|
Dernier M tro Le The Last Metro
|
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THE LAST METRO |
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Paris, September 1942. |
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Half of France is occupied |
| 00:02:10 |
The Occupied and Free zones... |
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are officially divided |
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In Paris, the curfew... |
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is imposed at 11 p.m. |
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No one can afford to miss |
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Hungry Parisians queue up |
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and flock to theatres for warmth. |
| 00:02:30 |
Movies are just as crowded... |
| 00:02:32 |
playing to full houses. |
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At the Montmartre Theatre, |
| 00:02:37 |
though its director, |
| 00:02:42 |
He didn't have much choice! |
| 00:02:47 |
Excuse me, Mlle. |
| 00:02:50 |
What time it is? It's 6:40. |
| 00:02:52 |
No, I've got a watch. |
| 00:02:53 |
What else? Are you lost? |
| 00:02:55 |
No, I live around here. |
| 00:02:57 |
In that case... so long! |
| 00:02:58 |
Wait... I don't want you |
| 00:03:03 |
I mean it. |
| 00:03:04 |
Why would I think that? |
| 00:03:06 |
I was in the café... |
| 00:03:10 |
I noticed you... |
| 00:03:15 |
and your expression. |
| 00:03:18 |
So I figured... |
| 00:03:20 |
What? |
| 00:03:21 |
Well, this is my lucky day, |
| 00:03:24 |
we might have a drink and talk. |
| 00:03:26 |
I'm not thirsty and not interested. |
| 00:03:29 |
You've got me all wrong. |
| 00:03:35 |
No, only every other day! |
| 00:03:38 |
Stop pestering me. |
| 00:03:40 |
Okay, have it your way... |
| 00:03:44 |
do you know what it means |
| 00:03:51 |
Please, believe me... |
| 00:03:53 |
I haven't accosted |
| 00:03:56 |
What an honor... |
| 00:03:59 |
Look, that's enough! |
| 00:04:01 |
D'you want a public scandal? |
| 00:04:04 |
Think about it. |
| 00:04:09 |
an address, a phone number. |
| 00:04:12 |
You want my number? |
| 00:04:14 |
Great! Let me write it down. |
| 00:04:17 |
Odeon 84-00. |
| 00:04:23 |
Odeon 84-00... |
| 00:04:26 |
That's the Talking Clock number! |
| 00:04:32 |
Who's that boy? |
| 00:04:34 |
He's the concierge's son. |
| 00:04:35 |
She works at the theatre. |
| 00:04:48 |
What did he do to you? |
| 00:04:50 |
He patted my head. |
| 00:04:52 |
Let's go and wash your hair out! |
| 00:04:55 |
Come back here at once! |
| 00:06:01 |
Is the theatre closed? |
| 00:06:03 |
No. Go in through the stage door. |
| 00:06:16 |
I've got an appointment. |
| 00:06:18 |
Mr Granger? |
| 00:06:19 |
Yes. |
| 00:06:20 |
Mrs Steiner is expecting you. |
| 00:06:30 |
Beautiful theatre! |
| 00:06:32 |
It beats the Grand Guignol, right? |
| 00:06:35 |
It's twice as big... |
| 00:06:37 |
I've been here before... |
| 00:06:39 |
I saw Mrs Steiner |
| 00:06:42 |
Any news of Lucas Steiner? |
| 00:06:44 |
The boss? He was lucky... |
| 00:06:47 |
One day, |
| 00:06:49 |
Here? The Germans? |
| 00:06:51 |
No, the French. |
| 00:06:54 |
but he had already |
| 00:06:57 |
I hear he's in America... |
| 00:06:59 |
South America... |
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or around there. |
| 00:07:07 |
The offices are upstairs. |
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Bernard Granger... Mr Merlin. |
| 00:07:12 |
I recognized you. |
| 00:07:15 |
Merlin's our business manager. |
| 00:07:21 |
Wait here. |
| 00:07:23 |
A few minutes. |
| 00:07:24 |
Okay, thanks. |
| 00:07:41 |
Marion, I know Rosen's |
| 00:07:45 |
but they won't check it |
| 00:07:49 |
He's got no work permit. |
| 00:07:51 |
He'll claim he lost it. |
| 00:07:53 |
We could use our contacts. |
| 00:07:56 |
No, we may need them. |
| 00:07:57 |
With the papers he's got, |
| 00:08:01 |
at the film studios. |
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He's lucky they're so careless... |
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but here, we stick to the rules: |
| 00:08:12 |
What can I tell Rosen? |
| 00:08:14 |
The truth: no Jews |
| 00:08:20 |
Rosen, come this way... |
| 00:08:26 |
I didn't know you were here! |
| 00:08:30 |
I'll go get Marion. |
| 00:08:33 |
Did you explain my case |
| 00:08:36 |
What did she say? |
| 00:08:38 |
Sorry Rosen, |
| 00:08:42 |
I just can't believe it. |
| 00:08:44 |
Anywhere else, I'd expect this... |
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but in Lucas Steiner's |
| 00:08:50 |
it's truly an outrage! |
| 00:08:59 |
Come in. |
| 00:09:00 |
Hold it! I want to understand. |
| 00:09:03 |
What? |
| 00:09:04 |
I considered myself lucky to play |
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to prove I'm not a Jew... |
| 00:09:13 |
Besides, I refuse to take |
| 00:09:17 |
You've got it all wrong... |
| 00:09:20 |
That actor was not slated |
| 00:09:24 |
but for a walk-on in the third act. |
| 00:09:27 |
Believe me! |
| 00:09:29 |
Believe me, Granger... |
| 00:09:32 |
You were my first choice |
| 00:09:36 |
You must realize our position... |
| 00:09:38 |
We need an okay for the play. |
| 00:09:41 |
We're still waiting |
| 00:09:44 |
This is Bernard Granger. |
| 00:09:47 |
I've heard great things about you... |
| 00:09:49 |
from friends who saw you |
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And I trust Jean-Loup. |
| 00:09:56 |
At first, I was doubtful |
| 00:09:59 |
but finally, I enjoyed |
| 00:10:02 |
I never saw it |
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In the past... |
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my husband managed everything. |
| 00:10:09 |
I knew nothing |
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and business details. |
| 00:10:14 |
I had to learn quickly. |
| 00:10:16 |
Let's discuss your contract. |
| 00:10:19 |
Right now? |
| 00:10:21 |
Let's get it over with. |
| 00:10:23 |
What did you earn |
| 00:10:26 |
I was looking for you. |
| 00:10:28 |
Here's the script. It's wholesome |
| 00:10:33 |
This one? |
| 00:10:34 |
Yes, thanks. |
| 00:10:36 |
I couldn't find it |
| 00:10:39 |
It hasn't been published. |
| 00:10:41 |
I've never heard of it. |
| 00:10:43 |
It's a Norwegian play, |
| 00:10:46 |
Karen Bergen, |
| 00:10:49 |
Lucas discovered it |
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Do you speak Norwegian? |
| 00:10:54 |
Neither do I. But I bet the critics |
| 00:11:01 |
D'you know Granger? |
| 00:11:02 |
Is he here? |
| 00:11:03 |
In my office. |
| 00:11:05 |
I don't know him... |
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but we almost met. |
| 00:11:09 |
Hello! |
| 00:11:10 |
We expected you at Lucien's |
| 00:11:13 |
I couldn't make it. |
| 00:11:18 |
"I hereby declare |
| 00:11:21 |
and to the best |
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my parents or grandparents |
| 00:11:33 |
How did it go? |
| 00:11:34 |
Okay! |
| 00:11:35 |
Great. I'll see you around. |
| 00:11:39 |
You never really wanted |
| 00:11:42 |
I enjoyed the job I had. |
| 00:11:44 |
I know. |
| 00:11:47 |
you'd still be in fashion. |
| 00:11:50 |
Right, and that's not all: |
| 00:11:52 |
he said that if I refused, |
| 00:11:57 |
It sounds just like him. |
| 00:11:59 |
Can I turn the lights off? |
| 00:12:01 |
Yes. |
| 00:12:10 |
I'm waiting for you. |
| 00:12:12 |
Right. |
| 00:12:13 |
Oh hell! Daxiat! |
| 00:12:15 |
I forgot we had a dinner date. |
| 00:12:17 |
I'll see you later. |
| 00:12:19 |
Goodnight. |
| 00:12:20 |
Don't let him see you... |
| 00:12:22 |
I forgot to tell you... |
| 00:12:24 |
that I'm having dinner |
| 00:12:27 |
He can help us |
| 00:12:30 |
I sort of promised |
| 00:12:33 |
You shouldn't have. |
| 00:12:34 |
I don't see how |
| 00:12:37 |
I don't have much choice. |
| 00:12:39 |
Remember why he panned |
| 00:12:41 |
Yes, he claimed it was |
| 00:12:46 |
Even so, we need his help |
| 00:12:48 |
All I ask is for you to say hello... |
| 00:12:51 |
and also shake his hand. |
| 00:12:54 |
I'll shake his hand... |
| 00:12:57 |
but no dinner. Figure out |
| 00:13:01 |
Raymond, cut the lights. |
| 00:13:36 |
"Fine, Eric. Go to bed now." |
| 00:13:39 |
Eric hesitates... |
| 00:13:40 |
then turns back to his mother. |
| 00:13:43 |
"Mother, will Mr Carl return? " |
| 00:13:46 |
"I don't know. |
| 00:13:48 |
"He will return." |
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As Helena's embroidery... |
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drops from her hands... |
| 00:13:53 |
Carl hears a sound |
| 00:13:56 |
"Who's there? " |
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He sees Helena. |
| 00:13:58 |
"Why are you hiding? " |
| 00:14:00 |
"Leave this house. |
| 00:14:03 |
"Before I go, |
| 00:14:05 |
"When Dr Sanders |
| 00:14:09 |
Wait... let's reverse that... |
| 00:14:12 |
I think it's best |
| 00:14:16 |
"You must hear me out." |
| 00:14:18 |
Hello, darling. |
| 00:14:19 |
"Last Spring, |
| 00:14:22 |
Come over here. |
| 00:14:24 |
Arlette Guillaume, |
| 00:14:28 |
Bernard Granger... |
| 00:14:31 |
You must have seen his act. |
| 00:14:32 |
I don't think so... |
| 00:14:34 |
Wait... yes, I have seen it. |
| 00:14:37 |
At the Grand Guignol? |
| 00:14:39 |
No, in a very banal role: |
| 00:14:43 |
on the prowl. |
| 00:14:46 |
You can't judge me by that part... |
| 00:14:48 |
I was improvising. |
| 00:14:50 |
You seemed to know it by heart! |
| 00:14:52 |
The rehearsal's over... |
| 00:14:54 |
but I want to say something. |
| 00:14:57 |
I'm going to stage the play. |
| 00:14:59 |
Like all of you, |
| 00:15:02 |
that "Disappearance" |
| 00:15:05 |
Fortunately, |
| 00:15:09 |
as to the staging. |
| 00:15:11 |
It goes without saying that... |
| 00:15:14 |
we'll be guided by his notes. |
| 00:15:17 |
I'll do my best to help you all. |
| 00:15:21 |
That's it! |
| 00:15:23 |
May I leave now? |
| 00:15:24 |
Run along. |
| 00:15:27 |
What about Daxiat, |
| 00:15:30 |
Can't he help us... |
| 00:15:33 |
He got us the Censor's visa, |
| 00:15:38 |
Can you help me fix my bracelet? |
| 00:15:41 |
The clasp is stuck. |
| 00:15:44 |
You read palms? |
| 00:15:48 |
What do you see? |
| 00:15:50 |
There are two women in you. |
| 00:15:52 |
That's true. Go on! |
| 00:15:57 |
Raymond, come quickly! |
| 00:16:00 |
I hear noises in the theatre. |
| 00:16:03 |
Don't worry, Germaine. |
| 00:16:06 |
Anybody here? |
| 00:16:12 |
Anybody here? |
| 00:16:17 |
How did you get in? |
| 00:16:22 |
I watched the rehearsal. |
| 00:16:25 |
I told you to wait outside, Martine! |
| 00:16:27 |
Calm down. |
| 00:16:28 |
Look what I've got. |
| 00:16:30 |
Still interested? |
| 00:16:32 |
I had no money. |
| 00:16:34 |
How much? |
| 00:16:35 |
4,200 francs. |
| 00:16:37 |
It's 141bs! |
| 00:16:38 |
I'll go ask Mrs Steiner. |
| 00:16:40 |
The Grand Guignol |
| 00:16:43 |
200 with the balcony. |
| 00:16:51 |
Just about. |
| 00:16:54 |
but they average half a house. |
| 00:16:57 |
The seats range |
| 00:16:59 |
A daily gross of 6,000. |
| 00:17:02 |
Mrs Steiner? |
| 00:17:03 |
Excuse me. |
| 00:17:05 |
The ham? |
| 00:17:06 |
Oh, yes. |
| 00:17:08 |
How many? |
| 00:17:09 |
Four actors. |
| 00:17:13 |
With the costs, |
| 00:17:16 |
It's a losing proposition. |
| 00:17:18 |
I'm ready. Shall we go? |
| 00:17:30 |
Goodnight, Mrs Steiner. |
| 00:17:32 |
Goodnight, Marion. |
| 00:17:54 |
Come in. |
| 00:17:57 |
I've got your ham. It's 4,200 frs. |
| 00:18:00 |
4,200 frs? |
| 00:18:01 |
If it's too expensive, |
| 00:18:05 |
No. It'll last me the whole winter. |
| 00:18:13 |
4,200? |
| 00:18:14 |
Right! |
| 00:18:22 |
Thanks. Here's the cello. |
| 00:18:24 |
What do I want with a cello? |
| 00:18:32 |
Here's the animal. |
| 00:18:34 |
Look... |
| 00:18:36 |
14 pounds! |
| 00:18:40 |
You can't walk around |
| 00:18:44 |
No, I can't. |
| 00:18:47 |
I'm off. Don't forget |
| 00:18:49 |
The air-raid warden |
| 00:18:53 |
I'll remember. |
| 00:19:39 |
Sir? |
| 00:19:41 |
Valentin. |
| 00:19:43 |
Oh, forgive me. |
| 00:19:46 |
No, please don't apologize... |
| 00:19:48 |
I know I've aged a lot. |
| 00:19:50 |
I left a script |
| 00:19:54 |
a screenplay. |
| 00:19:56 |
Read it and tell me what you think. |
| 00:19:58 |
I won't detain you. |
| 00:20:06 |
This is for you. |
| 00:20:08 |
I know. |
| 00:20:10 |
Your keys? |
| 00:20:13 |
D'you have a minute? |
| 00:20:23 |
I keep on getting mail |
| 00:20:27 |
Probably from people |
| 00:20:30 |
It's embarrassing. |
| 00:20:31 |
Should I return it to the senders, |
| 00:20:36 |
It's probably theatre business mail. |
| 00:20:39 |
I'll take it. |
| 00:20:41 |
D'you want all his mail? |
| 00:20:43 |
- Yes. |
| 00:20:44 |
- Thanks. |
| 00:20:57 |
Room service? |
| 00:20:58 |
No, I ate at the theatre. |
| 00:21:05 |
Did the reporter |
| 00:21:08 |
No. Why? |
| 00:21:11 |
This morning, he was in the hallway |
| 00:21:15 |
I told him you weren't in. |
| 00:21:17 |
"I just want to take |
| 00:21:20 |
He said it was for a reportage |
| 00:21:24 |
I told him to call you. |
| 00:21:28 |
No. |
| 00:21:29 |
Was I wrong? |
| 00:21:31 |
No, you were right. |
| 00:22:06 |
Are you watering your flowers? |
| 00:22:09 |
It's not flowers. |
| 00:22:10 |
Vegetables? |
| 00:22:11 |
No. |
| 00:22:13 |
It's for a pipe... |
| 00:22:14 |
with a match, it smokes. |
| 00:22:16 |
You'll wind up in jail! |
| 00:22:20 |
Where the hell is she? |
| 00:22:35 |
For Christ's sake! |
| 00:22:38 |
Do we rehearse, or not? |
| 00:22:40 |
We're waiting for Nadine. |
| 00:22:53 |
You know what time it is? |
| 00:22:55 |
You joy-ride with the Boches |
| 00:22:57 |
I was dubbing. We worked late, |
| 00:23:01 |
You're not squeamish! I bet |
| 00:23:04 |
And how! But they didn't have |
| 00:23:10 |
Excuse me. I'm sorry. |
| 00:23:12 |
Take your time! |
| 00:23:16 |
What's your excuse today? |
| 00:23:19 |
No, I was dubbing. |
| 00:23:20 |
Must you grab every offer? |
| 00:23:22 |
Can't you leave the dubbing jobs |
| 00:23:26 |
She needs it. |
| 00:23:27 |
She's a pain in the ass! |
| 00:23:28 |
No, I can't... |
| 00:23:29 |
I take every offer I get. |
| 00:23:32 |
I do radio in the morning |
| 00:23:35 |
At night, I do walk-ons. |
| 00:23:37 |
On Thursday, I play Molière |
| 00:23:40 |
and if it's a bit part |
| 00:23:43 |
The only way to succeed |
| 00:23:47 |
to get maximum exposure |
| 00:23:51 |
If you want to fire me, say so... |
| 00:23:53 |
Sacha Guitry is casting. |
| 00:24:07 |
Have you anyone in mind? |
| 00:24:09 |
Yes, I've got two men: |
| 00:24:12 |
Raoul Coquet and Fernand Coustal. |
| 00:24:16 |
Coquet sounds good. |
| 00:24:20 |
I'm not so sure of Coustal. |
| 00:24:22 |
I'll put a question mark |
| 00:24:29 |
Is that her? |
| 00:24:31 |
Yes... |
| 00:24:32 |
That's her. |
| 00:24:33 |
Still a beauty! |
| 00:24:34 |
Why "still"? |
| 00:24:35 |
"The Sin" dates back |
| 00:24:37 |
You saw the film? How come? |
| 00:24:39 |
I didn't see it, |
| 00:24:42 |
including the famous one! |
| 00:24:44 |
She really is beautiful... |
| 00:24:46 |
but she's strange... |
| 00:24:51 |
Let's make the phone call! |
| 00:26:22 |
Lucas, I've got bad news for you. |
| 00:26:25 |
The Germans banned the play? |
| 00:26:28 |
No... |
| 00:26:30 |
You can't leave next week. |
| 00:26:32 |
The escape route fell through. |
| 00:26:35 |
You said it was a sure thing. |
| 00:26:37 |
It's never sure. |
| 00:26:39 |
The passer who guides people |
| 00:26:44 |
I've got another lead, |
| 00:26:47 |
You're afraid he'll get caught too? |
| 00:26:50 |
No, worse than that... |
| 00:26:54 |
Some passers... |
| 00:26:57 |
after taking your money... |
| 00:27:00 |
drive you straight |
| 00:27:03 |
So they get paid off |
| 00:27:06 |
You're a special case: |
| 00:27:08 |
some people may recognize you, |
| 00:27:12 |
Let's stay put for a while. |
| 00:27:15 |
Will you be able to hold out? |
| 00:27:18 |
Of course I will... I must! |
| 00:27:21 |
But I hate to feel so useless... |
| 00:27:26 |
Did you talk to Jean-Loup? |
| 00:27:29 |
Frankly, I'd rather |
| 00:27:32 |
He knows too many people. |
| 00:27:36 |
it's too dangerous! |
| 00:27:37 |
D'you know how many letters about |
| 00:27:41 |
Guess! |
| 00:27:41 |
I don't know... 300? |
| 00:27:43 |
1,500! 1,500 letters daily! |
| 00:27:45 |
"My boss is Jewish... |
| 00:27:48 |
No. They all think you're gone... |
| 00:27:51 |
Let's keep it that way. |
| 00:27:56 |
Did you think I was being polite? |
| 00:27:59 |
Well, you're wrong: |
| 00:28:09 |
Wait, let me breathe in |
| 00:28:20 |
From the cellar, |
| 00:28:23 |
when the lights are dimmed in the |
| 00:28:27 |
When they go on again, |
| 00:28:31 |
When all the lights go out |
| 00:28:33 |
you're on your way down. |
| 00:28:36 |
It reminds me of a play |
| 00:28:39 |
at night, |
| 00:28:42 |
to go out, but as soon |
| 00:28:45 |
we knew it meant he'd come back |
| 00:28:49 |
Do you remember that play? |
| 00:28:52 |
I almost acquired the rights. |
| 00:29:01 |
He liked the Grand Guignol... |
| 00:29:03 |
but he's very happy to be with us. |
| 00:29:06 |
He's a little like Jean Gabin in |
| 00:29:10 |
and yet quite gentle. |
| 00:29:13 |
He says it's because of you |
| 00:29:16 |
No, I'll do it myself. |
| 00:29:19 |
Tell me how rehearsals are going. |
| 00:29:22 |
Jean-Loup is doing well. |
| 00:29:24 |
I was delighted today |
| 00:29:34 |
Yes, just a minute. |
| 00:29:38 |
Jean-Loup, it's Daxiat. |
| 00:29:40 |
What does he want? |
| 00:29:41 |
I don't know. |
| 00:29:48 |
Hello, Daxiat. What's up? |
| 00:29:51 |
I heard it yesterday, |
| 00:29:54 |
They may stop rehearsals |
| 00:29:57 |
Why? Is Montherlant a Jew? |
| 00:29:59 |
You're pretty warm... |
| 00:30:01 |
Daxiat wants to expose the Jews |
| 00:30:04 |
who still work |
| 00:30:06 |
He claims Jean Yonnel |
| 00:30:09 |
I don't know if Yonnel is Jewish, |
| 00:30:13 |
but I know |
| 00:30:16 |
far away from these maniacs. |
| 00:30:19 |
They're really crazy... |
| 00:30:22 |
Not only in Germany, but here: |
| 00:30:26 |
Madmen! |
| 00:30:28 |
You wanted to know |
| 00:30:32 |
He's just perfect. |
| 00:30:34 |
At least we don't have to worry: |
| 00:30:39 |
What have you got against goyim? |
| 00:30:41 |
Nothing against... |
| 00:30:42 |
those with short skirts |
| 00:30:45 |
You dirty racist! |
| 00:30:48 |
My mother warned me |
| 00:30:55 |
"You know, Carl... |
| 00:30:57 |
if you wish to remain |
| 00:30:59 |
you must never pronounce |
| 00:31:06 |
Everyone noticed |
| 00:31:09 |
except for you..." |
| 00:31:11 |
That's very good, Nadine... |
| 00:31:13 |
but I want you |
| 00:31:16 |
We'll give you a lamp. |
| 00:31:19 |
You'll put it on the table... |
| 00:31:21 |
Raymond, stop fooling around... |
| 00:31:23 |
Go get us a lamp. |
| 00:31:25 |
Let's go on. |
| 00:31:27 |
"Don't tell me it's your work." |
| 00:31:29 |
"I know you work... |
| 00:31:30 |
more than I do... |
| 00:31:32 |
but some people in this house... |
| 00:31:35 |
should keep... |
| 00:31:36 |
their own duties in mind." |
| 00:31:38 |
"Why do you say that? " |
| 00:31:41 |
Because... it's in the script! |
| 00:31:51 |
Yes, it's Daxiat. |
| 00:31:54 |
Be friendly. Remember he helped us |
| 00:31:58 |
Don't worry. I'll thank him. |
| 00:32:01 |
Alright, kids. Let's take a break. |
| 00:32:08 |
Who's he? |
| 00:32:09 |
Don't you know him: |
| 00:32:13 |
Daxiat, the drama critic. |
| 00:32:15 |
Is that Daxiat? I had no idea... |
| 00:32:18 |
I'd love to meet him... |
| 00:32:20 |
You're not fussy! |
| 00:32:21 |
He practically runs |
| 00:32:23 |
This may sound strange, |
| 00:32:27 |
but I think your husband... |
| 00:32:30 |
was wrong to leave France. |
| 00:32:33 |
The new anti-lsraelite laws... |
| 00:32:35 |
apply to theatre speculators |
| 00:32:37 |
But your husband was a rare pearl: |
| 00:32:42 |
the only Israelite |
| 00:32:45 |
You can say Jewish! |
| 00:32:47 |
He was at once |
| 00:32:51 |
a talented stage director |
| 00:32:54 |
You see, the Germans |
| 00:32:58 |
They don't want talented artists |
| 00:33:01 |
But there's no need |
| 00:33:04 |
I'm certain Cottins |
| 00:33:07 |
Still, one wonders |
| 00:33:10 |
Even Pitoeff turned it down! |
| 00:33:14 |
D'you know Mrs Fabre? |
| 00:33:18 |
Yes, of course. I know Madame. |
| 00:33:20 |
It's about my son, Pierre. |
| 00:33:23 |
What's he doing here? |
| 00:33:24 |
He likes to sniff around |
| 00:33:28 |
when he's interested in a play. |
| 00:33:30 |
Will he write about us? |
| 00:33:31 |
He will, or he won't. |
| 00:33:34 |
I wish he'd forget us. |
| 00:33:36 |
Just stay here. |
| 00:33:39 |
Look... |
| 00:33:40 |
We're all Catholics in our family... |
| 00:33:45 |
Here's the proof... |
| 00:33:47 |
Fine... I'll do my best... |
| 00:33:53 |
Come and meet our little circle. |
| 00:33:58 |
Nadine Marsac, the top student |
| 00:34:02 |
Well? |
| 00:34:04 |
He's going to help me. |
| 00:34:06 |
Bernard Granger... |
| 00:34:06 |
our leading man... |
| 00:34:08 |
straight out of the Grand Guignol, |
| 00:34:12 |
He plays Carl? |
| 00:34:13 |
Yes... |
| 00:34:14 |
Strange... he'd be ideal as |
| 00:34:19 |
Raymond will show you the way out. |
| 00:34:22 |
He doesn't go for girls, does he? |
| 00:34:27 |
Is it okay to ask you a question? |
| 00:34:30 |
Look at this. |
| 00:34:32 |
What do you call it? |
| 00:34:35 |
A fishing rod. |
| 00:34:36 |
But we also call it a gaulle. |
| 00:34:38 |
Now, if we add a second one to it... |
| 00:34:41 |
we get "Deux Gaulle! " |
| 00:34:44 |
Bravo, Raymond... |
| 00:34:48 |
You're very witty! |
| 00:35:04 |
I speak to you from the plant |
| 00:35:07 |
that proclaims the truth! |
| 00:35:09 |
I say the French theatre |
| 00:35:12 |
from the rafters |
| 00:35:16 |
For a Jewish prompter |
| 00:35:19 |
will worm his way |
| 00:35:22 |
We must oust the Jew |
| 00:35:26 |
and keep him out! |
| 00:35:28 |
No Jew should be allowed |
| 00:35:32 |
for his sordid practices |
| 00:35:37 |
Let these "gentlemen" be warned... |
| 00:35:40 |
that France is off-limits to Jews. |
| 00:35:43 |
Only in this way can true Frenchmen |
| 00:35:50 |
Here's the money you asked for, |
| 00:35:53 |
But I can't raise |
| 00:35:55 |
Of course not. |
| 00:35:57 |
In that case, there's no problem. |
| 00:36:01 |
Hello, Mr Merlin... Come in. |
| 00:36:04 |
Marion, this is Rosette. |
| 00:36:08 |
Put your samples on the desk |
| 00:36:14 |
How old are you? |
| 00:36:15 |
I'll be fourteen in 3 months. |
| 00:36:18 |
You're working... |
| 00:36:20 |
No, I don't want to anymore. |
| 00:36:23 |
D'you like the theatre? |
| 00:36:24 |
Yes. |
| 00:36:26 |
Come see our play. |
| 00:36:28 |
She can't come to the theatre: |
| 00:36:32 |
Yes, I can! |
| 00:36:34 |
3 months ago, I went to hear |
| 00:36:39 |
I wore my scarf down to here... |
| 00:36:42 |
so nobody could see it. |
| 00:36:45 |
We'll talk about it some other time. |
| 00:36:54 |
I'm surprised at you, Marion! |
| 00:36:57 |
Now, that child will insist |
| 00:37:01 |
Her parents hate to deny her |
| 00:37:05 |
Forgive me, I'm sorry. |
| 00:37:07 |
I was sympathetic because... |
| 00:37:09 |
Are they French? |
| 00:37:10 |
The girl is, |
| 00:37:13 |
The father's a tailor. |
| 00:37:15 |
in an attic. |
| 00:37:17 |
He can't go out in the street... |
| 00:37:19 |
on account of his thick accent. |
| 00:37:22 |
Like Lucas? |
| 00:37:24 |
His is much worse... |
| 00:37:25 |
Besides, he hardly speaks French... |
| 00:37:28 |
If a German asks him for directions, |
| 00:37:33 |
So he hides in his attic |
| 00:37:36 |
Isn't he scared of a denunciation? |
| 00:37:39 |
Can't they go to the Free zone? |
| 00:37:41 |
They'd love to go... |
| 00:37:43 |
but it costs a fortune |
| 00:37:50 |
Got a date tonight? |
| 00:37:52 |
Not really... I'm going home. |
| 00:37:54 |
Let's have dinner. |
| 00:37:56 |
I'm sorry, I can't. |
| 00:37:57 |
You can't spend every night |
| 00:38:00 |
I've got to go home. |
| 00:38:06 |
I've read them all, |
| 00:38:10 |
Nothing of interest. |
| 00:38:12 |
You can return them... |
| 00:38:14 |
but first, make sure to burn |
| 00:38:17 |
they're in my handwriting. |
| 00:38:19 |
I'll take care of it. |
| 00:38:21 |
Let me explain |
| 00:38:24 |
I divided it in three wads. |
| 00:38:27 |
The first is for the conveyor |
| 00:38:32 |
They call them conveyors? |
| 00:38:33 |
Yes, conveyors. |
| 00:38:35 |
He's to be paid |
| 00:38:37 |
You'll be comfortable. |
| 00:38:40 |
I'll sit in an armchair, |
| 00:38:43 |
Listen, Lucas. This is serious. |
| 00:38:46 |
This wad is for the farmer who'll |
| 00:38:51 |
His property is so big |
| 00:38:54 |
At the furthest end, |
| 00:38:57 |
Let me guess: |
| 00:39:01 |
For Spain and for the rest. |
| 00:39:03 |
And in case you need more, |
| 00:39:15 |
No Mrs! Not the jewelry. |
| 00:39:19 |
You may need it. |
| 00:39:21 |
So will you. Bring it along |
| 00:39:24 |
I want you to join me... |
| 00:39:27 |
as soon as possible. |
| 00:39:30 |
To be safe, I've got to play |
| 00:39:34 |
Good God! What confidence! |
| 00:39:36 |
D'you think it will run till then? |
| 00:39:39 |
That's 6 months... |
| 00:39:42 |
No, I want you to leave |
| 00:39:47 |
I'll tell them I've got a spot |
| 00:39:50 |
and to find another actress. |
| 00:39:52 |
I'll turn the management over |
| 00:39:57 |
and pretend I'm going to |
| 00:40:01 |
And we'll start from scratch. |
| 00:40:20 |
I'm not a barber... stop fidgeting. |
| 00:40:29 |
Don't. It's horrible! |
| 00:40:33 |
I'm trying to feel Jewish. |
| 00:40:36 |
It's very hard to portray a Jew. |
| 00:40:38 |
If you underplay, they're skeptical. |
| 00:40:41 |
If you overplay, they say: |
| 00:40:45 |
What does it mean |
| 00:40:48 |
Why ask me? |
| 00:40:51 |
Don't move around. |
| 00:40:54 |
Listen, Marion... |
| 00:40:58 |
I love that song. |
| 00:41:00 |
How could I resist his romancing... |
| 00:41:03 |
or forget his manly embrace? |
| 00:41:06 |
My heart still believes... |
| 00:41:09 |
all the sweet lies... |
| 00:41:10 |
and the tender look in his eyes. |
| 00:41:14 |
I, who loved him so... |
| 00:41:16 |
the most wonderful man |
| 00:41:21 |
He broke my heart... |
| 00:41:24 |
didn't say goodbye... |
| 00:41:34 |
He broke my heart... |
| 00:41:37 |
didn't say goodbye... |
| 00:41:52 |
- How's the garden? |
| 00:41:54 |
- Growing? |
| 00:41:55 |
Then, we can smoke! |
| 00:42:05 |
Jacquot, come here. |
| 00:42:09 |
Listen. |
| 00:42:11 |
Can you recite? |
| 00:42:12 |
- Sure. |
| 00:42:14 |
Try to say: "Mother, |
| 00:42:19 |
"Mother, do you think Mr Carl |
| 00:42:22 |
Very good. |
| 00:42:23 |
Now say: |
| 00:42:26 |
"I like to study with him." |
| 00:42:29 |
That's fine! |
| 00:43:19 |
Hello! |
| 00:43:20 |
"Mother, do you think Mr Carl |
| 00:43:23 |
What are you talking about? |
| 00:43:24 |
"I like to study with him." |
| 00:43:26 |
- What is this? |
| 00:43:28 |
- Who? |
| 00:43:35 |
- It's OK now! |
| 00:43:37 |
Nadine, are you ready? |
| 00:43:38 |
You can come in. |
| 00:43:43 |
"Shall I prepare Eric's room now? " |
| 00:43:47 |
"Please do. Don't forget the salve |
| 00:43:51 |
"I'm through, Mother." |
| 00:43:53 |
"Fine. Go to bed now." |
| 00:43:57 |
Now, you walk to the stairway... |
| 00:44:00 |
You stop on the second step. |
| 00:44:02 |
Don't fall! Now you say your line. |
| 00:44:05 |
"Mother, will Mr Carl return? " |
| 00:44:07 |
"What do you think, son? " |
| 00:44:09 |
"He'll come back. |
| 00:44:12 |
That's fine, Jacquot. Bravo! |
| 00:44:15 |
At least, we've got one good actor |
| 00:44:18 |
That's nice. Thanks a lot! |
| 00:44:24 |
See you tomorrow. |
| 00:44:28 |
Do I get a kiss too? |
| 00:44:30 |
You get a handshake! |
| 00:44:32 |
Since you insist... |
| 00:44:34 |
I'll read your palm: |
| 00:44:36 |
there are two women in you... |
| 00:44:40 |
Sorry, but neither one wants |
| 00:44:43 |
So long! |
| 00:44:49 |
It's my own fault... |
| 00:44:52 |
I was too obvious... too aggressive. |
| 00:44:58 |
When her job's over, |
| 00:45:00 |
I've got to score with her |
| 00:45:05 |
D'you have my size in tan? |
| 00:45:07 |
What's this? |
| 00:45:09 |
She's no bother, Raymond. |
| 00:45:15 |
I'll get you a size 7. |
| 00:45:17 |
Don't you need stockings? |
| 00:45:19 |
Sure, but I can't afford them. |
| 00:45:21 |
Are you kidding? |
| 00:45:22 |
Not at all... |
| 00:45:23 |
I use make-up. |
| 00:45:25 |
So do I. |
| 00:45:27 |
You even drew the seams. |
| 00:45:29 |
How chic! |
| 00:45:30 |
To do it right, |
| 00:45:34 |
GERMAN TROOPS |
| 00:45:37 |
Is that today's paper? |
| 00:45:40 |
Did you know about it? |
| 00:45:42 |
I heard it on the radio. |
| 00:45:43 |
People from the Free zone |
| 00:45:49 |
They invaded the Free zone? |
| 00:45:52 |
I'll have to sneak across |
| 00:45:57 |
No, the Germans are everywhere. |
| 00:45:59 |
They search all the trucks. |
| 00:46:02 |
The passer refuses to risk it... |
| 00:46:05 |
It's much too dangerous now. |
| 00:46:07 |
What am I supposed to do? |
| 00:46:10 |
Wait till things simmer down. |
| 00:46:12 |
I can't stay here. I'll go crazy! |
| 00:46:15 |
This is no life. |
| 00:46:17 |
D'you know |
| 00:46:19 |
I read... I read a lot... |
| 00:46:23 |
I listen to lies on the radio. |
| 00:46:26 |
Then I read lies in the press. |
| 00:46:29 |
To keep from losing my mind... |
| 00:46:32 |
I do crossword puzzles. |
| 00:46:35 |
You want to see them? |
| 00:46:37 |
Just listen: |
| 00:46:39 |
across, in 5 letters... |
| 00:46:43 |
Down, in 8 letters... |
| 00:46:47 |
stinking vultures: "sheenies." |
| 00:46:50 |
These are for the kiddies: |
| 00:46:53 |
"You can never trust one"... |
| 00:46:56 |
the first letter is a J... |
| 00:46:58 |
So I give up, I listen to |
| 00:47:03 |
I wait for your footsteps |
| 00:47:06 |
I wait and wait. |
| 00:47:10 |
How many years can a man live? |
| 00:47:15 |
I can't take it anymore... |
| 00:47:18 |
Please, Lucas... |
| 00:47:23 |
I'm going! |
| 00:47:25 |
Where? |
| 00:47:26 |
Away from here. |
| 00:47:29 |
To whom? |
| 00:47:30 |
The authorities... the police... |
| 00:47:33 |
my status. I'll register. |
| 00:47:35 |
Are you crazy? |
| 00:47:37 |
Stay here! What do you want? |
| 00:47:39 |
A concentration camp? |
| 00:47:41 |
Let me go! |
| 00:47:42 |
You're not leaving... |
| 00:47:44 |
I won't let you! |
| 00:47:53 |
Here, it's real cognac... |
| 00:47:56 |
You're shaking... |
| 00:48:02 |
I just realized something awful: |
| 00:48:04 |
I could kill a man... |
| 00:48:10 |
We'll fix up the cellar. |
| 00:48:13 |
a comfortable armchair |
| 00:48:16 |
I need a desk. |
| 00:48:19 |
You'll have a real apartment. |
| 00:48:22 |
I hope you won't forget |
| 00:48:49 |
Mrs Steiner wants a rifle |
| 00:48:52 |
We need an official permit |
| 00:48:57 |
It's not so easy! |
| 00:48:59 |
It's what she wants. |
| 00:49:01 |
I can't go out that way. |
| 00:49:05 |
We should have gotten up earlier. |
| 00:49:08 |
- Use the back yard. |
| 00:49:12 |
- Marion... |
| 00:49:14 |
Don't forget to lock the door. |
| 00:49:37 |
They sent him to another stalag... |
| 00:49:40 |
but he can't tell me where it is... |
| 00:49:45 |
I mail them separately; |
| 00:49:49 |
They fit me. I'm the same size |
| 00:49:52 |
He wasn't my husband, |
| 00:49:56 |
I got them |
| 00:49:59 |
for cash, of course. |
| 00:50:10 |
At times, he was fun... |
| 00:50:12 |
but what a bastard! |
| 00:50:15 |
Hello, Bernard. |
| 00:50:17 |
I bet you slept out: |
| 00:50:20 |
Yes, I spent the night out: |
| 00:50:24 |
I ran into a raid for |
| 00:50:28 |
Two guys were checking everybody. |
| 00:50:30 |
So I turn this way and that way... |
| 00:50:32 |
Each guy thought the other |
| 00:50:36 |
It's nothing to brag about: |
| 00:50:39 |
that's why our prisoners |
| 00:50:47 |
How come you're dressing up here? |
| 00:50:50 |
Don't broadcast it. |
| 00:51:07 |
I hate for a man to touch me. |
| 00:51:09 |
Can't you do this instead of him? |
| 00:51:12 |
You want to know |
| 00:51:15 |
Maybe I can't stand |
| 00:51:25 |
Don't forget my other costume. |
| 00:51:28 |
What other costume? |
| 00:51:30 |
It's written in the script: |
| 00:51:31 |
Act 2: |
| 00:51:34 |
I'd suggest something sober! |
| 00:51:53 |
You know Granger? |
| 00:51:55 |
The new actor? |
| 00:51:56 |
Yes. Tell him I couldn't wait. |
| 00:51:59 |
Say Christian left this. |
| 00:52:01 |
I'll give it to him. |
| 00:52:37 |
Marion... are you there? |
| 00:52:40 |
Where are you? |
| 00:52:41 |
Go over to the bed |
| 00:52:46 |
Say what? I'm by the bed. |
| 00:52:49 |
I can't hear. |
| 00:52:50 |
Same here. I hardly hear you. |
| 00:52:53 |
Go over to the radio. |
| 00:52:55 |
Where is the radio? |
| 00:52:58 |
It's next to the boiler. |
| 00:53:01 |
The boiler? |
| 00:53:14 |
Here I am. |
| 00:53:19 |
Is it this hole? |
| 00:53:21 |
Yes. I hear you as if you were |
| 00:53:24 |
Turn the sound on loud |
| 00:53:32 |
This is very dangerous. |
| 00:53:35 |
It's not... |
| 00:53:35 |
It's great! |
| 00:53:37 |
I rigged up the old heating vent. |
| 00:53:41 |
I can hear all the rehearsals |
| 00:53:46 |
At night, I can give you suggestions |
| 00:53:51 |
Now, "Disappearance" is sure to be |
| 00:53:56 |
I'm back in business: |
| 00:54:00 |
but strictly incognito! |
| 00:54:14 |
"Since I came here, |
| 00:54:17 |
lies and contradictions." |
| 00:54:19 |
"They're not lies, but blanks. |
| 00:54:22 |
They're not lies, but blanks. |
| 00:54:25 |
For years, |
| 00:54:28 |
It's dreadful not to know |
| 00:54:33 |
Even worse is the fear |
| 00:54:36 |
At times, I feel as if |
| 00:54:39 |
"Why won't Dr Sanders allow you |
| 00:54:44 |
"He knows more than any doctor. |
| 00:54:48 |
I'll be eternally grateful to him." |
| 00:54:50 |
"A prisoner owes no gratitude |
| 00:54:53 |
and Dr Sanders |
| 00:54:56 |
But if a man |
| 00:54:59 |
why won't you listen? " |
| 00:55:01 |
No... wait a minute. |
| 00:55:03 |
Is it really necessary to shout |
| 00:55:06 |
I don't know... |
| 00:55:11 |
Lucas' notes are explicit: |
| 00:55:14 |
this scene is to be played |
| 00:55:17 |
Like a duel! |
| 00:55:20 |
Alright, but it seems absurd to me. |
| 00:55:24 |
"A prisoner owes no gratitude |
| 00:55:28 |
and Dr Sanders |
| 00:55:30 |
But if a man |
| 00:55:33 |
why won't you listen? " |
| 00:55:35 |
"I have no right to love... |
| 00:55:39 |
You are simply voicing |
| 00:55:43 |
I will tell you something |
| 00:55:47 |
There... |
| 00:55:48 |
You told me to shout, so I did. |
| 00:55:52 |
I'm not happy either. |
| 00:55:58 |
Granger's right. |
| 00:56:03 |
But that's what you asked for! |
| 00:56:06 |
So I made a mistake... |
| 00:56:07 |
Jean-Loup shouldn't take my notes |
| 00:56:11 |
What's that? |
| 00:56:12 |
An electricity failure. |
| 00:56:15 |
Get a candle. |
| 00:56:16 |
A candle... |
| 00:56:18 |
It's on again. |
| 00:56:23 |
It shouldn't be played as a duel, |
| 00:56:30 |
Am I boring you? |
| 00:56:33 |
Sorry, I'm simply exhausted. |
| 00:56:36 |
Then sleep here... |
| 00:56:39 |
No, I want to sleep at the hotel... |
| 00:56:42 |
I'll go home. |
| 00:56:44 |
So, you're deserting |
| 00:56:53 |
Goodnight. |
| 00:56:56 |
Wait... wait. |
| 00:56:57 |
I'm waiting. |
| 00:57:05 |
I'll see you tomorrow morning. |
| 00:57:11 |
Raymond! |
| 00:57:14 |
Did you see him? |
| 00:57:15 |
No. |
| 00:57:17 |
Are you the electrician? |
| 00:57:19 |
No, not the electrician: |
| 00:57:38 |
Here he is! |
| 00:57:39 |
I know I'm late. While I stood |
| 00:57:43 |
someone swipes my bike. |
| 00:57:47 |
It breaks down: |
| 00:57:50 |
As always. |
| 00:57:53 |
Why not take a bike-cab? |
| 00:57:55 |
For his size, they charge double! |
| 00:57:58 |
That's why I don't take them! |
| 00:58:01 |
I was just kidding. |
| 00:58:03 |
Can you see me spread out |
| 00:58:06 |
being hauled around |
| 00:58:10 |
Sure, I know: fat men are funny... |
| 00:58:15 |
Well, I'm not a nice fat man... |
| 00:58:18 |
I'm a nasty one... Go to hell! |
| 00:58:23 |
Listen, last year they stole |
| 00:58:26 |
so I kissed it off. |
| 00:58:29 |
But 3 days later, |
| 00:58:33 |
What do I see? |
| 00:58:36 |
No. 813-HK-45. |
| 00:58:38 |
So I figure I'll take it back. |
| 00:58:40 |
Just then, a creep walks up... |
| 00:58:43 |
I let him unfasten the lock. |
| 00:58:47 |
"Look man, this is my bicycle! " |
| 00:58:51 |
The creep acts indignant. |
| 00:58:54 |
People gather |
| 00:58:58 |
You know what he pulls? |
| 00:59:00 |
He calls me a fairy. |
| 00:59:03 |
He claims I'm molesting him... |
| 00:59:05 |
making indecent proposals... |
| 00:59:09 |
The people give me dirty looks. |
| 00:59:14 |
A real lynch mob! So I beat it fast |
| 00:59:19 |
There are the Boches, the Heinies... |
| 00:59:22 |
the Krauts, the Jerries... |
| 00:59:27 |
You forgot the buzzards... |
| 00:59:29 |
That's right... the buzzards. |
| 00:59:35 |
Say, that's my record-player! |
| 00:59:38 |
It's not yours, it's Marion's. |
| 00:59:43 |
They swipe all my props: |
| 00:59:45 |
when it's not an armchair, |
| 01:00:10 |
A gentleman is waiting for you. |
| 01:00:13 |
I wonder who it is. |
| 01:00:16 |
I don't know his name. |
| 01:00:20 |
Daxiat? |
| 01:00:21 |
Yes, it's Mr Daxiat. |
| 01:00:27 |
May I speak with you? |
| 01:00:29 |
I wanted to meet you |
| 01:00:33 |
because it's a confidential matter. |
| 01:00:39 |
I know you don't like me... |
| 01:00:42 |
but I daresay |
| 01:00:44 |
you don't know me. |
| 01:00:46 |
I'm not judging you... |
| 01:00:47 |
but your articles |
| 01:00:51 |
whose work I admire. |
| 01:00:53 |
Others say you love the theatre. |
| 01:00:55 |
I just don't know. |
| 01:00:57 |
Indeed, I am a paradox: |
| 01:00:59 |
I adore the theatre, |
| 01:01:01 |
I'm hated by most theatre people. |
| 01:01:05 |
It requires strength of character |
| 01:01:09 |
I daresay I've got that strength. |
| 01:01:12 |
I've always admired Lucas Steiner... |
| 01:01:15 |
If he was here, I would tell him |
| 01:01:20 |
anti-capitalistic... that we too, |
| 01:01:24 |
but we go further: |
| 01:01:27 |
You know, Lucas... |
| 01:01:29 |
read newspapers, |
| 01:01:32 |
I do the same. But politics... |
| 01:01:34 |
You're wrong: |
| 01:01:36 |
But that's not what I'm here for... |
| 01:01:41 |
Lucas Steiner is still in France. |
| 01:01:59 |
We're sorry... |
| 01:02:00 |
It's stupid, but obligatory: |
| 01:02:15 |
That identity card was found |
| 01:02:23 |
Your husband must be |
| 01:02:26 |
but at some point, |
| 01:02:31 |
Would you give him a message: |
| 01:02:33 |
if he comes back, I won't write |
| 01:02:37 |
It's a matter of honor. |
| 01:02:39 |
But if he returns, |
| 01:02:42 |
And what about your theatre? |
| 01:02:44 |
The name of Steiner |
| 01:02:47 |
You ought to get a divorce. |
| 01:02:54 |
Do you remember, Marion? |
| 01:02:57 |
Remember what? |
| 01:03:00 |
The elevator |
| 01:03:03 |
Yes, I remember... |
| 01:03:05 |
I felt they all knew |
| 01:03:08 |
I was terrified... |
| 01:03:10 |
Only terrified? |
| 01:03:14 |
No, not only terrified... |
| 01:03:17 |
But the night of that premiere... |
| 01:03:21 |
No, I enjoyed it... |
| 01:03:24 |
Go on... go home... |
| 01:03:27 |
Go back to the hotel. |
| 01:03:31 |
What if I stay here tonight? |
| 01:03:34 |
All night? Till tomorrow? |
| 01:03:36 |
All night. Till tomorrow! |
| 01:03:39 |
You mean it? |
| 01:03:41 |
I'll put out the light |
| 01:03:47 |
"But if I tell you I love you... |
| 01:03:51 |
Why won't you listen? " |
| 01:03:53 |
I know it's in the script, |
| 01:03:56 |
but I'd rather |
| 01:03:59 |
Save it for the perfomance! |
| 01:04:01 |
Let's go on. |
| 01:04:02 |
"I have no right to love... |
| 01:04:06 |
"But if I tell you I love you... |
| 01:04:11 |
why won't you listen? " |
| 01:04:13 |
Bernard, you're supposed to... |
| 01:04:15 |
caress her face just then. |
| 01:04:18 |
Marion told him not to touch her. |
| 01:04:25 |
A large crowd is gathered here, |
| 01:04:28 |
I'm trying |
| 01:04:31 |
What was that? |
| 01:04:34 |
I'm told that blast is due to... |
| 01:04:36 |
an explosive device |
| 01:04:40 |
Admiral Froelich |
| 01:04:43 |
They tell me he was killed! |
| 01:04:46 |
The ambush was set up |
| 01:04:49 |
A record-player exploded. |
| 01:05:04 |
Excuse me, Mrs Steiner. |
| 01:05:06 |
I'm busy, Mr Merlin. |
| 01:05:08 |
Please: this is important. |
| 01:05:17 |
I know who he is... |
| 01:05:19 |
You shouldn't sell your jewelry. |
| 01:05:21 |
Let me take it to a pawn shop. |
| 01:05:24 |
If the play's a hit, |
| 01:05:28 |
It makes sense. |
| 01:05:30 |
Thank you, Mr Merlin. |
| 01:05:37 |
I'm sorry, but I need some time... |
| 01:05:41 |
to think it over. |
| 01:05:43 |
As you wish. |
| 01:05:49 |
Would you help me rehearse |
| 01:05:54 |
The kind of help you want |
| 01:05:59 |
I can rehearse you. |
| 01:06:01 |
Never mind. I'll manage. |
| 01:06:04 |
"Carl, if you wish to remain |
| 01:06:08 |
you must never mention the name |
| 00:00:05 |
She'll let you have |
| 00:00:09 |
I wouldn't spend that much |
| 00:00:13 |
but if Marion wants it... |
| 00:00:16 |
Yes, she does. |
| 00:00:17 |
Then, I'll get it. |
| 00:00:19 |
Would you help me rehearse |
| 00:00:24 |
I've never done it. |
| 00:00:26 |
It's simple: |
| 00:00:29 |
I say a line |
| 00:00:31 |
Alright. |
| 00:00:35 |
It's a nice room! |
| 00:00:37 |
Yes, it is. |
| 00:00:38 |
Essentially, they're profiteers. |
| 00:00:43 |
The problem is that there's no way |
| 00:00:48 |
to recognize a Jew. |
| 00:00:50 |
If we could spot them, |
| 00:00:54 |
Some have typical racial features, |
| 00:00:58 |
If only all Jews had blue skin, |
| 00:01:00 |
we need a foolproof way |
| 00:01:06 |
They say: "It's better |
| 00:01:09 |
but at times, |
| 00:01:15 |
How was our rehearsal? |
| 00:01:17 |
Great... |
| 00:01:21 |
The whispering improves the scene... |
| 00:01:24 |
but you could add to the intimacy |
| 00:01:27 |
The faces could be illuminated |
| 00:01:31 |
Don't move... |
| 00:01:34 |
Raymond... if you don't mind! |
| 00:01:37 |
You're a genius, Jean-Loup. |
| 00:01:39 |
I'll shift the backdrop |
| 00:01:42 |
What the hell, Raymond? |
| 00:01:45 |
I know! |
| 00:01:48 |
A light failure. |
| 00:01:50 |
Perfect for a shadow play! |
| 00:01:52 |
The whole neighbourhood's |
| 00:01:55 |
You'd think they'd warn us. |
| 00:01:57 |
Marc, let's get some lamps. |
| 00:01:59 |
I know where we can get candles... |
| 00:02:21 |
Nadine, we're waiting for you. |
| 00:02:25 |
Let me explain. |
| 00:02:26 |
No need to. |
| 00:02:28 |
Don't judge me. |
| 00:02:29 |
I'm not judging you... |
| 00:02:30 |
but try to keep your love life |
| 00:02:39 |
Marion's heartless. |
| 00:02:41 |
She's too tough... |
| 00:02:45 |
She's not interested in anyone. |
| 00:02:47 |
She has no sympathy for anyone. |
| 00:02:51 |
She doesn't know I'm alive. |
| 00:02:55 |
She's worse since Lucas' gone. |
| 00:02:59 |
Calm down, child... calm down... |
| 00:03:03 |
It's not the end of the world. |
| 00:03:06 |
She opened a door |
| 00:03:09 |
You see it as a tragedy, but... |
| 00:03:11 |
in two weeks, |
| 00:03:14 |
I hope you're right. |
| 00:03:17 |
I want to go home. |
| 00:03:22 |
Run along. |
| 00:03:32 |
Can I help? |
| 00:03:34 |
No, drop it. |
| 00:03:37 |
She'll be alright. |
| 00:03:39 |
I hate to see her so upset. |
| 00:03:42 |
Christ! I really was |
| 00:03:46 |
That's for sure! |
| 00:03:48 |
She's no playmate for you... |
| 00:03:52 |
Were you really stuck on her? |
| 00:03:57 |
I just wanted to sleep with her... |
| 00:04:00 |
it was like a craving |
| 00:04:03 |
I wanted to warn you to drop her, |
| 00:04:06 |
it was none of my business. |
| 00:04:11 |
You're all going to the Joconde |
| 00:04:15 |
You know what the BBC says? |
| 00:04:19 |
who go to night clubs will be held |
| 00:04:24 |
Jean-Loup |
| 00:04:30 |
You... |
| 00:04:33 |
to throw a party, or be by yourself. |
| 00:04:37 |
Why am I expected to be charming |
| 00:04:43 |
Even Jean-Loup picks on me. |
| 00:04:45 |
He's right. |
| 00:04:49 |
I don't mind that you neglect me... |
| 00:04:53 |
but for the others, |
| 00:04:57 |
You must pay |
| 00:05:02 |
Why don't you answer? |
| 00:05:06 |
I'd rather not. |
| 00:05:08 |
The coffee's ready. |
| 00:05:14 |
Marion! |
| 00:05:16 |
Yes? |
| 00:05:17 |
I heard you and Bernard |
| 00:05:21 |
So what? |
| 00:05:23 |
It seems to me... I feel... |
| 00:05:26 |
it might be improved. |
| 00:05:29 |
What do you mean? |
| 00:05:31 |
It's the only love scene |
| 00:05:35 |
more sincere... |
| 00:06:24 |
No, this seat's for Bernard. |
| 00:06:27 |
I can't stay. I've got to meet |
| 00:06:33 |
I'm not sure... it's between me |
| 00:06:36 |
I hope you get the role. |
| 00:06:40 |
We'll pray for you. |
| 00:06:42 |
I'm off. |
| 00:06:58 |
She'll be good... |
| 00:07:00 |
but they may feel she's too young. |
| 00:07:02 |
She'd be better |
| 00:07:04 |
in "School for Wives." |
| 00:07:06 |
Nadine in the role of Agn?? |
| 00:07:08 |
When she announces: |
| 00:07:11 |
the whole audience will think: |
| 00:07:18 |
Enjoying yourselves? |
| 00:07:21 |
Sit here! |
| 00:07:22 |
Well, I'm not alone. |
| 00:07:26 |
Sit down. |
| 00:07:28 |
Take care of her |
| 00:07:35 |
Arlette, sit next to me. |
| 00:07:44 |
Just a minute. |
| 00:07:54 |
Give those back. |
| 00:08:07 |
Sorry, Mrs Steiner. I can't stay. |
| 00:08:12 |
Come on, let's go. |
| 00:08:14 |
I forgot... I've got a date. |
| 00:08:15 |
You're free. We're all free. |
| 00:08:17 |
I apologize. I'll see you tomorrow. |
| 00:08:40 |
That man's staring at us. |
| 00:08:44 |
Hello, Cottins. |
| 00:08:46 |
Still in show business... |
| 00:08:49 |
Introduce me. |
| 00:08:51 |
I forget your name. |
| 00:08:53 |
Ren?Bernardini. |
| 00:08:54 |
Bernardini... Arlette Guillaume... |
| 00:09:01 |
I'll be right back. |
| 00:09:03 |
You promise! |
| 00:09:23 |
This joint is tacky. |
| 00:09:27 |
No, Marion's exhausted. |
| 00:09:29 |
Speak for yourself. |
| 00:09:33 |
Wait for Arlette. |
| 00:09:35 |
No, you two are kill-joys. |
| 00:09:37 |
I'm not sleepy. |
| 00:09:45 |
What's up? |
| 00:09:46 |
Tonight, I'm on my own. |
| 00:09:55 |
What's going on? |
| 00:09:57 |
That's Marion: |
| 00:09:58 |
the party fizzles, so she opts |
| 00:10:16 |
I see Daxiat has two seats... |
| 00:10:18 |
in the 7th row. |
| 00:10:20 |
Remember: 20 seats |
| 00:10:24 |
Why look at me that way? |
| 00:10:28 |
20 seats every night. |
| 00:10:30 |
At the Odeon, they put them |
| 00:10:34 |
We'll do the same! |
| 00:10:49 |
It's too much! |
| 00:10:50 |
We give good seats |
| 00:10:54 |
and we turn down genuine fans. |
| 00:10:56 |
Lucas would say: "We give |
| 00:11:01 |
My purse was in my dressing room. |
| 00:11:05 |
Oh, great! |
| 00:11:13 |
What a mess! |
| 00:11:17 |
Well? |
| 00:11:18 |
They took my travel clock. |
| 00:11:19 |
I think that's all they swiped. |
| 00:11:23 |
And you? |
| 00:11:25 |
They left my wallet, |
| 00:11:28 |
It's worse for you. |
| 00:11:30 |
I don't mind the money, |
| 00:11:34 |
my work permit |
| 00:11:37 |
I'm glad |
| 00:11:41 |
I'll get the police. |
| 00:11:43 |
No, we'll do the searching. |
| 00:11:46 |
Just like at Radio-Paris: |
| 00:11:48 |
some "moving men" came for |
| 00:11:52 |
They were moving men like I am! |
| 00:11:54 |
That's fine, but I need my papers. |
| 00:11:58 |
Well, I know who did it... |
| 00:12:02 |
Raymond, you know who I mean. |
| 00:12:06 |
Yes, I do! It could only be her. |
| 00:12:10 |
I guessed it at once... |
| 00:12:12 |
Martine... |
| 00:12:13 |
Raymond, you know where she lives. |
| 00:12:17 |
No, I don't know! |
| 00:12:19 |
Come on, she's your sweetie! |
| 00:12:21 |
She's not: she turned me down. |
| 00:12:23 |
She peddles her black market stuff |
| 00:12:27 |
I took her out once. That's all. |
| 00:12:32 |
I've never been to her place... |
| 00:12:35 |
but she's a looker... |
| 00:12:37 |
I let people think |
| 00:12:41 |
Let's call the police. |
| 00:12:44 |
I don't want the police |
| 00:12:47 |
This way, please... |
| 00:12:50 |
Clear the aisle. Thank you. |
| 00:12:52 |
Any seats tonight? |
| 00:12:54 |
No, it's opening night. |
| 00:13:02 |
That's Marion Steiner. |
| 00:13:08 |
Where is Mrs Steiner's office? |
| 00:13:11 |
It's on the landing. |
| 00:13:16 |
Her dressing room is there. |
| 00:13:18 |
No. Leave the flowers here. |
| 00:13:21 |
They'll poison the air in there. |
| 00:13:39 |
I hear them, Marion. |
| 00:13:50 |
I don't see how you can eat. |
| 00:13:54 |
Sure you can. Here. |
| 00:13:56 |
No, I swear I can't. |
| 00:13:58 |
What if tonight's a disaster? |
| 00:14:02 |
We'll do a new play. |
| 00:14:03 |
With what money? |
| 00:14:05 |
Have you seen our accounts? |
| 00:14:08 |
If it's a flop, |
| 00:14:10 |
I'm terrified. |
| 00:14:15 |
Lucas, you picked the play, |
| 00:14:18 |
we followed your advice. |
| 00:14:20 |
It's your creation. |
| 00:14:23 |
If it doesn't work... |
| 00:14:25 |
I'm to blame, it's my fault... |
| 00:14:28 |
but we'll all be up shit creek! |
| 00:14:31 |
Have a drink. |
| 00:14:32 |
I don't know how you do it... |
| 00:14:35 |
I feel faint... |
| 00:14:37 |
I'm sick to my stomach. |
| 00:14:39 |
Just relax... |
| 00:14:42 |
Wait, put this over your stomach... |
| 00:14:50 |
Thanks. |
| 00:14:53 |
I must go now. |
| 00:14:55 |
We'll talk later. |
| 00:14:57 |
Sure. |
| 00:14:59 |
So long. |
| 00:15:00 |
I should be reassuring you. |
| 00:15:03 |
There's no need to. |
| 00:15:56 |
"Isn't Eric here? " |
| 00:15:58 |
"He was restless this morning. |
| 00:16:01 |
He's probably at the gate, |
| 00:16:05 |
"Dr Sanders wouldn't allow him |
| 00:16:08 |
"My godfather knows best. |
| 00:16:10 |
I suppose he wanted to speak |
| 00:16:15 |
But if I'd been consulted, |
| 00:16:18 |
Eric has no need for a tutor. |
| 00:16:20 |
He's too young and I enjoy |
| 00:16:25 |
"You are right, Mrs... |
| 00:16:26 |
but this big house |
| 00:16:31 |
My mother says |
| 00:16:34 |
she often served 20 dinner guests." |
| 00:16:38 |
There are 25 of us in Paris: |
| 00:16:41 |
"On my birthday... |
| 00:16:43 |
when Dr Sanders told me |
| 00:16:47 |
I cried." |
| 00:16:49 |
How come she's going in? |
| 00:16:51 |
My son is acting in this play! |
| 00:16:54 |
"Shall I prepare Eric's room now? " |
| 00:16:57 |
You alright? |
| 00:16:58 |
As the boss used to say: |
| 00:17:02 |
"Tell Eric to finish his homework." |
| 00:17:12 |
"This is Mr Carl, our new tutor. |
| 00:17:15 |
I should have warned you... |
| 00:17:17 |
The resemblance is striking... |
| 00:17:19 |
It's truly amazing! " |
| 00:17:21 |
"I don't know what you mean. |
| 00:17:23 |
But I expected an older man." |
| 00:17:26 |
"I'm an experienced teacher." |
| 00:17:29 |
"I don't doubt it. |
| 00:17:30 |
But so far, my son |
| 00:17:34 |
I had hoped he might |
| 00:17:38 |
Still, |
| 00:17:42 |
Eric, meet your new tutor." |
| 00:17:46 |
"Helena, be wary |
| 00:17:51 |
Here are his credentials. |
| 00:17:53 |
I showed them to you |
| 00:17:57 |
What a bastard! |
| 00:18:00 |
"You're surely right, |
| 00:18:02 |
"Certainly |
| 00:18:04 |
"Every new face upsets me... |
| 00:18:07 |
But I'll get used to him. Besides... |
| 00:18:09 |
Eric seems happy." |
| 00:18:10 |
"Can I take Mr Carl |
| 00:18:13 |
"Of course, child." |
| 00:18:18 |
"Listen, Gregory." |
| 00:18:20 |
"When will you learn to trust me? |
| 00:18:23 |
Don't you realize |
| 00:18:27 |
Besides..." |
| 00:18:30 |
"I don't want to lose you." |
| 00:18:38 |
Hurry up! |
| 00:18:41 |
Germaine, |
| 00:18:45 |
Don't turn around! |
| 00:18:47 |
How did it go? |
| 00:18:49 |
We'll know when it's over. |
| 00:18:54 |
Watch it... |
| 00:18:57 |
Easy... |
| 00:19:11 |
What's going on? |
| 00:19:13 |
We're 5 minutes late. |
| 00:19:14 |
Can't we go in quietly? |
| 00:19:17 |
"I must tell you about Dr Sanders." |
| 00:19:19 |
"You've no right! " |
| 00:19:21 |
"I must tell you, Helena: |
| 00:19:23 |
Dr Sanders didn't come back |
| 00:19:26 |
but before it." |
| 00:19:37 |
"Since I came here, |
| 00:19:41 |
lies and contradictions." |
| 00:19:44 |
"They weren't lies, but blanks. |
| 00:19:47 |
I've spent years trying |
| 00:19:50 |
It's terrifying not to know |
| 00:19:54 |
Worse yet, is the fear |
| 00:19:57 |
At times, |
| 00:20:01 |
"But when I told you I love you... |
| 00:20:05 |
Why didn't you listen? " |
| 00:20:08 |
"I had no right to love, |
| 00:20:11 |
No right to love, or be loved." |
| 00:20:19 |
"And now? " |
| 00:20:21 |
"Now, I'm coming to love |
| 00:20:25 |
Is love painful? " |
| 00:20:28 |
"Yes, love is painful. |
| 00:20:33 |
Like a bird of prey, |
| 00:20:38 |
as if to threaten us. |
| 00:20:42 |
But it is also |
| 00:20:46 |
You're lovely, Helena... |
| 00:20:49 |
so lovely that it's painful |
| 00:20:52 |
"Yesterday, you said it was a joy." |
| 00:20:55 |
"It is a joy and it's painful." |
| 00:21:15 |
We won! |
| 00:21:54 |
I'm sorry, but Marion's exhausted. |
| 00:21:57 |
You understand... |
| 00:22:00 |
You can come in. |
| 00:22:02 |
Send her a note. |
| 00:22:06 |
I didn't know you were here. |
| 00:22:08 |
My husband's with me. |
| 00:22:11 |
So he is! |
| 00:22:18 |
Put them there. |
| 00:22:24 |
- You were wonderful. |
| 00:22:27 |
I knew the torn dress |
| 00:22:33 |
Sorry, but they insist on it. |
| 00:22:37 |
Captain Wiedekind and his wife. |
| 00:22:41 |
My husband doesn't speak French. |
| 00:22:47 |
Cheer up! You look grim. |
| 00:22:50 |
I'm not. Here's to you. |
| 00:23:07 |
It went smoothly. |
| 00:23:09 |
Except for that louse, Daxiat. |
| 00:23:13 |
What are you brooding about? |
| 00:23:15 |
I'm not. I was thinking |
| 00:23:19 |
I enjoyed playing with you. |
| 00:23:23 |
You gave a great performance. |
| 00:23:26 |
I'll do better in a few days. |
| 00:23:29 |
See that man over there? |
| 00:23:32 |
The one who's by himself? |
| 00:23:35 |
Yes. Please get him out of here. |
| 00:23:37 |
Leave it to me. |
| 00:23:46 |
Remember me? |
| 00:23:47 |
Yes. You can't stay here... |
| 00:23:50 |
This is a private gathering... |
| 00:23:53 |
She's expecting me. |
| 00:23:55 |
She's not expecting anyone. |
| 00:23:58 |
That way out! |
| 00:23:59 |
Did she get my flowers? |
| 00:24:01 |
Were those your roses? |
| 00:24:03 |
They were so full of thorns |
| 00:24:07 |
If I were you, |
| 00:24:12 |
So long! |
| 00:24:23 |
Thank you very much. |
| 00:24:26 |
You were excellent! |
| 00:24:30 |
Bravo, you were great! |
| 00:24:33 |
I was? Thanks. |
| 00:24:40 |
Looking for someone? |
| 00:24:42 |
No, never mind. |
| 00:24:45 |
Are you pleased? |
| 00:24:46 |
I'm happy for Marion. |
| 00:24:49 |
I don't understand you. |
| 00:24:53 |
A hit... a hit... |
| 00:24:55 |
Maybe so, but it's far from perfect. |
| 00:24:58 |
From down here, |
| 00:25:01 |
I made notes. |
| 00:25:04 |
Sit down. |
| 00:25:07 |
In the first place... |
| 00:25:11 |
Are you crazy? |
| 00:25:14 |
They're waiting for me. |
| 00:25:17 |
Come back later on. |
| 00:25:19 |
How can I? |
| 00:25:20 |
We're all together up there. |
| 00:25:25 |
Then, spend the night here. |
| 00:25:27 |
That's impossible. Be sensible. |
| 00:25:29 |
I'll come down tomorrow morning. |
| 00:25:32 |
Then take my notes. Study them. |
| 00:25:35 |
Alright. |
| 00:25:37 |
Wait... look at me! |
| 00:25:39 |
Where can I put them? |
| 00:25:45 |
Kiss me... |
| 00:25:49 |
Goodbye. |
| 00:26:08 |
Daxiat liked it. |
| 00:26:14 |
Here's Marion! |
| 00:26:17 |
Where were you? |
| 00:26:19 |
Some champagne for Marion... |
| 00:26:25 |
I want the "Petit Parisien"... |
| 00:26:27 |
"Aujourd'hui," "La Gerbe"... |
| 00:26:30 |
"Comedia" and "Je Suis Partout." |
| 00:26:34 |
Listen to Daxiat: |
| 00:26:36 |
"The Montmartre Theatre |
| 00:26:39 |
but not its spirit. |
| 00:26:42 |
"Hazy! " Sure... |
| 00:26:47 |
"Colorless... |
| 00:26:48 |
and apolitical, it deliberately |
| 00:26:52 |
Naturally! |
| 00:26:54 |
"Mrs Steiner maintains... |
| 00:26:55 |
the tradition of Jewish nihilism... |
| 00:26:59 |
which has always polluted |
| 00:27:02 |
The play says nothing about Jews. |
| 00:27:08 |
As to the staging |
| 00:27:12 |
it is merely an effeminate version |
| 00:27:16 |
Hear, hear! |
| 00:27:20 |
"What can I say |
| 00:27:23 |
It's all-pathos, |
| 00:27:27 |
Back to the movies, Mrs! " |
| 00:27:29 |
See? |
| 00:27:32 |
"The only revelation |
| 00:27:37 |
"He creates a totally |
| 00:27:40 |
A star is born." |
| 00:27:42 |
At last! |
| 00:27:44 |
It's not funny. |
| 00:27:46 |
No, but the other reviews are good. |
| 00:27:50 |
With the booking we've got, |
| 00:27:54 |
Thanks to you, Marion. |
| 00:27:56 |
Your film fans come to see you |
| 00:28:01 |
"...the Jewish nihilism |
| 00:28:05 |
He signed it, but it reads like |
| 00:28:08 |
You're right. |
| 00:28:10 |
Daxiat and company |
| 00:28:15 |
Before, they were nobodies... |
| 00:28:17 |
Now, they rule the country, |
| 00:28:20 |
Look at this passage... |
| 00:28:24 |
It's about you. |
| 00:28:26 |
Me? |
| 00:28:27 |
Yes... |
| 00:28:29 |
Look here... |
| 00:28:34 |
"Not content to monopolize |
| 00:28:38 |
the Jews steal |
| 00:28:52 |
They sound cheerful. |
| 00:28:54 |
It's a private party. |
| 00:29:22 |
The director of the "Hebertot" |
| 00:29:52 |
Miss Bataille... |
| 00:29:54 |
Mr Daxiat... |
| 00:29:55 |
Bravo! Congratulations. |
| 00:29:59 |
Your article was outrageous! |
| 00:30:02 |
Apologize to Mrs Steiner! |
| 00:30:04 |
Certainly not! |
| 00:30:06 |
You'll apologize |
| 00:30:09 |
I won't fight. |
| 00:30:11 |
Let's go outside. |
| 00:30:12 |
You're insane! |
| 00:30:19 |
This is absurd! |
| 00:30:22 |
You're ridiculous! |
| 00:30:25 |
Apologize to Mrs Steiner. |
| 00:30:30 |
Apologize! |
| 00:30:31 |
I won't apologize for doing my job! |
| 00:30:39 |
I won't fight! |
| 00:30:41 |
Yes, you will! |
| 00:30:43 |
I refuse to fight! |
| 00:30:48 |
I'm not a prize-fighter: |
| 00:31:07 |
You're irresponsible! |
| 00:31:11 |
What about my theatre? |
| 00:31:13 |
What about our play? |
| 00:31:16 |
All you care about is your theatre! |
| 00:31:20 |
"How are the bookings? " |
| 00:31:21 |
"Will we do a matinee at Xmas? " |
| 00:31:24 |
Yes, the theatres are full now, |
| 00:31:26 |
Listen, we'll go on |
| 00:31:30 |
But offstage, |
| 00:31:44 |
"You're lovely... |
| 00:31:46 |
so lovely |
| 00:31:49 |
"You said it was a joy." |
| 00:31:51 |
"It is a joy... |
| 00:31:53 |
yet it's painful." |
| 00:32:16 |
Look at this... |
| 00:32:19 |
It's crazy! |
| 00:32:23 |
Now that the play's working out... |
| 00:32:26 |
you can relax. |
| 00:32:28 |
Why look at me that way... |
| 00:32:31 |
At times, I feel you hate me. |
| 00:32:34 |
Not at all... |
| 00:32:37 |
I'd be crazy to hate you! |
| 00:32:39 |
You are a little crazy! |
| 00:32:43 |
I know you too. |
| 00:32:47 |
For me, |
| 00:32:49 |
I've got a new project: |
| 00:32:52 |
"The Magic Mountain"... |
| 00:32:56 |
with a great role for you. |
| 00:32:59 |
Yes. |
| 00:33:00 |
It's about a cruel woman... |
| 00:33:02 |
Me... cruel? |
| 00:33:04 |
No, the character! |
| 00:33:06 |
She's gentle, tender, |
| 00:33:10 |
she's cruel. |
| 00:33:12 |
She's cruel despite herself. |
| 00:33:14 |
Cruel! |
| 00:33:15 |
It'll be wonderful! |
| 00:33:17 |
No literature! |
| 00:33:20 |
I'll use your own words, you see? |
| 00:33:24 |
I see that from now on, everything |
| 00:33:44 |
Mr Daxiat? |
| 00:33:45 |
Over there. |
| 00:34:06 |
I was reluctant to come, |
| 00:34:10 |
whether it's an appointment, |
| 00:34:13 |
Apparently, |
| 00:34:16 |
Was that a review? |
| 00:34:18 |
I'd say it was a vicious attack. |
| 00:34:20 |
Assuming it was, it wasn't |
| 00:34:36 |
Across all the columns... |
| 00:34:38 |
And don't forget |
| 00:34:47 |
I went to the theatre |
| 00:34:51 |
directed by Jean-Loup Cottins. |
| 00:34:54 |
Instead, I saw a nondescript show... |
| 00:34:59 |
with no style. |
| 00:35:00 |
I felt you were merely a front... |
| 00:35:04 |
a mouth-piece for a fugitive. |
| 00:35:07 |
Normally, I'd answer in kind. |
| 00:35:10 |
But as it is, I'll just go. |
| 00:35:12 |
Wait... |
| 00:35:15 |
Whatever it is, my answer is no! |
| 00:35:18 |
I want you to help me save |
| 00:35:23 |
Steiner turned it over to his wife |
| 00:35:27 |
I found out |
| 00:35:30 |
because the transfer |
| 00:35:34 |
This kind of transaction is labelled |
| 00:35:39 |
Meaning what? |
| 00:35:41 |
It means that legally, the theatre |
| 00:35:45 |
and the Germans can requisition it. |
| 00:35:50 |
Unless what? |
| 00:35:52 |
Unless it is taken over |
| 00:35:57 |
Daxiat didn't beat about the bush. |
| 00:36:00 |
He proposed that they share |
| 00:36:04 |
He'd select the plays. |
| 00:36:07 |
I assume Jean-Loup refused. |
| 00:36:09 |
No, he didn't. He couldn't. |
| 00:36:11 |
All he could do |
| 00:36:15 |
The only way to fight Daxiat |
| 00:36:18 |
like Dr Dietrich. |
| 00:36:21 |
But Jean-Loup refuses to do it. |
| 00:36:25 |
Dr Dietrich, please. |
| 00:36:27 |
On the first floor. |
| 00:36:37 |
You'll have to wait. |
| 00:37:13 |
Dr Dietrich, please. |
| 00:37:15 |
That's impossible. |
| 00:37:16 |
I called him. |
| 00:37:18 |
What's your name? |
| 00:37:20 |
Marion Steiner. |
| 00:37:21 |
I see you've got a 5 p.m. |
| 00:37:25 |
but it's impossible. |
| 00:37:27 |
I don't mind waiting. |
| 00:37:28 |
I'm sorry. |
| 00:37:31 |
Dr Dietrich left |
| 00:37:33 |
He was recalled for active duty. |
| 00:37:36 |
Then, that's that. |
| 00:37:43 |
Mrs Steiner, |
| 00:37:55 |
I'm an admirer of yours... |
| 00:37:58 |
I am Lieutenant Berger. |
| 00:38:01 |
About Dr Dietrich... |
| 00:38:05 |
He's not on the Eastern front: |
| 00:38:13 |
It's tragic... |
| 00:38:15 |
He admired you enormously... |
| 00:38:17 |
and so do I. |
| 00:38:20 |
It's an honor to shake your hand. |
| 00:41:11 |
I must speak to you. |
| 00:41:13 |
I'm sorry, |
| 00:41:17 |
I'm leaving the theatre. |
| 00:41:19 |
But I'll give you time to find |
| 00:41:23 |
I should have expected this. |
| 00:41:25 |
No, it's not what you think... |
| 00:41:30 |
You can't forgive my row |
| 00:41:32 |
and I understand your reaction. |
| 00:41:37 |
But even if you won't speak to me, |
| 00:41:41 |
we are a good acting-team. |
| 00:41:43 |
I love the play and I love my role. |
| 00:41:47 |
There's no need to justify yourself. |
| 00:41:51 |
I'm not even sure |
| 00:41:54 |
The theatre |
| 00:41:57 |
I suppose you got a better offer |
| 00:42:01 |
No, it's not for Hebertot |
| 00:42:04 |
I'm temporarily giving up acting... |
| 00:42:08 |
to join the Resistance. |
| 00:42:15 |
"Helena, I wish to speak to Mr Carl |
| 00:42:19 |
"If it's about my son... |
| 00:42:22 |
I have the right to listen." |
| 00:42:26 |
Civil Defense! |
| 00:42:27 |
Cellar inspection! |
| 00:42:29 |
"Mr Carl, isn't it unfair? |
| 00:42:31 |
As Eric's mother, |
| 00:42:33 |
"Frankly, Dr Sanders... |
| 00:42:36 |
this is embarrassing." |
| 00:42:38 |
"Never mind, Mr Carl. |
| 00:42:40 |
Helena, please do as I say." |
| 00:42:43 |
"Since you insist, I'll leave." |
| 00:42:47 |
"This is what happened: |
| 00:42:50 |
last October, she went for a walk... |
| 00:42:54 |
and simply disappeared." |
| 00:42:55 |
It's for the cellar. |
| 00:42:57 |
- The cellar? |
| 00:42:59 |
Out of the question! |
| 00:43:00 |
"When she came back, |
| 00:43:03 |
to tell us where she'd been." |
| 00:43:05 |
"Was she amnesic? " |
| 00:43:07 |
"I suppose so." |
| 00:43:10 |
Put them in a side box. |
| 00:43:14 |
Follow me. |
| 00:43:17 |
"You're right... |
| 00:43:18 |
Helena's dependency on me |
| 00:43:23 |
She behaves like a child. |
| 00:43:27 |
Her gratitude is excessive." |
| 00:43:31 |
"At times, she seems too humble." |
| 00:43:34 |
"Why she feels guilty, |
| 00:43:38 |
But whatever it is, it leads her... |
| 00:43:41 |
to seek the affection |
| 00:43:44 |
Charles-Henri |
| 00:43:48 |
And then the tragedy occured." |
| 00:43:51 |
"What tragedy? " |
| 00:44:00 |
"I know Dr Sanders... |
| 00:44:02 |
came back before |
| 00:44:14 |
D'you know them? |
| 00:44:15 |
Civil Defense. |
| 00:44:17 |
No, they're Gestapo men. |
| 00:44:20 |
Gestapo? |
| 00:44:21 |
- Will you help me? |
| 00:44:23 |
But no questions! |
| 00:44:26 |
"Love is painful. |
| 00:44:28 |
Like a bird of prey, |
| 00:44:30 |
as if to threaten us. |
| 00:44:32 |
But it is also a promise |
| 00:44:36 |
You're so lovely, Helena... |
| 00:44:39 |
that it's painful to look at you." |
| 00:44:43 |
"You said it was a joy." |
| 00:44:44 |
"It is a joy and it's painful." |
| 00:44:55 |
No curtain calls tonight. |
| 00:44:59 |
What's up? |
| 00:45:01 |
It's Civil Defense... |
| 00:45:23 |
This is Bernard Granger. |
| 00:45:25 |
Bernard... my husband. |
| 00:45:39 |
Don't just stand there! You've got |
| 00:45:49 |
Take us to the cellar! |
| 00:45:51 |
No... wait for Mrs Steiner. |
| 00:45:56 |
I'm going in. |
| 00:45:58 |
No, she's not dressed. |
| 00:45:59 |
Let's be gentlemanly. |
| 00:46:03 |
So I made a mistake! |
| 00:46:06 |
Be patient. |
| 00:46:07 |
I'll be right out. |
| 00:46:18 |
I never go down there. |
| 00:46:22 |
Have you got the key? |
| 00:46:24 |
Watch your heads! |
| 00:46:41 |
Seems to me it's not deep enough |
| 00:46:45 |
There's about 8" |
| 00:46:53 |
What's this? |
| 00:46:54 |
We used it in "The Cherry Orchard." |
| 00:46:57 |
There's only room for 40 people. |
| 00:47:00 |
In any case, |
| 00:47:05 |
During air-raids, |
| 00:47:08 |
The local station is open all night. |
| 00:47:13 |
Can we use that staircase |
| 00:47:27 |
There are so many air-raids now... |
| 00:47:29 |
nobody bothers to go down. |
| 00:47:35 |
Well, they cleared out... |
| 00:47:40 |
This is a hell of a life! |
| 00:47:42 |
It's a life... it's my life. |
| 00:47:45 |
Can't you find |
| 00:47:48 |
I don't want one. |
| 00:47:54 |
and this is where I stay! |
| 00:47:57 |
My wife is beautiful, |
| 00:48:02 |
Let me ask you a question: |
| 00:48:05 |
she's in love with you, |
| 00:48:15 |
"I'm coming to love and it hurts. |
| 00:48:20 |
Is love painful? " |
| 00:48:21 |
"Yes, love is painful. |
| 00:48:23 |
Like birds of prey, |
| 00:48:26 |
as if to threaten us. |
| 00:48:28 |
But it is a promise of happiness. |
| 00:48:35 |
You're so lovely... |
| 00:48:37 |
that it's painful to look at you." |
| 00:48:41 |
"You said it was a joy." |
| 00:48:43 |
"It is a joy and it's painful." |
| 00:48:55 |
Bernard, may I ask you something? |
| 00:48:59 |
Were you going to leave |
| 00:49:02 |
Of course not... |
| 00:49:05 |
I was waiting |
| 00:49:08 |
Well, it's over now. It was sad... |
| 00:49:11 |
I watched it. |
| 00:49:13 |
Well? |
| 00:49:14 |
He was good. |
| 00:49:16 |
It's a lesson in humility: |
| 00:49:24 |
Well, goodbye Bernard... |
| 00:49:47 |
I felt you were interested |
| 00:49:51 |
except for me. |
| 00:49:52 |
First, it's not all women... |
| 00:49:56 |
and you intimidated me. |
| 00:49:58 |
You seemed to disapprove of me. |
| 00:50:00 |
At times, |
| 00:50:03 |
Hostile? |
| 00:50:05 |
Yes, I felt you were judging me. |
| 00:50:08 |
It's just the opposite! |
| 00:50:10 |
I was so attracted to you... |
| 00:50:14 |
that I covered up |
| 00:50:19 |
and I made you hate me. |
| 00:50:22 |
That's not true. |
| 00:50:26 |
But why did you act so distant |
| 00:50:30 |
All actors kiss each other. |
| 00:50:32 |
But not on the mouth! |
| 00:50:35 |
I kissed you on the mouth? |
| 00:50:37 |
Yes... |
| 00:50:39 |
on opening night. |
| 00:50:43 |
I couldn't have! |
| 00:50:45 |
You kissed me on the mouth! |
| 00:50:50 |
I know: you see two women in me. |
| 00:50:54 |
I do: |
| 00:50:58 |
I see two women in you: |
| 00:51:00 |
one who no longer |
| 00:51:01 |
No, don't... |
| 00:51:05 |
You wouldn't understand. |
| 00:51:18 |
Don't forget your make-up. |
| 00:51:20 |
I won't need it. |
| 00:51:23 |
I'll leave it for my successor. |
| 00:51:27 |
I won't be using any make-up. |
| 00:51:30 |
But you may need a disguise. |
| 00:51:34 |
Forgive me... |
| 00:52:11 |
And so, Lucien Ballard |
| 00:52:21 |
Nadine Marsac, now famous, |
| 00:52:22 |
rushes off |
| 00:52:25 |
A chauffeur drives her |
| 00:52:28 |
where they're shooting |
| 00:52:32 |
Arlette Guillaume |
| 00:52:37 |
In June '44, |
| 00:52:40 |
Despite the daily hardships... |
| 00:52:43 |
Parisians keep on crowding |
| 00:52:51 |
One night... |
| 00:52:52 |
ignoring the sirens... |
| 00:52:54 |
the audience stood outside... |
| 00:52:56 |
to watch the ballet |
| 00:53:10 |
Many theatres are shut down |
| 00:53:13 |
Thanks to Raymond's ingenuity, |
| 00:53:18 |
He's replaced the footlights |
| 00:53:29 |
Germany's defeat |
| 00:53:31 |
After 813 days and nights |
| 00:53:35 |
Lucas Steiner is impatient |
| 00:53:38 |
The street... |
| 00:53:39 |
is a scene of confusion |
| 00:53:52 |
No... |
| 00:53:52 |
Not there! |
| 00:54:07 |
It's a hectic period for Jean-Loup. |
| 00:54:10 |
Arrested by the F.F.I., |
| 00:54:11 |
he is released |
| 00:54:15 |
but re-arrested the next day |
| 00:54:21 |
As for Daxiat, |
| 00:54:25 |
The one-time press lord |
| 00:54:28 |
He's survived the bombing |
| 00:54:31 |
After following Petain to Germany... |
| 00:54:33 |
he reaches Spain |
| 00:54:36 |
Sentenced to death in absentia, |
| 00:54:38 |
he will die of a cancer |
| 00:54:42 |
But let us go back |
| 00:54:45 |
and to our story. |
| 00:55:33 |
I tried to forget you. I couldn't. |
| 00:55:36 |
If not for your pride, |
| 00:55:39 |
You'd have had to make up |
| 00:55:43 |
Why should I lie? And to whom? |
| 00:55:46 |
But you've got your career... |
| 00:55:48 |
No. I realized I didn't care |
| 00:55:53 |
I gave it all up. |
| 00:55:55 |
The only thing that matters to me... |
| 00:55:58 |
is to be with you, |
| 00:56:01 |
We can start all over again. |
| 00:56:03 |
No we can't. |
| 00:56:05 |
There was never anything... |
| 00:56:08 |
anything real... |
| 00:56:10 |
between us. |
| 00:56:11 |
I toyed with the idea... |
| 00:56:13 |
but I never really loved you. |
| 00:56:16 |
It was an abstract notion. |
| 00:56:19 |
You believed in it |
| 00:56:23 |
I never stopped thinking of you... |
| 00:56:27 |
I thought of you too... |
| 00:56:29 |
but less and less often. |
| 00:56:31 |
And now, I don't know |
| 00:56:33 |
I've almost forgotten your name... |
| 00:56:38 |
I barely remember |
| 00:56:43 |
Go away! |
| 00:56:48 |
Listen to me. |
| 00:56:50 |
It takes two to love... |
| 00:56:53 |
as it takes two to hate. |
| 00:56:57 |
You make my heart beat faster. |
| 00:57:02 |
Goodbye. |
| 00:57:45 |
There's Steiner! |
| 00:57:49 |
He's back! |
