|
Devil s Advocate The
|
| 00:00:51 |
Go on, Barbara. |
| 00:00:56 |
We go back to our homeroom for dismissal. |
| 00:00:59 |
Unless you have a pass |
| 00:01:04 |
Is that what you did |
| 00:01:07 |
No. Mr. Gettys asked me |
| 00:01:11 |
What happened next, Barbara? |
| 00:01:13 |
He told me to sit in the chair |
| 00:01:17 |
If you will, in your own words, |
| 00:01:21 |
...in the next few minutes. |
| 00:01:23 |
I told him I was afraid I'd miss my bus. |
| 00:01:26 |
He promised I'd get to the bus on time |
| 00:01:31 |
Before I could say anything, |
| 00:01:36 |
I was so frightened. I didn't move. |
| 00:01:40 |
Then his other hand went up |
| 00:01:45 |
Then, with his hand... |
| 00:01:47 |
...he started moving back and forth... |
| 00:01:50 |
...farther and farther inside my skirt. |
| 00:01:53 |
He said he was testing to see |
| 00:01:56 |
...that he wanted to see |
| 00:02:00 |
I was trying to think of something to say, |
| 00:02:03 |
I was confused, and he just kept on. |
| 00:02:05 |
I asked him to stop, |
| 00:02:07 |
He just kept on with his hand. |
| 00:02:11 |
Then I screamed. |
| 00:02:12 |
Then he got mad and said |
| 00:02:16 |
Did he try again? |
| 00:02:18 |
Not with me. |
| 00:02:20 |
But with your friends? |
| 00:02:22 |
Yes. |
| 00:02:24 |
And after you had told them |
| 00:02:30 |
...they told you what he had done to them! |
| 00:02:35 |
Isn't that true? |
| 00:02:37 |
Yes. |
| 00:02:41 |
I have nothing further. |
| 00:02:45 |
Your witness, Mr. Lomax. |
| 00:02:55 |
Any chance, Your Honor, |
| 00:02:57 |
Of course. |
| 00:02:59 |
This court will be in recess for 15 minutes. |
| 00:03:06 |
-What-- |
| 00:03:14 |
Lomax, what's wrong? |
| 00:03:16 |
As your attorney, I'm advising you |
| 00:03:19 |
Why? What are you talking about? |
| 00:03:21 |
The wife, the kid, the outrage. |
| 00:03:25 |
Hey, you're my Lawyer. |
| 00:03:27 |
You're here to defend me. |
| 00:03:28 |
You know what I'm thinking? |
| 00:03:30 |
Why not put you on the stand? |
| 00:03:32 |
-You know she's lying. |
| 00:03:57 |
Well, hell, there you are. |
| 00:04:00 |
Rumor was you were out |
| 00:04:03 |
Not now, Larry. |
| 00:04:05 |
What's the game plan? |
| 00:04:06 |
I got a 4:30 deadline. I need a quote. |
| 00:04:09 |
Give me a quote. |
| 00:04:11 |
Fuck off. |
| 00:04:15 |
''Mr. Lomax had no comment |
| 00:04:18 |
''Speculation, however, was widespread... |
| 00:04:22 |
''...that the young Lawyer's |
| 00:04:26 |
''...would come to an end... |
| 00:04:28 |
''...in this courtroom.'' |
| 00:04:35 |
It was a nice run, Kev. |
| 00:04:37 |
Had to close out someday. |
| 00:04:40 |
Nobody wins them all. |
| 00:05:03 |
Have you had any discipline problems |
| 00:05:07 |
No. |
| 00:05:09 |
No? |
| 00:05:11 |
Hasn't Mr. Gettys had to talk to you |
| 00:05:15 |
Isn't that why he asked you |
| 00:05:18 |
No! |
| 00:05:22 |
Have other teachers asked you |
| 00:05:25 |
Once or twice. |
| 00:05:26 |
Did they want to talk to you |
| 00:05:28 |
Objection. Immaterial. |
| 00:05:30 |
-Goes to motive. |
| 00:05:32 |
You may answer the question. |
| 00:05:34 |
I don't know |
| 00:05:37 |
You'd have to talk to them. |
| 00:05:41 |
You ever pass notes in class? |
| 00:05:46 |
Maybe a note that... |
| 00:05:47 |
...made fun of Mr. Gettys? |
| 00:05:49 |
No. |
| 00:05:51 |
No? |
| 00:05:52 |
Never called him |
| 00:05:57 |
Order. |
| 00:06:00 |
No. |
| 00:06:01 |
Your Honor, I've pre-marked this |
| 00:06:04 |
Objection. We've had plenty of time |
| 00:06:08 |
I'm going to let this in, Mr. Lomax. |
| 00:06:11 |
I'm also going to suggest |
| 00:06:14 |
...you present them in a timely fashion, |
| 00:06:20 |
I'm sorry, Barbara, I was wrong. |
| 00:06:23 |
It's ''huge hog beast.'' |
| 00:06:26 |
This is your handwriting, isn't it? |
| 00:06:28 |
-Yes, but-- |
| 00:06:31 |
It's a joke. |
| 00:06:32 |
''He's a huge hog beast. |
| 00:06:34 |
''He probably eats |
| 00:06:40 |
You're writing about Mr. Gettys, |
| 00:06:42 |
It was meant to be a joke. |
| 00:06:46 |
Have you ever had a party |
| 00:06:50 |
...when your parents were away? |
| 00:06:51 |
Objection. Your Honor-- |
| 00:06:53 |
Credibility and bias. |
| 00:06:55 |
Overruled. |
| 00:06:56 |
Answer the question. |
| 00:06:59 |
Yes. |
| 00:07:02 |
Have you ever heard of a game |
| 00:07:08 |
You're under oath, Barbara. |
| 00:07:10 |
A man's career... |
| 00:07:12 |
...his reputation... |
| 00:07:14 |
...his life is on the line. |
| 00:07:15 |
This is not a joke. |
| 00:07:17 |
Have you ever played ''Special Places''? |
| 00:07:26 |
Yes. |
| 00:07:27 |
Is this game sexual in nature? |
| 00:07:32 |
Is this game sexual in nature? |
| 00:07:35 |
We only played it once. |
| 00:07:39 |
This special party, Barbara... |
| 00:07:41 |
...this was the first time you told the story |
| 00:07:47 |
Yes. |
| 00:07:48 |
I've spoken to other children |
| 00:07:51 |
Is there anything else |
| 00:07:54 |
Objection! If he has other witnesses, |
| 00:07:58 |
If I need to call those other children, I will! |
| 00:08:00 |
I'm going to sustain that, Mr. Lomax. |
| 00:08:03 |
Rephrase your question. |
| 00:08:10 |
You threatened those children, didn't you? |
| 00:08:13 |
That's not the way it happened. |
| 00:08:14 |
You told them to lie, to falsely claim |
| 00:08:19 |
These things did happen. |
| 00:08:20 |
If they didn't, you were going |
| 00:08:25 |
They happened to me. |
| 00:08:27 |
So you made up a story. A special story. |
| 00:08:30 |
A story about a math teacher... |
| 00:08:31 |
...who was tough on you, |
| 00:08:34 |
A ''huge hog beast'' you didn't Like! |
| 00:08:37 |
That's what really happened, isn't it? |
| 00:08:39 |
No. |
| 00:08:41 |
I didn't want to be the only one. |
| 00:08:45 |
You goddamn lowlife, son of a bitch-- |
| 00:08:53 |
No further questions, Your Honor. |
| 00:08:55 |
I'm going to adjourn for the day. |
| 00:08:58 |
We'll be back here at 9:00 a.m. |
| 00:09:02 |
You made me proud. |
| 00:09:04 |
...or find themselves in contempt. |
| 00:09:11 |
Pack it up, baby. You need a drink. |
| 00:09:19 |
In the event that we all get drunk, |
| 00:09:24 |
To the best trial Lawyer in Alachua County. |
| 00:09:27 |
Damn straight. |
| 00:09:29 |
So, Kev, off the record.... |
| 00:09:31 |
How's it feel to squeeze |
| 00:09:34 |
...through the door of reasonable doubt? |
| 00:09:38 |
Why don't you quit being a party pooper. |
| 00:09:41 |
We're not going to discuss |
| 00:09:44 |
Am I right? |
| 00:09:45 |
I'll drink to that. |
| 00:09:48 |
No shop talk. |
| 00:09:55 |
Pour me another. |
| 00:09:56 |
Lomax, you're wild. |
| 00:09:58 |
I feel one of them nights coming on. |
| 00:10:05 |
''I've seen the Taj Mahal |
| 00:10:14 |
I've got to go piss! |
| 00:10:18 |
I've got to go piss! |
| 00:10:24 |
Hurry! |
| 00:10:35 |
Hell of a job today. |
| 00:10:36 |
I don't want to disturb your party. |
| 00:10:44 |
''Milton-Chadwick-Waters.'' |
| 00:10:47 |
Never heard of it. |
| 00:10:49 |
What are you going to do? Sue me? |
| 00:10:52 |
Actually, we were hoping |
| 00:10:55 |
We've been following your progress. |
| 00:10:58 |
From New York? |
| 00:11:00 |
You've never lost a case. |
| 00:11:02 |
I've had some sympathetic juries. |
| 00:11:05 |
That's exactly what we're looking for. |
| 00:11:07 |
We want you to come to New York, |
| 00:11:16 |
I tell you, man... |
| 00:11:17 |
...you're pretty damn good. |
| 00:11:20 |
Your card is great. |
| 00:11:22 |
You being black.... |
| 00:11:25 |
Whose idea was that? Paul's? |
| 00:11:26 |
That's just brilliant. |
| 00:11:28 |
I'm just not drunk enough yet to fall for it. |
| 00:11:31 |
I'll buy you a drink when I.... |
| 00:11:33 |
You'd have to start next week. |
| 00:11:35 |
ALL expenses, first-class travel and lodging, |
| 00:11:40 |
A lump-sum payment, regardless |
| 00:11:47 |
Take a Look. |
| 00:12:08 |
In the name of Lord Jesus, |
| 00:12:14 |
Amen. |
| 00:12:15 |
''Romans 16:19 |
| 00:12:19 |
''Be ever at what is good |
| 00:12:22 |
''Be innocent |
| 00:12:24 |
''Of evil |
| 00:12:26 |
''And the God of Peace |
| 00:12:30 |
''Yes, God will crush him |
| 00:12:35 |
''And the God of Peace |
| 00:12:39 |
''Yes, God will crush him |
| 00:12:55 |
ALL the way to New York just to pick a jury. |
| 00:12:58 |
Every dog gets his day. |
| 00:13:01 |
Why do I feel the hand of Mary Ann |
| 00:13:06 |
I gotta tell you, Ma, |
| 00:13:10 |
Working on Sunday. |
| 00:13:12 |
Working? Ma, get over it. |
| 00:13:16 |
Listen to me. I Love my wife. |
| 00:13:19 |
Okay? I Love her all the way. |
| 00:13:22 |
Just Like you. |
| 00:13:25 |
Let me tell you about New York. |
| 00:13:28 |
''Fallen, fallen, is Babylon. |
| 00:13:30 |
''It has become |
| 00:13:33 |
''Revelation 18.'' |
| 00:13:35 |
Wouldn't hurt you to Look it over. |
| 00:13:37 |
-Couldn't forget it if I tried. |
| 00:13:41 |
And what happened to Babylon? |
| 00:13:44 |
''Thou mighty city, in one hour |
| 00:13:48 |
''And the Light of a single Lamp |
| 00:13:54 |
Wish me Luck. |
| 00:13:58 |
Good Luck. |
| 00:14:01 |
I'll miss you. |
| 00:14:04 |
Jeannie, Listen to me now. |
| 00:14:07 |
I'm trying to work with you. |
| 00:14:09 |
They'll be Looking for that payment |
| 00:14:21 |
Okay, I gotta go. |
| 00:14:26 |
Look, Jeannie, I gotta make a plane. |
| 00:14:31 |
Okay. Make the payment. |
| 00:14:38 |
Let me guess. It's all my idea, right? |
| 00:14:42 |
We better give her some grandkids soon |
| 00:14:45 |
What do you say? |
| 00:14:49 |
Let her sweat a little. |
| 00:15:20 |
ALL right, Mr. Clintine, Let me ask you this: |
| 00:15:25 |
...you'd be able to set aside |
| 00:15:28 |
...about the savings and loan industry? |
| 00:15:31 |
That was a question, sir. |
| 00:15:33 |
What? Do I Like bankers? |
| 00:15:41 |
Your Honor, may I have a minute |
| 00:15:44 |
You may. |
| 00:15:48 |
Dump him. |
| 00:15:50 |
Let's get rid of Number four, six.... |
| 00:15:52 |
I'd say lose Number twelve... |
| 00:15:54 |
...but the prosecutor's gonna fuck up |
| 00:15:56 |
Number six? |
| 00:16:01 |
You're kidding, right? |
| 00:16:03 |
She's my first pass. |
| 00:16:05 |
And four? |
| 00:16:10 |
With the dreadlocks? That's crazy. |
| 00:16:13 |
-That's a defendant's juror. |
| 00:16:17 |
Look, kid, maybe down in Florida |
| 00:16:22 |
This is New York. |
| 00:16:25 |
He polishes those shoes every night. |
| 00:16:30 |
He Looks Like a brother with an attitude, |
| 00:16:35 |
And woe betide the creature |
| 00:16:38 |
Number six... |
| 00:16:40 |
...your favorite... |
| 00:16:42 |
...she's damaged goods. |
| 00:16:44 |
She's a Catholic schoolteacher. |
| 00:16:47 |
Believes in human frailty.... |
| 00:16:49 |
No. Something's missing from her. |
| 00:16:52 |
She's wrong. |
| 00:16:54 |
She wants on this jury. |
| 00:16:55 |
Somebody hurt her and she wants revenge. |
| 00:17:00 |
How the hell do you know that? |
| 00:17:03 |
I don't know. |
| 00:17:07 |
Either you put a stop |
| 00:17:11 |
Walk. |
| 00:17:14 |
Here's the deal: if I Lose with your jury, |
| 00:17:19 |
Your Honor, may I continue? |
| 00:17:21 |
We'd Like to excuse |
| 00:18:16 |
Hi. You're home early for a change. |
| 00:18:23 |
Your mother called. |
| 00:18:26 |
She has her ''bad feeling.'' |
| 00:18:33 |
Every now and then, she gets one right. |
| 00:18:38 |
You okay? |
| 00:18:41 |
Something's up. |
| 00:18:44 |
They deliberated for 38 minutes. |
| 00:18:51 |
Oh, honey, I'm sorry. |
| 00:18:56 |
What the hell did they expect? |
| 00:19:01 |
Wasn't a jury anywhere gonna Let him off. |
| 00:19:04 |
Yeah. |
| 00:19:08 |
Except one. |
| 00:19:09 |
What? |
| 00:19:16 |
Not fucking guilty! |
| 00:19:18 |
Oh, my God! You lying... |
| 00:19:20 |
...sack of shit! |
| 00:19:22 |
Thirty-eight minutes, my jury! |
| 00:19:27 |
Thirty-eight minutes! |
| 00:19:29 |
-You did it! |
| 00:19:35 |
-Glad you could stick around. |
| 00:19:38 |
Sorry to keep you waiting. |
| 00:19:39 |
Mr. Milton got pinned down in Indonesia |
| 00:19:43 |
Good morning, Caprice. |
| 00:19:45 |
Good morning, Mr. Heath. |
| 00:19:47 |
Your messages. |
| 00:19:52 |
Not bad, huh? |
| 00:19:55 |
You can play it cool if you want... |
| 00:19:56 |
...but when I first walked in, |
| 00:20:03 |
This is our home office. |
| 00:20:04 |
We have many |
| 00:20:06 |
...so Mr. Milton spends a great deal |
| 00:20:09 |
Three o'clock, we got the Greeks. |
| 00:20:10 |
Am I a good cop or a bad cop? |
| 00:20:12 |
We may not need a good cop. |
| 00:20:14 |
I Love it. |
| 00:20:16 |
In addition to our corporate clients |
| 00:20:20 |
The Mideast, the Balkans, |
| 00:20:23 |
Interesting work, but travel-intensive. |
| 00:21:21 |
Behind you. |
| 00:21:24 |
I'm sorry. |
| 00:21:25 |
Please. Kevin Lomax. |
| 00:21:27 |
John Milton. |
| 00:21:29 |
Nice to meet you. |
| 00:21:36 |
So? |
| 00:21:38 |
Have we been treating you well? |
| 00:21:40 |
Very well, thank you. |
| 00:21:41 |
And your wife, she's had a good time? |
| 00:21:43 |
She sure has. It's been great. |
| 00:21:49 |
That's our secret: |
| 00:21:51 |
Kill you with kindness. |
| 00:21:55 |
What's your secret? |
| 00:21:57 |
I couldn't say. |
| 00:21:59 |
You were a prosecutor. |
| 00:22:01 |
Out of law school. |
| 00:22:06 |
Sixty-four straight convictions. |
| 00:22:10 |
What a number! |
| 00:22:12 |
I Like to be in court. |
| 00:22:14 |
I didn't plea out a lot. |
| 00:22:17 |
What's that Like? |
| 00:22:18 |
One day you put them away, |
| 00:22:22 |
Takes a little getting used to. |
| 00:22:24 |
Pays better, though, doesn't it? |
| 00:22:26 |
Yes, it does. |
| 00:22:29 |
That math teacher, the Gettys case... |
| 00:22:34 |
Prosecutor dropped the ball. |
| 00:22:36 |
Really? |
| 00:22:38 |
You think your guy was guilty? |
| 00:22:40 |
I didn't say that. |
| 00:22:41 |
What'd you say? |
| 00:22:44 |
How's this: |
| 00:22:45 |
I began the case with a clear conscience. |
| 00:22:56 |
I was sure you had a secret. |
| 00:23:01 |
The men's room. |
| 00:23:03 |
Upstairs men's room |
| 00:23:05 |
There's a hole in the wall to the next room. |
| 00:23:08 |
I spent five years Listening |
| 00:23:11 |
-I Love it. |
| 00:23:13 |
Just don't repeat it. |
| 00:23:15 |
I'm not sure the Florida Bar Association |
| 00:23:18 |
My lips are sealed. |
| 00:23:21 |
You don't really want to go back |
| 00:23:28 |
Walk with me. |
| 00:23:50 |
What do you think? |
| 00:23:52 |
Some people can't handle it. |
| 00:23:56 |
It's peaceful. |
| 00:23:58 |
My sentiments exactly. |
| 00:24:02 |
Fill in the resume for me. |
| 00:24:07 |
I never got to know my father. |
| 00:24:11 |
My mother raised me. Just the two of us. |
| 00:24:13 |
She never remarried? |
| 00:24:15 |
She wasn't married the first time. |
| 00:24:17 |
That can't be easy in a town |
| 00:24:21 |
I don't think it's easy anywhere. |
| 00:24:26 |
Holy shit! |
| 00:24:28 |
Different when you're Looking down, |
| 00:24:30 |
Yes, it is. |
| 00:24:33 |
Oh, my God. |
| 00:24:35 |
Your mother... |
| 00:24:36 |
...what's she Like? |
| 00:24:39 |
She's a preacher's daughter. She's tough. |
| 00:24:41 |
She's worked in a poultry plant |
| 00:24:45 |
She's got a church she really Likes, |
| 00:24:49 |
They do a lot of volunteer work. |
| 00:24:51 |
''Behold, I send you out |
| 00:24:57 |
So they say. |
| 00:24:59 |
It didn't rub off? |
| 00:25:00 |
The Book? The Church? |
| 00:25:02 |
No, I'm on parole. |
| 00:25:04 |
Early release for time served. |
| 00:25:10 |
A lot of potential clients down there. |
| 00:25:13 |
Are we negotiating? |
| 00:25:15 |
Always. |
| 00:25:18 |
Can I ask you a question, then? |
| 00:25:21 |
Why do you need a criminal department? |
| 00:25:24 |
Our clients break the law Like anyone else. |
| 00:25:31 |
I'm just tired of sending their business |
| 00:25:35 |
-Are you offering me a job? |
| 00:25:40 |
I know you've got talent. |
| 00:25:44 |
It's just the other thing I wonder about. |
| 00:25:48 |
What thing? |
| 00:25:52 |
Pressure. |
| 00:25:54 |
It changes everything. Pressure. |
| 00:25:56 |
Some people, you squeeze them, |
| 00:26:00 |
Others fold. |
| 00:26:03 |
Can you summon your talent at will? |
| 00:26:07 |
Can you deliver on a deadline? |
| 00:26:10 |
Can you sleep at night? |
| 00:26:13 |
When do we talk about money? |
| 00:26:15 |
Money? |
| 00:26:20 |
That's the easy part. |
| 00:26:23 |
They call this part of Fifth Avenue, |
| 00:26:25 |
You've got the park right across the street, |
| 00:26:28 |
Best jogging in New York. |
| 00:26:30 |
Mount Sinai Hospital is up the street. |
| 00:26:32 |
Some excellent schools. |
| 00:26:34 |
Not on the top of Mr. Milton's list |
| 00:26:37 |
...but great neighborhood for children. |
| 00:26:39 |
Great building. |
| 00:26:42 |
Follow the money all the way to the top. |
| 00:26:45 |
You've got the managing director, |
| 00:26:48 |
And, of course, Mr. Milton has the tower. |
| 00:26:54 |
-You must be Mary Ann? |
| 00:26:56 |
Welcome. I'm Jackie Heath. |
| 00:27:00 |
It's nice of you to come by. |
| 00:27:01 |
Oh, please. We Live across the hall. |
| 00:27:04 |
-You're kidding. |
| 00:27:06 |
It's just two apartments per floor? |
| 00:27:08 |
-You didn't tell them about it? |
| 00:27:13 |
Voila! |
| 00:27:21 |
Oh, my God! |
| 00:27:23 |
It's what they call a ''Classic Eight.'' |
| 00:27:26 |
Be careful. I don't have a map. |
| 00:27:29 |
We had them paint it white. Let you see it |
| 00:27:33 |
What am I picking? |
| 00:27:34 |
Palette. Your colors. |
| 00:27:36 |
Oh, yes. |
| 00:27:40 |
I need to warn you about one thing. |
| 00:27:42 |
There are going to be some |
| 00:27:46 |
There aren't many of these apartments. |
| 00:27:50 |
You must've made quite an impression. |
| 00:27:52 |
Oh, my God, three bedrooms. |
| 00:27:57 |
Bables. |
| 00:27:58 |
It took us six years to get in here. |
| 00:28:04 |
Unbelievable. |
| 00:28:08 |
Thank you very much. |
| 00:28:14 |
Are you really this good? |
| 00:28:17 |
I sure as hell hope so. |
| 00:28:20 |
They must want you pretty bad. |
| 00:28:24 |
Look, Mar... |
| 00:28:26 |
...I'm only getting behind this |
| 00:28:29 |
If you want to go home... |
| 00:28:32 |
...I'm with you. |
| 00:28:33 |
Sure. |
| 00:28:35 |
Let's go back to Gainesville, |
| 00:28:38 |
You keep scrounging for clients and |
| 00:28:43 |
And maybe, just maybe, |
| 00:28:47 |
...in about five years we can afford a baby |
| 00:28:52 |
Are you shitting me? |
| 00:29:00 |
I Love you. |
| 00:29:02 |
I Love you, too. |
| 00:29:07 |
Tadashi Osumi, Media. |
| 00:29:09 |
Walter Krasna, Maritime Law. |
| 00:29:12 |
Bashir Toabal, Energy Law. |
| 00:29:14 |
I run the Islamic subgroup. |
| 00:29:15 |
Joyce Rensaleer, Mergers and Acquisitions. |
| 00:29:18 |
Eddie Barzoon, Managing Director and... |
| 00:29:22 |
...Real Estate. |
| 00:29:24 |
Pradeed Resh, Intellectual Properties. |
| 00:29:27 |
Christabella Andrioti, |
| 00:29:30 |
...EC and G-7. |
| 00:29:34 |
There it is, Kevin. |
| 00:29:36 |
The whole team. |
| 00:29:38 |
Welcome to Milton, Chadwick and Waters. |
| 00:29:41 |
So what do you think? |
| 00:29:44 |
I guess it'll do. |
| 00:29:46 |
Until something better comes along? |
| 00:29:47 |
Kevin Lomax, Pam Garrety. |
| 00:29:50 |
Nice to meet you. |
| 00:29:52 |
Pam was at the Brooklyn D.A.'s office |
| 00:29:54 |
...so she knows her way |
| 00:29:57 |
You'll expedite his bar application? |
| 00:29:59 |
It's in the pipeline. |
| 00:30:02 |
I petitioned Florida |
| 00:30:05 |
And I prepared, at Mr. Milton's request, |
| 00:30:09 |
The Moyez case? |
| 00:30:12 |
Move, move, move! |
| 00:30:35 |
What do you think? |
| 00:30:36 |
It's a health code case and it's a Loser. |
| 00:30:41 |
So what's the point? |
| 00:30:44 |
He wants to see if I'll plea-bargain. |
| 00:30:48 |
Isn't everything? |
| 00:30:52 |
It's an 18th-century Italian silk damask... |
| 00:30:54 |
...with an embossed floriated pattern |
| 00:30:58 |
Lovely, isn't it? |
| 00:31:02 |
And this is about what? |
| 00:31:04 |
The price? |
| 00:31:06 |
It's about $2,000 a panel. |
| 00:31:10 |
We'll take it... |
| 00:31:12 |
...at $1,400. |
| 00:31:13 |
You made it. |
| 00:31:17 |
I thought you said it was impossible. |
| 00:31:19 |
I thought you said it was important. |
| 00:31:30 |
Go get them, man. |
| 00:31:31 |
Tell him, ''Cut that shit down!'' |
| 00:31:34 |
I know what they're doing over there! |
| 00:31:38 |
Tell him, ''Take all that noise |
| 00:31:51 |
Good afternoon. |
| 00:32:06 |
Look, I'm not sure I'm making myself clear. |
| 00:32:09 |
Moyez, you need him? To speak with him? |
| 00:32:13 |
Show him your boots. |
| 00:32:17 |
You're saying he's down here |
| 00:32:20 |
In the dark? |
| 00:32:21 |
Where do you think I'm taking you? |
| 00:32:34 |
I thought I would recognize you... |
| 00:32:38 |
...but I do not. |
| 00:32:41 |
Mr. Moyez? |
| 00:32:44 |
We've never met. |
| 00:32:46 |
I'm Kevin Lomax. I'm a Lawyer. |
| 00:32:50 |
I'm here about the animals. |
| 00:32:54 |
We have an investment in blood. |
| 00:32:58 |
Think of it as spiritual currency. |
| 00:33:02 |
''Spiritual currency.'' |
| 00:33:06 |
Look, Mr. Moyez, |
| 00:33:15 |
What is the name of the man... |
| 00:33:17 |
...who will prosecute us? |
| 00:33:20 |
Merto. |
| 00:33:21 |
Assistant District Attorney Arnold Merto. |
| 00:33:29 |
What are you doing, Mr. Moyez? |
| 00:33:32 |
With this tongue, we create silence. |
| 00:33:35 |
You can go now. |
| 00:33:37 |
You will have all the help... |
| 00:33:39 |
...I can give you... |
| 00:33:41 |
...against Monsieur Merto. |
| 00:33:51 |
It's arbor green. What do you think? |
| 00:33:54 |
Not with your complexion. |
| 00:34:01 |
New York City health codes. |
| 00:34:03 |
That's all of it? |
| 00:34:04 |
Not quite. |
| 00:34:11 |
Thanks. |
| 00:34:16 |
Caribbean green. |
| 00:34:19 |
Something cooler, maybe. Cooler. |
| 00:34:21 |
A cooler green. |
| 00:34:26 |
Too institutional. |
| 00:34:29 |
I Love green. |
| 00:34:30 |
I Love it but it's one thing to wear it |
| 00:34:37 |
I'm just trying to help. It's your walls. |
| 00:34:44 |
Remember, it's only a health-code case. |
| 00:35:08 |
This is the first time since I was 13, |
| 00:35:13 |
...or two. |
| 00:35:15 |
I feel Like I'm floating around in that place. |
| 00:35:18 |
You know, just drifting around |
| 00:35:22 |
You'll settle in. |
| 00:35:25 |
We had this little office in the condo.... |
| 00:35:28 |
Thanks. |
| 00:35:29 |
You know, his side and my side. Real nice. |
| 00:35:33 |
At night, I'd go to sleep, |
| 00:35:39 |
If I want to see Leamon... |
| 00:35:42 |
...I make an appointment. |
| 00:35:49 |
You're kidding, right? |
| 00:35:55 |
God, how do you handle it? |
| 00:35:58 |
Take a Look around, honey. |
| 00:36:00 |
Look, you've got three choices. |
| 00:36:03 |
The Holy Trinity: |
| 00:36:05 |
You can work... |
| 00:36:08 |
...you can play... |
| 00:36:11 |
...or you can breed. |
| 00:36:13 |
That's a veaI roast, Your Honor. |
| 00:36:16 |
USDA approved and stamped. |
| 00:36:19 |
Men kill animals and eat their flesh. |
| 00:36:22 |
Phillipe Moyez killed a goat. |
| 00:36:25 |
He killed a goat. |
| 00:36:28 |
And he did it at home... |
| 00:36:30 |
...in a manner consistent |
| 00:36:34 |
Now, Mr. Merto may find that bizarre. |
| 00:36:38 |
It's certainly not a religious practice |
| 00:36:41 |
It's not as common as, say... |
| 00:36:44 |
...circumcision. |
| 00:36:46 |
It's not as common as the belief that... |
| 00:36:48 |
...wine transforms into blood. |
| 00:36:52 |
Some people handle poisonous snakes |
| 00:36:56 |
Some people walk on fire. |
| 00:36:59 |
Phillipe Moyez killed a goat. |
| 00:37:01 |
And he did it... |
| 00:37:03 |
...while observing |
| 00:37:07 |
...religious beliefs. |
| 00:37:10 |
Your Honor, this case |
| 00:37:13 |
...or transporting goats or goat licensing. |
| 00:37:17 |
The city was less concerned |
| 00:37:21 |
...than the manner in which |
| 00:37:24 |
Objection! |
| 00:37:25 |
Enough, enough. I got it. |
| 00:37:28 |
Let's wrap it up. |
| 00:37:30 |
Your Honor... |
| 00:37:32 |
...the city timed this police action |
| 00:37:35 |
...exercising his constitutionally protected |
| 00:37:40 |
This is a law protecting kosher butchering. |
| 00:37:42 |
Exactly, Your Honor. |
| 00:37:44 |
I'd Like to move at this time |
| 00:37:47 |
I happen to know a little bit |
| 00:37:51 |
I'm aware of that, Your Honor. |
| 00:37:53 |
That's why I feel confident |
| 00:37:58 |
Mr. Merto? |
| 00:38:05 |
For God's sake, man.... |
| 00:38:15 |
Congratulations. Great job. |
| 00:38:18 |
Bravo! Bravo! |
| 00:38:22 |
Pamela, you Look Lovely. |
| 00:38:24 |
So, Phillipe... |
| 00:38:26 |
...satisfied? |
| 00:38:27 |
AIways, Jean. |
| 00:38:31 |
What can I say? |
| 00:38:33 |
Outstanding. |
| 00:38:36 |
Go figure it, a guy like Moyez... |
| 00:38:39 |
...living in some subterranean shithole... |
| 00:38:42 |
...all the while he's walking around |
| 00:38:46 |
You're kidding. |
| 00:38:47 |
What do you think he's paying us in? |
| 00:38:50 |
Tarzan, we're billing you out |
| 00:38:54 |
I don't see a whole lot of pro-bono work |
| 00:38:57 |
I figured you came down to make sure |
| 00:39:01 |
Maybe I did. |
| 00:39:03 |
Don't get too cocky, my boy. |
| 00:39:06 |
...don't Let them see you coming. |
| 00:39:09 |
You've gotta keep yourself small. |
| 00:39:12 |
Innocuous. |
| 00:39:13 |
Be the little guy. |
| 00:39:14 |
You know, the nerd, the leper... |
| 00:39:17 |
...the shitkicking surfer. Look at me. |
| 00:39:22 |
Underestimated from day one. |
| 00:39:25 |
You'd never think I was |
| 00:39:29 |
That's your only weakness, |
| 00:39:32 |
What's that? |
| 00:39:34 |
It's the Look. |
| 00:39:36 |
That Florida stud thing. |
| 00:39:37 |
What is that? |
| 00:39:39 |
Excuse me, ma'am. |
| 00:39:43 |
Never worked a jury that didn't have |
| 00:39:45 |
You know what you're missing? |
| 00:39:47 |
You're missing what I have. |
| 00:39:50 |
There's this beautiful girl, |
| 00:39:54 |
...we're done, she's walking |
| 00:39:58 |
...she turns... |
| 00:40:00 |
...she Looks... |
| 00:40:01 |
...it's me. |
| 00:40:03 |
Not the Trojan army that just fucked her. |
| 00:40:08 |
She gets this Look on her face Like: |
| 00:40:10 |
''How the hell did that happen?'' |
| 00:40:14 |
I'm the hand up Mona Lisa's skirt. |
| 00:40:17 |
I'm a surprise, Kevin. |
| 00:40:20 |
They don't see me coming. |
| 00:40:22 |
That's what you're missing. |
| 00:40:23 |
Where's the chicken? |
| 00:40:38 |
There's a chicken, plays tic-tac-toe, |
| 00:40:45 |
Never Loses, Like you. |
| 00:40:49 |
Come on. I'll show you |
| 00:40:51 |
Learn the subways, Kevin. |
| 00:40:55 |
Use them. |
| 00:40:56 |
Stay in the trenches. |
| 00:40:59 |
Only way I travel. |
| 00:41:08 |
What happened to the green? |
| 00:41:10 |
I Loved the green! |
| 00:41:11 |
Honey, you're late! |
| 00:41:12 |
We're due up at the Barzoon's palace |
| 00:41:15 |
What's all this? |
| 00:41:17 |
ALL what? |
| 00:41:18 |
Jackie says the ''who's who'' of New York |
| 00:41:22 |
-ALL this? |
| 00:41:25 |
It was going to be a nursery... |
| 00:41:28 |
...then I remembered you'd have to be |
| 00:41:31 |
So now I'm thinking of building |
| 00:41:34 |
Oh, baby. |
| 00:41:39 |
Tell me I can handle this. |
| 00:41:41 |
You can handle this. |
| 00:41:43 |
-Say something nice. |
| 00:41:49 |
Promise me you won't |
| 00:41:53 |
I promise. |
| 00:41:59 |
There you are. |
| 00:42:05 |
Diana Barzoon. Eddie's wife. |
| 00:42:07 |
Nice to meet you. |
| 00:42:09 |
Kevin Lomax, Health Code Warrior. |
| 00:42:12 |
ALL hall. |
| 00:42:13 |
-Mr. Barzoon, this is Mary Ann. |
| 00:42:17 |
Well, Kevin, here they are. |
| 00:42:20 |
Top of the food chain and dinner is served. |
| 00:42:23 |
I throw these parties twice a year. |
| 00:42:25 |
Stock market, real estate, politics. They're |
| 00:42:31 |
Congratulations. |
| 00:42:32 |
Remember Rashid? Just in from Beirut. |
| 00:42:34 |
Congratulations. |
| 00:42:35 |
Bright young Lights. |
| 00:42:39 |
You're going to Like this. Come on. |
| 00:42:41 |
Somebody I want you to meet. |
| 00:42:44 |
Kevin and Mary Ann Lomax, |
| 00:42:47 |
Ambassador Charles Gagano. |
| 00:42:49 |
In case you didn't know, |
| 00:42:52 |
Barzoon always overstates things. |
| 00:42:55 |
Donald Trump was supposed to be here, |
| 00:43:00 |
I knew I'd find you here. |
| 00:43:03 |
Mary Ann, this is Pam Garrety. |
| 00:43:04 |
-Nice to meet you. |
| 00:43:06 |
-We're partners in crime. |
| 00:43:09 |
Excuse me. This is important. |
| 00:43:11 |
-You are so beautifuI. |
| 00:43:14 |
-I heard you met the senator. |
| 00:43:17 |
-I was married to him. |
| 00:43:18 |
Kidding. |
| 00:43:23 |
I'd Like you to meet Kevin Lomax. |
| 00:43:26 |
He's new to the firm. |
| 00:43:28 |
The senator cannot leave. |
| 00:43:31 |
Who's that with the senator? |
| 00:43:35 |
-Oh, God, girl. |
| 00:43:37 |
No, who is he? |
| 00:43:39 |
I swear he can hear us. |
| 00:43:41 |
Hell, he can smell us. |
| 00:43:43 |
Mary Ann... |
| 00:43:46 |
...John Milton. |
| 00:43:47 |
I was hoping I'd see you here tonight. |
| 00:43:50 |
Already swimming with the sharks. |
| 00:43:52 |
Careful, hon. |
| 00:43:55 |
Come on, if you keep thinking small, |
| 00:43:59 |
These parties don't come cheap. |
| 00:44:01 |
Call him. Talk to him. |
| 00:44:04 |
Just get it on tape. |
| 00:44:07 |
It's a wonderful opportunity for Kevin. |
| 00:44:11 |
Yes, Kevin. |
| 00:44:14 |
...buys a few new suits... |
| 00:44:17 |
...learns a few new tricks, he's there. |
| 00:44:21 |
It's you. What about you? |
| 00:44:23 |
Your family, you've got to miss them. No? |
| 00:44:28 |
I told Kevin the only thing worse |
| 00:44:33 |
I can relate. |
| 00:44:36 |
I can, believe me. |
| 00:44:47 |
The worst vice is advice. |
| 00:44:52 |
But may I make a suggestion? |
| 00:44:55 |
It's a sensitive.... |
| 00:44:58 |
It's about your hair, that's why I ask. |
| 00:45:02 |
No, go ahead. |
| 00:45:05 |
I mean, you don't Like it? |
| 00:45:08 |
I Like it fine. It's beautifuI. |
| 00:45:10 |
It's just.... |
| 00:45:13 |
It doesn't belong to you. |
| 00:45:16 |
You're too alive for a perm. |
| 00:45:18 |
It's not you. |
| 00:45:20 |
You should pull your hair back. |
| 00:45:25 |
Do it. See what happens. |
| 00:45:27 |
Right now, here, you want me |
| 00:45:29 |
Is that so terrible? |
| 00:45:32 |
I'd Love to do it, but if I did... |
| 00:45:34 |
...everyone in this room |
| 00:45:37 |
...would naturally assume |
| 00:45:44 |
Please. |
| 00:45:50 |
Okay. |
| 00:46:02 |
It's fun to be right. |
| 00:46:06 |
Excuse me. |
| 00:46:10 |
That's a vision. |
| 00:46:14 |
You've gotta cut your hair. |
| 00:46:19 |
Are you serious? |
| 00:46:20 |
A woman's shoulders are the frontlines |
| 00:46:26 |
And her neck... |
| 00:46:29 |
...if she's alive... |
| 00:46:33 |
...has all the mystery of a border town. |
| 00:46:38 |
A no man's land... |
| 00:46:42 |
...in that battle... |
| 00:46:44 |
...between the mind and the body. |
| 00:46:48 |
You know... |
| 00:46:50 |
...your natural color would really... |
| 00:46:53 |
...bring out your eyes. |
| 00:47:10 |
Do you have this view? |
| 00:47:12 |
Sorry? |
| 00:47:14 |
From your terrace, is this your view? |
| 00:47:17 |
Not exactly. |
| 00:47:19 |
No terrace and I'm about... |
| 00:47:22 |
...twelve floors down. |
| 00:47:24 |
What about you? |
| 00:47:26 |
No, I Live downtown. |
| 00:47:29 |
This is a... |
| 00:47:31 |
...family building. |
| 00:47:34 |
Sounds Like fun. |
| 00:47:37 |
Downtown, I mean. |
| 00:47:39 |
I'm just getting to know the city. |
| 00:47:42 |
Is it everything you expected? |
| 00:47:45 |
More. |
| 00:47:46 |
I say we ride them as far as we can, |
| 00:47:51 |
Excuse me, Jackie. |
| 00:47:54 |
No, I'm sure he's around. |
| 00:47:59 |
Are you alone? |
| 00:48:03 |
You mean, tonight? |
| 00:48:08 |
Is your wife a jealous woman? |
| 00:48:16 |
Oh, dear, I'm going to scare you away. |
| 00:48:20 |
No, really... |
| 00:48:21 |
...I'm fine. |
| 00:48:23 |
I'm fine. |
| 00:48:25 |
Bet you Like to be on top. |
| 00:48:26 |
-Don't you? |
| 00:48:29 |
Of the situation. |
| 00:48:31 |
You prefer to be on top, right? |
| 00:48:36 |
Depends on the view. |
| 00:48:40 |
You know what I see? |
| 00:48:44 |
I see the future... |
| 00:48:46 |
...of this law firm. |
| 00:49:05 |
We need to talk, Kevin. |
| 00:49:07 |
But first I want you to find |
| 00:49:13 |
Bring them up to my place. Do it quietly. |
| 00:49:15 |
Quickly. |
| 00:49:18 |
No problem. Arnold has a few reporters |
| 00:49:21 |
We'll plant a story and destroy his |
| 00:49:24 |
Have you seen Kevin? |
| 00:49:25 |
-No, I haven't, sweetie. |
| 00:49:28 |
If he doesn't come to us, he'll regret it. |
| 00:49:52 |
Come on. |
| 00:50:05 |
Is there more to it? |
| 00:50:07 |
Just this room. |
| 00:50:10 |
And a bedroom? |
| 00:50:14 |
No bedroom. |
| 00:50:15 |
-Where does he sleep? |
| 00:50:18 |
Where does he fuck? |
| 00:50:19 |
Everywhere! |
| 00:50:23 |
What's up, John? |
| 00:50:25 |
How many hours did we bill |
| 00:50:30 |
16,242. |
| 00:50:33 |
What did he do now? |
| 00:50:35 |
Alex Cullen has just been charged |
| 00:50:39 |
...her stepson... |
| 00:50:41 |
...and a maid. |
| 00:50:45 |
When did this happen? |
| 00:50:46 |
Just now. Tonight. |
| 00:50:48 |
I've sent Pam downtown |
| 00:50:51 |
They're gonna fucking crucify him. |
| 00:50:54 |
They're gonna Iine up! I gotta call Melsel. |
| 00:50:57 |
I want Kevin on this case. |
| 00:51:01 |
I hope you're kidding. |
| 00:51:07 |
Alexander Cullen in a Manhattan |
| 00:51:12 |
You're dreaming! |
| 00:51:16 |
You know, I've shaken hands... |
| 00:51:19 |
...with every marquee defense attorney |
| 00:51:22 |
I'd take Kevin and I don't Look back. |
| 00:51:26 |
John, you've got a great eye for talent. |
| 00:51:29 |
You're the master, but you know, |
| 00:51:34 |
I want you on board, Eddie. |
| 00:51:37 |
I appreciate the vote of confidence, |
| 00:51:42 |
We can get this case. |
| 00:51:46 |
He's a business client. |
| 00:51:48 |
We know him better |
| 00:51:50 |
We've got the inside track. |
| 00:51:53 |
We've got the best damn trial Lawyer |
| 00:52:00 |
Tell that to Cullen. |
| 00:52:02 |
I want Kevin to tell him. |
| 00:52:04 |
There's Pam. |
| 00:52:09 |
You gonna fight for this thing or not? |
| 00:52:19 |
Pam? |
| 00:52:21 |
No, it's Kevin. |
| 00:52:24 |
No, it's okay. I'm on it. Yeah, I'm on it. |
| 00:52:28 |
Where are we at? |
| 00:52:36 |
You left me there. |
| 00:52:40 |
I had a fucking panic attack |
| 00:52:44 |
Three hours! You don't even call! |
| 00:52:47 |
Stop. |
| 00:52:48 |
Reset. |
| 00:52:50 |
I'm upstairs with Milton, |
| 00:52:53 |
There's a good possibility I'm about |
| 00:52:58 |
...who also happens to be... |
| 00:52:59 |
...one of the largest real-estate developers |
| 00:53:04 |
I had to ball on the party. |
| 00:53:06 |
You balled on me. |
| 00:53:11 |
-Did you hear me? |
| 00:53:14 |
For three whole hours. |
| 00:53:15 |
The next time you make a promise, |
| 00:53:19 |
You gotta be kidding me, right? |
| 00:53:20 |
Go to hell. And you can go to sleep |
| 00:53:27 |
-You sure he's up there? |
| 00:53:31 |
Look at this. |
| 00:53:32 |
I'm not out 20 minutes, |
| 00:53:36 |
They're Like insects. |
| 00:53:37 |
Alex, just calm down and Listen, okay? |
| 00:53:42 |
I don't know. Maybe you're right. |
| 00:53:47 |
This is my ass we're talking about! |
| 00:53:50 |
Alex, you know how this town works. |
| 00:53:56 |
You've got enemies here |
| 00:54:00 |
Now, with this... |
| 00:54:02 |
...now that you're down... |
| 00:54:04 |
...I'd get ready for one of those... |
| 00:54:06 |
...Class-A, New York-style pigfucks. |
| 00:54:09 |
You know what's coming. |
| 00:54:11 |
Now you're going to have to ask yourself, |
| 00:54:15 |
I don't know. |
| 00:54:17 |
I'm gonna have to Look around. |
| 00:54:22 |
You don't have time to shop, Mr. Cullen. |
| 00:54:25 |
Jury selection started today |
| 00:54:28 |
This is what people know: |
| 00:54:31 |
Three dead bodies. |
| 00:54:33 |
You discover the crime. |
| 00:54:35 |
You call it in. You've got blood |
| 00:54:40 |
And Mr. Cullen.... |
| 00:54:43 |
Your prints are on the murder weapon. |
| 00:54:45 |
How do you know that? |
| 00:54:47 |
There's a second print in blood. |
| 00:54:50 |
It's a partial of a hand on the wall |
| 00:54:54 |
I have keys. I called the cops from |
| 00:54:58 |
I panicked! I was panicked! |
| 00:54:59 |
We need 12 people |
| 00:55:02 |
-I touched the goddamn wall! |
| 00:55:05 |
I panicked! Is that a crime? |
| 00:55:08 |
I didn't kill anybody. |
| 00:55:12 |
This is a nightmare. |
| 00:55:14 |
How am I going to convince anybody? |
| 00:55:18 |
He's right, Alex. |
| 00:55:20 |
People need to hear these things. |
| 00:55:23 |
Christ, Eddie. |
| 00:55:25 |
You're not happy tomorrow? |
| 00:55:28 |
We'll move over. |
| 00:55:30 |
But right now, this moment... |
| 00:55:32 |
...you need immediate representation. |
| 00:55:35 |
I have a 14-year-old stepdaughter... |
| 00:55:37 |
...who I care more about |
| 00:55:40 |
They wouldn't Let me talk to her |
| 00:55:43 |
They won't Let me talk to her |
| 00:55:45 |
We need to issue a statement. |
| 00:55:50 |
He's a winner, Alex. |
| 00:55:52 |
Just Like you were. |
| 00:55:54 |
And they'll never see him coming. |
| 00:55:58 |
Jesus Christ. |
| 00:56:03 |
I've got some tough phone calls |
| 00:56:14 |
My place, tomorrow. |
| 00:56:16 |
Alone. |
| 00:56:21 |
You better be every fucking inch |
| 00:56:35 |
Not if they were giving it away. |
| 00:56:37 |
Come on, Mary Ann. |
| 00:56:41 |
-Andrea? |
| 00:56:42 |
Another one of these, please. |
| 00:56:44 |
Right away. |
| 00:56:45 |
-No, no, no! |
| 00:56:48 |
I want you loose and pliable this afternoon. |
| 00:56:54 |
Oh, Lord, this is $3,000. |
| 00:56:57 |
You know what you should do? |
| 00:56:59 |
You should buy it... |
| 00:57:01 |
...wear it once, and then throw it away. |
| 00:57:04 |
That will loosen you up. |
| 00:57:08 |
I say spend it all. |
| 00:57:10 |
If you never see your husband, |
| 00:57:14 |
I swear... |
| 00:57:15 |
...if Eddie wasn't afraid of me |
| 00:57:20 |
...he would've put a cellulite clause |
| 00:57:23 |
Dr. Robert, I'm telling you... |
| 00:57:25 |
...he's a miracle man. |
| 00:57:28 |
Who does it better than that? |
| 00:57:30 |
It's not my tits I'm worried about. |
| 00:57:35 |
Not too big.... |
| 00:57:37 |
Perfect. |
| 00:57:40 |
Real or not? |
| 00:57:43 |
They Look real. |
| 00:57:46 |
They must be real. |
| 00:57:49 |
Feel them. |
| 00:57:50 |
No, it's okay, really. |
| 00:57:52 |
Go ahead. That's the ultimate test. |
| 00:57:58 |
Feel real? |
| 00:58:00 |
Yes, absolutely real. |
| 00:58:02 |
Dr. Robert. |
| 00:58:07 |
When you're ready. |
| 00:58:32 |
So, what do you think? |
| 00:58:37 |
I don't care if they can hear me. |
| 00:58:42 |
I don't Like it here, Kevin. |
| 00:58:45 |
And these women! My God, I mean, |
| 00:58:48 |
-You just left them in the store? |
| 00:58:51 |
-Calm down! |
| 00:58:52 |
Listen to me! |
| 00:58:55 |
First.... |
| 00:58:59 |
You do this radical thing to your hair. |
| 00:59:01 |
You hate it. |
| 00:59:03 |
Stop. It's fine. |
| 00:59:04 |
I think it's fine. |
| 00:59:10 |
You've got the pressure of fitting in |
| 00:59:13 |
A new place. |
| 00:59:15 |
Add to that a couple bottles of wine. |
| 00:59:18 |
No. It wasn't the wine, Kevin. |
| 00:59:21 |
It wasn't the wine, or my hair, |
| 00:59:25 |
...or anything Like that! |
| 00:59:26 |
Because I know |
| 00:59:29 |
What about Kathy? |
| 00:59:31 |
What about your sister? |
| 00:59:33 |
What about her? She's pregnant again. |
| 00:59:36 |
That's got nothing to do with this? |
| 00:59:42 |
Kevin, I never see you anymore. |
| 00:59:45 |
And now that you've got this big case, |
| 00:59:50 |
If you can believe it... |
| 00:59:51 |
...I'm actually Looking forward |
| 00:59:55 |
What about the apartment? |
| 00:59:57 |
Goddamn you! |
| 00:59:58 |
Why do you always |
| 01:00:01 |
This is not about the apartment! |
| 01:00:06 |
You know... |
| 01:00:08 |
...you buy a couple new suits |
| 01:00:11 |
It's a little more than that. |
| 01:00:12 |
I have this whole fucking place to fill! |
| 01:00:15 |
I know we have all this money |
| 01:00:19 |
It's Like a test. |
| 01:00:23 |
And God...! |
| 01:00:34 |
I am so lonely! |
| 01:00:38 |
I miss you so much. |
| 01:00:41 |
I'm sorry, baby. |
| 01:00:43 |
I don't know what to do. |
| 01:00:48 |
Let's make a baby. |
| 01:00:54 |
Don't tease me. |
| 01:00:56 |
I wouldn't do that. |
| 01:00:58 |
Not unless you asked. |
| 01:01:05 |
Oh, baby. |
| 01:01:30 |
Do you have this view? |
| 01:02:06 |
Make Love to me. |
| 01:02:51 |
What are you doing? |
| 01:03:23 |
Stop. |
| 01:03:26 |
Oh, God. |
| 01:03:28 |
God! |
| 01:03:29 |
Where are you? |
| 01:03:31 |
I'm right here. |
| 01:03:34 |
No, you're not. |
| 01:03:43 |
-Why do we have to keep going? |
| 01:03:47 |
Because I need to know |
| 01:03:51 |
...what happened. |
| 01:03:53 |
You're standing there, you Look down... |
| 01:03:57 |
...there's the gun. |
| 01:03:59 |
I don't know why I picked it up. |
| 01:04:01 |
It was before I saw Elucinda's body. |
| 01:04:05 |
You kneeled down to pick it up? |
| 01:04:09 |
You work late, you come home, |
| 01:04:12 |
It's not something you plan for! |
| 01:04:14 |
Stop. Back up. |
| 01:04:18 |
Two prints by the gun. |
| 01:04:21 |
''Right hand.'' |
| 01:04:23 |
''Right knee.'' |
| 01:04:26 |
Right knee. |
| 01:04:28 |
We've been over this. |
| 01:04:29 |
I'm trying to picture it. |
| 01:04:31 |
Your hand... |
| 01:04:32 |
...your hand came from... |
| 01:04:35 |
...inside and underneath? |
| 01:04:40 |
Do you want to see it? Here. |
| 01:04:54 |
See? Did you see it? Was it clear? |
| 01:04:57 |
You got it? |
| 01:04:58 |
Whose gun is that? |
| 01:05:00 |
-It's mine! |
| 01:05:02 |
You're charged with a triple homicide, |
| 01:05:06 |
I have had nine death threats! |
| 01:05:08 |
Give it over. Give me the gun. |
| 01:05:11 |
I gotta protect myself. |
| 01:05:13 |
That's my job. When the case is over, |
| 01:05:20 |
This is a deal breaker, Alex. |
| 01:05:36 |
Let's wrap it up. |
| 01:05:37 |
So, what's next? |
| 01:05:39 |
We need to talk to your assistant, |
| 01:05:42 |
Call her. |
| 01:05:43 |
You feel confident she'll back you |
| 01:05:48 |
Melissa, yeah, yeah. |
| 01:05:50 |
She's okay. She's a straight arrow. |
| 01:05:55 |
We're going to talk to her... |
| 01:05:58 |
...and you're not going |
| 01:06:02 |
ALL right? |
| 01:06:07 |
No comment. |
| 01:06:12 |
There they are! |
| 01:06:15 |
Kevin, how about a couple shots? |
| 01:06:17 |
How does it feel to get |
| 01:06:20 |
Look over here! Are you really |
| 01:06:24 |
What is happening? |
| 01:06:25 |
Since the case, |
| 01:06:29 |
He always did Like to stick his nose |
| 01:06:33 |
-Sorry about that. |
| 01:06:35 |
Did you have a nice dinner? |
| 01:06:37 |
Oh, I surely did. Are you hungry? |
| 01:06:39 |
Oh, no, ma'am. Thank you. |
| 01:06:42 |
Welcome to Babylon, Ma. |
| 01:06:44 |
Speak of the devil. |
| 01:06:47 |
I was just telling them the Moyez story. |
| 01:06:51 |
Really? |
| 01:06:53 |
This is your mother. |
| 01:06:54 |
Yes, Mom, this is-- |
| 01:06:56 |
John Milton. |
| 01:06:59 |
Alice Lomax. |
| 01:07:01 |
It's a pieasure to meet you. |
| 01:07:04 |
How do you do? |
| 01:07:08 |
-You're Looking Loveiy. |
| 01:07:13 |
I believe you met Christabella. |
| 01:07:15 |
Yes, I think we did. |
| 01:07:16 |
And Gizelle. |
| 01:07:18 |
Fresh in from Paris. |
| 01:07:20 |
Great. |
| 01:07:23 |
Nice to meet you. |
| 01:07:27 |
Three for you... |
| 01:07:28 |
...and my place. |
| 01:07:30 |
Thanks for the champagne. |
| 01:07:31 |
You're very welcome, Kevin. |
| 01:07:35 |
This isn't really your first visit |
| 01:07:43 |
Yes. |
| 01:07:51 |
You've done one hell of a job |
| 01:07:56 |
I'm sure... |
| 01:07:57 |
...it wasn't easy. |
| 01:08:01 |
No. |
| 01:08:05 |
Mom, we're here. |
| 01:08:07 |
Good night to you. |
| 01:08:10 |
Good night, Mary Ann. |
| 01:08:13 |
Kevin, hang on. |
| 01:08:16 |
How about Cullen? How's it going? |
| 01:08:18 |
Everything on beam? |
| 01:08:20 |
That's a long conversation. |
| 01:08:22 |
Want to come up and tell me? |
| 01:08:24 |
Now? |
| 01:08:33 |
Let's talk tomorrow. |
| 01:08:38 |
You sure? |
| 01:08:49 |
Is that what you're doing |
| 01:08:52 |
What're you talking about? |
| 01:08:53 |
You know exactly what I'm talking about. |
| 01:08:56 |
-That's ridiculous. |
| 01:08:58 |
I'm going to bed. |
| 01:09:00 |
-Good night, Alice. |
| 01:09:15 |
Oh, shit! |
| 01:09:21 |
Mom, what are you doing? |
| 01:09:22 |
I'm going home. |
| 01:09:24 |
What are you talking about? |
| 01:09:26 |
I don't feel right. |
| 01:09:28 |
Look, you just got here. |
| 01:09:31 |
And I just got my teeth kicked in |
| 01:09:36 |
We'll talk later, okay? |
| 01:09:43 |
I have to go, Kevin. |
| 01:09:46 |
I miss my church. |
| 01:09:47 |
This is New York. There must be |
| 01:09:53 |
You need to do a better job with Mary Ann. |
| 01:09:55 |
She is not well. |
| 01:09:57 |
-This place is not good for her. |
| 01:10:00 |
Take care of her, if you're so concerned. |
| 01:10:02 |
Help me out. |
| 01:10:04 |
I'll take her home if you Let me. |
| 01:10:07 |
This is home. Understand? |
| 01:10:09 |
This is where we Live. |
| 01:10:10 |
I'm not going back to Gainesville. |
| 01:10:13 |
Unbelievable. |
| 01:10:15 |
''Wide is the gate... |
| 01:10:16 |
''...and broad is the way |
| 01:10:20 |
It's a little early for Scripture. |
| 01:10:22 |
I'm going to work. |
| 01:10:48 |
Does my babysitter have to testify? |
| 01:10:50 |
We need her to establish |
| 01:10:54 |
She doesn't have a green card, |
| 01:10:57 |
I would hate for her to get in trouble. |
| 01:10:59 |
Tell you what, Melissa.... |
| 01:11:00 |
Let's talk to her first. See where |
| 01:11:04 |
I'll make sure Melissa gets down to the car. |
| 01:11:07 |
Mr. Cullen didn't kill those people. |
| 01:11:09 |
I know him. He's a difficult man, |
| 01:11:12 |
That's why we're all working so hard. |
| 01:11:16 |
Thank you. |
| 01:11:18 |
Can I have the car stop |
| 01:11:21 |
-My son left his jacket there. |
| 01:11:28 |
Remember, no shredding in the building |
| 01:11:33 |
Excelsior Securities, who's handling that? |
| 01:11:36 |
-I am. |
| 01:11:39 |
GuatemaIa, Sudan, Cyprus.... |
| 01:11:43 |
Vagada Holdings, it'll take you all night. |
| 01:11:48 |
I thought I was the only one working late. |
| 01:11:54 |
So did we. |
| 01:11:56 |
Back to work. This is not a break. |
| 01:11:59 |
Good news. |
| 01:12:00 |
We just wrapped up with |
| 01:12:03 |
What a pleasant surprise. |
| 01:12:08 |
Looks Like you've got your hands full. |
| 01:12:10 |
It's just a little... |
| 01:12:13 |
...housekeeping. |
| 01:12:15 |
If anyone should ask... |
| 01:12:17 |
...you never saw this. |
| 01:12:19 |
Who would ask? |
| 01:12:22 |
Weaver. |
| 01:12:23 |
Who's that? |
| 01:12:25 |
Justice Department. Weaver Commission. |
| 01:12:30 |
You don't know about him? |
| 01:12:32 |
Sorry. |
| 01:12:35 |
How nice for you. |
| 01:12:36 |
Grab your coat. The night is young. |
| 01:12:41 |
Title fight. |
| 01:12:42 |
Roy Jones, Jr. |
| 01:12:44 |
I have to call Mary Ann. |
| 01:12:46 |
Do it on the way. |
| 01:12:49 |
Get my message? |
| 01:12:51 |
I did. You write beautifully. |
| 01:12:57 |
What's this Weaver Commission? |
| 01:12:59 |
I don't Like to micro-manage. |
| 01:13:01 |
Find the talent, then delegate. |
| 01:13:04 |
Who the hell knows what Eddie's up to? |
| 01:13:07 |
He's got a lot of fingers in a lot of pies. |
| 01:13:11 |
Excuse me. |
| 01:13:12 |
What the fuck are you Looking at? |
| 01:13:15 |
You. You deaf or something? |
| 01:13:17 |
I hear you fine. |
| 01:13:19 |
So get the fuck out of my car. |
| 01:13:21 |
Why? I didn't know it was your car. |
| 01:13:25 |
I'm telling you, motherfucker... |
| 01:13:27 |
...get the fuck out of my car-- |
| 01:13:28 |
Shit. |
| 01:13:29 |
Get out before I cut your throat. |
| 01:13:32 |
Fuck that. |
| 01:13:58 |
How do you know? |
| 01:14:05 |
Enjoy yourself. |
| 01:14:06 |
You still got time. |
| 01:14:08 |
There's a train coming the other way. |
| 01:14:11 |
You'll thank me in the morning. |
| 01:14:13 |
If you ain't right.... |
| 01:14:15 |
I'm right. |
| 01:14:16 |
You'll see. |
| 01:14:19 |
Invigorating. |
| 01:14:21 |
What did you say to him? |
| 01:14:24 |
I told him if he didn't leave us alone, |
| 01:14:28 |
Look, there's a lady getting up |
| 01:14:33 |
Give it to him! You want this round? |
| 01:14:37 |
Roy's gonna get him. Now, now, now! |
| 01:14:50 |
Fixed! |
| 01:14:57 |
-What a beauty! |
| 01:15:00 |
I want you to meet my new heavyweight, |
| 01:15:04 |
How are you? |
| 01:15:06 |
I'm well. |
| 01:15:26 |
And say what? |
| 01:15:27 |
He's the senior partner at the-- |
| 01:15:32 |
You're really starting to piss me off. |
| 01:15:44 |
Yes, I'm having one cigarette. |
| 01:15:46 |
You want me to lie? |
| 01:15:49 |
That's exactly what I'm saying! |
| 01:15:53 |
Go to bed. I have no idea. |
| 01:16:06 |
Stop. This guy pays our bills. |
| 01:16:09 |
The food, the heat, the rent |
| 01:16:14 |
I Live there, too. |
| 01:16:20 |
Give it back to me! |
| 01:16:29 |
Babs Coleman. |
| 01:16:30 |
Kevin Lomax. |
| 01:16:32 |
Babs is from Georgia Tech. |
| 01:16:35 |
There's Tiffany. |
| 01:16:36 |
New additions. Where are you from? |
| 01:16:39 |
Don't tell me! |
| 01:16:41 |
Michigan! |
| 01:16:43 |
How'd you know? Oh, my goodness. |
| 01:16:46 |
How did he know? |
| 01:16:48 |
That is so good. |
| 01:17:04 |
Cheers. |
| 01:17:58 |
Hello? |
| 01:18:01 |
Who is there? |
| 01:18:03 |
I got a knife. |
| 01:18:27 |
Oh, Jesus. |
| 01:18:36 |
Baby... |
| 01:18:38 |
...how'd you get here? |
| 01:18:41 |
Are you okay? |
| 01:18:46 |
Oh, God. |
| 01:18:50 |
Where's your mommy? |
| 01:18:53 |
You ain't got no mommy? |
| 01:18:57 |
What are you playing with? |
| 01:19:00 |
What are you playing with? |
| 01:19:08 |
Oh, God! |
| 01:19:20 |
Baby, please. |
| 01:19:22 |
Baby, there is no blood. |
| 01:19:24 |
There is no blood. It was a dream. |
| 01:19:27 |
It was a dream. |
| 01:19:29 |
It's not a dream if it's true. |
| 01:19:33 |
Look, Let's get you undressed |
| 01:19:38 |
No! |
| 01:19:40 |
I know you. |
| 01:19:43 |
You'll leave me now for sure. |
| 01:19:46 |
No! Get away from me! |
| 01:19:52 |
I'm confused. |
| 01:19:54 |
Why? |
| 01:19:56 |
What is it now? |
| 01:20:00 |
Did you Like the green? |
| 01:20:02 |
You did, didn't you? |
| 01:20:04 |
We should go back to the green. |
| 01:20:05 |
I'm calling the doctor. |
| 01:20:08 |
They took my ovaries, Kevin. |
| 01:20:13 |
They took my ovaries! |
| 01:20:16 |
I told you! Right here! |
| 01:20:18 |
Mary Ann, it was a nightmare. |
| 01:20:25 |
My sisters have |
| 01:20:32 |
My mother had Derek when she was 45. |
| 01:20:35 |
You could've set a clock by my periods. |
| 01:20:38 |
Baby... |
| 01:20:39 |
...what are you talking about? |
| 01:20:43 |
Kevin, I can't have children. |
| 01:20:46 |
What? |
| 01:20:48 |
Says who? |
| 01:20:52 |
The doctor. |
| 01:20:55 |
I was there yesterday. |
| 01:20:58 |
''Non-specific ovarian failure.'' |
| 01:21:03 |
That's ridiculous. |
| 01:21:08 |
Oh, God. |
| 01:21:11 |
Did you just hear that? |
| 01:21:13 |
Listen. |
| 01:21:16 |
Can you hear that? |
| 01:21:21 |
No. |
| 01:21:26 |
You're going to leave me, aren't you? |
| 01:21:32 |
I know you. |
| 01:21:35 |
God.... |
| 01:21:39 |
No, Kevin. |
| 01:21:41 |
It's these monsters. |
| 01:21:44 |
I dreamt about this. |
| 01:21:47 |
Baby, I gotta take this. |
| 01:21:49 |
No, you've gotta Listen to me. |
| 01:21:53 |
I gotta take this. |
| 01:21:57 |
It's going to be okay. |
| 01:22:05 |
Fuck! |
| 01:22:07 |
I knew the D.A. was holding out on us. |
| 01:22:09 |
Get the discovery package |
| 01:22:13 |
I don't care. Find Cullen. |
| 01:22:24 |
I get one supervised hour a week |
| 01:22:27 |
I am in there with two shrinks |
| 01:22:31 |
You better have a good reason |
| 01:22:34 |
Your wife, the day she was killed, |
| 01:22:37 |
She says, and I quote: |
| 01:22:40 |
That's hearsay. That never gets in. |
| 01:22:42 |
Wrong answer. |
| 01:22:44 |
Your prenuptial agreement's |
| 01:22:46 |
The contract is void |
| 01:22:49 |
You fuck around, she gets rich. |
| 01:22:52 |
That's a motive, Alex. |
| 01:22:55 |
What do I need to know? |
| 01:23:05 |
Melissa, my assistant. |
| 01:23:08 |
She wasn't even that good a fuck. |
| 01:23:11 |
And... |
| 01:23:12 |
...on the night in question? |
| 01:23:22 |
I was boning my assistant |
| 01:23:31 |
I've got to re-interview Melissa. |
| 01:23:33 |
No, forget it. We're not telling that story. |
| 01:23:37 |
Juries want honesty. |
| 01:23:43 |
Alessandra, wait! |
| 01:23:47 |
Not now. Mrs. Skylar, please! |
| 01:23:49 |
Time's up, Mr. Cullen. |
| 01:23:52 |
Alex! |
| 01:23:53 |
I can't! |
| 01:23:55 |
This isn't fair. I had 15 more minutes. |
| 01:23:58 |
You'll just have to wait until next week. |
| 01:24:02 |
-I'll see you next week. |
| 01:24:06 |
For sleep. |
| 01:24:08 |
And she can take that during the day? |
| 01:24:10 |
No, she won't be driving. |
| 01:24:13 |
I'll have the pharmacy call you right back. |
| 01:24:16 |
He's not sure. He thinks it could |
| 01:24:20 |
I'm taking you off the case. |
| 01:24:24 |
I want you to drop this case. |
| 01:24:25 |
This case? Cullen? |
| 01:24:28 |
-I've got a jury showing up. |
| 01:24:30 |
-Of course I do. |
| 01:24:33 |
She's sick. |
| 01:24:34 |
Everyone will understand. I'll understand. |
| 01:24:38 |
What about Cullen? |
| 01:24:39 |
We find somebody new. |
| 01:24:41 |
You consult. |
| 01:24:43 |
You Live to fight another day. |
| 01:24:45 |
What are you talking about? |
| 01:24:49 |
It's a disappointment. We have them. |
| 01:24:51 |
ALL of us have them. You use it. |
| 01:24:58 |
Hang on. |
| 01:24:59 |
We've gotta talk about this. |
| 01:25:01 |
Listen to yourself, Kevin. |
| 01:25:05 |
It's your wife! |
| 01:25:06 |
She's sick, she needs you. |
| 01:25:09 |
She's got to come first. |
| 01:25:11 |
ALL right, wait a minute. |
| 01:25:13 |
Do you mean the possibility of leaving |
| 01:25:21 |
You know what scares me? |
| 01:25:24 |
I quit the case, she gets better... |
| 01:25:27 |
...and I hate her for it. |
| 01:25:30 |
I don't want to resent her. |
| 01:25:32 |
I've got a winner here. |
| 01:25:33 |
I've got to nail this fucker down |
| 01:25:38 |
Then... |
| 01:25:39 |
...then... |
| 01:25:41 |
...put all my energy into her. |
| 01:25:49 |
I stand corrected. |
| 01:25:52 |
Fill me in. Did Cullen's assistant |
| 01:25:55 |
She did to me, but... |
| 01:25:57 |
...she won't in court. |
| 01:25:59 |
Convince her otherwise. |
| 01:26:01 |
And when all that evidence |
| 01:26:04 |
...when all these pieces weave together, |
| 01:26:08 |
...you will know... |
| 01:26:10 |
...that Alexander Cullen is guilty... |
| 01:26:13 |
...of murdering three people... |
| 01:26:15 |
...in cold blood... |
| 01:26:17 |
...and with malice aforethought. |
| 01:26:20 |
Thank you. |
| 01:26:22 |
Your Honor. |
| 01:26:24 |
We can break for lunch now |
| 01:26:28 |
If it's a choice, I'll go now. |
| 01:26:31 |
I won't be as long as Mr. Broygo. |
| 01:26:33 |
Proceed. |
| 01:26:39 |
Ladies and gentlemen of the jury... |
| 01:26:42 |
...I know you've spent all morning |
| 01:26:46 |
I know you're hungry. |
| 01:26:47 |
What I need to tell you |
| 01:26:51 |
I don't Like Alexander Cullen. |
| 01:26:55 |
I don't think he's a nice person. |
| 01:26:58 |
I don't expect you to Like him. |
| 01:27:01 |
He's been a terrible husband |
| 01:27:04 |
He's been a destructive force |
| 01:27:07 |
He's cheated the city, his partners... |
| 01:27:10 |
...his employees. |
| 01:27:11 |
He's paid hundreds of thousands |
| 01:27:15 |
I don't Like him. |
| 01:27:18 |
I'm going to tell you some things |
| 01:27:22 |
...that are going to make you |
| 01:27:26 |
But this isn't a popularity contest. |
| 01:27:28 |
It's a murder trial. |
| 01:27:30 |
And the single most important |
| 01:27:35 |
...is that Alexander Cullen |
| 01:27:39 |
...when these... |
| 01:27:41 |
...horrible crimes took place. |
| 01:27:45 |
Now, the State.... |
| 01:27:47 |
The State is going all out here. |
| 01:27:50 |
They've got this whole team here... |
| 01:27:51 |
...throwing everything |
| 01:27:54 |
I want one thing from you. |
| 01:27:56 |
That's it. |
| 01:27:58 |
One thing. |
| 01:28:00 |
I want you to ask yourself: |
| 01:28:04 |
''Is not liking this man... |
| 01:28:08 |
''...reason enough... |
| 01:28:11 |
''...to convict him of murder?'' |
| 01:28:16 |
Enjoy your lunch. |
| 01:28:17 |
We'll talk again. |
| 01:28:21 |
What the fuck was that about? |
| 01:28:25 |
Listen to me Like you've never |
| 01:28:28 |
I'm gonna bust my ass |
| 01:28:30 |
Because as long as you're boning Melissa, |
| 01:28:37 |
Why didn't you say something before? |
| 01:28:40 |
Then it doesn't Look spontaneous. |
| 01:28:44 |
You got it now. |
| 01:29:00 |
Saw you go in. |
| 01:29:01 |
What's up? |
| 01:29:02 |
Congratulations. |
| 01:29:04 |
-It's not over yet. |
| 01:29:08 |
What are you talking about? |
| 01:29:09 |
How the fuck does your name |
| 01:29:14 |
What? |
| 01:29:15 |
It Looks Like it's been there for years. |
| 01:29:17 |
So, now you're a partner. |
| 01:29:20 |
You know, I still am the managing director |
| 01:29:25 |
You want my job, take me head on. |
| 01:29:26 |
You backdoor me one more time... |
| 01:29:28 |
...and I'll take your partnership papers |
| 01:29:31 |
I don't know what you're talking about. |
| 01:29:35 |
Bullshit. |
| 01:29:36 |
You've got a problem with documents... |
| 01:29:38 |
...I suggest you put together |
| 01:29:46 |
You think you're tough enough |
| 01:29:49 |
Remember the Weaver Commission |
| 01:29:53 |
Tell your mentor... |
| 01:29:54 |
...the next time Weaver calls me, |
| 01:29:58 |
...pick up the phone. |
| 01:30:04 |
-Was he drunk? |
| 01:30:06 |
He was going running. |
| 01:30:08 |
What the hell was he talking about? |
| 01:30:12 |
Eddie's got himself in trouble again. |
| 01:30:15 |
And he wants me to save him. |
| 01:30:20 |
Why does he think I'm after his job? |
| 01:30:23 |
You ever have any experience |
| 01:30:26 |
Not directly, no. |
| 01:30:27 |
You do now. |
| 01:30:29 |
346. |
| 01:30:30 |
It's me. Get Eddie Barzoon. |
| 01:30:32 |
He may be out running, |
| 01:30:35 |
-It's an emergency. |
| 01:30:37 |
You Look Like you could use a drink. |
| 01:30:40 |
Yes, thanks. |
| 01:30:42 |
Eddie Barzoon, Eddie Barzoon. |
| 01:30:46 |
I nursed him through two divorces, |
| 01:30:51 |
...and a pregnant receptionist. |
| 01:30:54 |
God's creature, right? |
| 01:30:56 |
God's special creature? |
| 01:30:59 |
I've warned him, Kevin. |
| 01:31:01 |
I've warned him every step of the way. |
| 01:31:04 |
Watching him bounce around |
| 01:31:06 |
Like a wind-up toy. |
| 01:31:08 |
Like 250 pounds... |
| 01:31:10 |
...of self-serving greed on wheels. |
| 01:31:13 |
The next thousand years |
| 01:31:16 |
Eddie Barzoon... |
| 01:31:17 |
...take a good look because... |
| 01:31:19 |
...he's the poster child |
| 01:31:24 |
These people... |
| 01:31:25 |
...it's no mystery where they come from. |
| 01:31:31 |
You sharpen the human appetite... |
| 01:31:34 |
...to the point where it can split atoms |
| 01:31:38 |
You build egos the size of cathedrals. |
| 01:31:40 |
Fiber-optically connect the world |
| 01:31:45 |
Grease even the dullest dreams with |
| 01:31:48 |
...gold-plated fantasies until every human |
| 01:31:53 |
...becomes his own god. |
| 01:31:56 |
Wrong way! |
| 01:31:58 |
Fuck you-- |
| 01:32:00 |
As we're scrambling... |
| 01:32:01 |
...from one deal to the next... |
| 01:32:03 |
...who's got his eye on the planet? |
| 01:32:05 |
As the air thickens, the water sours.... |
| 01:32:07 |
...even bees' honey takes on |
| 01:32:11 |
...and it just keeps coming, |
| 01:32:15 |
Help! Stop it! |
| 01:32:17 |
There's no chance to think, to prepare. |
| 01:32:19 |
It's buy futures, sell futures... |
| 01:32:22 |
...when there is no future. |
| 01:32:24 |
We got a runaway train, boy. |
| 01:32:26 |
We got a billion Eddie Barzoons |
| 01:32:30 |
Every one of them is getting ready |
| 01:32:34 |
...lick their fingers clean... |
| 01:32:36 |
...as they reach out toward their pristine... |
| 01:32:38 |
...cybernetic keyboards... |
| 01:32:40 |
...to tote up their fucking billable hours. |
| 01:32:43 |
And then it hits home. |
| 01:32:45 |
You got to pay your own way, Eddie. |
| 01:32:48 |
It's a little late in the game to buy out now. |
| 01:32:51 |
Give me your watch. |
| 01:32:52 |
I Like this watch! |
| 01:32:57 |
Your belly's too full... |
| 01:32:59 |
...your dick is sore... |
| 01:33:00 |
...your eyes are bloodshot and |
| 01:33:04 |
But guess what? |
| 01:33:06 |
There's no one there! |
| 01:33:08 |
You're all alone, Eddie. |
| 01:33:11 |
You're God's special little creature. |
| 01:33:20 |
Maybe it's true. |
| 01:33:22 |
Maybe God threw the dice once too often. |
| 01:33:26 |
Maybe He Let us all down. |
| 01:33:37 |
You testified the defendant |
| 01:33:40 |
...to ask you to come to his office gym |
| 01:33:44 |
Yes. |
| 01:33:45 |
Mr. Cullen, though, |
| 01:33:49 |
He's the boss. |
| 01:33:52 |
Yes. |
| 01:33:54 |
So two hours go by |
| 01:33:57 |
Yes, I went up at 6:10. |
| 01:33:59 |
It was 6:10 because I heard |
| 01:34:02 |
Okay, stop. |
| 01:34:04 |
This prosecutor is no fool. |
| 01:34:07 |
He's going to change tempo, |
| 01:34:11 |
He's going to come out with questions |
| 01:34:15 |
So what do we do? |
| 01:34:19 |
Yes and no answers. Stay caIm. |
| 01:34:21 |
Exactly. |
| 01:34:26 |
Is it your testimony, Mrs. Black, |
| 01:34:31 |
...you were engaged in sexuaI congress |
| 01:34:34 |
Yes. |
| 01:34:35 |
At any point |
| 01:34:38 |
...did you Lose sight of the defendant? |
| 01:34:39 |
-No. |
| 01:34:42 |
-Yes. |
| 01:34:50 |
You understand the question? |
| 01:34:52 |
Yeah. |
| 01:34:54 |
So is he cut or not? |
| 01:34:56 |
Yes. |
| 01:34:59 |
Which is it? |
| 01:35:02 |
You've polished his knob |
| 01:35:05 |
You don't know if he has foreskin? |
| 01:35:07 |
I've had enough of your fucking game! |
| 01:35:08 |
Why don't you take your questions |
| 01:35:30 |
What's happening? |
| 01:35:31 |
It's Eddie Barzoon. |
| 01:35:33 |
What about him? |
| 01:35:35 |
He's dead. He was killed. |
| 01:35:37 |
-When? |
| 01:35:39 |
-In the park. |
| 01:35:41 |
What is wrong with people? |
| 01:35:43 |
At least they got the scumbags who did it. |
| 01:35:46 |
Who? |
| 01:35:47 |
Two old homeless crazies. |
| 01:35:53 |
You're due in court in 30 minutes. |
| 01:35:55 |
-Get your things together. |
| 01:35:58 |
I'll bring Melissa down to the car. |
| 01:36:04 |
I want you to put Eddie aside. |
| 01:36:09 |
You've got to deal with Cullen. |
| 01:36:11 |
You've got to marshal your strength. |
| 01:36:16 |
I can't put her on the stand. |
| 01:36:19 |
-What choice do you have? |
| 01:36:22 |
She's lying because she didn't answer |
| 01:36:27 |
She said nothing. |
| 01:36:29 |
Fact is, you'll never know anyway. |
| 01:36:32 |
He killed those people. |
| 01:36:35 |
You really believe that? |
| 01:36:38 |
He set me up. |
| 01:36:40 |
Cullen fucking set me up. |
| 01:36:44 |
I know it. |
| 01:36:47 |
Got to go with your gut. |
| 01:36:49 |
That's your advice? |
| 01:36:52 |
I'll back you either way. |
| 01:36:56 |
Maybe it's your time to Lose. |
| 01:37:00 |
Think I haven't Lost before? |
| 01:37:11 |
We talked about this, remember? |
| 01:37:14 |
Pressure. |
| 01:37:17 |
Take a big whiff. |
| 01:37:21 |
ALL rise! |
| 01:37:22 |
The Honorable Armand Poe presiding. |
| 01:37:32 |
Please be seated. |
| 01:37:38 |
ALL right, Mr. Lomax... |
| 01:37:40 |
...you may present your case. |
| 01:38:01 |
Mr. Lomax.... |
| 01:38:24 |
I call Melissa Black. |
| 01:38:44 |
Raise your right hand. |
| 01:38:46 |
Do you swear to tell the truth, |
| 01:38:48 |
...nothing but the truth, so help you God? |
| 01:38:50 |
I do. |
| 01:39:18 |
Feeney, it's him. |
| 01:39:23 |
She didn't Look well. |
| 01:39:26 |
-Where is she? |
| 01:39:55 |
Honey. |
| 01:39:57 |
It's me. |
| 01:40:00 |
What happened? |
| 01:40:01 |
Are you okay? |
| 01:40:03 |
He Let himself in. You need to know that. |
| 01:40:07 |
Who Let himself in? |
| 01:40:09 |
The bath... |
| 01:40:10 |
...was running or something. |
| 01:40:13 |
I didn't hear him. I swear to you. |
| 01:40:15 |
And then we talked. |
| 01:40:18 |
And we talked for hours. |
| 01:40:21 |
And I haven't talked to anyone... |
| 01:40:23 |
...really talked to anyone in so long. |
| 01:40:27 |
Did somebody hurt you? |
| 01:40:29 |
Yeah. |
| 01:40:31 |
Who? |
| 01:40:35 |
Milton. |
| 01:40:37 |
What? |
| 01:40:45 |
He fucked me. |
| 01:40:49 |
And I think I wanted him to, |
| 01:40:53 |
I don't know, I just couldn't stop him. |
| 01:40:57 |
He just wouldn't stop. |
| 01:41:02 |
When? |
| 01:41:04 |
-Baby, when? |
| 01:41:08 |
The whole afternoon. |
| 01:41:10 |
The whole afternoon. |
| 01:41:14 |
I'm so ashamed. |
| 01:41:17 |
Today? |
| 01:41:20 |
Today? |
| 01:41:23 |
Today he was in court. |
| 01:41:25 |
He was in court in my presence |
| 01:41:28 |
-No! |
| 01:41:34 |
God, no, Kevin. |
| 01:41:36 |
Kevin, I'm not crazy. |
| 01:41:38 |
You have to believe me. |
| 01:41:45 |
Oh, Jesus. |
| 01:41:47 |
He did this to me! |
| 01:41:52 |
He did this to me. |
| 01:41:54 |
What did you do to yourself? |
| 01:41:56 |
What are we going to do? |
| 01:41:59 |
What am I going to do? |
| 01:42:03 |
Sign there. And your relationship. |
| 01:42:07 |
She's calm now. This might be |
| 01:42:20 |
I know why this is happening. |
| 01:42:25 |
They want you to sleep. |
| 01:42:29 |
It's the money. |
| 01:42:31 |
Blood money. |
| 01:42:33 |
We just drank it down, both of us. |
| 01:42:37 |
We knew it. |
| 01:42:41 |
Winning those cases, taking the money. |
| 01:42:46 |
But you just kept on winning... |
| 01:42:49 |
...every time. |
| 01:42:56 |
And I can't Look at myself in the mirror. |
| 01:43:00 |
And then I see a monster. |
| 01:43:05 |
Don't do this, Kevin. |
| 01:43:07 |
Please take me home. |
| 01:43:10 |
Please don't do this. |
| 01:43:13 |
I'm not crazy. |
| 01:43:30 |
Doesn't Diana Look fabulous? |
| 01:43:41 |
Alessandra, you Look ravishing. |
| 01:43:46 |
Mrs. SkyIar. |
| 01:43:54 |
We are here today... |
| 01:43:56 |
...to remember Eddie Barzoon. |
| 01:43:58 |
Isn't she Lovely? |
| 01:43:59 |
We have gathered to seek shelter |
| 01:44:04 |
To draw strength toward our tested faith. |
| 01:44:06 |
So what do they say? |
| 01:44:08 |
How's Mary Ann? |
| 01:44:10 |
They don't know. |
| 01:44:14 |
She's falling apart. |
| 01:44:16 |
Hallucinations. |
| 01:44:17 |
Milton.... |
| 01:44:20 |
It's bad. |
| 01:44:25 |
Do you have room for one more? |
| 01:44:26 |
Beloved father. |
| 01:44:28 |
Devoted husband. |
| 01:44:29 |
Trusted friend. |
| 01:44:31 |
Esteemed colleague. Benevolent citizen. |
| 01:44:34 |
All of these things. |
| 01:44:36 |
And yet one thing more: |
| 01:44:39 |
Child of God. |
| 01:44:42 |
And it is to that Father |
| 01:44:46 |
Eddie Barzoon... |
| 01:44:48 |
...such a vibrant member |
| 01:44:51 |
...has moved beyond us now. |
| 01:44:54 |
He has entered... |
| 01:44:56 |
...a new communion. |
| 01:44:59 |
And for that it is a time of rejoicing. |
| 01:45:03 |
God, who is our refuge and our strength. |
| 01:45:07 |
God, who is that very present help... |
| 01:45:10 |
...in time of trouble. |
| 01:45:13 |
''Therefore we will not fear... |
| 01:45:16 |
''...though the Earth should change... |
| 01:45:18 |
''...though the mountains shake |
| 01:45:21 |
''...though its waters roar and foam... |
| 01:45:24 |
''...though the mountains tremble |
| 01:45:27 |
We cannot fear too long... |
| 01:45:29 |
...for Eddie Barzoon... |
| 01:45:31 |
...has gone home. |
| 01:45:52 |
Mr. Lomax? |
| 01:45:53 |
No comment. |
| 01:45:55 |
I'm a friend of Eddie Barzoon. |
| 01:45:57 |
You don't know me, |
| 01:46:00 |
Mitch Weaver, Justice Department? |
| 01:46:02 |
Staking out the funeral? |
| 01:46:03 |
Looking for you, actually. |
| 01:46:05 |
I'm in a hurry. I need to talk to my wife. |
| 01:46:07 |
Just wanted to ask you, off the record.... |
| 01:46:29 |
Milton-Chadwick-Waters |
| 01:46:32 |
But I assumed you knew that. |
| 01:46:34 |
Vagada Holdings? |
| 01:46:37 |
London, Kinshasa, Karachi: |
| 01:46:40 |
Munzer-Dietch, in BerIin, Djakarta: |
| 01:46:45 |
Ivanco Limited, Moscow: |
| 01:46:48 |
It goes on and on and on. |
| 01:47:03 |
Barzoon was coming in, Kevin. |
| 01:47:07 |
DeSoto and Diballsta, Panama. |
| 01:47:09 |
That firm sets up bank accounts |
| 01:47:12 |
Huge drug cases, murder, everything. |
| 01:47:15 |
What the fuck do you want? |
| 01:47:19 |
Now stay off my back! |
| 01:47:24 |
This is a first-time last-time offer. |
| 01:47:27 |
I'm learning about you. |
| 01:47:29 |
I talked to some old friends |
| 01:47:32 |
The Gettys case? |
| 01:47:33 |
Eighth grade teacher? |
| 01:47:37 |
They found him yesterday! |
| 01:47:41 |
He had the body of a 10-year-old girl |
| 01:48:04 |
Is he all right? Get help! |
| 01:48:29 |
Marie, do you want to go to the party? |
| 01:48:32 |
Come on. |
| 01:48:33 |
Horace will be disappointed. |
| 01:48:34 |
It's a birthday party. We can sing. |
| 01:48:37 |
''...indeed, His divine power... |
| 01:48:39 |
''...has granted us all things |
| 01:48:43 |
''...through the knowledge of Him |
| 01:48:50 |
What are you doing here? |
| 01:48:53 |
I came this morning. |
| 01:48:56 |
I kept calling the house |
| 01:48:59 |
I need to talk to you. |
| 01:49:01 |
We got her on the first fLight up |
| 01:49:12 |
Are you all right, Kevin? |
| 01:49:21 |
I don't know. |
| 01:49:25 |
Would you excuse us |
| 01:49:31 |
How you doing, sweetie? |
| 01:49:34 |
I know something |
| 01:49:37 |
There. |
| 01:49:41 |
I shouldn't have left. I knew it. |
| 01:49:45 |
I'll never forgive myself. |
| 01:49:48 |
-There's nothing you could've done. |
| 01:49:53 |
About what? |
| 01:49:55 |
Baptist Endeavor Youth Crusade, 1966. |
| 01:49:59 |
I was here in New York. |
| 01:50:02 |
That night in the elevator, |
| 01:50:07 |
What are you talking about? |
| 01:50:08 |
I stayed here a week in the Tremont Hotel. |
| 01:50:12 |
They had a restaurant downstairs |
| 01:50:15 |
Wait. Stop. |
| 01:50:17 |
Your father was a waiter in that restaurant. |
| 01:50:21 |
My father? |
| 01:50:26 |
This is great, Ma. |
| 01:50:31 |
Honey, please Listen. |
| 01:50:32 |
Now? |
| 01:50:33 |
You do this now? |
| 01:50:35 |
Your timing, it's superb. |
| 01:50:37 |
You wait 30 years, |
| 01:50:42 |
Obviously I'm not under enough pressure. |
| 01:50:48 |
Listen to me! |
| 01:50:56 |
''Behold, I send you out as sheep |
| 01:51:06 |
Don't you Look beautifuI now. |
| 01:51:12 |
Take a Look and see. |
| 01:51:15 |
It's all right, dear. Look. |
| 01:51:17 |
No. |
| 01:51:18 |
Go on, take a Look. |
| 01:51:20 |
See how beautifuI you are? |
| 01:51:30 |
See? |
| 01:51:39 |
What happened? |
| 01:51:40 |
She attacked me. |
| 01:51:46 |
Open the door. |
| 01:51:48 |
Open the door, Mar. |
| 01:51:53 |
Open the door! |
| 01:51:58 |
It's okay. |
| 01:51:59 |
Open the door! |
| 01:52:03 |
Come on! |
| 01:52:04 |
Open the door! |
| 01:52:09 |
Open the door, Mar! |
| 01:52:11 |
Oh, my God! Get somebody! Go! Go! |
| 01:52:15 |
Somebody! Help! |
| 01:52:19 |
Get help! |
| 01:52:21 |
Go! |
| 01:52:29 |
Sweetheart! |
| 01:52:35 |
Look at me! |
| 01:52:36 |
I Love you. |
| 01:52:47 |
What have you done? |
| 01:52:48 |
What have you done? |
| 01:52:52 |
We need a doctor in here! |
| 01:52:54 |
We need a doctor! |
| 01:52:58 |
Please stay with me, Mar! |
| 01:53:03 |
Stay with me, Mar! |
| 01:53:04 |
Get Dr. Job in here now! |
| 01:53:07 |
Sir, get away so that I can help her. Now! |
| 01:53:10 |
Sir, off! Go! |
| 01:53:12 |
Come on. Come on. |
| 01:53:15 |
-Help her. |
| 01:53:18 |
Get Dr. Job, please! I'm losing her! |
| 01:53:37 |
Finish the story. |
| 01:53:39 |
1966. You were in New York. |
| 01:53:42 |
There's a waiter in a restaurant. |
| 01:53:44 |
Finish the story. |
| 01:53:49 |
He talked to me. |
| 01:53:52 |
Nobody'd ever really talked to me before. |
| 01:53:55 |
Sixteen years old, a thousand miles away |
| 01:54:00 |
Knew the Bible, every word. |
| 01:54:05 |
Every meaI, there he was |
| 01:54:10 |
That last night he came |
| 01:54:15 |
...I started crying. |
| 01:54:17 |
And he told me: |
| 01:54:21 |
''Behold, I send you out as sheep |
| 01:54:25 |
I want to hear you say it. |
| 01:54:30 |
His face that night, I knew it was him. |
| 01:54:32 |
Say it. |
| 01:54:33 |
You were so proud you'd just come to |
| 01:54:38 |
I didn't have the heart to tell you. |
| 01:54:42 |
...that apartment, the attention, |
| 01:54:46 |
Say it! |
| 01:54:48 |
Milton, he's your... |
| 01:54:50 |
...father. |
| 01:54:52 |
He's your father. |
| 01:54:55 |
Somehow he found us. |
| 01:54:57 |
-He tracked you down. |
| 01:54:59 |
He did. |
| 01:55:00 |
He's always been there. |
| 01:55:03 |
I know that now. |
| 01:55:06 |
Watching. |
| 01:55:08 |
Waiting. |
| 01:55:11 |
Playing us Like a game. |
| 01:55:14 |
What do you mean? |
| 01:55:15 |
I gotta go. |
| 01:55:17 |
No, leave it alone. Stay here with me. |
| 01:55:20 |
Forget about him. We can leave here. |
| 01:55:23 |
We can go home. |
| 01:55:25 |
I can't do it. |
| 01:55:28 |
You go home. You go home. |
| 01:55:30 |
I have to go. |
| 01:55:32 |
-I have to go. |
| 01:55:35 |
I Love you. |
| 01:55:46 |
There you are. |
| 01:55:48 |
Look at you. You're terrified. |
| 01:55:51 |
Not to worry. |
| 01:55:53 |
He'll take away that fear. |
| 01:55:55 |
You don't ever have to be frightened again. |
| 01:55:57 |
Go on. |
| 01:55:59 |
He's waiting for you. |
| 01:56:01 |
Go. |
| 01:57:15 |
You were right about one thing. |
| 01:57:17 |
I have been watching. |
| 01:57:21 |
Watching. |
| 01:57:23 |
Waiting. |
| 01:57:25 |
Holding my breath. |
| 01:57:27 |
But I'm no puppeteer, Kevin. |
| 01:57:31 |
I don't make things happen. |
| 01:57:33 |
Doesn't work Like that. |
| 01:57:34 |
What'd you do to Mary Ann? |
| 01:57:36 |
Free will. |
| 01:57:38 |
It's Like butterfly wings. |
| 01:57:40 |
Once touched, |
| 01:57:45 |
I only set the stage. |
| 01:57:48 |
You pull your own strings. |
| 01:57:49 |
What did you do to Mary Ann? |
| 01:57:52 |
A gun? |
| 01:57:53 |
In here? |
| 01:57:54 |
Goddamn it, what did you do to my wife? |
| 01:57:59 |
Well... |
| 01:58:01 |
...on a scale of one to ten.... |
| 01:58:04 |
Ten being the most depraved act |
| 01:58:08 |
One being your average |
| 01:58:12 |
I'd say, not to be immodest... |
| 01:58:15 |
...Mary Ann and I got it on at about seven. |
| 01:58:19 |
Fuck you! |
| 01:58:21 |
Got me! |
| 01:58:23 |
Got me! Yes! |
| 01:58:29 |
Step it up, Son! Come on! That's good! |
| 01:58:32 |
You got to hold on to that fury! |
| 01:58:35 |
That's the last thing to go! |
| 01:58:36 |
That's the finaI hiding place. |
| 01:58:42 |
-Who are you? |
| 01:58:45 |
Who are you? |
| 01:58:47 |
Never Lost a case. |
| 01:58:51 |
Why? |
| 01:58:52 |
Why do you think? |
| 01:58:55 |
Because you're so fucking good. |
| 01:58:57 |
Yes. |
| 01:58:59 |
But why? |
| 01:59:02 |
Because you're my father? |
| 01:59:04 |
I'm a little more than that, Kevin. |
| 01:59:08 |
Awfully hot in that courtroom, wasn't it? |
| 01:59:11 |
''What's the game plan, Kevin?'' |
| 01:59:14 |
''It was a nice run, Kev. |
| 01:59:16 |
''Had to close out some day. |
| 01:59:18 |
''Nobody wins them all.'' |
| 01:59:22 |
What are you? |
| 01:59:26 |
I have so many names. |
| 01:59:31 |
Satan. |
| 01:59:34 |
Call me Dad. |
| 01:59:39 |
Mary Ann, she knew it. |
| 01:59:42 |
She knew it. She knew it, |
| 01:59:45 |
You're blaming me for Mary Ann? |
| 01:59:48 |
I hope you're kidding. |
| 01:59:50 |
Mary Ann, you could have |
| 01:59:53 |
ALL she wanted was Love. |
| 01:59:55 |
Hey, you were too busy. |
| 01:59:57 |
That's a lie. |
| 01:59:59 |
Face it, you started Looking to |
| 02:00:04 |
That's not true. |
| 02:00:07 |
I'm on your side! |
| 02:00:09 |
You're a liar! |
| 02:00:12 |
There's nothing out there for you! |
| 02:00:14 |
Don't be such a fucking chump! |
| 02:00:18 |
Stop deluding yourself! |
| 02:00:21 |
I told you to take care of your wife! |
| 02:00:24 |
What did I say? |
| 02:00:25 |
''The world would understand.'' |
| 02:00:29 |
What did you do? |
| 02:00:31 |
''You know what scares me, John? |
| 02:00:33 |
''I leave the case, she gets better |
| 02:00:38 |
Remember? |
| 02:00:41 |
I know what you did. |
| 02:00:42 |
You set me up. |
| 02:00:44 |
Who told you to pull out |
| 02:00:46 |
-Who made that choice? |
| 02:00:49 |
And Moyez! The direction you took! |
| 02:00:52 |
Popes, swamis, snake handlers, |
| 02:00:57 |
-Whose ideas were those? |
| 02:00:59 |
It was a test! Your test! |
| 02:01:01 |
And Cullen! Knowing he was guilty! |
| 02:01:05 |
Seeing those pictures! |
| 02:01:07 |
What did you do? |
| 02:01:11 |
You brought me in. You put me there! |
| 02:01:14 |
I don't do that, Kevin! |
| 02:01:16 |
That day on the subway, |
| 02:01:19 |
What were my words to you? |
| 02:01:22 |
Maybe it was your time to Lose. |
| 02:01:26 |
Lose? I don't Lose! |
| 02:01:28 |
I win! |
| 02:01:30 |
I win! |
| 02:01:31 |
I'm a Lawyer! That's my job! |
| 02:01:37 |
I rest my case. |
| 02:01:43 |
Vanity... |
| 02:01:45 |
...is definitely my favorite sin. |
| 02:01:49 |
Kevin, it's so basic. |
| 02:01:52 |
Self-Love. |
| 02:01:54 |
The all-natural opiate. |
| 02:01:57 |
It's not that you didn't care |
| 02:02:02 |
...it's just that you were |
| 02:02:07 |
Yourself. |
| 02:02:12 |
You're right. |
| 02:02:13 |
I did it all. |
| 02:02:16 |
I Let her go. |
| 02:02:17 |
Don't be too hard on yourself, Kevin. |
| 02:02:21 |
Believe me. |
| 02:02:24 |
I left her behind and just kept going. |
| 02:02:26 |
You can't keep punishing yourself. |
| 02:02:29 |
It's awesome how far you've come. |
| 02:02:33 |
I didn't make it easy. |
| 02:02:35 |
Couldn't. |
| 02:02:37 |
Not for you... |
| 02:02:41 |
...or your sister. |
| 02:02:47 |
Half-sister, to be exact. |
| 02:02:50 |
Surprise. |
| 02:02:52 |
Some scene, huh? |
| 02:02:58 |
Don't Let him scare you. |
| 02:03:01 |
I've had so many children. |
| 02:03:03 |
I've had so many disappointments. |
| 02:03:07 |
Mistake after mistake. |
| 02:03:09 |
And then there's you. |
| 02:03:11 |
The two of you. |
| 02:03:15 |
What do you want from me? |
| 02:03:17 |
I want you to be yourself. |
| 02:03:19 |
You know, I'll tell you, boy... |
| 02:03:21 |
...guilt... |
| 02:03:22 |
...it's Like a bag of fucking bricks. |
| 02:03:24 |
ALL you got to do... |
| 02:03:26 |
...is set it down. |
| 02:03:31 |
I know what you're going through. |
| 02:03:33 |
I've been there. |
| 02:03:35 |
Just come here. Come here. |
| 02:03:37 |
Let it go. |
| 02:03:40 |
I can't do that. |
| 02:03:46 |
Who are you carrying all those bricks for? |
| 02:03:49 |
God? |
| 02:03:51 |
Is that it? |
| 02:03:52 |
God? |
| 02:03:54 |
I'll tell you... |
| 02:03:55 |
...Let me give you |
| 02:03:59 |
God Likes to watch. |
| 02:04:01 |
He's a prankster. |
| 02:04:03 |
Think about it. |
| 02:04:04 |
He gives man... |
| 02:04:06 |
...instincts. |
| 02:04:08 |
He gives you this extraordinary gift, |
| 02:04:12 |
I swear, for his own amusement... |
| 02:04:15 |
...his own private, cosmic... |
| 02:04:18 |
...gag reel... |
| 02:04:20 |
...He sets the rules in opposition. |
| 02:04:23 |
It's the goof of all time. |
| 02:04:24 |
Look, but don't touch. |
| 02:04:28 |
Touch, but don't taste. |
| 02:04:33 |
Taste, but don't swallow. |
| 02:04:36 |
And while you're jumping from one foot |
| 02:04:40 |
He's laughing his sick, fucking ass off! |
| 02:04:44 |
He's a tightass! |
| 02:04:46 |
He's a sadist! |
| 02:04:48 |
He's an absentee landlord! |
| 02:04:51 |
Worship that? Never! |
| 02:04:54 |
''Better to reign in Hell |
| 02:04:58 |
Why not? |
| 02:04:59 |
I'm here on the ground with my nose in it |
| 02:05:05 |
I've nurtured every sensation |
| 02:05:09 |
I cared about what he wanted |
| 02:05:13 |
Why? Because I never rejected him, |
| 02:05:18 |
I'm a fan of man! |
| 02:05:22 |
I'm a humanist. |
| 02:05:24 |
Maybe the last humanist. |
| 02:05:27 |
Who, in their right mind... |
| 02:05:29 |
...Kevin, could possibly deny... |
| 02:05:31 |
...the 20th century was entirely mine? |
| 02:05:34 |
ALL of it, Kevin! |
| 02:05:37 |
ALL of it. |
| 02:05:39 |
Mine. |
| 02:05:42 |
I'm peaking, Kevin. |
| 02:05:44 |
It's my time now. |
| 02:05:48 |
It's our time. |
| 02:05:50 |
Anybody want a drink? |
| 02:05:53 |
I'm having a drink. |
| 02:05:58 |
This is some pitch, all this. |
| 02:06:01 |
You must need me pretty bad. |
| 02:06:03 |
What do you want? |
| 02:06:06 |
Eddie was right. |
| 02:06:09 |
I want you to take over the firm. |
| 02:06:12 |
You... |
| 02:06:14 |
...and your sister. |
| 02:06:19 |
-Is that it? |
| 02:06:24 |
She's ovulating... |
| 02:06:26 |
...right now. |
| 02:06:28 |
Your vanity... |
| 02:06:30 |
...is justified, Kevin. |
| 02:06:34 |
Your seed... |
| 02:06:35 |
...is the key to a new future. |
| 02:06:38 |
Your son is going to sit |
| 02:06:42 |
He's gonna set this whole thing free. |
| 02:06:46 |
You want a child. |
| 02:06:48 |
I want a family. |
| 02:06:51 |
The Antichrist. |
| 02:06:57 |
Whatever. |
| 02:07:03 |
But I have to volunteer. |
| 02:07:07 |
Free will... |
| 02:07:09 |
...it is a bitch. |
| 02:07:13 |
I need a family. |
| 02:07:15 |
I need help. I'm busy. |
| 02:07:17 |
Millennium's coming, Son. |
| 02:07:19 |
Title fight. Round 20. |
| 02:07:24 |
I'm ready to work. |
| 02:07:27 |
What do you say? |
| 02:07:30 |
What're you offering? |
| 02:07:34 |
Are we negotiating? |
| 02:07:35 |
Always. |
| 02:07:39 |
Yes! |
| 02:07:42 |
What are you offering? |
| 02:07:44 |
Everything. |
| 02:07:45 |
Anything. |
| 02:07:47 |
What do you want? |
| 02:07:49 |
Instant bliss. |
| 02:07:50 |
Bliss on tap. |
| 02:07:53 |
Bliss any way you want it. |
| 02:07:58 |
That first line of cocaine. |
| 02:08:01 |
That walk into a strange girl's bedroom. |
| 02:08:05 |
Familiar? |
| 02:08:08 |
You're gonna have to do |
| 02:08:11 |
I know. |
| 02:08:13 |
I'm just getting warmed up. |
| 02:08:15 |
You want more, don't you? |
| 02:08:19 |
How about the thing you Love the most? |
| 02:08:22 |
A smile from a jury. |
| 02:08:24 |
That cold courtroom |
| 02:08:29 |
...bending to your strength. |
| 02:08:33 |
I get that on my own. |
| 02:08:34 |
Not Like this. |
| 02:08:36 |
I take the bricks out of the briefcase. |
| 02:08:39 |
I give you pleasure. |
| 02:08:42 |
No strings! |
| 02:08:43 |
Freedom, baby... |
| 02:08:45 |
...is never having to say you're sorry. |
| 02:08:49 |
This is revolution, Kevin. |
| 02:08:53 |
''It happened |
| 02:08:56 |
''In Monterrey |
| 02:08:59 |
''A long time ago'' |
| 02:09:02 |
Forget about him. |
| 02:09:04 |
This is about us. |
| 02:09:07 |
''In old Mexico |
| 02:09:11 |
''Stars and steel guitars and luscious lips |
| 02:09:15 |
''As red as wine'' |
| 02:09:16 |
It's been so hard for me to wait for you. |
| 02:09:20 |
Why the law? |
| 02:09:23 |
Cut the shit, Dad! Why Lawyers? |
| 02:09:26 |
Because the law, my boy, |
| 02:09:31 |
It's the ultimate backstage pass. |
| 02:09:36 |
Did you know there are more students |
| 02:09:39 |
...than Lawyers walking the Earth? |
| 02:09:41 |
We're coming out... |
| 02:09:43 |
...guns blazing! |
| 02:09:46 |
The two of you... |
| 02:09:48 |
...all of us, |
| 02:09:52 |
...until the stench of it reaches |
| 02:09:56 |
...it chokes the whole fucking lot of them! |
| 02:10:02 |
In the Bible, you Lose. |
| 02:10:05 |
We're destined to Lose, Dad. |
| 02:10:07 |
Consider the source, Son! |
| 02:10:11 |
Besides... |
| 02:10:12 |
...we'll write our own book. |
| 02:10:14 |
Chapter one. |
| 02:10:17 |
Right here. This altar. |
| 02:10:20 |
This moment. |
| 02:10:22 |
Will you stop talking? |
| 02:10:24 |
You talk too much. |
| 02:10:26 |
Both of you. |
| 02:10:30 |
Look at me. |
| 02:10:33 |
Just Look at me. |
| 02:10:44 |
She is really stunning. |
| 02:10:53 |
Who am I? |
| 02:11:15 |
I've wanted you from the moment we met. |
| 02:11:27 |
The virtue of the Devil is in his loins. |
| 02:11:33 |
What about Love? |
| 02:11:39 |
Overrated. |
| 02:11:40 |
Biochemically... |
| 02:11:41 |
...no different than eating |
| 02:11:48 |
In two minutes you won't be thinking |
| 02:11:51 |
Come here. |
| 02:11:54 |
She's right, my son. |
| 02:12:03 |
It's time to step up and take what's yours. |
| 02:12:12 |
You're right. |
| 02:12:16 |
It's time. |
| 02:12:18 |
Free will, right? |
| 02:12:25 |
No! |
| 02:12:40 |
Damn you! |
| 02:12:45 |
Enough! |
| 02:12:48 |
Haven't I given enough? |
| 02:13:55 |
It was a nice run. |
| 02:13:57 |
Had to close out someday. |
| 02:14:00 |
Nobody wins them all. |
| 02:14:51 |
What are you doing, baby? |
| 02:14:55 |
Are you okay? |
| 02:14:59 |
I am now. |
| 02:15:05 |
ALL rise. |
| 02:15:07 |
The Honorable Judge Garson Deeds |
| 02:15:13 |
Please be seated. |
| 02:15:18 |
You're still under oath, young lady. |
| 02:15:24 |
Your witness. |
| 02:15:37 |
Mr. Lomax? |
| 02:15:43 |
Your Honor... |
| 02:15:46 |
...I'm terribly sorry. |
| 02:15:50 |
But I can no longer represent my client. |
| 02:15:55 |
I need to be replaced as counsel. |
| 02:15:57 |
Order. Order! Order! |
| 02:16:00 |
I adjourn this court. |
| 02:16:02 |
This is outrageous. Are you aware |
| 02:16:06 |
I am, sir. |
| 02:16:07 |
I want to see both attorneys |
| 02:16:11 |
I'm going to adjourn this trial |
| 02:16:16 |
I trusted you to defend me. |
| 02:16:18 |
You swore you would! You'll burn for this! |
| 02:16:20 |
You just made the biggest mistake |
| 02:16:24 |
Baby, what are you doing? |
| 02:16:29 |
The right thing. |
| 02:16:32 |
I think the right thing. |
| 02:16:37 |
Here they are. |
| 02:16:38 |
-Are you gonna be disbarred? |
| 02:16:41 |
-How's it feel to Lose your first case? |
| 02:16:43 |
Ain't it better to talk to them all at once? |
| 02:16:48 |
He ain't going to talk to you now. |
| 02:16:51 |
That's it. |
| 02:16:52 |
This is the story you dreamed about. |
| 02:16:54 |
-There is no story. |
| 02:16:57 |
A Lawyer with a crisis of conscience? |
| 02:17:01 |
They're going to disbar me. |
| 02:17:04 |
Wait a second. Can they do that? |
| 02:17:07 |
Not when I get through with the story. |
| 02:17:08 |
You got to give me an exclusive. |
| 02:17:11 |
This is wire service. This is ''60 Minutes.'' |
| 02:17:15 |
This is a story that needs to be told. |
| 02:17:19 |
You're a star. |
| 02:17:24 |
Baby. |
| 02:17:28 |
Call me in the morning. |
| 02:17:30 |
You got it. First thing. |
| 02:17:42 |
Vanity... |
| 02:17:44 |
...definitely my favorite sin. |
