|
Defendor
|
| 00:00:29 |
WOMAN: |
| 00:00:33 |
Arthur. |
| 00:00:36 |
Yeah. |
| 00:00:38 |
Are you thinking about the question? |
| 00:00:41 |
Mmm... |
| 00:00:43 |
Are you Japanese? |
| 00:00:46 |
No. |
| 00:00:48 |
Mieko Tatsuri is Japanese. |
| 00:00:51 |
Oh. Who is Mieko Tatsuri? |
| 00:00:54 |
Mmm... |
| 00:00:55 |
She's the leader of Blowback. |
| 00:00:58 |
Her father is a ninja and her mother |
| 00:01:01 |
is an alien from the gamma sector. |
| 00:01:04 |
Okay. Well, I'm Korean. |
| 00:01:07 |
(CHUCKLES) |
| 00:01:09 |
Is that going to be on the test? |
| 00:01:12 |
No. There's no test. |
| 00:01:13 |
Well, I thought... |
| 00:01:15 |
I thought I was being tested. |
| 00:01:17 |
No. This is an evaluation, Arthur. |
| 00:01:20 |
It's different than a test. |
| 00:01:21 |
Can we get back to the question? |
| 00:01:27 |
Okay. Why did you assault |
| 00:01:35 |
Debrofkowitz. |
| 00:01:40 |
Mmm-hmm. You smashed up |
| 00:01:44 |
Hmm. Top secret. |
| 00:01:52 |
(MECHANICAL HUMMING) |
| 00:02:34 |
Look out, termites. |
| 00:02:42 |
HOST ON RADIO: |
| 00:02:44 |
1, the cops in this town |
| 00:02:46 |
2, they're underfunded, |
| 00:02:49 |
And 3, they're crooked. |
| 00:02:51 |
How do you think this city got |
| 00:02:53 |
How about some fricking music? |
| 00:02:55 |
(HIP-HOP PLAYING ON RADIO) |
| 00:02:57 |
Fuck you. |
| 00:02:59 |
I'm sure you do. |
| 00:03:02 |
Are you going to work for it or |
| 00:03:06 |
What's this? |
| 00:03:08 |
It's like a present. |
| 00:03:10 |
No, no. That's not going |
| 00:03:12 |
Yeah, well, using nothing's |
| 00:03:16 |
Who the fuck do you |
| 00:03:20 |
(MUFFLED SCREAM) |
| 00:03:26 |
(CLATTERING) |
| 00:03:28 |
What was that? |
| 00:03:31 |
What was that? |
| 00:03:35 |
(GRUNTS) |
| 00:03:37 |
Garbage days. |
| 00:03:44 |
Stop! You're hurting my arm. |
| 00:03:45 |
Well, that's just an occupational |
| 00:03:46 |
Stop, Dooney! |
| 00:03:50 |
Come on. Let's just do this slow. |
| 00:03:52 |
Yeah. That's what I want. |
| 00:03:53 |
That's what I want. |
| 00:03:55 |
Do it slow. That's it. |
| 00:04:07 |
Hey, there's been |
| 00:04:10 |
ARTHUR: |
| 00:04:11 |
Hey, buddy, that's my line. |
| 00:04:18 |
Chuck Dooney, Drug Squad. |
| 00:04:23 |
Who the fuck are |
| 00:04:26 |
Your worst nightmare. |
| 00:04:30 |
Go on. Make like a rocket. |
| 00:04:33 |
You messed up. |
| 00:04:36 |
I want Captain Industry. |
| 00:04:39 |
Who? |
| 00:04:40 |
Listen, fuckhead! |
| 00:04:44 |
Wrong answer. |
| 00:04:46 |
(GRUNTING) |
| 00:04:55 |
WAITRESS: |
| 00:04:57 |
Just taking a break. |
| 00:05:02 |
WAITRESS: |
| 00:05:42 |
(DOOR OPENS) |
| 00:05:45 |
DISPATCHER: (ON POLICE RADIO) |
| 00:05:48 |
dressed in black tights |
| 00:05:50 |
Wanted on a 245A. |
| 00:05:51 |
There you go. Assaulting an officer |
| 00:05:53 |
Thank you. |
| 00:06:04 |
Hey, partner? |
| 00:06:06 |
OFFICER: Cream and sugar, |
| 00:06:11 |
MIKE: Get your fucking hands up |
| 00:06:13 |
Let's fucking go. |
| 00:06:28 |
FAIRBANKS: |
| 00:06:29 |
MIKE: Yeah, which feeds |
| 00:06:34 |
That business with Dooney. |
| 00:06:36 |
(SIGHS) |
| 00:06:38 |
MIKE: No, no. He says he wants |
| 00:06:40 |
FAIRBANKS: |
| 00:06:42 |
(OVER PA) Stupid dumb cops. |
| 00:06:45 |
Name? |
| 00:06:47 |
Captain, this guy is pretty funny. |
| 00:06:51 |
He says he wants to call a truce. |
| 00:06:54 |
A vigilante? |
| 00:06:58 |
He calls himself Defendor. |
| 00:07:01 |
And that's with an O-R, Captain. |
| 00:07:05 |
And he flips out if you get that wrong. |
| 00:07:13 |
Commissioner, this is outrageous. |
| 00:07:15 |
Yeah. Yeah, sure it is. |
| 00:07:16 |
Why don't you calm |
| 00:07:28 |
My grandfather fought in |
| 00:07:31 |
I remember him showing me |
| 00:07:34 |
Was your grandfather |
| 00:07:37 |
Yes, he was. |
| 00:07:42 |
Probably passed on to his |
| 00:07:46 |
(STAMMERING) |
| 00:07:52 |
26 years ago. |
| 00:07:55 |
I wonder if your grandfather |
| 00:07:58 |
bumped into each other up there. |
| 00:08:00 |
(LAUGHS) |
| 00:08:02 |
What did you say his name was? |
| 00:08:04 |
Henry Poppington. |
| 00:08:06 |
Mmm. |
| 00:08:09 |
Wouldn't surprise me. |
| 00:08:13 |
Pretty sturdy |
| 00:08:15 |
It has the blood |
| 00:08:17 |
Does it have the blood of an |
| 00:08:21 |
You strike one of |
| 00:08:24 |
No. |
| 00:08:31 |
When you break the law, |
| 00:08:35 |
When you break the law with a badge, |
| 00:08:39 |
I don't strike officers. |
| 00:08:41 |
Punks? Different story. |
| 00:08:47 |
Well, you strike me as |
| 00:08:51 |
Great men know |
| 00:08:56 |
Roger Fairbanks. |
| 00:09:01 |
Arthur Poppington. |
| 00:09:07 |
(DOOR OPENS) |
| 00:09:10 |
Sir, nice work in there. |
| 00:09:13 |
Yeah, run Arthur Poppington through |
| 00:09:18 |
Confiscate his trench club, |
| 00:09:22 |
and the rest of this stuff, |
| 00:09:28 |
All right, |
| 00:09:31 |
Stay out of trouble, |
| 00:09:34 |
Trouble has a way of following me. |
| 00:09:39 |
No, forget about that. |
| 00:09:40 |
Just run along and get |
| 00:09:48 |
(DOOR OPENS AND CLOSES) |
| 00:10:35 |
(COUGHING) |
| 00:10:50 |
There are at least 8 ways |
| 00:10:53 |
I'm taking the front door. |
| 00:10:59 |
I think, for a large portion of your life, |
| 00:11:04 |
And now, at this stage, |
| 00:11:12 |
DR. PARK: Okay. Okay, you sit. |
| 00:11:20 |
Okay. Do you remember |
| 00:11:28 |
Let me assure you, Arthur, |
| 00:11:31 |
is for the judge's ears only. |
| 00:11:37 |
Totally classified? |
| 00:11:39 |
Totally. |
| 00:11:44 |
HOST ON RADIO: |
| 00:11:46 |
I go through these neighborhoods. |
| 00:11:47 |
I see these girls out there. |
| 00:11:52 |
Do you think I'm joking? |
| 00:11:55 |
What is this, Thailand? |
| 00:11:57 |
Because if we're going to stand for this, |
| 00:12:00 |
"Come on down to the Hammer |
| 00:12:03 |
At least that way we'll |
| 00:12:05 |
All right, let's go to the tribal brain |
| 00:12:09 |
Line 3, go ahead. |
| 00:12:10 |
WOMAN: |
| 00:12:12 |
to suggest exploiting those poor girls. |
| 00:12:15 |
RADIO HOST: |
| 00:12:20 |
Hello? Hello? |
| 00:12:23 |
Next caller, you're on the air. |
| 00:12:29 |
(HUMMING SOFTLY) |
| 00:13:26 |
(ENGINE STARTING) |
| 00:13:41 |
CLIFF: Fucking guy! |
| 00:13:43 |
Get the fuck out of here! |
| 00:13:44 |
Come on! I'm just |
| 00:13:46 |
Come here. |
| 00:13:48 |
You got to learn how to |
| 00:13:50 |
Lighten up! Hey. Hey. |
| 00:13:56 |
Now, what are you doing |
| 00:14:02 |
Somebody call the police! |
| 00:14:05 |
Police! Help, police! |
| 00:14:08 |
We're sick and tired |
| 00:14:10 |
deface our city walls! |
| 00:14:13 |
Why don't you pick on |
| 00:14:19 |
Boys, this is... |
| 00:14:22 |
This is the retard that |
| 00:14:24 |
I thought they got you. |
| 00:14:27 |
Why don't you let the kid go? |
| 00:14:29 |
Who writes your dialog? |
| 00:14:33 |
No. I write it myself. |
| 00:14:36 |
You know what? |
| 00:14:40 |
Somebody with talent. |
| 00:14:41 |
No. |
| 00:14:43 |
You need a ghost writer. |
| 00:14:45 |
'Cause that's what you're going |
| 00:14:53 |
What? What's that? |
| 00:14:55 |
A jar. |
| 00:14:57 |
Duh. So, what is it supposed to do? |
| 00:14:59 |
Very little. |
| 00:15:01 |
Except contain |
| 00:15:06 |
(LAUGHS) |
| 00:15:08 |
(EXCLAIMING IN SHOCK) |
| 00:15:12 |
(STAMMERING) |
| 00:15:21 |
(SCREAMING) |
| 00:15:25 |
Come on! Lights on, Dog! |
| 00:15:28 |
Lights, Dog. Lights on, Dog. |
| 00:15:32 |
Lights! Lights on! |
| 00:15:40 |
Who wants to go first? |
| 00:15:44 |
Why don't I go first? |
| 00:15:50 |
(GRUNTING) |
| 00:15:52 |
(GROANING) |
| 00:16:02 |
(GRUNTING) |
| 00:16:24 |
THUG:...my fucking elbow. |
| 00:16:36 |
(GRUNTS) |
| 00:16:47 |
MAN: |
| 00:16:48 |
FAY: Just give me a second. |
| 00:16:59 |
Hey, Arthur. |
| 00:17:03 |
Hey, smelly. |
| 00:17:06 |
Hey. |
| 00:17:08 |
Wake up. Wake up. |
| 00:17:10 |
WOMAN: |
| 00:17:24 |
I'm going to go away for awhile. |
| 00:17:29 |
(WOMAN GRUNTING) |
| 00:17:31 |
Come on. You can do it. There you go. |
| 00:17:34 |
Good job. Good job. |
| 00:17:35 |
When are you coming back? |
| 00:17:38 |
Soon, little man. Grandpa's |
| 00:17:44 |
Just a couple of months. |
| 00:17:54 |
Okay. Okay. Come on. |
| 00:17:58 |
Look out there. |
| 00:18:00 |
The moon. |
| 00:18:03 |
Wherever I am, |
| 00:18:08 |
'Cause we can always |
| 00:18:10 |
Mommy? Mommy? |
| 00:18:15 |
Sure. Whatever you're into. |
| 00:18:18 |
You need money. |
| 00:18:19 |
FAY: You just keep looking |
| 00:18:23 |
That's where I'll be at. |
| 00:18:25 |
MAN: |
| 00:18:31 |
Hey. Hey. You want me |
| 00:18:35 |
Come on. Let's go to your place. |
| 00:18:40 |
(CRYING) |
| 00:18:55 |
What is this place? |
| 00:18:57 |
It's a secret base. |
| 00:19:19 |
You live here? Cool. |
| 00:19:25 |
(TOOTH CLATTERS) |
| 00:19:27 |
You know, you really messed with |
| 00:19:33 |
Messed with your... |
| 00:19:38 |
Angel. |
| 00:19:40 |
Angel? |
| 00:19:41 |
"Make like a rocket. Take off." |
| 00:19:45 |
You fucked everything |
| 00:19:52 |
What are you doing? |
| 00:19:56 |
This? It's a little bling-bling. |
| 00:20:00 |
It's like medicine. It'll make you |
| 00:20:06 |
Hmm? |
| 00:20:10 |
That stuff is bad. |
| 00:20:13 |
Your momma tell you that? |
| 00:20:16 |
She died. |
| 00:20:21 |
Shit. Sorry. |
| 00:20:25 |
ANGEL: Look, I got another way |
| 00:20:28 |
Ready for what? |
| 00:20:31 |
What does the wind do? |
| 00:20:33 |
The wind? The wind? |
| 00:20:35 |
The wind, the wind, |
| 00:20:37 |
the wind, the wind, the wind... |
| 00:20:39 |
(STAMMERING) |
| 00:20:43 |
Yeah? |
| 00:20:46 |
It swishes everything |
| 00:20:50 |
You have to go. |
| 00:20:53 |
Well, Meal Ticket's a little |
| 00:20:58 |
Soon as he calms down, |
| 00:21:57 |
Number one? |
| 00:22:00 |
Shit, that's got to |
| 00:22:05 |
(UNZIPS BAG) |
| 00:22:11 |
I tripped. |
| 00:22:15 |
Down some steps. |
| 00:22:17 |
Bullshit. |
| 00:22:18 |
What'd they look like? |
| 00:22:21 |
Arthur, don't fucking lie to me. |
| 00:22:27 |
It only hurts when I breathe. |
| 00:22:29 |
Jesus! Give me this. |
| 00:22:30 |
(WHISTLES) |
| 00:22:34 |
Come on. We're going to the hospital. |
| 00:22:40 |
Arthur, we're going |
| 00:22:46 |
How many guys? |
| 00:22:48 |
10 or 12. |
| 00:22:50 |
Jesus, Arthur. |
| 00:22:56 |
You know what "provoke" means? |
| 00:22:59 |
You lost a tooth, pal. |
| 00:23:00 |
some provoking |
| 00:23:02 |
Trying to save someone. |
| 00:23:06 |
Jack, Jack, |
| 00:23:10 |
Hey, Arthur. How are you? |
| 00:23:13 |
We brought some dinner. |
| 00:23:15 |
Ooh, meatloaf! |
| 00:23:17 |
I don't know. |
| 00:23:19 |
He was trying |
| 00:23:22 |
DOCTOR: |
| 00:23:24 |
(SIGHS) |
| 00:23:26 |
It's okay. Take it on in with you. |
| 00:23:42 |
What does this teach us, Jack? |
| 00:23:45 |
Next time have a gun. |
| 00:23:46 |
Hey. Don't be a wise ass. |
| 00:23:49 |
No, it teaches us that fighting |
| 00:23:53 |
Mom. |
| 00:23:54 |
Sometimes a good |
| 00:23:55 |
isn't such a bad... |
| 00:23:58 |
But, Mom, is it okay to fight if |
| 00:24:07 |
MAN: |
| 00:24:08 |
We're going to have a problem |
| 00:24:10 |
No. No. No. |
| 00:24:12 |
Yeah, I got a wire tap |
| 00:24:16 |
MAN: You need money, resources, |
| 00:24:18 |
And I appreciate your support, Chief, |
| 00:24:19 |
but I can't let anybody, even in |
| 00:24:22 |
Sit down and shut |
| 00:24:24 |
Oh! Shoot. I... I got to |
| 00:24:31 |
Hey, Captain. |
| 00:24:33 |
Dooney, Dooney, golly. |
| 00:24:36 |
What the hell? |
| 00:24:38 |
Did you just say "golly"? |
| 00:24:39 |
I did, yeah. |
| 00:24:40 |
(LAUGHS) |
| 00:24:42 |
Hey, listen, there's |
| 00:24:45 |
about some sting |
| 00:24:50 |
You hear anything |
| 00:24:52 |
No. No. Well, where |
| 00:24:55 |
I don't know. |
| 00:25:00 |
I didn't think much about it, |
| 00:25:05 |
Since it's my turf, right? |
| 00:25:06 |
Right. |
| 00:25:18 |
Anyway, I'm going to process this |
| 00:25:21 |
It's my weekend with the girls. |
| 00:25:23 |
Oh? Good, good. |
| 00:25:27 |
Hey, you be careful |
| 00:25:52 |
What's that stand for? |
| 00:25:56 |
Defendor. |
| 00:25:58 |
ANGEL: |
| 00:25:59 |
Defendor! |
| 00:26:01 |
Oh, my God. |
| 00:26:03 |
Jesus. How do you spell that? |
| 00:26:05 |
I know how to spell it! |
| 00:26:07 |
Relax, guy. |
| 00:26:10 |
I can't relax. |
| 00:26:12 |
people out there that need me. |
| 00:26:14 |
Who needs you? |
| 00:26:15 |
I asked you first. |
| 00:26:20 |
I'm looking for someone. |
| 00:26:23 |
Yeah, who? |
| 00:26:25 |
Captain Industry. |
| 00:26:27 |
Who's that? |
| 00:26:31 |
He smuggles drugs. |
| 00:26:34 |
(LAUGHS) |
| 00:26:36 |
I probably know him, then. |
| 00:26:39 |
Radovan? |
| 00:26:40 |
Yeah. He's a real fucker, man. |
| 00:26:42 |
Radovan? |
| 00:26:45 |
Hmm... |
| 00:26:46 |
No. No, I don't think so. |
| 00:26:51 |
No? Okay then. |
| 00:26:59 |
Well, do you think he might be |
| 00:27:07 |
Do I think |
| 00:27:10 |
Do I think Radovan Kristic |
| 00:27:13 |
Uh, yeah. I think he is. |
| 00:27:20 |
(STAMMERING) |
| 00:27:22 |
Kristic. Kristic. |
| 00:27:25 |
Radovan Kristic. |
| 00:27:26 |
He's an evil mastermind. |
| 00:27:32 |
And you know him? |
| 00:27:33 |
Been to his house, man. |
| 00:27:35 |
He's bringing girls |
| 00:27:38 |
Sex slaves, drugs, guns. |
| 00:27:43 |
Show me. |
| 00:27:46 |
He's got these 2 huge-assed |
| 00:27:49 |
You'd never get within a mile of him. |
| 00:27:50 |
Oh, I can handle 2 big-assed dudes. |
| 00:27:52 |
Oh, you can? |
| 00:27:54 |
You mean like last time when I peeled |
| 00:27:59 |
No. Do you think those guys work |
| 00:28:05 |
Um, well, if Radovan Kristic |
| 00:28:08 |
yes, because everybody |
| 00:28:11 |
He's in with the bikers now. |
| 00:28:13 |
(STAMMERING) |
| 00:28:17 |
I was his favorite girl for, |
| 00:28:21 |
What are you doing? |
| 00:28:23 |
I'm going to get him. |
| 00:28:27 |
Listen, young lady. |
| 00:28:29 |
Oh! Don't "young lady" me, buddy. |
| 00:28:31 |
I'm not telling you shit. |
| 00:28:33 |
I'm not a joke! |
| 00:28:56 |
Captain Industry, |
| 00:29:00 |
Well, that kind of information |
| 00:29:09 |
This information, |
| 00:29:14 |
Well, she knew a lot of stuff. |
| 00:29:21 |
You think that's too expensive? |
| 00:29:24 |
Because on The Rockford Files, |
| 00:29:26 |
it always cost |
| 00:29:31 |
(PEN SCRATCHING) |
| 00:29:32 |
Did I get that wrong? |
| 00:29:33 |
No. There's no |
| 00:29:35 |
Well, if there's no right or wrong here, |
| 00:29:40 |
Where would |
| 00:29:43 |
Out there. |
| 00:29:46 |
(SNORING) |
| 00:30:33 |
What the fuck is this? |
| 00:30:44 |
Angel. |
| 00:30:46 |
You scared the shit out of me! |
| 00:30:48 |
What are you doing? |
| 00:30:50 |
What? What's the problem? I'm not... |
| 00:30:55 |
Here. You can have |
| 00:30:57 |
First issue. You think it's worth |
| 00:30:59 |
Some geek offered |
| 00:31:01 |
Apparently Strontium 90 and |
| 00:31:09 |
You shouldn't take |
| 00:31:11 |
Oh, really? |
| 00:31:14 |
Should I suck your cock now? |
| 00:31:18 |
You must be tired. |
| 00:31:46 |
What's your real name? |
| 00:31:50 |
Kat. |
| 00:31:53 |
Katerina. |
| 00:31:55 |
(SIGHS) |
| 00:31:58 |
Katerina Debrofkowitz. |
| 00:32:02 |
Kat. Kat. Kat. |
| 00:32:06 |
(LAUGHING) |
| 00:32:12 |
Well, why do you lie? |
| 00:32:15 |
I'm good at it. |
| 00:32:18 |
What else are you good at? |
| 00:32:22 |
Get guys off pretty good. |
| 00:32:25 |
What else? |
| 00:32:30 |
I used to get A's in English. |
| 00:32:34 |
English? Like a writer? |
| 00:32:39 |
Mrs. Shaw thought I was pretty good. |
| 00:32:41 |
you know, 4 years ago. |
| 00:32:45 |
You should be |
| 00:32:49 |
Yeah, Lois Lane. |
| 00:32:57 |
So, well, |
| 00:33:01 |
did you lie about other stuff, |
| 00:33:07 |
like being Captain Industry's girlfriend |
| 00:33:13 |
Sort of. |
| 00:33:17 |
It's all up a hill, like a mountain, |
| 00:33:22 |
and then it starts smelling like shit. |
| 00:33:24 |
Which I think is the stables, |
| 00:33:31 |
I was blindfolded. |
| 00:33:33 |
Huh. |
| 00:33:36 |
He lives way out |
| 00:33:54 |
It's okay. It's okay. |
| 00:33:57 |
That's it. |
| 00:34:04 |
What do I do? |
| 00:34:07 |
(RADIO STATIC) |
| 00:34:09 |
DOONEY: He's the nice man that |
| 00:34:13 |
(SPEAKING IN RUSSIAN) |
| 00:34:17 |
Come on, be a good girl. |
| 00:34:19 |
It's going to be over |
| 00:34:22 |
Come on. Hey. Hey. |
| 00:34:27 |
Hey, do you want some of this? |
| 00:34:32 |
It'll give you some courage. |
| 00:34:36 |
Okay. You'll be all right. |
| 00:34:42 |
(CAR DOOR CLOSES) |
| 00:35:11 |
Dooney. |
| 00:35:13 |
You want to know where |
| 00:35:15 |
Remember him? |
| 00:35:18 |
Well, you better, 'cause he's |
| 00:35:22 |
Where is he? |
| 00:35:23 |
Well, he's usually |
| 00:35:26 |
especially since the wife grew |
| 00:35:29 |
Grapes? |
| 00:35:31 |
It's in the 'hood. |
| 00:35:34 |
Grapes. Grew grapes. |
| 00:36:03 |
(LAUGHS) |
| 00:36:11 |
(GIGGLES) |
| 00:36:18 |
Come on, little friend. |
| 00:36:20 |
Arthur, they're going to sting you. |
| 00:36:22 |
They're sleepy. |
| 00:36:24 |
(SCOFFS) |
| 00:36:25 |
"Sleepy" means "pissed off". |
| 00:36:28 |
Oh, God, I can't watch. |
| 00:36:31 |
(BOTH EXCLAIM) |
| 00:36:53 |
I'm not kidding around. |
| 00:36:58 |
I'm serious. |
| 00:37:08 |
You're going to jail. |
| 00:37:28 |
(EXCLAIMS) |
| 00:37:32 |
(GROANS) |
| 00:37:36 |
Who's there? |
| 00:38:07 |
Oh, shit. |
| 00:38:10 |
Oh, yeah, here we go. |
| 00:38:16 |
Hey, listen. I think I can... |
| 00:38:22 |
I'm listening. |
| 00:38:24 |
That's good. |
| 00:38:29 |
(STAMMERING) |
| 00:38:35 |
But you know what else you got? |
| 00:38:43 |
Where's Captain Industry? |
| 00:38:45 |
Fuck, man. |
| 00:38:48 |
(SCREAMING) |
| 00:38:52 |
What's that? Lime... |
| 00:38:55 |
Come on! Please, |
| 00:38:59 |
(SCREAMS IN PAIN) |
| 00:39:01 |
(SCREAMING) |
| 00:39:05 |
Shit! I don't know anything about |
| 00:39:12 |
Just listen, this Captain Industry |
| 00:39:14 |
You know what? You're sick, man. |
| 00:39:17 |
You know that? |
| 00:39:18 |
There's no Captain Industry. |
| 00:39:24 |
What... Somewhere near |
| 00:39:28 |
Somewhere near the smell of poo. |
| 00:39:33 |
Hey, retard. |
| 00:39:37 |
Look at me. |
| 00:39:40 |
You're a dead man. |
| 00:39:44 |
Oh, come on. |
| 00:39:45 |
(SCREAMING) |
| 00:39:52 |
(SOBS) |
| 00:39:56 |
DOONEY: Fuck! |
| 00:39:59 |
DOONEY: |
| 00:40:12 |
(GRUNTS) |
| 00:40:37 |
(WOMAN LAUGHING) |
| 00:40:40 |
(INDISTINCT CHATTERING) |
| 00:41:04 |
...extra large... |
| 00:41:12 |
double cheese, double cheese |
| 00:41:17 |
Wow, Arthur, you really got |
| 00:41:19 |
I saw him, Kat. |
| 00:41:24 |
And he's really fat. |
| 00:41:27 |
Yeah, that's him. Crime of the century. |
| 00:41:33 |
Come on. Let's clean you up. |
| 00:41:37 |
KAT: |
| 00:41:42 |
Why do you smoke bling? |
| 00:41:46 |
Such a nice person. |
| 00:41:48 |
I don't know how nice I am. |
| 00:41:50 |
Nice to me. |
| 00:41:52 |
Well, you're paying me, right? |
| 00:41:55 |
You don't have to be nice. |
| 00:41:58 |
Don't put all this shit on me, all right? |
| 00:42:03 |
Who are you, then? |
| 00:42:06 |
I'm just a girl trying |
| 00:42:10 |
Money helps you |
| 00:42:13 |
Forget what? |
| 00:42:16 |
Stop with the questions, |
| 00:42:20 |
Well, why do you |
| 00:42:24 |
Why do you dress up |
| 00:42:28 |
Um... |
| 00:42:30 |
'Cause superheroes aren't stupid. |
| 00:42:34 |
They're not afraid. |
| 00:42:36 |
And when I'm Defendor, |
| 00:42:41 |
I'm a million times |
| 00:42:44 |
Well, when I smoke that stuff, |
| 00:42:50 |
I'm not me, either. |
| 00:42:55 |
Yeah, but you should want to be |
| 00:43:04 |
(LAUGHS) |
| 00:43:07 |
I don't need anybody's help. |
| 00:43:10 |
Everybody needs help. |
| 00:43:15 |
(IN A ROUGH VOICE) |
| 00:43:18 |
(BOTH LAUGH) |
| 00:43:20 |
Good. |
| 00:43:23 |
Hold your face still. |
| 00:43:28 |
Don't move. |
| 00:43:31 |
RADIO HOST: Last week a teenage kid |
| 00:43:36 |
He was 15 years old. |
| 00:43:38 |
Where did he get it? |
| 00:43:41 |
It turns out, |
| 00:43:43 |
And surprise, surprise, |
| 00:43:47 |
Please, somebody, anybody, |
| 00:43:51 |
if you think |
| 00:43:52 |
on how to stop |
| 00:43:55 |
I want to hear from you. |
| 00:43:58 |
MAN: Yeah, you keep |
| 00:44:00 |
with the drugs and the guns... |
| 00:44:01 |
RADIO HOST: |
| 00:44:02 |
MAN: |
| 00:44:04 |
RADIO HOST: |
| 00:44:28 |
Now I can't see my kid next week |
| 00:44:30 |
because my car has got a flat tire. |
| 00:44:33 |
Is that right? |
| 00:44:35 |
Whores in the back. |
| 00:44:37 |
KRISTIC: |
| 00:44:54 |
The cargo's left Odessa. |
| 00:45:01 |
The guns and the girls. |
| 00:45:06 |
Sometimes some of the girls, |
| 00:45:10 |
It's sad. |
| 00:45:13 |
But the guns? No problem. |
| 00:45:20 |
North, south, east, and west. |
| 00:45:25 |
Everything will be ours. |
| 00:45:29 |
Easy. |
| 00:45:30 |
But first, we must throw |
| 00:45:35 |
This is the most important thing. |
| 00:45:37 |
(SHATTERS) |
| 00:45:40 |
Go! Go! |
| 00:45:44 |
Go! |
| 00:46:18 |
You go that way, and I'll go this way. |
| 00:46:20 |
Right. |
| 00:46:22 |
(DISTANT SIREN WAILING) |
| 00:47:15 |
The guy's a fucking |
| 00:47:18 |
Guys, the retard is |
| 00:47:24 |
Is this the same retard |
| 00:47:27 |
Yeah. That's right. 'Cause he's |
| 00:47:34 |
You're a man, yes? |
| 00:47:37 |
Hold on. Hold on. |
| 00:47:41 |
(LAUGHS) |
| 00:47:48 |
Please. Kill this fly. |
| 00:48:03 |
ARTHUR: |
| 00:48:05 |
Have mercy. |
| 00:48:07 |
There'll be time for questions later. |
| 00:48:12 |
Arthur Poppington. |
| 00:48:15 |
Use my other name, okay? |
| 00:48:19 |
Just call me Defendor. |
| 00:48:24 |
This one, they ordered pizza. |
| 00:48:27 |
This night, they ordered |
| 00:48:30 |
This one, Chinese food. |
| 00:48:34 |
This one is from the clubhouse, |
| 00:48:39 |
And then, I recorded this one. |
| 00:48:45 |
KRISTIC: |
| 00:48:50 |
Everything will be ours. Easy. |
| 00:48:54 |
There. There. |
| 00:48:58 |
What are you talking about? |
| 00:49:01 |
And you can't just go around |
| 00:49:03 |
It's got to be corroborated. |
| 00:49:05 |
Colob... |
| 00:49:08 |
Corroborated. Verified. Proven. |
| 00:49:11 |
Maybe if you got a better angle |
| 00:49:14 |
A better angle. |
| 00:49:17 |
Look, now you're meddling |
| 00:49:20 |
You're going to |
| 00:49:22 |
You know, do you |
| 00:49:24 |
'Cause finger painting's |
| 00:49:30 |
(DOOR CLOSES) |
| 00:49:33 |
Where the hell were you? |
| 00:49:37 |
Ew! Gross. |
| 00:49:40 |
Sorry. We need more tapes, Kat. |
| 00:49:43 |
Captain Industry was there, |
| 00:49:51 |
Can we get |
| 00:49:52 |
All right, I heard you |
| 00:49:53 |
I'm going. |
| 00:49:59 |
1, 2... |
| 00:50:00 |
Yeah, I know. |
| 00:50:09 |
Who the fuck are you? |
| 00:50:11 |
Fuck you! |
| 00:50:28 |
Arthur? |
| 00:50:33 |
Paul. What are |
| 00:50:35 |
What am I... |
| 00:50:38 |
And what about that girl? |
| 00:50:44 |
The little floozy who just left here. |
| 00:50:46 |
A girl just left here? |
| 00:50:47 |
Never mind. |
| 00:50:51 |
I... I don't have anywhere else |
| 00:50:54 |
What about the rooming house? |
| 00:50:57 |
Um, I got into a fight. |
| 00:51:00 |
Again? Jesus Christ. |
| 00:51:02 |
That's why I didn't want to say. |
| 00:51:05 |
You know, it's just when you |
| 00:51:06 |
without telling me. |
| 00:51:08 |
You know, you could have |
| 00:51:09 |
At least until we find |
| 00:51:14 |
I don't want to stay |
| 00:51:16 |
Well, you can't just |
| 00:51:18 |
I mean, I can get |
| 00:51:20 |
if someone finds out about this. |
| 00:51:21 |
And the hooker? |
| 00:51:23 |
You have a |
| 00:51:25 |
You know, I am so close |
| 00:51:26 |
She's not a hooker! |
| 00:51:36 |
You're an adult. You make |
| 00:51:42 |
You coming back to work soon? |
| 00:51:45 |
Yeah. |
| 00:51:49 |
Here. |
| 00:51:52 |
Here. I want you to have this. |
| 00:51:55 |
I'll get myself a new one. |
| 00:51:58 |
That right there is |
| 00:52:00 |
You press that button, |
| 00:52:03 |
You know, if anything comes up, |
| 00:52:04 |
or anything happens here, |
| 00:52:07 |
And don't worry about |
| 00:52:09 |
I got that |
| 00:52:12 |
Okay. All right, guy. |
| 00:52:18 |
Yeah. |
| 00:52:21 |
Okay, buddy. |
| 00:52:22 |
DR. PARK: |
| 00:52:25 |
Why do you think that is? |
| 00:52:28 |
I don't know. |
| 00:52:30 |
I have a theory. |
| 00:52:31 |
Theory of gravity. |
| 00:52:36 |
Yes, but this is a different theory. |
| 00:52:40 |
It's a theory of why |
| 00:52:44 |
No. People tease me a lot. |
| 00:52:48 |
Especially since Henry died. |
| 00:52:51 |
That must have been very painful. |
| 00:52:54 |
Children can be very cruel sometimes. |
| 00:52:57 |
Adults are the worst. |
| 00:53:00 |
You're probably right about that. |
| 00:53:02 |
But do you want to hear my theory? |
| 00:53:07 |
You're honest. |
| 00:53:09 |
I lie sometimes. |
| 00:53:12 |
Yes, but mostly you're kind |
| 00:53:17 |
You're a good person. |
| 00:53:20 |
(LAUGHS) |
| 00:53:21 |
Which is why I don't understand, |
| 00:53:24 |
why did you assault Mr. Debrofkowitz? |
| 00:53:33 |
I was really mad. |
| 00:53:37 |
We need to get more tapes. |
| 00:53:39 |
Yes, I know. There's places up here. |
| 00:53:51 |
Kat, what's the matter? |
| 00:53:55 |
Who is it? |
| 00:53:58 |
My father. |
| 00:54:01 |
I didn't know you had a father. |
| 00:54:03 |
Everyone has a father, |
| 00:54:06 |
I don't. |
| 00:54:07 |
You just never met him, |
| 00:54:12 |
Okay. |
| 00:54:15 |
Kat, what about |
| 00:54:17 |
Okay. I heard you for the umpteenth, |
| 00:54:21 |
Oh. |
| 00:54:30 |
(DOOR OPENS) |
| 00:54:39 |
Here you go, Champ. |
| 00:54:48 |
What? |
| 00:54:49 |
What's with the face? |
| 00:54:52 |
to find VHS these days? |
| 00:54:54 |
Look, this whole box cost me 3 bucks. |
| 00:54:59 |
Look, you take some tape, |
| 00:55:04 |
Look, record right over that shit, |
| 00:55:18 |
I thought you said you stopped. |
| 00:55:19 |
Did I? I thought you said that. |
| 00:55:22 |
Listen, we've got to talk about |
| 00:55:26 |
I have a check. |
| 00:55:28 |
No money, no honey, right? |
| 00:55:31 |
Well, you spend all |
| 00:55:37 |
Yeah, and...? |
| 00:55:40 |
Well, you should spend it |
| 00:55:44 |
Well, guess what? |
| 00:55:46 |
and you're not |
| 00:55:48 |
So go jack off to some other |
| 00:55:57 |
I'm trying to help you. |
| 00:55:59 |
Go fuck yourself! |
| 00:56:03 |
Shit! Go fuck yourself, hero boy! |
| 00:56:15 |
Donkey. D-O-N-K-Y. |
| 00:56:24 |
I should warn you. |
| 00:56:37 |
(GROANING) |
| 00:56:38 |
DOONEY: |
| 00:56:43 |
(GROANS IN PAIN) |
| 00:56:51 |
(DOONEY LAUGHING) |
| 00:57:16 |
(SOFTLY) You're in way over your head. |
| 00:57:24 |
I said stay down! |
| 00:57:26 |
(GRUNTS) |
| 00:57:38 |
Here. Hold this. |
| 00:57:50 |
(GROANING) |
| 00:58:05 |
Be a man! |
| 00:58:08 |
What was that? |
| 00:58:11 |
Guns are for cowards. |
| 00:58:14 |
Hold this, too. |
| 00:58:16 |
(DIALING) |
| 00:58:18 |
(PHONE RINGING) |
| 00:58:20 |
PAUL: Arthur? |
| 00:58:22 |
before my backup arrives. |
| 00:58:24 |
Where are you? Arthur? |
| 00:58:31 |
Arthur! Arthur! |
| 00:58:35 |
Arthur? Arthur! |
| 00:59:10 |
Where's Arthur? |
| 00:59:12 |
Hey! Where is he? |
| 00:59:14 |
Uh, what? Where is he? |
| 00:59:17 |
Is he okay? |
| 00:59:19 |
Listen, girl, |
| 00:59:20 |
but if you have any idea where he is, |
| 00:59:23 |
Um... He went |
| 00:59:26 |
A what? |
| 00:59:28 |
A movie. |
| 00:59:29 |
You're gonna show me. |
| 00:59:30 |
Let's go. |
| 00:59:37 |
KAT: |
| 00:59:46 |
DR. PARK: |
| 00:59:48 |
Scared? No. |
| 00:59:51 |
You could have died. |
| 00:59:55 |
Sometimes when I get really hurt, |
| 01:00:00 |
Oh, can you |
| 01:00:04 |
In my mind, I go to a nice place. |
| 01:00:08 |
And I stay there until |
| 01:00:24 |
Well, you like them, eh? |
| 01:00:28 |
What's that one say? |
| 01:00:30 |
G-I... |
| 01:00:33 |
Joe, dummy, G.I. Joe! |
| 01:00:38 |
It's time you learned to read. |
| 01:00:49 |
PAUL: |
| 01:00:52 |
I'm his friend, all right? |
| 01:00:53 |
You know what? |
| 01:00:56 |
If he... |
| 01:00:59 |
If he survives this, I want you |
| 01:01:02 |
You got it? |
| 01:01:05 |
He's going to be okay. |
| 01:01:07 |
He was shot several times |
| 01:01:09 |
Like a small paint ball. |
| 01:01:13 |
He's a mess across the board, but |
| 01:01:45 |
Hey. |
| 01:01:50 |
You keep getting shit-kicked. |
| 01:01:53 |
You got to not do that. |
| 01:01:56 |
What kind of superhero |
| 01:02:06 |
(SIGHING) |
| 01:02:08 |
Remember when you |
| 01:02:13 |
I think I'm good at running away. |
| 01:02:19 |
So I'm going to leave you alone now. |
| 01:02:28 |
This whole Captain Industry thing, |
| 01:02:31 |
it's too big for us. |
| 01:02:34 |
We should leave it for the cops. |
| 01:02:40 |
I mean, there are lots of |
| 01:02:49 |
You want to get your ya-yas out, |
| 01:02:53 |
He macks on kids, you know. |
| 01:02:57 |
He macked on me. |
| 01:03:05 |
(UNZIPS BAG) |
| 01:03:24 |
Just get better. |
| 01:03:39 |
(PHONE RINGING) |
| 01:03:41 |
KRISTIC: Yeah? |
| 01:03:43 |
Retard's alive, |
| 01:03:46 |
Yeah, I understand. |
| 01:03:50 |
You take care of the rest, |
| 01:03:52 |
All right. |
| 01:03:58 |
Hey. Give me your MP-5. |
| 01:04:11 |
Knock-knock. |
| 01:04:14 |
Simulated ammunition. |
| 01:04:18 |
Hi, there. There's been some |
| 01:04:36 |
Here. The fly's room number. |
| 01:04:40 |
Finish him. |
| 01:04:43 |
Finish him! |
| 01:05:21 |
(SCOFFS) |
| 01:05:38 |
He was a bad man. |
| 01:05:43 |
Yes, but... |
| 01:05:44 |
He wanted to be punished. |
| 01:05:45 |
His... His eyes told me. |
| 01:05:53 |
I was helping him to feel bad, |
| 01:05:57 |
so that he could feel bad |
| 01:06:06 |
He knew he was garbage. |
| 01:06:10 |
I... I barely |
| 01:06:15 |
You don't... You don't think |
| 01:06:17 |
No, I do. |
| 01:06:20 |
Captain Industry should be |
| 01:06:25 |
Arthur, why is it so important |
| 01:06:27 |
that you capture Captain Industry? |
| 01:06:33 |
He killed my mother. |
| 01:06:45 |
When will I see Mommy again? |
| 01:06:48 |
You won't. How many times |
| 01:06:52 |
Could you hold that still, please, |
| 01:06:56 |
Why? |
| 01:06:59 |
Drugs. |
| 01:07:01 |
The drugs did her in. |
| 01:07:02 |
I hate the drugs. |
| 01:07:05 |
Hate the pushers, kid. |
| 01:07:10 |
Who are the pushers? |
| 01:07:12 |
The scum whose |
| 01:07:17 |
Captains of Industry. |
| 01:07:25 |
Captain Industry gave her drugs |
| 01:07:32 |
As long as he is free, |
| 01:07:44 |
JERRY: Your Honor, Mr. Poppington |
| 01:07:48 |
JUDGE: |
| 01:07:52 |
He won't say, Your Honor. |
| 01:07:56 |
Do you intend to |
| 01:07:57 |
Mr. Poppington of |
| 01:08:02 |
He deserved it. |
| 01:08:04 |
JUDGE: That sounds like an |
| 01:08:05 |
I do think, Your Honor, |
| 01:08:07 |
a question of intellectual |
| 01:08:09 |
JUDGE: You stuck Mr. Debrofkowitz |
| 01:08:13 |
Inventive. Do you know why |
| 01:08:16 |
He wanted to go... |
| 01:08:17 |
JUDGE: |
| 01:08:21 |
He... |
| 01:08:26 |
(FEEDBACK SQUEALS) |
| 01:08:29 |
He wanted to go in there. |
| 01:08:32 |
He wanted to go |
| 01:08:36 |
Your Honor, |
| 01:08:39 |
I've known this man for 5 years. |
| 01:08:42 |
He worked for me. |
| 01:08:44 |
He's just... He's a little slow. |
| 01:08:46 |
He's not quite all there upstairs. |
| 01:08:49 |
And, sir, what |
| 01:08:50 |
Paul. Paul Carter. |
| 01:08:53 |
"Not quite all there upstairs." |
| 01:08:57 |
PAUL: No, sir. |
| 01:08:59 |
No. I'm a foreman for the city's |
| 01:09:03 |
Local 873. I'm his friend. |
| 01:09:05 |
Well, imagine if we |
| 01:09:07 |
God, he thinks |
| 01:09:10 |
That's why he's all |
| 01:09:13 |
He dresses up in tights and |
| 01:09:15 |
with a big "D" on |
| 01:09:19 |
No. Capes are for flying. |
| 01:09:24 |
(SCATTERED LAUGHTER) |
| 01:09:26 |
Mr. Poppington, |
| 01:09:28 |
until you have undergone |
| 01:09:32 |
Do you understand |
| 01:09:34 |
No, he doesn't. |
| 01:09:35 |
I'd like to follow this one, counselors, |
| 01:09:38 |
Yeah, I have no problem |
| 01:09:41 |
Next. |
| 01:10:00 |
Mr. Carter. Hi. |
| 01:10:06 |
Look, I was really touched |
| 01:10:08 |
and I was wondering |
| 01:10:10 |
Maybe help me |
| 01:10:12 |
No. I've already |
| 01:10:13 |
No, Mr. Carter, listen. |
| 01:10:16 |
sway public opinion |
| 01:10:24 |
Damn idiot! |
| 01:10:32 |
I'm sorry, |
| 01:10:34 |
Let's go. |
| 01:10:45 |
RADIO HOST: The question is, this guy, |
| 01:10:51 |
You know what I say? |
| 01:10:54 |
maybe it's time for a desperado |
| 01:10:59 |
All right. The switchboard's lighting up, |
| 01:11:02 |
First caller, you're on the air. |
| 01:11:04 |
MAN 1: I love this guy. |
| 01:11:06 |
stepping up and |
| 01:11:08 |
RADIO HOST: Okay. So you're with me. |
| 01:11:12 |
Defendor, yea or nay? |
| 01:11:15 |
MAN 2: Yea. Totally. |
| 01:11:17 |
to do what he's doing, |
| 01:11:19 |
But I love him, |
| 01:11:58 |
DR. PARK: All right, Arthur. |
| 01:12:01 |
2+2, 4+4, 6+6. |
| 01:12:04 |
Anything else you think |
| 01:12:08 |
Mmm... |
| 01:12:11 |
No. |
| 01:12:14 |
Thank you for being honest |
| 01:12:17 |
You're welcome. |
| 01:12:21 |
Okay. |
| 01:12:26 |
Doctor? When I put Kat's |
| 01:12:32 |
Was that wrong? |
| 01:12:34 |
There are probably better ways |
| 01:12:38 |
So it was wrong? |
| 01:12:43 |
I'm not sure, Arthur. |
| 01:13:07 |
FAS, ADD, depression, |
| 01:13:11 |
unable to anticipate consequences, |
| 01:13:15 |
socially immature. |
| 01:13:18 |
Sounds like me. |
| 01:13:22 |
I can't put him on the street, Ellen. |
| 01:13:24 |
What? |
| 01:13:26 |
Judge, Arthur has been ostracized |
| 01:13:29 |
This... This persona, |
| 01:13:32 |
is a way |
| 01:13:34 |
He can be a perfectly |
| 01:13:36 |
He needs guidance. |
| 01:13:39 |
Captain's whole |
| 01:13:43 |
Find a way, Judge. |
| 01:13:46 |
Find a way to keep him out of jail. |
| 01:13:58 |
JUDGE: Arthur, would you |
| 01:14:02 |
Now, Arthur, this judgment |
| 01:14:04 |
by all parties and Mr. Carter, |
| 01:14:06 |
who has very thoughtfully agreed |
| 01:14:09 |
And from this day forth, you will |
| 01:14:14 |
More importantly, |
| 01:14:16 |
all acts of vigilantism. |
| 01:14:18 |
And you are forbidden |
| 01:14:20 |
of the Defendor, his likeness... |
| 01:14:22 |
No! No! |
| 01:14:24 |
No! |
| 01:14:25 |
Come on. |
| 01:14:27 |
(TASER BUZZING) |
| 01:14:30 |
JUDGE: Mr. Carter, I have serious |
| 01:14:33 |
Your Honor, please, |
| 01:14:36 |
(BREATHING RAPIDLY) |
| 01:14:38 |
Where do I get one of those |
| 01:14:41 |
Arthur, it's over. |
| 01:14:43 |
Defendor's over. |
| 01:14:45 |
But I didn't do anything. |
| 01:14:47 |
Some guys got hurt. |
| 01:14:53 |
If you don't come home with me, |
| 01:14:55 |
You want that? |
| 01:14:58 |
Come home with me. |
| 01:15:06 |
(SOBBING) |
| 01:15:32 |
Up against the wall. |
| 01:15:36 |
Don't make me tell you again! |
| 01:15:39 |
Everything out of |
| 01:15:41 |
What have you |
| 01:15:42 |
GIRL: |
| 01:15:43 |
All right, go, go. Go! |
| 01:15:57 |
KAT: |
| 01:16:01 |
Oh, well, well. |
| 01:16:05 |
So where have you been? |
| 01:16:07 |
Nowhere. |
| 01:16:09 |
I want to come back. |
| 01:16:11 |
Now why should I take you back? |
| 01:16:14 |
After what your friend did to me. |
| 01:16:16 |
He's not my friend. |
| 01:16:19 |
He's not your friend? |
| 01:16:23 |
Not your friend. He stuffed |
| 01:16:27 |
Where is he? |
| 01:16:31 |
I don't know. |
| 01:16:38 |
I still don't know. |
| 01:16:46 |
Get in. |
| 01:16:50 |
Just like old times. Huh? |
| 01:16:58 |
We could always |
| 01:17:01 |
No. No. Let's not |
| 01:17:05 |
flashing neon |
| 01:17:08 |
We have to be on |
| 01:17:13 |
Then, when the |
| 01:17:16 |
then we will swat the fly |
| 01:17:21 |
1 week. Dooney's right. |
| 01:17:34 |
Heads up, superhero. |
| 01:18:04 |
You don't say anything any more, Arthur. |
| 01:18:11 |
Are you sad because |
| 01:18:18 |
Is it because you can't be a |
| 01:18:24 |
Are you ever going |
| 01:18:28 |
WENDY: Jack, honey, come on in |
| 01:18:34 |
(SIGHS) |
| 01:18:38 |
Well, if you change your mind, |
| 01:18:40 |
you can at least talk to me, okay? |
| 01:19:00 |
(THUNDERING) |
| 01:19:02 |
It's raining out, Arthur. |
| 01:19:09 |
(SIGHS) |
| 01:19:13 |
It's a poncho. |
| 01:19:17 |
I want you to sleep indoors tonight. |
| 01:19:22 |
And I'm not asking you, Arthur. |
| 01:19:43 |
Do you remember when |
| 01:19:48 |
I'll never forget |
| 01:19:50 |
(TIRES SCREECH) |
| 01:19:54 |
You were just a regular guy |
| 01:20:02 |
You don't need a costume. |
| 01:20:05 |
Ordinary people, they do |
| 01:20:11 |
You're always going to be that hero, |
| 01:20:31 |
Keep back, Jose, |
| 01:20:34 |
What's my name? Glad you asked. |
| 01:20:39 |
Defendor. |
| 01:20:48 |
No. |
| 01:20:50 |
I'm Defendor. |
| 01:20:52 |
(IMITATING FIGHTING NOISES) |
| 01:21:26 |
It's just for a few more days, |
| 01:21:27 |
and then you'll be back to work. |
| 01:21:29 |
And it'll be business as usual, okay? |
| 01:21:33 |
Oh, joy. I can't wait. |
| 01:21:36 |
You hungry? |
| 01:21:40 |
No? |
| 01:21:42 |
Not hungry, huh? |
| 01:21:45 |
I'll just put it up here. |
| 01:21:49 |
All right. |
| 01:21:54 |
Let's make love then. |
| 01:22:01 |
Okay. Untie me. |
| 01:22:07 |
I kind of... I kind of like you |
| 01:22:10 |
being tied up like a little pig. |
| 01:22:13 |
It pays to be nice sometimes. |
| 01:22:19 |
Make myself pretty. |
| 01:22:32 |
Okay, I like that. |
| 01:22:35 |
Okay. You're a pretty pig. |
| 01:22:42 |
(GROANS) |
| 01:22:49 |
See? |
| 01:22:51 |
Nothing wrong with a little romance. |
| 01:23:08 |
Oink, oink, motherfucker. |
| 01:23:10 |
(GUNSHOT) |
| 01:23:11 |
(DOONEY SCREAMING) |
| 01:23:14 |
(EXCLAIMS IN SURPRISE) |
| 01:23:16 |
Arthur! Oh, my God! |
| 01:23:24 |
I was coming to rescue you. |
| 01:23:26 |
I shot him, Arthur! |
| 01:23:30 |
(DOONEY SCREAMING) |
| 01:23:34 |
Good girl. |
| 01:23:44 |
How did you know? |
| 01:23:46 |
"Container in 3 weeks." |
| 01:23:50 |
Half-moon, then no moon, plus one |
| 01:23:55 |
Full moon equals 3 weeks. |
| 01:24:01 |
What the fuck are you... |
| 01:24:04 |
I'm going to capture |
| 01:24:07 |
Arthur, excuse me. |
| 01:24:12 |
Guns don't hurt me. |
| 01:24:14 |
Really? So... So, |
| 01:24:17 |
shoot you right now |
| 01:24:23 |
I lied, Arthur. |
| 01:24:26 |
Radovan Kristic is |
| 01:24:30 |
Not even close. |
| 01:24:34 |
I thought you had |
| 01:24:36 |
in hell of doing |
| 01:24:38 |
Because I wanted |
| 01:24:40 |
It was convenient for |
| 01:24:45 |
It's time for justice. |
| 01:24:48 |
(COCKS GUN) |
| 01:24:51 |
You don't think I can do it? |
| 01:24:58 |
Bullets don't hurt me. |
| 01:25:02 |
Squeeze the trigger. |
| 01:25:05 |
They just bounce off. |
| 01:25:30 |
Here. You have 5 shots. |
| 01:25:36 |
(STAMMERING) |
| 01:25:38 |
Arthur, shut up! |
| 01:25:40 |
I don't like... I'm not letting you |
| 01:26:00 |
(SNIFFLING) |
| 01:26:22 |
FAIRBANKS: |
| 01:26:23 |
Right now, a shipment |
| 01:26:28 |
Captain Industry will be there. |
| 01:26:32 |
Although he got shot in the balls, |
| 01:26:37 |
I'm going to get them, |
| 01:26:44 |
Damn it! |
| 01:26:45 |
You know what I'm |
| 01:26:47 |
I'm going to get you a muffin and |
| 01:26:50 |
Why don't you just hold your |
| 01:26:52 |
Hey, can I get a muffin and |
| 01:27:04 |
Mike, I need you |
| 01:27:07 |
to meet me in the parking |
| 01:27:08 |
We got to check something out. |
| 01:27:10 |
All right, and, Mike, |
| 01:27:13 |
Do you follow? |
| 01:27:15 |
Hey, Defendor, I think... |
| 01:27:31 |
Oh, God, what have I done? |
| 01:27:56 |
En garde, gentlemen. |
| 01:28:36 |
Release swarm. |
| 01:28:43 |
Ow! |
| 01:28:44 |
Fuck! |
| 01:28:46 |
Fuck! Fuck! |
| 01:28:59 |
BIKER: |
| 01:29:05 |
Come on, Bob! |
| 01:29:14 |
(EXCLAIMS IN PAIN) |
| 01:29:22 |
At last, |
| 01:29:26 |
the fly. |
| 01:29:32 |
Guns are for... |
| 01:29:33 |
(SILENCED GUNSHOT) |
| 01:29:58 |
You killed my mother. |
| 01:30:02 |
Her name was Fay. |
| 01:30:05 |
Fay? |
| 01:30:08 |
Well, God forgives me. |
| 01:30:12 |
Goodbye, fly. |
| 01:30:25 |
What was the last name? |
| 01:30:31 |
(STAMMERING) |
| 01:30:32 |
What? |
| 01:30:33 |
Trench club. |
| 01:30:39 |
(GRUNTS) |
| 01:30:53 |
(SIRENS APPROACHING) |
| 01:31:01 |
(CAR ENGINE STARTS) |
| 01:31:06 |
(KAT CRYING) |
| 01:31:12 |
(OVER BULLHORN) This is Captain Fairbanks |
| 01:31:17 |
(AUTOMATIC GUNSHOTS) |
| 01:31:21 |
Guns are for cowards. |
| 01:31:25 |
I know. I know they are. |
| 01:31:28 |
(GUNSHOTS CONTINUE) |
| 01:31:37 |
Don't do drugs. |
| 01:31:39 |
I'm not going to. I promise. |
| 01:31:42 |
And get a job. |
| 01:31:44 |
(STAMMERING) |
| 01:31:46 |
I'll get a real job. |
| 01:31:49 |
You're just... |
| 01:31:52 |
Typewriter. |
| 01:31:53 |
Yeah, and be Lois Lane. I know. |
| 01:31:55 |
I'm going to try really, really hard. |
| 01:32:04 |
I love you, Kat. |
| 01:32:06 |
I love you, too. |
| 01:32:10 |
Moon... |
| 01:32:11 |
What? What are you saying? |
| 01:32:17 |
I'll see you on the moon. |
| 01:32:22 |
Okay. I'll see you on the moon. |
| 01:32:25 |
(CRYING) |
| 01:32:30 |
Subtitles: Arigon |
| 01:32:55 |
RADIO HOST: |
| 01:32:57 |
MAN 1: Finally, someone comes along |
| 01:32:59 |
RADIO HOST: |
| 01:33:02 |
MAN 1: Right. Exactly. |
| 01:33:04 |
of like 80 or something, right? |
| 01:33:06 |
WOMAN 1: We're having a special service |
| 01:33:09 |
MAN 2: |
| 01:33:10 |
WOMAN 2: It's classic. |
| 01:33:12 |
MAN 3: |
| 01:33:14 |
GIRL 1: |
| 01:33:16 |
If he had a vest, |
| 01:33:18 |
RADIO HOST: It's always nice to |
| 01:33:21 |
Next caller. Go ahead. |
| 01:33:22 |
MAN 4: What does it say about us |
| 01:33:25 |
really should be admitted? |
| 01:33:26 |
MAN 5: I'm not taking anything |
| 01:33:29 |
but I wouldn't be surprised... |
| 01:33:31 |
RADIO HOST: |
| 01:33:33 |
WOMAN 4: I'm sort of at a loss |
| 01:33:57 |
(TYPEWRITER CLACKING) |
| 01:33:59 |
(HELP, I'M ALIVE PLAYING) |
| 01:34:07 |
* They're gonna eat me alive |
| 01:34:15 |
* If I stumble |
| 01:34:24 |
(BEE BUZZING) * Can you hear my heart |
| 01:34:29 |
* Beating like a hammer |
| 01:34:33 |
* Help, I'm alive |
| 01:34:35 |
* My heart keeps beating |
| 01:34:40 |
* Hard to be soft |
| 01:34:43 |
* Tough to be tender |
| 01:34:48 |
* Come take my pulse |
| 01:34:50 |
* The pace is |
| 01:34:55 |
* Help, I'm alive |
| 01:34:57 |
* My heart keeps beating |
| 01:35:03 |
* Beating like a hammer |
| 01:35:07 |
* Beating like a hammer |
| 01:35:11 |
* Beating like a hammer |
| 01:35:17 |
* If you're still alive |
| 01:35:21 |
* My regrets are few |
| 01:35:25 |
* If my life is mine |
| 01:35:30 |
* What shouldn't I do? |
| 01:35:33 |
* I get wherever I'm going |
| 01:35:37 |
* I get whatever I need |
| 01:35:42 |
* While my blood's |
| 01:35:45 |
* And my heart still beats |
| 01:35:48 |
* Beating like a hammer |
| 01:35:51 |
* Beating like a hammer |
| 01:35:55 |
* Help, I'm alive |
| 01:35:57 |
* My heart keeps beating |
| 01:36:02 |
* Hard to be soft |
| 01:36:05 |
* Tough to be tender |
| 01:36:10 |
* Come take my pulse |
| 01:36:12 |
* The pace is on |
| 01:36:18 |
* Help, I'm alive |
| 01:36:19 |
* My heart keeps beating |
| 01:36:25 |
* Beating like a hammer |
| 01:36:29 |
* Beating like a hammer |
| 01:36:33 |
* Beating like a hammer |
| 01:36:39 |
* If you're still alive |
| 01:36:43 |
* My regrets are few |
| 01:36:47 |
* If my life is mine |
| 01:36:52 |
* What shouldn't I do? |
| 01:36:55 |
* I get wherever I'm going |
| 01:36:59 |
* I get whatever I need |
| 01:37:04 |
* While my blood's |
| 01:37:08 |
* And my heart still beats |
| 01:37:10 |
* Beating like a hammer |
| 01:37:13 |
* Beating like a hammer |
| 01:37:17 |
* Beating like a hammer |
| 01:37:21 |
* Beating like a hammer |
| 01:37:32 |
* I tremble |
| 01:37:40 |
* They're gonna eat me alive |
| 01:37:48 |
* If I stumble |
| 01:37:56 |
* They're gonna eat me alive |
| 01:38:05 |
* Can you hear my heart |
| 01:38:10 |
* Beating like a hammer |
| 01:38:14 |
* Beating like a hammer |
| 01:38:18 |
* Beating like a hammer |
| 01:38:22 |
* Help, I'm alive |
| 01:38:24 |
* Help, I'm alive |
