Deja Vu
|
00:02:24 |
Can't believe it. They're right on time. |
00:02:26 |
Let's get these boys to their party. |
00:02:48 |
Mama! |
00:03:20 |
It's 10:48 |
00:03:23 |
Now let's go back in time to 1964. |
00:03:26 |
The Beach Boys on 105.3 FM, |
00:03:29 |
the heart of New Orleans. |
00:03:57 |
Okay. Take it out wide. |
00:06:49 |
My daughter's on that ferry. |
00:06:53 |
Oh, God, my daughter! |
00:08:00 |
Do the other side? |
00:08:59 |
ATF New Orleans, Agent Donnelly. |
00:09:01 |
Listen, call New Orleans PD. |
00:09:03 |
I want all surveillance |
00:09:05 |
Then call City Transit. |
00:09:07 |
I want |
00:09:09 |
westbond between 10:00 and 11:00. |
00:09:11 |
All right, got it. |
00:09:52 |
Hey. Seen an ATF agent around here? |
00:09:55 |
Yeah, he went down below. |
00:09:58 |
How do I get there? |
00:09:59 |
The south side of the bridge. |
00:10:09 |
You Agent Minuti? |
00:10:11 |
Larry Minuti, ATF? |
00:10:13 |
No, Larry's my partner. |
00:10:15 |
Paul Pryzwarra, FBI. |
00:10:18 |
- How you doing? |
00:10:20 |
On vacation. |
00:10:21 |
Not anymore. We're calling in |
00:10:25 |
You can reach him? |
00:10:27 |
I tried. |
00:10:31 |
Well, try harder. It's important. |
00:10:33 |
Obviously. |
00:10:35 |
What are you looking for? |
00:10:37 |
Anything that doesn't belong. |
00:10:43 |
You want to give me a spot? |
00:10:46 |
Yeah. |
00:11:00 |
ANFO. |
00:11:01 |
ANFO. |
00:11:02 |
Ammonium nitrate, water-soluble. |
00:11:04 |
Fuel oil would have burned off |
00:11:07 |
Between the river and the rain, |
00:11:09 |
the only place you'd find it would be... |
00:11:10 |
Underneath this bridge. |
00:11:13 |
That's right. |
00:11:15 |
We can't rule out an accident |
00:11:17 |
- It's not officially a crime scene yet. |
00:11:19 |
Why don't we double the perimeter |
00:11:20 |
so we don't have wall-to-wall trailers |
00:11:22 |
No, we're gonna need |
00:11:24 |
for evidence control |
00:11:26 |
Now, we need to keep it tight |
00:11:27 |
until we can determine |
00:11:30 |
It is a crime investigation. |
00:11:32 |
Got a piece of electric blasting cap |
00:11:34 |
and a strand |
00:11:38 |
About a million of those blue particles |
00:11:41 |
It's probably from |
00:11:44 |
ANFO? |
00:11:45 |
Most likely. |
00:11:47 |
under the Crescent City Bridge. |
00:11:49 |
The insulation on the leg wire |
00:11:52 |
of who the manufacturer |
00:11:54 |
Then we go after |
00:11:56 |
and the bomb's power source. |
00:11:57 |
We probably don't need to wait for |
00:12:00 |
that this is an explosive and a trigger. |
00:12:03 |
And you are? |
00:12:04 |
Oh, I'm sorry. I'm Doug Carlin, ATF. |
00:12:06 |
- Who's in charge? |
00:12:08 |
Gentlemen, please. |
00:12:09 |
Ed Elkins. I'm in charge. |
00:12:11 |
- Oh, good, good, good. |
00:12:13 |
You're in charge, then? Okay. |
00:12:14 |
First things first. |
00:12:16 |
Ed? |
00:12:18 |
Come on, this is a police investigation, |
00:12:20 |
We gotta have a coffeepot. |
00:12:22 |
Yeah, you'll find it in the back. |
00:12:24 |
- Back there? |
00:12:25 |
He is in charge. |
00:12:51 |
See anything? |
00:12:52 |
Traffic. |
00:12:54 |
Hit rewind for me. |
00:12:57 |
Hey, did Larry call? |
00:12:58 |
Still not answering his cell. |
00:13:00 |
All right. |
00:13:01 |
- Say, that girl ever get ahold of you? |
00:13:03 |
You know, sexy voice, asked if |
00:13:06 |
I gave her two out of three. |
00:13:07 |
Two out of three. That's very good. |
00:13:09 |
Thank you. |
00:13:15 |
Hey, Larry, this is Doug. |
00:13:17 |
Listen, I know you're maybe still |
00:13:19 |
but you need to |
00:13:21 |
- Doug. |
00:13:22 |
Doug, Orleans Parish on line one. |
00:13:24 |
They pulled a body out of the water, |
00:13:26 |
All right, |
00:13:28 |
- Just tell him to bag it. I'll |
00:13:33 |
Put this on a candy wrapper? |
00:13:35 |
It's all I had. |
00:13:36 |
Cutting back, huh? |
00:13:40 |
Hold it right there. |
00:13:43 |
Yeah, this is ATF Agent Doug Carlin |
00:13:47 |
My cell number is 504-555-0130. |
00:13:51 |
What's that? |
00:13:52 |
Looks like a dude on a bike. |
00:13:53 |
Run it forward a little bit. |
00:13:57 |
Stop right there. |
00:14:02 |
What is he doing? |
00:14:05 |
Going to the bathroom? |
00:14:11 |
Run it forward, run it forward. |
00:14:17 |
- What time does it say? |
00:14:20 |
- That's before the explosion, isn't it? |
00:14:26 |
McCREAD Y: Can I have |
00:14:28 |
Thanks very mch for coming. |
00:14:29 |
I'm Jack McCready, special agent |
00:14:34 |
First, let me say or hearts go ot |
00:14:36 |
to all of those affected by this tragedy. |
00:14:40 |
Early estimates |
00:14:43 |
at 543 men, women and children. |
00:14:48 |
Now, Lord knows this city has seen |
00:14:51 |
bt nlike Katrina, |
00:14:53 |
this disaster was not an act of natre. |
00:14:57 |
After carefl review of evidence |
00:14:59 |
we have conclded |
00:15:04 |
and the President concrs |
00:15:06 |
On or end, |
00:15:09 |
as the investigation will take time. |
00:15:11 |
It's a niqe and complicated |
00:15:15 |
There's no baggage checks. |
00:15:19 |
There are maximm casalties, |
00:15:21 |
and most of the evidence |
00:15:26 |
There are no shortcts. |
00:15:30 |
- Kevin, where's Doug? |
00:15:32 |
- Well, his car's still here. |
00:15:35 |
- What? Streetcar? |
00:15:37 |
It's part of his process. |
00:15:45 |
Sheriff Reed. |
00:15:48 |
How you doing? |
00:15:50 |
Hey, Doug. I know you got |
00:15:53 |
Yeah, that's okay. |
00:15:55 |
Well, a couple of kids found a woman |
00:15:57 |
face down in the waters |
00:15:59 |
She was burned over 30º/º of her body. |
00:16:02 |
Right, well, you're gonna see |
00:16:05 |
We've just set up ECC. |
00:16:08 |
Well, we already done that. |
00:16:11 |
Crime Scene's already been there? |
00:16:12 |
Yeah, they've been and gone. |
00:16:14 |
Well, exactly what time |
00:16:19 |
Kid called it in at 10:42 a. m. |
00:16:23 |
You mean 11:42, don't you? |
00:16:25 |
No, I mean 10:42. |
00:16:28 |
and I got my reading glasses on. |
00:16:35 |
Immediately evident is the |
00:16:41 |
Anterior face, neck and chest |
00:16:45 |
though swollen |
00:16:57 |
Hold her hand for me, will you? |
00:17:01 |
There we go. |
00:17:02 |
Each digit of the right hand |
00:17:05 |
between the middle |
00:17:09 |
Angle of shearing indicates |
00:17:13 |
possibly caused by shrapnel. |
00:17:15 |
No. No, |
00:17:20 |
Posterior charring |
00:17:23 |
suggesting perimortem immersion |
00:17:27 |
Diesel. |
00:17:28 |
- Accelerant, maybe? |
00:17:30 |
If she was that close to the bomb, |
00:17:32 |
she probably wouldn't be |
00:17:35 |
What are you doing? |
00:17:37 |
What are you doing? |
00:17:39 |
You got a UV gun? |
00:17:41 |
Yeah, on the table behind you. |
00:17:46 |
You see that? |
00:17:51 |
What's that stippling? You see that? |
00:17:53 |
Adhesive probably retained |
00:17:56 |
Yeah. |
00:18:02 |
Yeah, go ahead. |
00:18:04 |
I ran down those MPRs for you. |
00:18:06 |
A Claire Kuchever |
00:18:09 |
Spposed to pick p her father |
00:18:12 |
Okay. |
00:18:15 |
All right, Phil, |
00:18:18 |
Concentrate on time and cause. |
00:18:22 |
Full spread of lab tests. Everything. |
00:18:24 |
Just pretend like the ferry explosion |
00:18:27 |
Absolutely. |
00:18:32 |
Claire? |
00:18:38 |
- She's beautiful, huh? |
00:18:41 |
Very. |
00:19:14 |
You'll need a photograph |
00:19:18 |
There's plenty in the house. |
00:19:24 |
Mr. Kuchever, I'm sorry about this, |
00:19:31 |
but I'm gonna need you |
00:19:40 |
Okay. |
00:19:42 |
Now, anything that you can tell me |
00:19:46 |
about your daughter's activities |
00:19:49 |
or any time, anything at all, |
00:19:52 |
Well, I don't know. |
00:19:54 |
My flight got in |
00:19:56 |
and she was supposed to pick me up, |
00:19:59 |
I thought maybe she just overslept, |
00:20:01 |
so I took a cab |
00:20:04 |
Her and Alan's car was gone, |
00:20:06 |
so I thought |
00:20:09 |
- Who's Alan? |
00:20:11 |
Or ex-fiancé. |
00:20:13 |
They broke up a few months ago. |
00:20:15 |
And where is he now, Alan? |
00:20:17 |
- He moved to Montreal. |
00:20:20 |
She was too good for him, anyway. |
00:20:23 |
I got a sweater that she left, |
00:20:26 |
No, that's okay. But if you have keys |
00:20:32 |
Oh, she had a date. |
00:20:34 |
Last night on the phone, she told me |
00:20:38 |
but she didn't say who. |
00:20:41 |
Beth. |
00:20:43 |
Beth Walsh. Claire baby-sits |
00:20:47 |
Okay. |
00:20:50 |
Thank you. |
00:20:52 |
That's good for now. |
00:20:56 |
Somebody'll be in touch. |
00:21:01 |
Agent Carlin? |
00:21:03 |
Doug. |
00:21:04 |
I want you to take these. |
00:21:08 |
Well, that's... |
00:21:09 |
Just go through them |
00:21:13 |
- Well, it's really not necessary. |
00:21:16 |
See, I know how these things go, |
00:21:20 |
and I need her to matter to you. |
00:23:15 |
Monday, 7:48 p. m. |
00:23:17 |
Hi, Claire. It's Dad. |
00:23:19 |
My flight gets in |
00:23:22 |
so don't stay p too late. |
00:23:25 |
Tesday, 9:44 a. m. |
00:23:28 |
Claire? Hi, it's Beth. Are yo there? |
00:23:30 |
I'm sorry to call yo so early, |
00:23:32 |
bt yo said yo were gonna call me |
00:23:33 |
and when yo didn't, |
00:23:35 |
Beth, is this a joke? |
00:23:37 |
Like I said, I was jst worried |
00:23:39 |
I can't talk right now. |
00:23:41 |
Claire... |
00:23:46 |
Tesday, 9:50 a. m. |
00:23:53 |
Tesday, 10:04 a. m. |
00:23:57 |
Claire, it's Dad. I did say 7:55, didn't I? |
00:24:01 |
I'm here at the airport, waiting for yo. |
00:24:03 |
If yo're not coming, I hope |
00:24:07 |
Call me. |
00:24:10 |
Tesday, 1: 18 p. m. |
00:24:13 |
Yeah, this is A TF Agent Dog Carlin |
00:24:17 |
My cell nmber is 504-555-0130. |
00:24:30 |
Tesday, 1: 18 p. m. |
00:24:34 |
Yeah, this is A TF Agent Dog Carlin |
00:24:37 |
My cell nmber is 504-555-0130. |
00:24:55 |
The blast wave initiated here, |
00:24:59 |
and propagated fore and aft |
00:25:01 |
until it hits this access hatch. |
00:25:04 |
And that's where it gets really bad. |
00:25:06 |
The blast wave contines |
00:25:07 |
into the engine room, |
00:25:10 |
This tility shaft here |
00:25:12 |
draws the thermal components |
00:25:15 |
which ignites the fuel vapor, |
00:25:18 |
of far greater magnitude. |
00:25:20 |
Essentially, the initial |
00:25:24 |
and detonates it. |
00:25:26 |
And so our early guess |
00:25:28 |
is that the bomb vehicle |
00:25:30 |
- Possibly red or tan. |
00:25:33 |
- Take weeks, maybe months. |
00:25:39 |
Shit. |
00:25:41 |
Check all the SUVs and minivans |
00:25:44 |
Anything recently rented or purchased, |
00:25:45 |
anything tied to a theft |
00:25:48 |
- Agent McCready? |
00:25:49 |
Doug Carlin, ATF. |
00:25:52 |
Oh, yeah. Oklahoma City. |
00:25:54 |
Right. That's right. |
00:25:56 |
This afternoon, I witnessed an autopsy |
00:25:58 |
of a young woman who washed up |
00:26:02 |
Heavy fuel burns, |
00:26:05 |
PETN, that's the base explosive |
00:26:09 |
She also lost several fingers |
00:26:14 |
Appeared? |
00:26:15 |
That's right. I checked the tide tables |
00:26:18 |
For her to have washed up |
00:26:21 |
she would've had to have been killed |
00:26:24 |
Before? |
00:26:27 |
She died before the explosion? |
00:26:29 |
She died before the explosion, yeah. |
00:26:33 |
She washed up before the explosion |
00:26:37 |
- Do you have a scenario? |
00:26:40 |
I believe that somebody abducted her |
00:26:43 |
bound her wrists, burned her alive, |
00:26:46 |
so she would appear to be |
00:26:50 |
A disaster that hadn't happened yet. |
00:26:52 |
But the PETN tells us |
00:26:55 |
that the bomber came in direct contact |
00:26:57 |
You solve her case, you solve this case. |
00:27:00 |
Why this woman? |
00:27:02 |
Good question. Her SUV is missing. |
00:27:06 |
It's a tan and red Bronco. |
00:27:09 |
It could have been stolen |
00:27:13 |
Oh, one more thing. |
00:27:14 |
The victim called the local ATF office |
00:27:17 |
the morning of the explosion. |
00:27:20 |
Yeah. |
00:27:22 |
- We'll look into it. |
00:27:25 |
All right. |
00:27:28 |
Okay. |
00:27:39 |
Where's Larry? |
00:27:40 |
- What? |
00:27:43 |
That's his car right there. Is he here? |
00:27:46 |
I thought you said he was on vacation. |
00:27:48 |
Yeah, that's right. |
00:27:53 |
What? |
00:27:58 |
Those cars were brought here |
00:28:02 |
They're the vehicles |
00:28:20 |
Sorry. |
00:28:36 |
So he's a former Marine? |
00:28:38 |
Yes, sir. Yeah. Local, too. |
00:28:42 |
His family still in the area? |
00:28:43 |
Nope. Nothing, really, but his job. |
00:28:47 |
- You like him? |
00:28:49 |
Yeah, I like him, too. |
00:28:51 |
All right. Let's go find him. |
00:29:19 |
Oklahoma City. |
00:29:24 |
Yeah. |
00:29:29 |
- You and Larry were close? |
00:29:32 |
Yeah, you know, close enough |
00:29:37 |
Doug, I've been put in charge |
00:29:41 |
The ferry disaster is our first case, |
00:29:45 |
Why me? |
00:29:47 |
We've got |
00:29:50 |
I need someone who can look |
00:29:54 |
tell us what's missing, |
00:29:57 |
tell us what we can ignore |
00:29:59 |
and, especially, |
00:30:01 |
Also, you're local. You know the people |
00:30:05 |
But why an ATF guy? |
00:30:07 |
Why not? It's your shot. |
00:30:09 |
You want to find the guy |
00:30:15 |
Yes, I do. |
00:30:39 |
I guess you've got some questions. |
00:30:42 |
For me to have questions, |
00:31:14 |
Now I do have some questions. |
00:31:15 |
Don't touch anything. |
00:31:18 |
Doug, you remember |
00:31:22 |
Where's my audio? |
00:31:23 |
Compensating for audio delay. |
00:31:27 |
Compensating for a technical blunder |
00:31:30 |
Solid stream. Minus four days, |
00:31:34 |
And 14 and a half nanoseconds. |
00:31:37 |
Okay. |
00:31:39 |
Anytime you want to jump in here, |
00:31:42 |
- Me? |
00:31:53 |
What are we looking for? |
00:31:55 |
You know, clues, suspects, |
00:31:59 |
- When was this taken? |
00:32:01 |
Gunnars, |
00:32:11 |
Oh, that's tender. |
00:32:12 |
I wish I had someone. Okay, widen out. |
00:32:15 |
Let's cruise the car deck for a while, |
00:32:23 |
How can you change the angle |
00:32:24 |
on footage |
00:32:26 |
This is a digital recreation. |
00:32:28 |
We're combining all the data we've got |
00:32:31 |
Any angle, any view |
00:32:36 |
Okay, let's cruise the breezeway, |
00:32:38 |
see what we get there. |
00:32:40 |
It's a brand-new program. |
00:32:42 |
It's called Snow White. |
00:32:43 |
Our primary data comes from |
00:32:45 |
but at any given time, as many as four |
00:32:49 |
It's like having multiple eyewitnesses, |
00:32:53 |
Snow White? |
00:33:00 |
Well, which one of the seven dwarfs |
00:33:01 |
can explain to me |
00:33:09 |
I don't understand. |
00:33:12 |
Why do you gotta |
00:33:14 |
Why don't you just fast-forward it |
00:33:17 |
We have to wait. |
00:33:19 |
to render this single fluid shot. |
00:33:21 |
The only thing that matters |
00:33:23 |
is that we have exactly one look |
00:33:27 |
Yeah. We can't go back 10 minutes, |
00:33:30 |
Can't look back and see |
00:33:33 |
We can't watch the agent |
00:33:38 |
All right? But given enough lead time, |
00:33:40 |
we can look anywhere |
00:33:43 |
It's the when that's always constant. |
00:33:47 |
Always. You understand? |
00:33:48 |
It's like a single trailing moment of now, |
00:33:54 |
Okay. So if you can't move forward |
00:33:59 |
how is it the image keeps |
00:34:01 |
It's not the image that's moving faster, |
00:34:04 |
The passage of time remains constant, |
00:34:07 |
within the data stream |
00:34:10 |
- You understand? |
00:34:14 |
Yeah, I know. |
00:34:15 |
So four days from... |
00:34:17 |
since it's after midnight, |
00:34:20 |
to the day of the explosion, |
00:34:22 |
how they did it |
00:34:24 |
Yeah, you got it. |
00:34:26 |
The only thing is, |
00:34:28 |
'cause, you know, we could miss it. |
00:34:32 |
Besides, |
00:34:34 |
He could leave the country, |
00:34:36 |
We need to do whatever we can now. |
00:34:39 |
We know he's out there planning this. |
00:34:41 |
We just don't know where to look. |
00:34:45 |
So, Agent Carlin, where do we look? |
00:34:52 |
Claire Kuchever's house. |
00:34:56 |
Address is in range. |
00:34:58 |
All right, match the viewer settings |
00:35:05 |
- Signal's solid. |
00:35:23 |
What? |
00:35:24 |
You see, with Snow White |
00:35:27 |
It's part of the same infrared |
00:35:29 |
they're using in Iraq. |
00:35:30 |
Hello. This is 877-504-8423. |
00:35:32 |
We triangulate |
00:35:34 |
pick up the heat signal and reconstruct. |
00:35:36 |
Basically, we can walk through walls. |
00:35:41 |
Claire Kuchever. |
00:35:42 |
Claire? Hello? |
00:35:45 |
We held hands once, |
00:35:48 |
Jst checking in, |
00:35:51 |
Montreal's fantastic, |
00:35:54 |
Can you rotate the view, |
00:35:56 |
Yeah, yeah, yeah. |
00:35:58 |
I want yo to come visit, thogh. |
00:35:59 |
The city's phenomenal. |
00:36:01 |
Claire? Claire? |
00:36:04 |
555-0118. |
00:36:06 |
- Somebody got that? |
00:36:07 |
Claire, yo there? |
00:36:10 |
Listen, I've had a lot of time to think, |
00:36:20 |
and I need yo to sell the Bronco |
00:36:28 |
Or at least pay me back my half. |
00:36:32 |
I love yo, honey. Call me. |
00:36:35 |
Unbelievable. |
00:36:38 |
- Where's she... Can you follow her? |
00:36:58 |
Yeah, I'm coming, I'm coming. |
00:37:02 |
What? |
00:37:04 |
It's Stalhuth, at that house you found. |
00:37:10 |
Right. What do you got? |
00:37:12 |
We got some bloody cotton swabs |
00:37:16 |
some blood in the sink trap. |
00:37:19 |
Man, when did you completely forget |
00:37:22 |
What do you mean? |
00:37:24 |
This place is lousy |
00:37:25 |
They're all over the place. |
00:37:34 |
Do me a favor. Just describe what |
00:37:39 |
Woman's bedroom. Vanity mirror. |
00:37:42 |
Dressing table with makeup, |
00:37:45 |
Okay, okay, okay, I get it. |
00:37:46 |
Is there anybody there? |
00:37:49 |
No. Just a couple agents, |
00:37:54 |
and I have a fine view |
00:37:57 |
Okay, I get the picture. |
00:38:00 |
You satisfied? |
00:38:02 |
She was supposed to go on a date |
00:38:05 |
I want to get her appointment books |
00:38:08 |
you know, her phone records, |
00:38:11 |
I wanna know everything |
00:38:13 |
Well, shouldn't we be |
00:38:16 |
Well, yeah, it's likely that our guy |
00:38:18 |
cased the ferry first, |
00:38:23 |
We don't even know what he looks like. |
00:38:24 |
I mean, we could stare him |
00:38:27 |
But we will notice a change, |
00:38:36 |
- Hey, Beth. |
00:38:38 |
That gy I've been telling yo abot |
00:38:40 |
Okay. Tell him |
00:38:43 |
Monday. |
00:38:44 |
How abot Snday |
00:38:45 |
- No, Monday. |
00:38:47 |
No, do not give him my nmber. |
00:38:49 |
- He's not some psycho killer. |
00:38:51 |
I don't even know if I can do it Monday. |
00:38:54 |
Show me the book. |
00:38:58 |
Monday works. |
00:38:59 |
- Damn! |
00:39:00 |
Can we go back? |
00:39:02 |
- No. |
00:39:03 |
No, it's far too much data |
00:39:05 |
It's a constant stream. |
00:39:08 |
We can record what we're seeing, |
00:39:10 |
and choose to look |
00:39:12 |
Okay. You said we can record, though? |
00:39:14 |
- SHANTl: Yes. |
00:39:19 |
Tell me, is there any scientific |
00:39:24 |
by spying on this woman in the shower? |
00:39:26 |
Shanti, we're trying to make sure |
00:39:32 |
All right, why don't you, |
00:39:34 |
you know, look around the rest of |
00:39:46 |
- Gunnars. |
00:39:48 |
- You back? |
00:39:49 |
All right. |
00:39:54 |
Icy Hot, Band-Aids, baby oil. |
00:39:56 |
This woman needs a vice. |
00:39:57 |
What's on the other side of that wall? |
00:39:59 |
Kitchen. |
00:40:00 |
Let's take a look. |
00:40:03 |
Hello? Hello? |
00:40:14 |
Maybe there's someone out there. |
00:40:18 |
Someone there? |
00:40:21 |
Hey, Ginger. |
00:40:27 |
Hello? |
00:40:30 |
Does she know I'm here? |
00:40:32 |
No, impossible. Strictly one-way. |
00:40:36 |
You sure? |
00:40:49 |
Hello? |
00:40:50 |
Okay, let's check the perimeter. |
00:41:00 |
Nobody. |
00:41:03 |
Who's watching her? |
00:41:06 |
We are. |
00:41:40 |
They will also take p |
00:41:48 |
God, thank yo for blessing me |
00:41:53 |
I know today's gonna be a great day. |
00:42:01 |
Yo gys singing? |
00:42:05 |
Yo singing a love song |
00:42:09 |
What yo doing? |
00:42:33 |
Hi. |
00:42:43 |
Yeah, it's been a while. |
00:42:55 |
Everything God has done |
00:42:58 |
There is nothing to add to it, |
00:43:00 |
nothing to take from it. |
00:43:02 |
God has done this |
00:43:05 |
Ex didn't show. |
00:43:07 |
Would you? |
00:43:08 |
Whatever is |
00:43:10 |
and what will be has been before. |
00:43:13 |
God calls forth the past. |
00:43:23 |
Claire loved music. |
00:43:25 |
There's a church near our house, |
00:43:28 |
and gospel fills the neighborhood. |
00:43:31 |
When she was little, |
00:43:37 |
She asked me that day, |
00:43:39 |
"Why do they always wait until the end |
00:43:41 |
"to play the good music?" |
00:43:48 |
Claire, honey, the music's playing |
00:44:09 |
Were there four limo drivers or five? |
00:44:12 |
Four limos. |
00:44:13 |
Four limos. |
00:44:17 |
He was here. |
00:44:24 |
Address is in range. |
00:44:27 |
Palace Restaurant. |
00:44:29 |
They got good food there. |
00:44:35 |
I'm so sorry for the wait. |
00:44:37 |
Listen... |
00:44:38 |
Yor table will be ready |
00:44:40 |
Drinks are on me, all right? |
00:44:42 |
It is gonna be a few more mintes |
00:44:44 |
Go pstairs and see if Table 45 |
00:44:46 |
- All right? |
00:44:47 |
Hold on. Hang on. Hello? Hello? |
00:44:50 |
Hey, are yo the lady |
00:44:52 |
- That's him. |
00:44:53 |
- That's him. |
00:44:55 |
Let's see if it's a number we've tracked. |
00:44:59 |
Yes, that's me. Jst a second. |
00:45:01 |
Cover for me, all right? |
00:45:02 |
Keep that tape running, too. |
00:45:04 |
I'm gonna want a recording |
00:45:07 |
- I'm here. Can yo hear me? |
00:45:09 |
Let me tell yo, first off, |
00:45:10 |
I'm what yo cold call |
00:45:13 |
I bet you are. |
00:45:14 |
I'm ready to get something right away. |
00:45:15 |
That sonds great. |
00:45:18 |
Yor price looks good, |
00:45:22 |
So where can I come by and see it? |
00:45:23 |
Don't tell him. |
00:45:25 |
I'm at 827 Kings Oak, |
00:45:28 |
- Need directions? |
00:45:30 |
No, no, I'll find yo. |
00:45:33 |
Actally, I... |
00:45:36 |
- Tomorrow? |
00:45:37 |
He wants to wait for the last |
00:45:40 |
then it's too late to report it. |
00:45:42 |
How does Tesday sond? |
00:45:43 |
Got it. 504-555-0147. |
00:45:46 |
I see it. Tracking. |
00:45:48 |
I think |
00:45:50 |
See, I need the vehicle |
00:45:51 |
Is there anyone else there |
00:45:54 |
- No. Sorry. |
00:45:56 |
I'll tell yo what. There's a K5 Blazer... |
00:45:58 |
A date means |
00:46:00 |
and will miss her |
00:46:01 |
That could ruin his plans. |
00:46:03 |
No good. It's an outdoor phone booth. |
00:46:08 |
I hope to hear from yo. |
00:46:09 |
Can we get someone out there |
00:46:15 |
What's that do? Extend the range? |
00:46:17 |
Yeah, it's immediate line of sight. |
00:46:19 |
But we can use it to gather data |
00:46:22 |
Provided there's any data to gather. |
00:46:23 |
How long is this guy |
00:46:25 |
Not long. |
00:46:26 |
- Have a good night. |
00:46:28 |
Bye. |
00:46:30 |
Story of my life. |
00:46:32 |
Yeah, story of my life, too. |
00:46:33 |
All right, now we heard |
00:46:35 |
now we're gonna go after him |
00:46:37 |
Can we get video surveillance |
00:46:40 |
We can access all surveillance |
00:46:51 |
Okay, this is from the ATM camera |
00:46:55 |
All right. Let's fast-forward to the exact |
00:47:03 |
Where are we supposed to be looking? |
00:47:05 |
Behind the guy on the left. |
00:47:08 |
Can you enhance it, Gunnars? |
00:47:11 |
Not enough for an ID. |
00:47:16 |
Wait, go back. |
00:47:18 |
Stop. What is that on the ground? |
00:47:23 |
Looks like a camcorder bag, maybe. |
00:47:25 |
- We have facial recognition software? |
00:47:28 |
Let's use it on the bag. |
00:47:29 |
Cross-match it to all the bags |
00:47:32 |
in the 48 hours leading up |
00:47:38 |
Don't think it's ever been |
00:47:40 |
Yeah, that's kind of a simple image |
00:47:42 |
Well, we got nowhere else to go. |
00:47:48 |
Look, same bag. |
00:47:57 |
Okay, freeze it. |
00:48:01 |
Yeah, looks like the same guy, too. |
00:48:03 |
Security camera |
00:48:06 |
Okay, when is this? |
00:48:07 |
Two nights before the explosion. |
00:48:12 |
Two nights before the explosion |
00:48:14 |
Seven hours from now, we will be able |
00:48:18 |
Gotcha. |
00:48:28 |
Kind of creepy, seeing that lady's life |
00:48:33 |
Yep. |
00:48:35 |
Makes you appreciate life. |
00:48:38 |
I suggest you go home |
00:48:40 |
- That's what I'm gonna do. |
00:48:43 |
How'd you let that happen? |
00:48:47 |
Everything you have, you lose, right? |
00:48:51 |
Good looks, Pryzwarra, gone. |
00:48:54 |
Loved ones gone in a second. |
00:48:56 |
That's what this job teaches you, |
00:48:59 |
No matter what, |
00:49:01 |
no matter how hard you grab |
00:49:05 |
Well, we're gonna grab onto this guy |
00:49:09 |
We're gonna nail this son of a bitch. |
00:49:13 |
What's wrong? |
00:49:18 |
No matter what, we still lose her. |
00:49:22 |
Right? |
00:49:26 |
Dot-com for a link to the FEMA Web site. |
00:49:26 |
Dot-com for |
00:49:28 |
Military helicopters that have |
00:49:31 |
are leaving the city. Hndreds |
00:49:34 |
have been nable to come back home, |
00:49:37 |
Did you talk to him? |
00:49:38 |
...are still waiting to rebild. |
00:49:42 |
Oh, no. |
00:49:44 |
Mom asked me to say a prayer |
00:49:48 |
- Okay. |
00:49:50 |
She's not gonna be mad at yo. |
00:49:53 |
We'll jst say one now, all right? |
00:49:55 |
- It's too late. |
00:49:59 |
We'll jst pray |
00:50:03 |
How abot this? Yo pray for David, |
00:50:07 |
- Okay. |
00:50:23 |
- What's going on? |
00:50:25 |
Gunnars. |
00:50:27 |
- Are we online? |
00:50:29 |
- Are we online? |
00:50:30 |
- What the hell's going on? |
00:50:32 |
SHANTl: I don't know. |
00:50:33 |
- What broached the field? |
00:50:36 |
That broached the field, right there. |
00:50:39 |
Now, you wanna tell me |
00:50:41 |
It's not surveillance, Paul. |
00:50:44 |
You guys have figured out a way |
00:50:47 |
- No. |
00:50:48 |
- You're lying, and you know it. |
00:50:51 |
She saw it, Paul. |
00:50:53 |
and she responded to it |
00:50:56 |
- Explain that to me. |
00:50:59 |
Somebody explain it! |
00:51:02 |
Hit it, Shanti. |
00:51:06 |
For three years, |
00:51:08 |
for National Reconnaissance |
00:51:10 |
Okay. |
00:51:11 |
We were attempting |
00:51:13 |
to enhance the sensitivity |
00:51:16 |
In the process, we had a breakthrough. |
00:51:17 |
Given enough energy, |
00:51:20 |
I said explain it to me, not talk science. |
00:51:23 |
- They found a way to... |
00:51:24 |
Why don't you guys just keep talking? |
00:51:27 |
until you figure out |
00:51:29 |
They found a way |
00:51:34 |
All right, look. We're used to viewing |
00:51:38 |
- Like this piece of paper. |
00:51:40 |
To see something from a distance, |
00:51:42 |
the long way |
00:51:44 |
But given what I was trying to explain, |
00:51:45 |
we can fold the space, |
00:51:48 |
create what's known as |
00:51:50 |
otherwise known as a wormhole, |
00:51:53 |
- That's what we're looking at? |
00:51:54 |
What's on the other end of the bridge? |
00:51:57 |
Claire's house. |
00:52:00 |
Wow. |
00:52:01 |
Basically, we're folding space |
00:52:03 |
to create an instantaneous link |
00:52:06 |
- Instantaneous? |
00:52:08 |
and that's what we expected. |
00:52:11 |
We used huge amounts of energy |
00:52:13 |
All right, how huge? |
00:52:14 |
You remember that little blackout |
00:52:17 |
- Yes, I do. |
00:52:18 |
- Right. |
00:52:19 |
Half the Northeast. |
00:52:21 |
- Fifty million homes. Right. |
00:52:23 |
Well, I still say we blame Canada, but... |
00:52:25 |
Okay, so why can't I see this bridge? |
00:52:27 |
It's not visible to the human eye. |
00:52:30 |
It's just as real and just as solid |
00:52:31 |
as a cell phone signal or a radio wave. |
00:52:33 |
Right. Well, I don't know |
00:52:35 |
I just know how to use it. |
00:52:39 |
We can look back four and a half days. |
00:52:40 |
- And what, we can look anywhere? |
00:52:43 |
Right, right, right. |
00:52:46 |
In a sense, |
00:52:48 |
Even light reflected |
00:52:50 |
takes some time to reflect back. |
00:52:52 |
Let me get this straight. |
00:52:53 |
You're trying to tell me |
00:52:57 |
- is the actual past? |
00:52:59 |
- Wow. |
00:53:01 |
We created this thing by pure accident. |
00:53:03 |
This space and time... |
00:53:08 |
All right? And everybody is terrified |
00:53:12 |
or suffering the consequences |
00:53:14 |
which is why it can only be used |
00:53:16 |
Hey, let me ask you something. |
00:53:18 |
- You went to her funeral, Doug. |
00:53:20 |
but I think the question still applies. |
00:53:23 |
All right. Life, like time and space, |
00:53:27 |
All right! |
00:53:29 |
Am I asking a hard question? |
00:53:31 |
Looks like I picked |
00:53:34 |
All right, I tell you what. |
00:53:35 |
I'll speak slow, so those of you with |
00:53:40 |
It... Here. Look. Here's a monitor, right? |
00:53:45 |
Now the monitor is broken. It's dead. |
00:53:48 |
It is not temporarily transitioned |
00:53:52 |
It's dead, right? |
00:53:58 |
- She's alive. |
00:53:59 |
Now we're getting somewhere. |
00:54:00 |
All right, now, you said |
00:54:02 |
- Nothing. |
00:54:04 |
Come on, Paul. Something. |
00:54:06 |
- No. |
00:54:08 |
- Why not? |
00:54:10 |
The electromagnetic field. |
00:54:13 |
what's known as |
00:54:15 |
An EM pulse annihilates |
00:54:17 |
That's your heartbeat, |
00:54:19 |
So what? You haven't tried a person? |
00:54:21 |
Let's just say |
00:54:23 |
to know that it's not even possible. |
00:54:25 |
It's not even theoretically possible. |
00:54:27 |
- A drosophila fly, dead. |
00:54:30 |
What about that? |
00:54:31 |
- A radio signal? |
00:54:32 |
- Won't work. Electrical. |
00:54:34 |
- All right, then a note, a warning note. |
00:54:37 |
- A single piece of paper. One sheet. |
00:54:38 |
- Lf we keep the mass low... |
00:54:40 |
This could work! It could work. |
00:54:41 |
Sure. We know |
00:54:42 |
We can apprehend him |
00:54:44 |
before he even blows up the boat. |
00:54:45 |
- And how do we do that, exactly? |
00:54:48 |
You send it to me. Yeah, send it to me. |
00:54:50 |
Send it to my office |
00:54:52 |
an anonymous tip, and we can capture |
00:54:55 |
We know he's gonna be at the dock. |
00:54:57 |
Whatever you did, you did it already. |
00:54:59 |
Whether you send this note or you |
00:55:01 |
You cannot change the past. |
00:55:05 |
What if there's more than physics? |
00:55:09 |
Okay. Something spiritual, right? |
00:55:11 |
- Yeah, something spiritual. |
00:55:14 |
Just try to think of it this way. |
00:55:16 |
God's mind is made up about this. |
00:55:18 |
I mean, you know, |
00:55:21 |
But it already happened, |
00:55:23 |
- and it always will happen. |
00:55:26 |
And why don't we call it fate, |
00:55:28 |
Maybe you're right. Maybe you guys |
00:55:31 |
All I know is this. For all of my career, |
00:55:33 |
I've been trying to catch people |
00:55:36 |
For once in my life, |
00:55:37 |
I'd like to catch somebody |
00:55:40 |
All right? Can you understand that? |
00:55:47 |
Address is in range. |
00:55:48 |
Address is in range. |
00:55:54 |
Two L's. "Surveilling," two L's. |
00:55:57 |
Since this is such a tremendous waste |
00:56:00 |
the least we could do |
00:56:02 |
That's not necessarily true. |
00:56:03 |
Branching universe theory holds |
00:56:05 |
- Oh, branching universe theory. |
00:56:07 |
- No, no, no. |
00:56:09 |
The traditional view of time is linear, |
00:56:11 |
like a river flowing from the past |
00:56:14 |
But you can change |
00:56:16 |
Exactly. Introduce a significant enough |
00:56:20 |
and you create a new branch, |
00:56:22 |
still flowing toward the future, |
00:56:26 |
Changed. |
00:56:27 |
Yeah, but that river is the Mississippi, |
00:56:29 |
and we're lobbing |
00:56:31 |
That's a very few tiny ripples in a kind |
00:56:35 |
Traditionalist. |
00:56:36 |
Say we do create this new branch. |
00:56:38 |
What happens to the old one? |
00:56:40 |
Ask the radical. |
00:56:43 |
Well, it might continue |
00:56:47 |
but most likely it ceases to exist. |
00:56:49 |
The idea is, we cease to exist. |
00:56:51 |
All right? This version of us, anyway. |
00:56:55 |
You know, we never came here. |
00:56:57 |
We don't remember it ever happening. |
00:57:00 |
Well, that's worth $ 10 billion |
00:57:07 |
Would've been a lot faster |
00:57:10 |
Right. Then I recognize |
00:57:12 |
and the universe blows up. |
00:57:30 |
We're ready. |
00:57:31 |
All right, third floor, southwest corner. |
00:57:36 |
MINUTl: How'd yo |
00:57:37 |
Good police work. |
00:57:38 |
That's me. I can hear me. |
00:57:40 |
- I don't wanna play games with yo. |
00:57:41 |
- I'm not playing games. |
00:57:43 |
- No, I'm not. |
00:57:44 |
- There I am. |
00:57:47 |
- There's procedres... |
00:57:49 |
Look, I know how this job works, |
00:57:51 |
Jesus, I forgot all about this part. |
00:57:53 |
All right, let's find a nice, happy place |
00:57:56 |
- That your desk? |
00:57:58 |
Okay. Line us up. |
00:58:00 |
When I peg a gy on a hnch, |
00:58:03 |
not some conspiracy |
00:58:07 |
- Yo know what, Dog? |
00:58:09 |
Expand the wave past the note. |
00:58:10 |
I can't watch yor back |
00:58:12 |
Why not? |
00:58:13 |
If my memory serves me right, |
00:58:15 |
'cause I think I'm about to leave. |
00:58:17 |
- I need more cowbell. |
00:58:19 |
- Okay, well, I... |
00:58:20 |
Just give me a second. |
00:58:21 |
- Don't talk to each other. |
00:58:24 |
I'm about to leave. |
00:58:25 |
...another partner? |
00:58:26 |
- Everybody relax. |
00:58:28 |
- Let's go. |
00:58:29 |
Prepare for the final power surge. |
00:58:31 |
- Have a good vacation. |
00:58:36 |
Walk away. |
00:58:48 |
What the hell happened? |
00:58:49 |
I don't know. |
00:58:50 |
It doesn't matter. Doesn't matter. |
00:58:52 |
- Did it go through? |
00:58:54 |
Pull it back. |
00:59:03 |
- There it is. |
00:59:05 |
- That's right. |
00:59:07 |
It went through! |
00:59:08 |
Whoa, whoa. |
00:59:10 |
It ain't great yet. I don't come back. |
00:59:27 |
Put it down, Larry. I'm not coming back. |
00:59:38 |
Put it down, Larry. |
00:59:41 |
Larry, don't do it. |
00:59:44 |
- Follow him. |
01:00:05 |
All right, look, let's... You know what? |
01:00:09 |
The bomber's on his way to the dock. |
01:00:12 |
We'll come back to Minuti |
01:00:18 |
All right. |
01:00:21 |
Okay, where is he? |
01:00:26 |
Can we circle it? |
01:00:32 |
We should be able to see him by now. |
01:00:42 |
That's him. There he is. All right. |
01:00:44 |
- Holy shit. |
01:00:46 |
Move in on him real close. |
01:00:48 |
That's him. |
01:00:51 |
That's our guy. That's him. |
01:00:54 |
That's our guy. |
01:00:56 |
Shanti, see if you can get |
01:00:58 |
- Give me some time. |
01:01:04 |
- There's your partner. |
01:01:07 |
Try to move in on his truck. |
01:01:08 |
See if we can get a plate. |
01:01:11 |
- No plate. |
01:01:17 |
Stay on him. |
01:01:23 |
Where's Minuti? |
01:01:25 |
Federal agent! Trn the engine off! |
01:01:27 |
Trn the engine off! |
01:01:44 |
Tilt back down. |
01:01:48 |
He's still breathing. |
01:02:06 |
- What can we do? |
01:02:12 |
He's traveling east. |
01:02:16 |
- Okay, what can we do? Anything? |
01:02:17 |
but if we don't do something fast, |
01:02:20 |
SHANTl: We're losing the signal. |
00:00:01 |
We need to chase him |
00:00:04 |
Yeah, well, |
00:00:05 |
and he's the only one who can use it. |
00:00:09 |
- Where is it? |
00:00:11 |
- Yeah, the rig. Where is it? |
00:00:18 |
- Keys in there? |
00:00:46 |
All right, quiet, everybody. It's him. |
00:00:48 |
- Carlin. |
00:00:51 |
- Is he going east? |
00:00:55 |
Okay, he's going east, |
00:00:58 |
All right, just try to keep him in sight, |
00:01:01 |
I'll try and track him with this goggle rig. |
00:01:04 |
- Can he do that? |
00:01:06 |
and keep him in sight, that could work. |
00:01:12 |
Hey, how do you turn this thing on? |
00:01:14 |
There's an on-off button |
00:01:17 |
Okay, I see it. |
00:01:18 |
It's really simple. Wherever you look, |
00:01:21 |
and we'll see what you see. |
00:01:27 |
Okay, you're live. You're on. |
00:01:28 |
Try the goggles. |
00:01:35 |
- He's gone. Out of range. |
00:01:37 |
- Where's he headed? |
00:01:40 |
East or west? |
00:01:42 |
I don't know. |
00:01:44 |
East or west? |
00:01:46 |
We lost the signal. We're blind in here. |
00:01:48 |
I don't know. |
00:01:53 |
Oh, shit! |
00:01:57 |
What? What happened? |
00:02:05 |
This is trippy. |
00:02:07 |
Doug, look straight ahead. |
00:02:08 |
We've got the window slaved |
00:02:09 |
We are seeing what you're seeing |
00:02:14 |
Okay, I got him. I got him. |
00:02:16 |
He's going west, not east, |
00:02:18 |
on the Crescent City Bridge. |
00:02:22 |
There he is. That's him. Opposite lane. |
00:02:26 |
I got him. |
00:02:27 |
I got him! |
00:02:30 |
Watch the traffic. |
00:02:41 |
- What was that? |
00:02:46 |
SHANTl: Doug, you've gotta stay |
00:02:50 |
Doug, what's happening? |
00:02:57 |
I got him! I got him. |
00:03:00 |
All right, all right, all right. |
00:03:02 |
Good. Now stay with him. |
00:03:04 |
Send paramedics |
00:03:07 |
Got that? |
00:03:11 |
I lost him. |
00:03:22 |
- I got him! I got him! |
00:03:24 |
SHANTl: That's him. |
00:03:25 |
He's headed for the 10 to the bayou. |
00:03:48 |
I can see him. He's right in front of me. |
00:03:59 |
Carlin! |
00:04:01 |
What was that? |
00:04:03 |
Doug, are you all right? |
00:04:08 |
Dog! |
00:04:10 |
Doug? |
00:04:13 |
I think it's broken. I can't see anything. |
00:04:15 |
We still have a signal here. |
00:04:19 |
- You can see? |
00:04:21 |
Can you still drive? |
00:04:23 |
Yeah, yeah. Where is he? |
00:04:25 |
Give us a 360 with the goggle rig. |
00:04:28 |
There! There he is! |
00:04:31 |
- Which way? |
00:04:33 |
To your right. |
00:04:36 |
There! There he is! |
00:04:38 |
- He's taking the road to the bayou! |
00:04:41 |
The road is blocked. |
00:04:42 |
Take the expressway. |
00:04:44 |
Go. Go, go! |
00:04:59 |
See him? |
00:05:00 |
Pan right. Pan right! |
00:05:03 |
You still see him? |
00:05:05 |
He's at the end of the bridge. |
00:05:06 |
You hear me? |
00:05:14 |
Keep talking to me. |
00:05:15 |
I don't know what else to tell you. |
00:05:19 |
He took the exit ramp beneath you. |
00:05:22 |
- Take the next off-ramp. |
00:05:27 |
All right, I'm on the off-ramp. |
00:05:30 |
Go right, then double back on yourself. |
00:05:32 |
All right, I got it. |
00:05:36 |
All right, take another right. |
00:05:43 |
Still see him? |
00:05:46 |
He's heading to the bayou. |
00:05:54 |
Good, good, good. |
00:05:55 |
Take it easy, Dog. |
00:05:58 |
Okay, okay, okay. |
00:06:06 |
He's slowing down, coming to a fence. |
00:06:12 |
Yeah, I see it. |
00:06:29 |
Dog, if yo're gonna |
00:06:31 |
It's the power sorce for the rig. |
00:06:32 |
It's the power sorce for the rig. |
00:07:01 |
- Can you hear me? |
00:07:03 |
Yeah, we can hear you. |
00:07:05 |
All right. |
00:07:16 |
What's he doing now? |
00:07:23 |
He's pulled around |
00:07:27 |
Looks like a bomb went off. |
00:07:29 |
Really? |
00:07:34 |
- No damage? |
00:07:39 |
Looks like a vehicle's inside. |
00:07:41 |
An ambulance. You see that? |
00:07:44 |
No. Nothing. |
00:08:10 |
See anything? |
00:08:12 |
He's dead ahead of you. |
00:08:14 |
Doug, he's pulling Minuti out of the car. |
00:08:16 |
Where? |
00:08:17 |
All right, now pan to the right. |
00:08:19 |
- More right. |
00:08:21 |
Yeah, he's dragging him out of the car. |
00:08:22 |
Do you see him? |
00:08:24 |
- Yeah. |
00:08:26 |
Boost the audio for me. |
00:08:28 |
Audio boosted. |
00:08:30 |
Trn arond. |
00:08:33 |
- Larry? |
00:08:36 |
- You've got him now. |
00:08:37 |
He's being dragged on the concrete. |
00:08:42 |
Larry! |
00:08:48 |
What's that sound? |
00:08:50 |
What's the sond? |
00:08:53 |
He's pouring some kind of accelerant |
00:08:57 |
I think it's the diesel fuel, |
00:09:09 |
He's waking up. |
00:09:11 |
Brace yourselves. I think |
00:10:28 |
If we hadn't sent him there, |
00:10:30 |
No, he was already dead from the ferry. |
00:10:33 |
We don't know that. |
00:10:34 |
He could've been standing |
00:10:35 |
right until we sent that note. |
00:10:36 |
Yo'd need a branching |
00:10:39 |
Oh, come on. |
00:10:42 |
We didn't change anything. |
00:10:45 |
I'll tell you what we did. |
00:10:48 |
The suspect used a stolen Blazer |
00:10:51 |
So now he has a truck big enough |
00:10:56 |
Now Larry shows p, right? |
00:10:58 |
Larry puts bullet holes |
00:11:01 |
- You want a mask? |
00:11:04 |
Larry puts bullet holes |
00:11:06 |
leaves blood all over the back seat, |
00:11:09 |
you understand? Claire's truck. |
00:11:14 |
Yo hngry? |
00:11:15 |
Yeah, we changed one thing, |
00:11:16 |
but by changing one thing, |
00:11:19 |
What's on TV? |
00:11:58 |
Hey, hey, hey, we got a name. |
00:12:00 |
- Carroll Oerstadt. |
00:12:02 |
Who is that? |
00:12:05 |
Truck registration, |
00:12:08 |
And another property. |
00:12:09 |
5874 Mullie Ave., Ninth Ward, New Orleans. |
00:12:12 |
- Is this a he or a she? |
00:12:49 |
Clear! |
00:13:18 |
Testing, one, two, three, for. |
00:13:21 |
Testing, one, two, three, for. |
00:13:25 |
A TF New Orleans, condcting |
00:13:27 |
A TF New Orleans, condcting |
00:13:30 |
Yo've waived yor right |
00:13:31 |
Yes, sir. |
00:13:35 |
I'm fascinated with yor precision. |
00:13:39 |
It's not very often we see that level |
00:13:42 |
and if it's all right with you, |
00:13:44 |
to educate my colleagues |
00:13:48 |
- Yes, sir. |
00:13:51 |
Let's talk about motive. |
00:13:52 |
Why would you use explosives |
00:13:57 |
- Correction, sir. US Government. |
00:14:02 |
It says here that you tried |
00:14:06 |
You were rejected. |
00:14:08 |
you were rejected again. |
00:14:10 |
Why do you think they did that? |
00:14:14 |
Because they don't want patriots. |
00:14:17 |
The military no longer recognizes |
00:14:20 |
They thought I was overcommitted |
00:14:24 |
They didn't want to understand |
00:14:27 |
They understand it now. |
00:14:30 |
I believe so. Yes, sir. |
00:14:35 |
- You're ATF, right? |
00:14:39 |
- Got a smoke? |
00:14:41 |
- Would you like one? |
00:14:43 |
Okay. Anything you want to say, |
00:14:46 |
A man can always use more alcohol, |
00:14:49 |
I can think of one more thing. |
00:14:55 |
It's like the Revoltionary War, |
00:14:57 |
"One man's terrorist |
00:15:01 |
Yeah? |
00:15:03 |
- Yeah. |
00:15:07 |
- This wasn't about revenge. |
00:15:13 |
Destiny. |
00:15:14 |
Destiny? |
00:15:17 |
You've been asking me |
00:15:19 |
- Right. Right. |
00:15:22 |
They're all connected. |
00:15:24 |
Everything's connected. |
00:15:25 |
Okay. |
00:15:28 |
I needed a car. |
00:15:29 |
- And that's it? |
00:15:31 |
- that couldn't be traced back to me. |
00:15:33 |
I had one ready till that cop showed up. |
00:15:37 |
That cop was a federal agent. |
00:15:39 |
Lawrence Minuti. My partner. |
00:15:42 |
He... I was about to burn him |
00:15:45 |
I mean, I'm not cruel. |
00:15:49 |
Well, why didn't you "do that" |
00:15:55 |
Well, because I needed her |
00:16:00 |
- and a bullet would've given it away. |
00:16:02 |
- And a bullet would've given it away. |
00:16:03 |
I went to her house |
00:16:06 |
I took her from behind, taped her mouth |
00:16:10 |
Then? |
00:16:11 |
I bond her wrists and her ankles |
00:16:14 |
I loaded the device into her car |
00:16:16 |
and then I soaked her |
00:16:17 |
Jesus. |
00:16:19 |
And? |
00:16:20 |
I think you know |
00:16:21 |
No, I don't know. I want you to tell me. |
00:16:23 |
I mean, you know, come on, hero. |
00:16:25 |
I'll tell you what happened after that. |
00:16:27 |
You killed 543 people. |
00:16:35 |
I think that you were a murderer |
00:16:41 |
Sometimes a little human collateral |
00:16:45 |
To me, |
00:16:47 |
bt to yo, they're jst evidence. |
00:16:49 |
That'll do. We got him. |
00:16:52 |
What'd yo say? |
00:16:53 |
You think you know what's coming? |
00:16:57 |
I know where you're going. |
00:16:59 |
I know you're gonna be away |
00:17:04 |
- This case will never even go to trial. |
00:17:08 |
- 'Cause I seen what's coming. |
00:17:12 |
What is in this glass? |
00:17:15 |
Okay, what's coming? You tell me. |
00:17:18 |
I told you earlier I have a destiny, |
00:17:21 |
a purpose. |
00:17:23 |
Satan reasons like man, |
00:17:26 |
Well, I prostrate myself before a world |
00:17:31 |
'cause in all eternity, |
00:17:34 |
That's destiny. |
00:17:37 |
A bomb has a destiny, |
00:17:39 |
a predetermined fate |
00:17:42 |
And anyone who tries to alter |
00:17:45 |
Anyone who tries to stop it |
00:17:49 |
And that's what you don't understand. |
00:17:51 |
We're not here to coexist. |
00:17:55 |
So you'd better have |
00:17:59 |
You're gonna need it. |
00:18:01 |
You'd better have some K-Y. |
00:18:17 |
What am I supposed to do? |
00:18:20 |
- We're shutting you down. |
00:18:23 |
Yeah, we got what we need. |
00:18:24 |
The forensics, the suspect, |
00:18:27 |
Sir, perhaps we should continue |
00:18:30 |
- The ferry bombing. |
00:18:32 |
I mean, we can't just |
00:18:34 |
We need an airtight case. |
00:18:36 |
Well, collecting evidence |
00:18:39 |
- You took it a little further than that. |
00:18:41 |
My name is Carlin, not Carly. |
00:18:43 |
We had protocols in place. |
00:18:45 |
And then you had to push it, |
00:18:48 |
Sir, by one theory, |
00:18:50 |
We're done. Power it down. |
00:18:54 |
- What about Claire? |
00:18:57 |
Lookit, charging Oerstadt |
00:18:59 |
is gonna raise too many questions |
00:19:02 |
I understand that, sir, |
00:19:03 |
Are we just gonna drop the case? |
00:19:04 |
We got him on the ferry bombing, |
00:19:07 |
- That's enough to get him the needle. |
00:19:09 |
Well, you know, I don't give a rat's ass |
00:19:12 |
- She doesn't matter. |
00:19:15 |
- In 12 hours, he's gonna kill her. |
00:19:18 |
You were at the funeral. |
00:19:25 |
It had to happen. |
00:19:26 |
I delayed turning in my report |
00:19:31 |
Hey, mission accomplished. |
00:19:33 |
This is a victory, Doug. |
00:19:42 |
Hey. Now, my job is closure. |
00:19:45 |
Your job is to help facilitate |
00:19:48 |
Then you tell me, |
00:19:50 |
We caught the son of a bitch. |
00:19:52 |
We can't save the victims. |
00:19:53 |
It's not our job |
00:19:57 |
We lose everything that we care about. |
00:20:02 |
Doug, it's not your fault |
00:20:08 |
Yeah, that's one theory. |
00:20:14 |
Lietenant Jnior Grade Dianne Kerry. |
00:20:18 |
Martin Kyle. |
00:20:21 |
Commander Francis Lacey, retired. |
00:20:24 |
Elaine Lacey. |
00:20:27 |
Chief Petty Officer Darren McAndrews. |
00:20:30 |
Lorraine McAndrews. |
00:20:33 |
Electronics Technician Lisa Melville. |
00:20:37 |
Chaplain Rabbi Benjamin Mendelsson. |
00:21:57 |
Denny? It's Doug. |
00:21:58 |
Well, I can't say |
00:22:02 |
Look, you know what happens |
00:22:05 |
We both know what happens if I don't. |
00:22:06 |
Well, not a lot of guinea pigs volunteer |
00:22:11 |
Well, then we have to make sure |
00:22:12 |
I end up somewhere |
00:22:15 |
Can you help me? |
00:22:21 |
I'll see you when you get here. |
00:22:25 |
Doug? |
00:22:32 |
Do me a favor. |
00:22:58 |
You do that one more time, |
00:23:05 |
Can't take it. |
00:23:07 |
Gotta keep the mass |
00:23:08 |
You gotta take everything off. |
00:23:16 |
- You can keep your underwear on. |
00:23:20 |
Thought you said you didn't believe |
00:23:24 |
Right. Well, I also believe in God. |
00:23:27 |
Just don't tell anyone. |
00:23:28 |
- I'm gonna tell everybody. |
00:23:30 |
You know, when I open up the throttle |
00:23:33 |
Yeah, I know. EM field, flatline. I got it. |
00:23:37 |
Thing of it is, |
00:23:40 |
the most probable outcome |
00:23:43 |
is that four and a half days ago |
00:23:47 |
"Hey, Agent Carlin, |
00:23:49 |
"There's something you should see. " |
00:23:51 |
And next thing you know, |
00:23:54 |
and it's you. |
00:23:56 |
Well, you can be wrong a million times. |
00:24:01 |
Besides, I think I'd remember |
00:24:03 |
So I gotta face out toward you? |
00:24:06 |
Yeah, face out. |
00:24:10 |
- You ready? |
00:24:13 |
You don't have to do this. |
00:24:17 |
What if I already have? |
00:24:20 |
Right. |
00:24:35 |
Doug? |
00:24:38 |
Dog? |
00:24:39 |
Hey. Hello? |
00:24:42 |
- You okay in there? |
00:24:44 |
- You good? |
00:24:46 |
I'm beside myself. |
00:24:51 |
Am I still here? |
00:24:53 |
For now. You ready? |
00:24:54 |
- Yeah, I'm ready. |
00:24:56 |
Looking forward to walking p to yo |
00:24:58 |
and blowing yor mind, thogh. |
00:24:59 |
Well, if that happens, |
00:25:01 |
what it's like to meet your younger self. |
00:25:02 |
All right, I'll let yo know. |
00:25:04 |
All right, remember, the ferry blows |
00:25:10 |
Yeah. |
00:25:12 |
Here we go. |
00:25:15 |
See you yesterday. |
00:25:16 |
God willing. |
00:25:42 |
Good, good. |
00:25:43 |
- Yo don't have to do this. |
00:25:45 |
Maybe I already have. |
00:25:46 |
Maybe I already have. |
00:25:51 |
What the hell? |
00:25:53 |
The reserve generators should kick in. |
00:25:56 |
That was interesting. |
00:26:01 |
- Doctor! |
00:26:03 |
Where'd he come from? |
00:26:06 |
All right, let's get him into Trauma. |
00:26:15 |
This is weird. |
00:26:18 |
Defib. |
00:26:20 |
Recharge it again. |
00:26:23 |
Clear! |
00:26:24 |
- Recharge to 300. |
00:26:27 |
Clear! |
00:26:30 |
Resume CPR. One, two, three, |
00:27:00 |
Thirty-for degrees. |
00:27:02 |
Forty-nine was or low temperatre |
00:27:05 |
Gonna be at that |
00:27:08 |
Let me show yo why. |
00:27:30 |
...a few of them come back. |
00:27:35 |
- Whoa! |
00:27:36 |
I need your keys. I need a vehicle. |
00:27:38 |
There's keys in the truck there. |
00:27:40 |
Which one? Right here? |
00:27:42 |
Hands on the table. |
00:27:47 |
Water it. |
00:28:10 |
This might be a metaphor |
00:28:13 |
A fish strggles instinctively |
00:28:19 |
The fish is a largemoth bass. |
00:28:35 |
Here's the news at 8:30. |
00:28:37 |
Federal officials are still baffled |
00:28:40 |
that darkened the entire eastern half |
00:30:39 |
Hey! |
00:32:02 |
Jesus. |
00:32:10 |
Wait a minute. |
00:32:13 |
Listen. Claire! |
00:32:15 |
I'm a federal agent. Hang on, hang on. |
00:32:19 |
All right, it's okay. It's okay. It's okay. |
00:32:20 |
I'm a federal agent. It's okay. It's okay. |
00:32:24 |
You're safe. You're all right, okay? |
00:32:26 |
I'm a federal agent. You're safe. |
00:32:30 |
You're safe. He's gone. All right? |
00:32:35 |
- Get me out of here! |
00:32:38 |
Get me out of here! |
00:32:40 |
It's all right. It's okay. It's okay. |
00:32:45 |
- Get me out of here. |
00:32:48 |
It's all right. It's all |
00:32:53 |
Hey, look at me. Look at me. |
00:32:56 |
I'm gonna get you out of here, okay? |
00:32:58 |
All right. |
00:33:14 |
How'd you know |
00:33:17 |
That's a good question. I didn't know. |
00:33:24 |
- He's a terrorist? |
00:33:26 |
His name is Carroll Oerstadt. |
00:33:30 |
We've been tracking him. |
00:33:32 |
He's planning on blowing up |
00:33:40 |
- So we're going to the police? |
00:33:43 |
By the time we get them up to speed, |
00:33:45 |
We gotta go |
00:33:47 |
I don't think you're gonna make it. |
00:33:49 |
No, I gotta make it. I only got an hour |
00:33:53 |
What if you don't make it? |
00:33:56 |
If I don't make it... |
00:34:00 |
What? |
00:34:03 |
Your house is on the way. |
00:34:04 |
We'll go by your house, |
00:34:06 |
- I'll drop you off. All right? |
00:34:11 |
Hey, Ginger. |
00:34:13 |
She hates strangers. |
00:34:15 |
You need anything? |
00:34:16 |
You get cleaned up. |
00:34:18 |
- You sure? I could bind that for you. |
00:34:22 |
I'm gonna need to borrow |
00:34:25 |
Sure. |
00:35:13 |
Hey, listen. |
00:35:15 |
- You shouldn't wear that. |
00:35:19 |
Why don't you put on a different one? |
00:35:20 |
The blue and white one. Anything. |
00:35:23 |
Just trust me. |
00:35:24 |
The victim wore a dress like that |
00:35:30 |
- Okay. |
00:35:32 |
All right, I'll go change. I'll be right out. |
00:35:47 |
Stop right there! Don't move! |
00:35:49 |
Don't move. I'm calling the police. |
00:35:52 |
- I am the police. |
00:35:53 |
- Yes, I am. |
00:35:55 |
You didn't ask me any questions. |
00:35:58 |
And you knew where my house was, |
00:36:01 |
- Who are you? |
00:36:05 |
I'm part of a special surveillance unit |
00:36:08 |
- who was trying to kill you. |
00:36:10 |
I had a hood over my head. |
00:36:12 |
Just think about it, Claire. |
00:36:13 |
Look at my face. |
00:36:15 |
Do I have a scratch on my face? |
00:36:16 |
- You scratched him, didn't you? |
00:36:21 |
Now! Get on the floor! |
00:36:26 |
All the way! |
00:36:31 |
ATF New Orleans, Agent Donnelly. |
00:36:33 |
Yes, is there an Agent Douglas Carlin |
00:36:37 |
Yes, there is, |
00:36:40 |
Would you like to leave a message? |
00:36:42 |
Can you describe him for me, please? |
00:36:44 |
How tall, skin color. |
00:36:47 |
I don't know. |
00:36:55 |
Okay, have him call me back |
00:36:57 |
at 877-504-8423. |
00:37:01 |
Okay, wait. My phone pad's empty. |
00:37:03 |
All right, got it. |
00:37:06 |
Hello? |
00:37:12 |
Get up. |
00:37:20 |
Are you gonna tell me the truth? |
00:37:23 |
Are you gonna tell me why you're here, |
00:37:26 |
and none of it makes sense? |
00:37:30 |
What if you had to tell someone |
00:37:33 |
but you knew they'd never believe you? |
00:37:37 |
What would you do? |
00:37:40 |
I'd try. |
00:37:42 |
You never know |
00:37:51 |
I don't understand what's... |
00:38:20 |
I gotta hurry up and get down there. |
00:38:22 |
Why are you the only one |
00:38:24 |
Well, because I'm the only one |
00:38:26 |
I'm the only one that knows |
00:38:28 |
and exactly what he's gonna do. |
00:38:30 |
How do you know that? |
00:38:32 |
I mean, how'd you know |
00:38:35 |
Well, for the sake of argument, |
00:38:36 |
let's just say that the government |
00:38:39 |
that allows me to know |
00:38:43 |
Then how come you didn't know |
00:38:46 |
I did. No, I didn't. |
00:38:52 |
- Is that okay? |
00:38:56 |
One second. |
00:39:02 |
- I think that's gonna stay. Is that okay? |
00:39:06 |
Okay. |
00:39:09 |
- All right. I'm not very good at this. |
00:39:27 |
What's the matter? |
00:39:29 |
Jesus. |
00:39:34 |
I haven't changed a thing. |
00:39:37 |
I gotta go. And you gotta go with me. |
00:39:40 |
What? |
00:39:41 |
- I thought you said I was safe now. |
00:39:44 |
You gotta go with me now. Right now. |
00:39:47 |
Wait, wait, wait! Don't answer it. |
00:39:51 |
Don't answer it. I'll prove it to you. |
00:39:53 |
That's your friend Beth calling. |
00:39:54 |
Let the machine pick it up. |
00:39:56 |
"Hi, Claire. It's Beth. Are you there? |
00:39:59 |
"but when you didn't call me last night |
00:40:03 |
Claire? Hi, it's Beth. Are yo there? |
00:40:06 |
I'm sorry to call yo so early, |
00:40:07 |
bt yo said yo were gonna call me |
00:40:09 |
and when yo didn't, |
00:40:11 |
- Beth, is this a joke? |
00:40:13 |
Like I said, I was jst worried |
00:40:15 |
I can't talk right now. |
00:40:17 |
Claire... |
00:40:18 |
Believe me, the only one |
00:40:21 |
- Okay. |
00:40:28 |
I don't understand. |
00:40:29 |
Why not just call the police |
00:40:34 |
He'll set the bomb off |
00:40:36 |
He can't know he's been compromised |
00:40:38 |
until it's too late for him |
00:40:40 |
He'll set the timer, walk away on foot, |
00:40:43 |
and ride to the Crescent City Bridge |
00:40:46 |
Okay, then what? |
00:40:50 |
Then I defuse the bomb. |
00:41:50 |
There's my truck. |
00:42:01 |
- All these people. |
00:42:03 |
Where? |
00:42:05 |
You see the military jacket |
00:42:12 |
It's just what you said. |
00:42:14 |
All right, |
00:42:17 |
- Yeah. |
00:42:19 |
I want you to tell them about the bomb, |
00:42:22 |
- They'll believe me? |
00:42:25 |
- Come on, they'll arrest me. |
00:42:27 |
They'll take you into custody. |
00:42:31 |
Don't turn around. |
00:42:39 |
Doug... |
00:42:43 |
Be careful. |
00:43:17 |
Yor attention, please. |
00:43:19 |
Passengers are not allowed |
00:43:22 |
when the ferry is in motion. |
00:43:31 |
Sir! Sir. |
00:43:33 |
Excuse me, sir, you're gonna |
00:43:36 |
- Passengers aren't allowed here. |
00:44:18 |
Can't believe it. They're right on time. |
00:44:20 |
Let's get these boys to their party. |
00:44:45 |
Mama! |
00:46:29 |
Excuse me, sir? Sir! |
00:46:32 |
There's no passengers allowed |
00:46:38 |
No passengers allowed, sir. |
00:46:55 |
Let's go! Let's go! |
00:47:54 |
It's destiny, Oerstadt. |
00:47:56 |
Satan reasons like a man, |
00:48:02 |
What did you say? |
00:48:04 |
I'm saying it's gonna take |
00:48:10 |
I'm coming out. |
00:48:19 |
What'd you say? |
00:48:22 |
I thought you were a patriot. |
00:48:24 |
Oh, I am. |
00:48:26 |
Patriotism requires sacrifice. |
00:48:29 |
- I'm willing to sacrifice. |
00:48:33 |
You're willing to sacrifice others, |
00:48:35 |
The Tree of Liberty must be refreshed |
00:48:41 |
Right. |
00:48:42 |
Sometimes a little human collateral |
00:48:51 |
Who are you, Oerstadt? |
00:48:56 |
Who are you? |
00:49:00 |
It's not supposed to be this way. |
00:49:30 |
You all right? |
00:49:35 |
- I killed him. |
00:49:38 |
It's 10:48 |
00:49:41 |
Now let's go back in time to 1964. |
00:49:43 |
- We're gonna die. |
00:49:46 |
...on 105.3 FM, |
00:49:48 |
Hit the gas. |
00:49:50 |
Hit the gas! |
00:49:57 |
Put your hands in the air |
00:50:03 |
We get out now, everybody dies. |
00:50:06 |
You have until the count of three! |
00:50:09 |
Hit it. |
00:50:10 |
One... |
00:52:24 |
But my daughter's on that ferry. |
00:52:28 |
Oh, God, my daughter! |
00:52:45 |
Chrissie! |
00:52:47 |
Chrissie! |
00:52:48 |
- Oh, Chrissie! Chrissie! |
00:52:51 |
Mom! |
00:52:58 |
Ma'am? We're gonna need you |
00:53:01 |
Someone's on the way over |
00:53:04 |
and ask you some questions, okay? |
00:53:31 |
- Bobby. |
00:53:33 |
- How you doing? |
00:53:35 |
Got a live one over here. |
00:53:37 |
Somehow involved in all of this. |
00:53:44 |
Okay. |
00:53:50 |
- How you doing? |
00:53:54 |
That's right. |
00:53:59 |
- You okay? |
00:54:06 |
Have we met? |
00:54:09 |
Yeah. Yeah, we have. |
00:54:16 |
It's okay. Come on. |
00:54:18 |
Come on. |
00:54:35 |
- You okay? |
00:54:37 |
- You sure? |
00:54:39 |
Okay. I'll get you warmed up. |
00:54:51 |
What is it? |
00:54:54 |
What is it? |
00:55:01 |
Doug. |
00:55:04 |
What if you had to tell someone |
00:55:08 |
but you knew they'd never believe you? |
00:55:12 |
I'd try. |
00:55:23 |
No. |