Deception
|
00:01:33 |
10:53 pm. |
00:01:36 |
Sorry for scaring you. |
00:01:39 |
We met before in the can. |
00:01:43 |
Yeah. So, you working late or |
00:01:47 |
I have to be out of here by tomorrow |
00:01:50 |
What about you? |
00:01:53 |
Hard to believe once upon a time... |
00:01:55 |
it was a measure of a man's success |
00:01:59 |
What's the deal? Our firm hires you |
00:02:03 |
I'm the audit manager, yeah. I handle |
00:02:06 |
I must've done Stern |
00:02:09 |
Wow. So you like this work? |
00:02:14 |
The symmetry. |
00:02:16 |
It's alright, I guess, |
00:02:19 |
Do you like being a lawyer? |
00:02:21 |
It's alright, I guess, |
00:02:26 |
I'm probably disturbing you, so... |
00:02:30 |
Really. |
00:02:33 |
So... |
00:02:37 |
Worth and Berman, huh? |
00:02:40 |
Yeah. My senior year of college. |
00:02:44 |
Ah, I see. |
00:02:49 |
I guess I was kind of poor. |
00:02:52 |
and she died when I was 19 |
00:02:57 |
Wow. Sounds like you needed it. |
00:03:00 |
that had it worse. |
00:03:02 |
Practically every suit I know |
00:03:05 |
Are you? |
00:03:07 |
I'm Princeton by way of Exeter. |
00:03:13 |
So, Jonathan... |
00:03:16 |
I think I have something here |
00:03:21 |
You smoke? |
00:03:23 |
Good. This'll give you a real buzz, |
00:03:34 |
I don't know... |
00:03:41 |
you know... removed. |
00:03:46 |
I work for one of the biggest |
00:03:49 |
and there's not so much as a desk there |
00:03:53 |
I haven't even met him in person yet. |
00:03:55 |
I try and meet people at work |
00:04:00 |
To the accounting staff I'm a pain because |
00:04:04 |
They hope I don't pick up |
00:04:07 |
To everyone else I'm just a temporary fixed |
00:04:14 |
Sometimes... |
00:04:16 |
I sit and I look through the glass, |
00:04:23 |
Iiterally passing me by. |
00:04:26 |
Yeah? |
00:04:28 |
By the clock on that wall you have been |
00:04:43 |
I don't remember a word I said. |
00:04:50 |
So, God says to Jesus... |
00:04:55 |
I haven't felt this good |
00:05:19 |
Stand clear of the closing doors, please. |
00:06:02 |
Is this the train to Canal Street? |
00:07:56 |
So, I guess that's it. |
00:08:00 |
Could you point me towards |
00:08:03 |
Who? |
00:08:06 |
Hey, quit looking down Daphne's shirt. |
00:08:09 |
So, get in, get out, huh? So where's next? |
00:08:11 |
Clancey Funds on Friday |
00:08:14 |
Sounds like fun. |
00:08:17 |
Good to meet you, Jonathan. |
00:08:20 |
So... wait. |
00:08:25 |
How's your backhand? |
00:09:10 |
I'm sorry. |
00:09:12 |
Commiserations, McQuarry. |
00:09:14 |
You develop a killer instinct, |
00:09:19 |
When these things first came out, |
00:09:22 |
Geez, where did you get this thing? |
00:09:25 |
What is this? Ntural gut, hm? |
00:09:29 |
I should have 'em replaced. |
00:09:36 |
Those two girls were so pretty. |
00:09:40 |
You don't get much, do you? |
00:09:45 |
Do you mean sex? |
00:09:48 |
How many women have you slept with? |
00:09:50 |
Of course you know. Everyone knows. |
00:09:53 |
Maybe four. |
00:09:57 |
Alright. Four. What about you? |
00:10:00 |
Me? I have no idea. |
00:10:04 |
I meant everyone like you. |
00:10:08 |
You can borrow something of mine. |
00:10:14 |
This way, Jonathan. |
00:10:24 |
Like it? |
00:10:26 |
It's a Gerhard Richter. Actually, |
00:10:31 |
He's a hotshot art dealer. |
00:10:33 |
He hooked me up with this |
00:10:36 |
I'll be back in a second. |
00:11:01 |
Try this one. |
00:11:05 |
What? |
00:11:07 |
C'mon, Jonathan. |
00:11:10 |
You remind me of this guy, Jamie Getz. |
00:11:14 |
Oh, he was real smart. He was witty, too, |
00:11:19 |
It was bounday. Nowyou assume |
00:11:23 |
The truth is he was the only one guarding. |
00:11:27 |
What happened to him? |
00:11:31 |
What? |
00:11:35 |
You're kidding. |
00:11:40 |
Go get changed. |
00:11:42 |
Down there. |
00:12:02 |
Okay, Jonathan, so just the four, huh? |
00:12:05 |
Oh, come on. |
00:12:08 |
I've never been too adventuresome. |
00:12:11 |
What's the lamest? |
00:12:15 |
No, c'mon, share it with the group. |
00:12:19 |
Alright, nowwe're talking. |
00:12:22 |
I ended up explaining a Section 179 |
00:12:28 |
You paid to give tax advice on a sex line? |
00:12:33 |
Oh, thank you for sharing, Jonathan. |
00:12:38 |
Oh, hello. |
00:12:44 |
Do you... is she looking at me? |
00:12:48 |
No, she's not. C'mon. |
00:12:52 |
Listen, you don't think |
00:12:55 |
Successful women working their asses off |
00:12:59 |
And? |
00:13:00 |
Well, let's just say there's a way |
00:13:05 |
You make it sound like a mob hit. |
00:13:24 |
Had a good time tonight? |
00:13:27 |
I did. I had a great time. |
00:13:31 |
No, I'm shy. But... |
00:13:33 |
Thank you. And thanks for the tennis |
00:13:36 |
It's okay. Tennis anytime. |
00:13:40 |
At the corner, please. |
00:13:43 |
I gotta go meet somebody. |
00:13:46 |
Take care. Have a nice night. |
00:14:04 |
Any problems, |
00:14:07 |
She's our Assistant Controller. |
00:14:09 |
But, like I said, |
00:14:13 |
Never had any before. |
00:14:26 |
It's really nice out here. |
00:14:29 |
You have to get outside. Those fluorescent |
00:14:38 |
Hello. |
00:14:41 |
Shit. No, I got it here. Hold on. |
00:14:46 |
See if you can change it to the 6:30 |
00:14:54 |
Rutherford wants me to join him |
00:14:57 |
We're papering some finance with Lloyds. |
00:15:00 |
I'll be gone a couple weeks. |
00:15:04 |
Gonna be as boring as sin, but... |
00:15:07 |
Ready? |
00:15:14 |
That's disgusting. |
00:15:17 |
Why? |
00:15:18 |
That's repulsive. |
00:15:22 |
You're the kind of girl that pees |
00:15:25 |
What goes in the Xerox Room |
00:15:32 |
Hello? |
00:15:43 |
Wyatt? I've got your cell phone. I guess, |
00:15:49 |
You're probably in the air right, so, |
00:15:54 |
I'll speak to you later. Take care. |
00:16:01 |
Mr. Lewman. Hi. |
00:16:03 |
Actually, Mr. Lewman, there was something |
00:16:09 |
Hello? |
00:16:12 |
Look, this isn't actually... |
00:16:15 |
Mr. Lewman, my bedroom... |
00:16:19 |
I was hoping you could take a look. |
00:16:23 |
Right. McQuarry. Yeah, |
00:16:27 |
Hello? Anyone there? |
00:16:45 |
Hello? |
00:16:48 |
Actually, I am, but this isn't Wyatt. |
00:16:52 |
Well, I am free, but... |
00:16:56 |
I guess so, but... |
00:17:52 |
Are you waiting for me? |
00:17:55 |
Would you like a drink or something? |
00:17:58 |
I've got a conference call |
00:18:03 |
Shall we go? |
00:18:17 |
Have you been in this hotel before? |
00:18:28 |
Look, the person who you thought |
00:18:33 |
You're not who I spoke to on the phone? |
00:18:38 |
But... |
00:18:41 |
Are you not attracted to me? |
00:18:46 |
It's just you called me |
00:18:49 |
You don't? |
00:18:53 |
You're not too sure what's going on? |
00:19:04 |
Sit down. Sit down. |
00:20:16 |
Hello. |
00:20:18 |
Hey! How's London? |
00:20:21 |
Yeah, I must've grabbed it at lunch |
00:20:24 |
No big deal. I already had my work calls |
00:20:28 |
So, did I get any calls? |
00:20:31 |
And? |
00:20:34 |
What the hell was that? |
00:20:38 |
I thought you would call me back. |
00:20:41 |
So howwas it? |
00:20:45 |
Shit. I'll call you later. The want me |
00:20:49 |
Alright. |
00:20:53 |
Okay. Thanks. |
00:21:11 |
(woman) |
00:21:14 |
Hello. Uh... |
00:21:16 |
Yes? |
00:21:20 |
(woman) Where? |
00:21:24 |
The Dylan Hotel. |
00:21:27 |
In the bar, half past eleven. |
00:21:53 |
If you are who you don't seem to be, |
00:21:57 |
Excuse me? |
00:22:02 |
Late, orwho I'm not supposed to be? |
00:22:05 |
Either. |
00:22:09 |
Yes, I am late, |
00:22:13 |
Alright, then. |
00:22:18 |
Could you put this on the room, please? |
00:22:21 |
I don't have a room. |
00:22:25 |
You're rather newto this, aren't you? |
00:22:29 |
The initiator is responsible for the room. |
00:22:33 |
Oh. So I should... |
00:22:37 |
Oh. Excuse me. |
00:22:42 |
Frankly, I'm surprised whoever |
00:22:46 |
Downstairs, you talked about a rule. |
00:22:49 |
No rough stuff. If that's your thing, |
00:22:54 |
No business talk, and no names. |
00:23:00 |
How did you get into this? |
00:23:03 |
He introduced you to the list |
00:23:06 |
Well, he had to leave town. |
00:23:09 |
It's not that. You just strike me |
00:23:13 |
If it wasn't for the $4,000 suit, |
00:23:16 |
This is us. |
00:23:20 |
Although, |
00:23:23 |
And I'm a sucker for bashful boys. |
00:23:38 |
Can I ask you something? |
00:23:43 |
Why do you do this? |
00:23:48 |
The economics of the arrangement. |
00:23:52 |
Intimacy without intricacy. |
00:23:57 |
I work past midnight almost every night. |
00:24:01 |
The last dinner I had that wasn't business |
00:24:16 |
Hey, Wyatt, it's Jonathan. |
00:24:21 |
I guess |
00:24:23 |
Look, I just wanted to say thank you. |
00:27:24 |
Wait. Wait. Before we... |
00:27:28 |
The thing is, I knowyou. |
00:27:32 |
We met before in the Times Square |
00:27:37 |
and you asked me if the train stops |
00:27:48 |
No. |
00:27:50 |
Wait. It just feels a little strange, |
00:27:55 |
Why? Because you've seen me before? |
00:27:58 |
Maybe. It's just... |
00:28:05 |
Okay... |
00:28:07 |
I guess it is a little bit |
00:28:19 |
Maybe some other time. |
00:28:26 |
Oh, no, please. What I mean is... |
00:28:29 |
By any chance... are you hungry? |
00:28:36 |
Mm, you have a little bit of... |
00:28:41 |
Oh. I'm sorry. I'm a messy eater. |
00:28:47 |
There you go. |
00:28:50 |
You have a little piece of... |
00:29:01 |
So what do you do for a living? |
00:29:04 |
I sit behind glass |
00:29:08 |
You work in a bank? |
00:29:11 |
I bet that's what you always |
00:29:14 |
Oh, yeah, I'm livin' the dream. |
00:29:19 |
Still here. |
00:29:21 |
But how about you? |
00:29:24 |
No, no, no, I'm afraid that we're |
00:29:28 |
Frank. |
00:29:31 |
You look like a Frank. |
00:29:36 |
By the way, my name is... |
00:29:40 |
You knowthe rules. No names. |
00:29:42 |
Yeah, but the rules seem to specify |
00:29:46 |
Okay. How 'bout I tell you my name, |
00:29:52 |
Oh, you're in real trouble here. |
00:29:55 |
What are you very good at? |
00:29:59 |
I'm very good at identifying hierarchical |
00:30:04 |
Is that right? |
00:30:05 |
And this talent can be applied |
00:30:08 |
For example, |
00:30:13 |
How do you knowthat? |
00:30:16 |
Wow. Excellent work. |
00:30:20 |
A, your name begins with an S. |
00:30:23 |
And C... |
00:30:26 |
And C, you do not know |
00:30:29 |
That's true. |
00:30:31 |
Now all I do is extrapolate from |
00:30:36 |
is... |
00:30:39 |
Sybil. |
00:30:42 |
Sophie. You're definitely a Sophie. |
00:30:45 |
Either. |
00:30:47 |
How about Syd, as in Syd Charisse? |
00:30:50 |
Yeah, but maybe you spell it with an S. |
00:30:54 |
Sexy Steffi was lookin' for a train... |
00:30:58 |
Sunbeam. |
00:31:01 |
Absolutely. |
00:31:05 |
Well, then, that's it. |
00:31:08 |
I told you I was good at this. |
00:31:18 |
I'm crashing. |
00:31:22 |
I'd really like to see you again. |
00:31:26 |
Hm, well... we'll see about that. |
00:31:30 |
Maybe tomorrow?. |
00:32:37 |
Hello? |
00:32:39 |
Hey, are you back? |
00:32:45 |
Housekeeping. |
00:32:48 |
Sorry. |
00:32:50 |
I'm in the Soho Grand. |
00:32:52 |
Sounds like you've been enjoying yourself. |
00:32:56 |
and I broke all the rules and I had |
00:33:00 |
(Wyatt) That's extremely naughty of you. |
00:33:03 |
I have no idea, really. I don't know |
00:33:07 |
I'm gonna see her again. |
00:33:11 |
What? |
00:33:14 |
She's different. Trust me. |
00:33:18 |
So when are you back? |
00:33:20 |
It's back-to-back bullshit here. |
00:33:24 |
Well, good luck. |
00:33:27 |
(Wyatt) |
00:33:37 |
Hello? |
00:33:39 |
I'm sorry, you have the wrong number. |
00:33:54 |
Hello? |
00:33:58 |
Can you meet me in Chinatown, |
00:34:02 |
Okay. |
00:34:32 |
I got you a present. |
00:34:36 |
Thank you. |
00:34:44 |
Let's go. |
00:35:01 |
We'd like... we'd like one of these. |
00:35:04 |
And... one of these... |
00:35:09 |
Thank you. |
00:35:13 |
What did you order? |
00:35:17 |
How do you knowwe'll like it? |
00:35:24 |
This is so not my life. |
00:35:27 |
Ever since that night on the subway |
00:35:31 |
I'm not sure I believe you. |
00:35:35 |
I mean, you're in a sex club. |
00:35:40 |
But don't say you've been |
00:35:44 |
Iong now, one month? |
00:35:50 |
I got you a present. |
00:36:00 |
Oh, he is so cute. |
00:36:08 |
Thank you. |
00:36:23 |
Here. |
00:36:31 |
What is that? |
00:36:34 |
Ginseng gum. |
00:36:38 |
It's terrible. |
00:36:41 |
I guess |
00:36:44 |
I think I got it now. |
00:36:54 |
What? What are you thinking about? |
00:37:02 |
I don't want to complicate your life. |
00:37:06 |
I want all the complications you've got. |
00:37:13 |
Maybe you should go? |
00:37:18 |
Maybe you should stay. |
00:38:19 |
I knowwe decided not to rush, but... |
00:38:24 |
Just for the record, I'm doing everything |
00:38:29 |
Oh, me too. |
00:38:33 |
Our parents would be proud. |
00:38:40 |
But just say... |
00:38:42 |
Say what? |
00:38:46 |
Ifwe acted... |
00:38:47 |
just suddenly tore off the rest of these |
00:38:52 |
human needs in a frenzy of... |
00:38:56 |
Fucking and sucking. |
00:39:00 |
Beautifully put. |
00:39:06 |
You were saying? |
00:39:09 |
Who could blame these two people? |
00:39:13 |
Who would know?. |
00:39:21 |
I got it. |
00:39:28 |
Ice. |
00:39:30 |
Oh, you gonna get some ice, huh? |
00:39:32 |
There's a machine out in the hallway. |
00:39:36 |
I'll get the ice. |
00:39:40 |
Jonathan. Wait. |
00:40:06 |
Would you like some help? |
00:40:09 |
I can manage. Thank you. |
00:40:28 |
I can't get the card to work. |
00:40:33 |
Hello? |
00:40:36 |
Hello? |
00:42:11 |
Hello! |
00:42:17 |
Hello? |
00:42:19 |
Sir. Sir! |
00:42:36 |
Mr. McQuarry, Detective Russo. |
00:42:41 |
How're you doing? |
00:42:45 |
This is Detective Burke. |
00:42:48 |
Last name McQuarry, first name Jonathan. |
00:42:51 |
Andyou don't know anything about her? |
00:42:53 |
Where she works, where she lives, |
00:42:58 |
all I know about her |
00:43:01 |
Is she a prostitute? |
00:43:04 |
I told you, she's a friend. |
00:43:11 |
Look, who else is in this sex group? |
00:43:16 |
It's anonymous. |
00:43:18 |
You walked into the room and saw blood? |
00:43:20 |
Yeah, I saw blood and then someone hit me, |
00:43:24 |
And you didn't see who hit you? |
00:43:27 |
They must've been hiding in the bathroom. |
00:43:30 |
Your wallet, or jewelry or anything? |
00:43:34 |
Look, Detective, please, |
00:43:37 |
We can't do anything |
00:43:40 |
I told you what happened tonight. |
00:43:48 |
Have you ever had |
00:43:51 |
No. What're you talking about? |
00:43:54 |
and he only recalls seeing you check in. |
00:43:58 |
And as for the blood you say you saw, |
00:44:02 |
In fact, the only blood we found |
00:44:09 |
Look, I knowit all sounds... |
00:44:13 |
But I swear there's a woman |
00:44:17 |
A woman whose name you don't know. |
00:44:20 |
Yes. |
00:44:24 |
Look, clearly, you had a tough night. |
00:44:29 |
I tell you what. Go home, and if you |
00:45:53 |
Hey, Wyatt, it's me, Jonathan. |
00:45:57 |
Look, something happened to me last night. |
00:46:00 |
Could you call me back |
00:46:03 |
I really need to speak to you. |
00:46:06 |
Can I help you? |
00:46:09 |
He's one of your attorneys |
00:46:13 |
Maybe I can speak to his assistant. |
00:46:16 |
Of course. Just a minute. |
00:46:19 |
Are you sure that you have the right firm? |
00:46:23 |
Wyatt Bose, he's six-one, |
00:46:27 |
I have his... I have his card. |
00:46:33 |
I can assure you there is no one |
00:46:37 |
No, but I've seen him in these halls. |
00:46:40 |
Excuse me? |
00:46:44 |
Wait! Hey, wait |
00:46:47 |
Who? |
00:46:50 |
You cracked jokes with him in the lobby. |
00:46:53 |
Are you trying to tell me you don't... |
00:46:57 |
He said he was going to London |
00:47:01 |
Mr. McQuarry, Mr. Rutherford |
00:47:06 |
In New Jersey. |
00:47:17 |
Yes? |
00:47:21 |
Excuse me. Wyatt? |
00:47:25 |
Uh, in, in this building? |
00:47:29 |
No, not in this building. |
00:47:31 |
No, wait, that painting. |
00:47:36 |
From the gallery in Munich |
00:47:39 |
The art dealer downstairs. |
00:47:41 |
Downstairs you must mean Mr. Moretti. |
00:47:48 |
Young man, are you alright? |
00:48:59 |
She's a looker. |
00:49:04 |
I can see |
00:49:07 |
Oh, Jesus Christ, it was you. |
00:49:13 |
Wyatt... |
00:49:16 |
I need you to listen. You're starting |
00:49:20 |
Who are you? |
00:49:22 |
I'm your only shot |
00:49:24 |
I asked you a fucking question. |
00:49:27 |
Have a seat. Sit down. |
00:49:33 |
As a part of their audit you've temporary |
00:49:38 |
That's what this is about? |
00:49:40 |
I want you to locate some accounts for me. |
00:49:45 |
I can't. |
00:49:48 |
They're client accounts. There's safety... |
00:49:51 |
I never said client accounts. |
00:49:56 |
outside the realm of your audit. |
00:50:00 |
Typical insider stuff, you know. |
00:50:03 |
skimmed into a quiet account |
00:50:05 |
You don't think they'll notice |
00:50:09 |
But they won't do shit about 'em |
00:50:12 |
I can't. |
00:50:16 |
Besides, we're friends, remember? |
00:50:24 |
I'm warning you. Don't try and be a hero, |
00:50:28 |
And you go to the cops, I'll make it look |
00:50:33 |
Don't hurt her. |
00:50:38 |
and you'll have her back in no time. |
00:50:44 |
Everything you told me was a lie. |
00:50:48 |
That was foreplay. |
00:50:58 |
I'll be watching. |
00:51:26 |
Hello? |
00:51:35 |
You have one new voice message. |
00:51:38 |
New message one. |
00:51:40 |
Are you free tonight? It's me, Tina. |
00:51:46 |
6 months is way too long. |
00:51:50 |
You better show. You owe me. |
00:52:19 |
Hello. This is the front desk. |
00:52:22 |
You can go on up. |
00:52:48 |
Who are you? What are you doing here? |
00:52:53 |
You have the wrong room. |
00:52:56 |
asking if I was free tonight? |
00:53:01 |
I must've dialed the wrong number. |
00:53:05 |
Look, I meant to call someone else. |
00:53:10 |
I need to speakwith you about Wyatt. |
00:53:13 |
I just need to ask you a few questions, |
00:53:16 |
I'm sorry, I don't know any Wyatt. |
00:53:20 |
asking him to meet you here. |
00:53:24 |
Who are you? How did you... |
00:53:27 |
What? No! I just need a few answers. |
00:53:32 |
My name is Jonathan McQuarry. |
00:53:36 |
or even to believe me, |
00:53:39 |
I told you, I don't know any Wyatt. |
00:53:46 |
No, it isn't. |
00:53:55 |
I'm sorry. |
00:54:01 |
I'm really sorry. |
00:54:09 |
I'm really in trouble, |
00:54:15 |
he's dangerous. |
00:54:19 |
It was in Chicago about a year ago, at a |
00:54:26 |
He was attending as a guest. |
00:54:32 |
A guy called Hollaway. Rudolph Holloway. |
00:54:37 |
He told me he'd just moved from Frisco |
00:54:43 |
He was extremely smart. |
00:54:46 |
I know it sounds silly, but he had this |
00:54:53 |
I found myself telling him things. |
00:54:58 |
I told him about this. |
00:55:01 |
You told him about the list. |
00:55:04 |
Yes. |
00:55:08 |
There was something about him. |
00:55:17 |
So why did you call him again? |
00:55:23 |
You knowwhen it's so good |
00:55:28 |
You want to kill someone. You wanna kill |
00:55:43 |
Fuck it. Y'knowwhat? |
00:55:52 |
Okay, so what's his real name? |
00:55:56 |
Jamie. |
00:56:01 |
That's his name. Jamie Getz. |
00:56:06 |
Jamie Getz. |
00:57:13 |
NYPD Dispatch. How may I direct your call? |
00:57:20 |
Central. |
00:57:21 |
This is Detective Russo, |
00:57:28 |
Go ahead, Detective. |
00:57:30 |
I need all you got for a missing person. |
00:57:35 |
First name Jamie. |
00:57:39 |
Not gettin' anything. |
00:57:43 |
Wait. Got a hit on the |
00:57:49 |
Yes, uh... |
00:57:51 |
Yes, send it to 212-555-01 10. |
00:57:56 |
Uh, Russo? |
00:57:59 |
Send you all we got. |
00:58:04 |
You have two unheard messages. |
00:58:06 |
It's Petersen. |
00:58:10 |
Just making sure you'll wrap up Clancey |
00:58:15 |
Hi, this is Mr. Lewman, the Super. |
00:58:20 |
I'll have a look at it Wednesday evening. |
00:58:24 |
so I'll let myself in. Thanks. |
00:58:26 |
End of messages. |
00:58:34 |
Hello? |
00:58:37 |
Hello? |
00:58:39 |
(Wyatt) I'm just making sure you can start |
00:58:42 |
I want her back. |
00:58:45 |
No. I want her back now. |
00:58:49 |
What? |
00:58:53 |
I knowwho you are, Jamie Getz. |
00:58:56 |
I know all about |
00:58:59 |
and where you come from and your days |
00:59:03 |
and 3 years at Avenal |
00:59:08 |
How... |
00:59:10 |
Doesn't matter. |
00:59:13 |
Now I want her back, unharmed... |
00:59:17 |
or else I tell your pathetic story |
00:59:21 |
Well-played, Jonathan. |
01:00:10 |
Mr. McQuarry, you have a phone call |
01:00:18 |
The body came in a little while ago. |
01:00:22 |
The driver was in a coffee shop, came back |
01:00:27 |
And she fiits the description you gave us |
01:00:32 |
And what's her name? |
01:00:38 |
Let's go this way. |
01:00:46 |
You want to step in, Mr. McQuarry, please? |
01:00:57 |
Okay. |
01:01:10 |
Is this the woman you were with |
01:01:19 |
Mr. McQuarry? |
01:01:22 |
Have you seen this woman before? |
01:01:26 |
No, I've never seen her before. |
01:01:30 |
Who is she? |
01:01:34 |
And... and what happened to her? |
01:01:39 |
Coulda been wire, even a string. |
01:01:42 |
Lab reports showtraces of Kevlar |
01:01:46 |
It's natural gut and Kevlar. |
01:01:50 |
Kevlar? |
01:01:56 |
You want to tell me anything else? |
01:02:00 |
No. |
01:03:26 |
Morning, Einstein. |
01:03:31 |
You knowfuckin' shit. |
01:03:34 |
You think because you know my name |
01:03:38 |
You have no idea what I'm capable of. |
01:03:42 |
Yes, I do. You murdered Simone, |
01:03:46 |
Not if you behave. |
01:03:50 |
what I did to her is kindness compared to |
01:03:56 |
Why, you won't even recognize her |
01:03:59 |
But her fate's in your hands. If you |
01:04:06 |
Yeah. But if I do, you'll kill me. |
01:04:10 |
Yeah. It's a bit tricky. |
01:04:13 |
But what do you care? You were dead long |
01:04:20 |
You got no killer instinct, Jonathan. |
01:04:23 |
I'll give the instructions to you later. |
01:04:27 |
You've got until 6 p.m. to execute them, |
01:04:36 |
Now, remember, be nice to everybody |
01:04:40 |
First impressions are everything, |
01:05:07 |
Mr. McQuarry. Follow me, please. |
01:05:12 |
All of our C7 logs are on the system. |
01:06:02 |
I just sawthis in my in-box. |
01:06:05 |
I guess it came in a little while ago |
01:06:09 |
Thank you. |
01:06:17 |
(Wyatt) Pay attention, Jonathan. |
01:06:20 |
Look for a group of sub-accounts |
01:06:24 |
These are masked accounts. |
01:06:27 |
with lBAN numbers ending with 6700. |
01:06:30 |
You bundle these phantom accounts |
01:06:32 |
and set up a standard wire transfer |
01:06:36 |
An account's already been set up |
01:06:42 |
Clute-Nichols is very particular about who |
01:06:46 |
But you have a level 4 clearance, |
01:06:54 |
At exactly 5 o'clock, you're gonna log in |
01:07:00 |
Once you're inside, you're gonna |
01:07:03 |
through Rudolph Holloway's |
01:07:06 |
You'll only have 40 minutes |
01:07:09 |
and manually consolidate all balances |
01:07:13 |
Once you're done, you'll encode |
01:07:17 |
to the Clute-Nichols offiice in Hong Kong. |
01:07:24 |
The Asian market |
01:07:26 |
Thus, this transfer will be catalogued |
01:07:30 |
and won't flag on the Clute transfer log |
01:07:34 |
That's 4 days after we're done, Jonathan. |
01:07:38 |
That's plenty of time for me |
01:07:47 |
Hello, sir. |
01:07:59 |
Hey, Russo. Simone Wilkenson spent |
01:08:03 |
The guy you like, McQuarry, |
01:08:07 |
Let's go pick him up. |
01:09:06 |
It's not coming out of our pockets, is it? |
01:09:09 |
What? |
01:09:10 |
That delivery. You didn't bill it to us. |
01:09:14 |
Good. |
01:09:22 |
Is everything okay? |
01:09:26 |
With the audit. |
01:09:30 |
I... it seems to be going very well. |
01:09:39 |
Good. |
01:09:59 |
It's not exactly a spectator sport. |
01:10:06 |
Yeah, well, |
01:10:11 |
You want something? |
01:11:27 |
Taxi! |
01:12:11 |
Come on. |
01:14:40 |
What happened? |
01:14:43 |
Which apartment? |
01:14:49 |
Is there a body? |
01:15:14 |
We should be arriving in Madrid by 6 a.m. |
01:15:19 |
Excuse me, are you finished with that? |
01:15:23 |
Please, go ahead. |
01:15:28 |
You on business? |
01:15:30 |
What do you do? |
01:15:33 |
Do you like it? |
01:15:36 |
Numbers know howto behave, right? |
01:15:39 |
Order and symmetry. |
01:15:43 |
Jim Winter. Deutsche Bank. |
01:15:45 |
Jonathan McQuarry, Worth and Berman. |
01:16:36 |
What do you think? |
01:16:44 |
You certainly look the part, Wyatt. |
01:16:47 |
Who's Wyatt? My name is... |
01:16:51 |
Yeah, the rules. No names, huh? |
01:16:54 |
That's a nice suit. |
01:16:57 |
Couple of days ago. |
01:17:00 |
Been enjoying Madrid? |
01:17:04 |
We need champagne. You want to order some? |
01:17:08 |
Then give me a beer. |
01:17:12 |
Wow. I spoke to Mr. Ruiz |
01:17:17 |
He's ready for us whenever we want. |
01:17:21 |
How about that? Little ol' you, huh? |
01:17:24 |
From the corner of the street and here |
01:17:30 |
Who's always looking out for you? |
01:17:33 |
Oh, yeah. Suits and ties, |
01:17:38 |
Hey. I'm paying you a million bucks |
01:17:42 |
What the fuck is wrong with you? |
01:17:47 |
I do so hate to be crass, but you |
01:17:51 |
You don't have to tell me that twice. |
01:17:56 |
So, how did it go? |
01:18:00 |
Perfect. You did a great job on him. |
01:18:04 |
Yeah, that poor bastard |
01:18:10 |
He said that? |
01:18:17 |
So, he just transferred the money, |
01:18:20 |
Sure, he had questions. He said |
01:18:26 |
What about him? |
01:18:29 |
Is he safe? |
01:18:45 |
What? |
01:19:00 |
You killed him? |
01:19:02 |
You fiicking killed him? |
01:19:06 |
You fucking piece of shit. |
01:19:09 |
You fucking lousy... Iousy... |
01:19:12 |
He knew my name. |
01:19:17 |
How long do you think he would've waited |
01:19:20 |
One hour? Three? I had no choice. |
01:19:23 |
Alright? He would've found me. |
01:19:39 |
Jesus Christ. |
01:19:42 |
You were into the accountant. |
01:19:46 |
You for real? |
01:19:54 |
That was stupid. |
01:20:00 |
Fuck. |
01:20:09 |
I'm sorry. |
01:20:12 |
I'm sorry. |
01:20:16 |
I don't knowwhat's wrong with me. |
01:20:22 |
It just caught me by surprise. |
01:20:28 |
You'll feel fine later |
01:20:34 |
Buy you a nice leather bag to put it in. |
01:20:39 |
We'll take the night train to Paris. |
01:20:47 |
then mosey on down to Nice. |
01:20:51 |
Buy a yacht. |
01:20:59 |
My baby loves me, |
01:21:04 |
She loves me, |
01:21:07 |
And when she kisses... |
01:21:10 |
And then I ask her |
01:21:14 |
I get my answer, |
01:21:18 |
I say "Yeah, yeah." |
01:21:26 |
Say it! |
01:21:30 |
is what I say. |
01:21:33 |
Oh, what I'm gonna do to you. |
01:22:40 |
I have an appointment with Mr. Ruiz. Ruiz? |
01:22:43 |
Ruiz. I'm Jonathan McQuarry. |
01:22:52 |
McQuarry. |
01:22:54 |
Okay, this way. Excuse me. The young lady, |
01:22:58 |
No. She's my personal secretary. |
01:23:03 |
Well, only those on the account |
01:23:06 |
I do apologize. |
01:23:08 |
Would you mind if I waited here? |
01:23:14 |
This way, please. |
01:23:26 |
Mr. Lopez-Poline, our Bank Manager. |
01:23:30 |
Mr. McQuarry. Buenas dias. |
01:23:33 |
I understand you wish to close |
01:23:36 |
I'm afraid so. |
01:23:39 |
Of course. I need to see your passport |
01:23:44 |
Here you are. |
01:23:59 |
Gracias. |
01:24:02 |
And tell me, will the co-signer |
01:24:06 |
Excuse me? |
01:24:09 |
We will need his information as well |
01:24:15 |
The co-signer. |
01:24:17 |
When this money was transferred |
01:24:21 |
to release the funds. |
01:24:27 |
A Mr. Bose, Wyatt Bose, |
01:24:32 |
Wyatt Bose. |
01:24:36 |
According to our records |
01:24:38 |
you yourself requested the co-signature |
01:24:42 |
Yes, I know I did, but it's just... |
01:24:49 |
It's not a problem. I can sort this out. |
01:24:56 |
Please tell Mr. Ruiz I'll be back shortly. |
01:25:01 |
Okay. |
01:25:34 |
Hello. |
01:25:38 |
Jonathan. |
01:25:43 |
Yes, I am. |
01:25:56 |
Hello, Jonathan. |
01:26:05 |
My God, I'm a handsome devil. |
01:26:08 |
The hair isn't quite right. |
01:26:12 |
Regardless, you look well. |
01:26:17 |
I want half. |
01:26:20 |
Careful. The suit doesn't make |
01:26:24 |
I stole 20 million dollars. |
01:26:29 |
There are two signatures required |
01:26:35 |
You thought of everything, didn't you? |
01:26:37 |
Without me that money doesn't |
01:26:46 |
Okay. Let's do it. |
01:26:56 |
Señor Bose. |
01:26:58 |
Señor McQuarry. |
01:27:07 |
Would you sign there, Mr. McQuarry, |
01:27:16 |
Two suitcases, ten million each. |
01:27:21 |
Well, everything seems to be in order. |
01:27:24 |
Mr. McQuarry, Mr. Bose... |
01:27:28 |
please sign here and here. |
01:27:32 |
Thank you. Please follow me. |
01:27:42 |
All yours. |
01:28:02 |
Well, here we are, Jonathan. |
01:28:08 |
A lot of people would give everything |
01:28:11 |
I'm curious. |
01:28:15 |
You made a mistake. |
01:28:19 |
The photo you sent me |
01:28:22 |
Before the pipe behind her |
01:28:28 |
I knew she was in on it. |
01:28:35 |
Where is she? |
01:28:37 |
She really got under your skin, |
01:28:42 |
I'll give you half my share |
01:28:46 |
Is that so? |
01:28:51 |
Let's go somewhere quiet and make a deal. |
01:28:57 |
She fell for you, Jonathan. |
01:29:02 |
I think she may have even loved you. |
01:29:08 |
She's a very special girl, and I think |
01:29:12 |
but then again... |
01:29:46 |
I'm sorry. I'm so sorry. |
01:30:59 |
Wait! Wait! I need to talk to you. |
01:31:02 |
I came here hoping I would see you again. |
01:31:05 |
You don't even know my name. |
01:31:08 |
So I was just part of the plan, |
01:31:12 |
I wanted to call it off. |
01:31:16 |
I didn't know he was gonna try |
01:31:25 |
Take care of yourself. |
01:32:50 |
Norbert Lewman... the Super. |