|
Deuxi me souffle Le Second Breath
|
| 00:00:20 |
It's not the filmmaker's intention |
| 00:00:25 |
Persons and circumstances portrayed |
| 00:00:30 |
and therefore no judgment is called for |
| 00:00:35 |
portrayed in this work of fiction |
| 00:00:45 |
A man is given but one right at birth: |
| 00:00:49 |
But if he chooses |
| 00:00:53 |
then his entire existence |
| 00:03:41 |
SECOND WIND |
| 00:04:11 |
Adapted and Directed by |
| 00:07:08 |
- It's set for December 28. |
| 00:07:12 |
If all goes well, |
| 00:07:15 |
And if it doesn't? |
| 00:07:31 |
The job's set for December 28. |
| 00:07:34 |
I'll just go and come back. |
| 00:07:36 |
But you could be delayed in Paris... |
| 00:07:40 |
You're indispensable here! |
| 00:07:42 |
Pulling this off is a huge risk, |
| 00:07:46 |
Without me? |
| 00:07:49 |
That bastard Jacques the Lawyer |
| 00:07:52 |
We'll settle that later. |
| 00:07:54 |
I need you here, Jeannot. |
| 00:08:01 |
No one's irreplaceable. |
| 00:08:34 |
What did you do this evening? |
| 00:08:36 |
I went to the movies. |
| 00:08:39 |
- Was it good? |
| 00:08:44 |
Good thing the cashier |
| 00:09:04 |
What's wrong? |
| 00:09:06 |
Gu's escaped. |
| 00:09:11 |
Let's go home. |
| 00:09:14 |
Alban, two cognacs. |
| 00:09:21 |
I can't believe it. |
| 00:09:24 |
Ten years ago |
| 00:09:27 |
He told me |
| 00:09:32 |
I was even afraid |
| 00:09:37 |
Now, at 46 years old - |
| 00:09:41 |
Alban. |
| 00:09:45 |
Gu's escaped. |
| 00:09:48 |
We've got to find him |
| 00:10:18 |
What happened? |
| 00:10:19 |
- Did you see anything? |
| 00:10:22 |
Then shut up. |
| 00:10:40 |
- Look out below! |
| 00:10:43 |
- See you tomorrow. |
| 00:10:45 |
No, it's Jacques. |
| 00:10:54 |
They're here! |
| 00:11:00 |
Let's go! |
| 00:11:03 |
Don't touch him! |
| 00:11:06 |
Who shot him? |
| 00:11:08 |
Her? |
| 00:11:10 |
No, it wasn't her. |
| 00:11:13 |
No one asked you. |
| 00:11:16 |
I doubt he'll tell you much. |
| 00:11:18 |
That's why l... |
| 00:11:25 |
Evening, Manouche. |
| 00:11:29 |
Jacques Ribaldi, aka "Jacques |
| 00:11:34 |
He got a bellyful of slugs. |
| 00:11:37 |
Probably several shooters. |
| 00:11:41 |
Maybe you had better luck? |
| 00:11:44 |
Always the joker, inspector. |
| 00:11:47 |
Because all your enemies |
| 00:11:50 |
- How can you say that? |
| 00:11:53 |
Besides, if Manouche is all right, |
| 00:11:59 |
Come here, gentlemen. |
| 00:12:02 |
I suppose there were |
| 00:12:07 |
Gentlemen, the food on the plates |
| 00:12:14 |
Some were having appetizers, |
| 00:12:18 |
Perfectly understandable. |
| 00:12:20 |
Maybe the Queen of England was |
| 00:12:26 |
Meanwhile, here's Alban. |
| 00:12:29 |
He didn't see a thing. |
| 00:12:31 |
He was crouched behind the counter, |
| 00:12:35 |
When he looked up, |
| 00:12:39 |
for some yet unknown |
| 00:12:42 |
He couldn't say |
| 00:12:46 |
or a tribe |
| 00:12:49 |
That's about right. |
| 00:12:53 |
Malicious gossips might say |
| 00:12:58 |
but what could that |
| 00:13:00 |
Manouche didn't see a thing. |
| 00:13:07 |
Here's the second bartender, |
| 00:13:13 |
The sinister assailant |
| 00:13:16 |
that he couldn't |
| 00:13:19 |
He hid behind the counter. |
| 00:13:22 |
Our Marcel's a timid one. |
| 00:13:24 |
He didn't see a thing. |
| 00:13:27 |
- That's amazing! |
| 00:13:30 |
My story exactly. |
| 00:13:33 |
Gentlemen, look how forthright |
| 00:13:38 |
Ah! Let me introduce |
| 00:13:42 |
an upstanding citizen |
| 00:13:45 |
He saw customers come in |
| 00:13:48 |
due to the roar of traffic, |
| 00:13:53 |
Then he saw customers leave - |
| 00:13:58 |
They told him a man had died. |
| 00:14:03 |
Are you strong enough |
| 00:14:06 |
It's true! What a shock! |
| 00:14:07 |
But enough. |
| 00:14:10 |
Don't be shy. |
| 00:14:12 |
Any village idiot could see |
| 00:14:17 |
and they're not paid to know |
| 00:14:22 |
Not everyone's born |
| 00:14:24 |
I'm finished, gentlemen. |
| 00:14:28 |
No point. Right, Alban? |
| 00:14:30 |
The kitchen help |
| 00:14:34 |
It was a lot of people |
| 00:14:36 |
Obviously we're wasting our time |
| 00:14:39 |
Would you do me |
| 00:14:45 |
It's all current. |
| 00:14:47 |
Employee names |
| 00:14:50 |
for all the good |
| 00:14:52 |
Call them to come |
| 00:14:55 |
How very curious. |
| 00:14:58 |
It seems they shot |
| 00:15:03 |
Unless someone shot |
| 00:15:08 |
Alban, I hope you killed at least one! |
| 00:15:12 |
We've got a body for you. |
| 00:15:15 |
We'll take the body away. |
| 00:15:17 |
The rest of you |
| 00:15:21 |
You're to be available at all times. |
| 00:15:31 |
Did he have family in Paris? |
| 00:15:34 |
Not that I know of. |
| 00:15:38 |
His mother and two younger |
| 00:15:40 |
And now you're alone. |
| 00:15:42 |
Too bad the ante is so high. |
| 00:15:57 |
It's over, Manouche. |
| 00:15:58 |
You can all go. |
| 00:16:01 |
It's one hell of a crossroads. |
| 00:16:03 |
Someone new comes along, |
| 00:16:09 |
Good night, Alban. |
| 00:16:11 |
A little something |
| 00:16:18 |
FORMER PUBLIC ENEMY #1 |
| 00:16:22 |
...SERVING LIFE SENTENCE FOR |
| 00:16:48 |
- He's been in a coma for two days. |
| 00:16:51 |
Sure, but he's delirious. |
| 00:16:58 |
I'm going to Paris with you. |
| 00:17:38 |
Jacques kept asking me |
| 00:17:45 |
Maybe he really did love me. |
| 00:18:43 |
Freeze! |
| 00:19:25 |
Call Manouche. |
| 00:19:46 |
Aren't those rods |
| 00:19:51 |
What did you do with Alban? |
| 00:21:52 |
Here to finish the job? |
| 00:21:54 |
Depends. |
| 00:21:59 |
I've been on the scene for 15 years. |
| 00:22:03 |
You don 't know everything. |
| 00:22:06 |
You must be fed up |
| 00:22:10 |
We can put an end to it. |
| 00:22:13 |
- For how much? |
| 00:22:19 |
- Five million each. |
| 00:22:22 |
Hands up! |
| 00:22:25 |
Don't talk, Manouche. |
| 00:22:27 |
You two, |
| 00:22:32 |
Search 'em. |
| 00:22:34 |
Who's got the key |
| 00:22:49 |
He's out cold. |
| 00:22:54 |
Playing cops, were you? |
| 00:23:09 |
You let rubes |
| 00:23:13 |
Get up, you two. |
| 00:23:21 |
Hands down. |
| 00:23:24 |
It's easy from behind, huh? |
| 00:23:42 |
Now we'll have a little chat. |
| 00:23:44 |
What's your name? |
| 00:23:47 |
Who sent you? |
| 00:23:50 |
Don't make me repeat myself. |
| 00:23:53 |
Jo Ricci. |
| 00:23:56 |
Keep going. |
| 00:23:57 |
My friend over there knows him. |
| 00:24:00 |
Said he had a once-in-a-lifetime deal, |
| 00:24:04 |
And then? |
| 00:24:05 |
We went to see him every night. |
| 00:24:08 |
Tonight he told my friend |
| 00:24:13 |
Why tonight? |
| 00:24:15 |
They killed Jacques |
| 00:24:18 |
What did you know about her |
| 00:24:21 |
Only that she couldn't |
| 00:24:24 |
I got it. |
| 00:24:26 |
Alban, let's go. |
| 00:24:28 |
He's got 'em. |
| 00:24:40 |
Manouche! |
| 00:25:05 |
Where are we going? |
| 00:25:08 |
Floor it. |
| 00:25:46 |
I told Manouche to wait |
| 00:26:14 |
Gu, my place |
| 00:26:18 |
The cops have been |
| 00:26:22 |
The guy in charge |
| 00:26:25 |
I know. Blot. |
| 00:26:27 |
He's made quite a name |
| 00:26:30 |
There's Montrouge. |
| 00:26:33 |
That's right. |
| 00:26:35 |
What's that? |
| 00:26:36 |
Don't worry. |
| 00:27:59 |
This'll be your kingdom |
| 00:28:20 |
Here are the keys. |
| 00:29:28 |
- Who sent for him? |
| 00:29:31 |
I can't stay, but let's get him |
| 00:30:10 |
Why didn't you let me know? |
| 00:30:14 |
Did you take the train? |
| 00:30:16 |
No, I drove. |
| 00:30:19 |
Why the sudden trip? |
| 00:30:23 |
Our cigarette business |
| 00:30:25 |
He and Jeannot are dead. |
| 00:30:30 |
Jeannot Franchi is dead? |
| 00:30:33 |
You'll miss him. |
| 00:30:37 |
No... not always. |
| 00:30:44 |
One... two... |
| 00:30:52 |
Too slow, Yvette. |
| 00:30:57 |
I went to see my brother, |
| 00:31:00 |
but I realized |
| 00:31:03 |
But I've got another idea. |
| 00:31:05 |
Orloff's back in France |
| 00:31:08 |
I know. He works alone. |
| 00:31:12 |
1 00 million could change that. |
| 00:31:15 |
My thought exactly. |
| 00:31:16 |
I asked him |
| 00:31:19 |
Better yet, |
| 00:31:24 |
My home's more discreet |
| 00:31:26 |
I sent my wife |
| 00:31:29 |
We'll be alone. |
| 00:32:49 |
Thanks for coming. |
| 00:32:50 |
When Paul calls, I come. |
| 00:32:53 |
I've got two friends |
| 00:32:57 |
I have a job to offer you. |
| 00:33:09 |
Pascal Leonetti. |
| 00:33:11 |
Orloff. |
| 00:33:14 |
Antoine Ripa. |
| 00:33:27 |
You want to start |
| 00:33:31 |
One can start the New Year |
| 00:33:36 |
Well, not with this job. |
| 00:33:39 |
It's a month from now. |
| 00:33:43 |
Two motorcycle cops escorting a van |
| 00:33:48 |
A five-way split, 200 million each, |
| 00:33:54 |
So the four us and him. |
| 00:33:57 |
Is it so hard finding someone |
| 00:34:01 |
Why do you think you're here? |
| 00:34:03 |
Your confidence |
| 00:34:06 |
I assume you've worked out details |
| 00:34:11 |
so I'll ask no questions. |
| 00:34:15 |
I'm not saying no, |
| 00:34:18 |
I need a week |
| 00:34:23 |
We must be ready |
| 00:34:25 |
I know. |
| 00:34:27 |
You'd still have three weeks to find |
| 00:34:32 |
Three men can't pull it off. |
| 00:34:34 |
Three's already a lot. |
| 00:34:36 |
I've done lots |
| 00:34:39 |
but a million in platinum |
| 00:34:43 |
Meanwhile, you're free |
| 00:34:47 |
That way I won't hold you up. |
| 00:34:51 |
- How about a scotch? |
| 00:34:58 |
To our future collaboration. |
| 00:35:12 |
Would you step in here a moment? |
| 00:35:21 |
Find out where |
| 00:35:43 |
Tourneur and Bartel |
| 00:35:47 |
Petty thugs picked off |
| 00:35:52 |
- Mrs. Simone Pelquier. |
| 00:36:03 |
Hello, Manouche. |
| 00:36:04 |
Hello, inspector. |
| 00:36:06 |
I'm glad I found you in. |
| 00:36:10 |
I've come for permission |
| 00:36:13 |
My cashier is back. |
| 00:36:16 |
I need to forget all this. |
| 00:36:18 |
It's gotten me down. |
| 00:36:20 |
One couldn't tell |
| 00:36:28 |
Manouche, you know |
| 00:36:34 |
Lots of women would relish |
| 00:36:38 |
There's no greater homage. |
| 00:36:40 |
I don't ask for that much. |
| 00:36:45 |
Look here. |
| 00:36:48 |
These represent |
| 00:36:51 |
Riddled with holes |
| 00:36:55 |
as if it didn't even matter |
| 00:36:59 |
The mark of a pro. |
| 00:37:11 |
Go wherever you like. |
| 00:37:14 |
Find other people, |
| 00:37:21 |
It would be better |
| 00:37:25 |
You know... |
| 00:37:27 |
it's kind of late for that now, |
| 00:37:32 |
For a woman like you? |
| 00:37:43 |
- Well? |
| 00:37:48 |
Good luck. |
| 00:37:54 |
What do you think? |
| 00:37:55 |
- Very dangerous. |
| 00:38:00 |
But these people |
| 00:38:03 |
I'll go see Jo Ricci tonight. |
| 00:38:05 |
His brother Paul messes around |
| 00:38:08 |
Jacques the Lawyer was killed |
| 00:38:12 |
The two stiffs from Ville-d'Avray |
| 00:38:15 |
And Manouche |
| 00:38:18 |
Like she's been helped... |
| 00:38:22 |
Look at this guy. |
| 00:38:24 |
He was very rich once. |
| 00:38:27 |
He won't leave France like that |
| 00:38:31 |
and there's always another option. |
| 00:38:57 |
Gu, it's me! |
| 00:39:20 |
She's coming here |
| 00:39:22 |
I thought |
| 00:39:26 |
She has word |
| 00:39:29 |
I'll be going. |
| 00:39:35 |
No need to be afraid here. |
| 00:39:43 |
Leave everything. |
| 00:40:25 |
It's me. |
| 00:40:54 |
You shouldn't have. |
| 00:40:58 |
Why? You're my guest, |
| 00:41:09 |
It's not a very nice place. |
| 00:41:12 |
You know where I came from, |
| 00:41:16 |
Meaning? |
| 00:41:17 |
Every cop in France |
| 00:41:20 |
So? |
| 00:41:22 |
A picture isn't |
| 00:41:24 |
The cops aren't exactly geniuses. |
| 00:41:28 |
That reminds me: |
| 00:41:34 |
And? |
| 00:41:36 |
It was a touching courtship. |
| 00:41:39 |
He said I could travel |
| 00:41:44 |
Complete freedom. |
| 00:41:48 |
Sure I do. |
| 00:41:51 |
We have to dance |
| 00:41:57 |
Gu... |
| 00:42:00 |
we've been crooks |
| 00:42:03 |
If we can't get you out, |
| 00:42:08 |
In any case, |
| 00:42:12 |
What about me? |
| 00:42:15 |
What about you? |
| 00:42:17 |
What'll happen to me? |
| 00:42:22 |
Manouche... |
| 00:42:25 |
don't you understand? |
| 00:42:27 |
You know what happened. |
| 00:42:29 |
I gambled and I lost. |
| 00:42:33 |
Now they're after me, |
| 00:42:46 |
Come on. |
| 00:43:11 |
- Evening, inspector. |
| 00:43:14 |
The same good taste, I see. |
| 00:43:17 |
That could be very pleasant. |
| 00:43:19 |
Colette and Marceline. |
| 00:43:22 |
What'll it be? Cognac? |
| 00:43:26 |
But if I might offer |
| 00:43:29 |
- A tomato juice. |
| 00:43:32 |
And I'll have the same. |
| 00:43:34 |
Colette and I always |
| 00:43:37 |
We never leave |
| 00:43:40 |
I wouldn't want to appear |
| 00:43:43 |
but I'll try to cancel |
| 00:43:47 |
May I use your telephone? |
| 00:43:59 |
Sorry about those little vixens, |
| 00:44:03 |
Careful not to work |
| 00:44:08 |
Tell the girls my friend left. |
| 00:44:12 |
I've got two corpses on my hands, |
| 00:44:15 |
- You're too kind. |
| 00:44:19 |
He's a good boy now, |
| 00:44:22 |
I trust he won't be entering |
| 00:44:24 |
When Jacques the Lawyer |
| 00:44:27 |
Everyone knew Jacques... |
| 00:44:31 |
You know me too, |
| 00:44:34 |
that Jacques died |
| 00:44:37 |
We all have our little ideas. |
| 00:44:39 |
Don't be a wise guy. |
| 00:44:41 |
I'm not here to bust you. |
| 00:44:45 |
And here's mine. |
| 00:44:47 |
First, you weren't in on it. |
| 00:44:50 |
Paul's cutting down his competition |
| 00:44:53 |
Jacques was a big fish. |
| 00:44:59 |
But not entirely, |
| 00:45:01 |
because I know |
| 00:45:06 |
Three days after Jacques dies, |
| 00:45:09 |
two thugs |
| 00:45:14 |
take a one-way trip |
| 00:45:17 |
You saw their names |
| 00:45:21 |
I knew them... |
| 00:45:25 |
That's the Jo I know! |
| 00:45:28 |
- What'll you have, inspector? |
| 00:45:30 |
So this Tourneur and Bartel |
| 00:45:34 |
Two low-class burglars. |
| 00:45:37 |
But they get knocked off |
| 00:45:40 |
You realize what a mess |
| 00:45:48 |
You'd almost think |
| 00:45:52 |
There's a house just 1 0 yards |
| 00:45:57 |
and no one heard a thing. |
| 00:46:00 |
It means they were shot |
| 00:46:07 |
I stayed up all night |
| 00:46:10 |
You'll never guess |
| 00:46:13 |
Francis the Gimp, killed 15 years ago. |
| 00:46:18 |
No one was ever arrested, |
| 00:46:20 |
but everyone back then |
| 00:46:24 |
I find that amazing. |
| 00:46:27 |
Don't you? |
| 00:46:29 |
That's strange. |
| 00:46:31 |
Gu has escaped. |
| 00:46:33 |
Gu means Manouche |
| 00:46:35 |
You're with Paul... |
| 00:46:38 |
But Jacques was also |
| 00:46:41 |
So those stiffs, hanging around here, |
| 00:46:46 |
See my point? |
| 00:46:50 |
Don't bother. |
| 00:46:52 |
Sometimes I can't stop. |
| 00:46:54 |
So our two altar boys hear |
| 00:46:59 |
and figure a friendly visit to the widow |
| 00:47:04 |
Off they go... |
| 00:47:08 |
We'll learn |
| 00:47:11 |
maybe. |
| 00:47:13 |
At this rate, he'll be back |
| 00:47:17 |
That would suit you fine. |
| 00:47:19 |
Me? |
| 00:47:21 |
What the hell do I care |
| 00:47:24 |
- Well, he might care about you. |
| 00:47:28 |
Gu must have wondered |
| 00:47:32 |
I think those two softies |
| 00:47:35 |
So your name came up. |
| 00:47:37 |
Gu couldn't be too happy seeing |
| 00:47:41 |
To hell with Gu! |
| 00:47:45 |
I'm not responsible |
| 00:47:47 |
Fine. |
| 00:47:48 |
But what if he thinks otherwise? |
| 00:47:51 |
He knows your whereabouts, |
| 00:47:55 |
Do you? |
| 00:47:57 |
Not yet, but I will. |
| 00:48:01 |
Gu is crazy! |
| 00:48:07 |
Your kid doing okay |
| 00:48:10 |
Yeah. I'm sending him |
| 00:48:15 |
Bravo! I hope you're alive |
| 00:48:18 |
I'm not scared. |
| 00:48:19 |
Courage won't keep you out of danger. |
| 00:48:24 |
Listen, we have to meet again. |
| 00:48:28 |
You know what to do. |
| 00:49:23 |
It's me! |
| 00:49:29 |
I was sleeping. |
| 00:49:31 |
So I see. |
| 00:49:36 |
I'll take these so she won't |
| 00:49:44 |
She's leaving. |
| 00:49:47 |
Says she can't take it anymore. |
| 00:49:49 |
The rain never stops here, |
| 00:49:53 |
She'll shake them first, |
| 00:49:58 |
Her cousin has a boat. |
| 00:50:03 |
Vaguely. |
| 00:50:06 |
He'll know how to get papers. |
| 00:50:11 |
I'm flat broke. |
| 00:50:13 |
I can't go abroad empty-handed. |
| 00:50:16 |
I know a place in Italy, |
| 00:50:19 |
And there's something else. |
| 00:50:21 |
I'm not leaving |
| 00:50:24 |
I'm not gonna let |
| 00:50:27 |
That stuff still sticks |
| 00:50:31 |
You'd die before |
| 00:50:35 |
so I might as well |
| 00:50:37 |
Let me drive you at least. |
| 00:50:44 |
Here's Jo Ricci's bar on rue Washington, |
| 00:50:49 |
His private residence |
| 00:50:53 |
Tap both those lines, |
| 00:50:57 |
the bar and his apartment. |
| 00:51:00 |
I lit a fire under Jo. He'll make a move. |
| 00:51:05 |
- What kind? |
| 00:51:08 |
But we can't know |
| 00:51:11 |
Make a move if you're sure, |
| 00:51:15 |
Anyway, |
| 00:51:18 |
So Chapter 1 : |
| 00:51:22 |
Chapter 2: If we can't move in, |
| 00:51:25 |
And who do you say |
| 00:51:27 |
Gu and Alban. |
| 00:51:29 |
- Easy as pie. |
| 00:51:31 |
Alban is Manouche's bodyguard, |
| 00:51:36 |
Her fine health |
| 00:51:40 |
And you already know |
| 00:51:43 |
If Gu shows, |
| 00:51:45 |
Only they can kill him. |
| 00:51:50 |
If you can't get a clear shot |
| 00:51:53 |
stay out of sight. |
| 00:51:56 |
Take Le Terrier |
| 00:51:58 |
It's now or never. |
| 00:52:03 |
Go on. |
| 00:52:53 |
Boss? |
| 00:52:55 |
Le Terrier's in the bar. |
| 00:52:58 |
And more news: |
| 00:53:03 |
I'm on my way. |
| 00:53:06 |
They were loading Ricci's Ford |
| 00:53:11 |
We can catch him |
| 00:53:16 |
Pass by and don't stop. |
| 00:53:18 |
It's one-way. |
| 00:53:20 |
The next street. |
| 00:53:26 |
Circle the Arc de Triomphe |
| 00:53:43 |
We've got men at both corners. |
| 00:53:46 |
- Inside. |
| 00:54:03 |
Alban was checking |
| 00:54:05 |
Let's hope it doesn't |
| 00:54:28 |
Here we are. |
| 00:54:34 |
There it is. |
| 00:54:44 |
Let's go. |
| 00:54:54 |
Did you see something? |
| 00:54:58 |
No, but it didn't feel right. |
| 00:55:53 |
It's best |
| 00:55:56 |
Manouche will send word, |
| 00:56:22 |
- If it isn't dear old Alban! |
| 00:56:25 |
- Wandering around? |
| 00:56:27 |
- Me too. May I join you? |
| 00:56:32 |
- How's your lovely boss? |
| 00:56:35 |
Already? |
| 00:56:37 |
She had enough of all this. |
| 00:56:39 |
How long a vacation? |
| 00:56:41 |
No, she really left. |
| 00:56:44 |
Everyone's taking off today. |
| 00:56:47 |
I know a guy |
| 00:56:50 |
- Lucky man. |
| 00:56:54 |
But you're staying? |
| 00:56:55 |
I have to take care |
| 00:56:59 |
I haven't heard a peep |
| 00:57:04 |
He's got all-terrain |
| 00:57:06 |
That guy's like a wild boar. |
| 00:57:09 |
Tough to track down, |
| 00:57:11 |
and he'll kill two or three |
| 00:57:15 |
I'm not thrilled |
| 00:57:19 |
I suppose not. |
| 00:57:20 |
Well, I'm going to cross here. |
| 00:57:22 |
Be careful crossing. |
| 00:57:25 |
Good luck. |
| 00:57:26 |
Long live the crooks. |
| 00:57:34 |
Tell Le Terrier and Godefroy |
| 00:58:21 |
Theo, I need your help. |
| 00:58:24 |
Find a furnished house |
| 00:58:26 |
Money's no object. |
| 00:58:31 |
A secluded little house |
| 00:58:35 |
Who no doubt wants |
| 00:58:40 |
It's Gustave Minda. |
| 00:58:43 |
I thought so. |
| 00:58:44 |
- Can you arrange it? |
| 00:58:47 |
My father's old house. |
| 00:58:51 |
Good. I'll get it ready. |
| 00:58:54 |
You're saving his life. |
| 00:58:57 |
What about the boat? |
| 00:58:59 |
Gu's no small fry. |
| 00:59:04 |
But I'll try. |
| 00:59:07 |
- Not yet. |
| 00:59:16 |
What's she thinking? |
| 00:59:18 |
She'd pack me off in a crate |
| 00:59:22 |
I could spend |
| 00:59:25 |
- She says there's cops everywhere. |
| 00:59:28 |
Think it was easy |
| 00:59:34 |
I'll do it my own way. |
| 00:59:39 |
I'll do what I can to help. |
| 00:59:45 |
Here. |
| 00:59:47 |
I've got what I need. |
| 00:59:49 |
This one's different. |
| 00:59:54 |
Good old Alban. |
| 01:02:36 |
Hello, Theo. |
| 01:02:37 |
Is your boat in good shape? |
| 01:02:41 |
It may be sailing |
| 01:02:45 |
I may have |
| 01:02:49 |
Me too - for southern Italy. |
| 01:02:53 |
I'd rather not. Is the risk |
| 01:02:57 |
More like in between... |
| 01:03:01 |
Anyone important? |
| 01:03:04 |
Yes. |
| 01:03:06 |
You'll have enough |
| 01:03:08 |
- I'll only charge this guy for expenses. |
| 01:03:12 |
The thing is |
| 01:03:14 |
I can tell you. |
| 01:03:17 |
Gu? |
| 01:03:19 |
I'll see to his papers. |
| 01:03:23 |
- They're waiting on me. |
| 01:03:25 |
His sister too. |
| 01:03:29 |
Tell them the papers |
| 01:03:32 |
Tell him to grow a moustache |
| 01:03:34 |
and to give you two pictures, |
| 01:03:38 |
Don't mention me, of course. |
| 01:03:40 |
- What about money? |
| 01:03:43 |
It's odd, but I'd like |
| 01:03:47 |
Ah, something else. |
| 01:03:48 |
Ask Gu if he's interested |
| 01:03:52 |
Life in Miami |
| 01:03:54 |
200 million? |
| 01:03:58 |
It's the job I mentioned. |
| 01:04:01 |
I can take my time to decide, |
| 01:04:04 |
It's in three weeks. |
| 01:04:07 |
Tell him I need |
| 01:04:12 |
Meanwhile, I'll take care |
| 01:04:16 |
See you. |
| 01:05:13 |
We just have to wait. |
| 01:05:15 |
Theo will get papers |
| 01:05:20 |
I'm in no hurry |
| 01:05:23 |
We're not broke. |
| 01:05:25 |
I'm talking about ""me," not ""us." |
| 01:05:27 |
- I thought I was traveling too. |
| 01:05:34 |
It's Theo. |
| 01:05:48 |
Thanks. |
| 01:05:51 |
I've got news. |
| 01:05:53 |
I need two pictures |
| 01:05:56 |
I've got a camera. |
| 01:05:59 |
Another thing... |
| 01:06:03 |
What would you say |
| 01:06:07 |
Some guys need a hand, |
| 01:06:10 |
and everyone |
| 01:06:12 |
200 million francs? |
| 01:06:17 |
Too risky. I'm too old. |
| 01:06:19 |
That's just great! |
| 01:06:23 |
The Gold Train wasn't |
| 01:06:27 |
I'm still alive, aren't l? |
| 01:06:29 |
What about |
| 01:06:31 |
- No one forced him. |
| 01:06:34 |
- I have no choice. |
| 01:06:38 |
He's not doing it. |
| 01:06:40 |
Who's behind this job? |
| 01:06:42 |
Paul Ricci. |
| 01:06:46 |
- I'm in. |
| 01:06:49 |
If I'd known, |
| 01:06:54 |
Come on, Manouche. |
| 01:07:01 |
I know I can trust you men. |
| 01:07:04 |
Your caution in choosing a fourth |
| 01:07:08 |
Only the sum involved stopped me |
| 01:07:13 |
But I've thought it over |
| 01:07:15 |
An attack on the open highway |
| 01:07:20 |
How will you get past |
| 01:07:24 |
We'll kill 'em. |
| 01:07:27 |
There you go. |
| 01:07:29 |
In that case, |
| 01:07:34 |
Not 100 billion, |
| 01:07:38 |
Count me out. |
| 01:07:55 |
Now, if you've got a moment, |
| 01:08:00 |
No one asked you |
| 01:08:03 |
- The risks are great. |
| 01:08:07 |
You know him well. |
| 01:08:11 |
Gu Minda? Every cop's after him. |
| 01:08:14 |
Gu? |
| 01:08:17 |
In this hellhole? |
| 01:08:19 |
He's leaving, and his situation |
| 01:08:23 |
Of course, |
| 01:08:25 |
Tell him I say he's in |
| 01:08:29 |
He won't. |
| 01:08:31 |
He didn't get any younger |
| 01:08:35 |
I know guys who bunked |
| 01:08:39 |
He's washed up. |
| 01:08:42 |
- Yet he escaped. |
| 01:08:47 |
Bernard, the guy |
| 01:08:50 |
jumped off a cliff |
| 01:08:53 |
Best not to get surrounded. |
| 01:08:55 |
Three men escaped. |
| 01:08:57 |
Not a scratch on Gu. |
| 01:09:01 |
I'll vouch for him |
| 01:09:04 |
You wouldn't be |
| 01:09:06 |
Gu will ride |
| 01:09:09 |
He'll be just as good |
| 01:09:12 |
I have no doubt of that. |
| 01:09:14 |
It's after |
| 01:09:17 |
After... and during. |
| 01:09:19 |
But I'll do my job |
| 01:09:22 |
If he cracks up, |
| 01:09:25 |
""After," you say? |
| 01:09:27 |
That's right. |
| 01:09:29 |
Gu's behind the times. |
| 01:09:32 |
There could be consequences. |
| 01:09:34 |
I'll vouch for afterward too. |
| 01:09:37 |
In that case, I'm in. |
| 01:09:40 |
Can we work out |
| 01:09:41 |
You can meet here |
| 01:09:45 |
When will you know? |
| 01:09:47 |
I know the place and the day, |
| 01:09:50 |
You let me know, |
| 01:09:53 |
And don't mention my name. |
| 01:09:58 |
He'd want to see me, and it's safer |
| 01:10:03 |
You trust him or not? |
| 01:10:14 |
Gentlemen, |
| 01:10:21 |
I've had about enough |
| 01:10:24 |
Don't let it show. |
| 01:10:26 |
What could he do? |
| 01:10:28 |
Live a nice long life and enjoy |
| 01:10:41 |
THE NIGHT OF DECEMBER 27-28 |
| 01:10:47 |
What if something goes wrong? |
| 01:10:52 |
It'll be great when you come back. |
| 01:10:57 |
Here's Theo now. |
| 01:11:36 |
THAT SAME NIGHT, 11:58 P.M. |
| 01:11:44 |
The van leaves Toulon tomorrow |
| 01:11:49 |
headed for Cadarache |
| 01:11:53 |
There'll be a guy up front |
| 01:11:58 |
and another sitting |
| 01:13:55 |
I'm glad you're here, Gu. |
| 01:14:04 |
- How are you, Gu? |
| 01:14:06 |
Antoine Ripa. |
| 01:14:08 |
Hello. |
| 01:14:13 |
- Gypsy? |
| 01:14:15 |
Sit down, Gu. |
| 01:14:17 |
Antoine, get him a drink. |
| 01:14:23 |
How are you feeling? |
| 01:14:25 |
Don't worry. |
| 01:14:27 |
It's reassuring |
| 01:14:32 |
Tell me the details, Paul. |
| 01:14:36 |
We're hitting the jackpot, |
| 01:14:39 |
but it's all timed |
| 01:14:45 |
Here it is. |
| 01:14:47 |
It's wild terrain up there. |
| 01:14:50 |
Antoine hides |
| 01:14:53 |
and waits at the top |
| 01:14:56 |
There's a shed there |
| 01:15:00 |
I've got a hideout for us |
| 01:15:03 |
Two motorcycle cops |
| 01:15:06 |
We come along |
| 01:15:09 |
Half a mile |
| 01:15:12 |
a little side road |
| 01:15:17 |
We'll wait there |
| 01:15:20 |
We can't follow them long |
| 01:15:23 |
We hit them the moment |
| 01:15:27 |
The second cop... |
| 01:15:30 |
the second cop... |
| 01:15:32 |
I shoot him from the car. |
| 01:15:36 |
We tie them up |
| 01:15:45 |
Thanks. |
| 01:15:48 |
What if they beef up |
| 01:15:54 |
No risk of that. |
| 01:15:56 |
My informant gives |
| 01:16:01 |
He specified two cops, |
| 01:16:04 |
There'll be twenty 55-pound crates |
| 01:16:09 |
I know the kind. |
| 01:16:14 |
Right. |
| 01:16:16 |
I think that's everything. |
| 01:16:20 |
You know... |
| 01:16:23 |
if we could avoid |
| 01:16:28 |
But we can't. |
| 01:16:32 |
And the guys in the van |
| 01:16:35 |
Only fear will freeze them |
| 01:16:38 |
- You got tarps? |
| 01:16:41 |
To cover the bodies. |
| 01:16:46 |
Not a bad idea. |
| 00:00:02 |
I've got a big tarp |
| 00:00:06 |
What time do you have? |
| 00:00:09 |
All right. |
| 00:00:12 |
You can get going. |
| 00:00:14 |
Watch your speed, and change |
| 00:07:59 |
Open up! |
| 00:08:15 |
Throw down the gun! |
| 00:08:35 |
What happened? |
| 00:08:36 |
I don't know. |
| 00:08:45 |
Get in the car! |
| 00:08:48 |
Get in or you die! |
| 00:09:08 |
It's me! |
| 00:09:29 |
I found this guy |
| 00:13:54 |
This place belongs |
| 00:15:18 |
The show got under way |
| 00:15:20 |
They'll sound the alarm in Cadarache |
| 00:15:26 |
Well, I'll be off. |
| 00:15:29 |
I am. |
| 00:15:31 |
Pascal will come |
| 00:15:34 |
You want to come along? |
| 00:15:36 |
No need. I trust you. |
| 00:15:39 |
You know how to reach me. |
| 00:15:43 |
You should stay with us, Gu. |
| 00:15:53 |
You might not be at Paul's |
| 00:15:59 |
I might not. |
| 00:16:00 |
It was a pleasure |
| 00:16:04 |
You know, |
| 00:16:08 |
I don't know how to say this. |
| 00:16:11 |
It was just you and me. |
| 00:16:13 |
That's right. |
| 00:16:31 |
- I'm thinking about Paul's contact. |
| 00:16:34 |
He's the only one |
| 00:16:37 |
They'll suspect everyone. |
| 00:16:40 |
- We can't just - |
| 00:16:43 |
- He only knows Paul. |
| 00:16:57 |
Drop me at the train station. |
| 00:17:10 |
Good luck. |
| 00:17:35 |
Marseille, please. |
| 00:17:38 |
How much? |
| 00:18:30 |
That's all for today. |
| 00:18:34 |
Inspector, give us a quote. |
| 00:18:36 |
Not on your life. |
| 00:18:38 |
You won't admit |
| 00:18:41 |
Modesty |
| 00:19:09 |
What the hell are you doing here? |
| 00:19:14 |
Some New Year's present |
| 00:19:16 |
they gave you. |
| 00:19:18 |
Now they pop some motorcycle cops |
| 00:19:22 |
They're gonna pay. |
| 00:19:24 |
I doubt you'll find anyone. |
| 00:19:27 |
I've been here ten years. |
| 00:19:31 |
I'll haul a few of 'em in |
| 00:19:36 |
I'm sure you'll be delighted |
| 00:19:39 |
You're ordered to turn over |
| 00:19:48 |
We wouldn't know what to do, right? |
| 00:19:53 |
Take your good-luck charms. |
| 00:20:01 |
I'll inform my superiors |
| 00:20:04 |
Out of my sight. |
| 00:20:23 |
Find out if these |
| 00:20:26 |
that killed the two guys |
| 00:20:43 |
Each man killed one cop. Four bullets |
| 00:20:47 |
They'll learn nothing in Marseille. |
| 00:20:51 |
The killers' car was dark blue, |
| 00:20:56 |
And it wasn't a French make. |
| 00:21:00 |
- This is the Iab, sir. |
| 00:21:02 |
A Colt. 45. |
| 00:21:06 |
Thanks. |
| 00:21:09 |
It was the same gunman |
| 00:21:13 |
Please listen carefully. |
| 00:21:17 |
Jo Ricci sent two guys |
| 00:21:21 |
They were given a warm welcome, taken |
| 00:21:26 |
By whom? I say Gu, |
| 00:21:29 |
the same way he killed |
| 00:21:33 |
In Ville-d'Avray he used a Colt |
| 00:21:38 |
This isn't your usual killer. |
| 00:21:42 |
In Marseille he joined a heist |
| 00:21:47 |
with the same Colt, |
| 00:21:51 |
You don't switch guns |
| 00:21:55 |
Now for the others, |
| 00:21:59 |
She returned to Paris |
| 00:22:03 |
So Gu used other connections. |
| 00:22:06 |
Now he's flush. |
| 00:22:08 |
He'll need a month or two |
| 00:22:12 |
before he disappears. |
| 00:22:15 |
That's all we know. |
| 00:22:21 |
Questions? |
| 00:22:22 |
Manouche and Alban |
| 00:22:25 |
Sure, but it's no use tailing them. |
| 00:22:29 |
Losing a tail is easy. |
| 00:22:32 |
- Fardiano might find a clue. |
| 00:22:35 |
He'll just haul in a few |
| 00:22:39 |
No, the people who killed |
| 00:22:42 |
First, they knew Gu. |
| 00:22:46 |
We're policemen, |
| 00:22:49 |
If some little thing |
| 00:22:52 |
Gu will escape. |
| 00:22:55 |
The others aren't hiding. |
| 00:22:59 |
With good reason. |
| 00:23:03 |
They lead an unusual life. |
| 00:23:05 |
We'll run pictures |
| 00:23:07 |
No, no pictures. |
| 00:23:09 |
Gu would never surface, |
| 00:23:13 |
That leaves just luck... |
| 00:23:16 |
Call it whatever you like. |
| 00:23:19 |
We just need one tiny lead, |
| 00:24:05 |
BLOODY HOLDUP |
| 00:24:23 |
Luckily his name |
| 00:24:29 |
Luckier still, Blot hasn't |
| 00:24:32 |
Paris police have nothing to do |
| 00:24:36 |
Of course not. |
| 00:24:39 |
I'm dying to go to Marseille, |
| 00:24:42 |
but I'm afraid |
| 00:25:46 |
I'll be right back. |
| 00:25:51 |
Well, I'll be going. |
| 00:25:57 |
May I tell you |
| 00:26:00 |
Go ahead. |
| 00:26:01 |
Pascal will tell you what I think |
| 00:26:06 |
And your brother Jo - |
| 00:26:09 |
I know my brother. |
| 00:26:11 |
He must never know. |
| 00:26:13 |
You're asking a lot. |
| 00:26:15 |
He's not on the up-and-up. |
| 00:26:19 |
I almost bumped him off in Paris. |
| 00:26:21 |
He never knew, but he flew the coop. |
| 00:26:26 |
You want to know why? |
| 00:26:32 |
He has a good brother. |
| 00:26:35 |
I'll do you a favor and forget it. |
| 00:26:40 |
That's all. |
| 00:26:43 |
You know, |
| 00:26:47 |
I don't think |
| 00:26:51 |
Good-bye, Paul. |
| 00:26:54 |
Where will you go? |
| 00:26:56 |
I'll vanish into thin air. |
| 00:26:58 |
Be careful. |
| 00:28:47 |
Try anything |
| 00:29:48 |
Get out. |
| 00:29:57 |
That's where the cops surrounded |
| 00:30:03 |
He jumped from up top. |
| 00:30:08 |
We thought you might like |
| 00:30:11 |
I know you're |
| 00:30:14 |
Though not much of a talker. |
| 00:30:16 |
But we're not here for your life story |
| 00:30:21 |
We don't give a damn |
| 00:30:25 |
You really sank low this time, Gu, |
| 00:30:29 |
working with just anybody. |
| 00:30:32 |
Sorry, but the Angel |
| 00:30:36 |
The Angel? |
| 00:30:39 |
Nevada? |
| 00:30:41 |
That's right. |
| 00:30:42 |
It was his job. You double-crossed him. |
| 00:30:47 |
You know that, Gu. |
| 00:30:49 |
We found you. |
| 00:30:51 |
We'll find the others too. |
| 00:30:53 |
And then you'll die, |
| 00:30:57 |
I know the Angel, |
| 00:30:59 |
I never ratted in the pen. |
| 00:31:03 |
Principles! |
| 00:31:05 |
You kicked them aside |
| 00:31:08 |
Has Nevada gone nuts? |
| 00:31:11 |
Does he think I call the shots? |
| 00:31:15 |
I didn't know |
| 00:31:19 |
But you see... |
| 00:31:21 |
The Angel thinks otherwise - |
| 00:31:24 |
And my word means nothing |
| 00:31:28 |
You with all your men |
| 00:31:31 |
talking bullshit |
| 00:31:34 |
What do you know |
| 00:31:37 |
Nevada's hallucinating |
| 00:31:39 |
Is he cracking up? |
| 00:31:42 |
What about Ricci? |
| 00:31:45 |
- Which one? |
| 00:31:47 |
Both? |
| 00:31:49 |
That's right. |
| 00:31:50 |
Jo and Paul. |
| 00:31:52 |
Paul's my friend. |
| 00:31:54 |
That means nothing. |
| 00:31:57 |
You have my word. |
| 00:32:00 |
No, he can't. |
| 00:32:02 |
You understand? |
| 00:32:04 |
He didn't get a single franc |
| 00:32:08 |
Paul wouldn't do that |
| 00:32:11 |
We can't know his mind. |
| 00:32:13 |
Nevada tipped him off |
| 00:32:17 |
Paul should have |
| 00:32:19 |
But you guys got together |
| 00:32:22 |
Four? No, five. |
| 00:32:25 |
What do you mean, five? |
| 00:32:27 |
That's right. |
| 00:32:31 |
That's really rich! |
| 00:32:34 |
Nevada was the informant. |
| 00:32:38 |
So Paul walked off |
| 00:32:58 |
Listen carefully. |
| 00:33:01 |
I've changed my mind. |
| 00:33:03 |
Paul's as good as dead. |
| 00:33:08 |
But maybe the others |
| 00:33:11 |
We want to see them. |
| 00:33:14 |
If you'd care |
| 00:33:19 |
Keep dreaming. |
| 00:33:25 |
You won't do it? |
| 00:33:31 |
That's enough. |
| 00:33:39 |
Sorry. |
| 00:33:40 |
Blot, crime squad. |
| 00:33:43 |
That's illegal! |
| 00:33:45 |
Everything's legal. |
| 00:33:46 |
I won't sign a confession! |
| 00:33:50 |
You and Ricci can tell that |
| 00:33:54 |
Let's go. |
| 00:34:26 |
Gustave Minda here was |
| 00:34:30 |
This tape should come in handy. |
| 00:34:33 |
Anyone can imitate a voice! |
| 00:34:36 |
You will here! |
| 00:34:39 |
One of your guards from prison |
| 00:34:44 |
He recognized you at the petanque |
| 00:34:48 |
A lot of good |
| 00:34:50 |
Cuff him to the radiator. |
| 00:35:02 |
Your reputation's |
| 00:35:07 |
Paul won't be too happy. |
| 00:35:12 |
Time was when a man seen talking |
| 00:35:17 |
and inspectors |
| 00:35:20 |
Now you hold hands |
| 00:35:25 |
Makes the job easier, right? |
| 00:35:28 |
Makes me want to vomit. |
| 00:35:30 |
Don't be sick here. |
| 00:35:34 |
I'm going back to Paris. |
| 00:35:36 |
Any message |
| 00:35:41 |
Friends of yours? |
| 00:35:42 |
No, yours. |
| 00:35:45 |
Old friends. |
| 00:35:48 |
Inspector. |
| 00:35:50 |
You make me laugh. |
| 00:35:52 |
Enjoy it while your head's |
| 00:36:03 |
Listen, big shot. |
| 00:36:05 |
When my men bring in your friend, |
| 00:36:10 |
You already ratted on Ricci. |
| 00:36:16 |
I don't like that look. |
| 00:36:19 |
I'll change your tune. |
| 00:36:22 |
I'll get every lawyer in town! |
| 00:36:26 |
Hello, Paul. |
| 00:36:27 |
Your friend tells us |
| 00:36:31 |
that little story |
| 00:36:33 |
He said you were in on it, |
| 00:36:37 |
But you just yell your head off |
| 00:36:41 |
Save your patter |
| 00:36:52 |
Listen. |
| 00:36:54 |
You have my word. |
| 00:36:56 |
No, he can't. |
| 00:36:58 |
You understand? |
| 00:37:00 |
He didn't get a single franc |
| 00:37:03 |
Paul wouldn't do that |
| 00:37:07 |
We can't know his mind. |
| 00:37:09 |
Nevada tipped him off |
| 00:37:13 |
Paul should have |
| 00:37:16 |
But you guys got together |
| 00:37:19 |
Four? No, five. |
| 00:37:21 |
What do you mean, five? |
| 00:37:23 |
That's right. |
| 00:37:27 |
That's really rich! |
| 00:37:30 |
Nevada was the informant. |
| 00:37:34 |
So Paul walked off |
| 00:37:39 |
Still think I 'm bluffing? |
| 00:37:41 |
It's not true! |
| 00:37:45 |
Second thoughts. |
| 00:37:47 |
Is this a lunatic asylum now? |
| 00:37:50 |
Could be. |
| 00:37:53 |
I'm innocent! |
| 00:37:55 |
I know no one! |
| 00:37:58 |
I want my lawyers |
| 00:38:00 |
Give the gentleman |
| 00:38:16 |
More comfortable for talking. |
| 00:38:18 |
Where were you |
| 00:38:21 |
- The 28th? |
| 00:38:24 |
Home. |
| 00:38:27 |
- Who saw you? |
| 00:38:30 |
Who else? |
| 00:38:31 |
- You need more? |
| 00:38:34 |
You were too busy killing cops |
| 00:38:38 |
You don't have open house |
| 00:38:40 |
You're not the type |
| 00:38:43 |
We're in love. |
| 00:38:47 |
Get him a drink. |
| 00:38:53 |
You didn't shoot those cops. |
| 00:38:56 |
Maybe you were just driving. |
| 00:38:59 |
You can't claim we hit you. |
| 00:39:04 |
You're being unreasonable. |
| 00:39:06 |
We'll only lose our temper this way. |
| 00:39:11 |
Especially if you were |
| 00:39:13 |
I've told you everything. |
| 00:39:18 |
I want my lawyers! |
| 00:39:21 |
Let's start over. |
| 00:39:27 |
Do you know him or not? |
| 00:39:30 |
Never seen the guy. |
| 00:39:34 |
But he's still a human being! |
| 00:39:36 |
Weren't those cops human beings too, |
| 00:39:40 |
Did you give them a chance? |
| 00:39:45 |
You'll adopt |
| 00:39:48 |
All I want is a confession. |
| 00:39:53 |
They didn't waste any time. |
| 00:39:56 |
Gu Minda names accomplices |
| 00:40:00 |
Paul Ricci, nightclub owner, |
| 00:40:04 |
Other arrests imminent." |
| 00:40:15 |
Get him to the hospital! |
| 00:40:17 |
Calling him an informer |
| 00:40:21 |
I'll make sure |
| 00:40:29 |
He didn't talk. |
| 00:40:33 |
That's just to turn |
| 00:40:36 |
No one will believe us. |
| 00:40:40 |
- What do you believe? |
| 00:40:43 |
To me, Gu is Gu. |
| 00:40:47 |
My Gu. |
| 00:40:49 |
It must kill him to know |
| 00:40:53 |
So we go help him? |
| 00:40:55 |
Let's wait a few days. |
| 00:41:04 |
We warned your brother, |
| 00:41:08 |
Doesn't surprise me. |
| 00:41:12 |
Too bad Paul |
| 00:41:15 |
Gu ratted on him. |
| 00:41:18 |
Let's wait till Paul sees a judge. |
| 00:41:23 |
Let's hope |
| 00:41:26 |
He and Orloff |
| 00:41:29 |
Orloff? |
| 00:41:31 |
Paul chewed me out |
| 00:41:35 |
Orloff is mixed up in this? |
| 00:41:37 |
That's why we want to see him. |
| 00:41:42 |
He's still in Marseille. |
| 00:41:45 |
Maybe we should |
| 00:41:47 |
Absolutely. |
| 00:41:54 |
- Tell him I'm waiting. |
| 00:42:00 |
A friend. |
| 00:42:02 |
Gu's sister. |
| 00:42:04 |
Orloff, a friend of Gu's. |
| 00:42:07 |
- Have you seen him? |
| 00:42:10 |
Could you help me |
| 00:42:13 |
- I'll try. |
| 00:42:15 |
I'll tell you here |
| 00:42:27 |
How do you think |
| 00:42:29 |
With a woman like that helping him, |
| 00:42:35 |
Pascal and Antoine |
| 00:42:37 |
It's set for tomorrow |
| 00:42:41 |
Be careful. |
| 00:42:45 |
It's that kid Antoine |
| 00:47:04 |
Hello. |
| 00:47:09 |
Hello. |
| 00:47:15 |
It's about Paul. |
| 00:47:19 |
He always worked with good guys. |
| 00:47:21 |
My brother's in there, |
| 00:47:25 |
You set Paul up with that lowlife Gu. |
| 00:47:29 |
Your friends lied to you. |
| 00:47:31 |
Let's stick to you and Gu. |
| 00:47:34 |
Fine. You think Gu |
| 00:47:37 |
Why didn't he rat on you too? |
| 00:47:39 |
He had second thoughts |
| 00:47:41 |
If he panics again, |
| 00:47:44 |
I think he was set up. |
| 00:47:49 |
Nothing sticks |
| 00:47:52 |
A big shot like him |
| 00:47:57 |
My brother wouldn't be |
| 00:48:00 |
I'm ready to help Paul. |
| 00:48:01 |
Paul has his brother |
| 00:48:05 |
We'd rather |
| 00:48:08 |
I see. |
| 00:48:11 |
Since his jailbreak, |
| 00:48:14 |
That will probably continue. |
| 00:48:17 |
If he escapes again, kill him. |
| 00:48:22 |
Fair enough? |
| 00:48:24 |
Our problems will be over. |
| 00:48:26 |
Nothing like thinking ahead. |
| 00:48:29 |
It's good to know |
| 00:48:35 |
If I'm shown proof |
| 00:48:41 |
Proof? |
| 00:48:44 |
They don't mention Blot. |
| 00:48:47 |
Only Gu, Blot, and Fardiano |
| 00:48:50 |
My brother spoke |
| 00:48:53 |
Gu ratted him out, |
| 00:48:55 |
Your brother trusted Gu implicitly. |
| 00:49:01 |
That's no excuse. |
| 00:49:03 |
I have all the proof I need. |
| 00:49:06 |
Gu must die. |
| 00:49:09 |
You know Fardiano |
| 00:49:13 |
I'll see what I can find out. |
| 00:49:16 |
If you're right, I'll kill Gu. |
| 00:49:20 |
And if not? |
| 00:49:22 |
Then it's no longer |
| 00:49:24 |
But we could make it ours. |
| 00:49:28 |
Do as you like. |
| 00:49:31 |
If we can't get Gu, |
| 00:49:39 |
When? |
| 00:49:42 |
Whenever you like. |
| 00:50:11 |
This kind of talk |
| 00:50:14 |
You talk too much. |
| 00:50:18 |
You're looking out |
| 00:50:21 |
But I'm not your servant. |
| 00:50:24 |
It's normal to look out |
| 00:50:28 |
but talk some sense into your friend. |
| 00:50:32 |
If Gu ratted on Paul, he'll die. |
| 00:50:35 |
That's my final word. |
| 00:53:17 |
My God! |
| 00:53:28 |
You have absolutely nothing |
| 00:53:33 |
I said his name. |
| 00:53:36 |
Don't you know |
| 00:53:40 |
I have to get him out of there. |
| 00:53:42 |
He'll find out |
| 00:53:46 |
and a tape recording |
| 00:53:49 |
That bastard Fardiano is saying |
| 00:53:53 |
I can't stand it anymore. |
| 00:54:04 |
You know... |
| 00:54:06 |
you deserved better. |
| 00:54:09 |
I never should've gone |
| 00:54:12 |
Yes... |
| 00:54:14 |
you should have. |
| 00:54:49 |
Go straight |
| 00:54:53 |
Then we'll have a chat. |
| 00:54:59 |
Turn off here to the left. |
| 00:55:13 |
Kill the engine. |
| 00:55:18 |
Take this. |
| 00:55:21 |
Now you'll write |
| 00:55:25 |
saying you lied about me |
| 00:55:28 |
to get back at me |
| 00:55:30 |
Then you'll write |
| 00:55:32 |
and how Paul Ricci and l |
| 00:55:36 |
Got that? |
| 00:55:38 |
Make sure |
| 00:55:48 |
That's it. |
| 00:55:55 |
Now sign it. |
| 00:55:58 |
Now that you're warmed up, |
| 00:56:02 |
- The minister? |
| 00:56:05 |
You'll also describe |
| 00:56:09 |
and that you're sorry |
| 00:56:19 |
That's it. |
| 00:56:29 |
- What pocket are your handcuffs in? |
| 00:56:32 |
Lean forward. |
| 00:56:37 |
Hands behind your back. |
| 00:56:39 |
Both hands. |
| 00:56:51 |
Get out. |
| 00:56:58 |
Smile. |
| 00:57:09 |
Lay down. |
| 00:57:24 |
Who knows where journalists |
| 00:57:28 |
I'm sure you never |
| 00:57:31 |
They misunderstood. |
| 00:57:33 |
You know, I'm not proud |
| 00:57:38 |
- Why tell me that? |
| 00:57:41 |
There were four of us: |
| 00:57:43 |
Antoine Ripa, Pascal Leonetti, |
| 00:57:47 |
Shut up! |
| 00:57:50 |
Antoine waited up above |
| 00:57:53 |
I'm not listening! |
| 00:57:56 |
What a shame. |
| 00:57:58 |
Lots of people |
| 00:59:08 |
You've changed, |
| 00:59:16 |
Stop acting as if you're alone. |
| 00:59:20 |
I've been going crazy. |
| 00:59:22 |
Certain things |
| 00:59:31 |
Hundreds of cops are on your trail. |
| 00:59:34 |
And now Jo Ricci, Pascal, |
| 00:59:39 |
Hear me out. |
| 00:59:41 |
I'm going to see them now. |
| 00:59:43 |
I'll ask for a few hours |
| 00:59:47 |
You can slip away |
| 00:59:49 |
What about Paul? |
| 00:59:53 |
Forget Paul. |
| 00:59:55 |
His wife protects him, |
| 00:59:58 |
Still, I'm going |
| 01:00:02 |
Supposing things |
| 01:00:04 |
Then I'll have to face the others, |
| 01:00:09 |
Meanwhile I wait here, |
| 01:00:12 |
sipping tea with Manouche. |
| 01:00:15 |
You won't have time. |
| 01:00:17 |
I forgot to mention |
| 01:00:21 |
Blot's here? |
| 01:00:24 |
He'll have his hands full. |
| 01:00:26 |
He's a fast worker. |
| 01:00:29 |
Not until I clear my name. |
| 01:00:32 |
That's my job. |
| 01:00:35 |
No, it's mine. |
| 01:00:36 |
What's that? |
| 01:00:37 |
Fardiano's confession. |
| 01:00:40 |
He wrote it before he died. |
| 01:01:27 |
Why are you - |
| 01:01:30 |
I don't need it anymore. |
| 01:01:40 |
This is for Alban. |
| 01:01:43 |
And here's Fardiano's confession - |
| 01:01:46 |
The press will have |
| 01:01:48 |
I'll be right back. |
| 01:01:50 |
Tell me where you're going |
| 01:01:54 |
There's no point. |
| 01:01:58 |
I'll let you do it, |
| 01:02:02 |
I risked my neck |
| 01:02:04 |
Anything can happen. |
| 01:02:08 |
1, rue Vinci, fourth floor. |
| 01:02:13 |
Is the coast clear? |
| 01:04:10 |
Freeze, Antoine. |
| 01:04:23 |
You must be glad to see me. |
| 01:04:28 |
Are you behind this, Jo? |
| 01:04:31 |
Answer me, damn it. |
| 01:04:36 |
Yes. |
| 01:04:38 |
So you're here to avenge Paul. |
| 01:04:41 |
Good boy. |
| 01:04:44 |
I have Fardiano's confession |
| 01:04:47 |
You take me at my word? |
| 01:04:51 |
I believe you. |
| 01:04:53 |
There you go. |
| 01:04:57 |
How about you two? |
| 01:04:59 |
You sit there like assholes! |
| 01:05:02 |
Didn't you hear? |
| 01:05:04 |
My word is enough. |
| 01:05:07 |
You didn't need |
| 01:05:10 |
Where's Orloff? |
| 01:05:12 |
Shut your trap. |
| 01:05:20 |
What about you, Pascal? |
| 01:05:23 |
I want to believe you. |
| 01:05:26 |
What a pal. |
| 01:05:28 |
Just here |
| 01:05:32 |
It seems we all agree. |
| 01:05:35 |
You two will spread the word |
| 01:05:40 |
Right? |
| 01:05:42 |
Anyone can make a mistake. |
| 01:05:48 |
I wasn't talking to you, Jo. |
| 01:05:51 |
Get up. |
| 01:05:54 |
Hands on your head. |
| 01:06:02 |
Back up. |
| 01:06:11 |
Keep going. |
| 01:06:16 |
That's good. |
| 01:06:22 |
Turn around. |
| 01:06:32 |
You're looking |
| 01:06:35 |
The man's a jackal. |
| 01:06:38 |
Now he's after |
| 01:06:41 |
and probably his wife to boot. |
| 01:06:44 |
He'd send his brother |
| 01:06:48 |
without blinking. |
| 01:07:54 |
- There are men up there. |
| 01:08:04 |
- Get an ambulance. |
| 01:08:09 |
He 's got a gun. |
| 01:08:31 |
Fourth floor. |
| 01:08:33 |
Stop at the third floor. |
| 01:09:01 |
Gu, drop your weapons. |
| 01:09:36 |
Manouche. |
| 01:09:44 |
A real bloodbath. |
| 01:09:45 |
Jo Ricci, Antoine Ripa, |
| 01:10:16 |
Please let me through. |
| 01:10:20 |
Let her through. |
| 01:10:26 |
It's over, Manouche. |
| 01:10:30 |
Did he say anything? |
| 01:10:33 |
Not a word. |
| 01:10:36 |
Go home, Manouche. |
| 01:10:39 |
Go back to Paris. |
| 01:10:59 |
Anything serious, inspector? |
| 01:11:01 |
Gustave Minda killed three men |
| 01:11:10 |
You dropped something. |
| 01:11:17 |
- You think it's mine? |
