Deadly Impact
|
00:00:39 |
There's gotta be a million people |
00:00:41 |
Tommy. Tommy, if you ever wanna call me |
00:00:45 |
Okay, you've been in charge of the tree |
00:00:47 |
and somehow or another |
00:00:50 |
I have faith in you, brother. |
00:00:53 |
Anybody heard from Kelly? |
00:00:55 |
Uh, she had to run out real quick |
00:00:58 |
Yes, she did, didn't she? |
00:00:59 |
She's getting me |
00:01:01 |
- I don't know. |
00:01:04 |
And so do you. Don't... |
00:01:07 |
That's fine. That's all right. |
00:01:10 |
Is that what you got for Aunt Kelly? |
00:01:13 |
- Yeah. |
00:01:16 |
- Why, you don't like it? |
00:01:19 |
Come on now. |
00:01:21 |
Yeah. |
00:01:22 |
Two men shouldn't |
00:01:24 |
What do you... You know what? |
00:01:26 |
She's gonna love it 'cause it's from Tommy. |
00:01:28 |
And second of all, |
00:01:29 |
Okay, yeah. Well, I don't want her to love it |
00:01:32 |
- You're the one... |
00:01:33 |
- Don't listen to her. Just wrap the gift. |
00:01:35 |
- What? |
00:01:38 |
Oh, really? So, then your gift for me |
00:01:43 |
It is. I maxed out your card. |
00:01:48 |
- Did you hear that? |
00:01:51 |
Between an ex-wife |
00:01:53 |
you wonder why I'm broke all the time? |
00:01:55 |
Well, I'm starting to figure it out, |
00:01:57 |
When are you guys gonna have kids? |
00:01:59 |
Well, you know what? |
00:02:01 |
I mean, Kelly's sister |
00:02:03 |
I mean, they're replicating |
00:02:05 |
And that's put Kelly in the mood. |
00:02:08 |
And you know me, I mean, |
00:02:11 |
You never know. We'll see. |
00:02:20 |
I told you I could count on you, |
00:02:31 |
Okay. |
00:02:33 |
- It's Christmas Eve. |
00:02:39 |
If we're gonna be more than 45 minutes, |
00:02:40 |
- tell Kelly I'll give her a call. |
00:02:48 |
Our informant |
00:02:49 |
We have a time and a place. |
00:02:51 |
Get the team prepped |
00:02:54 |
- What's up? |
00:02:56 |
- We have a location on The Lion. |
00:02:59 |
Well, the tip comes from a guy |
00:03:01 |
He thinks his son is The Lion |
00:03:05 |
This is it, gentlemen. |
00:03:06 |
After three years of hard work, |
00:03:10 |
We've received a credible tip |
00:03:13 |
Now watch your step in there. |
00:03:16 |
wanted for assassinations |
00:03:19 |
Tom, you've been living and breathing |
00:03:21 |
It's your show. You're first in. |
00:03:23 |
Let's do it. |
00:03:36 |
All right, guys. Listen up. You heard Duvall. |
00:03:38 |
This guy's a loose cannon. |
00:03:41 |
We'll all be opening up presents |
00:03:44 |
- Got it? |
00:04:28 |
OFFICER 1 ON RADIO... |
00:04:45 |
Come on, let's go, let's go. |
00:04:54 |
Excellent. Excellent. |
00:04:56 |
Going to right. |
00:05:06 |
Left front living room. |
00:05:10 |
- Living room and kitchen secure. |
00:05:13 |
- Tommy, get down to the basement now. |
00:05:18 |
RYAN... He's on his way now. |
00:05:27 |
Hey, Tommy. This is bad, man. |
00:05:35 |
- Kelly? |
00:05:38 |
Looks like a perimeter, man. |
00:05:55 |
- THE LION... Detective Armstrong. |
00:05:58 |
Do not speak |
00:06:02 |
at which point |
00:06:05 |
- I need a trace confirmed immediately. |
00:06:08 |
Do not scream into the phone. |
00:06:12 |
and tell me that you'll hunt me down |
00:06:15 |
Honestly, that will do no good. |
00:06:18 |
- Are we clear so far? |
00:06:22 |
Good. Now, Tom, this is important. |
00:06:25 |
If anyone tries to leave the basement |
00:06:31 |
everyone in the house will die. |
00:06:35 |
Nobody move! All portals are triggered. |
00:06:40 |
Unsub's claiming the place is locked. |
00:06:43 |
Look closely at your wife's bosom. |
00:06:46 |
- You'll see a red heart. |
00:06:49 |
The trigger shutoff control |
00:06:54 |
directly behind the heart. |
00:06:58 |
Oh, Tom, one more thing. |
00:07:00 |
what's he carrying? An MP5? |
00:07:05 |
MP, now. |
00:07:08 |
Yes. Okay. Got it. |
00:07:10 |
You have a decision to make. |
00:07:13 |
Shut off the controls by shooting your wife, |
00:07:17 |
or do nothing and you, she, |
00:07:22 |
Listen to me. Why are you doing this? |
00:07:23 |
You wrecked |
00:07:26 |
Now I came here to do my job, |
00:07:29 |
I'm gonna leave with something else. |
00:07:34 |
- Doesn't matter to me which you choose. |
00:07:37 |
- We can work something out. You hear me? |
00:07:40 |
I have to lower my standards |
00:07:47 |
I'll find you. |
00:07:49 |
You know that. |
00:07:51 |
I suggest you apprise your men |
00:07:54 |
You have three minutes and 25 seconds. |
00:07:56 |
Jesus, Tommy, please. Here, talk to me. |
00:07:59 |
This is the first time |
00:08:02 |
C-4 shutoff switch |
00:08:06 |
What the fuck does that mean? |
00:08:07 |
In order to deactivate the explosives, |
00:08:11 |
And what if you don't? |
00:08:14 |
Then we all die. |
00:08:16 |
- I wanna negotiate. |
00:08:18 |
Tom, I told you, it's in motion. |
00:08:21 |
My explosives don't have an off switch. |
00:08:24 |
You kill all of your men, |
00:08:29 |
leave all their children fatherless, |
00:08:32 |
or shut off the switch. |
00:08:38 |
Fuck this guy, all right? |
00:08:39 |
I say we smash the cameras, |
00:08:41 |
He can light this place up |
00:08:43 |
Now you make it clear to your men, |
00:08:48 |
Saving your wife is not an option. |
00:08:52 |
You listen to me, you motherfucker. |
00:08:55 |
What did I tell you about calling me that? |
00:08:57 |
There's two minutes left, Tom. |
00:09:07 |
You listen to me. |
00:09:10 |
You don't do this. |
00:09:11 |
You don't take this out on my wife, |
00:09:14 |
I am not taking it out on her. |
00:09:17 |
In fact, Kelly and I had |
00:09:20 |
And I made sure that when you shut |
00:09:26 |
You're the one that has to |
00:09:29 |
No, no. |
00:09:31 |
You have one of my men |
00:09:33 |
they pull the trigger, you have me. |
00:09:37 |
Oh, Tom. |
00:09:38 |
If I wanted it to be that easy, |
00:09:43 |
We have confirmation from OED. |
00:09:47 |
There's enough C-4 down here |
00:09:51 |
What's the call, Tom? |
00:09:54 |
- Tommy. You gotta make a call, man. |
00:09:59 |
I don't know. |
00:10:02 |
- THE LION... Tom. |
00:10:04 |
You're running out of time. |
00:10:09 |
You look at me. |
00:10:11 |
Now please, I'll do anything you want, |
00:10:16 |
I'm not going to kill her. You are. |
00:10:18 |
You've been investigating this case |
00:10:23 |
that I mean what I say |
00:10:26 |
Please. She's all I got. |
00:10:30 |
If it makes it easier for Kelly, |
00:10:34 |
The cameras have night vision. |
00:10:37 |
So it doesn't make a difference to me. |
00:10:40 |
Come on, Tommy. What's the call, man? |
00:10:42 |
There's gotta be another way, Ryan. |
00:10:47 |
We're approaching one minute. |
00:10:55 |
Honey, look at me. |
00:10:59 |
Honey, can you look at me? |
00:11:02 |
I'm gonna get you out of here, okay? |
00:11:06 |
What I'm gonna do is |
00:11:09 |
I'm gonna scoop you up in the dark |
00:11:11 |
and I'm gonna carry you |
00:11:14 |
But I need you to do me a favor. |
00:11:19 |
Whenever I turn the lights out, |
00:11:24 |
Okay? Can you do that? |
00:11:29 |
It's almost over, baby. |
00:11:36 |
I love you. |
00:11:48 |
Ryan. |
00:14:50 |
Tom Armstrong? Wait. |
00:14:53 |
Are you Tom Armstrong? |
00:14:56 |
I am. Why? |
00:14:58 |
Haven't spoken English in a while. |
00:15:01 |
That's fine. Kind of miss it, actually. |
00:15:05 |
- What you need? |
00:15:07 |
- How about I buy you another drink? |
00:15:11 |
No, that's not good enough. |
00:15:12 |
It wasn't easy to find you, |
00:15:15 |
Can we just have a seat? |
00:15:20 |
Yeah. |
00:15:25 |
So you're with the FBI? |
00:15:28 |
- How'd you know? |
00:15:32 |
If it was the CIA, |
00:15:34 |
thrown a black bag over my head, |
00:15:37 |
You're in a bar, for Christ's sake. |
00:15:41 |
Speak with a Southwest accent. |
00:15:42 |
Even I can hear some Quantico |
00:15:45 |
Carrying a standard issue 40 caliber Glock. |
00:15:50 |
but any decent cop can spot an agent. |
00:15:53 |
Especially an agent trying |
00:15:56 |
You never told me your name. |
00:15:59 |
- Isabel Ordonez, FBI. |
00:16:04 |
- Pretty perceptive for a retiree. |
00:16:10 |
I was hoping that you could |
00:16:12 |
Whoa, whoa, whoa, whoa. |
00:16:13 |
Lady, I never told you anything |
00:16:16 |
All I need is a few seconds |
00:16:18 |
You know what? It's taken me a while here, |
00:16:20 |
but I finally found a way |
00:16:22 |
I got it, and it'll take all of two minutes. |
00:16:24 |
- It won't. It won't take two minutes. |
00:16:27 |
Listen, Agent Ordonez, |
00:16:29 |
The Lion is back in Albuquerque. |
00:16:35 |
- How close are you to getting him? |
00:16:38 |
We think we've intercepted |
00:16:41 |
and we need for you to give us a voice ID. |
00:16:43 |
You are the only person we know |
00:16:48 |
Okay? |
00:16:50 |
Yeah. |
00:16:56 |
THE LION... The best opportunity we have |
00:16:59 |
- Saturday, 8... 00 sharp. |
00:17:01 |
THE LION... Make sure we have the truck, |
00:17:05 |
Now I need to get to Panama, |
00:17:09 |
I know it's short... |
00:17:11 |
You're sure? |
00:17:13 |
Yeah. Yeah. |
00:17:16 |
A voice ID is flimsy, |
00:17:17 |
but the judge just needs a reason |
00:17:20 |
Tom, if you're interested, we'd like |
00:17:24 |
take a look at our files on The Lion. |
00:17:26 |
No one's ever gotten |
00:17:29 |
- Your role would be strictly as a consultant. |
00:17:35 |
Never really been much of a consultant. |
00:17:40 |
Thank you for your help. |
00:18:37 |
THE LION... Saving your wife is not an option. |
00:19:00 |
THE LION... y ou're the one that has to |
00:21:23 |
- How are we doing on video capture? |
00:21:25 |
And it's become a real big problem. |
00:21:27 |
We gotta move these people |
00:21:29 |
- This is out. |
00:21:33 |
Let's see what you got. |
00:21:56 |
- Yeah. |
00:21:59 |
Thank you. |
00:22:02 |
- You, my friend, are late. |
00:22:06 |
I had to wait in line |
00:22:08 |
You're being paranoid. |
00:22:10 |
They intercepted last week's call. |
00:22:13 |
The question is, |
00:22:17 |
Watch your mouth. |
00:22:20 |
Dignify it with a "no. " |
00:22:24 |
Aw! Everyone came with a date, |
00:22:28 |
That kind of party. |
00:22:30 |
All right, you're ready to go. |
00:22:34 |
Ryan, move it back. |
00:22:41 |
Oh, my God, that's Tommy. |
00:22:51 |
You're really starting to piss me off, |
00:22:53 |
- Oh, I wouldn't wanna do that. |
00:22:57 |
We're in a club filled with women. |
00:23:00 |
Look for the boys |
00:23:08 |
All right. |
00:23:11 |
So what do you wanna do? |
00:23:13 |
We finish our business, |
00:23:16 |
We'll get out of here. |
00:23:18 |
You shouldn't be here, Tom. |
00:23:27 |
Check out the table by the window. |
00:23:31 |
The man seated has a bodyguard. |
00:23:35 |
Give me video capture, |
00:23:38 |
RYAN ON RADIO... you got it. |
00:23:43 |
Do not interfere with this arrest. |
00:23:56 |
Get the strike team in place. |
00:24:00 |
- Go on green. |
00:24:02 |
Where's the key? |
00:24:05 |
Self storage unit. |
00:24:08 |
I've also got the vehicles you requested. |
00:24:12 |
- And my associate? |
00:24:16 |
- He has a C.I. Lined up to meet you. |
00:24:19 |
Yes. |
00:24:22 |
Codes, right? Bank account? |
00:24:33 |
Joke, huh? Supposed to be fucking funny? |
00:24:36 |
Not for you. |
00:24:54 |
Get all these people secured! |
00:24:58 |
Get those people secured. |
00:25:00 |
Agent Ordonez, what's going on inside? |
00:25:03 |
There's been an explosion inside the club. |
00:25:05 |
Hold at the entrance |
00:25:08 |
Copy that. Secure that building, |
00:25:38 |
Suspect's fled the building, |
00:25:51 |
Tactical, we're on second floor. |
00:26:17 |
Be advised, we've got a weapon, |
00:26:22 |
Get me a medical team in here, now. |
00:26:24 |
- Go to the... |
00:28:19 |
What the fuck are you doing here? |
00:28:21 |
I gave you a chance. |
00:28:23 |
Now you've made it personal. |
00:28:36 |
Freeze! Stay where you are! |
00:28:46 |
Don't move! Don't touch that door! |
00:28:49 |
Step away from the van! |
00:28:51 |
- He's... |
00:28:53 |
Look at me the entire time. |
00:29:01 |
Suspect's leaving on a motorcycle. |
00:29:05 |
I have another suspect in custody. |
00:29:10 |
Keep your hands in the air. |
00:29:15 |
Now, get on your knees! |
00:29:27 |
I'm Special Agent in Charge William Hopter. |
00:29:31 |
I spoke with Isabel Ordonez and Ryan Alba, |
00:29:35 |
so I understand why you're here. |
00:29:37 |
The FBI is under a lot of pressure, |
00:29:40 |
The Lion has us scrambling. |
00:29:43 |
Tonight was our best chance in years |
00:29:48 |
Listen, I welcome any help |
00:29:52 |
but I need to be clear with you. |
00:29:54 |
This is not an opportunity |
00:29:58 |
I'm here as a cop. Nothing more. |
00:30:01 |
Good. |
00:30:03 |
Ryan Alba would like to see you. |
00:30:08 |
Just tell him I'm not really feeling |
00:30:11 |
Sure. It's late. |
00:30:14 |
Why don't you come in tomorrow |
00:30:15 |
and give Agent Ordonez |
00:30:19 |
- Yeah. Will do. |
00:30:54 |
Hey, brother. |
00:31:04 |
I thought we closed Panama. |
00:31:06 |
The case is closed when it's finished. |
00:31:10 |
That's for start-up expenses. |
00:31:13 |
This is gonna generate |
00:31:15 |
so do a Casper once it's over. |
00:31:27 |
- What's the matter? |
00:31:31 |
Why are you bringing him back |
00:31:33 |
Oh, Tom found his way back |
00:31:37 |
Stop playing games with him. |
00:31:40 |
- The way he dies has to be fitting. |
00:31:44 |
You wanna fuck with Armstrong for sport, |
00:31:52 |
You're not in a position to refuse. |
00:32:02 |
Never forget who you're dealing with. |
00:32:05 |
Yeah, yeah, yeah, yeah. |
00:32:15 |
Step through, please. Arms up. |
00:32:19 |
Here to see Agent Ordonez. |
00:32:21 |
Armstrong, right? Here you go. |
00:32:24 |
Thank you, sir. |
00:32:43 |
Come on in. |
00:32:45 |
Welcome to my home away from home. |
00:32:49 |
Looks like he's been traveling the world, |
00:32:53 |
Looks that way. |
00:32:54 |
I remember that case, |
00:32:56 |
We were actually able to |
00:33:00 |
We ruled it back in. |
00:33:02 |
It's been a while since you've been updated. |
00:33:04 |
Why don't we have a seat, get started? |
00:33:07 |
Yeah. |
00:33:14 |
Okay, so in the initial report you said |
00:33:17 |
you saw the bodyguard enter the alley |
00:33:20 |
then you found him dead |
00:33:23 |
Was there anything else? |
00:33:26 |
I approached the van, I was fired on, |
00:33:29 |
and he fled out of the back of a van |
00:33:34 |
- And did you fire on him? |
00:33:54 |
- Whoa. |
00:33:56 |
- Careful. |
00:33:58 |
- What's your name? |
00:34:00 |
How long have you been here? |
00:34:01 |
Oh, I've been here two weeks |
00:34:06 |
Yeah, all right. |
00:34:07 |
Well, somebody could get hurt here. |
00:34:09 |
Yes, sir. I'm sorry. |
00:34:13 |
- Just get it cleaned up. |
00:34:34 |
Jesus, Carl, what is that smell? |
00:34:37 |
Oh, God damn it. |
00:34:40 |
Panama mean anything to you? |
00:34:42 |
Just that he mentioned it |
00:34:44 |
We looked into it, |
00:34:49 |
He mentioned it to me eight years ago. |
00:34:53 |
I think it might have something to do |
00:34:56 |
- I think he's leading you on. |
00:34:58 |
Well, I think the entire Carom Club event |
00:35:02 |
You're not investigating him. |
00:35:07 |
You'll only find out |
00:35:09 |
You'll only be as close |
00:35:11 |
Your cleaning solvent ruined |
00:35:14 |
Now, Carl, you were supposed to go home. |
00:35:18 |
- Now, go home and don't come back. |
00:35:21 |
- My brother, Oliver... |
00:35:23 |
He's got his own company. |
00:35:26 |
- Please, Mr. Hollis... |
00:35:27 |
- He'll do it for free, please. |
00:35:30 |
You got one last shot. |
00:35:33 |
Thank you, sir. He's my half-brother. |
00:35:36 |
- My mom says he's the better half. |
00:35:37 |
Carl, go home and get some help. |
00:35:40 |
Yes, sir. Thank you, sir. |
00:35:53 |
Senator Cordero has asked |
00:35:56 |
I believe most of you know him |
00:35:59 |
Yeah, thank you. |
00:36:00 |
We need to be as proactive |
00:36:02 |
with a threat of this magnitude, |
00:36:04 |
so I'm here to listen to what you need. |
00:36:06 |
We got a letter from The Lion today. |
00:36:09 |
"To the FBI. |
00:36:10 |
"I have the city of Albuquerque |
00:36:13 |
"You can no longer protect the citizens |
00:36:17 |
"I demand $100 million |
00:36:21 |
"and you have until Saturday |
00:36:24 |
"The account number information |
00:36:28 |
We only have a few days to figure this out. |
00:36:30 |
How does The Lion plan |
00:36:33 |
and how are we gonna stop him |
00:36:35 |
There's gotta be something more than that. |
00:36:36 |
Why do you say that? |
00:36:37 |
'Cause with him, |
00:36:40 |
Okay. Well, let's be honest. |
00:36:41 |
I mean, The Lion's wanted |
00:36:44 |
What's he doing back in Albuquerque? |
00:36:46 |
I agree with three of the assassinations, |
00:36:49 |
but two of the others |
00:36:52 |
Here. I made an outline for you |
00:36:56 |
Uh, the FARC assassination, |
00:36:58 |
Belize, El Salvador. |
00:37:00 |
In all three of those examples, |
00:37:03 |
Belize, El Salvador, |
00:37:05 |
that allowed for a corrupt replacement. |
00:37:07 |
Also brought down |
00:37:09 |
for smugglers coming into |
00:37:11 |
FARC assassination, as you know, that, |
00:37:15 |
allowed the drug lords |
00:37:18 |
But the other two, |
00:37:21 |
Mexico and Peru, |
00:37:24 |
in my opinion, that just doesn't match up. |
00:37:27 |
In both of those examples |
00:37:29 |
and there was very little |
00:37:31 |
to the regional political situation, |
00:37:33 |
nor did it significantly impact |
00:37:34 |
His biggest targets |
00:37:36 |
have always been heavily influenced |
00:37:39 |
I think Ryan's spot-on. |
00:37:42 |
I think The Lion's in Albuquerque |
00:37:46 |
Lmpressive work, Tom. |
00:37:47 |
I want you and Ordonez |
00:37:49 |
Are there any questions? No? |
00:37:52 |
Okay, that's it for now. |
00:37:56 |
Listen, Tommy. Tommy! Tommy. |
00:38:00 |
Hey, man. |
00:38:03 |
- Oh, it's good to see you again, man. |
00:38:06 |
So, listen, come by for dinner |
00:38:09 |
- Yeah. Yeah, I'd like that. |
00:38:14 |
- Sounds good. |
00:38:15 |
- How's Amy? |
00:38:17 |
She finished grad school at UNM, |
00:38:20 |
Got a good job at a hotel. |
00:38:22 |
Her boyfriend's |
00:38:24 |
- Congratulations, man. |
00:38:25 |
Tom? Can I see you |
00:38:29 |
Yeah, sure. Excuse me. |
00:38:32 |
Good seeing you again. |
00:38:40 |
Hey, what's up? |
00:38:44 |
Happy birthday. |
00:38:46 |
You didn't have to do that. |
00:38:48 |
- How'd you know? |
00:38:51 |
Make a wish. |
00:38:55 |
You know, it's been a while |
00:38:59 |
That's... |
00:39:01 |
That's a part of my life I really miss. |
00:39:05 |
I have something else for you, Tom. |
00:39:08 |
We had your APD files transferred |
00:39:13 |
and this was in one of the boxes. |
00:39:16 |
It was at your wife's feet eight years ago. |
00:39:22 |
I thought you might wanna have it. |
00:41:02 |
- How long is this gonna take? |
00:41:05 |
You want it fast or you want it good? |
00:41:07 |
- I'm doing it for free, so you pick. |
00:41:50 |
- Hello. |
00:41:53 |
I just thought of something. |
00:41:55 |
I think you may be looking |
00:41:58 |
Everyone checked out. It's a dead end, Tom. |
00:42:01 |
He's good at stealing identities. |
00:42:03 |
The names may check out, |
00:42:06 |
What employee there would go unnoticed? |
00:42:09 |
Okay. I'll meet you at the office |
00:42:11 |
and we'll start looking |
00:42:19 |
Did you bring that in? |
00:42:22 |
It's from Carl. |
00:42:28 |
We're sorry about him. |
00:42:31 |
We only get him on holidays. |
00:42:35 |
- Nice job. |
00:43:09 |
- Hey, there. Good news? |
00:43:11 |
Sterling Cleaning Service |
00:43:14 |
and the guy that was supposed |
00:43:15 |
on Saturday night didn't show. |
00:43:17 |
Hops is checking with APD for a name. |
00:43:20 |
- You look really tired. |
00:43:24 |
Say, you normally have this many |
00:43:26 |
No. ATF and LEU move in today |
00:43:30 |
- Sure. I know. |
00:43:32 |
We'll have the entire force |
00:43:35 |
Well, I'm gonna go see Hops |
00:43:37 |
- You coming? |
00:43:40 |
- Hey, Hops. |
00:43:42 |
APD just called. |
00:43:44 |
They got an address for the janitor |
00:43:46 |
The guy's name's Carl Mosler. |
00:43:48 |
- I'll get on this. |
00:43:50 |
- New C-techs? |
00:43:52 |
The Lion wants us |
00:43:54 |
so our C-tech department is designing |
00:43:58 |
As soon as he logs in, |
00:44:01 |
And what if he refuses the web address? |
00:44:02 |
We'll give him |
00:44:04 |
They all run through this address, |
00:44:09 |
- Senator. |
00:44:10 |
Would you excuse us, please? |
00:44:14 |
Could you run a demo for us? |
00:44:17 |
I'm concerned about tomorrow. |
00:44:22 |
We're being realistic about it. |
00:44:23 |
We don't have much information right now. |
00:44:25 |
- What's your position? |
00:44:29 |
You know we can't even get close |
00:44:31 |
Even if we could, you know we can't pay it. |
00:44:33 |
The United States government |
00:44:37 |
So, how do we get around that? |
00:44:39 |
We're looking at every available option, sir. |
00:44:42 |
We found a link between a missing |
00:44:45 |
and the Carom Club bombing. |
00:44:47 |
Agents Ordonez and Armstrong |
00:45:27 |
Oh, God. What's that smell? |
00:45:31 |
Call in Forensics. |
00:45:36 |
This is Agent Ordonez. |
00:45:42 |
I need a full Forensics team |
00:46:11 |
He set this up |
00:46:15 |
He's making this personal. |
00:46:29 |
THE LION... Tom, |
00:46:34 |
What do you want? |
00:46:35 |
Well, I don't have a family, |
00:46:40 |
So, money? |
00:46:43 |
Yeah, money fills that void. |
00:46:45 |
You know the FBI can't come up |
00:46:48 |
Not in the time frame you gave them. |
00:46:51 |
I never leave a job unfinished. |
00:46:56 |
Why aren't you wondering |
00:47:01 |
Unless... Wait. Oh, how did we do it before? |
00:47:05 |
You shoot the FBI lady, she dies, you live. |
00:47:10 |
Well, it might be unfair |
00:47:13 |
But then again, you have experience. |
00:47:17 |
So, come on. Let's do it, Tom. |
00:47:20 |
- Shoot her. |
00:47:21 |
I'll spare you the routine. |
00:47:24 |
No, that's not gonna happen. Go, go, go! |
00:47:28 |
Come on. She's practically a stranger |
00:47:31 |
- Go! Move! Go! |
00:47:33 |
- seven, six, five... |
00:47:35 |
...four, three, two. Boom! |
00:47:38 |
I punked you, Tom. |
00:47:42 |
Ah, you're so gullible. |
00:47:44 |
That was fun. |
00:47:49 |
Son of a bitch is always one step ahead. |
00:48:04 |
There you go. |
00:48:22 |
AMy ON CELL PHONE... Hello? |
00:48:24 |
Now we're gonna be spending |
00:48:27 |
- Who is this? |
00:48:30 |
And before you say another word, |
00:48:36 |
There's flowers in that vase. |
00:48:38 |
I want you to remove the flowers |
00:48:43 |
Oh, and Amy, I can see you right now. |
00:48:47 |
Don't panic. |
00:48:51 |
I have placed bombs |
00:48:56 |
Don't cry. |
00:49:01 |
But you must keep your composure, Amy. |
00:49:05 |
Mmm-hmm. |
00:49:06 |
Listen to me. Your customers |
00:49:11 |
Now, delicately remove the flowers, please. |
00:49:13 |
Now, that black object |
00:49:16 |
is a detonator. |
00:49:18 |
The bomb will not explode |
00:49:22 |
Then why did I have to be careful |
00:49:24 |
Because they're pretty. |
00:49:29 |
I've just activated the locks on the door. |
00:49:33 |
If you don't believe me, you can go |
00:49:42 |
Would you do me a favor |
00:49:45 |
that we're in a hostage lockdown? |
00:49:48 |
Tell them there's a bomb in the building, |
00:49:57 |
Excuse me, everybody. |
00:50:01 |
The hotel is currently under a bomb threat. |
00:50:04 |
- Nobody's allowed to leave. |
00:50:07 |
There's a man on the phone. |
00:50:10 |
- All right... |
00:50:11 |
Just stay calm. Don't let anybody leave. |
00:50:16 |
The doors are locked. You can't get out. |
00:50:19 |
It's locked! |
00:50:22 |
Don't worry, Amy, they can't get out. |
00:50:27 |
I will contact the police soon. |
00:50:30 |
But first, I want you to contact |
00:50:34 |
- The lady on Channel 15? |
00:50:38 |
I like the idea of a pretty woman |
00:50:41 |
Tell Julie the hotel is under a bomb threat, |
00:50:44 |
and that I personally requested her |
00:50:50 |
Uh, yeah, FBI Field Office, |
00:50:55 |
Hey. We just received an anonymous tip |
00:50:59 |
at the Nativo Hotel. |
00:51:01 |
I was looking over the client list |
00:51:04 |
Nativo Hotel is on that list. |
00:51:06 |
Guess who's assigned to |
00:51:08 |
- Who? |
00:51:09 |
Shit. I just sent an officer over there. |
00:51:14 |
Now, Amy, I'm going to need you |
00:51:17 |
There's a black Beemer |
00:51:22 |
Yes, I see it. |
00:51:23 |
Now, it won't be long |
00:51:26 |
When they do, let me know. |
00:51:33 |
I got a really bad feeling |
00:51:38 |
The police just got here. |
00:51:41 |
That fucking rookie! |
00:51:46 |
Get away from the car! |
00:51:53 |
Get in there. Put him out! |
00:51:57 |
Put him out! Beat him out! |
00:51:59 |
Did the car explode? |
00:52:01 |
Yes. |
00:52:04 |
Hello? Anybody home? |
00:52:07 |
Amy, I'm gonna call you back. |
00:52:09 |
Hello? |
00:52:10 |
Buy everyone a drink on me. |
00:52:28 |
Hello? |
00:52:33 |
Anybody home? |
00:52:54 |
- Are you Skittles? |
00:52:57 |
Very nice to meet you. |
00:53:08 |
In the tub. |
00:53:11 |
Get on your knees. |
00:53:13 |
What's going on? |
00:53:19 |
Say cheese. |
00:53:22 |
Hi. Is this your informant? |
00:53:25 |
See you soon. |
00:53:30 |
Are you afraid of me? |
00:53:31 |
Yeah. |
00:53:34 |
Then nothing will happen to you. |
00:53:55 |
Hi, Amy, I'm back. |
00:53:57 |
Julie Mulligan is here. |
00:53:59 |
You've done everything I've asked. |
00:54:01 |
So as soon as you give the phone |
00:54:04 |
you get out of there as fast as you can. |
00:54:06 |
And if anyone tries to escape, |
00:54:09 |
- Thank you. |
00:54:13 |
You still have much to contribute |
00:54:17 |
The information |
00:54:19 |
but it appears that a man has somehow |
00:54:26 |
He only wants |
00:54:32 |
I've just been given a cell phone |
00:54:35 |
It seems that the man in question |
00:54:43 |
- Hello. |
00:54:46 |
Please listen to me carefully. |
00:54:48 |
Listen. We can't allow this to be broadcast. |
00:54:51 |
The FBI does not allow a criminal |
00:54:52 |
to broadcast public grievances |
00:54:55 |
We aren't negotiating, |
00:54:58 |
Now, you're familiar with my file. |
00:55:00 |
I have rigged the hotel |
00:55:03 |
to destroy the city block. |
00:55:05 |
You do as I instruct, |
00:55:07 |
or I will detonate this bomb |
00:55:11 |
that the families of the victims know |
00:55:17 |
because Special Agent in Charge |
00:55:19 |
could not follow simple instructions. |
00:55:22 |
Now, please put Miss Mulligan |
00:55:24 |
and don't try to trace this call. |
00:55:29 |
Thank you. |
00:55:33 |
I think the terrorist is about to tell me |
00:55:36 |
Terrorist? No, no, Miss Mulligan, please, |
00:55:43 |
I'm a thief. |
00:55:45 |
I'm sorry. The man in question |
00:55:51 |
Julie, do me a favor, |
00:55:54 |
I'd like to get this on TV. |
00:55:58 |
Come on, Julie. Put him on. |
00:56:02 |
Tom! So, tell me, |
00:56:06 |
what is it like sitting there |
00:56:09 |
knowing that all of those innocent people |
00:56:14 |
You better answer my questions, |
00:56:19 |
Have the FBI complied with my demands? |
00:56:24 |
Sir? Detective? |
00:56:27 |
- I heard him. |
00:56:30 |
Yeah. Yeah, the money's ready to be wired. |
00:56:35 |
We have a web page set up |
00:56:37 |
You know that that web page is a dummy. |
00:56:40 |
And the moment that I log on, |
00:56:44 |
Do these guys have any intention |
00:56:47 |
I can't speak for the FBI. |
00:56:49 |
Yeah, but you know the answer, |
00:56:55 |
The FBI cannot negotiate the terms |
00:57:00 |
We are, however, |
00:57:04 |
THE LION... Tom, |
00:57:07 |
The FBI needs to understand |
00:57:12 |
They leave me no choice but to detonate. |
00:57:15 |
I'm sorry, sir, I have to turn off the speaker. |
00:57:19 |
but, at this time, I don't think |
00:57:21 |
Shut up. What are you, stupid? |
00:57:23 |
You do as I ask. |
00:57:26 |
Now, I'll contact the FBI in 48 hours |
00:57:33 |
Seems that this is the first lesson. |
00:57:38 |
And because of this inconvenience, |
00:57:44 |
He wants $200 million. Today is a lesson. |
00:57:48 |
If the money's not available in 48 hours, |
00:57:52 |
Say the words, |
00:58:00 |
The FBI caused the hotel to explode. |
00:58:21 |
Honey, I'm gonna get you |
00:58:23 |
THE LION... I'm not going to kill her. You are. |
00:58:41 |
Hey. You've been sleeping |
00:58:43 |
I was worried. |
00:58:46 |
- How's Amy? |
00:58:50 |
Hopter? |
00:58:53 |
He's fine. He's got a few cuts and bruises, |
00:58:58 |
but he'll be all right. |
00:59:01 |
Anyone else make it out of the hotel? |
00:59:05 |
No. |
00:59:09 |
Christ. |
00:59:12 |
I don't think I can do this anymore. |
00:59:17 |
I hesitate. |
00:59:19 |
I don't trust my instincts. |
00:59:23 |
I'm no use like this. |
00:59:25 |
That's not true. |
00:59:27 |
I'm not working with you out of pity. |
00:59:30 |
Everybody at the hotel... |
00:59:34 |
My wife... |
00:59:36 |
It's 'cause of what I do. |
00:59:40 |
Don't. |
00:59:42 |
You know, she worked two jobs |
00:59:45 |
to make ends meet. |
00:59:49 |
I don't know, she was the one |
00:59:53 |
Doesn't really matter. |
01:00:01 |
It happened, and there's nothing you can do |
01:00:05 |
but you did save 10 lives that night. |
01:00:08 |
Don't forget that. |
01:00:10 |
And now you have the opportunity |
01:00:16 |
I'm not doing this without you, Tom. |
01:00:18 |
You were there at the beginning, |
01:01:06 |
You come up with anything? |
01:01:08 |
Well, if he did use fertilizer, |
01:01:11 |
Flower pots aren't big enough |
01:01:14 |
Which makes sense, |
01:01:17 |
PETNs would've made the kick. |
01:01:18 |
So he used specialized grout |
01:01:20 |
Yeah. |
01:01:21 |
I asked for all the hardware receipts |
01:01:24 |
See if I can pick up any odd pairings |
01:01:27 |
It's gonna take me a few days |
01:01:29 |
but I do have one receipt |
01:01:32 |
from Rack's Hardware Store |
01:01:34 |
What they did is they isolated it down |
01:01:36 |
to the amount of tile and grout |
01:01:38 |
Then they divided that into two categories, |
01:01:40 |
those paid by credit card, |
01:01:42 |
How many paid with cash? |
01:01:43 |
For that amount of tile and grout |
01:01:47 |
These are shots |
01:01:50 |
This man seen here buying tile, |
01:01:54 |
Parking lot cam footage shows him |
01:01:58 |
These are shots of the Nativo Lodge |
01:02:01 |
We believe it's the same man. |
01:02:02 |
His walking manner and gait |
01:02:04 |
Whoa, whoa, whoa. |
01:02:05 |
Go back to the hardware store |
01:02:10 |
There, stop. Yeah. |
01:02:11 |
A police officer issuing a citation. |
01:02:14 |
May be able to |
01:02:16 |
That's great. Get on that, will you? |
01:02:19 |
Skittles, you didn't pass your polygraph. |
01:02:21 |
I don't know how. |
01:02:25 |
Something's gotta be wrong |
01:02:27 |
It says you're a confidential informant |
01:02:31 |
and that The Lion offered you a job, |
01:02:34 |
This statement didn't pass poly. |
01:02:37 |
I told you guys everything I know. |
01:02:38 |
I... I met this dude, |
01:02:41 |
and he offered me a job. |
01:02:44 |
I went right to APD, |
01:02:48 |
What kind of job, Skittles? |
01:02:51 |
He wanted me to help |
01:02:59 |
Ryan, call the senator's office. |
01:03:01 |
Let him know |
01:03:03 |
of an assassination attempt. |
01:03:10 |
- Hello. |
01:03:13 |
- I bet you know who this is. |
01:03:16 |
I want you to do |
01:03:20 |
Let's cut a back door deal. |
01:03:22 |
CORDERO... you know |
01:03:24 |
Well, I know that. |
01:03:29 |
- So, give me 20. |
01:03:31 |
It's your family's fortune, |
01:03:36 |
And in exchange, I leave Albuquerque alone |
01:03:42 |
Now, I've placed 80 bombs |
01:03:45 |
You pay me, you save the city. |
01:03:48 |
The FBI released a report |
01:03:51 |
in speaking with a man |
01:03:56 |
- Hey. |
01:03:57 |
Hey. |
01:04:00 |
Let the long trail of false leads begin. |
01:04:03 |
What do you have there? |
01:04:04 |
It's Sam Skittles' |
01:04:07 |
Some inconsistencies there. |
01:04:10 |
I know there's a clue in there |
01:04:14 |
I brought a snack, if you wanna join me. |
01:04:16 |
It's from one of my favorite bakeries |
01:04:18 |
Oh, God, I can't. |
01:04:20 |
Come on. I ain't gonna tell anybody. |
01:04:22 |
Building's practically empty, anyways. |
01:04:27 |
It's just us obsessives in here at this hour. |
01:04:32 |
- I've been on a diet since my divorce. |
01:04:36 |
Yeah, in a former life. |
01:04:40 |
Before I gave it all up for this. |
01:04:44 |
I've always liked your wall of death, there. |
01:04:47 |
Well, you know, |
01:04:51 |
So, why'd you get divorced? |
01:04:56 |
No, not at all. I was just too young. |
01:04:59 |
It was hard for me |
01:05:03 |
I guess I just couldn't figure out |
01:05:07 |
And then one day, |
01:05:12 |
- And I'm okay with that. |
01:05:18 |
I am. I mean, I hate to sound like a cliché, |
01:05:23 |
but the work we do here |
01:05:29 |
And it's a sacrifice that I'm willing to make. |
01:05:37 |
Mmm. |
01:05:38 |
- I told you. |
01:05:40 |
Yeah. |
01:05:44 |
You know, it made me see |
01:05:47 |
without actually dying for it. |
01:05:50 |
You know, I guess some day, |
01:05:51 |
I would like to have a husband |
01:05:53 |
But, I don't know, |
01:06:00 |
- What? |
01:06:04 |
Just thinking about |
01:06:07 |
It's always the people |
01:06:09 |
that actually deserve the most. |
01:07:31 |
What is it? |
01:07:34 |
Are you hungry? |
01:07:36 |
- Yeah. |
01:07:41 |
Why don't we go get something to eat? |
01:07:44 |
We have to assume he's listening |
01:07:47 |
So this is how he's been a step ahead of us |
01:07:49 |
- and how he knows everything we do. |
01:07:51 |
All right, well, the video |
01:07:54 |
gave us a shot of the plate, |
01:07:57 |
This is for the press release. |
01:07:59 |
Okay, so we're gonna do a sweep |
01:08:02 |
for weapons or bombs. |
01:08:03 |
The Lion doesn't get wind |
01:08:10 |
Hey, baby, how you doing? |
01:08:11 |
THE LION ON CELL PHONE... Hey, Agent Alba. |
01:08:13 |
Who the fuck is this? |
01:08:14 |
I've got somebody who wants to say hi. |
01:08:17 |
Daddy. |
01:08:23 |
Amy? |
01:08:25 |
You fucking touch her, I swear to you... |
01:08:26 |
No, no. |
01:08:30 |
I just need you to help close Panama. |
01:08:32 |
RYAN... What the fuck is Panama? |
01:08:36 |
See, you made her all upset. |
01:08:45 |
Hey, Ryan, what's up? |
01:08:48 |
Nothing, man. I'm just... |
01:08:51 |
It's just tomorrow |
01:08:53 |
- We're gonna get him, you know. |
01:08:55 |
Be nice to scoop him up tonight, |
01:08:57 |
He was in the FBI building, so he had to |
01:09:00 |
We know what his name is now. |
01:09:03 |
Just a matter of time |
01:09:06 |
I hope so. |
01:09:10 |
The Lion's name is David Kaplow. |
01:09:15 |
How do we know? |
01:09:17 |
Finally got through the records |
01:09:19 |
Turns out that he worked in this office |
01:09:22 |
Had to use his real name |
01:09:25 |
Downtown's running the books |
01:09:26 |
for any additional numbers, |
01:09:29 |
As soon as we get the approval |
01:09:33 |
Name and face, guys. We're gaining on him. |
01:09:38 |
- Yeah. |
01:09:39 |
You know, it must kill you to know |
01:09:42 |
and yet you still have |
01:09:45 |
I'm closer to you than you think. |
01:09:47 |
You know, I don't like |
01:09:49 |
- You can't catch me. |
01:09:52 |
Oh, fella, you must've sucked down |
01:09:56 |
I made you kill your wife |
01:10:00 |
I even pissed in your fishbowl. |
01:10:03 |
I'm gonna hurt you, Tom. |
01:10:05 |
I know about your new girlfriend. |
01:10:08 |
I'm gonna make it long and painful |
01:10:14 |
I mean, how much more |
01:10:16 |
You're not taking anything from me again. |
01:10:18 |
Fuck you, Tom. |
01:10:21 |
Tom, here's the number. |
01:10:22 |
You can't catch me. I'm invisible. |
01:10:27 |
I know your name, Kaplow. |
01:10:32 |
When that picture |
01:10:34 |
the whole world's gonna know who you are. |
01:10:36 |
Your life is over. |
01:10:44 |
The gap is closing, motherfucker. |
01:10:54 |
A lawyer representing David Kaplow |
01:10:58 |
Kaplow has agreed |
01:11:01 |
and he's agreed to give us the location |
01:11:02 |
of half the bombs he claims |
01:11:05 |
He'll do this if the DA agrees |
01:11:09 |
The DA has agreed. |
01:11:10 |
Well, that sounds like a setup. |
01:11:11 |
I know. I don't understand it, either. |
01:11:13 |
We have 143 active leads |
01:11:18 |
I want all agents back here |
01:11:21 |
'cause I wouldn't be surprised |
01:11:23 |
with C-4 strapped to his chest. |
01:11:32 |
Get strike teams positioned |
01:11:35 |
I want no vehicles within 100 yards. |
01:11:37 |
Tell them we'll brief the press |
01:11:40 |
Let's go. |
01:11:49 |
Is that Skittles' polygraph? |
01:11:51 |
These results |
01:11:54 |
Listen to these questions. |
01:11:56 |
Answer, "Yes. " That was true. |
01:11:57 |
"Did The Lion offer you a job?" |
01:12:00 |
"Did you refuse the job?" |
01:12:03 |
"Is The Lion planning |
01:12:05 |
"Yes. " That's true. |
01:12:06 |
"Are you informing on The Lion?" |
01:12:10 |
That's false. |
01:12:12 |
The only way |
01:12:13 |
is to imagine that he paid Skittles |
01:12:15 |
that he was gonna kill the senator. |
01:12:17 |
But there'd be no advantage in that. |
01:12:18 |
I don't get it. Makes no sense. |
01:12:22 |
So, we track his whereabouts, |
01:12:24 |
to the whereabouts |
01:12:26 |
his airline information. |
01:12:29 |
four months ago. |
01:12:32 |
And Panama keeps popping up. It's Hops. |
01:12:34 |
- Yeah. |
01:12:38 |
No. Uh-uh. It's not a problem. |
01:12:41 |
I'm going that way anyway. |
01:12:45 |
A self storage garage manager called, |
01:12:48 |
A guy who fits the description |
01:12:51 |
I have to go check it out. Call me |
01:12:54 |
Will do. Be careful. |
01:12:55 |
Will do. |
01:13:01 |
THE LION ON CELL PHONE... Okay, Senator, |
01:13:04 |
We're in business. |
01:13:05 |
Where's the list? |
01:13:06 |
I am e-mailing you 40 addresses. |
01:13:08 |
Now, after you verify |
01:13:12 |
wire the other $10 million |
01:13:52 |
Hi. How are you? |
01:13:55 |
Isabel Ordonez, FBI. |
01:13:58 |
Oh! Great. |
01:14:00 |
Wow. Thanks for coming so quickly. |
01:14:02 |
I'm Clyde. |
01:14:07 |
I swear, as soon as I saw the picture on TV, |
01:14:12 |
It kind of freaked me out, you know? |
01:14:15 |
Yeah, I know. |
01:14:16 |
He's been in and out |
01:14:21 |
He's a strange fella. |
01:14:23 |
And he drives the same kind of truck |
01:14:27 |
So, I figured I'd call and let you folks know. |
01:14:30 |
Anyway, I hope I did the right thing, |
01:14:33 |
You did, |
01:14:35 |
Sometimes, I think he even sleeps here, |
01:14:39 |
It's number 26, here. |
01:15:16 |
Tom, get me LEU, Forensics, and backup. |
01:15:22 |
- Hmm, what's this? |
01:15:24 |
- Put that down! |
01:15:26 |
- Don't touch anything! |
01:15:27 |
Tom, this is his storage unit. |
01:15:30 |
I'm window shopping |
01:15:35 |
What do you guys have? |
01:15:37 |
Well, I just got off the phone with the CIA. |
01:15:38 |
We were able to trace |
01:15:41 |
by comparing his information |
01:15:42 |
with the information |
01:15:44 |
Every time that he took a job |
01:15:46 |
he named that job after the city |
01:15:50 |
So, "Panama" |
01:15:52 |
Well, the CIA seems to think |
01:15:54 |
by a Panamanian drug lord named Zambada |
01:15:58 |
to assassinate somebody |
01:16:00 |
I brought up Cordero's name, |
01:16:02 |
and they started looking at |
01:16:04 |
He definitely had the biggest impact |
01:16:07 |
I think Cordero was the Panama job. |
01:16:10 |
So, he's here for unfinished business. |
01:16:14 |
Tom, let me call you back. |
01:16:16 |
Local, this is Agent Ordonez. |
01:16:25 |
So, do you think you got him? |
01:16:29 |
I mean, he's an artist. |
01:16:33 |
The beards and mustaches. |
01:16:36 |
I mean, he probably had |
01:16:59 |
I got the front. |
01:17:04 |
West side covered. |
01:17:09 |
SNIPER ON RADIO... South side covered. |
01:17:11 |
All three exits covered. |
01:17:14 |
Agent Alba. |
01:17:15 |
The addresses checked out. |
01:17:17 |
- However, you're still in danger. |
01:17:21 |
Eight years ago, Kaplow was hired |
01:17:25 |
Now he's back to finish the job. |
01:17:28 |
Karen, wire the second half |
01:17:31 |
- Yes, sir. |
01:17:33 |
Yes, sir. |
01:17:35 |
Thank you, Agent. |
01:17:40 |
Tom, we swept the building. |
01:17:44 |
You're not gonna detect C-4 with a scan. |
01:17:48 |
I know he has us here for a reason. |
01:17:49 |
We did floor-to-ceiling searches. |
01:17:53 |
He always does one thing to hide another. |
01:17:56 |
We checked the desks |
01:18:00 |
Kaplow hired Skittles |
01:18:05 |
He's trying to draw out this investigation, |
01:18:08 |
What the hell are you getting at? |
01:18:10 |
Say, you normally have this many |
01:18:12 |
No. A TF and LEU move in today |
01:18:16 |
We'll have the entire force |
01:18:27 |
Oh, my God! |
01:18:32 |
He's trying to get rid of all his enemies |
01:18:36 |
If every desk is packed with this much C-4, |
01:18:41 |
Let's get out of here. |
01:18:44 |
Kaplow, your lawyer just arrived. |
01:18:46 |
Hold it! |
01:18:47 |
THE LION ON RADIO... Good. |
01:18:51 |
No one leaves alive. |
01:18:54 |
Copy that. |
01:18:57 |
Move quickly but carefully. |
01:18:59 |
Grab your files if you can. |
01:19:02 |
Hello. What? |
01:19:07 |
Kaplow's lawyer showed, but not Kaplow. |
01:19:08 |
- Oh, he's fucking with us. |
01:19:31 |
Sniper! |
01:19:34 |
Inside! Inside! |
01:19:42 |
All right, let's get him down the hall. |
01:19:47 |
Come on, Hops. |
01:19:51 |
Get a car to this east door, right now! |
01:19:57 |
Shit. That son of a bitch! |
01:20:00 |
They must have all exits covered. |
01:20:02 |
All right, we got eight minutes. |
01:20:04 |
All right, get his vest off. Now. |
01:20:07 |
to keep pressure on this wound. |
01:20:09 |
Hit the break room, grab me a bag of sugar. |
01:20:11 |
I'll hit Forensics, grab a bag of saltpeter. |
01:20:13 |
We're gonna build some cover |
01:20:44 |
Yeah? |
01:21:01 |
If you move... Understand, if you move, |
01:21:07 |
We're gonna go in the house, inside. |
01:21:09 |
Get up. You had a little too much to drink, |
01:21:13 |
Get up. |
01:21:15 |
We're gonna walk inside. |
01:21:20 |
Help me. Let's go. |
01:21:38 |
Twenty-one confirmed |
01:21:40 |
THE LION ON CELL PHONE... |
01:21:42 |
The senator's secure. |
01:21:44 |
Amy's fine. |
01:21:47 |
as promised, I will let her go. |
01:21:52 |
Get over here with the sugar. |
01:21:56 |
- This is a bomb? |
01:21:59 |
- Wrap it up. Just follow me. |
01:22:01 |
What are you doing? |
01:22:02 |
This is the fuse. Right here. |
01:22:07 |
Gonna be a smoke screen. |
01:22:11 |
When these things go off, |
01:22:14 |
We only have a few minutes. |
01:22:17 |
- Ryan, listen, I'm... |
01:22:19 |
No. The whole place is wired with bombs. |
01:22:22 |
- I'm sorry, Tommy, I don't have a choice. |
01:22:26 |
I made a deal with him. |
01:22:29 |
Ryan, you get it fucking together. |
01:22:31 |
I know how you felt that night |
01:22:34 |
He's got me in the same place. |
01:22:37 |
I can't let him take my little girl, Tommy. |
01:22:40 |
I'm sorry. |
01:22:43 |
Ryan... |
01:22:48 |
All right, let's go. Who's got the light? |
01:22:51 |
Are you all right, Agent Alba? Agent? |
01:22:56 |
Yeah, it's, uh... |
01:22:58 |
It's a family issue. |
01:23:01 |
He doing all right? |
01:23:04 |
Stay with us, Hops. |
01:23:15 |
All right, guys, two more of these. |
01:23:16 |
Get ready to move him. |
01:23:20 |
Hops, you hear? |
01:23:24 |
They're coming out the front. |
01:23:28 |
All right, guys, one more, one more, |
01:23:31 |
Get him ready to move. |
01:23:34 |
All right guys, are we ready? |
01:23:39 |
Let's go! Go! Go! Go! |
01:23:45 |
Get in the back! Let's go! |
01:24:07 |
Son of a bitch! |
01:24:08 |
Armstrong got away. He's on the move. |
01:24:26 |
- Yeah, Isabel, where... |
01:24:30 |
We're throwing a party. |
01:24:33 |
Son of a bitch. |
01:24:35 |
Number here. |
01:24:54 |
I need help! Senator's down! |
01:24:56 |
Send me an ambulance! |
01:25:03 |
RED TIE ON CELL PHONE... |
01:25:06 |
Panama's closed. |
01:25:07 |
- Is it confirmed? |
01:25:09 |
What do you want me to do |
01:25:10 |
Let her go. |
01:25:37 |
That's right, Tom. You know where to go. |
01:25:41 |
Old habits die hard. |
01:25:45 |
You know what to do. |
01:25:50 |
You could save yourself |
01:25:57 |
Or you could come down |
01:26:02 |
Come on. |
01:26:05 |
I can't shoot you if I can't see you. |
01:26:10 |
Five minutes, Tom. |
01:26:13 |
If we wait longer than that, |
01:26:14 |
you'll need a broom and a shovel |
01:26:18 |
I've already called for backup. |
01:26:21 |
we don't have much time |
01:26:25 |
Well, four and a half minutes, to be exact. |
01:26:28 |
You know what? The hell with it. |
01:26:30 |
Come down. |
01:26:38 |
That's it. That's good. |
01:26:41 |
Come out. Nice and easy. |
01:26:44 |
Would you throw that down now? |
01:26:49 |
Okay. That's good. |
01:26:52 |
I'm not gonna hurt you. |
01:26:56 |
Attaboy. |
01:27:01 |
I lied. |
01:27:09 |
Now that's got to hurt. |
01:28:16 |
I'll cut her. |
01:28:20 |
I don't want to fight anymore. |
01:28:23 |
Boy, you throw a hell of a punch. |
01:28:26 |
Now, do me a favor. |
01:28:29 |
Put your cuffs on, or I'll cut her throat. |
01:28:31 |
Put them on. Attaboy. |
01:28:36 |
Nice and tight, Tommy. That's it. |
01:28:43 |
Good. The other one, please? |
01:28:45 |
Let me see. Open hands. |
01:28:47 |
Very good. Good. |
01:28:52 |
Don't cry. You're gonna be okay. |
01:28:55 |
It's over soon. I gotta run. |
01:28:59 |
You know you're gonna get shot |
01:29:05 |
Give me the vest. |
01:29:18 |
Thanks, Tommy. |
01:29:46 |
- Get on the ground, now! |
01:29:49 |
- On the ground! |
01:29:50 |
No, don't shoot. I'm on the job. |
01:29:54 |
There's a woman in critical. |
01:30:59 |
- What? |
01:31:04 |
Tom, I am incredibly impressed. |
01:31:09 |
How did you beat the clock? |
01:31:13 |
- This ends now. |
01:31:18 |
I live. You die. |
01:31:22 |
How's the vest fit? |
01:31:48 |
When did you rig the car? |
01:31:50 |
I didn't. |
01:31:54 |
I rigged the vest. |
01:31:57 |
I was gonna take him out with me. |
01:32:06 |
I'm glad the plan changed. |
01:32:13 |
So am I. |
01:32:26 |
This is Detective Tom Armstrong, APD. |
01:32:30 |
Officer down. |
01:32:32 |
Officer needs assistance. |
01:32:35 |
Suspect is 10-7. |
01:32:39 |
Suspect is down. |
01:36:20 |
English - US - SDH |