old days |
00:40:00 |
"That which we are, we are: |
00:40:03 |
"One equal temper |
00:40:07 |
"made weak by time and fate, |
00:40:11 |
"to strive, to seek, to find, |
00:40:16 |
and not to yield." |
00:40:20 |
"Then I had religion, |
00:40:22 |
"I could not turn from |
00:40:25 |
"Then I saw the Congo |
00:40:28 |
cutting through the forest |
00:40:30 |
- Then I saw the Congo |
00:40:33 |
cutting through the forest |
00:40:36 |
Then I saw the Congo |
00:40:38 |
- cutting through the forest |
00:40:41 |
[ All Chanting, Whooping ] |
00:40:43 |
- cutting through the forest |
00:40:46 |
Then I saw the Congo |
00:40:48 |
cutting through the forest |
00:40:51 |
Then I saw the Congo |
00:40:54 |
cutting through the forest |
00:40:56 |
Then I saw the Congo |
00:40:58 |
- cutting through the forest |
00:41:01 |
Then I saw the Congo |
00:41:03 |
cutting through the forest |
00:41:06 |
- %% [ Continues ] |
00:41:08 |
Cutting through the forest |
00:41:11 |
Then I saw the Congo |
00:41:14 |
[ Bell Tolls 2:00 ] |
00:41:22 |
A man is not "very tired." |
00:41:25 |
And don't use "very sad." |
00:41:27 |
Come on, Mr Overstreet, |
00:41:29 |
- [ Knox ] "Morose" ? |
00:41:33 |
Language was developed for one |
00:41:37 |
Come on, |
00:41:40 |
[ Boy Chuckles ] |
00:41:42 |
Mr Perry ? |
00:41:47 |
Uh... to communicate. |
00:41:49 |
No ! To woo women. |
00:41:52 |
- [ Laughing ] |
00:41:55 |
- about William Shakespeare. |
00:41:58 |
I know. A lot of you |
00:42:00 |
about as much as you look forward |
00:42:02 |
We're gonna talk |
00:42:04 |
as someone who writes |
00:42:07 |
Now, many of you have seen Shakespeare |
00:42:11 |
[ British Accent ] |
00:42:14 |
But if any of you have seen |
00:42:17 |
[ Imitating Brando ] you know |
00:42:19 |
"Friends, Romans, countrymen, |
00:42:23 |
[ Boys Laughing ] |
00:42:26 |
You can also imagine maybe |
00:42:29 |
[ Imitating Wayne ] "Well, |
00:42:33 |
[ Laughing ] |
00:42:35 |
"Dogs, sir ? |
00:42:39 |
"I do enjoy a good dog |
00:42:43 |
"You can have yourself |
00:42:47 |
"Start with a canine croquette. |
00:42:51 |
"Go to your Fido Flambe |
00:42:53 |
"And for dessert, |
00:42:56 |
And you can pick your teeth |
00:43:00 |
Why do I stand up here ? |
00:43:03 |
- Anybody ? |
00:43:05 |
- No ! Thank you for playing. |
00:43:07 |
- [ Laughing ] |
00:43:10 |
to remind myself that we must constantly |
00:43:20 |
See, the world looks |
00:43:22 |
You don't believe me ? |
00:43:24 |
Come see for yourselves. |
00:43:28 |
Come on. Just when you |
00:43:32 |
you have to look at it |
00:43:34 |
Even though it may seem |
00:43:36 |
you must try. |
00:43:38 |
Now when you read, don't just |
00:43:41 |
- Consider what you think. |
00:43:45 |
Boys, you must strive |
00:43:48 |
Because the longer |
00:43:50 |
the less likely you are |
00:43:53 |
Thoreau said, "Most men lead |
00:43:56 |
Don't be resigned to that. |
00:44:00 |
Don't just walk off the edge |
00:44:03 |
- [ Bell Ringing ] |
00:44:06 |
Yes ! |
00:44:08 |
Dare to strike out |
00:44:13 |
- [ Tolling Continues ] |
00:44:15 |
I would like you to compose |
00:44:19 |
- [ Boys Groaning ] |
00:44:23 |
That's right. |
00:44:26 |
You have to deliver it aloud, |
00:44:29 |
- [ Groaning Continues ] |
00:44:33 |
Mr Anderson. |
00:44:36 |
Don't think I don't know this assignment |
00:44:41 |
[ Boys Laughing ] |
00:44:43 |
[ Jumps Down ] |
00:44:54 |
Take a power train in two ! |
00:44:58 |
- Three, keep your eyes in the boat ! |
00:45:02 |
- Stroke ! Stroke ! |
00:45:04 |
- %% [ Static, Rock 'N' Roll ] |
00:45:08 |
Radio Free America ! |
00:45:12 |
% Some people like to rock |
00:45:15 |
% But movin' and a-groovin' |
00:45:18 |
% Let's have a party |
00:45:20 |
% Let's have a party % |
00:45:23 |
% Let's spin it to the soul |
00:45:26 |
% Let's have a party tonight % |
00:45:29 |
% I never kissed a bear |
00:45:32 |
% But I can shake a chicken |
00:45:34 |
- % Let's have a party %% |
00:45:36 |
[ Laughing ] |
00:45:39 |
- I found it. |
00:45:42 |
What I want to do right now. |
00:45:45 |
- "A Midsummer Night's Dream." |
00:45:47 |
- What is that ? |
00:45:50 |
I know that. |
00:45:53 |
All right, they're |
00:45:55 |
Open tryouts. |
00:45:57 |
- Yeah, so ? |
00:45:59 |
I'm gonna act. |
00:46:03 |
Yes ! Yes ! |
00:46:06 |
Ever since I can remember, |
00:46:09 |
I even tried to go |
00:46:11 |
but, of course, |
00:46:13 |
For the first time in my whole life, |
00:46:16 |
[ Snatches Papers ] And for |
00:46:19 |
whether my father |
00:46:21 |
- Carpe diem ! |
00:46:24 |
How are you gonna be in a play |
00:46:28 |
First, I gotta get the part, |
00:46:31 |
But won't he kill you if he finds out |
00:46:33 |
No, no, no. As far as I'm concerned, |
00:46:36 |
- Well, that's impossible. |
00:46:40 |
Well, why don't you just call him |
00:46:42 |
That's a laugh. |
00:46:45 |
If I don't ask him, |
00:46:48 |
- Yeah, but if he said no before-- |
00:46:58 |
[ Grabs Flyer ] |
00:47:02 |
I mean, I haven't even |
00:47:06 |
Can't I even enjoy the idea |
00:47:19 |
- You're coming to the meeting ? |
00:47:24 |
Nothing Mr Keating has to say |
00:47:28 |
- Wh-What is that supposed to mean ? |
00:47:30 |
Being in the club means |
00:47:33 |
You look about |
00:47:35 |
- So you want me out ? |
00:47:39 |
But being in means you gotta do |
00:47:41 |
Listen, Neil, I mean, |
00:47:45 |
but I'm not like you, |
00:47:47 |
You-- You-You say things |
00:47:51 |
I-- I-l'm not like that. |
00:47:53 |
- Don't you think you could be ? |
00:47:55 |
I-- I-l don't know, |
00:47:58 |
The point is, there's nothing you can |
00:48:02 |
I can take care |
00:48:05 |
All right ? |
00:48:09 |
No. |
00:48:14 |
What do you mean, "no" ? |
00:48:17 |
No. |
00:48:19 |
Give me that ! |
00:48:21 |
- Neil, give that back ! |
00:48:23 |
- It's poetry ! |
00:48:25 |
I'm being chased by Walt Whitman ! |
00:48:28 |
Okay ! Okay ! |
00:48:30 |
What are you guys doing ? |
00:48:33 |
- Hey. Give me-- Neil, give me-- |
00:48:35 |
- Don't be immature. Come on ! |
00:48:37 |
- I need my-- |
00:48:40 |
- [ Neil ] Charlie ! |
00:48:42 |
[ Cameron ] |
00:48:45 |
[ Shouting, Laughing ] |
00:48:49 |
[ Whistle, Drums, Hooting ] |
00:49:14 |
[ Shouting ] |
00:49:18 |
[ Continues Shouting ] |
00:49:21 |
[ Birds Squawking ] |
00:49:31 |
[ Trumpet Playing "Charge" ] |
00:49:34 |
[ Horns Blaring ] |
00:49:40 |
- [ Crowd Cheering ] |
00:49:46 |
[ Cheering Continues ] |
00:49:50 |
[ Funky Drum Cadence ] |
00:49:53 |
[ Crowd Shouting, Hooting ] |
00:49:55 |
[ Cheering Continues ] |
00:50:14 |
[ Coach Blowing Whistle ] |
00:50:18 |
Let's go, boys. |
00:50:22 |
- Come on. Let's go. On the bus, boys. |
00:50:24 |
- Now ! |
00:50:28 |
Now, devotees may argue... |
00:50:30 |
that one sport or game |
00:50:34 |
For me, sport |
00:50:37 |
for us to have other human beings |
00:50:40 |
I want you all to come over here |
00:50:44 |
and line up single file. |
00:50:47 |
Mr Meeks, |
00:50:49 |
Mr Pitts... |
00:50:53 |
I want you to hand these out |
00:50:57 |
[ Keating Blows Whistle ] |
00:51:01 |
"Oh, to struggle against great odds, |
00:51:04 |
[ Keating ] Sounds like you're daunted. |
00:51:07 |
"Oh, to struggle against great odds, |
00:51:11 |
[ Keating ] |
00:51:13 |
Yes ! |
00:51:15 |
"To be a sailor of the world |
00:51:21 |
Next. |
00:51:23 |
"Oh, I live to be the ruler of life, |
00:51:27 |
"To mount the scaffolds. |
00:51:29 |
To advance to the muzzles of guns |
00:51:32 |
- [ Kicks Ball ] |
00:51:38 |
Come on, Meeks ! |
00:51:40 |
"To dance, clap hands, |
00:51:44 |
- roll on, float on !" |
00:51:49 |
"Oh, to have life henceforth, |
00:51:52 |
[ Kicks Ball Weakly ] |
00:51:54 |
[ Groans, Blows Raspberry ] |
00:51:57 |
Come on, Charlie, |
00:51:59 |
"To indeed be a god !" |
00:52:03 |
Charlie, I got the part ! |
00:52:06 |
[ Shouts ] |
00:52:08 |
- I'm gonna play Puck ! |
00:52:10 |
- Puck you ! |
00:52:12 |
- Great, Neil ! |
00:52:14 |
- Congratulations. |
00:52:17 |
- [ Hallway Chatter Continues ] |
00:52:20 |
- [ Exhales ] |
00:52:23 |
They need a letter of permission |
00:52:27 |
- You're not gonna write it. |
00:52:30 |
- Oh, Neil-- Neil, you're crazy. |
00:52:33 |
- [ Laughs ] |
00:52:35 |
I am writing to you... |
00:52:39 |
on behalf of... |
00:52:42 |
my son... |
00:52:45 |
Neil Perry. |
00:52:48 |
[ Giggling, Stamping Feet ] |
00:52:52 |
[ Bagpipes ] |
00:52:57 |
[ Continues ] |
00:53:16 |
[ Bagpipes Continue ] |
00:53:37 |
[ Rips Paper ] |
00:53:42 |
"To Chris." |
00:53:44 |
[ Boys Murmuring ] |
00:53:48 |
"I see a sweetness |
00:53:52 |
"Bright light shines |
00:53:56 |
"But life is complete, |
00:53:59 |
- "just knowing that-- |
00:54:04 |
- "Just knowing that... [ Sighs ] |
00:54:07 |
she's alive." |
00:54:09 |
- I'm sorry, Captain. It's stupid. |
00:54:12 |
It's a good effort. It touched on |
00:54:16 |
A major theme |
00:54:19 |
Mr Hopkins, you were laughing. |
00:54:24 |
[ Boys Snickering ] |
00:54:33 |
"The cat sat on the mat." |
00:54:37 |
[ Boys Laughing ] |
00:54:43 |
[ Keating ] |
00:54:44 |
Yours is the first poem to ever have |
00:54:47 |
We're not laughing at you, |
00:54:51 |
I don't mind that your poem |
00:54:53 |
Sometimes the most beautiful poetry |
00:54:56 |
Iike a cat or a flower or rain. |
00:54:59 |
You see, poetry can come from anything |
00:55:02 |
Just don't let your poems |
00:55:06 |
Now, who's next ? |
00:55:10 |
Mr Anderson, I see you |
00:55:14 |
Come on, Todd, step up. |
00:55:20 |
I-l didn't do it. |
00:55:26 |
Mr Anderson thinks everything inside |
00:55:31 |
Isn't that right, Todd ? |
00:55:36 |
Well, I think you're wrong. I think |
00:55:38 |
that is worth a great deal. |
00:55:41 |
"I sound... |
00:55:45 |
"my barbaric... |
00:55:51 |
"yawp... |
00:55:56 |
[ Continues Writing ] |
00:55:58 |
of the world." |
00:56:03 |
W.W. |
00:56:07 |
Now, for those of you who don't know, |
00:56:12 |
Now, Todd, I would like you to give us |
00:56:16 |
- [ Boys Chuckling ] |
00:56:19 |
Let's go. |
00:56:22 |
- Got to get in yawping stance. |
00:56:26 |
- A-A yawp ? |
00:56:30 |
- Right. Yawp. |
00:56:34 |
- [ Louder ] Yawp. |
00:56:36 |
- Yawp. |
00:56:38 |
- Yawp ! |
00:56:40 |
You see, you have a barbarian |
00:56:42 |
You don't get away that easy. There's |
00:56:45 |
What does he remind you of ? |
00:56:49 |
- A m-m-m-madman. |
00:56:51 |
- Don't think about it, just answer. |
00:56:53 |
No, you can do better than that. |
00:56:56 |
Say the first thing that pops into |
00:56:59 |
A-A-A sweaty-toothed madman. |
00:57:01 |
Good God, boy, there's |
00:57:04 |
There. Close your eyes. |
00:57:06 |
Now, describe what you see. |
00:57:09 |
- Uh, l-l close my eyes... |
00:57:11 |
- uh, and his image floats beside me. |
00:57:15 |
A sweaty-toothed madman with |
00:57:18 |
Oh, that's excellent ! |
00:57:19 |
Now, give him action, |
00:57:21 |
- H-His hands reach out and choke me. |
00:57:24 |
- And all the time he's mumbling. |
00:57:26 |
- Mumbling truth. |
00:57:28 |
- Truth is like a blanket that |
00:57:32 |
Forget them. Forget them. Stay with |
00:57:35 |
Y-Y-You push it, stretch it, |
00:57:38 |
You kick at it, beat it, |
00:57:40 |
From the moment we enter crying |
00:57:44 |
it'll just cover your face |
00:57:54 |
[ Boys Cheering, |
00:57:57 |
- [ Cheering, Applause Continue ] |
00:58:58 |
[ Puffing, Coughs ] |
00:59:01 |
- [ Boys Laughing ] |
00:59:04 |
- Inhale, deeply. |
00:59:06 |
- [ Pitts ] Really ? |
00:59:08 |
Your parents collect pipes ? |
00:59:11 |
- Come on, Knox. Join in. |
00:59:15 |
We're here to help. |
00:59:17 |
- [ Boys Taunting ] It's Chris ! |
00:59:21 |
- Put that in your pipe and smoke it. |
00:59:23 |
Knock it off. |
00:59:26 |
- [ Meeks ] Neil. |
00:59:31 |
What is that, Neil ? |
00:59:33 |
- Duh, it's a lamp, Meeks. |
00:59:39 |
- The god of the cave. |
00:59:40 |
[ Blaring ] |
00:59:42 |
- Charlie, what are you doing ? |
00:59:46 |
- I need a light. Who's got a light ? |
00:59:49 |
[ Clears Throat ] |
00:59:52 |
- "Poetrusic" by Charles Dalton. |
00:59:57 |
- %% [ Wild, Random Notes ] |
01:00:01 |
Laughing, crying, |
01:00:03 |
Gotta do more, |
01:00:05 |
[ Wild, Random Notes ] |
01:00:08 |
- [ Groans ] |
01:00:10 |
Chaos screaming, chaos dreaming. |
01:00:14 |
[ Slow, Sweet Melody ] |
01:00:34 |
[ Sweet Melody Continues ] |
00:00:09 |
Where did you learn |
00:00:11 |
My parents made me take |
00:00:14 |
- I love the clarinet. |
00:00:16 |
[ Boys Laughing ] |
00:00:18 |
The saxophone. |
00:00:23 |
Ooh, more sonorous. |
00:00:26 |
[ Throws Pipe Down ] I can't take |
00:00:30 |
- I'm gonna kill myself. |
00:00:33 |
No, Charlie ! |
00:00:37 |
I've been calm all my life. |
00:00:41 |
Where are you going ? |
00:00:44 |
I'm gonna call her. |
00:00:46 |
- He's gonna call her ! |
00:00:50 |
[ Line Ringing ] |
00:00:52 |
[ Chris ] |
00:00:54 |
- [ Coins Drop ] |
00:00:59 |
The Danburrys will hate me. |
00:01:01 |
My parents will kill me. |
00:01:09 |
[ Softly ] |
00:01:11 |
You're right. |
00:01:14 |
[ Deposits Coins, Dials ] |
00:01:17 |
[ All Chuckling ] |
00:01:23 |
[ Line Ringing ] |
00:01:25 |
- [ Chris ] Hello ? |
00:01:27 |
- Yes. |
00:01:30 |
- [ Boys Chuckling ] |
00:01:34 |
- I'm glad you called. |
00:01:37 |
[ Chris ] Listen, Chet's parents |
00:01:39 |
and he's having a party. |
00:01:41 |
- Would you like to come ? |
00:01:43 |
- Yes. Say yes. |
00:01:46 |
- [ Chris ] About 7:00. |
00:01:48 |
- Okay. |
00:01:51 |
- Okay. Bye. |
00:01:53 |
- [ Coins Drop ] |
00:01:55 |
[ Chuckling ] |
00:01:58 |
Can you believe it ? |
00:02:00 |
She was gonna call me. |
00:02:02 |
She invited me |
00:02:05 |
- At Chet Danburry's house. |
00:02:08 |
- Well ? |
00:02:10 |
So you don't really think |
00:02:15 |
Well, of course not, Charlie. |
00:02:19 |
- That's not the point at all. |
00:02:23 |
- The point, Charlie... |
00:02:28 |
- is... |
00:02:32 |
that she was |
00:02:36 |
I've only met her once, |
00:02:39 |
she's thinking about me. |
00:02:41 |
- Damn it, it's gonna happen, guys. |
00:02:43 |
I feel it. |
00:02:46 |
She is going to be mine. |
00:02:49 |
- [ Laughs ] |
00:02:52 |
- Carpe ! Carpe ! |
00:02:56 |
No grades at stake, gentlemen. |
00:03:08 |
- There it is. |
00:03:19 |
- I don't know, but I've been told. |
00:03:22 |
[ Keating ] |
00:03:25 |
- [ Boys ] Doing poetry is cold. |
00:03:29 |
Left. Left. |
00:03:33 |
Left. Halt ! |
00:03:35 |
Thank you, gentlemen. |
00:03:38 |
If you noticed, everyone started off |
00:03:42 |
Mr Pitts taking his time. |
00:03:47 |
Mr Cameron. You could see him thinking, |
00:03:49 |
It might be right. I know that-- |
00:03:52 |
Mr Overstreet, |
00:03:58 |
We know that. All right. Now, I didn't |
00:04:01 |
I brought them up here to |
00:04:04 |
The difficulty in maintaining your |
00:04:07 |
Now, I see the look in your eyes like, |
00:04:12 |
Well, ask yourselves |
00:04:15 |
Now we all have a great need |
00:04:18 |
But you must trust that |
00:04:21 |
Even though others may think |
00:04:23 |
Even though the herd may go, |
00:04:26 |
- [ Boys Laughing ] |
00:04:29 |
"Two roads diverged in the wood and l, |
00:04:34 |
And that has made |
00:04:36 |
I want you to find |
00:04:39 |
your own way of striding, |
00:04:42 |
Anything you want, whether it's proud, |
00:04:45 |
- Gentlemen, the courtyard is yours. |
00:04:50 |
You don't have to perform, |
00:04:55 |
Mr Dalton, |
00:04:59 |
Exercising the right |
00:05:01 |
Thank you, Mr Dalton. |
00:05:06 |
- Swim against the stream. |
00:05:19 |
Todd ? |
00:05:23 |
- Hey. |
00:05:25 |
- What's going on ? |
00:05:30 |
- Today's my birthday. |
00:05:33 |
- Happy birthday. |
00:05:35 |
- What did you get ? |
00:05:39 |
Isn't this the same desk set-- |
00:05:41 |
Yeah, yeah, they gave me |
00:05:46 |
- Oh. |
00:05:50 |
Maybe they thought you needed |
00:05:52 |
[ Laughs ] Maybe they weren't |
00:05:58 |
The funny thing is, about this, |
00:06:03 |
- [ Laughs ] |
00:06:05 |
Todd, I think you're underestimating |
00:06:11 |
I mean, who would want |
00:06:16 |
- Or a car. |
00:06:18 |
if they could have a desk set |
00:06:21 |
I mean, if I were ever going |
00:06:25 |
I would probably |
00:06:29 |
[ Laughing ] |
00:06:31 |
In fact, its... shape is-- |
00:06:35 |
It's rather aerodynamic, |
00:06:38 |
You can feel it. |
00:06:42 |
[ Exhales ] |
00:06:50 |
Todd... |
00:06:52 |
the world's first |
00:06:56 |
[ Yells ] |
00:06:58 |
[ Both Laughing, |
00:07:01 |
Oh, my ! |
00:07:05 |
- You'll get another one next year. |
00:07:09 |
[ Boys ] "To live deep and suck out |
00:07:12 |
-To put to rout all that was not life--" |
00:07:16 |
- [ Laughing Continues ] |
00:07:18 |
- [ Girl ] ls this it ? |
00:07:22 |
Go ahead. Go on in. |
00:07:26 |
[ Girls Giggling ] |
00:07:28 |
[ Giggling ] |
00:07:30 |
- [ Meeks ] Hello. |
00:07:32 |
Hi, guys. Meet, uh, Gloria and-- |
00:07:37 |
- Tina. |
00:07:39 |
- This is the pledge class |
00:07:43 |
- How do you do ? |
00:07:45 |
Guys, move. Move ! |
00:07:49 |
Let's get on with the meeting. |
00:07:53 |
In keeping with the spirit of passionate |
00:07:57 |
I'm giving up the name |
00:07:59 |
From now on, |
00:08:02 |
[ Boys Laughing ] |
00:08:05 |
[ Giggling ] |
00:08:07 |
[ Boys Chuckling, Chattering ] |
00:08:11 |
[ Indian War Whooping ] |
00:08:17 |
Hello ? Hello, Chris ? |
00:08:19 |
% I crashed in the jungle |
00:08:22 |
% With my little girl |
00:08:25 |
- % I was stranded in the jungle-- %% |
00:08:27 |
- Hi. |
00:08:29 |
- Did you bring anybody ? |
00:08:31 |
No ? Ginny Danburry's here. |
00:08:35 |
- Why don't you go downstairs ? |
00:08:38 |
- Make yourself at home. |
00:08:44 |
% Baby, baby |
00:08:50 |
% You know your old-time lover |
00:08:55 |
- %% [ Continues ] |
00:08:58 |
[ Pouring Beer ] |
00:09:02 |
Hey, you Mutt Sanders' |
00:09:05 |
Bubba, this guy look like |
00:09:09 |
- You're his brother ? |
00:09:13 |
- Never heard of him. Sorry, guys. |
00:09:15 |
Here's Mutt Sanders' brother |
00:09:17 |
- Here you go. Have some whiskey, pal. |
00:09:20 |
I, uh, I don't really drink whiskey. |
00:09:23 |
- To Mutt. |
00:09:26 |
- To Mutt. |
00:09:30 |
- How the hell is old Mutt anyway ? |
00:09:35 |
[ Coughing ] |
00:09:37 |
[ Sighs ] |
00:09:40 |
- To Mighty Mutt. |
00:09:46 |
[ Sighs, Shudders ] |
00:09:51 |
- Say hello to Mutt for me, okay ? |
00:09:55 |
- Hell of a guy, your brother Mutt. |
00:09:59 |
We gonna have a meeting, |
00:10:02 |
Yeah, if you guys |
00:10:04 |
how do we know |
00:10:06 |
"Join" ? |
00:10:09 |
"Shall I compare thee |
00:10:12 |
Thou art more lovely |
00:10:14 |
That's so sweet. |
00:10:16 |
- I made that up just for you. |
00:10:21 |
I'll write one |
00:10:24 |
[ Sighs ] |
00:10:26 |
"She walks in beauty |
00:10:31 |
"She walks in beauty |
00:10:34 |
"of cloudless climes |
00:10:39 |
"All that's best, |
00:10:41 |
- meet in her aspect and her eyes." |
00:10:47 |
There's plenty more |
00:10:52 |
[ Crowd Chattering ] |
00:10:56 |
[ Belches ] |
00:11:01 |
[ Growling ] |
00:11:05 |
% She sure looks fine to me |
00:11:10 |
% Look out |
00:11:12 |
[ Continues ] |
00:11:20 |
[ Both Moaning ] |
00:11:24 |
% Hey, little girl % |
00:11:27 |
% Gee, you sure look fine % |
00:11:31 |
[ Continues ] |
00:11:33 |
God, help me. |
00:11:35 |
% Ooh, baby |
00:11:42 |
% Hey, little girl |
00:11:49 |
- [ Whispers ] Carpe diem. |
00:11:52 |
% How's about a date % |
00:11:58 |
% You know I'll come get you |
00:12:01 |
% Won't keep you out |
00:12:07 |
% Say, little girl % |
00:12:10 |
% Now how's about a kiss % |
00:12:15 |
% Yeah, say, little girl % |
00:12:18 |
% How's about a kiss % |
00:12:22 |
- You don't remember ? |
00:12:26 |
- [ Bubba ] Chet. Chet. Look. |
00:12:31 |
- It's Mutt Sanders' brother. |
00:12:34 |
- Knox, what-- |
00:12:36 |
[ Chris ] |
00:12:38 |
- [ Chet ] What the hell are you doing ? |
00:12:40 |
- Now, Chet, I know this looks bad-- |
00:12:44 |
Chet, no ! |
00:12:46 |
- Chet, stop it ! Leave him alone ! |
00:12:49 |
- Chet, stop it ! |
00:12:52 |
- [ Groaning ] |
00:12:54 |
[ Chet ] |
00:12:56 |
- Chet, you hurt him ! |
00:12:57 |
- I'm sorry. I'm so sorry. |
00:13:00 |
Next time I see you, |
00:13:02 |
[ Guests Chattering ] |
00:13:05 |
Go ahead. |
00:13:17 |
Me and Pitts are working |
00:13:20 |
It shouldn't be that hard to, |
00:13:24 |
Yeah. Uh, I might |
00:13:28 |
Uh, but l-l might not. |
00:13:31 |
Don't you guys miss |
00:13:33 |
- [ Chuckles ] Yeah. |
00:13:35 |
[ Charlie ] |
00:13:37 |
In fact, |
00:13:39 |
I published an article in the school |
00:13:43 |
- What ? |
00:13:46 |
- You didn't. |
00:13:49 |
- How did you do that ? |
00:13:51 |
- I slipped the article in. |
00:13:54 |
Why ? |
00:13:56 |
Well, don't you think |
00:13:58 |
They're gonna come to you and ask |
00:14:02 |
Charlie, you had no right |
00:14:04 |
It's Nuwanda, Cameron. |
00:14:07 |
[ Gloria ] |
00:14:10 |
Are we just playing around out here, |
00:14:13 |
If all we do is come together |
00:14:16 |
- what the hell are we doing ? |
00:14:18 |
But you still shouldn't |
00:14:20 |
This could mean trouble. |
00:14:22 |
Hey, would you not worry about |
00:14:25 |
If they catch me, |
00:14:42 |
- [ Whispering ] |
00:14:55 |
Sit. |
00:15:02 |
In this week's issue |
00:15:04 |
there appeared a profane |
00:15:08 |
Rather than spend my valuable time |
00:15:14 |
And let me assure you |
00:15:16 |
I'm asking any and all students |
00:15:20 |
to make themselves known |
00:15:25 |
Whoever the guilty persons are, |
00:15:28 |
this is your only chance to avoid |
00:15:32 |
[ Phone Ringing, |
00:15:37 |
Welton Academy. |
00:15:39 |
Yes, he is. |
00:15:42 |
Mr Nolan, it's for you. |
00:15:45 |
It's God ! |
00:15:47 |
He says we should have girls |
00:15:49 |
[ Boys Laughing ] |
00:16:05 |
Wipe that smirk off your face. |
00:16:07 |
If you think, Mr Dalton, |
00:16:10 |
that you're the first to try to get |
00:16:13 |
Others have had similar notions and have |
00:16:17 |
- Assume the position. |
00:16:32 |
Count aloud, Mr Dalton. |
00:16:36 |
[ Paddle Strikes ] |
00:16:38 |
One. |
00:16:40 |
[ Strikes Dalton ] |
00:16:42 |
Two. |
00:16:45 |
[ Strikes Dalton ] |
00:16:48 |
Three. |
00:16:51 |
- [ Strikes Dalton ] |
00:16:55 |
- [ Paddle Strikes ] |
00:16:57 |
What is this Dead Poets Society ? |
00:17:00 |
[ Low Murmuring ] |
00:17:29 |
- [ Neil ] You kicked out ? |
00:17:31 |
- [ Neil ] So what happened ? |
00:17:36 |
I'm to turn everybody in, |
00:17:40 |
and all will be forgiven. |
00:17:42 |
So what are you gonna do ? |
00:17:44 |
- Charlie-- |
00:17:48 |
the name is Nuwanda. |
00:17:51 |
[ Door Closes ] |
00:17:54 |
[ Both Chuckling ] |
00:17:56 |
Excuse me. |
00:18:00 |
Certainly. |
00:18:07 |
This was my first classroom, John. |
00:18:11 |
My first desk. |
00:18:14 |
I didn't know you taught, |
00:18:16 |
English. |
00:18:21 |
It was hard giving it up, |
00:18:27 |
I'm hearing rumours about |
00:18:32 |
I'm not saying they've had anything |
00:18:37 |
but I don't think I have to warn you |
00:18:42 |
Well, your reprimand made |
00:18:48 |
- What was going on |
00:18:52 |
- Boys marching, clapping in unison. |
00:18:55 |
That was an exercise to prove a point: |
00:18:58 |
Well, John, the curriculum here is set. |
00:19:01 |
If you question it, what's to |
00:19:04 |
I always thought the idea of education |
00:19:06 |
At these boys' age ? |
00:19:09 |
Tradition, John. Discipline. |
00:19:13 |
Prepare them for college, |
00:19:18 |
[ Footsteps Departing ] |
00:19:21 |
- Creak. [ Hits Bongo Drum ] |
00:19:25 |
He starts walking around |
00:19:28 |
Creak. Creak. |
00:19:31 |
"Assume the position, Mr Dalton," |
00:19:35 |
[ Keating ] |
00:19:37 |
- Mr Keating. |
00:19:40 |
That was a pretty lame stunt |
00:19:43 |
You're siding with Mr Nolan ? |
00:19:45 |
What about carpe diem |
00:19:47 |
- out of life and all that ? |
00:19:49 |
doesn't mean |
00:19:52 |
There is a time for daring, |
00:19:56 |
And a wise man understands |
00:19:59 |
But I thought you'd like that. |
00:20:01 |
No. |
00:20:03 |
You being expelled from school |
00:20:06 |
'Cause you'll miss some |
00:20:08 |
Yeah ? Like what ? |
00:20:10 |
Like, if nothing else, |
00:20:16 |
Got it, ace ? |
00:20:18 |
Aye, aye, Captain. |
00:20:21 |
Keep your head about you. |
00:20:24 |
That goes |
00:20:27 |
- Yes, Captain. |
00:20:30 |
Phone call from God. |
00:20:34 |
If it'd been collect, |
00:20:37 |
[ Door Closes ] |
00:20:39 |
- [ Neil ] All right. Go on, boy. |
00:20:43 |
[ Bell Tolling ] |
00:20:52 |
- [ Director ] |
00:20:55 |
[ Actor ] A good persuasion, |
00:20:57 |
Wait, wait. The excitement. I don't |
00:21:01 |
Now take her hand, |
00:21:06 |
and stop |
00:21:08 |
Okay ? Try again. |
00:21:10 |
- [ Bell Ringing ] |
00:21:12 |
- Spaghetti and meatballs ! |
00:21:14 |
[ Boys Chattering ] |
00:21:17 |
Save some for me. |
00:21:20 |
"But, room, fairy ! |
00:21:26 |
- Father. |
00:21:30 |
Wait a minute. |
00:21:32 |
- please let me ex-- |
00:21:37 |
It's bad enough that |
00:21:40 |
with this, this |
00:21:44 |
but you deliberately |
00:21:47 |
How-How-How did you expect |
00:21:53 |
Answer me. |
00:21:55 |
Who put you up to it ? |
00:21:57 |
- Was it this new man ? Keating ? |
00:22:01 |
Nobody p-- I thought I'd surprise you. |
00:22:05 |
Did you really think |
00:22:08 |
"Oh, my niece is in a play |
00:22:12 |
"No, no, no," I say. "You must be |
00:22:16 |
You made a liar |
00:22:22 |
Now, tomorrow, you go to them |
00:22:27 |
No, I can't. |
00:22:29 |
I have the main part. |
00:22:31 |
I don't care if the world |
00:22:33 |
you are through with that play ! |
00:22:36 |
Is that clear ? |
00:22:38 |
[ Louder ] |
00:22:41 |
Yes, sir. |
00:22:51 |
I made a great many sacrifices |
00:22:55 |
and you will not let me down. |
00:22:59 |
No, sir. |
00:23:22 |
- [ Knocking ] |
00:23:31 |
[ Closes Door ] |
00:23:36 |
Neil, what's up ? |
00:23:38 |
- Can I speak to you a minute ? |
00:23:41 |
Oh. |
00:23:44 |
- I'm sorry. Here. |
00:23:48 |
- Get you some tea ? |
00:23:53 |
- Want some milk or sugar in that ? |
00:23:56 |
Gosh, they don't give you |
00:23:59 |
It's part of the monastic oath. |
00:24:00 |
They don't want worldly things |
00:24:07 |
- She's pretty. |
00:24:09 |
- [ Laughs ] |
00:24:12 |
- How do you stand it ? |
00:24:15 |
You can go anywhere. You can do |
00:24:18 |
Because I love teaching. |
00:24:25 |
- What's up ? |
00:24:29 |
He's making me quit the play |
00:24:34 |
But acting is everything to me. |
00:24:37 |
I mean-- |
00:24:40 |
I can see his point. We're not |
00:24:45 |
But he's planning the rest |
00:24:48 |
And he-he's never asked me |
00:24:51 |
Have you ever told your father |
00:24:54 |
About your passion for acting ? |
00:24:57 |
- I can't. |
00:25:00 |
I can't talk to him this way. |
00:25:02 |
Then you're acting for him too. |
00:25:05 |
You're playing the part |
00:25:08 |
I know this sounds impossible, |
00:25:10 |
You have to show him |
00:25:13 |
I know what he'll say. |
00:25:15 |
He'll tell me that acting's a whim |
00:25:18 |
[ Sniffling ] |
00:25:20 |
He'll just tell me to put it |
00:25:24 |
You are not |
00:25:26 |
It's not a whim for you. You prove it to |
00:25:31 |
You show him that, |
00:25:33 |
Well, by then, you'll be out of school, |
00:25:38 |
No. |
00:25:42 |
What about the play ? |
00:25:45 |
Then you have to talk |
00:25:50 |
I-- |
00:25:52 |
- Isn't there an easier way ? |
00:25:59 |
[ Chuckles ] |
00:26:03 |
No, you're not. |
00:26:19 |
[ All Chattering ] |
00:26:22 |
[ Chattering Continues ] |
00:26:28 |
Chris ! |
00:26:32 |
Chris ! Chris Noel. |
00:26:35 |
- Um, I think she's in Room 111. |
00:26:41 |
I know. |
00:26:48 |
Excuse me. Chris-- |
00:26:50 |
Knox, what are you doing here ? |
00:26:52 |
I came to apologize for the other night. |
00:26:54 |
I brought you these |
00:27:00 |
Knox, don't you know that |
00:27:03 |
- I don't care. I love you, Chris. |
00:27:07 |
Look, I acted like a jerk, |
00:27:09 |
- Please accept these. Please. |
00:27:13 |
Just forget it. |
00:27:15 |
[ Bell Rings ] |
00:27:18 |
[ Door Opens, Closes ] |
00:27:28 |
[ All Chattering ] |
00:27:31 |
- Knox, I don't believe this. |
00:27:36 |
[ Knox Reading ] |
00:27:40 |
"with hair and skin of gold. |
00:27:42 |
- [ Chattering Stops ] |
00:27:44 |
- [ Boy Snickers ] |
00:27:59 |
- [ Bell Ringing ] |
00:28:03 |
[ Belch ] |
00:28:04 |
[ Charlie ] |
00:28:07 |
Hey, how'd it go ? |
00:28:10 |
- Yeah. |
00:28:14 |
- Nothing. |
00:28:17 |
Nothing. |
00:28:21 |
[ Charlie ] Well, what did she say ? |
00:28:25 |
- [ Pitts ] Hey, Knox ! |
00:28:37 |
- Did you talk to your father ? |
00:28:40 |
He didn't like it one bit, but at least |
00:28:44 |
He won't be able to m-make it. |
00:28:48 |
But, uh, I think he's gonna |
00:28:51 |
Really ? You told him |
00:28:56 |
Yeah. |
00:28:58 |
He wasn't happy. |
00:29:01 |
But he'll be gone |
00:29:05 |
I don't think he'll make |
00:29:09 |
I think he'll let me |
00:29:12 |
"Keep up the schoolwork." |
00:29:17 |
Thanks. |
00:29:23 |
- Oh, baby. |
00:29:26 |
- I am-- |
00:29:28 |
- Just a moment. Yes. You're so good. |
00:29:32 |
Come on, Todd. |
00:29:34 |
Come on, Nuwanda, |
00:29:36 |
He said something about |
00:29:39 |
- "Getting red" ? What does that mean ? |
00:29:46 |
[ Meeks ] So, Charlie, |
00:29:51 |
- Ooh. [ Laughs ] |
00:29:53 |
[ Laughing ] |
00:29:55 |
It's an lndian warrior |
00:29:59 |
Makes me feel potent, |
00:30:03 |
[ Knox ] Oh, come on, Charlie. |
00:30:05 |
[ Boys Chattering, Whistling ] |
00:30:08 |
Whoa. |
00:30:10 |
[ Whistling ] |
00:30:12 |
[ Wolf Whistle ] |
00:30:14 |
Chris. |
00:30:19 |
What are you doing here ? |
00:30:20 |
- [ Keating ] Gentlemen, let's go ! |
00:30:24 |
Yeah. Come on, guys. |
00:30:26 |
[ Knox ] |
00:30:28 |
- If they catch you, we're both |
00:30:30 |
- Oh, but it's fine if-- |
00:30:35 |
It's fine for you to come barging into |
00:30:39 |
I didn't mean |
00:30:41 |
Well, you did. |
00:30:43 |
It took everything I could do to keep |
00:30:48 |
- Knox, you have got to stop this stuff. |
00:30:52 |
Knox, you say that over and over. |
00:30:55 |
You don't-- |
00:30:57 |
[ Keating ] |
00:31:00 |
- [ Knox ] Go ahead, Captain. I'll walk. |
00:31:02 |
Knox. Knox, |
00:31:05 |
that I could care less |
00:31:12 |
Then you wouldn't be here |
00:31:19 |
I have to go. |
00:31:22 |
- Are you going with him ? |
00:31:25 |
- Are you kidding ? |
00:31:27 |
Knox, you are so infuriating ! |
00:31:29 |
Come on, Chris, |
00:31:31 |
If you don't like me after tonight, |
00:31:34 |
- Uh-huh. |
00:31:37 |
You come with me tonight, |
00:31:39 |
and then if you don't want to see me |
00:31:42 |
- What would happen if Chet found out? |
00:31:46 |
We'll sit in the back |
00:31:49 |
And I suppose you would promise |
00:31:53 |
- Dead Poets honour. |
00:31:58 |
- My word. |
00:32:12 |
You are so infuriating. |
00:32:26 |
[ Laughing ] |
00:32:37 |
[ Whispering ] Hey, there he is ! |
00:32:39 |
[ Keating ] |
00:32:49 |
Either I mistake your shape |
00:32:53 |
or else you are that shrewd and |
00:32:59 |
Thou speak'st aright. |
00:33:01 |
I am that merry wanderer |
00:33:03 |
I jest to Oberon |
00:33:06 |
when I a fat and bean-fed |
00:33:09 |
[ Whinnies ] Neighing in the likeness |
00:33:13 |
Sometime lurk I |
00:33:15 |
in very likeness |
00:33:18 |
And when she drink, |
00:33:21 |
and on her withered dewlap |
00:33:24 |
- The wisest aunt |
00:33:26 |
Sometime for three-foot stool |
00:33:30 |
Then slip I from her bum, |
00:33:34 |
and falls into a cough. |
00:33:36 |
And then the whole quire |
00:33:38 |
and waxen in their mirth |
00:33:41 |
- [ All Laughing ] |
00:33:43 |
A merrier hour |
00:33:46 |
But, room, fairy. |
00:33:48 |
- Here comes Oberon. |
00:33:57 |
[ Lysander ] Then by your side, |
00:34:00 |
For lying so, Hermia, |
00:34:03 |
[ Hermia ] Lysander riddles very |
00:34:07 |
and my pride if Hermia |
00:34:10 |
But, gentle friend, |
00:34:13 |
Iie further off; |
00:34:17 |
such separation as may well be said |
00:34:20 |
Good night, sweet friend. Thy love |
00:34:24 |
[ Lysander ] Amen. |
00:34:28 |
- And then end life when I end loyalty. |
00:34:31 |
Come on, Neil. |
00:35:40 |
If we shadows have offended... |
00:35:44 |
think but this |
00:35:47 |
That you have but slumber'd here |
00:35:50 |
And this weak and idle theme, |
00:35:56 |
Gentles, do not reprehend. |
00:35:59 |
If you pardon, we will mend. |
00:36:02 |
And as I am an honest Puck, |
00:36:06 |
now to 'scape |
00:36:08 |
we will make amends ere long; |
00:36:15 |
So, good night |
00:36:18 |
Give me your hands |
00:36:21 |
and Robin shall |
00:36:30 |
- [ Audience Applauding ] |
00:36:33 |
[ Applause Continues ] |
00:36:37 |
[ Audience Whistling, Cheering ] |
00:36:47 |
[ Audience Continues Cheering ] |
00:36:54 |
[ Audience Cheering, |
00:36:58 |
[ Welton Boys ] |
00:37:07 |
[ Sighs, Laughs ] |
00:37:13 |
[ Yelling ] |
00:37:15 |
[ Actors Chattering ] |
00:37:19 |
[ Whooping ] |
00:37:21 |
- [ Crowd Chattering ] |
00:37:24 |
Excuse me. I'm Neil's father. |
00:37:28 |
[ All Chattering ] |
00:37:31 |
- Neil, your father. |
00:37:36 |
- [ Boy ] What did you think ? |
00:37:42 |
[ Crowd Chattering, Laughing ] |
00:37:45 |
[ Chattering, Laughing Continues ] |
00:37:55 |
- [ Crowd Chattering ] |
00:37:57 |
- Excuse me. Excuse me. |
00:38:01 |
Neil, Neil, you were great ! |
00:38:04 |
- I can't, guys. |
00:38:06 |
[ Mr Perry ] |
00:38:09 |
Neil. Neil. |
00:38:12 |
What a performance. |
00:38:15 |
- You have to stay with-- |
00:38:17 |
Keating, |
00:38:21 |
Neil ! Neil ! |
00:38:25 |
[ Keating ] Don't make it |
00:38:28 |
[ Woman Chattering ] |
00:38:31 |
[ Chattering Continues ] |
00:38:34 |
[ Car Departs ] |
00:38:37 |
[ Chattering Continues ] |
00:38:40 |
Is it okay |
00:38:42 |
Captain ? |
00:38:48 |
- [ Charlie ] Knox ? |
00:38:51 |
We'll be home about 11:30. |
00:39:11 |
[ Door Opens, Closes ] |
00:39:31 |
[ Clears Throat ] |
00:39:34 |
to understand why it is |
00:39:38 |
But whatever the reason, |
00:39:44 |
I'm withdrawing you from Welton and |
00:39:48 |
You're going to Harvard, |
00:39:54 |
But that's ten more years. |
00:39:56 |
- Father, that's a lifetime ! |
00:39:58 |
Don't be so dramatic. |
00:40:03 |
You don't understand, Neil. |
00:40:05 |
You have opportunities |
00:40:08 |
- I am not going to let you waste them ! |
00:40:11 |
- We've been so worried about-- |
00:40:17 |
What is it ? |
00:40:27 |
Is it more of this-this |
00:40:32 |
Because you can forget that. |
00:40:35 |
What ? |
00:40:42 |
Nothing. |
00:40:56 |
[ Sighs ] |
00:41:03 |
Well, then, |
00:41:18 |
[ Softly ] I was good. |
00:41:28 |
Go on, get some sleep. |
00:42:02 |
- [ Mrs Perry Sobbing ] |
00:45:19 |
[ Gasping ] |
00:45:23 |
[ Mrs Perry ] |
00:45:25 |
- That sound. |
00:45:36 |
Tom ? |
00:45:42 |
What is it ? |
00:45:45 |
What's wrong ? |
00:45:57 |
Neil ? |
00:46:05 |
Tom, what is it ? |
00:46:08 |
What's wrong ? |
00:46:13 |
Neil ? |
00:46:20 |
- Neil ? |
00:46:24 |
Neil ? |
00:46:31 |
[ Sniffs ] |
00:46:44 |
No ! |
00:46:48 |
- Oh, Neil ! Oh, my God ! |
00:46:53 |
- Oh, my son ! My son ! My poor son ! |
00:46:55 |
- [ Repeating, Hysterically ] |
00:47:00 |
- Stop it ! Stop it. |
00:47:10 |
Todd. Todd. |
00:47:14 |
Oh, Charlie. |
00:47:23 |
What is it ? |
00:47:34 |
[ Softly ] |
00:48:14 |
It's so beautiful. |
00:48:27 |
- [ Todd Vomiting ] |
00:48:30 |
- It's okay, Todd. |
00:48:32 |
- It's all right, Todd. |
00:48:34 |
- Todd, it's okay. |
00:48:36 |
- [ Continues Sobbing ] |
00:48:39 |
- [ Crying ] He wouldn't have done it. |
00:48:41 |
- [ Todd ] It was his father ! |
00:48:42 |
He wouldn't have left us. |
00:48:45 |
He wouldn't have. |
00:48:47 |
- His dad was-- |
00:48:48 |
His-His father did it. |
00:48:51 |
[ Blubbering ] |
00:48:54 |
- [ Continues Sobbing ] |
00:48:56 |
Leave him be. |
00:49:00 |
[ Screams ] |
00:50:46 |
[ Crying ] |
00:50:53 |
[ Inhales, Sighs ] |
00:50:57 |
[ Boys Singing ] |
00:51:00 |
% Shall surely % |
00:51:02 |
% Follow me % |
00:51:08 |
% And in God's house % |
00:51:12 |
% Forevermore % |
00:51:16 |
% My dwelling place % |
00:51:21 |
% Shall be % |
00:51:25 |
% Amen %% |
00:51:37 |
[ Nolan ] |
00:51:43 |
He was a fine student, |
00:51:47 |
one of Welton's best. |
00:51:51 |
And he will be missed. |
00:51:58 |
We've contacted each of your parents |
00:52:02 |
Naturally, they're all |
00:52:11 |
At the request |
00:52:14 |
I intend to conduct a thorough |
00:52:21 |
Your complete cooperation |
00:52:30 |
[ Opens, Flicks, |
00:52:35 |
- You told him about this meeting ? |
00:52:38 |
That's it, guys. |
00:52:40 |
- [ Pitts ] How do you mean ? |
00:52:43 |
- He's in Nolan's office now, finking. |
00:52:47 |
The club, Pittsie. |
00:52:50 |
The board of directors, |
00:52:54 |
Do you think for one moment they're |
00:52:57 |
Schools go down because of things |
00:53:05 |
[ Door Opening ] |
00:53:10 |
[ Door Creaks Closed, |
00:53:14 |
[ Footsteps Continue ] |
00:53:17 |
What's going on, guys ? |
00:53:21 |
You finked, |
00:53:23 |
"Finked" ? I don't know |
00:53:25 |
You told Nolan everything about |
00:53:29 |
Look, in case you hadn't heard, |
00:53:31 |
called an honour code |
00:53:33 |
If a teacher asks you a question, |
00:53:37 |
- You-- |
00:53:39 |
He's a rat ! He's in it up to his eyes, |
00:53:43 |
- [ Knox ] Don't touch him, Charlie. |
00:53:46 |
- You don't know that. Not yet ! |
00:53:49 |
And if you guys are smart, you will do |
00:53:53 |
They're not after us. |
00:53:58 |
Us and Neil. |
00:54:01 |
What's that mean ? |
00:54:03 |
Why, Mr Keating, of course. |
00:54:07 |
You guys didn't really think he could |
00:54:10 |
Mr Keating responsible for Neil ? |
00:54:14 |
Well, who else do you think, dumb ass ? |
00:54:19 |
Mr Keating put us up |
00:54:22 |
If it wasn't for Mr Keating, |
00:54:24 |
cozied up in his room right now, |
00:54:27 |
- and dreaming of being called "Doctor"! |
00:54:29 |
You know that ! |
00:54:32 |
- [ Panting ] Neil loved acting. |
00:54:34 |
but I say let Keating fry. |
00:54:37 |
I mean, |
00:54:41 |
- [ Cameron Grunts ] |
00:54:46 |
[ Panting ] |
00:54:50 |
You just signed |
00:54:56 |
And if the rest of you are smart, |
00:55:02 |
They know everything anyway. |
00:55:05 |
[ Panting ] |
00:55:10 |
but you can save yourselves. |
00:55:16 |
[ Footsteps Departing ] |
00:55:18 |
[ Door Opens, Closes ] |
00:55:45 |
[ Hager ] |
00:56:14 |
- Meeks. |
00:56:19 |
What happened to Nuwanda ? |
00:56:22 |
Expelled. |
00:56:26 |
What'd you tell 'em ? |
00:56:28 |
Nothing they didn't |
00:56:33 |
[ Hager ] |
00:56:57 |
- Hello, son. |
00:57:01 |
[ Softly ] |
00:57:09 |
Have a seat, Mr Anderson. |
00:57:17 |
Mr Anderson, I think we've pretty well |
00:57:21 |
You do admit to being a part |
00:57:29 |
Answer him, Todd. |
00:57:33 |
[ Softly ] |
00:57:37 |
I have here |
00:57:40 |
of what occurred at your meetings. |
00:57:42 |
It describes how your teacher, |
00:57:44 |
encouraged you boys |
00:57:46 |
and to use it as a source |
00:57:50 |
for reckless |
00:57:52 |
It describes how Mr Keating, |
00:57:58 |
encouraged Neil Perry to follow |
00:58:02 |
when he knew all along it was |
00:58:05 |
of Neil's parents. |
00:58:07 |
It was Mr Keating's blatant abuse |
00:58:11 |
that led directly |
00:58:25 |
Read that document carefully, |
00:58:29 |
Very carefully. |
00:58:37 |
If you've nothing |
00:58:40 |
What's gonna happen |
00:58:43 |
[ Mr Anderson Sighs ] |
00:58:52 |
[ McAllister ] |
00:58:56 |
Lapis is stone. |
00:58:59 |
The entire building |
00:59:15 |
[ Chuckles Softly ] |
00:59:31 |
[ Door Opens, Closes ] |
00:59:39 |
Sit. |
00:59:43 |
I'll be teaching this |
00:59:45 |
We'll find a permanent English teacher |
00:59:50 |
Who will tell me where you are |
00:59:59 |
Mr Anderson ? |
01:00:04 |
- Uh, in the, in the Prit-- |
01:00:07 |
[ Stammering ] |
01:00:11 |
Kindly inform me, |
01:00:13 |
We skipped around a lot, sir. |
01:00:15 |
We covered the romantics and some of the |
01:00:20 |
- What about the realists ? |
01:00:25 |
All right, then, |
01:00:30 |
What is poetry ? |
01:00:35 |
- [ Knocking ] |
01:00:41 |
Excuse me. |
01:00:45 |
I came for my personals. |
01:00:48 |
Should I come back |
01:00:50 |
Get them now, |
01:00:55 |
Gentlemen, turn to page 21 |
01:00:59 |
Mr Cameron, |
01:01:02 |
read aloud the excellent essay |
01:01:07 |
on "Understanding Poetry." |
01:01:11 |
That page has been |
01:01:14 |
Well, borrow |
01:01:16 |
They're all ripped out, sir. |
01:01:18 |
[ Nolan Chuckling ] What do you mean, |
01:01:21 |
- Sir, we-- Ac-- |
01:01:28 |
[ Slaps Book ] |
01:01:34 |
[ Cameron ] "'Understanding Poetry' |
01:01:38 |
"To fully understand poetry, |
01:01:40 |
"with its metre, rhyme |
01:01:43 |
"Then ask two questions. |
01:01:45 |
"How artfully has the objective |
01:01:49 |
"And, two: |
01:01:51 |
"How important |
01:01:55 |
"Question one |
01:01:56 |
"Question two rates its importance. |
01:01:58 |
"And once these questions |
01:02:00 |
"determining a poem's greatness |
01:02:04 |
If the poem's score for perfection is |
01:02:07 |
- Mr Keating ! |
01:02:09 |
- You've got to believe me. It's true. |
01:02:12 |
- Leave, Mr Keating. |
01:02:14 |
Sit down, Mr Anderson ! One more |
01:02:18 |
and you're out |
01:02:20 |
Leave, Mr Keating. |
01:02:23 |
I said, "Leave, Mr Keating." |
01:02:42 |
- Oh, Captain, my Captain. |
01:02:48 |
Do you hear me ? |
01:02:51 |
Sit down ! |
01:02:55 |
This is your final warning, |
01:02:59 |
How dare you. |
01:03:03 |
Oh, Captain, my Captain. |
01:03:07 |
Mr Overstreet, I warn you ! |
01:03:09 |
Sit down ! |
01:03:13 |
Sit down ! |
01:03:15 |
Sit down ! All of you ! |
01:03:19 |
Sit down ! |
01:03:30 |
All of you, down ! |
01:03:33 |
Do you hear me ? |
01:03:41 |
Sit down ! |
01:04:24 |
Thank you, boys. |
01:04:27 |
Thank you. |
01:04:46 |
[ Bagpipes ] |
01:04:51 |
[ Continues ] |
01:06:46 |
Synch for Ace release: hIman |