Diary Of The Dead
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628 Tremont. |
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- Not here. |
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So no big deal these days, right? |
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- Uh, I don't know. |
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Who cares. |
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Fuckin'. |
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Shoots his wife and kid, |
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Sticks it in his mouth |
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This guy has no ID, |
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He probably squirreled over |
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Hey guys. |
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Listen up, you're kind of blocking the shot, |
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- Yeah sure. |
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- You Ready? |
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Two minutes. (inaudible) |
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- Can't get close enough for an Emmy. |
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- Settle for a fuckin' paycheck. |
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We downloaded this video off the internet |
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I can't remember |
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Look at this guy. |
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Chowing down while his buddies are |
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Some of this footage |
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It was secretly uploaded by |
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It was his way of trying to tell the truth |
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Bree Reno, reporting live |
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where tragedy be-felled |
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An unidentified man has shot his |
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before turning the |
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- Jesus! |
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- I don't believe this! |
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Is there something wrong with |
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She's still moving! |
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For Christ sake, Willy, |
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- What? |
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For god's sake! |
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- I thought they were dead. |
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I don't know, she's moving on |
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- Get out of the way, come on. |
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Get off of him! |
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- Are you all right? |
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- Keep still. |
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Another one coming up too. |
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Take them out! |
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He's not going down. |
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Holy shit! |
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Freeze! |
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You must shoot |
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No! No! |
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This can't be fuckin' happening! |
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We downloaded a lot of what we found |
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Images and commentaries |
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Most of it was bullshit. |
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This is what we were getting |
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None of us can |
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what has caused the chaos, |
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A natural calamity or sort of |
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I'm old enough to |
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'War of the World's,' possibly the |
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That was just radio. |
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This is some kind of... |
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we are led to believe |
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We made a film, |
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Actually, Jason was the |
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Like that camera man |
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He wanted to upload it so that people, |
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The film was shot with a |
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I did the final cut |
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I've added music occasionally |
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You see, in addition to |
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I am hoping to scare you, |
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so that maybe |
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Maybe you won't make any of |
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Anyway, here it is: |
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Jason Creed: The Death of Death. |
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No! |
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How many times have I told you |
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You're a corpse, |
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If you run that fast, |
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She's going fast, I have to go fast, |
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You're supposed to catch her later. |
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You catch her now, |
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All you're supposed to do |
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...till my tits fall out? |
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You know, can somebody |
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why girls in scary movies always have to |
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It's totally lame. |
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And why do we do have to get |
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Actually, I'm looking |
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- Flashing! |
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- Thanks. |
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Ah shit man, look at this, |
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Give me a break! |
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Yeah, maybe you can see now, |
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All you're supposed to do |
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No, not run... |
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The script says the mummy |
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for a second... |
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You're telling me in one second you can see... |
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and what the camera sees, |
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What fuckin' audience? |
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There's always an audience for horror, |
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But who's gonna believe a mummy |
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Who's gonna believe a |
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Here's a thought, genius. |
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Try zooming out, maybe |
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I know what I want here, Tony, |
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That's right, you do, |
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We're only what, four days over |
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Great, you're doing fine. |
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- You'll all be in the credits. |
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Leave those to me. |
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- Did we get the shot yet? |
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Five credits for the each of you, |
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Mr. Creed has a vision. |
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Hey, I'm just trying to |
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Yes, you are, |
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Jason always wanted to |
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but for his senior class project, |
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he decided to try to make |
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In fact, that's what he was |
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The night, when... |
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everything changed. |
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Stupid fuckin' |
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With an underlying |
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Jason, can I |
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- I have to pee. |
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- Jason... |
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I have to pee, too. |
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Jesus Christ, this whole |
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Hey guys, uh, there's something |
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well, I mean... |
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...but it does seem to happening. |
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Two news agencies in two separate |
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are reporting accounts |
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In one of the cases, the one |
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identified as a |
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the victim of a drive-by |
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sat up on the autopsy table and actually |
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- Horseshit. |
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The news is always horseshit. Always makes |
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That's how they |
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And the next morning what happens? |
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and when they say that, who's gonna |
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There are now |
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here's another. |
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A corpse at Hope Memorial, |
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Thats six separate reports. |
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Six? |
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For Christs sake, we hear |
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Yeah, the hurricane, |
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and the terrorist that was gonna dump a dirty |
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Somebody gonna put some germs |
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and that letter from |
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The good news is you |
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bad news is you'll gonna |
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Better believe what |
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the problem doesn't seem to be |
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But that dead people |
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Listen! |
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- What's that? |
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A lot of people |
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Right. |
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If I'm gonna wake up dead, |
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You can all come. |
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Eliot has the address, |
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Yeah, nice place too. |
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Yeah, it's a fuckin' fortress. |
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Sorry Jason, you're |
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I don't mean to hang you |
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I'm gettin' the fuck out of here. |
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Like I said, |
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I mean it. |
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I'm in. |
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- Anyone else? |
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Bye guys. |
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Fuckin' pommy gets all the girls. |
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So... |
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What are we going to do? |
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- How do you explain, that... |
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OK, what I'm |
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I'm going to the dorm, |
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Whatever's happening, |
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Transmit electrical |
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strong enough, |
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remains of the body's |
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OK. |
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OK, this is the women's dorm. |
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Jesus. |
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It's been 25 minutes |
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and it looks like |
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Hello, who's |
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Fuck. |
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What the fuck are |
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- What the fuck you're doing here? |
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What about you...? |
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What's a guy with a video |
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Security! |
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Fuck. |
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Oh god. |
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Oh shit. |
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OK, OK, this is |
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- Wait! It's OK. It's me. |
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Are you still |
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- What're you shooting? |
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Oh my god! |
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- God, I'm so afraid. |
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I'm here. |
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I've been trying to call them, |
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Shit! |
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Shit! Same fuckin' thing, |
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Gotta get out there, |
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- Babe! |
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There's no answer at my house. |
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- They're supposed to be there! |
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No, I already tried there. |
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The circuits are busy, your folks probably |
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It was all over the news, |
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But no one knew what |
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I wanna get out of here. |
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J! |
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I want to go home. |
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I think that's what |
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not knowing the truth. |
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What's been happening? |
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the prospects |
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All my friends left before |
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It's funny. You spend some much |
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separating yourself, |
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but when the shit hits the fan, |
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home. |
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We're in Mary's |
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trying to stick together. |
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- What is this about, Jason? |
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if this turns out to be a big thing, |
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Come on everybody, when it |
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This is ridiculous. |
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- Mary. Mary Dexter. |
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I'm going home... |
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Can you just not film me |
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so I can focus. |
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Say your name. |
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Jason, if you don't know |
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then you can get your clothes |
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Come on, babe, |
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Debra Moynahan. |
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And I'm trying to get home too, OK? |
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And I'm wondering why my boyfriend |
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Scranton. OK? |
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Scranton. Pennsylvania. |
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It's my parent's home. |
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- Where are you coming from? |
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We're all at Pitt together. |
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- Why are we on the road? |
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Yeah, Christ, Jason. |
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See this guy? |
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He won't say who he is, so I will. |
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- Where is he from? Brooklyn or the Bronx? |
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He does makeup |
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You know what? |
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- I wasn't supposed to do makeup. |
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Sorry, babe. |
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You know what happens |
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I hear that. |
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Why are we here |
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- Just trying to get out of Dodge right now. |
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What do you want |
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No, it's not what I want you want to say, |
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Why does everyone wanna |
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Cause of this thing, this crazy |
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It is crazy. |
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- Where are you going, Tony? |
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Except to hang with you, Jason, |
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Hey, guys! |
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Can you explain why the department |
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raised its alert level to orange |
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even though there are no |
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Your right, there's no |
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We believe these are |
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unrelated phenomenon, and we expect |
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See? They've already started |
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... maybe due to a |
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that leads, to a kind |
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- Psychosis, who's going to believe that? |
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The President continues to monitor |
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he's asked the American |
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- Say who you are, Eliot. |
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Tell us more. |
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Eliot Stone, Harrisburgh PA. |
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I'm here with you fine people |
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I'd like to get home, too. |
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It's on the way, I'm hoping you'll |
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Seems like everybody |
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I know what you're trying |
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Gordo Thorsen. |
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Tracy Thurman. |
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together. |
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We'll see. |
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What's that? |
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Oh... this is |
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Smile. |
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Thurman and Gordo. |
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Gimme a kiss. |
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Oh, I'm from San Antone, |
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Don't mess with Texas. |
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Holy shit. |
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Christ! |
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He's gotta be doing like |
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Professor? |
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Ah-ha, you finally come to me, |
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- It's just that... |
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In storage... |
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sitting on a toilet seat |
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Andrew Maxwell, |
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Nowhere to go, |
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and I'm not |
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Like Mr. Ravello, I'm just |
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I'm not with |
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I'm... just... |
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here all alone... |
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We'll probably be calling on ol' Saint Chris |
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Oh my god! |
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We'll never get past that. Turn around. |
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- Look! |
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- He's a State Trooper |
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- His hat is... because his hat. |
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- He's all burned up. |
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Oh my... |
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He's dead! |
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I'm telling you, he can't be |
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Oh my god! |
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I think he wants more than |
00:18:01 |
Go! Go! |
00:18:04 |
Oh fuck! |
00:18:09 |
Fuck! |
00:18:10 |
Wait, wait, wait! |
00:18:12 |
What's that? |
00:18:38 |
What'll we do? |
00:18:39 |
- What time is it? |
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I think we should pull over. |
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How do you feel? |
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Mary? |
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How do you feel about |
00:19:01 |
- I killed six of them... |
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You didn't anything |
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Listen to me. |
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Jesus fuckin' Christ... you don't stand up |
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Will you shut up? |
00:19:12 |
We just killed three |
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Three living, breathing |
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No we didn't. |
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I did. |
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Shit. |
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We've stopped somewhere... |
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God knows where. |
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You gonna say |
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No, I don't know. Just give |
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I'm running low. |
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If I can make it to the State store |
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god, that's a |
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The world where a gentleman |
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Mary? |
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- Oh god, Mary! |
00:20:21 |
What did she do? |
00:20:24 |
- Any anyone know she had a gun? |
00:20:27 |
Because of what happened? |
00:20:31 |
It's our fault. |
00:20:33 |
We're panicking, |
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Into what? |
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Some that's not. |
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Some more than this is. |
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You keep calling this bullshit, |
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someone else is |
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You heard the TV, |
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We all should have |
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instead of driving around |
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knocking down fuckin' |
00:20:52 |
- She's still alive. |
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She's got a pulse! |
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- Mary! |
00:21:02 |
- Looks like everyone's left. |
00:21:05 |
This is a hospital, |
00:21:07 |
Just because we can't see anybody, |
00:21:09 |
Maybe they're hiding? |
00:21:10 |
Yeah, maybe they're hiding |
00:21:12 |
- Hello, we aren't dead! |
00:21:17 |
Wait, wait, wait, |
00:21:18 |
You guys look for a doctor, |
00:21:21 |
Hello! |
00:21:25 |
Wait, wait. |
00:21:28 |
It's down here, |
00:21:39 |
It's just the radio. |
00:21:59 |
Hello? |
00:22:02 |
What? |
00:22:04 |
We're prisoners here. |
00:22:07 |
Stand by! |
00:22:16 |
It's complete chaos. |
00:22:19 |
It's complete chaos. |
00:22:22 |
We got them! |
00:22:25 |
I can't do it. |
00:22:27 |
- Get that son of a bitch! |
00:22:30 |
Where are you, sir? |
00:22:31 |
- Got to get them in the head. |
00:22:34 |
- Get everyone out of here! |
00:22:38 |
I hope this isn't some |
00:22:42 |
This is a hospital, |
00:22:51 |
Is this for real? |
00:22:55 |
What about Mary? |
00:22:57 |
What if... |
00:23:01 |
We're not gonna be able to by just |
00:23:03 |
- Fuck! Losing juice. |
00:23:10 |
- There's somebody! |
00:23:13 |
Excuse me. |
00:23:15 |
We've an emergency. |
00:23:19 |
Oh my god, what's |
00:23:21 |
He's dead. That's what |
00:23:23 |
- Get the gun. |
00:23:29 |
- Try the head! Try the head! |
00:23:32 |
Shoot him in the head! |
00:23:36 |
- Fuck, the battery's almost dead. |
00:23:37 |
What do you mean? |
00:23:39 |
- What is going on? |
00:23:41 |
Dead doctor, dead nurse, |
00:23:45 |
Fuckin' hurry up! |
00:23:47 |
It's jammed! |
00:23:49 |
- OK, I'm gonna try something. |
00:23:50 |
Get her attention, |
00:23:52 |
Come over here! |
00:23:54 |
Careful, Debra. |
00:23:57 |
Jesus H! |
00:24:00 |
Jesus Christ. |
00:24:03 |
Whoa, whoa, those are hot! |
00:24:10 |
We've got to get |
00:24:12 |
Yeah, a live one. |
00:24:16 |
I got it. |
00:24:24 |
Let's go. |
00:24:28 |
Don't leave |
00:24:29 |
What? |
00:24:30 |
- I can't, I gotta plug in. |
00:24:33 |
I can't, I can't leave |
00:24:36 |
The camera's the |
00:24:37 |
Getting help is |
00:24:47 |
I should be |
00:24:50 |
Maybe I can help. |
00:24:53 |
I can't. |
00:24:55 |
Because... |
00:24:57 |
I'm fuckin' |
00:25:03 |
Some shit, huh? |
00:25:05 |
What's wrong with these |
00:25:10 |
I'm sorry, Mary. |
00:25:12 |
If anything that Tony said, |
00:25:19 |
People you killed were dead. |
00:25:24 |
At least they |
00:25:27 |
The way, |
00:25:31 |
who the fuck knows. |
00:25:36 |
Mary? |
00:25:39 |
Mary? |
00:25:46 |
Shit. |
00:25:48 |
Guys? |
00:25:52 |
Guys, what's happening? |
00:25:55 |
Fuck! |
00:25:58 |
Hello? |
00:26:01 |
Hello! |
00:26:05 |
I found this in |
00:26:11 |
Tell us your name. |
00:26:14 |
Say it! |
00:26:15 |
- Deb, come on. |
00:26:17 |
Gimme a break. |
00:26:19 |
See how it feels to have a camera |
00:26:23 |
to have to answer stupid questions |
00:26:26 |
You see how it feels? |
00:26:27 |
Deb, just put the thing down |
00:26:32 |
Well, you missed it. |
00:26:34 |
If it didn't happen on camera, |
00:26:40 |
There was a patient |
00:26:45 |
He looked nice, you know, |
00:26:49 |
But... |
00:26:53 |
he was on top of me |
00:26:58 |
It was Gordo who shot him. |
00:27:02 |
Jesus! Did you... |
00:27:05 |
Hurt me? |
00:27:07 |
No. |
00:27:08 |
So who was screaming? |
00:27:11 |
Me. |
00:27:12 |
You want me to |
00:27:14 |
For the camera? |
00:27:16 |
For history? |
00:27:20 |
That's enough, Deb. |
00:27:23 |
Oh god! |
00:27:33 |
I just shot |
00:27:38 |
I've killed three men and a woman |
00:27:42 |
You can't be certain they're dead. |
00:27:45 |
I remember the war. |
00:27:48 |
In war time, |
00:27:52 |
Especially when you don't |
00:27:56 |
There will be always |
00:27:59 |
Wanting to document, wanting |
00:28:02 |
Me? You're the one who |
00:28:05 |
You're the one who made |
00:28:07 |
Not this. |
00:28:09 |
In war times only the enemy can be marked, |
00:28:12 |
...or that son of a bitch. |
00:28:13 |
Then cruelty... |
00:28:16 |
becomes justified. |
00:28:18 |
God! Oh my god, |
00:28:22 |
- She's... She's dead. |
00:28:26 |
Oh god. |
00:28:29 |
This is much |
00:28:31 |
Too much. |
00:28:33 |
God, I don't know... |
00:28:36 |
Give it to me. |
00:28:38 |
You can't do this, |
00:28:51 |
Oh man! |
00:28:55 |
Your stuttering, Mr. Creed. |
00:28:58 |
Don't try to speak, |
00:29:01 |
Shoot your picture, shoot for as |
00:29:04 |
As long as |
00:29:08 |
Take this. |
00:29:11 |
It's too easy to use. |
00:29:18 |
Let's get |
00:29:22 |
It's interesting how quickly we'll |
00:29:29 |
Up until that night, |
00:29:33 |
Now, we will never be able |
00:29:37 |
God has changed |
00:29:40 |
And surprisingly, |
00:29:42 |
we were |
00:29:48 |
What the? |
00:29:49 |
Jesus, Gordo! |
00:29:53 |
What? |
00:30:03 |
You got that, |
00:30:07 |
After I stab them through the |
00:30:10 |
Why don't you |
00:30:12 |
Fuckin' die. |
00:30:17 |
You got that, Tony, Huh? |
00:30:30 |
- What happened? |
00:30:36 |
It hurts. |
00:30:41 |
Take this. |
00:30:44 |
Come on Debby, you can |
00:30:45 |
Yeah that's what I thought, |
00:30:52 |
There are currently more than 200 million |
00:30:56 |
blogs, video windows, |
00:31:01 |
A good job in |
00:31:04 |
Does the media put ourselves |
00:31:10 |
Millions of members out here, |
00:31:14 |
particular views. |
00:31:16 |
Compelled, like the man said. |
00:31:20 |
I've never seen |
00:31:23 |
What is it? What gets into our heads, |
00:31:27 |
A horrible accident |
00:31:30 |
Some things just keep us |
00:31:33 |
Some things holds us. |
00:31:35 |
We don't stop to help, |
00:31:47 |
First morning since |
00:31:52 |
We're here to say goodbye. |
00:31:54 |
I don't understand |
00:31:58 |
It was just a bite. How can someone |
00:32:03 |
Maybe it's some kind of |
00:32:05 |
Maybe it is a virus. |
00:32:06 |
Anyone that gets sick |
00:32:09 |
No, anyone who dies |
00:32:12 |
Thurman and Gordo. |
00:32:16 |
No! No! |
00:32:19 |
Gotta bury him, right? |
00:32:21 |
How would you feel, |
00:32:24 |
Can't we just wait? |
00:32:28 |
Maybe it won't |
00:32:30 |
Please, can we |
00:32:46 |
- Hey guys, we gotta get going. I gotta... |
00:32:50 |
Yeah. |
00:32:51 |
Although after this, |
00:32:53 |
Your folks will be fine, Deb. |
00:32:55 |
Oh shit. |
00:33:10 |
Poor Gordo. |
00:33:12 |
He just |
00:33:22 |
that tree will give |
00:33:26 |
these are the |
00:33:28 |
and for the sinners there will be no end. |
00:33:32 |
and the hunger that |
00:33:35 |
Get on your knees. |
00:33:38 |
Get on your |
00:33:41 |
Here's a Channel |
00:33:43 |
It wasn't until we |
00:33:46 |
that we saw how |
00:33:48 |
- What are we doing to help? |
00:33:53 |
Don't try to come |
00:33:54 |
There are report of violence, |
00:33:58 |
Small towns kinda like ghost towns. |
00:34:02 |
They're anticipating some |
00:34:06 |
Using country roads |
00:34:12 |
But we were about to |
00:34:14 |
What a piece of shit! |
00:34:18 |
It's alright, |
00:34:28 |
I think its the fuel line. |
00:34:30 |
If that's what it is, |
00:34:32 |
- Oh yeah |
00:34:35 |
I know what I'm doing. |
00:34:38 |
- Rumpert? |
00:34:40 |
Who the hell |
00:34:42 |
We can't stay |
00:34:44 |
We have to wait |
00:34:46 |
I'm going to see |
00:34:48 |
You might now want to do that. |
00:34:51 |
Oh shit! |
00:34:53 |
Whoa, whoa, stop, stop! |
00:34:55 |
He might not |
00:34:56 |
- "Who are you?". |
00:35:07 |
"CAN'T HEAR" |
00:35:11 |
Our car broke down, |
00:35:20 |
"AMISH |
00:35:21 |
We don't need a car, |
00:35:23 |
We need to use your barn. |
00:35:30 |
"HURRY"? |
00:35:33 |
Oh shit! |
00:35:36 |
- They must have been following us! |
00:35:37 |
- Tony, how many bullets you got left? |
00:35:44 |
Jesus Christ! |
00:35:47 |
I thought the Amish |
00:35:48 |
"I'M SAMUEL |
00:35:52 |
Yep, cap line's |
00:35:56 |
I'm gonna cut the line below the tear |
00:36:02 |
Thanks. |
00:36:08 |
What is that? |
00:36:11 |
Birthday party. |
00:36:13 |
Where did you |
00:36:14 |
It was in the camera |
00:36:29 |
That's the guy, the one |
00:36:31 |
That's the guy from the hospital, |
00:36:36 |
The one Gordo shot. |
00:36:42 |
What's that? |
00:36:44 |
Guys, What that? |
00:36:47 |
They're in the back. |
00:36:49 |
They're out front as well. |
00:36:54 |
What the hell is going on out there? |
00:36:56 |
Jesus Christ. |
00:37:04 |
Oh god, there's |
00:37:14 |
"BACK DOOR" |
00:37:16 |
Simply sorry for, |
00:37:18 |
Hurry in, I wanna |
00:37:20 |
Not to apply unnecessary pressure, |
00:37:25 |
Oh god, |
00:37:35 |
I hear something. |
00:37:49 |
Maybe one of them got in already. |
00:37:51 |
Maybe more than one. |
00:38:00 |
- Guys, what's happening? |
00:38:04 |
We're alright. |
00:38:15 |
Almost there. |
00:38:16 |
Certainly hope so, darling, |
00:38:32 |
Tracy, |
00:38:33 |
- Alright, open the door! |
00:38:40 |
See how many, there are? |
00:38:43 |
Come on, |
00:38:44 |
Excuse me gentlemen, |
00:38:55 |
Oh my god! |
00:38:58 |
We're alright, |
00:39:00 |
- Nothing we can do, |
00:39:01 |
They're all going to be all over us. |
00:39:17 |
It's estimated that if something |
00:39:21 |
in three or four days, |
00:39:23 |
within 10 days, it will |
00:39:26 |
Before, there were, I don't know, |
00:39:30 |
8? 10? 20? |
00:39:33 |
Now there are 5 times as many, |
00:39:39 |
Dead, but... |
00:39:43 |
There weren't enough bullets |
00:39:45 |
They're monsters. |
00:39:48 |
We needed supplies... |
00:39:52 |
Without gas, we weren't |
00:39:54 |
There might be more |
00:39:56 |
- Think we can make it? |
00:39:58 |
Get in, fill up, get out fast. |
00:39:59 |
Yes, but what if... |
00:40:02 |
Put the gun down! |
00:40:03 |
- Who the hell are you? |
00:40:05 |
All that matters |
00:40:07 |
What he's got is better than |
00:40:10 |
Damn right. |
00:40:11 |
This is an M16 semi-automatic, |
00:40:14 |
and I'm just trying to decide, |
00:40:16 |
do I pump two bullets at |
00:40:20 |
Alright. |
00:40:24 |
Good choice. |
00:40:26 |
Now who the hell are you all? |
00:40:29 |
No, students. |
00:40:33 |
Damn, now the whole town |
00:40:36 |
Come on! |
00:40:37 |
- Come on, where? |
00:40:40 |
Come on! Before we |
00:40:46 |
What are you talking about? |
00:40:48 |
Write their names, kick them out, |
00:40:51 |
We've become hysterical about people |
00:40:55 |
That's not the problem anymore. |
00:40:56 |
The problem now is, all those strangers |
00:41:09 |
What the hell's with |
00:41:11 |
Home movies. |
00:41:13 |
Who's gonna be |
00:41:23 |
So, what's up with you all? |
00:41:25 |
What the hell you're |
00:41:27 |
We're trying to get to Stranton. |
00:41:30 |
We were at the pump, |
00:41:32 |
Them pumps are dry. |
00:41:34 |
Can we buy some |
00:41:36 |
Buy? If this is keeps up, |
00:41:40 |
I'm talking about gas. |
00:41:43 |
- Enough to get where you're going. |
00:41:46 |
- How come you've stuck around? |
00:41:49 |
For the first time in our lives. |
00:41:54 |
Cause everybody else left. |
00:41:56 |
All of us folks have suntans. |
00:41:58 |
They'll be back, right? |
00:42:01 |
Somebody's gotta put all |
00:42:03 |
What National Guard? |
00:42:08 |
I know what's coming up, |
00:42:10 |
That's why I |
00:42:12 |
Anything worth anything |
00:42:14 |
It's called looting. |
00:42:15 |
No, ma'am, it's called doing |
00:42:19 |
Can I get online? |
00:42:21 |
Back there. |
00:42:24 |
Excuse me. |
00:42:26 |
It's alright, |
00:42:28 |
Let 'em through! |
00:42:34 |
A reporter was |
00:42:35 |
Here's Homestead's |
00:42:38 |
This attack was carried out by |
00:42:42 |
(inaudible) |
00:42:45 |
The only time they were dead |
00:42:48 |
They changed it. |
00:42:51 |
The media |
00:42:53 |
Or the government |
00:42:55 |
They were trying to make it seem |
00:42:58 |
- What are you doing? |
00:43:00 |
- while we're editing.. |
00:43:03 |
Now I can understand, why Jason |
00:43:08 |
At the time, |
00:43:11 |
now look at the angle |
00:43:24 |
Put the gun down! |
00:43:25 |
- Who the hell are you? |
00:43:27 |
All that matters |
00:43:29 |
- And after that, we drove here. |
00:43:32 |
Sure, it'll be nice to have the surveillance |
00:43:35 |
Figured that much, |
00:43:38 |
The recording of the security cameras. |
00:43:41 |
- I got it all queued up for you. |
00:43:45 |
Why thank you. |
00:43:46 |
What'd you do. Did you |
00:43:47 |
It's a wireless system, |
00:43:48 |
So sophisticated that I was easily able |
00:43:53 |
Beautiful. |
00:43:54 |
So what are |
00:43:59 |
- Editing. |
00:44:01 |
The stuff we shot. |
00:44:04 |
When you said you |
00:44:06 |
I thought, you wanna get in contact |
00:44:08 |
No, I just wanted |
00:44:10 |
Look! |
00:44:12 |
72 thousand hits. |
00:44:15 |
In 8 minutes. |
00:44:19 |
Hey Eliot, can we |
00:44:21 |
Yeah. |
00:44:25 |
Is the camera on? |
00:44:27 |
Yeah. |
00:44:28 |
If we're gonna have a conversation, |
00:44:32 |
If its not on camera, |
00:44:36 |
OK J, |
00:44:38 |
I'm trying to get home |
00:44:40 |
I'm out there |
00:44:42 |
and you're in here, |
00:44:44 |
It was a pretty |
00:44:47 |
72 thousand hits. |
00:44:49 |
They're coming in, |
00:44:51 |
They're not getting the |
00:44:52 |
All that shit on the news, |
00:44:55 |
72 thousand hits in 8 minutes, |
00:44:58 |
- Congratulations, you're famous |
00:45:01 |
Would you rather have people not |
00:45:03 |
We might even be able to save |
00:45:06 |
72 thousand hits. |
00:45:08 |
In another hour, it will be probably be |
00:45:12 |
All over the world, |
00:45:15 |
by seeing how we've |
00:45:19 |
You always know how to |
00:45:27 |
Oh my god! Text message |
00:45:30 |
Well, what's it say? |
00:45:33 |
All this time, I've been imagining |
00:45:35 |
and they're not even home. |
00:45:37 |
They went camping four days ago. |
00:45:39 |
"Driving home, we're |
00:45:41 |
Sent last night: "driving home". |
00:45:44 |
- I told you they were safe. |
00:45:47 |
They're not safe, |
00:45:50 |
Pack your shit, |
00:46:04 |
Yo! Dude! |
00:46:07 |
Where are you, man? |
00:46:08 |
Ridley, yo back |
00:46:10 |
I'm in the middle of fuckin' |
00:46:13 |
How's Deb? |
00:46:14 |
She's OK. |
00:46:17 |
Look here, if you need anything, |
00:46:22 |
Get your ass |
00:46:25 |
We're having |
00:46:27 |
Hi J, love you. |
00:46:34 |
- What's up? |
00:46:37 |
Somethings going on. |
00:46:40 |
One of my men had a |
00:46:43 |
The thing is, we don't |
00:47:08 |
Oh shit. |
00:47:22 |
Finish the (?), |
00:47:24 |
- I'm gonna get Jason. |
00:47:28 |
Wait, that thing could |
00:47:30 |
That thing could |
00:47:45 |
Fuck! |
00:47:46 |
$100,000 education, and I can't find |
00:47:58 |
Exit. |
00:48:05 |
What was that? |
00:48:08 |
Fuck! |
00:48:11 |
Fuck! |
00:48:20 |
Where the hell |
00:48:21 |
There's a dead guy |
00:48:23 |
Wait! Say it that again? |
00:48:25 |
There is a dead guy walking around. |
00:48:49 |
It's all clear. |
00:48:56 |
Turn that TV off! |
00:49:02 |
Alright. |
00:49:03 |
Everyone with a heartbeat, |
00:49:05 |
Freeze and shut up! |
00:49:24 |
Son of a bitch! |
00:49:28 |
Fuck. |
00:49:34 |
Fuck me! |
00:49:37 |
OK, never again. |
00:49:42 |
That's the door. |
00:49:46 |
Let's go, |
00:49:48 |
Shut the fuck up! |
00:49:50 |
I see him! |
00:49:54 |
Over here! |
00:49:57 |
Over here! |
00:49:59 |
Come on, we've got him! |
00:50:02 |
- We've got him! |
00:50:12 |
- Oh shit! |
00:50:18 |
Son of a bitch! |
00:50:20 |
Fuck off! |
00:50:24 |
Don't shoot! |
00:50:38 |
What the hell |
00:51:19 |
That's enough. |
00:51:20 |
I need to fill the tank. |
00:51:22 |
Stranton is only |
00:51:23 |
- We need to bring in some weapons. |
00:51:27 |
- And lip gloss? |
00:51:31 |
- The rest of the shit is ours. |
00:51:33 |
Every last can of peas. |
00:51:36 |
But, what if we say we're not |
00:51:39 |
What would you do? |
00:51:42 |
I'd think about it. |
00:51:43 |
But I don't think |
00:51:45 |
It's easiest just to give us |
00:51:47 |
Cause otherwise, guess what? |
00:51:50 |
- Deb. |
00:51:52 |
You've gonna have |
00:51:53 |
we're not leaving until |
00:52:03 |
OK. |
00:52:06 |
Fill her up. |
00:52:09 |
Give them |
00:52:14 |
Come and get 'em. |
00:52:16 |
- Is that enough for you? |
00:52:18 |
That will do. |
00:52:20 |
Gotta defend yourselves, |
00:52:21 |
Because if this |
00:52:22 |
people start to running |
00:52:24 |
they're gonna start |
00:52:27 |
No, think I've had enough |
00:52:31 |
This I'll like. |
00:52:33 |
Now, this I prefer. |
00:52:35 |
seems.. |
00:52:37 |
friendlier, |
00:52:43 |
Hey! |
00:52:45 |
I think you're a lot like me. |
00:52:50 |
Good luck. |
00:52:52 |
Good luck to |
00:53:03 |
What is that? |
00:53:04 |
Where's it |
00:53:06 |
I found her on a message |
00:53:08 |
Someone listen, |
00:53:10 |
We Tokyo. |
00:53:12 |
Very bad here. |
00:53:16 |
Tokyo. Can you |
00:53:18 |
There's hundreds of posts like this |
00:53:21 |
It's got technology. |
00:53:28 |
Don't bury dead, |
00:53:33 |
Don't bury dead, |
00:53:37 |
- Damn it! |
00:53:40 |
I just charged it! |
00:53:42 |
It's not the phone, |
00:53:44 |
The fuckin' service, |
00:53:50 |
Nothing? |
00:53:55 |
The towers, the relay towers |
00:53:58 |
Technology is terrific, Eliot. |
00:54:01 |
Great. |
00:54:03 |
It won't be long before nothing |
00:54:17 |
The mainstream has vanished, |
00:54:21 |
Now it was just us, |
00:54:37 |
The more voices there are, |
00:54:41 |
The truth becomes that |
00:54:43 |
In the end, |
00:55:01 |
We're in Stranton. |
00:55:06 |
- Thought they'd be here by now. |
00:55:09 |
And they what? |
00:55:10 |
They used to go to |
00:55:11 |
West-Virginia. |
00:55:13 |
You probably beat them here. |
00:55:16 |
We didn't hit any traffic, |
00:55:18 |
West-Virginia is only |
00:55:20 |
- Yeah, if thats where they went. |
00:55:27 |
I'm gonna |
00:55:29 |
You guys should head |
00:55:31 |
What?... and just |
00:55:33 |
This where I grew up, |
00:55:34 |
You guys all got homes too. |
00:55:39 |
Thanks for |
00:55:41 |
Thanks for |
00:55:45 |
- I guess I'll try to call you. |
00:55:50 |
Sorry, J. |
00:55:51 |
Don't be an asshole. |
00:55:55 |
Hey, do you mind, if maybe |
00:56:01 |
Yeah. OK. |
00:56:04 |
Me too? I need to pee again. |
00:56:08 |
I can't sit in |
00:56:09 |
I wanna meet your little brother, |
00:56:12 |
I'd like to meet your father, |
00:56:16 |
We always hide a key. |
00:56:26 |
Shit. |
00:56:28 |
Fuck, I don't remember, |
00:56:36 |
It's probably wiring in |
00:56:38 |
- Where's the breaker box? |
00:56:52 |
How you're doing? |
00:56:55 |
They're here? |
00:56:58 |
Mom? |
00:57:00 |
Dad! |
00:57:01 |
Billie! |
00:57:02 |
Maybe they dropped off their stuff |
00:57:05 |
Maybe there was an evacuation, |
00:57:07 |
- They would have taken their car? |
00:57:09 |
Where they evacuate places, |
00:57:17 |
Fuck! |
00:57:19 |
What is it? |
00:57:30 |
OK, they must have, like had |
00:57:33 |
Maybe. Maybe they're |
00:57:34 |
I just hope its not a hospital |
00:57:37 |
OK. |
00:57:39 |
My dad would have been |
00:57:42 |
That means my mom would |
00:57:45 |
that's my mom's blood. |
00:57:48 |
Yeah.. |
00:57:49 |
and Billie would be in the back, |
00:57:54 |
- Debra. |
00:57:57 |
- Deb! |
00:57:58 |
OK. Listen to me, |
00:58:02 |
I know. No, I do, I know OK. |
00:58:06 |
OK, but don't think |
00:58:09 |
Don't think about |
00:58:11 |
Wanna go in, I want you to |
00:58:14 |
- Something like an old dog. |
00:58:18 |
OK, What's her name? |
00:58:20 |
- It's not a her, it's a him. |
00:58:23 |
Yes, like Ken. |
00:58:26 |
OK, like Ken, but not Ken. |
00:58:29 |
What is his name? |
00:58:34 |
Michael. |
00:58:36 |
Like the Archangel. |
00:58:39 |
OK, so we're gonna go in there, |
00:58:43 |
OK. |
00:58:45 |
OK. |
00:58:47 |
I thought long and hard about |
00:58:53 |
I decided, in the end, |
00:58:59 |
No! Billie! |
00:59:00 |
Out of the way. |
00:59:02 |
Let me through! |
00:59:04 |
Deb! |
00:59:13 |
No! |
00:59:24 |
Daddy? |
00:59:26 |
Mommy? |
00:59:33 |
Mommy. |
00:59:41 |
I think its time |
00:59:55 |
By now, we've become part of it, |
00:59:59 |
It's strange how, |
01:00:03 |
seeing things through a lens, |
01:00:06 |
Rose colored or |
01:00:09 |
You become immune. |
01:00:11 |
You're supposed to be affected, |
01:00:14 |
I used to think it was just you out there, |
01:00:19 |
It's us as well. |
01:00:21 |
The shooters. |
01:00:23 |
We've become immune too, inoculated. |
01:00:26 |
So whatever happens around us, |
01:00:31 |
we just wind up |
01:00:34 |
Just another day. |
01:00:37 |
Just another death. |
01:00:42 |
It's gonna be OK, babe. |
01:00:46 |
Everything will be OK. |
01:00:58 |
Hey, do you want |
01:01:02 |
I could take the camera |
01:01:04 |
Leave him alone, |
01:01:08 |
He's right where |
01:01:20 |
Hey, where did you |
01:01:24 |
Archery squad. |
01:01:28 |
Targets of course, |
01:01:32 |
Life and death. |
01:01:37 |
I had such |
01:01:40 |
You still do. |
01:01:45 |
Thank you. |
01:01:51 |
Where's your home, professor? |
01:01:55 |
Oxford.. |
01:02:00 |
Not really a home, |
01:02:06 |
I've never seen |
01:02:11 |
that I would want to own. |
01:02:15 |
- Sorry |
01:02:20 |
I'm a... |
01:02:24 |
Yeah, he wanders to wherever |
01:02:31 |
Unless... |
01:02:34 |
- Where're we going Eliot? |
01:02:37 |
- We talked to Ridley. |
01:02:41 |
- At the warehouse online. |
01:02:43 |
Yeah, he really sounded great, |
01:02:47 |
Philadelphia. |
01:02:50 |
Hey, hey, hey! |
01:02:52 |
Look at this! |
01:02:55 |
It's the guards. |
01:02:57 |
It's the fuckin' Guards! |
01:03:02 |
Call me crazy, but those guys |
01:03:06 |
You see? Told you |
01:03:14 |
Hi there. |
01:03:17 |
- It's so nice to see you guys. |
01:03:22 |
- What's with the camera? |
01:03:26 |
Is that so? |
01:03:34 |
Where did you get all the stuff? |
01:03:36 |
Friends. |
01:03:40 |
You know, seems to be |
01:03:42 |
getting a whole lot of stuff |
01:03:47 |
Can we be friends? |
01:03:51 |
You wanna turn that off, son? |
01:03:56 |
Turn the fucker off! |
01:04:01 |
Now! |
01:04:18 |
Theres your fuckin' |
01:04:23 |
- They stole everything we got. |
01:04:27 |
- Yeah, they have their own... |
01:04:30 |
With the world |
01:04:32 |
they know we wouldn't |
01:04:35 |
They're not murderers, |
01:04:38 |
With the world being what it is. |
01:04:42 |
From now on... |
01:04:43 |
Everyone who dies, |
01:04:47 |
I mean, think about that. |
01:04:50 |
Everyone who dies, |
01:04:54 |
is gonna come back, |
01:04:57 |
And on, and on, and on. |
01:05:02 |
Forever. |
01:05:10 |
Get your helmet |
01:05:12 |
See anyone alive, |
01:05:14 |
(inaudible) |
01:05:17 |
Hey, is anyone |
01:05:20 |
Anybody home? |
01:05:22 |
- Hey, hold it! |
01:05:25 |
- Hold it, hold it! |
01:05:29 |
- Take her with you. |
01:05:32 |
No, please! |
01:05:45 |
Nobody in here. |
01:05:52 |
Son of a bitch! |
01:05:59 |
Over there, behind you! |
01:06:09 |
You fuckin' dick! |
01:06:12 |
How'd you fuckin' get |
01:06:14 |
Look what |
01:06:17 |
- They were family! |
01:06:19 |
- They were family! |
01:06:21 |
No, don't shoot! |
01:06:28 |
Don't shoot them |
01:06:30 |
Shoot them |
01:06:31 |
Let them fuckin' |
01:06:46 |
They used to be... |
01:06:55 |
Now, it's us |
01:06:57 |
He was right, |
01:07:01 |
Except they |
01:07:04 |
are us. |
01:07:15 |
We're here! |
01:07:17 |
Wake up, Guys! |
01:07:23 |
Oh man, it's huge! |
01:07:25 |
Looks like what god |
01:07:27 |
Only if he |
01:07:33 |
Ridley made this place |
01:07:35 |
I've never been to a fortress before, |
01:07:41 |
- I told you, he said everything was cool. |
01:08:10 |
Plenty of security. |
01:08:12 |
There got to be monitors |
01:08:14 |
Monitors don't do us any good, |
01:08:17 |
Somebody might be watching us. |
01:08:20 |
OK, lets go in. |
01:08:23 |
No, wait, wait, go back. |
01:08:26 |
I wanna cover everything. |
01:08:35 |
OK, ready, come in. |
01:08:46 |
I can't do this anymore. |
01:08:48 |
Every time we walk in somewhere, |
01:08:51 |
Or somebody already died. |
01:08:52 |
It's gonna be the same |
01:08:54 |
Shut the door. |
01:09:01 |
Ridley? |
01:09:03 |
Ridley! |
01:09:05 |
Francine? |
01:09:13 |
Hey Max! |
01:09:17 |
Ridley? |
01:09:31 |
This is where the party was. |
01:09:33 |
Good lord! |
01:09:35 |
Treasures. |
01:09:39 |
"A Tale of Two Cities." |
01:09:41 |
First edition. |
01:09:42 |
You have any ideas |
01:09:45 |
It was the best of times, |
01:09:52 |
Ridley! You scared us |
01:09:55 |
You came! This is great, this is so |
01:10:01 |
- Wheres Francine? |
01:10:05 |
Why was the front |
01:10:07 |
Oh, what that? |
01:10:08 |
I was outside, just came back in. |
01:10:12 |
Stupid. You know me, |
01:10:15 |
What's in there? |
01:10:17 |
Panic room. |
01:10:19 |
Wow, what's going on, |
01:10:21 |
Just checking the generator, |
01:10:25 |
Even better now, |
01:10:26 |
Guys! Hell, it's such so great |
01:10:33 |
You must be |
01:10:34 |
What can I get for you? |
01:10:37 |
- A cocktail would be lovely. |
01:10:40 |
I'll love to get this damn |
01:10:43 |
You know, |
01:10:45 |
A long, hot bath. |
01:10:48 |
Take a bathroom. We've got six. |
01:10:51 |
Whatever you'll need. |
01:10:54 |
So, nobody's tried to |
01:10:57 |
Nobody around |
01:10:59 |
We're pretty |
01:11:01 |
Country Club is closer than |
01:11:03 |
not too many people are interested |
01:11:07 |
Where's your stuff? |
01:11:09 |
You must have brought |
01:11:12 |
Dirty clothes. |
01:11:13 |
Well, bring it in! |
01:11:15 |
Something tells me, you're |
01:11:18 |
I'm going to |
01:11:20 |
I'll come with you, I'd like to grab |
01:11:22 |
X-1's never enough. |
01:11:25 |
Here, you take |
01:11:27 |
I don't know. I don't wanna |
01:11:29 |
I don't want to movie this kind of |
01:11:32 |
- Here, see if you can resist. |
01:11:36 |
Jason! I don't |
01:11:51 |
My father shot a rabbit! |
01:11:58 |
I thought it was in here. |
01:12:07 |
Tony, you're filming. |
01:12:08 |
I guess Jason was right, |
01:12:12 |
I'm filming you Ridley, because |
01:12:16 |
All that shit, that |
01:12:19 |
I know. |
01:12:21 |
I know what's |
01:12:23 |
I just feel a |
01:12:26 |
felt a little drunk, |
01:12:28 |
That's all. |
01:12:30 |
- Forget the rabbits. |
01:12:32 |
(inaudible) |
01:12:34 |
Father shot two of them. They are |
01:12:36 |
Ridley, can we look for |
01:12:40 |
She's out back. |
01:12:42 |
With my family |
01:12:45 |
Right, you said that. |
01:12:50 |
I don't think we |
01:12:53 |
- Why? |
01:12:55 |
To begin with... |
01:12:58 |
Father's dead. |
01:13:00 |
He was the first one to die, then he did |
01:13:04 |
Brannigan, Brenda, Cook. |
01:13:08 |
Really liked Cook. |
01:13:10 |
Maybe she ate the rabbit? |
01:13:12 |
Did somebody |
01:13:17 |
Did somebody |
01:13:20 |
No. |
01:13:22 |
Well.. |
01:13:25 |
Not exactly, |
01:13:31 |
I think. I don't know, |
01:13:34 |
- I think we should get out of here. |
01:13:37 |
- Your saying they're all dead? |
01:13:40 |
I had to bury them. |
01:13:46 |
Is no one else hungry? |
01:13:51 |
I didn't bury them in the garden, |
01:13:57 |
That's OK, come on |
01:13:59 |
I had to chop off Cook's hand, |
01:14:06 |
Francine. |
01:14:09 |
Come on! |
01:14:17 |
- Maybe we should get out of here. |
01:14:21 |
Guys! |
01:14:38 |
It's a little hard to see. |
01:14:41 |
Here, I'll turn on the lights. |
01:14:47 |
This is where I've |
01:14:56 |
Sweet Jesus. |
01:15:00 |
- He's gone. |
01:15:03 |
I wonder if he |
01:15:48 |
Guys? |
01:15:55 |
Guys? |
01:16:21 |
- Jason! A little help here. |
01:16:28 |
Oh, Ridley. Can you |
01:16:33 |
Jesus! |
01:16:35 |
Oh shit. |
01:16:40 |
Oh fuck! |
01:16:43 |
- Jason! A little help here? |
01:16:56 |
See? I told you these |
01:17:03 |
Where the fuck |
01:17:08 |
Tracey? |
01:17:09 |
Tracey! |
01:17:11 |
Tracey! |
01:17:14 |
Oh shit! |
01:17:16 |
I cant fuckin' |
01:17:18 |
This is like a goddamn |
01:17:22 |
Jason, put down that stupid |
01:17:30 |
Get that Jason? |
01:17:38 |
Cut! Cut! |
01:17:40 |
- This isn't a movie, Jason, its real! |
01:17:52 |
Tell him, |
01:18:04 |
Tracey! |
01:18:07 |
Tracey! |
01:18:09 |
I'm leaving you, Jason. |
01:18:20 |
Francine! |
01:18:21 |
- I don't believe this! |
01:18:23 |
- Where does she thinks she's going? |
01:18:30 |
You know what? It's OK.. |
01:18:31 |
We still got Ridley's car |
01:18:33 |
there's other cars in the garage, |
01:18:35 |
No, bad idea. |
01:18:36 |
Look, Ridley's mother and others are |
01:18:38 |
And there are human |
01:18:42 |
We just spent the last two days on the road. |
01:18:45 |
- No, but... |
01:18:47 |
In here, there's a steel reinforced panic room, |
01:18:52 |
Until this whole |
01:19:21 |
- It's me. |
01:19:25 |
- Where's Ridley? Have you seen him? |
01:19:30 |
He's something else. |
01:19:32 |
Eliot is something |
01:19:34 |
What?! |
01:19:35 |
All gone. |
01:19:38 |
He died in a tub of water, |
01:19:42 |
How do you |
01:19:43 |
I saw it on TV, darling. I took my bourbon |
01:19:47 |
I went into that |
01:19:49 |
I suggest is the good place |
01:19:57 |
Always wanted my |
01:20:00 |
- Your drunk, Professor? |
01:20:03 |
The drunkenness |
01:20:06 |
Regretfully, never twisted my perception |
01:20:10 |
Tracey's phone. |
01:20:12 |
- Let's go. |
01:20:14 |
Jason! |
01:20:15 |
We can't just lock ourselves |
01:20:17 |
- We'll be locking ourselves out the world. |
01:20:20 |
We lock ourselves out the world, |
01:20:23 |
We've got weapons. |
01:20:27 |
We can't go |
01:20:29 |
I'll miss... |
01:20:31 |
God damn it, Jason, |
01:20:35 |
Come with us. |
01:20:38 |
Settle, like I'm |
01:20:40 |
- Settle, for... |
01:20:42 |
For life. |
01:20:44 |
Survival? Who the fuck wants |
01:20:47 |
All that's left, is to record |
01:20:52 |
whoever remains |
01:20:57 |
Please. |
01:21:00 |
I don't wanna go in |
01:21:09 |
Alright. |
01:21:23 |
I can't. |
01:21:34 |
What was that? |
01:21:37 |
Where the hell is he? |
01:21:42 |
Oh no! |
01:21:48 |
Oh god, No! |
01:22:12 |
J... |
01:22:29 |
Kill me. |
01:22:35 |
No. |
01:22:50 |
Michael... |
01:23:00 |
Hi, my name is J. |
01:23:03 |
and I have been given the |
01:23:07 |
to be able to document the events, |
01:23:12 |
and I just wanted to let you guys |
01:23:15 |
I'm gonna do my best, to capture |
01:23:18 |
Which gonna be no fakeyness, |
01:23:21 |
really raw, really real, |
01:23:23 |
and I'm going to do the best job I can... |
01:23:26 |
and I'm really excited, |
01:23:29 |
and I'm not |
01:23:33 |
Yeah.. |
01:23:37 |
Debby? |
01:23:38 |
Debra! |
01:23:42 |
Debra! |
01:23:57 |
Deb? |
01:24:00 |
I'm gonna |
01:24:10 |
The movie's off. |
01:24:12 |
No. |
01:24:15 |
There's gonna |
01:24:19 |
There's gotta |
01:24:29 |
Morning approaches. |
01:24:31 |
Things always look |
01:24:34 |
Not to me. |
01:24:36 |
Mornings bring light, |
01:24:41 |
It's easier to |
01:24:43 |
You know professor, |
01:24:47 |
mornings, they show you for what you are, |
01:24:53 |
In-elegantly phrased, Mr. Ravello, |
01:24:58 |
Mornings. |
01:25:00 |
And mirrors. |
01:25:03 |
I despise them. |
01:25:06 |
Mornings and mirrors |
01:25:09 |
Hey! |
01:25:11 |
Can you say |
01:25:12 |
I didn't get that. |
01:25:16 |
The truth, |
01:25:17 |
Look at this! |
01:25:41 |
Close the door! |
01:25:50 |
Jason once said he |
01:25:53 |
Maybe even |
01:25:56 |
This is the last thing he |
01:26:00 |
A couple of hometown Joes, |
01:26:04 |
That day, they |
01:26:06 |
Dead people. |
01:26:07 |
You know, |
01:26:11 |
There was one target |
01:26:14 |
A woman, tied by her |
01:26:18 |
The boys had this one setup |
01:26:21 |
They got out their |
01:26:27 |
Are we worth saving? |
01:26:30 |
You tell me. |
01:30:32 |
Original Subs by rackaboy. |