Death on the Nile
|
00:00:54 |
Death on the Nile |
00:02:46 |
See. |
00:02:48 |
It's her. It's Miss Ridgeway. |
00:02:50 |
That elegant. |
00:02:51 |
Some have to work to live. |
00:03:10 |
Daisy! |
00:03:12 |
In its place. |
00:03:44 |
Welcome to Wode Hall |
00:03:47 |
We hope you live happily here. |
00:03:49 |
Thank you, Barnstaple. |
00:03:52 |
I would like to know the staff, |
00:03:55 |
Later. |
00:03:56 |
Want to know how they works. |
00:03:59 |
The architect has not yet arrived. |
00:04:02 |
Now, Barnstaple. |
00:04:05 |
All right, miss. |
00:04:13 |
Jackie. |
00:04:15 |
Linnet. |
00:04:16 |
- Linnie. |
00:04:20 |
Sorry, |
00:04:21 |
- The butler did not tell me |
00:04:24 |
- You are fabulous. |
00:04:27 |
Where I serve the tea, Miss? |
00:04:30 |
- In the room. |
00:04:32 |
Let's refresh. |
00:04:33 |
- What about Louise? |
00:04:37 |
I wanted to get married |
00:04:41 |
He knew nothing of it. |
00:04:44 |
- E? |
00:04:47 |
- So you stop him? |
00:04:49 |
I denied the dowry |
00:04:53 |
Men! |
00:04:56 |
Linnet! |
00:04:59 |
- It's beautiful! |
00:05:02 |
I want to tell you |
00:05:05 |
- Whatever you want, you know. |
00:05:08 |
I'm committed. |
00:05:09 |
Jackie, |
00:05:11 |
is wonderful! |
00:05:12 |
- You will provide employment? |
00:05:14 |
Here at Wode Hall, please. |
00:05:17 |
Should tell me something |
00:05:20 |
Well, his name is Simon, |
00:05:24 |
He is everything I dreamed. |
00:05:28 |
Jackie. |
00:05:30 |
- Is not it beautiful? |
00:05:32 |
- Really. |
00:05:35 |
With it we are already two. |
00:05:37 |
These shoes are killing me. |
00:05:39 |
He loves the countryside. |
00:05:43 |
Linnet, hill |
00:05:45 |
It's serious, I die. |
00:05:47 |
- You are very passionate. |
00:05:50 |
Well, whatever I do? |
00:05:52 |
You have a huge farm. |
00:05:56 |
- Simon. |
00:05:59 |
Studied Asset Management |
00:06:02 |
If you do not like it, |
00:06:05 |
But I know I'll like it. |
00:06:07 |
Okay. |
00:06:10 |
- To speak with him. |
00:06:14 |
- Jackie. |
00:06:21 |
Do not want to sound silly. |
00:06:22 |
Do not worry; |
00:06:26 |
Well, almost. |
00:06:28 |
Maybe not like me. |
00:06:30 |
Nonsense. Gonna love it! |
00:06:32 |
And you are perfect for the job. |
00:06:36 |
I will do everything not to disappoint you. |
00:06:38 |
Simon, I love you. |
00:06:41 |
It makes me so happy! |
00:06:44 |
The honeymoon will be in Egypt. |
00:06:46 |
You always talk of Egypt. |
00:07:09 |
Hi, |
00:07:11 |
Linnet. |
00:07:12 |
Linnie, here it is. |
00:07:14 |
- Come on. |
00:07:16 |
Here you are. |
00:07:19 |
My Simon. |
00:07:24 |
Hello |
00:07:26 |
Jackie has spoken highly of you. |
00:07:28 |
Not perfect? It is not adorable? |
00:07:34 |
Yes, I think will do very well. |
00:07:42 |
I told you. |
00:07:56 |
Linnet Ridgeway''marries |
00:08:01 |
The honeymoon will be in Egypt.'' |
00:08:04 |
Not to say Tutankhamun? |
00:08:06 |
What the hell do we do? |
00:08:10 |
Bremen sails tonight. |
00:08:14 |
Lawyers will find a way in? |
00:08:16 |
- No, silly. |
00:08:20 |
I go to Egypt. She'll be there for a month. |
00:08:24 |
I'm Uncle Andrew! |
00:08:26 |
A chance meeting. |
00:08:28 |
Lovers on their honeymoon. |
00:08:31 |
Got it? |
00:08:33 |
The Linnet is no fool, |
00:08:38 |
Not me! |
00:08:42 |
So make a good trip, |
00:08:50 |
So this is Miss. Bridgeway. |
00:08:53 |
What do you observe so closely? |
00:08:55 |
His photography? |
00:08:57 |
Or her pearls? |
00:08:59 |
Education, Bowers, |
00:09:03 |
And what do I care? |
00:09:05 |
This village |
00:09:09 |
willing to pay |
00:09:11 |
Come on, fire me. |
00:09:13 |
But that genius, Bowers! |
00:09:17 |
You need a vacation. |
00:09:20 |
How about a |
00:09:25 |
There is nothing that could |
00:09:27 |
I can not stand two things: |
00:09:30 |
Great, then we will. |
00:09:35 |
Bowers, pack your bags. |
00:11:12 |
They were on a ladder. |
00:11:14 |
- Lazy! |
00:11:17 |
It's better the way that the arrival. |
00:11:22 |
What a sight! |
00:11:26 |
Happy, darling? |
00:11:27 |
Bobo, |
00:11:28 |
are |
00:11:30 |
and the prettiest. |
00:11:32 |
And the more fortunate. |
00:11:34 |
and more alone. |
00:11:35 |
Just us and nobody else. |
00:11:41 |
The pyramid-Neter Menkewre |
00:11:45 |
Each side of the base |
00:11:48 |
- Jackie. |
00:11:54 |
Admiring the scenery as you. |
00:11:57 |
You were in Danielli, |
00:12:01 |
What a coincidence! |
00:12:03 |
Jackie, why? |
00:12:04 |
You are following us, deliberately. |
00:12:07 |
Is this true? |
00:12:09 |
It is intolerable! |
00:12:10 |
And ordinary. |
00:12:12 |
Very ordinary. |
00:12:14 |
And effective. |
00:12:15 |
Very effective. |
00:12:19 |
Goodbye. |
00:13:05 |
- Where to go, it appears. |
00:13:08 |
Like a kangaroo in heat. |
00:13:10 |
I understand it. |
00:13:12 |
Understand? |
00:13:14 |
I suppose the fault is mine. |
00:13:16 |
I broke off the engagement |
00:13:18 |
She must be devastated. |
00:13:20 |
Delighting in every minute. |
00:13:22 |
No. |
00:13:24 |
Honey. |
00:13:29 |
We are fortunate ... |
00:13:35 |
Not allow. |
00:13:36 |
It is the perfect honeymoon. |
00:13:39 |
And no one will spoil it. |
00:13:43 |
Te amo. |
00:13:49 |
Let's bet a race. |
00:15:02 |
- Colonel Race. |
00:15:04 |
Delighted to see you. |
00:15:06 |
- My old friend! What joy! |
00:15:09 |
I did not see you |
00:15:11 |
from that strange case |
00:15:15 |
It was a lucky find |
00:15:18 |
Luck? |
00:15:19 |
I exercise my gray matter. |
00:15:22 |
The luck I leave to others. |
00:15:24 |
Forgot your high |
00:15:27 |
Can I ask what are you doing here? |
00:15:29 |
I'm on vacation. |
00:15:30 |
I'll run the Nile with the steam. |
00:15:33 |
- And you? |
00:15:35 |
Or rather, is |
00:15:39 |
No. I'm just on vacation, my friend. |
00:15:43 |
- Like you. |
00:15:49 |
This place is free? |
00:15:52 |
In this world, buddy, |
00:15:54 |
What was that? |
00:15:56 |
Forget it. Sit. |
00:15:57 |
Thanks. |
00:16:00 |
I never travel without this book. |
00:16:03 |
Dr. Ludwig Bessner. |
00:16:05 |
Bessner of the Institute in Zurich. |
00:16:08 |
Jim Ferguson, a citizen of the world. |
00:16:12 |
"You're on vacation? |
00:16:15 |
Observe the decay |
00:16:19 |
Really? |
00:16:22 |
There is a good example here. |
00:16:25 |
The young heiress kagumi. |
00:16:28 |
This parasite! |
00:16:29 |
- Do not you approve? |
00:16:32 |
In any decent society ... |
00:16:36 |
Yes Maybe you're right. |
00:16:39 |
She has too much power. |
00:16:42 |
- Mr. |
00:16:47 |
Health |
00:16:54 |
Linnet. |
00:16:56 |
- Honey. |
00:16:57 |
What a surprise! |
00:17:01 |
Everything was very fast. |
00:17:02 |
I'm on honeymoon. |
00:17:05 |
On honeymoon? |
00:17:07 |
This is the lucky young man? |
00:17:10 |
My curator of the United States, |
00:17:13 |
Simon. |
00:17:15 |
- Very pleased. |
00:17:17 |
- In the attached? |
00:17:20 |
Do not worry. |
00:17:23 |
I know the young. |
00:17:26 |
And the target of all eyes. |
00:17:28 |
Even you, |
00:17:31 |
- It is very beautiful |
00:17:34 |
You know who you are? |
00:17:36 |
- Of course. |
00:17:37 |
Sorry for the intrusion |
00:17:39 |
but I made a bet |
00:17:41 |
You're Hercule Porridge, |
00:17:44 |
Almost. I am Hercule Poirot, |
00:17:48 |
I told you, Rosalie. |
00:17:51 |
There is only one Mr. Poirot |
00:17:53 |
Unmistakable. |
00:17:55 |
As I am too. |
00:17:58 |
My mother is Salome Otterbourne, |
00:18:00 |
Otter ... Salome, of course. |
00:18:03 |
Charming. |
00:18:04 |
Two famous people |
00:18:07 |
Three, I'd say. |
00:18:11 |
I was referring to the genius |
00:18:13 |
and not the mere money, sir. |
00:18:16 |
Le presento al Colonel Race |
00:18:18 |
Mrs. .. |
00:18:21 |
Encantada. |
00:18:23 |
Sit down, please. |
00:18:29 |
You are writing some |
00:18:32 |
What happens |
00:18:34 |
That deduction brighter, |
00:18:38 |
I am here to absorb |
00:18:40 |
to my great opus |
00:18:45 |
Ice cream becomes an enigma |
00:18:48 |
When an English girl |
00:18:52 |
plays the heartless heart |
00:18:57 |
I think Mr. Poirot |
00:18:58 |
is not an avid reader of novels |
00:19:01 |
Of course it does. |
00:19:04 |
Not afraid of a good sex. |
00:19:06 |
Are different from our |
00:19:11 |
Salome Otterbourne vetoed |
00:19:15 |
about men and women. |
00:19:16 |
But she moves on. |
00:19:19 |
The truth, yes. |
00:19:20 |
It's so hard to speak the truth |
00:19:24 |
Thank you, sir. |
00:19:30 |
Would you like to dance |
00:19:33 |
Miss? |
00:19:36 |
Exercise after dinner. |
00:19:43 |
Do you dance tango, Colonel? |
00:19:45 |
Little, Mrs. Otterbourne. |
00:19:46 |
I teach dancing right, |
00:19:49 |
as in Spain, |
00:19:51 |
I mean, with a touch |
00:20:48 |
But my, Jackie! |
00:20:55 |
Waiter. |
00:21:16 |
Mr Poirot. |
00:21:18 |
Mr Poirot. |
00:21:43 |
What I saw today with the Linnet. |
00:21:45 |
How much you paid for |
00:21:47 |
I do not accept payment |
00:21:50 |
What you say |
00:21:52 |
What you have to tell me? |
00:21:55 |
I do something ridiculous? |
00:22:00 |
Bury the dead. |
00:22:02 |
Not like the Egyptians ... |
00:22:04 |
keeping the body |
00:22:06 |
to ensure the eternity |
00:22:08 |
And definitely appropriate. |
00:22:11 |
Look just ahead. |
00:22:14 |
Remember that time |
00:22:18 |
If you think I am suffering |
00:22:21 |
Actually I am |
00:22:24 |
His pleasure |
00:22:28 |
I do not care. |
00:22:30 |
Simon was me and loved me. |
00:22:40 |
It's a small thing |
00:22:42 |
but lethal. |
00:22:45 |
My father taught me |
00:22:50 |
Sometimes |
00:22:52 |
want to put this weapon |
00:22:56 |
and then slowly |
00:23:03 |
I hear this noise, |
00:23:07 |
I know how you feel. |
00:23:09 |
We all feel that sometimes. |
00:23:12 |
But I warn, Miss, |
00:23:15 |
do not let the evil go |
00:23:18 |
She's going to stay there. |
00:23:21 |
If love can not live there, |
00:23:24 |
wickedness and will replace it. |
00:23:30 |
How sad, miss. |
00:23:43 |
Hello, Mr. P. |
00:23:45 |
- Returning to the hotel? |
00:23:48 |
It is a surprise to Linnet. |
00:23:51 |
Depends. She smokes? |
00:23:53 |
Only A. Craven |
00:23:55 |
The purpose |
00:23:56 |
already talked to Jackie? |
00:23:58 |
Yes, a few minutes. |
00:24:00 |
Good. I hope you |
00:24:03 |
To her mind |
00:24:07 |
Seriously? |
00:24:08 |
Whenever I'm serious, |
00:24:12 |
Jackie is stubborn, I know, |
00:24:14 |
and very possessive. |
00:24:17 |
- But surely ... |
00:24:19 |
I suppose so. |
00:24:21 |
Yes |
00:24:22 |
She has |
00:24:24 |
Whether the reins. |
00:24:26 |
Yes, and a man |
00:24:29 |
Not at all. |
00:24:32 |
When I met Linnet ... |
00:24:34 |
How will I explain? ... |
00:24:36 |
It was like the moon |
00:24:38 |
have not seen. |
00:24:40 |
Once you know it, |
00:24:42 |
Yes some women |
00:24:45 |
But how to solve |
00:24:48 |
I have an awesome plan |
00:25:03 |
Driver |
00:25:05 |
to the railway station |
00:25:24 |
For the railway station. |
00:25:26 |
As fast as you can. |
00:25:30 |
Quick! |
00:26:46 |
Thanks. |
00:26:48 |
See. There it is. |
00:27:02 |
Welcome, welcome. |
00:27:05 |
Welcome aboard |
00:27:08 |
My name is Mr. Chowdhury. |
00:27:12 |
and their pleasure and joy |
00:27:14 |
My only concern is |
00:27:16 |
The purpose |
00:27:18 |
I'm here .... I'm here |
00:27:21 |
Yes, I have here a list |
00:27:23 |
with the names |
00:27:25 |
and cabins. |
00:27:27 |
Let me guess by their faces |
00:27:30 |
OK? |
00:27:32 |
You are Mrs. and Miss. |
00:27:35 |
- Right? |
00:27:37 |
I'm Mrs. Van Schuyler |
00:27:39 |
and I go to my cabin |
00:27:42 |
The Bowers will be in the cabin |
00:27:46 |
The hot afternoon sun |
00:27:50 |
cheeks with these bitter |
00:27:53 |
Yes, right now, ma'am. |
00:27:55 |
You must be Yes. |
00:27:58 |
with this elegant |
00:28:01 |
I fear that never |
00:28:04 |
The mustache is undoubtedly |
00:28:08 |
My name is Poirot |
00:28:10 |
Hercule Poirot. |
00:28:13 |
The famous Mr. Poirot. |
00:28:15 |
I bow to you. |
00:28:16 |
I bow. |
00:28:18 |
Look, it would be simpler |
00:28:21 |
and you tell us |
00:28:23 |
Simpler? Yes, miss. |
00:28:26 |
Undoubtedly simpler. |
00:28:29 |
Una brilliant lack |
00:28:31 |
Right now the assistant |
00:28:36 |
Wizard! |
00:28:40 |
Sailed. |
00:28:42 |
I suggest you give |
00:28:44 |
a final |
00:28:47 |
Wizard! |
00:30:11 |
We did it. |
00:30:14 |
We got rid of her, |
00:30:16 |
What to expect? |
00:30:17 |
You're a genius. |
00:30:20 |
Not bad |
00:31:07 |
Fabulous, is not it? |
00:31:09 |
Miss You. Ridgeway, |
00:31:12 |
And the lady is Mrs. Van Schuyler. |
00:31:15 |
I wondered if |
00:31:17 |
Rarely speak |
00:31:19 |
And never with strangers |
00:31:23 |
I'm happy to break |
00:31:25 |
The rules are |
00:31:27 |
At least my |
00:31:29 |
for me. |
00:31:35 |
They're beautiful. |
00:31:37 |
Thank you. |
00:31:39 |
And amazing |
00:31:41 |
if we know how |
00:31:44 |
One grain of sand |
00:31:48 |
that eventually becomes |
00:31:51 |
in a pearl of great price |
00:31:53 |
that adorns the neck |
00:31:58 |
I never thought that way |
00:32:00 |
It should. |
00:32:02 |
The oyster almost dies. |
00:32:07 |
Let the cabin. |
00:32:10 |
My companion Bowers. |
00:32:11 |
He fought 15 rounds'''' |
00:32:14 |
He never |
00:32:17 |
Sorry, Miss. Ridgeway. |
00:32:19 |
Ms. Doyle, |
00:32:21 |
Will have to forgive |
00:32:23 |
She does not know |
00:32:27 |
I was dazzled |
00:32:29 |
Shut up, Bowers. |
00:32:30 |
Would give all his teeth |
00:32:32 |
Just because you feel her anger, |
00:32:36 |
- Need not be impolite. |
00:32:39 |
Melhuish Ridgeway |
00:32:41 |
Well, |
00:32:44 |
The contrary, it would |
00:32:48 |
Could kill her just for that. |
00:32:54 |
Tea, lady? |
00:32:59 |
Salome Otterbourne am |
00:33:02 |
We've done that |
00:33:06 |
It's about that |
00:33:09 |
- Petition? |
00:33:13 |
We writers are flowering |
00:33:17 |
And defamatory |
00:33:21 |
I regret that we have interpreted |
00:33:23 |
''Passion''in the persimmon |
00:33:26 |
The intention was only to show |
00:33:30 |
that beats the sound |
00:33:34 |
He does not understand that what I wrote |
00:33:38 |
Frankly, |
00:33:40 |
I do not consider the comparison |
00:33:42 |
with a female baboon |
00:33:45 |
and suggest that our lawyers |
00:33:49 |
be targeted by |
00:33:52 |
Good afternoon. |
00:33:53 |
Philistine. |
00:33:55 |
I will show |
00:34:21 |
Sorry to interrupt. |
00:34:23 |
Uncle Andrew. |
00:34:24 |
These are the documents |
00:34:27 |
The contract |
00:34:30 |
Concessions |
00:34:33 |
the transfers |
00:34:35 |
and fusion korn krisps |
00:34:49 |
Sign on last page, |
00:34:52 |
Uncle Andrew, I have not read them. |
00:34:54 |
It is not necessary. |
00:34:57 |
and revised twice |
00:35:00 |
I always read everything |
00:35:03 |
My father taught me that. |
00:35:04 |
I told her not to trust |
00:35:08 |
Darling Melhuish. |
00:35:11 |
Never read legal documents |
00:35:14 |
and not think about to start now. |
00:35:17 |
Do not tell. |
00:35:19 |
- There is a bit irresponsible. |
00:35:22 |
but I die for a Manhattan. |
00:35:25 |
Okay ... |
00:35:27 |
to be our honeymoon. |
00:35:29 |
Very good. |
00:35:34 |
Now the next. |
00:35:36 |
I hope not to tease. |
00:35:38 |
I'ma lawyer and I mean |
00:35:43 |
His father was right. |
00:35:44 |
Never sign |
00:35:47 |
I'm sure you agree. |
00:35:48 |
Of course. |
00:35:50 |
Sure, no hurry. |
00:35:55 |
Excuse me. |
00:36:02 |
Hopefully not offending him. |
00:36:04 |
And if you did, Mr. ...? |
00:36:06 |
- Race. Colonel Race. |
00:36:09 |
Lawyers are |
00:36:12 |
- We came to the bar? |
00:36:15 |
And you, Mr. P.? |
00:36:17 |
Ha reason to celebrate. |
00:36:19 |
My plan to leave Jackie |
00:36:22 |
Yes |
00:36:24 |
what it seems |
00:36:27 |
The Colonel and I |
00:36:32 |
soon. |
00:36:34 |
Honey. |
00:36:41 |
- Madam, I must tell you. |
00:36:44 |
Not now. It's important. |
00:36:46 |
You wait in the bar. |
00:36:48 |
- What? |
00:36:51 |
My boyfriend ordered |
00:36:53 |
He's waiting for me. |
00:36:55 |
I gotta go. |
00:36:57 |
Give the money they promised me. |
00:36:59 |
I am working for five years. |
00:37:01 |
This is out of question. |
00:37:04 |
You promised me. |
00:37:06 |
He is still married, Louise. |
00:37:08 |
I beg you. |
00:37:10 |
I need that money |
00:37:12 |
I have worked well. |
00:37:14 |
And continue to do so |
00:37:17 |
- Madam, I can not deny it. |
00:37:23 |
Camel! |
00:37:27 |
By God! |
00:37:31 |
Even his own lawyer |
00:37:34 |
He is old fox. Have you noticed? |
00:37:36 |
Knew I was not here, |
00:37:39 |
''Only holiday, |
00:37:42 |
I think I can tell you. |
00:37:44 |
Work for Lawyers |
00:37:47 |
They suspect that Andrew |
00:37:50 |
- Squandered her money? |
00:37:53 |
According to the will |
00:37:55 |
she would manage your money |
00:37:57 |
And as recently married ... |
00:37:59 |
He wanted her to sign |
00:38:02 |
Exactly. |
00:38:03 |
I think this time the frightened, |
00:38:07 |
Not only did he. Anyone. |
00:40:14 |
Inside the Great Temple |
00:40:17 |
passed by the pedestals |
00:40:22 |
each with an image |
00:40:27 |
Yes, they are sheep. |
00:40:30 |
Sheep libidinous, |
00:40:34 |
That they are noble! |
00:40:35 |
With its proud bodies |
00:40:39 |
and shameless |
00:40:41 |
Yes, come on, lady. |
00:40:47 |
Karl Marx said |
00:40:49 |
that religion was |
00:40:51 |
To his mother's sex. |
00:40:54 |
There will be better |
00:40:56 |
It can damage |
00:40:57 |
My mother can |
00:41:00 |
but that is my mother. |
00:41:02 |
Cared for me in a better |
00:41:08 |
- Now what? |
00:41:11 |
Sorry. |
00:41:12 |
Do not want to be naughty |
00:41:16 |
Miss, |
00:41:18 |
- No? |
00:41:26 |
Would you mind |
00:41:28 |
Linnet Ridgeway |
00:41:30 |
A parasite on society. |
00:41:32 |
In a sane world, would kill her |
00:41:36 |
- The kill? |
00:41:39 |
- Mr. Ferguson ... |
00:41:41 |
Jim, you can defame |
00:41:46 |
Do not understand the question. |
00:41:48 |
No matter. |
00:41:50 |
Is not that wonderful? |
00:41:52 |
More beyond all understanding. |
00:41:55 |
The artistic temperament, |
00:41:57 |
What forms |
00:42:00 |
I fear that this does not concern me, |
00:42:03 |
I limit myself to the world |
00:42:06 |
The ancient Egyptians knew |
00:42:09 |
The great vizier Ptahotep |
00:42:11 |
for example, was crushed to death |
00:42:15 |
by squandering the fortune |
00:42:20 |
- Do not tell me. |
00:45:40 |
My God. |
00:45:42 |
Are you okay? |
00:45:43 |
Linnet, okay? |
00:45:46 |
Come on. Slowly. |
00:45:48 |
Slowly. Stand Up |
00:45:53 |
What happened? |
00:45:54 |
That stone must have fallen |
00:45:59 |
To kill me? |
00:46:00 |
Jackie! |
00:46:03 |
But she is not here. |
00:46:30 |
By God, lady, |
00:46:33 |
Could be |
00:46:35 |
This stone was there |
00:46:37 |
and fell just |
00:46:40 |
Not exactly 4,000 years ago |
00:46:43 |
The columns were constructed |
00:46:45 |
We agree but have |
00:46:50 |
- What my neglect! |
00:46:51 |
- Let's see. |
00:46:54 |
You better get back to the boat |
00:46:58 |
Okay, |
00:47:00 |
but only about two hours, |
00:47:02 |
Should I visit the Temple |
00:47:06 |
It's extraordinary. |
00:47:08 |
The image of the eastern |
00:47:12 |
- Really? |
00:47:14 |
Well, we get the time. |
00:47:17 |
In the evening she makes a sound |
00:47:21 |
- He scares me. |
00:47:55 |
My God! They are fantastic! |
00:47:57 |
I find terrifying. |
00:48:00 |
They are not. |
00:48:11 |
Think you'll sing to me? |
00:48:13 |
Why not? You're divine. |
00:48:44 |
Welcome to Temple |
00:48:47 |
The facade is 25 meters |
00:48:50 |
Each of the statues |
00:48:52 |
is 20 meters tall. |
00:48:57 |
Get away from me! |
00:48:59 |
Go! |
00:49:01 |
Get away from me! |
00:49:03 |
Honey, |
00:49:04 |
she can not ruin everything. |
00:49:40 |
Failed to bury |
00:49:42 |
Can not get away. |
00:49:44 |
No, can not stay away. |
00:49:46 |
Do not think I would be deceived |
00:49:51 |
I am sorry to see it here |
00:49:55 |
Sorry to say this |
00:49:56 |
but is embarking on a |
00:50:00 |
to meet current |
00:50:04 |
- Why do you say that? |
00:50:07 |
Cut the last links |
00:50:11 |
You can still repent |
00:50:15 |
We have to follow our star |
00:50:19 |
Even for disaster? |
00:50:22 |
Even in hell itself. |
00:50:33 |
- I forgot my purse. Be right back. |
00:50:48 |
Well .. |
00:50:49 |
We are alone, my friend. |
00:50:52 |
She had not had the opportunity |
00:50:57 |
About what we have to say? |
00:50:59 |
My reputation, |
00:51:02 |
- Directs that institute in Zurich. |
00:51:05 |
And you have said things |
00:51:08 |
influential individuals |
00:51:11 |
- Said it's a fake. |
00:51:14 |
- A dangerous hypocrite. |
00:51:16 |
My friend Myra Seligman |
00:51:19 |
Let it apply |
00:51:22 |
I prescribed a treatment |
00:51:25 |
Yes, I had already used it before |
00:51:30 |
In the case of Myra, went mad, |
00:51:33 |
I will not allow this. |
00:51:34 |
Your comments |
00:51:36 |
can not continue. |
00:51:38 |
Sue me if you dare. |
00:51:41 |
You know that is impossible. |
00:51:43 |
A scandal |
00:51:45 |
mean ruin. |
00:51:46 |
So will your funeral. |
00:51:50 |
Hopefully |
00:51:54 |
Want a creamy cocoa |
00:51:58 |
The service upstairs |
00:52:01 |
No thanks. |
00:52:23 |
What time is it? |
00:52:26 |
There is a clock. |
00:52:30 |
His mother did not teach |
00:52:33 |
There is a big difference |
00:52:38 |
My mother was a lady. |
00:52:39 |
Quality that you did not inherit. |
00:52:41 |
It's bedtime. |
00:52:43 |
Okay. Where's my shawl? |
00:52:44 |
I have not seen it. |
00:52:47 |
- You are right that was with him? |
00:52:49 |
I do not see it. |
00:52:51 |
Use your eyes. |
00:52:56 |
Mr. Poirot. |
00:53:00 |
I hope that one day |
00:53:02 |
can tell me some |
00:53:06 |
- The juiciest. |
00:53:10 |
The bloodiest. |
00:53:13 |
Bloody. |
00:53:15 |
- Good evening, sir. |
00:53:24 |
- Sorry. |
00:53:28 |
It seems very sleepy |
00:53:31 |
Yes, I'm very sleepy. |
00:53:33 |
Sleep consumes me. |
00:53:37 |
keep your eyes open. |
00:53:40 |
Me neither. |
00:53:42 |
Could I follow |
00:53:47 |
It is here, as you know. |
00:53:52 |
I suppose that young uneducated |
00:53:57 |
Do not leave without at least |
00:54:02 |
Persecution |
00:54:04 |
Mother! |
00:54:06 |
No, this is better. |
00:54:09 |
It has a dangerous step. |
00:54:11 |
No. There is a river. |
00:54:23 |
The old Nile is agitated |
00:54:25 |
It's true. |
00:54:29 |
Already arrived. |
00:54:31 |
No, no. Alas, alas. |
00:54:33 |
- Good evening. |
00:54:59 |
Ola |
00:55:02 |
- He got off the boat? |
00:55:07 |
A night of honeymoon. |
00:55:09 |
If the daughter of cleric |
00:55:14 |
surely end up with gin. |
00:55:17 |
Ace of diamonds. |
00:55:20 |
- Simon. |
00:55:21 |
- We are waiting. |
00:55:27 |
It's your turn. |
00:55:29 |
- Dobro. |
00:55:32 |
It was your man |
00:55:34 |
but it was bad. |
00:55:38 |
I attached? |
00:55:39 |
No thanks. |
00:55:42 |
You can repeat your bet? |
00:55:45 |
Sorry. |
00:55:46 |
If the aunt of the vicar |
00:55:49 |
wait until it knows |
00:55:51 |
Just wait. |
00:55:53 |
Sorry, honey, |
00:55:57 |
They swore to be faithful |
00:56:00 |
- Faithful as the stars. |
00:56:04 |
- I think I'll sleep. |
00:56:07 |
I will do the same. |
00:56:10 |
- Good evening. |
00:56:12 |
The boogeyman |
00:56:14 |
- Are you coming, Simon? |
00:56:18 |
- Good evening. |
00:56:20 |
- It's late. Gonna lay down. |
00:56:24 |
Tell me about yourself |
00:56:27 |
Not much to tell, |
00:56:29 |
I am the daughter of Salome |
00:56:31 |
If the wife of a God |
00:56:33 |
can bet it will end |
00:56:38 |
Continue. Was ... |
00:56:40 |
Saying something |
00:56:44 |
Salome Otterbourne, |
00:56:47 |
Salome? |
00:56:48 |
She had not cut |
00:56:51 |
This should be with someone |
00:56:54 |
- Enough. |
00:56:57 |
- In the drink. |
00:56:58 |
By chance is your problem? |
00:57:00 |
- I suppose not. |
00:57:02 |
What is it, Simon? |
00:57:04 |
- Fear of what? |
00:57:06 |
that I tell this girl |
00:57:11 |
Now I must go. |
00:57:13 |
No, wait. |
00:57:14 |
is a very sad story. |
00:57:15 |
Need three handkerchiefs, |
00:57:18 |
For the love of God, Jackie. |
00:57:20 |
What? |
00:57:22 |
Go to sleep and let |
00:57:25 |
Simon said that'' |
00:57:29 |
Simon sent me |
00:57:32 |
Sleep. |
00:57:34 |
You're disgusting! |
00:57:36 |
Go to sleep. |
00:57:38 |
You can not treat me well. |
00:57:40 |
Hey, Jackie. |
00:57:42 |
I'll kill you first. |
00:57:43 |
Jackie. |
00:57:59 |
Fast. Help him |
00:58:01 |
- My God. |
00:58:08 |
Call Dr. Bessner. |
00:58:10 |
Take it to your cabin. |
00:58:12 |
Reassure her |
00:58:14 |
What did I do? |
00:58:15 |
Miss Bowers |
00:58:19 |
Ask them to take care of it .... |
00:58:23 |
Come on. |
00:58:26 |
Simon ... |
00:58:27 |
not to be alone. |
00:58:32 |
Then call the doctor. |
00:58:34 |
Fast. |
00:58:51 |
Lie |
00:58:53 |
I'll get Miss. Bowers. |
00:58:58 |
- Simon. |
00:59:00 |
The search was Miss Rosalie. Bowers. |
00:59:17 |
You took too long. |
00:59:18 |
Ms.. Bowers was in bed. |
00:59:21 |
- The sooner the better. |
00:59:23 |
How could it be |
00:59:26 |
As can be |
00:59:30 |
Easy. |
00:59:33 |
You'll be fine. |
00:59:35 |
Will be well. |
00:59:36 |
This is Doyle. |
00:59:37 |
Yes, Miss. |
00:59:42 |
I think an injection |
00:59:45 |
It is effective when Mrs. Van Schuyler |
00:59:50 |
Ferguson, call the doctor |
00:59:54 |
- Ask that meets Doyle. |
01:00:04 |
It is poorly |
01:00:07 |
Easy. |
01:00:13 |
The bone is fractured |
01:00:17 |
Very good. |
01:00:21 |
Help me to take it |
01:00:26 |
Are you afraid of blood |
01:00:28 |
as a woman? |
01:00:29 |
Mr. Ferguson, |
01:00:37 |
Stay with her tonight |
01:00:39 |
No one knows how he will react. |
01:00:42 |
- Ms. Bowers, she okay? |
01:00:45 |
Applied morphine. |
01:00:47 |
I will not leave alone. |
01:00:49 |
great. |
01:00:50 |
Young girl, come with me. |
01:00:53 |
It will be more useful to have dizzy |
01:00:56 |
Open my door. |
01:01:02 |
That, slowly, carefully. |
01:01:06 |
We're almost there. |
01:01:21 |
Very good. |
01:01:22 |
Get a cold towel |
01:01:26 |
Yes, Doctor. |
01:01:38 |
I'll get the gun. |
01:01:40 |
It should not stop there, |
01:01:43 |
- Yes. |
01:01:45 |
Jackie ... |
01:01:46 |
It should not be alone. |
01:01:48 |
She is not alone. |
01:01:51 |
My dear Lord, |
01:01:54 |
I treated her badly. |
01:01:57 |
I did not know what I did. |
01:02:00 |
This is gonna hurt. |
01:02:06 |
Not the best |
01:02:10 |
Yes |
01:02:12 |
Yes, please. |
01:02:14 |
No, let her sleep. |
01:02:17 |
not to worry |
01:02:21 |
The best I can do |
01:02:24 |
There is no exit wound. |
01:02:26 |
The bullet got stuck inside. |
01:02:29 |
I'll have to wait |
01:02:32 |
Climb up his sleeve. |
01:02:34 |
Take, |
01:02:35 |
wipe with it. |
01:02:40 |
I will make splints |
01:02:43 |
and I'll put them |
01:02:45 |
while sleeping. |
01:02:47 |
Thank you, Doctor. |
01:02:50 |
Do not worry. |
01:02:52 |
Everything will be alright. |
01:03:01 |
Is not there. |
01:03:05 |
What? |
01:03:06 |
The weapon is not there. |
01:03:10 |
I wonder who took it? |
01:03:12 |
I do not know. |
01:04:12 |
''Sometimes I want for this gun |
01:04:17 |
and then slowly |
01:04:21 |
What? |
01:04:23 |
Nothing. |
01:04:28 |
I spoke with the Supervisor. |
01:04:31 |
We will be responsible |
01:04:33 |
- I am at your disposal. |
01:04:36 |
What can you say about that? |
01:04:38 |
Shot her with a bullet |
01:04:41 |
22 caliber, I think. |
01:04:43 |
The revolver was |
01:04:45 |
Here we can see |
01:04:49 |
What drug? Can not speak English? |
01:04:52 |
I mean the singed. |
01:04:53 |
Yes, the singed. |
01:04:57 |
Excuse me. |
01:05:09 |
Well, well |
01:05:12 |
- What follows from all this? |
01:05:14 |
I think it's easy. |
01:05:17 |
Mrs. Doyle was dying ... |
01:05:19 |
wanted to identify the killer |
01:05:22 |
soiled finger |
01:05:24 |
and''J''wrote on the wall. |
01:05:28 |
What you say is nonsense. |
01:05:30 |
She died instantly |
01:05:32 |
- Really? |
01:05:35 |
No. |
01:05:37 |
It was a joke? |
01:05:39 |
Very small |
01:05:42 |
But the''J''is on the wall. |
01:05:46 |
It seems a gesture |
01:05:51 |
What was the time of death? |
01:05:55 |
Been dead for at least |
01:05:58 |
and no more than eight. |
01:06:00 |
ie between midnight |
01:06:02 |
What is extraordinary. |
01:06:03 |
Why? |
01:06:04 |
Because it means |
01:06:07 |
could not have done it. |
01:06:09 |
You even told me, |
01:06:11 |
Mrs. Doyle left the salon |
01:06:16 |
to go to bed. |
01:06:17 |
From that moment on |
01:06:19 |
Jackie has been with |
01:06:23 |
or Mr. Ferguson |
01:06:25 |
that morphine injected into it |
01:06:27 |
and stayed with her in his cabin |
01:06:31 |
Simon Doyle is eliminated |
01:06:35 |
I suppose it could not |
01:06:37 |
Not a step, I guarantee. |
01:06:39 |
Good! Hopefully the process |
01:06:42 |
I'm afraid not, sir. |
01:06:44 |
Almost everyone in this boat |
01:06:46 |
understand why Miss. Jackie |
01:06:49 |
It was the person needs |
01:06:53 |
At least, sir, |
01:06:57 |
Why not? |
01:06:59 |
Had a motive to kill her |
01:07:04 |
Then he heard the conversation. |
01:07:06 |
But that was no reason. |
01:07:07 |
I could proceso it. |
01:07:09 |
And risk the ruin? |
01:07:10 |
The murder was cheaper |
01:07:12 |
And safer, |
01:07:15 |
- I could not do something. |
01:07:18 |
At the time of shooting |
01:07:21 |
you could be on deck |
01:07:23 |
perhaps suffering from insomnia. |
01:07:26 |
You may have heard the voices |
01:07:29 |
and looked out the window |
01:07:32 |
have seen what happened. |
01:07:33 |
Go to sleep. |
01:07:34 |
Can not treat me well. |
01:07:36 |
Hey, Jackie. |
01:07:38 |
I'll kill you first. |
01:07:39 |
Jackie. |
01:07:45 |
He could remember the position |
01:07:48 |
Then when they called |
01:07:51 |
could grab the gun |
01:07:53 |
while attending Mr. Doyle. |
01:07:55 |
Later, |
01:07:58 |
may have left the cabin, |
01:08:02 |
gone to the cabin |
01:08:05 |
and shot her. |
01:08:08 |
No, Doctor, |
01:08:12 |
what are you implying |
01:08:18 |
An insult, yes. |
01:08:21 |
Do not stay here |
01:08:55 |
Find anything in glaze? |
01:08:58 |
Do not catch flies |
01:09:01 |
- What was that? |
01:09:03 |
too long |
01:09:07 |
Let's prepare |
01:09:09 |
customers who pay. |
01:09:16 |
As time passed, |
01:09:18 |
between the time |
01:09:20 |
Mr. Doyle drew hall |
01:09:23 |
when he returned to |
01:09:26 |
- About three or four minutes. |
01:09:30 |
You were near the hall |
01:09:33 |
It is totally possible |
01:09:35 |
noticing the position |
01:09:38 |
I agree. |
01:09:40 |
Also entirely possible |
01:09:43 |
hoped that the hall |
01:09:46 |
caught the revolver |
01:09:48 |
and then said |
01:09:58 |
And then, before informing |
01:10:01 |
could use it to kill |
01:10:05 |
Could have done it, |
01:10:09 |
And you, Miss? |
01:10:10 |
Could pick up the gun |
01:10:13 |
while Mr. Ferguson |
01:10:26 |
- I'll call Miss. Bowers. |
01:10:33 |
When he was seeking |
01:10:36 |
could have passed |
01:10:39 |
and shot her. |
01:10:49 |
Would just |
01:10:53 |
Mlle. Bowers, wake up. |
01:10:57 |
What? |
01:10:58 |
Please come. |
01:11:00 |
Why do we |
01:11:03 |
We had no reason |
01:11:06 |
But she was''a parasite |
01:11:08 |
a parasite on the skin |
01:11:10 |
I deserved that kill.'' |
01:11:13 |
- Yes but ... |
01:11:15 |
as an example for others. |
01:11:17 |
Nasty French spy. |
01:11:19 |
Belgian spy, please, sir. |
01:11:23 |
And you, Miss ... |
01:11:25 |
was anxious to avoid |
01:11:28 |
I could not have done it. |
01:11:30 |
You asked a question |
01:11:33 |
You are right, Miss ... |
01:11:35 |
one can not defame |
01:11:39 |
You're horrible. |
01:11:41 |
Pretends to be kind and respectful |
01:11:46 |
I must discover |
01:11:49 |
The truth. |
01:11:52 |
Then, after applying |
01:11:55 |
- She did not move for nothing? |
01:11:58 |
Nervous reaction, |
01:12:01 |
would have sunk the Titanic. |
01:12:02 |
No way could |
01:12:05 |
Not in any way |
01:12:08 |
No. |
01:12:10 |
But you could. |
01:12:13 |
I? |
01:12:14 |
Yes, ma'am. |
01:12:17 |
Suppose you were |
01:12:20 |
Saw what happened |
01:12:22 |
and knew where |
01:12:25 |
Young lady, come with me. |
01:12:28 |
It will be more useful than this fool |
01:12:31 |
who is afraid of blood. |
01:12:34 |
While Mr. Ferguson |
01:12:37 |
helped Dr. Bessner |
01:12:39 |
may have left his patient |
01:12:44 |
Had enough time, |
01:12:45 |
before Mr. Ferguson |
01:13:02 |
Then he could have gone |
01:13:06 |
and shot her. |
01:13:08 |
What nonsense. |
01:13:10 |
Why would I kill |
01:13:12 |
Because her father |
01:13:15 |
whose unscrupulous business |
01:13:18 |
and condemned you |
01:13:21 |
Nonsense. |
01:13:23 |
Where'd you hear that? |
01:13:24 |
Same lady, girl, |
01:13:27 |
How dare you hear |
01:13:30 |
Some voices were heard |
01:13:33 |
Is this true? |
01:13:37 |
Yes it is. |
01:13:38 |
See? |
01:13:40 |
Why would kill her for something |
01:13:44 |
Why still resents |
01:13:48 |
No, ma'am, |
01:13:50 |
I am not convinced |
01:13:53 |
Had the means, motive, |
01:13:57 |
the willingness to kill. |
01:14:00 |
Mr. Poirot has ended? |
01:14:02 |
For now |
01:14:03 |
but be prepared to answer |
01:14:07 |
I will not. |
01:14:09 |
Mr Poirot. |
01:14:12 |
It is true that the Linnet? |
01:14:15 |
Totally true. |
01:14:23 |
I did not kill her. |
01:14:25 |
I know everyone thinks that |
01:14:27 |
Quiet, mademoiselle. |
01:14:28 |
We know we did not. |
01:14:31 |
- Evidence. |
01:14:33 |
But Simon? okay? |
01:14:36 |
The doctor seems satisfied |
01:14:44 |
It was crazy last night. |
01:14:48 |
Do you think he will forgive me? |
01:14:50 |
It is very likely. |
01:14:52 |
I know that men |
01:14:55 |
women |
01:14:57 |
Mlle. Bowers, |
01:15:03 |
Later we'll take you |
01:15:05 |
Thanks |
01:15:21 |
I think we should |
01:15:23 |
He should be awake. |
01:15:26 |
Good idea. |
01:15:31 |
What else |
01:15:34 |
confuses me if |
01:15:37 |
- The revolver? |
01:15:39 |
I do not understand the importance of this. |
01:15:42 |
Even when you want |
01:15:46 |
Why bother to |
01:15:48 |
J''''writing on the wall, |
01:15:50 |
and then hide |
01:15:52 |
I understand what it says. |
01:15:56 |
One thing is certain ... |
01:15:58 |
There was a fish |
01:16:35 |
"You okay? |
01:16:38 |
I think I lost consciousness. |
01:16:40 |
Eat something. Will give you strength. |
01:16:43 |
Thanks. |
01:16:45 |
You do not? |
01:16:46 |
"So I can ...? |
01:16:59 |
I can not believe it. |
01:17:04 |
Linnet is dead. |
01:17:06 |
It is a severe blow. |
01:17:10 |
I suppose everything indicates |
01:17:14 |
I know that would not commit |
01:17:16 |
Relax. |
01:17:18 |
We know that there was |
01:17:20 |
Thank God. |
01:17:23 |
Have you any idea |
01:17:26 |
Well, either. |
01:17:29 |
Yesterday she said |
01:17:32 |
that everybody on this boat |
01:17:35 |
We have reason to believe |
01:17:44 |
Lord. |
01:17:46 |
Sorry. |
01:17:48 |
I came to see if he was comfortable. |
01:17:50 |
The comfortable as possible. |
01:17:52 |
You've found the body. |
01:17:54 |
Maybe you can give us |
01:17:57 |
How, sir? |
01:17:59 |
Are you accusing me? |
01:18:03 |
- I swear on my dead mother ... |
01:18:06 |
No stories. |
01:18:10 |
Sit. |
01:18:14 |
Lord detective, believe me. |
01:18:17 |
Everybody loved |
01:18:21 |
He was young, beautiful. |
01:18:25 |
Louise, this is not true, |
01:18:28 |
They might say something |
01:18:30 |
She said that everyone loved |
01:18:35 |
At least it is something new. |
01:18:39 |
When was the last time |
01:18:42 |
Yesterday evening, sir. |
01:18:43 |
I was in her cabin, |
01:18:46 |
And then where did it go? |
01:18:48 |
For my cabin, |
01:18:50 |
And not seen or heard anything |
01:18:53 |
How, sir? |
01:18:54 |
My cabin |
01:18:58 |
Naturally |
01:19:01 |
if it had gone on deck |
01:19:03 |
might have seen the killer |
01:19:06 |
enter and leave the cabin |
01:19:09 |
But as was ... |
01:19:11 |
Lord, I beg |
01:19:13 |
What more can I say? |
01:19:14 |
Nobody is |
01:19:17 |
Do not worry, Louise. |
01:19:19 |
- You are very good. |
01:19:24 |
if he had not returned direct |
01:19:28 |
had time |
01:19:30 |
witnessing aggression |
01:19:33 |
- No. |
01:19:35 |
Could have walked |
01:19:39 |
in due course |
01:19:42 |
back ... |
01:19:48 |
and kill Mrs. Doyle. |
01:19:50 |
Lord, is being |
01:19:52 |
Why would I do something bad? |
01:19:54 |
Louise. |
01:19:56 |
I know all about you |
01:19:58 |
and his novel |
01:20:00 |
and opposition from Mrs. Doyle |
01:20:04 |
But I have no money |
01:20:07 |
My only option was to stay |
01:20:08 |
Precisely. |
01:20:11 |
But did not kill her. |
01:20:13 |
One last question, Louise. |
01:20:15 |
Where are the pearls |
01:20:19 |
Her pearls? |
01:20:21 |
She wore them last night. |
01:20:24 |
She left them at the table, |
01:20:26 |
They were there in the morning? |
01:20:28 |
My God! Not even looked. |
01:20:32 |
I approached the bed, |
01:20:36 |
screamed and ran out |
01:20:38 |
Did not even look! |
01:20:41 |
But I, Hercule Poirot, |
01:20:45 |
The beads were not |
01:20:49 |
Had evaporated, |
01:20:51 |
gone, |
01:20:54 |
disappeared. |
01:21:09 |
- We must find the gun. |
01:21:11 |
This should not be |
01:21:17 |
That heat. |
01:21:18 |
You're right. |
01:21:20 |
Let us pause |
01:21:24 |
and let the gray matter |
01:21:28 |
See you in five minutes |
01:23:13 |
I wish to thank |
01:23:19 |
It was a pleasure. |
01:23:21 |
- Do you think it was on purpose? |
01:23:23 |
but a simple snake |
01:23:28 |
Hercule Poirot. |
01:23:30 |
How is your research? |
01:23:32 |
With intelligence and discretion? |
01:23:35 |
- Nobody to put handcuffs? |
01:23:41 |
There's a snake |
01:23:46 |
Kindly send |
01:23:48 |
Come on Race. |
01:23:50 |
A snake? Not possible! |
01:23:53 |
I had never seen a reptile |
01:23:57 |
Ever. |
01:24:07 |
Who's next? Pennington? |
01:24:10 |
It's dangerous. |
01:24:34 |
Poirot Lord, I guess. |
01:24:37 |
Excuse me, ma'am. |
01:24:43 |
Perhaps allow |
01:24:47 |
Of course. |
01:24:51 |
- Yes? |
01:24:54 |
That's right. |
01:24:55 |
He heard something strange |
01:24:58 |
Of course it does. |
01:25:02 |
and something woke me up, |
01:25:05 |
A click? |
01:25:06 |
Yes, with a champagne cork |
01:25:11 |
A champagne common |
01:25:14 |
is not a good crop. |
01:25:16 |
They make a noise |
01:25:19 |
It could have been |
01:25:23 |
Quite possibly. |
01:25:25 |
Although it should |
01:25:27 |
my little knowledge |
01:25:38 |
Found. |
01:25:39 |
Find! Good! |
01:25:42 |
What a wonderful success! |
01:25:47 |
The camel. |
01:25:49 |
And there is no error. |
01:25:51 |
Gentlemen ... |
01:25:54 |
Gentlemen, I am sure |
01:25:58 |
- Thank you, Mr. Chowdhury. |
01:26:09 |
Without doubt |
01:26:15 |
A new 22 Derringer, |
01:26:18 |
- Four shots. |
01:26:21 |
A scarf for man ... |
01:26:23 |
A marble ashtray |
01:26:27 |
And my shawl. |
01:26:29 |
It's yours, madam? |
01:26:30 |
Of course it's mine. |
01:26:35 |
The murderer involved in the churning |
01:26:39 |
What impertinence! |
01:26:42 |
gave me this shawl |
01:26:44 |
People have no respect |
01:26:48 |
Neither of the other for jewelry. |
01:26:52 |
In that regard, sir? |
01:26:55 |
I refer to pearls |
01:26:57 |
that belonged to Mrs. Doyle |
01:27:01 |
Subtracted? |
01:27:03 |
Taken. |
01:27:04 |
Penthouses. |
01:27:07 |
Stolen. |
01:27:09 |
And why look at me |
01:27:10 |
with that known |
01:27:14 |
What has |
01:27:17 |
I'm the nasty spy |
01:27:22 |
I heard that he admired |
01:27:25 |
All his teeth'' |
01:27:28 |
Maldita Bowers. |
01:27:31 |
My theory is that you have |
01:27:35 |
that coveted pearls |
01:27:38 |
and it was decided |
01:27:40 |
even through theft |
01:27:42 |
or murder. |
01:27:45 |
Do not deny it, ma'am. |
01:27:47 |
I can see her walking |
01:27:51 |
hoping that Mrs. Doyle |
01:27:54 |
Go to sleep. |
01:27:55 |
See what happens in the salon. |
01:27:57 |
Hey, Jackie. |
01:27:58 |
I'll kill you first. |
01:28:00 |
Jackie. |
01:28:02 |
When the hall is empty |
01:28:04 |
takes to get the gun. |
01:28:06 |
Go to the box |
01:28:08 |
knowing her husband |
01:28:18 |
Throw it |
01:28:20 |
and then steals the pearls |
01:28:24 |
Take that back |
01:28:27 |
or I'll sue him for slander, |
01:28:31 |
Will not match the rigor |
01:28:33 |
which will check with |
01:28:35 |
especially his cabin |
01:28:38 |
I wish you a good afternoon. |
01:28:40 |
You are a detestable |
01:28:43 |
Arrogant Belgian |
01:28:49 |
Need to be so rude |
01:28:51 |
- It seems to accuse everybody. |
01:28:54 |
Do you think that the old |
01:28:57 |
I think she |
01:28:59 |
The question is whether he killed. |
01:29:02 |
Mr Chowdhury. |
01:29:03 |
Good luck. |
01:29:05 |
- Yes, sir? |
01:29:08 |
I already gave the order. |
01:29:09 |
Right now the coach |
01:29:14 |
Why the rush? |
01:29:15 |
Friend, I feel the presence |
01:29:18 |
The sooner we get |
01:29:22 |
Keep it |
01:29:23 |
Beginning the search |
01:29:37 |
It's the last cabin. |
01:29:41 |
Forget missing |
01:29:45 |
We'll review it now. |
01:29:46 |
Hi, guys! |
01:29:49 |
Our journey continues. |
01:29:51 |
Good afternoon, ma'am. |
01:29:53 |
Take a drink with me? |
01:29:56 |
This wonderful young |
01:29:57 |
just prepared |
01:30:00 |
native fruit juices. |
01:30:03 |
in honor of the God of the Old |
01:30:08 |
Not for me. |
01:30:09 |
sometimes yank the dog |
01:30:13 |
Race ... |
01:30:14 |
How will the research |
01:30:16 |
this tragic event, |
01:30:19 |
Normally, as they say, |
01:30:22 |
The crime of passion. |
01:30:24 |
The primitive instinct to kill, |
01:30:27 |
so related |
01:30:30 |
I feel sorry for the poor |
01:30:34 |
changed their emotions, |
01:30:36 |
your blood boiling, |
01:30:38 |
wanting revenge on those who |
01:30:41 |
Yes, of course |
01:30:44 |
a reason |
01:30:47 |
Who? |
01:30:49 |
The lady, Mrs. Otterbourne. |
01:30:51 |
- What was that? |
01:30:54 |
that do not defame |
01:30:56 |
We no longer have to pay |
01:31:00 |
- Yes but not to kill for it. |
01:31:04 |
Another of these things gold. |
01:31:09 |
Mrs. Otterbourne, |
01:31:12 |
I see her looking at the hall, |
01:31:17 |
for that, as you said, |
01:31:19 |
poor crazy Jackie, |
01:31:23 |
And then |
01:31:26 |
I see it going to get |
01:31:28 |
and then moving furtively |
01:31:31 |
No! |
01:31:32 |
My world is love, |
01:31:35 |
and not cruel crimes. |
01:31:37 |
Now, please |
01:31:39 |
If the upset, |
01:31:41 |
Life can be very cruel! |
01:31:43 |
We need the courage |
01:31:50 |
Barman. |
01:31:51 |
The crocodile lost |
01:31:57 |
What most annoying woman! |
01:31:58 |
Why not kill, |
01:32:00 |
Maybe someday subscribers |
01:32:03 |
to meet and hire |
01:32:32 |
Mrs. Van Schuyler |
01:32:35 |
to play with |
01:32:38 |
You know it has no evidence |
01:32:41 |
The return of Pearls |
01:32:44 |
not killed |
01:33:07 |
Pennington? |
01:33:16 |
We need to find |
01:33:19 |
Mrs. Doyle to sign. |
01:33:22 |
What is this? |
01:33:23 |
- Poirot. |
01:33:26 |
Ms.. Jackie was not the only |
01:33:29 |
It was not killed |
01:33:31 |
Obviously not. |
01:33:36 |
How many words |
01:33:42 |
You see better. See |
01:33:49 |
What drug are you doing? |
01:33:50 |
Viewing your documents |
01:33:54 |
You what? |
01:33:56 |
Perhaps it is common in Paris |
01:33:59 |
but we are not |
01:34:00 |
Brussels, sir ... |
01:34:01 |
I do not care if it's Borneo. |
01:34:03 |
Not entitled |
01:34:07 |
We have every right. |
01:34:10 |
The Company has instructed |
01:34:12 |
No relation |
01:34:15 |
They prove that, despite |
01:34:18 |
you still trying |
01:34:22 |
So what? |
01:34:25 |
Has the law against fraud |
01:34:28 |
and mine contractors |
01:34:30 |
Who are they? |
01:34:32 |
Lawyers |
01:34:34 |
and we are not satisfied |
01:34:37 |
and his partner are careful |
01:34:39 |
- Go to hell! |
01:34:41 |
- Everything is in perfect order. |
01:34:44 |
I think we came to do it |
01:34:48 |
and failed. |
01:34:49 |
So was the |
01:34:53 |
He climbed to the tallest pillar. |
01:35:08 |
There he pushed a stone |
01:35:11 |
and that for some, not killed. |
01:35:21 |
You can not blame it on me. |
01:35:22 |
Get out! |
01:35:25 |
One day you will hear more trash mouth |
01:35:30 |
This is yours, I guess. |
01:35:33 |
Belgium. |
01:35:42 |
Let us prepare for dinner. |
01:35:45 |
J'ai faim''.'' |
01:35:47 |
- Poirot,''you have a woman''? |
01:35:50 |
J'ai faim''''is''I'm hungry.'' |
01:35:55 |
I need to talk to that young |
01:35:57 |
I'll see you at the restaurant, |
01:35:59 |
Ask me les morilles'''' |
01:36:02 |
Morilles''''Les? |
01:36:11 |
How are you, young lady? |
01:36:14 |
Hardly, Mr. Poirot. |
01:36:17 |
I'm so ashamed. |
01:36:19 |
His wife died e. .. |
01:36:21 |
Now he's all yours again. |
01:36:25 |
It is wrong to |
01:36:28 |
I still love him |
01:36:30 |
now he needs me |
01:36:32 |
Mr Poirot, could ...? |
01:36:34 |
It could take me to see it? |
01:36:37 |
Only five minutes. |
01:36:40 |
I do not see why not. |
01:36:41 |
If he wants |
01:36:46 |
I'll ask. |
01:36:52 |
Good! |
01:36:54 |
The fever broke. |
01:36:56 |
Okay, Mr. Poirot. |
01:36:57 |
I have no objection |
01:37:00 |
- Five minutes max, right? |
01:37:04 |
Miss Jackie. |
01:37:07 |
You can see it now. |
01:37:09 |
Thank you! |
01:37:13 |
- Hi, Jackie. |
01:37:19 |
Sorry for the Linnet. |
01:37:22 |
- Thanks. |
01:37:26 |
No need to say it. |
01:37:28 |
I know. |
01:37:33 |
Forgive me, please. |
01:37:36 |
Jackie. |
01:37:38 |
Last night I was crazy. |
01:37:42 |
With a gun |
01:37:45 |
Will you ...? |
01:37:48 |
Do not be silly. |
01:37:50 |
In Wadi Halfa will take me |
01:37:58 |
Remember that only five minutes, |
01:38:02 |
Simon, I'm so sorry! |
01:38:04 |
Quiet. |
01:38:27 |
What is this? |
01:38:30 |
I ordered a plate of morilles''.'' |
01:38:32 |
- And what's that in your country? |
01:38:35 |
Sorry. |
01:38:36 |
I thought you wanted an eel. |
01:38:40 |
- Ask another bottle. |
01:38:43 |
Because the remains of the bottle |
01:38:46 |
- Verdigris? |
01:38:48 |
It is the normal sediment |
01:38:56 |
- Want a cup? |
01:38:58 |
Keep your wine |
01:39:01 |
Always drink whiskey? |
01:39:05 |
How strange! |
01:39:06 |
Of course. |
01:39:15 |
Can I sit? |
01:39:17 |
Poirot, in my opinion, |
01:39:20 |
everyone had a reason |
01:39:22 |
It's incredible. |
01:39:24 |
Absolutely. |
01:39:28 |
- Good evening. |
01:39:38 |
Good evening, ma'am. |
01:40:19 |
Come quickly. |
01:40:21 |
Fast. |
01:40:37 |
- Call Dr. Bessner. |
01:40:45 |
You know what this is? |
01:40:48 |
Money. |
01:40:50 |
Looks like a piece of note |
01:40:52 |
It must have been blackmail. |
01:40:53 |
She knew something killer |
01:41:00 |
As we were idiots! |
01:41:02 |
I knew it. |
01:41:06 |
What she said this afternoon? |
01:41:08 |
''If you could not sleep |
01:41:11 |
Had he been on deck |
01:41:14 |
might have seen the killer |
01:41:17 |
enter or leave the cabin |
01:41:21 |
That's what happened. |
01:41:25 |
And because of their greed, |
01:41:28 |
And how does this help us? |
01:41:30 |
We do not know |
01:41:32 |
No. This is not |
01:41:34 |
We went the wrong way, |
01:41:38 |
We know almost everything |
01:41:43 |
But what we know seems |
01:41:46 |
looks awesome. |
01:41:50 |
Impossible. |
01:41:54 |
Murders. |
01:41:56 |
Murder! |
01:41:58 |
All the time the murders. |
01:42:04 |
He died less than |
01:42:07 |
The beheaded. |
01:42:11 |
With a thin knife. |
01:42:17 |
One like this. |
01:42:19 |
Very interesting, Doctor. |
01:42:20 |
sure you do not miss |
01:42:24 |
What? |
01:42:27 |
So now I think, |
01:42:30 |
I killed this humble servant? |
01:42:34 |
My God! |
01:42:36 |
What I have to do |
01:42:37 |
with the issues |
01:42:40 |
It is well known that they do not suffer |
01:42:43 |
only animal passions |
01:42:51 |
- Take your body to the chamber. |
01:42:56 |
Think you already know, huh? |
01:42:58 |
I confess that I have |
01:43:00 |
Dr. Bessner told me |
01:43:03 |
I need to talk to you |
01:43:07 |
I would not get. |
01:43:10 |
My good man, I know. |
01:43:12 |
But an upset |
01:43:14 |
Believe me, I know everything |
01:43:17 |
Mr. Doyle, I know who killed |
01:43:20 |
What? |
01:43:21 |
You know who killed Louise? |
01:43:23 |
Easy. Do not scream. |
01:43:25 |
Mrs. Otterbourne, |
01:43:28 |
He needs rest |
01:43:29 |
is of vital importance. |
01:43:31 |
I know everything, everything, believe me. |
01:43:34 |
Look, I will not tolerate, |
01:43:37 |
Mr. Doyle, I |
01:43:40 |
triumphed where |
01:43:42 |
I'm still best detective |
01:43:45 |
Mrs. Otterbourne, |
01:43:49 |
Now tell us the story |
01:43:52 |
- I refuse to speak in front of him. |
01:43:55 |
Outside, now. |
01:43:57 |
- The fever has increased the confusion. |
01:43:59 |
will rise more if we do not hear |
01:44:02 |
- Mr. Doyle. |
01:44:06 |
Yes |
01:44:09 |
You can get 3 minutes. |
01:44:11 |
Three minutes. |
01:44:13 |
And lowers his voice, see? |
01:44:17 |
What a woman! |
01:44:20 |
Nasty little man. |
01:44:22 |
Madam, you have evidence to prove |
01:44:26 |
I get it and I do. |
01:44:29 |
Would you agree, |
01:44:31 |
that whoever killed |
01:44:33 |
Linnet Doyle also killed? |
01:44:36 |
It is quite possible. |
01:44:38 |
Well, |
01:44:40 |
I saw who killed |
01:44:42 |
with my own eyes. |
01:44:51 |
Please proceed, ma'am. |
01:44:53 |
I was in the stern of the boat, |
01:44:56 |
I showed |
01:44:59 |
A buffalo and a camel, together |
01:45:04 |
He saw everything in the moonlight, |
01:45:07 |
- Yeah, right. |
01:45:09 |
I have a vision |
01:45:13 |
Well, I walked away ... |
01:45:14 |
and suddenly, when I went |
01:45:17 |
I heard a scream. |
01:45:19 |
Came from the cabin |
01:45:22 |
Then I saw that the door |
01:45:25 |
When the door opened wider |
01:45:27 |
I saw it was .. |
01:45:46 |
It is the Pennington. |
01:46:01 |
I heard a sharp click. |
01:46:03 |
What now? |
01:46:05 |
Shot at |
01:46:13 |
- Mr. Pennington. |
01:46:14 |
It's your gun, I think |
01:46:16 |
Anyone can |
01:46:19 |
They knew it was there. |
01:46:20 |
There are some who always said |
01:46:23 |
The killing must stop. |
01:46:26 |
Unfortunately, |
01:46:28 |
I want to see everyone in the hall |
01:46:32 |
where all will be revealed ... |
01:46:34 |
here ... |
01:46:37 |
thirty minutes. |
01:46:45 |
I do not believe. |
01:46:47 |
My mother died. |
01:46:49 |
Why? |
01:46:51 |
Must have discovered something. |
01:46:53 |
My God! Poor thing! |
01:46:56 |
I loved her, though. |
01:47:00 |
And now she's gone. |
01:47:03 |
I can not assimilate it. |
01:47:05 |
Suddenly I was ... |
01:47:08 |
Alone. |
01:47:11 |
No, it is not. |
01:47:14 |
I'll look after you. |
01:47:17 |
Jim. |
01:47:21 |
Poor Mom. |
01:47:22 |
You would not have missed it |
01:47:24 |
while alive. |
01:47:47 |
Ladies, |
01:47:51 |
The game is over. |
01:47:54 |
I, Hercule Poirot |
01:47:55 |
I now know without a doubt |
01:47:59 |
Louise Bourget |
01:48:02 |
Foolishly I started the research |
01:48:06 |
that was a witness |
01:48:09 |
between Mlle. Jackie |
01:48:13 |
That this person had |
01:48:16 |
after all |
01:48:19 |
and would have used |
01:48:22 |
and try to incriminate |
01:48:26 |
As you will see, friends, |
01:48:31 |
It could be someone who tried |
01:48:36 |
Or who ascribe the ruin |
01:48:40 |
Or someone obsessed |
01:48:43 |
Or someone resentful |
01:48:48 |
Or someone with a firm decision |
01:48:51 |
from financial ruin. |
01:48:54 |
Or even |
01:48:56 |
someone to escape punishment |
01:49:02 |
Or someone who mistook |
01:49:12 |
And then ... |
01:49:14 |
I remembered something |
01:49:16 |
That night I slept soundly |
01:49:18 |
rather lightly, |
01:49:21 |
Why? |
01:49:22 |
Why was placed |
01:49:25 |
by someone who did not want |
01:49:28 |
the events of the night. |
01:49:31 |
Very easy. |
01:49:32 |
The open bottles |
01:49:35 |
You, sir |
01:49:37 |
returned the bottle saying, |
01:49:40 |
I had verdigris. |
01:49:42 |
This, in itself, |
01:49:43 |
implies premeditation |
01:49:47 |
It means that yesterday |
01:49:49 |
before 7:30, |
01:49:55 |
There was something that confused me |
01:49:58 |
If the intention was to blame |
01:50:02 |
why the gun was not |
01:50:06 |
and then get it. |
01:50:07 |
The killer had pulled a gun |
01:50:11 |
or she had to cut it. |
01:50:14 |
And there was something more. |
01:50:17 |
Dr. Bessner, |
01:50:19 |
you examined the body |
01:50:24 |
Yes |
01:50:25 |
Remember the scorched |
01:50:29 |
The gun was very close |
01:50:33 |
This correct. |
01:50:36 |
But when we recover |
01:50:39 |
she was involved |
01:50:42 |
Evidently they had fired, |
01:50:46 |
supposed to cushion |
01:50:49 |
Dr. Bessner, |
01:50:50 |
if he had been shot |
01:50:54 |
would not have singed |
01:50:59 |
I mean, the shot that killed her |
01:51:02 |
using the shawl. |
01:51:05 |
So maybe it was the other. |
01:51:07 |
What Jackie of Bellefort |
01:51:10 |
Jackie. |
01:51:14 |
But we had a witness. |
01:51:18 |
So |
01:51:24 |
which we know nothing. |
01:51:28 |
However |
01:51:30 |
only two bullets were missing |
01:51:43 |
The next curious |
01:51:46 |
occurred in the cabin |
01:51:50 |
There I found two glasses |
01:51:53 |
In a jar was marked |
01:51:55 |
but the few drops |
01:51:58 |
were not rosy but |
01:52:00 |
and instead of smell |
01:52:03 |
vinegar. |
01:52:06 |
Friends, it was red ink ... |
01:52:09 |
I had a connection |
01:52:12 |
with this scarf, |
01:52:15 |
along with the revolver |
01:52:18 |
The paint comes off easily |
01:52:21 |
leaving a stain |
01:52:24 |
Then something happened |
01:52:27 |
that explained everything, |
01:52:30 |
Louise Bourget was murdered |
01:52:33 |
because he was blackmailing |
01:52:36 |
We know this not only by |
01:52:40 |
we find |
01:52:44 |
but also by a few words |
01:52:49 |
this morning. |
01:52:51 |
Naturally |
01:52:53 |
could not sleep if ... |
01:52:54 |
Naturally, |
01:52:58 |
if the deck |
01:53:00 |
might have seen |
01:53:02 |
enter or leave the cabin |
01:53:07 |
What, exactly, |
01:53:11 |
What, exactly, |
01:53:16 |
with that? |
01:53:20 |
If she was on deck |
01:53:22 |
she saw the killer. |
01:53:23 |
Yes .. but still did not understand |
01:53:27 |
Why do we say this? |
01:53:30 |
As a sign? |
01:53:31 |
As a sign, of course. |
01:53:36 |
If you knew who the killer |
01:53:38 |
Could do something |
01:53:42 |
demand for money |
01:53:45 |
But he made no |
01:53:47 |
Used the conditional tense. |
01:53:49 |
If he had been''...'' |
01:53:51 |
Could only mean |
01:53:54 |
but it was a sign |
01:53:58 |
That is, it was present |
01:54:03 |
But besides the two of us |
01:54:06 |
just another person |
01:54:08 |
Precisely. |
01:54:13 |
What? |
01:54:20 |
Yes |
01:54:21 |
The doctor was always there. |
01:54:24 |
- Perhaps not had a chance. |
01:54:27 |
I do not think that is ridiculous. |
01:54:31 |
''Will protect you.'' |
01:54:33 |
Nobody is accusing you'' |
01:54:35 |
Exact security |
01:54:39 |
obtained. |
01:54:44 |
Mr P. |
01:54:46 |
This time it was ridiculous |
01:54:49 |
I have witnesses to prove |
01:54:53 |
I know you have ... |
01:54:55 |
but rather killed |
01:54:57 |
and Louise Bourget saw. |
01:55:00 |
What nonsense! |
01:55:03 |
could not move |
01:55:06 |
This I testify |
01:55:10 |
And I'd have to say |
01:55:14 |
- Irrelevant. |
01:55:16 |
l-le-van-rre-te. |
01:55:19 |
Irrelevant? |
01:55:22 |
I? |
01:55:24 |
I have witnessed |
01:55:26 |
where psychological |
01:55:30 |
Just my testimony |
01:55:33 |
the murderer of Dresden, |
01:55:36 |
- And in the case of ... |
01:55:38 |
I just said it is irrelevant |
01:55:40 |
because he began attending |
01:55:42 |
five minutes after |
01:55:45 |
He could not move during |
01:55:48 |
Sure, if they had already |
01:55:53 |
Consider |
01:55:57 |
Ms.. Rosalie |
01:56:00 |
Doyle saw the drop to the ground. |
01:56:03 |
And then to go for help |
01:56:06 |
I had heard the shot. |
01:56:08 |
He only saw the pressing Doyle |
01:56:13 |
Doyle assumed that |
01:56:16 |
but the assumption |
01:56:19 |
The bullet missed the Doyle. |
01:56:23 |
And now what happens? |
01:56:25 |
Doyle insists that lead to Jackie |
01:56:28 |
and not to leave alone. |
01:56:31 |
Ms.. Rosalie and Mr. Ferguson |
01:56:36 |
After |
01:56:37 |
Mlle. Rosalie |
01:56:42 |
and all the attention is focused |
01:56:46 |
Mlle. Bowers. |
01:56:58 |
Doyle need only |
01:57:01 |
Take your shoes off ... |
01:57:03 |
Grab the gun |
01:57:05 |
where Jackie gou |
01:57:09 |
runs like a hare |
01:57:13 |
and enters the cabin |
01:57:58 |
After Doyle takes the shawl |
01:58:01 |
I had hidden, |
01:58:04 |
to dampen noise |
01:58:08 |
fires a bullet |
01:58:21 |
Removes a cartridge |
01:58:24 |
that discards ... |
01:58:26 |
and introduces a new |
01:58:28 |
indicating if the gun |
01:58:31 |
they were only fired |
01:58:48 |
It involves new |
01:58:51 |
joins the stained handkerchief |
01:58:52 |
and a marble ashtray |
01:58:56 |
and throws the packet on the Nile |
01:59:01 |
Leans back on the couch |
01:59:03 |
squeezing the wound |
01:59:07 |
this time |
01:59:18 |
Extraordinary, is not it? |
01:59:21 |
Impossible. |
01:59:23 |
Cost to believe. |
01:59:24 |
Of course it does. |
01:59:27 |
Why say that? |
01:59:28 |
You even said that he had |
01:59:31 |
Why would anyone run? |
01:59:33 |
I know but do it all |
01:59:36 |
Once and for all, |
01:59:39 |
was carefully |
01:59:41 |
By Doyle? |
01:59:42 |
Doyle represented only |
01:59:45 |
It was planned by his accomplice, |
01:59:47 |
Mlle. Jacqueline |
01:59:53 |
You must be crazy. |
01:59:56 |
No, I'm not crazy. |
01:59:58 |
It's the truth. |
02:00:01 |
Who gave Doyle an alibi? |
02:00:03 |
You, to shoot the shot. |
02:00:06 |
And who gave you an alibi? |
02:00:09 |
Doyle |
02:00:10 |
insisting to stay together |
02:00:14 |
Not true. Not. |
02:00:17 |
Yes, indeed. |
02:00:21 |
You and Doyle were lovers. |
02:00:24 |
Are still lovers. |
02:00:26 |
The plan for Simon |
02:00:28 |
inherit the money, |
02:00:32 |
marry |
02:00:35 |
A very bright idea. |
02:00:37 |
You chasing |
02:00:40 |
simulated the wrath of Simon ... |
02:00:42 |
the choice of Miss. Rosalie |
02:00:45 |
and the whole evolution up to |
02:00:48 |
the exaggerated hysteria ... |
02:00:51 |
only assumed |
02:00:53 |
The injury to Simon |
02:00:57 |
I'm sorry but for me, |
02:01:02 |
was silly to have written |
02:01:05 |
the''J''in the wall of the cabin. |
02:01:07 |
Something melodramatic |
02:01:09 |
delete you. |
02:01:11 |
And who would want to do this except |
02:01:14 |
an accomplice? |
02:01:17 |
But after |
02:01:18 |
the plan began |
02:01:22 |
is not it? |
02:01:24 |
Louise Bourget |
02:01:26 |
Doyle sees the corer to |
02:01:30 |
You hear the clock |
02:01:32 |
and sees him return to the lobby. |
02:01:37 |
It offers the silence |
02:01:39 |
and in doing so, he signed his own |
02:01:43 |
Mr. Doyle could not have killed her, |
02:01:48 |
I swear it. |
02:01:51 |
Ms.. Jackie killed her. |
02:01:56 |
No! |
02:01:58 |
Yes I am afraid that there is no ambiguity. |
02:02:00 |
Shortly before dinner |
02:02:04 |
Foolishly, I now know that, |
02:02:09 |
An apparently |
02:02:12 |
and the other encouraging. |
02:02:14 |
Simon, I'm so sorry. |
02:02:16 |
Easy. |
02:02:17 |
I am sure |
02:02:19 |
the tone changed. |
02:02:22 |
All is well, dear. |
02:02:25 |
Think? |
02:02:28 |
She saw me. |
02:02:32 |
Will have to shut up. |
02:02:36 |
- We can not pay? |
02:02:40 |
Jackie, are you sure? |
02:02:52 |
Give me some money |
02:02:54 |
For what? |
02:02:55 |
That's the hope. |
02:02:57 |
- Where are you? |
02:03:17 |
- I love you. |
02:03:19 |
Are you crazy? |
02:03:21 |
Do not know |
02:03:25 |
Jackie. |
02:03:28 |
Wish luck. |
02:03:42 |
Unfortunately, |
02:03:44 |
she forgot a piece of |
02:03:48 |
between fingers |
02:03:50 |
But even more |
02:03:52 |
Mrs. Otterbourne |
02:03:55 |
She does not realize |
02:03:57 |
and back to the cabin |
02:04:00 |
to return the knife. |
02:04:02 |
Then, ready for dinner |
02:04:07 |
arrives hastily |
02:04:11 |
The Sra.Otterbourne, |
02:04:13 |
when Dr. Bessner account |
02:04:17 |
realizes that saw |
02:04:21 |
leaving the scene of the crime. |
02:04:23 |
What? |
02:04:24 |
He said he knows who |
02:04:26 |
Easy. Do not scream. |
02:04:28 |
Mrs. Otterbourne, can not |
02:04:31 |
I found it odd |
02:04:33 |
Mr. Doyle scream |
02:04:36 |
Now I know who did it |
02:04:40 |
the cabin door. |
02:04:41 |
Mrs. Otterbourne, |
02:04:45 |
Now tell us the story |
02:04:48 |
And why, from the beginning |
02:04:52 |
To allow time |
02:04:55 |
what he did immediately. |
02:04:57 |
- ... you have to say |
02:04:59 |
It was he who killed his wife. |
02:05:06 |
Mr. Pennington? |
02:05:20 |
Boasted that his father |
02:05:24 |
and her pride was not in vain. |
02:05:27 |
I saw that I knew ... |
02:05:30 |
He dropped the gun and ran |
02:05:34 |
It was very risky |
02:05:36 |
but it was his only chance. |
02:05:44 |
My friends |
02:05:46 |
that's all. |
02:05:53 |
Congratulations, Mr. P. |
02:05:56 |
-For a fun theory. |
02:06:00 |
Unfortunately |
02:06:02 |
is the truth. |
02:06:05 |
And what happened |
02:06:08 |
What Jackie shot me? |
02:06:10 |
Good question, yes. |
02:06:12 |
Everyone is looking at this table? |
02:06:14 |
It has a piercing bullet |
02:06:17 |
You had time |
02:06:21 |
and throws it into the Nile. |
02:06:23 |
- Nonsense! |
02:06:25 |
We have evidence |
02:06:28 |
are gun |
02:06:30 |
Suppose that. |
02:06:32 |
How to prove that Simon |
02:06:35 |
Correct. |
02:06:36 |
Have no evidence. |
02:06:38 |
Absolutely |
02:06:40 |
The find, easy. |
02:06:43 |
No? |
02:06:45 |
Not convinced |
02:06:48 |
And where you want |
02:06:51 |
With Linnet? |
02:06:53 |
No. |
02:06:57 |
With you. |
02:07:00 |
What do you mean? |
02:07:02 |
Simon |
02:07:03 |
Quietly |
02:07:05 |
ha a very simple proof, |
02:07:07 |
now accepted as evidence |
02:07:11 |
It's called''Proof''Moulage. |
02:07:14 |
Moulage''Proof''? |
02:07:16 |
Yes,''''Moulage. |
02:07:19 |
skin are grains of gunpowder |
02:07:24 |
with a thin layer |
02:07:27 |
This is the''Proof''Moulage. |
02:07:31 |
Sir, can do this? |
02:07:34 |
Anytime. |
02:07:38 |
I suppose you are willing |
02:07:42 |
It does not hurt, just feels a little |
02:07:45 |
heat. |
02:07:57 |
Jackie, what ...? |
02:08:01 |
What can we do? |
02:08:10 |
Nothing. |
02:08:12 |
It's all over. |
02:08:22 |
Do not worry so much, sir |
02:08:24 |
for me, I mean. |
02:08:26 |
Is concerned, is not it? |
02:08:30 |
Yes |
02:08:31 |
And do not judge Simon |
02:08:34 |
Never had the money and Linnet |
02:08:36 |
dazzled with all the |
02:08:39 |
Simon, |
02:08:43 |
He said it was''a story |
02:08:45 |
I would marry the Linnet, |
02:08:49 |
That's when I knew |
02:08:52 |
Terrorized me. |
02:08:54 |
totally absurd. |
02:08:55 |
Even had the idea for |
02:08:59 |
And you found another use |
02:09:05 |
Glad |
02:09:08 |
Honestly. |
02:09:13 |
So |
02:09:15 |
you see, |
02:09:17 |
had to help you. |
02:09:21 |
I always had to help you. |
02:09:25 |
Jackie, I love you. |
02:09:27 |
I love you. |
02:09:36 |
Stop! |
02:09:42 |
Mr Poirot. |
02:09:56 |
What a tragedy! |
02:10:13 |
A splendid work, |
02:10:16 |
Could not have done |
02:10:20 |
I have no wax. |
02:10:21 |
Haunts me, sir. |
02:10:28 |
Goodbye, Mr. Poirot. |
02:10:30 |
I fear that the description |
02:10:33 |
until another opportunity. |
02:10:35 |
Alas, lady! |
02:10:37 |
I wanted to tell you |
02:10:40 |
on the Orient Express. |
02:10:43 |
Come, Bowers. |
02:10:45 |
This place gets |
02:10:49 |
Thank God |
02:10:53 |
- Old boring. |
02:10:55 |
Need a vacation |
02:10:58 |
I thought of a trip |
02:11:05 |
Mr. Poirot, I want it |
02:11:08 |
We just became engaged. |
02:11:10 |
Congratulations, Missy. |
02:11:13 |
Lord. |
02:11:14 |
- Congratulations and good luck. |
02:11:16 |
- Goodbye, Mr. Poirot. |
02:11:18 |
- Colonel Race. |
02:11:23 |
My young, |
02:11:25 |
an advice ... |
02:11:26 |
as they say |
02:11:28 |
With''calm''. |
02:11:31 |
Try. |
02:11:41 |
With this thinking? |
02:11:42 |
Thought of Moliere. |
02:11:49 |
Hopefully speak some |
02:11:52 |
The great ambition'' |
02:11:54 |
is to inspire love.'' |