Devil Wears Prada The

en
00:00:32 [Squeaks]
00:00:46 ##[Woman Singing]
00:01:10 ##[Continues]
00:01:29 ##[Continues]
00:01:50 - ##[Continues]
00:01:55 ##[Continues]
00:01:59 [Children Giggling]
00:02:16 ##[Continues]
00:02:29 - ##[Continues]
00:02:54 ##[Continues]
00:03:15 ##[Ends]
00:03:19 [Bell Dings]
00:03:30 Hi. Uh, I have an appointment
00:03:34 - Andrea Sachs?
00:03:38 Great. Human Resources certainly
00:03:41 Follow me.
00:03:45 Okay, so I was Miranda's
00:03:47 but her first assistant recently got promoted,
00:03:50 - Oh, and you're replacing yourself.
00:03:53 Miranda sacked the last two girls
00:03:55 We need to find someone who can survive here.
00:03:57 Yeah. Of course. Who's Miranda?
00:03:59 Oh, my God. I will pretend
00:04:03 She's the editor in chief of Runway,
00:04:05 You work a year for her, and you can
00:04:09 A million girls would kill for this job.
00:04:12 It sounds like a great opportunity.
00:04:14 [Giggling]
00:04:17 Andrea,
00:04:20 so an interest in fashion is crucial.
00:04:23 What makes you think
00:04:26 - [Cell Phone Ringing]
00:04:29 No! No! No!
00:04:31 What's wrong?
00:04:38 She's on her way. Tell everyone!
00:04:41 She's not supposed to be here
00:04:44 Her driver just text messaged,
00:04:46 - God, these people!
00:04:50 That I can't even talk about.
00:04:53 All right, everyone! Gird your loins!
00:04:55 - [Excited Chattering]
00:05:03 [Exhales, Sniffs]
00:05:52 [Bell Dings]
00:05:58 Sorry, Miranda.
00:06:04 [Bell Dings]
00:06:10 Move it! Ooh!
00:06:13 I don't understand why it's so difficult
00:06:16 I know. I'm so sorry, Miranda.
00:06:19 Details of your incompetence
00:06:21 Tell Simone I'm not going to approve that girl
00:06:25 I asked for clean, athletic, smiling.
00:06:29 And R.S.V.P. Yes
00:06:31 I want the driver to drop me off at 9:30
00:06:35 - [Whispers] 9:45 sharp.
00:06:39 No, I don't want dacquoise. I want tortes
00:06:42 Then call my ex-husband and remind him the
00:06:45 Then call my husband, ask him to meet me
00:06:50 Tell Richard I saw the pictures that he sent
00:06:54 and they're all so deeply unattractive.
00:06:56 Is it impossible to find a lovely,
00:06:59 - No.
00:07:03 Also, I need to see all the things that Nigel
00:07:08 I wonder if she's lost any
00:07:10 Nobody. Um, uh-
00:07:13 Human Resources sent her up about the new
00:07:17 But she's hopeless
00:07:20 Clearly I'm going to have to do that myself
00:07:23 were completely inadequate.
00:07:25 So send her in. That's all.
00:07:29 Right.
00:07:34 - She wants to see you.
00:07:36 Move!
00:07:41 - This is foul. Don't let her see it. Go!
00:07:44 [Sighs]
00:07:51 Who are you?
00:07:53 Uh, my name is Andy Sachs.
00:07:56 I recently graduated
00:07:58 And what are you doing here?
00:08:01 Well, I think I could do a good job
00:08:06 And, um-
00:08:09 Yeah, I came to New York to be a journalist
00:08:13 and then finally got a call
00:08:15 and met with Sherry
00:08:18 Basically, it's this or Auto Universe.
00:08:21 - So you don't read Runway?
00:08:26 And before today,
00:08:29 No.
00:08:31 And you have no style
00:08:34 Well, um, I think that depends
00:08:39 No, no. That wasn't a question.
00:08:44 Um, I was editor in chief
00:08:48 I also, um, won a national competition
00:08:53 with my series on thejanitors'union,
00:08:56 That's all.
00:09:00 [Scoffs]
00:09:03 Yeah. You know, okay.
00:09:06 You're right. I don't fit in here.
00:09:08 I am not skinny or glamorous...
00:09:11 and I don't know that much
00:09:13 But I'm smart.
00:09:16 I learn fast
00:09:18 I got the exclusive
00:09:20 but the problem is, with that huge
00:09:24 she looks like she's working
00:09:26 Thank you for your time.
00:09:30 Who is that sad little person?
00:09:33 Are we doing a before-and-after piece
00:09:41 Brown and Law, please?
00:09:46 - Andrea.
00:09:51 Wait. You got a job
00:09:54 - Mm-hmm.
00:09:56 - [Woman] Wow.
00:10:00 Miranda Priestly is famous
00:10:03 Okay, Doug. How is it
00:10:06 - I'm actually a girl.
00:10:08 - That would explain so much.
00:10:11 Miranda Priestly is a huge deal.
00:10:14 Yeah, great.
00:10:17 [Woman]
00:10:19 I mean,
00:10:21 I mean, come on.
00:10:24 Yeah. And Lily, she works at that gallery
00:10:28 Oh, I'm sorry. What exactly is it
00:10:31 Well, lucky for me,
00:10:34 [With Lily]
00:10:38 - Oh, you're right. My job sucks.
00:10:40 - It sucks. I don't- It's boring.
00:10:42 - I'm trying.
00:10:44 - I will have a drink. I will have a drink.
00:10:47 - I'd like to propose a toast.
00:10:50 [Lily]
00:10:52 Oh, baby. You should see the way
00:10:56 I don't have a thing to wear to work.
00:10:58 Come on. You're gonna be
00:11:01 You need a ball gown for that?
00:11:03 I think I might.
00:11:05 Well, I happen to think
00:11:08 Aww! I think you're full of it.
00:11:11 [Giggling]
00:11:14 - Hey. Come on. Let's go home.
00:11:16 I can think of something we can do
00:11:19 - Really?
00:11:24 - [Phone Ringing]
00:11:27 Hello?
00:11:30 Andrea, Miranda decided to kill
00:11:32 and she is pulling up
00:11:35 You need to come into the office right this
00:11:38 - Now?
00:11:39 - Now?
00:11:41 I want one no-foam skimmed latte
00:11:45 and three drip coffees
00:11:47 - Searing hot. And I mean hot.
00:11:50 - ##[Continues]
00:11:53 Hello?
00:11:55 - [Emily] Where are you?
00:11:59 Shoot! Oh!
00:12:00 ##[Ends]
00:12:04 Is there some reason
00:12:07 Has she died or something?
00:12:09 No. [Whispers] God.
00:12:16 Oh. Bloody time.
00:12:19 - I hope you know that this
00:12:23 For which you are totally wrong.
00:12:24 And if you mess up,
00:12:27 Now, hang that up.
00:12:39 Okay. First of all,
00:12:42 The phone must be answered
00:12:45 Calls roll to voice mail,
00:12:48 If I'm not here-Andrea, Andrea-
00:12:50 you are chained to that desk.
00:12:53 - Well, what if I need to-
00:12:56 One time an assistant left the desk because
00:13:00 and Miranda missed Lagerfeld...
00:13:02 just before he boarded
00:13:05 She now works at TVGuide.
00:13:08 - Man the desk at all times. Got it.
00:13:12 - Uh-
00:13:16 No, she's not available.
00:13:18 - Who is it?
00:13:21 Yes, I will tell her
00:13:25 - [Bell Chimes]
00:13:29 I mean, you get coffee-
00:13:32 Yet I am in charge of her schedule...
00:13:34 her appointments and her expenses.
00:13:36 And, um, most importantly, um...
00:13:38 I get to go with her to Paris
00:13:42 I get to wear couture.
00:13:45 I meet all of the designers.
00:13:48 Okay. Now, stay here. I'm going to
00:13:52 - The-
00:13:56 Now, it is a mock-up of everything...
00:13:59 in the current issue.
00:14:01 And we deliver it to Miranda's apartment
00:14:04 Don't touch it. She returns it to us
00:14:06 Now, the second assistant
00:14:10 but Miranda is very private
00:14:13 So until she decides
00:14:16 I get the lovely task
00:14:20 - [Phone Rings]
00:14:22 - Deal with it.
00:14:25 [Sighs]
00:14:27 [Rings]
00:14:29 Hello. Mrs. Priestly's office.
00:14:32 Hmm. That's what I meant.
00:14:35 [Groans]
00:14:37 Um, you know, she is in a meeting.
00:14:41 Uh-huh.
00:14:43 Okay. Can you please spell Gabbana?
00:14:47 - [Line Clicks, Dial Tone Hums]
00:14:50 I guess not.
00:14:52 I guessed an eight and a half.
00:14:55 Um, uh, that's very nice of you...
00:14:57 but I don't think I need these.
00:15:00 Miranda hired me.
00:15:02 - Do you?
00:15:06 Emily.
00:15:10 Emily?
00:15:12 She means you.
00:15:17 - Wejust cut on the bias.
00:15:21 I couldn't have been clearer.
00:15:23 - How many times do I have to scream your name?
00:15:27 My name is Andy.
00:15:33 [Chuckles]
00:15:38 - What kind of skirts do you-
00:15:42 And make sure we have Pier 59
00:15:45 Remind Jocelyn I need to see a few of those
00:15:49 And then tell Simone I'll takeJackie
00:15:53 - Did Demarchelier confirm?
00:15:56 Demarchelier.
00:15:59 Uh, o- okay.
00:16:03 - And, Emily?
00:16:16 That's all.
00:16:18 It's just the cavalier disregard
00:16:24 [Chattering Continues]
00:16:28 Do you have Demarchelier?
00:16:31 Uh, Demarchelier.
00:16:33 - [Groans] Leave it.
00:16:38 I have Miranda Priestly calling.
00:16:40 I have Patrick!
00:16:44 Uh, no, she called me in there
00:16:47 And there was something
00:16:51 And, um, she needs skirts
00:16:54 And, uh, there was something
00:16:58 - Did she say which skirts?
00:17:00 - Did she say what kind? Color, shape, fabric?
00:17:03 You may never ask Miranda anything.
00:17:05 Right. I will deal with all of this,
00:17:09 Eh- Me?
00:17:11 Oh, I'm sorry. Do you have
00:17:14 Some hideous skirt convention
00:17:16 Uh-
00:17:30 - [Cell Phone Rings]
00:17:32 - Are you there?
00:17:35 [Line Clicks]
00:17:38 - [Cell Phone Rings]
00:17:40 - Hello? Hi.
00:17:42 Miranda needs you to go to Hermès
00:17:45 - Okay.
00:17:48 Miranda went out to meet with Meisel, and
00:17:51 - Hot Starbucks.
00:17:54 - [Dial Tone Hums]
00:17:59 Oh, my God.
00:18:02 What took you so long?
00:18:04 What?
00:18:06 No, I haven't. I've been manning
00:18:13 Oh, hi.
00:18:16 - [Snaps Fingers]
00:18:19 Okay.
00:18:21 Now, be prepared.
00:18:23 People are panicking, so the phone
00:18:27 The ru-The run-through. Right.
00:18:28 Yes. Editors bring in options for the shoot,
00:18:32 She chooses every single thing
00:18:35 Run-throughs are a huge deal.
00:18:37 - [Woman] Okay. Are you ready?
00:18:40 Right. Well, after the loo,
00:18:43 - This is her- the new me.
00:18:45 - Told you.
00:18:47 No, quite serious, yeah.
00:18:50 - When I come back, you can go.
00:18:53 [Serena]
00:18:55 [Giggling]
00:18:57 ##[Man Singing In French]
00:19:08 Hmm. Corn chowder.
00:19:10 That's an interesting choice.
00:19:12 You do know that cellulite is one
00:19:17 ##[Man Singing In French Continues]
00:19:21 So none of the girls here eat anything?
00:19:23 Not since two became the new four
00:19:28 - Well, I'm a six.
00:19:34 Oh. Shoot.
00:19:36 Oh, never mind. I'm sure you have plenty
00:19:40 - [Cash Register Clicking]
00:19:45 I get it.
00:19:47 But, you know, I'm not going
00:19:49 so I don't see the point of changing everything
00:19:52 Yes, that's true.
00:19:54 That's really what this multibillion-dollar
00:19:58 - Inner beauty.
00:20:02 Hello.
00:20:04 Right. Come on.
00:20:06 - Miranda's pushed the run-through
00:20:09 - She's always 15 minutes early.
00:20:11 - You're already late. Come.
00:20:14 Excuse me.
00:20:16 - [Bell Dings]
00:20:18 Nigel.
00:20:20 - Issue going well?
00:20:23 Great. Heard Miranda killed autumn jackets
00:20:29 What's that costing me?
00:20:31 About 300,000.
00:20:33 Must have been some lousy jackets.
00:20:36 - Irv Ravitz.
00:20:39 This is Andy Sachs,
00:20:41 Congratulations, young lady.
00:20:43 A million girls would kill for that job.
00:20:46 Bye-bye.
00:20:48 - Hmm?
00:20:51 You know what they say?
00:20:58 No. And I've seen all this before.
00:21:01 Theyskens is trying to reinvent
00:21:04 - Where are all the other dresses?
00:21:07 - Stand, watch and listen.
00:21:10 No. No, I just-
00:21:14 Why is it so impossible
00:21:18 You people have had hours and hours
00:21:23 Where are the advertisers?
00:21:25 - We have some pieces from Banana Republic.
00:21:28 - Oh. This is-This might be-
00:21:32 Well, you know me.
00:21:33 Give me a full ballerina skirt
00:21:36 - But do you think it's too much like-
00:21:39 I thought that, but no, not with
00:21:42 Where are the belts for this dre-
00:21:47 Here. It's a tough call.
00:21:50 - They're so different.
00:21:52 [Snorts, Chuckles]
00:21:57 Something funny?
00:22:02 No. No, no. Nothing's-
00:22:05 You know, it's just that both those belts
00:22:09 You know, I'm still learning
00:22:13 "This... stuff"?
00:22:16 Oh. Okay. I see.
00:22:19 You think this has nothing
00:22:22 You go to your closet...
00:22:25 and you select- I don't know-
00:22:29 because you're trying to tell the world
00:22:32 to care about what
00:22:35 But what you don't know
00:22:38 It's not turquoise. It's not lapis.
00:22:40 It's actually cerulean.
00:22:43 And you're also blithely unaware
00:22:45 that in 2002, Oscar de la Renta
00:22:49 And then I think it was
00:22:51 who showed cerulean military jackets?
00:22:53 - I think we need a jacket here.
00:22:56 And then cerulean quickly showed up
00:22:59 And then it, uh, filtered down
00:23:03 and then trickled on down
00:23:04 and then trickled on down
00:23:07 where you, no doubt,
00:23:10 However, that blue represents
00:23:12 and countless jobs...
00:23:15 and it's sort of comical how you think
00:23:18 that exempts you
00:23:20 when, in fact...
00:23:22 you're wearing a sweater that was selected
00:23:26 from a pile of stuff.
00:23:29 So then I said,
00:23:31 between the two
00:23:34 and you should have seen
00:23:36 I thought the flesh
00:23:38 - [Chuckles]
00:23:40 She's not happy unless everyone around her
00:23:45 And the Clackers just worship her.
00:23:47 - The who?
00:23:49 The sound that their stilettos make
00:23:53 It's like,
00:23:55 [Groans] And they all act like
00:23:58 [Chuckling]
00:24:02 that these people spend on these insignificant,
00:24:06 So that tomorrow they can spend
00:24:10 that was probably fine to begin with...
00:24:12 to sell people things they don't need!
00:24:14 God!
00:24:18 - I'm not even hungry anymore.
00:24:21 - That is why those girls are so skinny.
00:24:24 Give me that. There's, like,
00:24:26 [Sighs]
00:24:31 I just have to stick it out for a year.
00:24:33 And then I can do
00:24:36 But I can't let Miranda get to me.
00:24:39 Easy there, tiger.
00:24:42 - Oh, good morning, Miranda.
00:24:47 I don't see my breakfast here.
00:24:50 Excuse me!
00:24:52 Pick up the Polaroids
00:24:55 Have the brakes checked on my car.
00:24:58 - [Truck Horn Honking]
00:25:00 Where's that piece of paper
00:25:04 The girls need new surfboards or
00:25:08 - Hello.
00:25:13 - Ow!
00:25:15 Pick up my shoes from Blahnik,
00:25:18 - Who's that?
00:25:21 Get me that little table
00:25:25 Get us a reservation for dinner tonight
00:25:28 - Get me Isaac.
00:25:31 - Where is everyone?
00:25:33 [Miranda's Voice Overlapping]
00:25:35 Get me Demarchelier.
00:25:44 I have Miranda Priestly calling for-
00:25:48 I have Patrick.
00:25:54 [Sighs]
00:25:57 At least Miranda will be in Miami,
00:26:02 You know,
00:26:04 Yeah, we're gonna go out to dinner,
00:26:06 You doing anything fun this weekend?
00:26:08 Yes.
00:26:12 ##[Piano]
00:26:14 [Andy]
00:26:17 He actually- He applied here, but they
00:26:20 - Here.
00:26:22 I don't want you
00:26:25 - Dad, how did you-
00:26:28 I'm gonna kill Mom.
00:26:31 Dad, thank you.
00:26:33 Mm-hmm.
00:26:38 - It's really good to see you.
00:26:41 So, you want to
00:26:44 or should we wait till after dinner?
00:26:46 I thought I'd let you at least enjoy
00:26:49 No, no, no. It's okay.
00:26:51 We're just a little worried, honey.
00:26:53 We get e-mails from you
00:26:56 Your pay is terrible.
00:26:59 Hey, that's not fair.
00:27:01 I wrote those e-mails.
00:27:03 I'm just trying to understand why someone
00:27:06 turns it down to be a journalist,
00:27:10 Dad, you have to trust me.
00:27:13 Being Miranda's assistant
00:27:16 Emily is going to Paris
00:27:19 and she's gonna meet editors and writers
00:27:23 And in a year, that could be me.
00:27:25 - All right?
00:27:27 Dad, I swear, this is my break.
00:27:30 - This is my- my chance.
00:27:33 This is my boss.
00:27:37 - I'm sorry, Dad. I have to take this.
00:27:40 - Hello. Miranda?
00:27:44 It's some absurd weather problem.
00:27:46 I need to get home tonight. The twins have
00:27:50 - What?
00:27:52 - Absolutely. Let me see what I can do.
00:27:54 Hi. Um, I know this
00:27:57 but I was hoping that you
00:28:00 from Miami to New York tonight?
00:28:02 Uh-
00:28:04 - [Dad] It's right here. Thank you.
00:28:06 - From Miami to New York.
00:28:08 - Yup, I need it tonight. I need it-
00:28:10 - I thought you were going out the other-
00:28:12 - It's over here, honey.
00:28:14 Hi. I'm trying to get a flight tonight-
00:28:18 Yes, I know there's a hurricane.
00:28:22 Nothing is flying out?
00:28:24 It's for Miranda Priestly,
00:28:28 Yes. Yes, hi. I need a jet tonight
00:28:32 Yeah. Sorry. Hold on.
00:28:36 I'm trying to get you a flight, but no one
00:28:39 Please. It's just-
00:28:42 - [Thunderclap]
00:28:45 Call Donatella. Get her jet.
00:28:47 Call everybody else
00:28:49 Call every- This is your responsibi-
00:28:52 Get me home.
00:28:54 Oh, my God!
00:28:56 What does she want you to do, call the National
00:29:00 Of course not. Could I do that?
00:29:02 Come on.
00:29:03 Come on.
00:29:05 The girls' recital
00:29:09 They played Rachmaninoff.
00:29:11 Everyone except me...
00:29:13 because, sadly, I was not there.
00:29:17 Miranda, I'm so sorry.
00:29:19 Do you know why I hired you?
00:29:21 I always hire the same girl-
00:29:24 stylish, slender, of course...
00:29:28 worships the magazine.
00:29:30 But so often, they turn out to be-
00:29:33 I don't know- disappointing and, um...
00:29:36 stupid.
00:29:38 So you, with that impressive résumé...
00:29:43 and the big speech
00:29:46 I, um- I thought you
00:29:49 I said to myself, go ahead.
00:29:51 Take a chance.
00:29:54 Hire the smart, fat girl.
00:29:57 [Clears Throat]
00:30:01 My God. I live on it.
00:30:03 Anyway, you ended up
00:30:09 more than any of the other silly girls.
00:30:13 Um, I really did everything
00:30:18 - Uh-
00:30:29 Excuse me!
00:30:50 She hates me, Nigel.
00:30:53 And that's my problem because-
00:30:55 Oh, wait. No, it's not my problem.
00:30:57 I don't know what else I can do because
00:31:01 She doesn't even say thank you.
00:31:03 But if I do something wrong,
00:31:08 - So quit.
00:31:12 - Quit.
00:31:14 I can get another girl to take your job
00:31:18 No, I don't want to quit.
00:31:21 But, you know, I'm just saying
00:31:25 for the fact
00:31:28 Andy, be serious.
00:31:30 You are not trying.
00:31:32 - You are whining.
00:31:35 What is it that you want me
00:31:38 Do you want me to say, "Poor you.
00:31:43 Hmm? Wake up, six.
00:31:45 She's just doing herjob.
00:31:48 Don't you know that you
00:31:50 that published some
00:31:52 Halston, Lagerfeld, de la Renta.
00:31:56 And what they did, what they created...
00:31:59 was greater than art
00:32:04 Well, not you, obviously,
00:32:08 You think
00:32:11 This is not just a magazine.
00:32:13 This is a shining beacon of hope for-
00:32:17 oh, I don't know-
00:32:19 let's say a young boy growing up
00:32:22 pretending to go to soccer practice
00:32:25 and reading Runway under the covers
00:32:29 You have no idea how many legends
00:32:31 And what's worse, you don't care.
00:32:33 Because this place, where so many
00:32:37 you only deign to work.
00:32:40 And you want to know why
00:32:44 and give you a gold star on your homework
00:32:49 Wake up, sweetheart.
00:32:54 [Sighs]
00:32:58 - Okay. So I'm screwing it up.
00:33:00 I don't want to.
00:33:03 I just wish that I knew
00:33:10 - [Sighs] Nigel?
00:33:13 Nigel, Nigel.
00:33:16 No.
00:33:18 I don't know what you expect me to do.
00:33:21 There's nothing in this whole closet
00:33:25 I can guarantee you.
00:33:27 These are all sample sizes-
00:33:31 - All right. We're doing this for you. And-
00:33:35 You'll take what I give you
00:33:37 - We're doing this Dolce for you.
00:33:40 And shoes.
00:33:43 - Jimmy Choo's.
00:33:46 - Manolo Blahnik.
00:33:49 Nancy Gonzalez. Love that.
00:33:52 Okay, Narciso Rodriguez.
00:33:54 - Uh, it might fit. It might.
00:33:58 Okay. Now, Chanel. You're in desperate
00:34:01 We have to get to the beauty department,
00:34:05 [Groans]
00:34:08 I mean, I have no idea
00:34:10 Me neither. The other day,
00:34:13 She held up the Shu Uemura eyelash curler
00:34:16 [Laughing]
00:34:19 I just knew
00:34:21 she was going to be
00:34:33 - [Phone Rings]
00:34:36 No, actually, she's not available,
00:34:39 Okay, thanks. Bye.
00:34:43 How did-
00:34:46 - Are you wearing the-
00:34:48 Yeah, I am.
00:34:51 You look good.
00:34:54 - Oh, God.
00:34:59 - She does.
00:35:04 - See you guys tomorrow.
00:35:06 Take care of that finger, huh?
00:35:25 So, what do you think?
00:35:29 Uh, I think we better get out of here...
00:35:33 before my girlfriend sees me.
00:35:36 ##[Woman Singing]
00:35:48 - ##[Continues]
00:36:00 ##[Continues]
00:36:06 [Cell Phone Rings]
00:36:20 - ##[Continues]
00:36:23 Mm-hmm.
00:36:32 - Gotta find-
00:36:37 So we spent a whole semester
00:36:40 You take the fry and squeeze it.
00:36:42 - See how firm that is?
00:36:46 There was a crisis
00:36:48 - I needed to find a python headband.
00:36:51 I have exciting presents for all of you.
00:36:55 Are you ready?
00:36:58 - What is that?
00:37:01 Charlie Rose sent it to Miranda
00:37:04 I looked it up on line.
00:37:07 - What?
00:37:09 And I have some products.
00:37:12 - A little Clinique.
00:37:15 - Oh, damn it. I love your job.
00:37:18 - A little thing.
00:37:21 - Do you want it? You want- Oh.
00:37:24 - I think she likes it.
00:37:27 This is sold out everywhere.
00:37:29 Miranda didn't want it, so-
00:37:32 No, no, no, no, no. This bag is, like, $1,900.
00:37:36 - [Cackles]
00:37:38 - Why do women need so many bags?
00:37:41 You have one. You put all your junk in it,
00:37:44 Fashion is not about utility.
00:37:46 An accessory is merely
00:37:49 used to express individual identity.
00:37:50 - Oh! And it's pretty.
00:37:54 Yeah. But the thing is, it turns out there is
00:37:57 Look, here's an essay byJay Mclnerney,
00:38:01 Even an interview
00:38:04 - Looks like someone's been drinking the Kool-Aid.
00:38:08 - [Cell Phone Ringing]
00:38:11 - Oh, Miranda?
00:38:13 - I need that.
00:38:15 Lily, no, no, no! Put that thing up!
00:38:19 It's gonna make-
00:38:22 [Beeps]
00:38:24 - [Sputters]
00:38:27 - Ooh. Shh.
00:38:30 - Shh!
00:38:33 You know, you guys
00:38:48 [Rings]
00:38:53 ##[Electronica]
00:38:58 ##[Woman Singing]
00:39:07 Um, excuse me.
00:39:10 I'm looking forJames Holt.
00:39:12 Um, that's him right there.
00:39:15 - Oh. Thanks.
00:39:17 - I put my stuff out there, and I pray they improve.
00:39:20 - Excuse me.
00:39:22 I'm Andy.
00:39:25 Oh, yes.
00:39:27 - [Chuckling]
00:39:30 - Oh, let me see that bag. Very, very nice.
00:39:33 Distressed, studded leather, pieced by hand,
00:39:37 [Clicks Tongue] Very nice, indeed.
00:39:40 You.
00:39:42 Hmm. Duh. This way.
00:39:48 Uh, here we go.
00:39:50 It's a sketch of Miranda's dress
00:39:53 Also the centerpiece of my spring collection.
00:39:56 - I'll guard it with my life.
00:39:58 Come on.
00:40:00 You must be in desperate need
00:40:05 Excuse us, girls.
00:40:07 She'll have the punch.
00:40:09 [Clears Throat]
00:40:12 It's deadly. Have fun.
00:40:14 ##[Man Singing]
00:40:20 - He's right, you know.
00:40:22 The punch.
00:40:25 I woke up in Hoboken wearing nothing
00:40:29 - ##[Continues]
00:40:32 - Wise.
00:40:34 - Uh, hi.
00:40:38 Christian Thompson?
00:40:41 No, you're-You write for,
00:40:44 I actually- I reviewed your collection
00:40:48 Did you mention my good looks
00:40:51 - No, but-
00:40:54 Oh. Well, I want to work for somewhere
00:40:58 - I am a writer too.
00:41:00 - Mm-hmm.
00:41:03 Yeah?
00:41:06 That would be-Thank you.
00:41:09 But actually, right now, I'm working
00:41:13 Oh, you're kidding.
00:41:15 That's-Whoa.
00:41:20 - Excuse me?
00:41:24 You can't do that job.
00:41:27 Gotta go.
00:41:29 Okay.
00:41:31 Well, it was very, very nice
00:41:49 Emily?
00:41:59 Call James Holt's office. Tell them I want
00:42:03 Tell everybody else.
00:42:06 But we're not expected until Tuesday.
00:42:09 Yes. Yeah, she explained every detail
00:42:12 And then we brushed each other's hair
00:42:15 I see your point.
00:42:17 - [Andy] What's a preview anyway?
00:42:20 [Nigel] Miranda insists upon seeing
00:42:22 before they show them.
00:42:24 - Great to see you.
00:42:26 - [Andy] And she tells them what she thinks?
00:42:29 Uh, this season really began for me
00:42:33 on the intersection
00:42:35 [Nigel] There's a scale.
00:42:39 There's only been one actual smile on record,
00:42:43 An obi belt.
00:42:45 [Nigel]
00:42:47 This is the dress that we have designed
00:42:51 [Nigel] Then, of course,
00:42:53 [Andy]
00:42:59 [Nigel]
00:43:01 [Whispers]
00:43:04 - I just don't understand. I'm appalled.
00:43:08 - You deal with it.
00:43:10 So because she pursed her lips,
00:43:14 You still don't get it, do you?
00:43:16 Her opinion is the only one
00:43:21 - Call my husband and confirm dinner.
00:43:24 And I'll need a change of clothes.
00:43:26 Well, I've already messengered
00:43:31 Fine. And, Andrea, I would like you
00:43:36 - Have Emily give you the key.
00:43:40 - Guard this with your life.
00:43:44 You know, if I can deliver the Book,
00:43:48 I'm not a psycho.
00:43:50 Oh, and, you know,
00:43:53 I mean, she didn't call me Emily,
00:43:55 Yeah, whoopee. Right.
00:44:00 Now, it's very important that you do
00:44:04 Oh. Okay.
00:44:06 [Emily]
00:44:09 and you must wait around for it
00:44:12 You will be delivering Miranda's
00:44:18 Now, the car will take you straight
00:44:22 You let yourself in.
00:44:26 Andrea. You do not talk to anyone.
00:44:29 Do not look at anyone.
00:44:32 This is of the utmost importance.
00:44:34 - Do you understand?
00:44:36 You open the door
00:44:40 You hang the dry cleaning
00:44:50 - Uh-
00:44:59 [Panting]
00:45:01 - Shit!
00:45:07 Okay.
00:45:17 [Whispers]
00:45:20 - You can give the Book to us.
00:45:24 - It's okay. Come on up.
00:45:26 - What? It's okay.
00:45:28 - Yeah, come on. It's okay.
00:45:31 Or you can bring the Book upstairs.
00:45:34 She does? Right.
00:45:38 Yeah? Okay.
00:45:44 [Giggling]
00:45:48 [Miranda] What did you expect me to do,
00:45:51 [Man] I rushed out of
00:45:53 and I sat there waiting for you
00:45:56 I told you the cell phones didn't work.
00:45:58 [Man] I knew what everyone
00:46:00 there he is, waiting for her again.
00:46:27 - Okay, okay! Okay, okay.
00:46:29 It really wasn't that big a deal.
00:46:31 The twins said hello,
00:46:33 - Then I went up the stairs
00:46:37 Oh, my God. Why didn't you just climb into bed
00:46:41 Okay, I made a mistake. I know.
00:46:44 Andrea, you don't understand.
00:46:46 If you get fired,
00:46:49 If that happens, I will search every Blimpie's
00:46:53 She's gonna fire me?
00:46:55 I don't know. She's not happy.
00:46:58 [Miranda]
00:47:01 [Snaps Fingers]
00:47:09 Miranda, about last night, l-
00:47:11 I need the new Harry Potter book
00:47:14 Okay. Okay. I'll go down
00:47:17 Did you fall down and smack
00:47:22 Not that I can recall.
00:47:25 We have all the published Harry Potter books.
00:47:28 You want the unpublished manuscript?
00:47:32 We know everyone in publishing.
00:47:36 And you can do anything, right?
00:47:41 [Cell Phone Rings]
00:47:45 Yes, Bobbsey. I know, baby.
00:47:48 Mommy's working very hard
00:47:51 She doesn't get it.
00:47:52 I could call frickin'J.K. Rowling herself.
00:47:56 My girls are leaving on the train
00:47:58 so the book better be here
00:48:01 - Of course!
00:48:05 No problem!
00:48:08 Okay. I have four hours
00:48:11 Smith & Wollensky's doesn't open until 11:30.
00:48:16 Okay. I will be back in 15 minutes.
00:48:19 - Wish me luck!
00:48:21 Yes, yes, yes, yes. I've been on hold.
00:48:25 It's very important.
00:48:27 Yes, I know it's impossible to get...
00:48:29 but, well, I was wondering if you
00:48:33 if that's at all possible.
00:48:35 Yes, I'm calling about
00:48:38 Uh, no. Unpublished.
00:48:41 Not a chance?
00:48:43 Tell her that it's for Miranda Priestly.
00:48:46 'Cause I think it makes a difference.
00:48:51 Let me call you back.
00:48:54 You probably don't remember me.
00:48:57 I'm Miranda Priestly's assistant.
00:48:59 The Harry Potter manuscript?
00:49:02 Uh, sorry to ask, but I'm desperate.
00:49:06 Just tell her it can't be done.
00:49:09 Well, this is Miranda Priestly
00:49:11 There is no Plan "B."
00:49:13 Is she back? Am I fired?
00:49:17 I rarely say this to people
00:49:19 but you have got to calm down.
00:49:22 Bloody hell!
00:49:29 Coat, bag.
00:49:33 What's that? Oh, I don't want that.
00:49:37 I'll be back at 3:00.
00:49:40 Oh, and if you don't have
00:49:45 don't even bother coming back.
00:49:58 [Phone Rings]
00:50:00 Hello.
00:50:02 Quit? Are you sure?
00:50:04 I failed.
00:50:06 - I might as well beat her to the punch.
00:50:09 Andy, good for you.
00:50:13 - Yeah. Well, listen, I'll call you later.
00:50:16 - [Line Clicks, Phone Rings]
00:50:18 I'm brilliant. No, really.
00:50:20 - Monuments should be erected in my honor.
00:50:24 Oh, yes. A friend of a friend
00:50:27 and she happens
00:50:31 Oh, no, 'cause that would mean
00:50:35 [Chuckles]
00:50:38 The thing is, Christian, I was just-
00:50:40 Look, you want this thing, you better hurry.
00:50:51 - Excuse me.
00:51:04 - Welcome to the St. Regis.
00:51:07 - Uh, I'm meeting someone at the King Cole Bar.
00:51:12 Hi.
00:51:14 - You have one hour.
00:51:26 One copy. What are my twins
00:51:30 Oh, no, I made two copies...
00:51:32 and had them covered, reset and bound
00:51:36 This is an extra copy to have on file.
00:51:39 Well, where are these fabulous copies?
00:51:42 [Whistle Blows]
00:51:45 [Andy] They're with the twins,
00:51:50 Is there anything else
00:51:54 Mm-mmm. That's all.
00:51:58 Okay.
00:52:12 [Door Opens]
00:52:14 - Hey.
00:52:17 Man, they charge, like,
00:52:20 But I figure since you quit your job...
00:52:24 we should celebrate.
00:52:26 - Listen, Nate.
00:52:29 You quit your job, but you're still working
00:52:34 Well, that's big of you.
00:52:36 Okay, after we talked, I realized...
00:52:39 it doesn't make sense throwing away
00:52:44 I just had a moment of weakness,
00:52:47 Yeah, well, either that,
00:52:53 All right. Whatever. It's your job.
00:52:59 Nate.
00:53:02 Come on.
00:53:04 I'm still the same person I was.
00:53:06 I still want the same things. Okay?
00:53:09 - Mm-hmm.
00:53:13 - [Giggles]
00:53:18 Really?
00:53:20 Well, what about these necklaces?
00:53:25 No? And this dress, it's new.
00:53:28 Eh.
00:53:30 Well, there is one other thing
00:53:34 that I thought you might like.
00:53:36 But, uh-What about this?
00:53:41 You don't like it.
00:53:43 No, no, no, no.
00:53:45 ##[Woman Singing]
00:54:00 ##[Ends]
00:54:03 Is this number two look?
00:54:06 - Hi.
00:54:10 Oh, I get it. I get it. I get it.
00:54:12 The piece is called "urban jungle,"right?
00:54:15 Yes, the modern woman unleashes
00:54:18 [Growls]
00:54:21 [Sighs] Sometimes I can't believe
00:54:24 - Bobby, come here. Let me see.
00:54:27 - Make sure Miranda gets these as soon as possible.
00:54:29 And tell her I switched in the Dior
00:54:31 - Oh, great. Can't wait.
00:54:36 - Can we adjust the attitude?
00:54:38 - Don't make me feed you to one of the models.
00:54:41 It's a busy day.
00:54:43 My personal life
00:54:45 Join the club. That's what happens
00:54:49 Let me know when your whole life
00:54:52 That means it's time for a promotion.
00:55:01 No. All right, February,
00:55:04 Did anybody speak
00:55:06 Yes, but she'd rather do a summer cover
00:55:09 No. Also, I'm pulling the Toobin piece
00:55:13 woman.
00:55:15 And I need to see a new draft
00:55:17 about shopping for a plastic surgeon-
00:55:20 And this layout
00:55:24 Not wonderful yet.
00:55:27 Oh, okay. L-I'll look at it.
00:55:28 What about Testino?
00:55:31 Zac Posen's doing
00:55:33 So I suggested that, uh, Testino
00:55:36 Perfect.
00:55:38 Thank God somebody came to work today.
00:55:40 What about accessories for April?
00:55:43 One thought I had was enamel.
00:55:46 No. We did that two years ago.
00:55:49 Um, well, they're showing a lot of florals
00:55:52 Florals? For spring? Groundbreaking.
00:55:56 But we thought about shooting them
00:55:59 We thought the contrast
00:56:01 and the more raw, rough-hewn background
00:56:04 - No.
00:56:05 - No.
00:56:07 - [Emily Coughing]
00:56:12 [Coughing Continues]
00:56:15 Does anybody else
00:56:19 Antibacterial wipes perhaps?
00:56:23 [Groans]
00:56:26 - How's the cold doing?
00:56:30 [Sniffles]
00:56:32 It's the benefit tonight.
00:56:35 I refuse to be sick.
00:56:40 Right. Well, everybody will
00:56:43 so I suggest you go and drop Miranda's
00:56:47 and then I suppose you can just go home.
00:56:49 Yeah? Oh, well, that is great.
00:56:54 I need to get to Magnolia Bakery before it closes.
00:56:58 So we're, uh,
00:57:00 Yeah, I'm hearing this,
00:57:05 Bye.
00:57:08 I love my job.
00:57:11 [Chattering]
00:57:16 [Cell Phone Rings]
00:57:19 Hello?
00:57:25 Before the benefit tonight,
00:57:27 that you're both fully prepped
00:57:30 But I thought that only
00:57:35 Only when the first assistant
00:57:38 an incubus of viral plague.
00:57:41 You'll come and help Emily.
00:57:45 - That's all.
00:57:48 These are all of the guests.
00:57:51 We have to make sure that they all think
00:57:55 And I've been studying for weeks.
00:57:57 I have to learn all these by tonight?
00:57:59 No, don't be silly, Andrea.
00:58:02 Look, you better just start without me, okay?
00:58:06 Andy, come on, it's his birth-
00:58:08 Okay, but hurry.
00:58:10 Oh, please, believe me, I will.
00:58:12 Ooh, I love that. Uh, I'll call you
00:58:16 - Will that fit me?
00:58:19 A little Crisco and some fishing line,
00:58:21 [Sarcastic Chuckle]
00:58:28 ##[Woman Singing]
00:58:48 Well, nothing really. I mean, this is-
00:58:50 I mean, really, this is
00:58:54 ##[Continues]
00:59:08 Oh, oh, my God.
00:59:12 Oh, thanks, Em. You look so thin.
00:59:15 - Do I?
00:59:17 Oh, it's for Paris.
00:59:20 It's very effective.
00:59:22 And then when I feel like I'm about to faint,
00:59:25 - Well, it's definitely working.
00:59:27 I'm just one stomach flu
00:59:29 ##[Man Singing]
00:59:38 ##[Ends]
00:59:45 That's John Folger, the new
00:59:49 - John, thanks for coming.
00:59:52 - [John] Oh, thank you.
00:59:55 I'm sorry. I'm so late.
00:59:57 Just deal with it.
01:00:04 Emily, come here.
01:00:06 Isn't thatJacqueline Follet
01:00:09 Oh, my God, and Miranda hates her.
01:00:11 She was supposed to arrive
01:00:13 - I didn't- Oh.
01:00:15 - Miranda, fabulous event as always.
01:00:20 - Surprise.
01:00:24 Oh, wonderful. We're so happy you were
01:00:29 Of course.
01:00:32 Well, we're so grateful that you do.
01:00:38 - Ciao.
01:00:41 Yes, I did.
01:00:44 - Yes, I agree. No business tonight.
01:00:47 - Enjoy.
01:00:49 Em.
01:00:51 Oh, thanks. Thanks.
01:00:57 Oh, um- Oh, my God.
01:01:01 I just saw his name this morning
01:01:04 It's- Oh, I know this.
01:01:07 Wait, he was- he was part of the-
01:01:12 It's Ambassador Franklin, and that's
01:01:19 - Rebecca. Ambassador.
01:01:21 - You look fabulous.
01:01:24 - Thank you.
01:01:35 - Look at you.
01:01:37 You're-You're a vision.
01:01:39 - Oh. [Scoffs]
01:01:42 [Stammers, Chuckles] You know,
01:01:46 Turns out,
01:01:49 I hope not.
01:01:51 Well, if it weren't
01:01:53 I'd have to whisk you away
01:01:58 - Do you actually say things like that to people?
01:02:01 [Giggles]
01:02:04 Are you sure? 'Cause my editor
01:02:07 and, you know,
01:02:09 - You sent over your stuff
01:02:13 All right, I gotta admit, I only read a couple.
01:02:18 - Yeah.
01:02:20 And, you know, I think-
01:02:22 He should meet you.
01:02:25 Why don't you come in?
01:02:27 Um, okay, yeah.
01:02:31 No, I can't.
01:02:34 All right.
01:02:45 Roy, I'm sorry.
01:02:47 I'm sure Nate will understand.
01:02:52 Yeah.
01:02:54 [TV, Indistinct]
01:02:57 Hey.
01:03:13 Happy birthday.
01:03:19 Nate, I'm so sorry.
01:03:22 I kept trying to leave,
01:03:26 And, you know, I didn't have a choice.
01:03:28 Don't worry about it.
01:03:30 [Grunts]
01:03:35 Can we at least talk about this?
01:03:45 You look really pretty.
01:04:27 [Miranda]
01:04:40 - Do you have the Book?
01:04:46 Mm.
01:04:48 Paris is the most important week
01:04:52 I need the best possible team with me.
01:04:56 That no longer includes Emily.
01:05:01 Wait. You want me to-
01:05:03 No, Miranda.
01:05:07 [Exhales]
01:05:09 Her whole life is about Paris.
01:05:12 She hasn't eaten in weeks.
01:05:17 Miranda, I can't.
01:05:19 If you don't go, I'll assume you're
01:05:22 at Runway or any other publication.
01:05:32 The decision's yours.
01:05:35 That's all.
01:05:48 ##[Woman Singing]
01:06:01 [Laughing]
01:06:03 ##[Continues]
01:06:34 - ##[Continues]
01:06:38 - Hey.
01:06:40 Uh, yeah. Five minutes, okay?
01:06:48 ##[Ends]
01:07:04 [Fax Printing]
01:07:16 [Clears Throat]
01:07:36 Andrea, don't forget to tell Emily.
01:07:40 Do it now.
01:07:51 - [Line Ringing]
01:07:54 - Don't pick up. Don't pick up. Don't pick-
01:07:57 - Emily.
01:07:59 It's just Miranda wanted
01:08:01 And she did tell me yesterday,
01:08:04 And so I freaked out, of course.
01:08:06 Emily, Emily, l-I need to talk to you.
01:08:08 I called Martine at home, and she opened
01:08:11 She opened the shop early for me,
01:08:14 Okay. Um, Emily,
01:08:18 there's something
01:08:20 - Well, I hope it's not another Miranda problem.
01:08:23 Well, good, because I've got so much
01:08:26 - [Gasps]
01:08:29 - [Clamoring]
01:08:33 Emily?
01:08:35 [Woman On P.A., Indistinct]
01:08:37 [Elevator Bell Dings]
01:08:43 I don't care if she was gonna fire you
01:08:47 You should have said no.
01:08:49 Emily, I didn't have a choice.
01:08:51 - Oh. Please.
01:08:53 - That is a pathetic excuse.
01:08:59 Thanks.
01:09:01 Do you know what really just...
01:09:04 gets me about this whole thing...
01:09:06 is that, you know, you're the one who said
01:09:11 And you don't really care about fashion.
01:09:14 What a pile of bollocks!
01:09:16 Emily, I know you're mad.
01:09:18 Face it, you sold your soul the day
01:09:22 I saw it. And you know what really
01:09:27 is the clothes that you're gonna get.
01:09:29 I mean, you don't deserve them.
01:09:32 You eat carbs, for Christ's sake.
01:09:35 God, it's so unfair.!
01:09:39 - Emily.
01:09:47 - Emily, l-
01:09:53 [Sighs]
01:09:55 - [Doug] You are going to Paris
01:09:58 - That's the coolest fashion event of the year.
01:10:00 - I mean, who are you going to see, Galliano?
01:10:02 - And Lagerfeld and Nicholas Ghesquiere.
01:10:05 - Yes. Okay, now you're scaring me.
01:10:08 - Hey.
01:10:11 - This show is amazing. I am so proud of you.
01:10:15 Okay, start with the photos in the back
01:10:18 That is the way I designed it.
01:10:20 - You will love it.
01:10:21 And you, I have somebody
01:10:24 Ooh, art and sex. Lead the way.
01:10:26 - See you later.
01:10:33 ##[Woman Singing]
01:10:45 - ##[Continues]
01:10:51 - Hi.
01:10:55 Oh, come on.
01:10:57 - It's true.
01:10:59 I'm profiling Gaultier for Interview
01:11:03 I found myself wondering
01:11:07 Well, actually, um, I am going.
01:11:12 Great. I'm staying in a fantastic
01:11:17 right across the street from the falafel
01:11:21 [Chuckles]
01:11:26 You'll have to find
01:11:30 Well, that's just it.
01:11:32 I'm beginning to wonder if I can.
01:11:47 Lily.
01:11:49 Lily, he's just a guy I know from work.
01:11:52 - Yeah, that looked like work.
01:11:55 You know, the Andy I know
01:11:58 is always five minutes early...
01:12:00 and thinks, I don't know,
01:12:03 For the last 16 years, I've known
01:12:06 But this person? This "glamazon"
01:12:10 with some random hot fashion guy?
01:12:13 I don't get her.
01:12:15 - Lily.
01:12:20 You going to Paris?
01:12:22 Uh, yeah. It just happened.
01:12:25 I thought Paris
01:12:28 Great. Now you're gonna
01:12:32 Hey, Andy. Andy!
01:12:36 - Andy, what the hell is wrong with you?
01:12:39 - Miranda asked me, and I couldn't say no.
01:12:42 That's your answer for everything lately,
01:12:44 - Like this job was forced on you.
01:12:46 Like you don't make
01:12:47 You're mad because I work late all the time
01:12:50 - And I'm sorry.
01:12:52 You-You hate Runway
01:12:55 And you think fashion is stupid.
01:12:58 Andy, I make
01:13:01 I'm not exactly in the Peace Corps.
01:13:03 You know, I wouldn't care if you were
01:13:06 as long as you did it
01:13:09 You used to say this was just a job.
01:13:11 You used to make fun
01:13:13 What happened?
01:13:16 - That's absurd.
01:13:20 And then we can stop pretending like
01:13:24 - You don't mean that, do you?
01:13:34 Well...
01:13:36 maybe this trip
01:13:38 Maybe we should take a break.
01:13:47 Nate?
01:13:51 [Cell Phone Ringing]
01:13:58 I'm sorry. Just... one second?
01:14:04 You know,
01:14:06 the person whose calls you always take,
01:14:10 I hope you two
01:14:12 [Cell Phone Continues Ringing]
01:14:21 Hello, Miranda.
01:14:29 ##[Man Singing]
01:14:50 ##[Continues]
01:15:03 ##[Continues]
01:15:24 ##[Ends]
01:15:28 [Chattering]
01:15:33 Pardon. Miranda.
01:15:35 - [Speaking Italian]
01:15:38 How are you? So glad to see you.
01:15:41 - You like the collection?
01:15:45 - This is very important for me.
01:15:47 - This is my new Emily.
01:15:49 - I'm good. Pleasure.
01:15:52 You love the show?
01:15:58 - Miranda. This way!
01:16:07 Miranda. Nigel.
01:16:09 Miranda, what is Runway's position
01:16:14 - I've been thinking-
01:16:17 - You still owe me for Harry Potter.
01:16:20 - Of course you do. Are you working tonight?
01:16:22 - No, actually Miranda has a dinner.
01:16:27 Oh, but there is the problem
01:16:30 Wait, don't tell me.
01:16:34 Je suis trés, trés desolé.
01:16:36 Oh, you're so full of it.
01:16:38 No, not even a little.
01:16:42 - Uh-
01:16:44 Yeah.
01:17:03 Oh.
01:17:07 Oh, there you are.
01:17:11 We need to go over the seating,
01:17:16 Okay. Um, yeah, sure.
01:17:19 I have it right here.
01:17:26 By all means, move at a glacial pace.
01:17:36 Okay.
01:17:39 So...
01:17:42 first of all, we need to move
01:17:47 But your table's full.
01:17:50 Stephen isn't coming.
01:17:52 Oh, Stephen is-
01:17:55 So I don't need to fetch Stephen
01:17:59 Well, if you speak to him
01:18:03 then, yes, fetch away.
01:18:06 You're very fetching, so go fetch.
01:18:14 And then when we get back to New York,
01:18:20 Leslie to see what she can do
01:18:25 on all this.
01:18:30 Another divorce...
01:18:33 splashed across page six.
01:18:36 I can just imagine what they're
01:18:39 The Dragon Lady, career-obsessed.
01:18:43 Snow Queen drives away
01:18:47 Rupert Murdoch
01:18:50 for all the papers I sell for him.
01:18:54 Anyway, I don't-
01:18:56 I don't really care
01:19:02 But my- my girls, I just-
01:19:04 It's just so unfair to the girls.
01:19:08 It's just...
01:19:12 another disappointment...
01:19:14 another letdown,
01:19:17 [Chuckles]
01:19:21 Anyway, the point is-
01:19:25 The point is-
01:19:29 The point is we really need to
01:19:33 because she's barely
01:19:45 I'm so sorry, Miranda.
01:19:48 If you want me to cancel
01:19:51 Don't be ridiculous.
01:19:55 Um, is-
01:19:57 Is there anything else I can do?
01:20:01 Your job.
01:20:06 That's all.
01:20:27 [Knocking]
01:20:32 Hi. I need Miranda's itinerary
01:20:34 - Okay. Come on in.
01:20:41 - Who put that together for you?
01:20:44 Oh, it's just-
01:20:47 Turn around. Let me see. Turn.
01:20:50 - Mm. Incroyable.
01:20:53 - It's really just- No, it's- No, gorgeous.
01:20:56 Really. I think that
01:21:00 Oh.
01:21:02 We're going to celebrate.
01:21:04 Okay. What are we toasting?
01:21:06 We are toasting, my dear,
01:21:11 The one that a million girls wanted.
01:21:15 Which I got months ago.
01:21:17 I'm not talking about you.
01:21:20 Mm-hmm.
01:21:23 - James Holt-
01:21:25 Massimo Corteleoni...
01:21:28 is investing in James's company
01:21:31 - Mm-hmm.
01:21:36 And James needs a partner.
01:21:39 And that partner would be me.
01:21:47 - Does Miranda-
01:21:49 - Oh.
01:21:52 But- But- But you're leaving.
01:21:54 - Mm-hmm.
01:21:57 I know, I know,
01:22:00 This is the first time in 18 years I'm going
01:22:04 Oh, my God.!
01:22:06 I'm going to be able to come to Paris
01:22:13 Well, congratulations.
01:22:16 - Huh? Oh.
01:22:21 You bet your size-six ass.
01:22:24 - Four.
01:22:27 - [Glasses Clink]
01:22:29 - Cheers to you.
01:22:33 - Let me see that.
01:22:35 ##[Woman Singing In French]
01:22:38 Okay, I just wanna say that yes, there are things
01:22:43 - Come on. You hate her. Just admit it to me.
01:22:46 She's a- She's a notorious sadist...
01:22:48 and not- not in a good way.
01:22:50 Okay, she's tough,
01:22:54 no one would notice anything about her,
01:22:57 [Chuckles]
01:23:00 - I can't believe this. You're defending her?
01:23:03 The wide-eyed girl peddling
01:23:06 You, my friend,
01:23:11 I resent that.
01:23:13 - You shouldn't. It's sexy.
01:23:19 - Really?
01:23:26 So do you-
01:23:28 - 'Cause I'm lost.
01:23:30 Yeah, don't worry. I know this city
01:23:33 It's my favorite place
01:23:36 You know, Gertrude Stein once said...
01:23:38 "America is my country,
01:23:42 - [Laughs]
01:23:44 What do you do?
01:23:46 Do you just write stuff like that down...
01:23:48 and then file it away to use on us girls?
01:23:52 - I'm Christian Thompson. That's my way.
01:23:55 I work freelance.
01:23:59 You know, I never understood...
01:24:02 why everyone was so crazy about Paris...
01:24:05 but... it is so beautiful.
01:24:10 [Giggles]
01:24:12 Mm. L-I can't. I'm sorry.
01:24:16 I can't. You know, Nate and I just split up
01:24:24 Ooh. I've had too much wine.
01:24:27 And my hearing-vision-
01:24:34 No, I barely know you.
01:24:38 I... am out of excuses.
01:24:42 Thank God.
01:25:11 [Groans]
01:25:24 [Gasps]
01:25:30 Yes.
01:25:36 Oh, shoot.
01:25:43 [Door Opens]
01:25:45 Bonjour, madame.
01:25:48 Uh, what the hell is this?
01:25:50 What does it look like?
01:25:53 Yeah. Of?
01:25:55 Of what American Runway will look like
01:26:00 Wh-They're replacing Miranda?
01:26:04 Yeah. And she's bringing me in
01:26:09 You're really surprised?
01:26:12 Jacqueline's a lot younger than Miranda.
01:26:15 Not to mention American Runway's one
01:26:21 Jacqueline does the same thing
01:26:25 And Irv-
01:26:28 Miranda will be devastated. Her whole life
01:26:32 It's done. Irv's gonna tell Miranda
01:26:36 And she has no idea?
01:26:38 She's a big girl. She'll be fine.
01:26:41 Shi- I have to go.
01:26:44 Andy.
01:26:47 Andy, it's done.
01:26:49 Baby, it's done.
01:26:52 I'm not your baby.
01:27:02 - [Phone Ringing]
01:27:05 Oh! Oh! Thank God you're there.
01:27:07 - [Sighs] Excuse me?
01:27:10 It's aboutJacqueline Follet.
01:27:12 Shit! Oh, shit! Shit, shit, shit!
01:27:32 - Yes.
01:27:36 Have you completely lost your mind?
01:27:39 - I need to talk to you.
01:27:43 But, um, it's just for one- Miranda!
01:27:51 [Horn Honks]
01:28:03 Miranda. Miranda.
01:28:07 Irv is making Jacqueline Follet
01:28:09 Christian Thompson told me
01:28:11 Irv is going to tell you today. I thought
01:28:15 Do I smell freesias?
01:28:17 What? No.
01:28:21 If I see freesias anywhere...
01:28:25 I will be very disappointed.
01:28:28 For 72 years, Runway
01:28:33 It has been a beacon
01:28:36 Miranda Priestly is the finest
01:28:41 setting a standard that inspires
01:28:47 Ladies and gentlemen,
01:29:07 Thank you, my dear friend.
01:29:11 Bonjour.
01:29:14 Thank you very much
01:29:17 to help celebrate
01:29:29 But before I talk to you aboutJames...
01:29:32 and his many accomplishments...
01:29:36 I would like first to share
01:29:41 Um, as many of you know...
01:29:44 uh, recently Massimo Corteleoni...
01:29:47 has agreed to finance the expansion
01:29:51 transforming the work
01:29:55 into a global brand,
01:29:59 Runway and James Holt share
01:30:03 chief among them,
01:30:08 And so, it should come as no surprise
01:30:12 forJames to choose the new president
01:30:17 he chose from within
01:30:20 And it's my great happiness today...
01:30:24 to announce to you all
01:30:27 is my friend
01:30:33 Jacqueline Follet.
01:30:47 Thank you. Merci.
01:31:05 And now to the main event...
01:31:07 our celebration ofJames Holt.
01:31:11 We at Runway
01:31:15 When the time is right,
01:31:20 You sure about that?
01:31:22 No.
01:31:25 But I hope for the best.
01:31:28 I have to.
01:31:30 [Clamoring]
01:31:49 You thought I didn't know.
01:31:53 I've known what was happening
01:31:56 Itjust took me a little while to find
01:32:01 And thatJames Holtjob
01:32:07 that, of course, she jumped at it.
01:32:09 So I just had to tell Irv
01:32:14 The truth is, there is no one
01:32:18 including her.
01:32:21 Any of the other choices would
01:32:24 and the magazine would have suffered.
01:32:26 [Sighs]
01:32:31 The list of designers, photographers...
01:32:35 editors, writers, models, all of whom
01:32:39 and have promised me
01:32:41 whenever and if ever
01:32:44 [Chuckles]
01:32:46 So he reconsidered.
01:32:52 But I was very, very impressed...
01:32:55 by how intently you tried to warn me.
01:32:58 I never thought I would say this,
01:33:01 but I really-
01:33:05 I see a great deal of myself in you.
01:33:10 You can see beyond what people want
01:33:14 and you can choose for yourself.
01:33:20 I don't think I'm like that.
01:33:24 L-
01:33:29 I couldn't do what you did to Nigel,
01:33:31 I couldn't do something like that.
01:33:33 Mm. You already did.
01:33:40 To Emily.
01:33:42 That's not what l-
01:33:46 No, that was- that was different.
01:33:48 Oh, no, you chose.
01:33:52 You want this life,
01:33:56 But what if this isn't what I want?
01:34:01 I mean, what if I don't wanna
01:34:05 Don't be ridiculous, Andrea.
01:34:10 Everybody wants to be us.
01:34:19 [Clamoring]
01:34:21 ##[Woman Vocalizing]
01:34:42 ##[Vocalizing Continues]
01:35:00 [Cell Phone Ringing]
01:35:07 ##[Vocalizing Continues]
01:35:36 I have to be at work in 20 minutes.
01:35:39 What's up?
01:35:42 Well, I just-
01:35:45 I wanted to say
01:35:49 That...
01:35:52 I turned my back on my friends
01:35:54 and everything I believed in...
01:35:56 and- and for what?
01:35:59 For shoes and shirts
01:36:04 Nate.
01:36:09 I'm sorry.
01:36:19 L-
01:36:21 I flew up to Boston while you were gone.
01:36:23 I interviewed at the Oak Room.
01:36:26 And?
01:36:29 And you're looking
01:36:32 - I'm moving up there in a couple weeks.
01:36:41 I don't know what I'm gonna do without
01:36:45 I'm pretty sure
01:36:49 May even haveJarlsberg.
01:36:54 We might be able
01:36:58 You think?
01:37:00 Yeah.
01:37:08 So, what about you?
01:37:12 Actually, I, uh-
01:37:15 - Oh, yeah?
01:37:18 That's what you're wearing?
01:37:20 Shut up. I like this.
01:37:27 - Andy, Greg Hill.
01:37:29 Come on. These clips are excellent.
01:37:31 This thing on the janitors' union,
01:37:34 My only question is, Runway?
01:37:36 My only question is, Runway?
01:37:37 You were there for less than a year.
01:37:39 What the hell kind of a blip is that?
01:37:43 Learned a lot.
01:37:46 In the end though,
01:37:51 I called over there for a reference,
01:37:55 Next thing you know, I got a fax
01:37:58 saying that of all the assistants
01:38:01 you were, by far,
01:38:03 And, if I don't hire you,
01:38:10 You must have done something right.
01:38:39 - [Beeping]
01:38:44 Miranda Priestly's office.
01:38:45 Hey, Emily, it's Andy. Don't hang up.
01:38:51 You have a favor to ask of me?
01:38:53 Yeah. The thing is,
01:38:57 and I don't have anyplace
01:38:59 so I was wondering if you
01:39:07 Well, I don't know.
01:39:11 And I'll have to get them taken in.
01:39:15 But I suppose I could help you out.
01:39:19 Thanks, Em. I appreciate it.
01:39:33 You have some very large shoes to fill.
01:39:36 I hope you know that.
01:39:45 I don't understand
01:39:48 to get my car when I ask for it.
01:40:31 [Chuckles]
01:40:35 Go.