|
Die Hard
|
| 00:00:56 |
You don't like flying, do you? |
| 00:01:00 |
What gives you that idea? |
| 00:01:04 |
You want to know the secret |
| 00:01:09 |
After you get where you're going, |
| 00:01:12 |
Then you walk around on the rug barefoot |
| 00:01:17 |
Fists with your toes? |
| 00:01:20 |
I know. It sounds crazy. |
| 00:01:22 |
Trust me. |
| 00:01:24 |
Yes, sir! Better than a shower |
| 00:01:29 |
OK. |
| 00:01:40 |
It's OK. I'm a cop. |
| 00:01:44 |
Trust me. |
| 00:01:48 |
On behalf |
| 00:01:51 |
..l'd like to welcome you |
| 00:01:54 |
Have a very merry Christmas. |
| 00:02:04 |
Flight247 to Tucson |
| 00:02:10 |
Flight 247 to Tucson |
| 00:02:30 |
How do you do? |
| 00:02:43 |
Ladies and gentlemen,... |
| 00:02:45 |
Ladies and gentlemen! |
| 00:02:47 |
I want to congratulate |
| 00:02:50 |
..for making this |
| 00:02:53 |
..in the history |
| 00:02:59 |
On behalf of the Chief |
| 00:03:02 |
..and the Board of Directors,... |
| 00:03:04 |
..we thank you one and all... |
| 00:03:06 |
..and wish you a merry Christmas |
| 00:03:08 |
Happy New Year! |
| 00:03:13 |
Hey, Holly. |
| 00:03:16 |
Harry, it's Christmas Eve. |
| 00:03:19 |
Families, stockings,... |
| 00:03:23 |
Chestnuts? |
| 00:03:26 |
Rudolph and Frosty? |
| 00:03:27 |
Any of these things ring a bell? |
| 00:03:29 |
Actually, I was thinking more of... |
| 00:03:31 |
..mulled wine, a nice aged Brie... |
| 00:03:35 |
..and a roaring fireplace. |
| 00:03:41 |
Ginny, it's 5.40. Go join the party. |
| 00:03:44 |
You're making me feel |
| 00:03:47 |
Thanks. Do you think the baby |
| 00:03:51 |
That baby's ready to tend bar. |
| 00:03:54 |
Last chance. |
| 00:03:55 |
Bye. |
| 00:04:03 |
McClane residence. |
| 00:04:06 |
Hello, Lucy McClane. |
| 00:04:10 |
Mommy! |
| 00:04:14 |
Pretty soon. |
| 00:04:16 |
You'll be in bed |
| 00:04:18 |
Let me talk to Paulina, OK, hon? |
| 00:04:21 |
And no snooping around the house |
| 00:04:25 |
Is Daddy coming home with you? |
| 00:04:30 |
Well, we'll see what... |
| 00:04:31 |
..Santa and Mommy can do, OK? |
| 00:04:34 |
Put Paulina on. Bye, honey. |
| 00:04:36 |
Paulina! |
| 00:04:43 |
Hola, Mrs Holly. |
| 00:04:45 |
Um, did Mr McClane call? |
| 00:04:48 |
No, Mrs Holly. No telefono. |
| 00:04:52 |
He probably didn't have time |
| 00:04:55 |
It might be a good idea |
| 00:04:58 |
..just in case. |
| 00:04:59 |
Si, Mrs Holly. I do that already. |
| 00:05:02 |
What would I do without you, Paulina? |
| 00:05:29 |
California! |
| 00:05:45 |
Hey, I'm John McClane. |
| 00:05:46 |
Argyle. |
| 00:05:47 |
I'm your limo driver. |
| 00:05:53 |
Nice bear. |
| 00:05:58 |
OK... Argyle. |
| 00:06:01 |
What do we do now? |
| 00:06:02 |
I was, uh, hoping you could tell me. |
| 00:06:05 |
It's my first time driving a limo. |
| 00:06:07 |
That's OK. |
| 00:06:10 |
We got everything in this mug, man. |
| 00:06:13 |
Look at this... CD, CB, TV,... |
| 00:06:17 |
..telephone, full bar, VHS. |
| 00:06:21 |
If your friend's hot to trot,... |
| 00:06:22 |
..l know a few mama bears |
| 00:06:27 |
Or is he married? |
| 00:06:28 |
He's married. |
| 00:06:30 |
OK. |
| 00:06:33 |
Sorry about that. |
| 00:06:36 |
I didn't know |
| 00:06:38 |
Your lady live out here? |
| 00:06:40 |
About the past six months. |
| 00:06:42 |
Meaning you still live in New York? |
| 00:06:46 |
You always ask |
| 00:06:49 |
Sorry. I used to drive a cab |
| 00:06:53 |
- So, you divorced? |
| 00:06:57 |
Hey, come on. You divorced? |
| 00:07:04 |
She had a good job. |
| 00:07:08 |
- That meant she had to move here. |
| 00:07:13 |
So, why didn't you come? |
| 00:07:19 |
Why didn't you come with her? |
| 00:07:21 |
Because I'm a New York cop. |
| 00:07:23 |
I got a backlog of New York scumbags |
| 00:07:28 |
I can'tjust go that easy. |
| 00:07:30 |
You thought she wasn't |
| 00:07:32 |
..and she'd come crawling back to you |
| 00:07:37 |
Like I said, you're very fast, Argyle. |
| 00:07:40 |
Mind ifwe hear some tunes? |
| 00:07:45 |
Hey, that'll work. |
| 00:07:49 |
Don't you got any Christmas music? |
| 00:07:52 |
This is Christmas music. |
| 00:08:23 |
So your lady sees you, |
| 00:08:26 |
..the music comes up |
| 00:08:30 |
I can live with that. |
| 00:08:33 |
So, if it doesn't work out, |
| 00:08:36 |
I'll find a place. |
| 00:08:38 |
I tell you what... |
| 00:08:40 |
I'll wait in the parking garage. You score, |
| 00:08:45 |
I'll take your bags to the desk. |
| 00:08:50 |
- You're all right, Argyle. |
| 00:09:18 |
- Hi. |
| 00:09:20 |
I'm here to see Holly McClane. |
| 00:09:23 |
Just type it in there. |
| 00:09:31 |
Cute toy. |
| 00:09:32 |
Yeah, if you have to take a leak, |
| 00:09:52 |
Christ. |
| 00:09:59 |
- Thirtieth floor? |
| 00:10:01 |
They're the only ones |
| 00:10:03 |
Take the express elevator. |
| 00:10:05 |
Get off where you hear the noise. |
| 00:10:07 |
Thanks. |
| 00:11:07 |
- Champagne, sir? |
| 00:11:44 |
Oh, I'm sorry. |
| 00:11:46 |
Hey! Merry Christmas! |
| 00:11:52 |
Jesus. |
| 00:11:55 |
Fuckin' California! |
| 00:11:56 |
I couldn't agree with you more. |
| 00:11:59 |
Why don't I talk to him right now? |
| 00:12:02 |
Hi. I'm looking for... |
| 00:12:04 |
- Holly Gennero. |
| 00:12:06 |
Then you must be John McClane. |
| 00:12:08 |
Joe Takagi. |
| 00:12:10 |
Nice. I have you to thank for that? |
| 00:12:13 |
Seemed the least we could do. |
| 00:12:15 |
- Quite a place you have here. |
| 00:12:19 |
Still several floors under construction. |
| 00:12:21 |
Holly went to fax some documents. |
| 00:12:26 |
In the meanwhile, |
| 00:12:31 |
Ellis? |
| 00:12:33 |
I was just making a call. |
| 00:12:37 |
I want you to meet John McClane,... |
| 00:12:39 |
..Holly's husband. |
| 00:12:41 |
Holly's policeman. |
| 00:12:43 |
Ellis is in charge |
| 00:12:46 |
Heard a lot about you. |
| 00:12:48 |
You missed some. |
| 00:12:51 |
Can I get you anything? |
| 00:12:53 |
Food? Cake? |
| 00:12:56 |
No, thank you. I'm fine. |
| 00:13:00 |
You throw quite a party. |
| 00:13:03 |
I didn't realise they celebrated |
| 00:13:06 |
We're flexible. |
| 00:13:07 |
Pearl Harbor didn't work out, |
| 00:13:13 |
It's sort of a double celebration. |
| 00:13:17 |
..and a lot of it was due |
| 00:13:20 |
I'll be out |
| 00:13:26 |
John. |
| 00:13:32 |
Have you met everyone? |
| 00:13:34 |
We've been sticking him with spears. |
| 00:13:36 |
Of course he has. |
| 00:13:39 |
She was made for the business. |
| 00:13:42 |
I was hoping you made that flight. |
| 00:13:45 |
Show him the watch. |
| 00:13:47 |
Later. |
| 00:13:48 |
Show him. Are you embarrassed? |
| 00:13:51 |
It's just a small token of appreciation... |
| 00:13:54 |
..for all her hard work. It's a Rolex. |
| 00:13:56 |
I'm sure I'll see it later. |
| 00:13:59 |
Is there a place |
| 00:14:02 |
Sure. |
| 00:14:19 |
You have to forgive Ellis. |
| 00:14:20 |
He gets very depressed |
| 00:14:24 |
He thought he was |
| 00:14:27 |
I know the type. |
| 00:14:30 |
I think he's got his eye on you. |
| 00:14:33 |
That's OK. I have my eye |
| 00:14:37 |
Where are you staying? |
| 00:14:40 |
..l didn't get a chance |
| 00:14:42 |
Cappy Roberts retired out here. |
| 00:14:45 |
Oh, yeah? |
| 00:14:46 |
He said I could bunk with him. |
| 00:14:48 |
Cappy retired, huh? |
| 00:14:50 |
- Romona. |
| 00:14:54 |
- Huh? |
| 00:14:56 |
- Pomona. |
| 00:14:59 |
You'll be in the car halfthe time. |
| 00:15:03 |
Why don't we make it easy? |
| 00:15:07 |
It's not huge or anything, but... |
| 00:15:09 |
..the kids would love to have you |
| 00:15:14 |
They would, huh? |
| 00:15:19 |
I would, too. |
| 00:15:21 |
Ha ha! Ooh! |
| 00:15:24 |
Sorry. |
| 00:15:33 |
I missed you. |
| 00:15:42 |
Didn't miss my name, though, huh? |
| 00:15:44 |
Except maybe |
| 00:15:48 |
Since when did you start using |
| 00:15:53 |
This is a Japanese company. |
| 00:15:57 |
You are a married woman. |
| 00:15:59 |
This conversation again? |
| 00:16:02 |
We never finished this conversation. |
| 00:16:04 |
I had an opportunity. I had to take it. |
| 00:16:06 |
No matter what it did to our marriage. |
| 00:16:09 |
It only changed your idea |
| 00:16:12 |
You have no clue what my idea... |
| 00:16:13 |
I know exactly what your idea |
| 00:16:17 |
Ms Gennero, l... |
| 00:16:21 |
Excuse me. |
| 00:16:23 |
Hi. |
| 00:16:25 |
Um, Mr Takagi is looking for you. |
| 00:16:28 |
He wants you to say something |
| 00:16:30 |
Thank you. |
| 00:16:36 |
Speech time. |
| 00:16:38 |
Be back in a few minutes. |
| 00:16:51 |
That was great, John. |
| 00:16:53 |
Good job. Very mature. |
| 00:17:46 |
So Kareem rebounds. |
| 00:17:47 |
Feeds Worthy on the break, |
| 00:17:51 |
..then back to Worthy. |
| 00:17:54 |
Boom! Two points. |
| 00:18:00 |
We're in. |
| 00:20:30 |
Links... |
| 00:20:34 |
..rechts... |
| 00:20:36 |
..und wieder links. |
| 00:21:08 |
Son of a bitch. |
| 00:21:11 |
Ha ha! |
| 00:21:13 |
Fists with your toes. |
| 00:21:46 |
Yeah, Argyle? |
| 00:21:48 |
How's it going? |
| 00:21:49 |
All right. Where are you? |
| 00:21:51 |
Down at the garage. |
| 00:21:54 |
The vote's not in yet. |
| 00:22:05 |
- Hey, Bruder. |
| 00:22:08 |
Nein! Nein! Nein! |
| 00:22:28 |
Argyle? |
| 00:22:30 |
Mac, you there? Hello? |
| 00:22:40 |
You know the number. Use it. |
| 00:24:15 |
Stay calm. |
| 00:24:18 |
Everything's going to be fine. |
| 00:24:39 |
Shit! |
| 00:24:44 |
Think. |
| 00:24:45 |
Think. |
| 00:25:03 |
Ladies and gentlemen. |
| 00:25:07 |
Ladies and gentlemen. |
| 00:25:16 |
Due to the Nakatomi Corporation's |
| 00:25:20 |
..they're about to be taught a lesson |
| 00:25:25 |
You will be witnesses. |
| 00:25:30 |
Now... |
| 00:25:32 |
..where is Mr Takagi? |
| 00:25:36 |
Joseph Yashinobo Takagi,... |
| 00:25:41 |
..born Kyoto, 1937... |
| 00:25:46 |
Family emigrated to San Pedro, |
| 00:25:51 |
..interned at Manzanar, 1942 to '43,... |
| 00:25:57 |
..scholarship student, |
| 00:26:01 |
..1955. |
| 00:26:07 |
Law degree, Stanford, 1962. |
| 00:26:11 |
MBA, Harvard, 1970. |
| 00:26:16 |
President, Nakatomi Trading. |
| 00:26:19 |
Vice Chairman, |
| 00:26:22 |
Enough. |
| 00:26:24 |
And father... |
| 00:26:26 |
..of five. |
| 00:26:28 |
I am Takagi. |
| 00:26:31 |
How do you do? |
| 00:26:34 |
It's a pleasure to meet you. |
| 00:26:48 |
OK, 32... construction, |
| 00:27:04 |
Nice suit. |
| 00:27:07 |
John Phillips, London. |
| 00:27:11 |
I have two myself. |
| 00:27:14 |
Rumour has it |
| 00:27:22 |
- This way? |
| 00:27:46 |
And when Alexander saw |
| 00:27:50 |
..he wept, for there were |
| 00:27:59 |
The benefits of a classical education. |
| 00:28:03 |
Ohh, that's beautiful. |
| 00:28:07 |
I always enjoyed to make models |
| 00:28:10 |
The exactness, the attention |
| 00:28:16 |
It's beautiful. |
| 00:28:17 |
Is this what this is all about? |
| 00:28:22 |
Contrary to what you people may think,... |
| 00:28:25 |
..we're going to develop |
| 00:28:28 |
I believe you. |
| 00:28:35 |
Mr Takagi... |
| 00:28:38 |
I could talk about industrialisation |
| 00:28:42 |
..but I'm afraid work must intrude... |
| 00:28:44 |
..and my associate here |
| 00:28:48 |
Sort offill-in-the-blanks questions, |
| 00:29:00 |
I don't have that code. |
| 00:29:03 |
You broke in here |
| 00:29:06 |
Any information you could get... |
| 00:29:08 |
..when they wake up in Tokyo, |
| 00:29:10 |
You won't be able to blackmail |
| 00:29:13 |
Sit... down! |
| 00:29:25 |
Mr Takagi, I'm really not |
| 00:29:34 |
But I need the code key... |
| 00:29:36 |
..because I am interested |
| 00:29:41 |
..in negotiable bearer bonds |
| 00:29:45 |
..and the computer |
| 00:29:50 |
You want money? |
| 00:29:53 |
What kind ofterrorists are you? |
| 00:29:58 |
Who said we were terrorists? |
| 00:30:20 |
The bonds represent, at most... |
| 00:30:23 |
..10 days' operating capital |
| 00:30:27 |
It's really no more |
| 00:30:30 |
Now... |
| 00:30:36 |
..the code, please. |
| 00:30:39 |
It's useless to you. |
| 00:30:40 |
There are seven safeguards on our vault |
| 00:30:44 |
You'll never get it open. |
| 00:30:45 |
Then there's no reason |
| 00:30:49 |
- I told you. |
| 00:30:57 |
It's a very nice suit, Mr Takagi. |
| 00:31:01 |
It would be a shame to ruin it. |
| 00:31:07 |
I'm going to count to three. |
| 00:31:10 |
There will not be a four. |
| 00:31:14 |
Give me the code. |
| 00:31:17 |
One,... |
| 00:31:21 |
..two,... |
| 00:31:25 |
- ..three,... |
| 00:31:27 |
Get on ajet to Tokyo |
| 00:31:30 |
You're just gonna have to kill me. |
| 00:31:32 |
OK. |
| 00:31:37 |
We do it the hard way. |
| 00:31:38 |
Tony, see ifyou can dispose ofthat. |
| 00:31:40 |
Karl, you better check on Heinrich's work |
| 00:31:44 |
[bumps head] |
| 00:32:09 |
Nothing. |
| 00:32:11 |
See to Heinrich. |
| 00:32:14 |
Now... |
| 00:32:16 |
..you can break the code? |
| 00:32:19 |
You didn't bring me |
| 00:32:29 |
Argyle, tell me you heard the shots. |
| 00:32:32 |
You're calling the police right now. |
| 00:32:33 |
Of course I'm still coming by later. |
| 00:32:37 |
Sweetheart, have I ever lied to you? |
| 00:32:40 |
My boss? He thinks |
| 00:32:44 |
Uli, get up on the pipes. |
| 00:32:47 |
Marco, you go through here. |
| 00:32:51 |
I'll throw you the cord. |
| 00:32:57 |
Hans, we're on the roof. |
| 00:33:12 |
Here. |
| 00:33:17 |
Uli. |
| 00:33:25 |
30 minutes to break the code,... |
| 00:33:27 |
..two hours, two and a half hours |
| 00:33:32 |
The 7th lock, however, |
| 00:33:58 |
I'm sorry? |
| 00:33:59 |
The 7th lock... |
| 00:34:02 |
You do understand the circuits |
| 00:34:07 |
Trust me. |
| 00:34:10 |
Why the fuck |
| 00:34:14 |
'Cause then you'd be dead, too, |
| 00:34:17 |
Think, goddamn it! Think! |
| 00:34:32 |
We've got a fire alarm. |
| 00:34:34 |
Call 911. |
| 00:34:36 |
Give them the guard's name |
| 00:34:40 |
Then disable the sys... |
| 00:34:45 |
Eddie, on what floor |
| 00:34:49 |
Shall we go? |
| 00:34:51 |
Nein. |
| 00:35:04 |
Yes. |
| 00:35:05 |
Hello, baby. |
| 00:35:08 |
Ah ha ha ha! |
| 00:35:12 |
Come on, baby. |
| 00:35:14 |
Come on, baby. |
| 00:35:15 |
Come on, baby. Come to Papa. |
| 00:35:16 |
I'll kiss your fuckin' Dalmatian. |
| 00:35:22 |
You stupid motherfuckers! |
| 00:35:25 |
Turn the fuckin' truck around! |
| 00:36:00 |
The fire has been called off, my friend. |
| 00:36:08 |
No-one is coming to help you. |
| 00:36:14 |
You might as well come out |
| 00:36:20 |
I promise I won't hurt you. |
| 00:36:52 |
Drop it, dickhead. It's the police. |
| 00:36:55 |
You won't hurt me. |
| 00:36:57 |
Yeah? Why not? |
| 00:36:59 |
Because you're a policeman. |
| 00:37:01 |
There are rules for policemen. |
| 00:37:03 |
Yeah, that's what my captain |
| 00:38:13 |
Bet your ass I wish to proceed. |
| 00:38:56 |
Nine million terrorists in the world... |
| 00:38:58 |
..and I got to kill one with feet |
| 00:39:50 |
I wanted this to be professional,... |
| 00:39:53 |
..efficient, adult, cooperative. |
| 00:39:55 |
Not a lot to ask. |
| 00:39:56 |
Alas, your Mr Takagi |
| 00:39:59 |
..so he won't be joining us |
| 00:40:05 |
We can go any way you want it. |
| 00:40:08 |
You can walk out of here |
| 00:40:11 |
..but have no illusions... |
| 00:40:17 |
So... decide now, each ofyou... |
| 00:40:21 |
..and please remember... |
| 00:40:24 |
..we have left nothing to chance. |
| 00:40:30 |
It's Tony! |
| 00:40:35 |
Get them back! |
| 00:40:46 |
Now lhave a machine gun. |
| 00:40:50 |
Ho... ho... ho. |
| 00:40:56 |
A security guard we missed? |
| 00:40:58 |
They're usually tired old policemen. |
| 00:41:13 |
We have to do something, Hans. |
| 00:41:15 |
Yes, we do. |
| 00:41:16 |
Tell Karl his brother is dead. |
| 00:41:20 |
Tell him to come down. |
| 00:41:22 |
Karl... komm sofort. |
| 00:41:25 |
Franco, Fritz, |
| 00:41:27 |
..and out of sight. |
| 00:41:29 |
I don't want the hostages |
| 00:41:32 |
Komm sofort. Schnell. |
| 00:42:36 |
I want blood! |
| 00:42:38 |
You'll have it, but let |
| 00:42:41 |
..and Theo prepare the vault. |
| 00:42:44 |
..you can tear the building apart |
| 00:42:47 |
..but until then, |
| 00:42:50 |
And if he alters it? |
| 00:42:57 |
What do you think? |
| 00:43:01 |
Something's wrong. |
| 00:43:03 |
Cops? |
| 00:43:06 |
- John. |
| 00:43:09 |
He can fuck |
| 00:43:11 |
What does he think he's doing? |
| 00:43:13 |
His job. |
| 00:43:14 |
Bullshit. |
| 00:43:18 |
Without him, we still have |
| 00:43:22 |
Tell that to Takagi. |
| 00:43:48 |
Mayday, Mayday, |
| 00:43:51 |
Terrorists have seized |
| 00:43:53 |
..and are holding |
| 00:43:55 |
I repeat. |
| 00:43:57 |
..six or more |
| 00:43:59 |
..at Nakatomi Plaza,... |
| 00:44:00 |
..Century City. |
| 00:44:01 |
Where's the best place to transmit? |
| 00:44:04 |
The roof! |
| 00:44:05 |
Go! Go! |
| 00:44:09 |
It's the same address |
| 00:44:12 |
I'll handle it. |
| 00:44:16 |
Attention, whoever you are,... |
| 00:44:17 |
..this channel is reserved |
| 00:44:20 |
No fucking shit, lady! |
| 00:44:36 |
No-one kills him but me. |
| 00:44:40 |
They have already killed one hostage. |
| 00:44:42 |
They are fortifying their positions |
| 00:44:45 |
Sir, I've already told you. |
| 00:44:47 |
This is a reserved channel. |
| 00:44:49 |
If this is an emergency call, |
| 00:44:53 |
Otherwise, I'll report this |
| 00:44:57 |
Fine! Report me! |
| 00:44:59 |
Just send the police now! |
| 00:45:14 |
See if a black and white can drive by. |
| 00:45:30 |
Thought you guys just ate doughnuts. |
| 00:45:32 |
- They're for my wife. |
| 00:45:37 |
- She's pregnant. |
| 00:45:41 |
Bag it. |
| 00:45:43 |
Big time. |
| 00:45:47 |
Thanks. |
| 00:45:52 |
Dispatch to 8-Lincoln-30. Over. |
| 00:45:54 |
This is 8-Lincoln-30. |
| 00:45:57 |
Investigate a code two |
| 00:46:01 |
8-Lincoln-30 to Dispatch. |
| 00:48:03 |
Girls. |
| 00:48:20 |
Shit! Where the fuck is it? |
| 00:48:44 |
Oh, my God. |
| 00:49:02 |
He's in the elevator shaft. |
| 00:49:05 |
Perfect. |
| 00:49:06 |
The elevators are locked off. |
| 00:49:08 |
Just shut him in |
| 00:49:14 |
Oh, fuck. |
| 00:49:21 |
Karl, the police are probably |
| 00:49:23 |
..already. |
| 00:49:25 |
Karl? |
| 00:49:47 |
Christ. |
| 00:49:53 |
I can stall them, |
| 00:49:55 |
If you lock him in, |
| 00:51:03 |
"Come out to the coast!" |
| 00:51:04 |
"We'll get together, |
| 00:51:13 |
Now I know |
| 00:51:26 |
Such! |
| 00:52:24 |
Karl, komm! Die polizei! |
| 00:52:26 |
Karl, die polizei! |
| 00:53:13 |
Well, it's about time. |
| 00:53:20 |
No signs of disturbance, Dispatch. |
| 00:53:22 |
Roger. Possible crank call. |
| 00:53:25 |
Check the area again and confirm. |
| 00:53:33 |
Who's driving this car, |
| 00:53:37 |
I do see a guard inside. |
| 00:53:40 |
I'm gonna go in for a closer look. |
| 00:53:42 |
Use caution. |
| 00:53:46 |
Eddie? |
| 00:53:48 |
I had a feelin' you'd be calling. |
| 00:54:14 |
Evenin', officer. |
| 00:54:28 |
We had that false alarm. |
| 00:54:30 |
You ask me, that goddamn |
| 00:54:32 |
..on another wild-goose chase. |
| 00:54:34 |
They been chasing bugs in this system |
| 00:54:38 |
..Notre Dame on top ofUSC. |
| 00:54:40 |
Aw, shit! |
| 00:54:42 |
I got 50 bucks bet on them assholes. |
| 00:54:46 |
Come on, come on, |
| 00:55:13 |
..was goodfor52 yards. |
| 00:55:16 |
Mind if I look around? |
| 00:55:18 |
Help yourself. |
| 00:55:20 |
27 seconds left in this first period. |
| 00:55:23 |
The lrish driving 74yards |
| 00:55:28 |
I'll put this fuckin'... |
| 00:55:30 |
Freeze, motherfucker! Drop it! |
| 00:55:31 |
Don't shoot! |
| 00:55:33 |
- Put the gun down! |
| 00:55:35 |
Drop that fuckin' gun! |
| 00:55:37 |
Marco, down! |
| 00:55:55 |
Ah, to hell with this! |
| 00:56:06 |
You are done! |
| 00:56:08 |
No more table! |
| 00:56:12 |
Next time you have a chance |
| 00:56:13 |
..don't hesitate. |
| 00:56:22 |
Thanks for the advice. |
| 00:56:25 |
- Sorry to waste your time. |
| 00:56:28 |
- Merry Christmas. |
| 00:56:45 |
Oh, for the love... |
| 00:56:51 |
8-Lincoln-30 to Dispatch. |
| 00:56:52 |
Go ahead. |
| 00:56:54 |
A wild-goose chase |
| 00:56:56 |
Everything here's OK. Over. |
| 00:57:07 |
Shit! |
| 00:57:08 |
Goddamn it! Jesus H Christ! |
| 00:57:18 |
Welcome to the party, pal! |
| 00:57:19 |
Goddamn it! |
| 00:57:28 |
Get someone here now, |
| 00:57:30 |
Policeman under automatic |
| 00:57:32 |
I need backup assistance now! |
| 00:57:36 |
Now, goddamn it! Now! |
| 00:57:56 |
Monica, I can get us a table. |
| 00:57:59 |
Wolfgang and I |
| 00:58:02 |
I interviewed him, for God's sake. |
| 00:58:04 |
..Nakatomi. |
| 00:58:06 |
Repeat. |
| 00:58:08 |
I'm at Nakatomi Plaza. |
| 00:58:10 |
They're turning my car |
| 00:58:12 |
I need backup assistance now! |
| 00:58:14 |
Now, goddamn it! Now! |
| 00:58:37 |
Never thought |
| 00:58:39 |
All of you relax. |
| 00:58:41 |
This is a matter |
| 00:58:44 |
Police action was inevitable... |
| 00:58:46 |
..and, as it happens, necessary. |
| 00:58:49 |
So, let them fumble about outside |
| 00:58:52 |
This is simply the beginning. |
| 00:58:55 |
I told you all I wanted |
| 00:58:59 |
I'm very sorry, Hans. |
| 00:59:02 |
Maybe you shouldhave putit |
| 00:59:05 |
I figured since I waxed Tony |
| 00:59:08 |
..l figured you and Karl |
| 00:59:11 |
..so I wanted to give you a call. |
| 00:59:13 |
How does he know |
| 00:59:16 |
That's very kind ofyou. |
| 00:59:19 |
I assume you are |
| 00:59:23 |
You are most troublesome... |
| 00:59:24 |
..for a security guard. |
| 00:59:26 |
Eeeh! Sorry, Hans. Wrong guess. |
| 00:59:29 |
Would you like to go for doublejeopardy |
| 00:59:37 |
Mm, these are very bad for you. |
| 00:59:40 |
Who are you, then? |
| 00:59:42 |
Just the fly in the ointment, Hans. |
| 00:59:44 |
The monkey in the wrench,... |
| 00:59:46 |
..the pain in the ass. |
| 00:59:51 |
Whoa! |
| 00:59:53 |
Check on all the others. |
| 00:59:56 |
See if he's lying about Marco... |
| 00:59:57 |
..and find out |
| 01:00:03 |
Mr Mystery Guest,... |
| 01:00:06 |
..are you still there? |
| 01:00:09 |
Yeah, I'm still here... |
| 01:00:11 |
..unless you want to open |
| 01:00:14 |
No, I'm afraidnot... |
| 01:00:16 |
..but you have me at a loss. |
| 01:00:18 |
You know my name, but who are you? |
| 01:00:20 |
Just another American |
| 01:00:24 |
Another orphan |
| 01:00:28 |
..who thinks he's John Wayne, |
| 01:00:32 |
I was always partial |
| 01:00:36 |
I liked those sequined shirts. |
| 01:00:38 |
Do you really think you have |
| 01:00:44 |
Yippee-ki-yay, motherfucker. |
| 01:00:50 |
I'll beat everyone if I get a remote. |
| 01:00:52 |
Sam, I don't have the new pages. |
| 01:00:54 |
Harvey, keep your pants on. |
| 01:00:56 |
Sam, I'm begging you. |
| 01:00:58 |
Simon's with the remote. |
| 01:01:02 |
I won't sit on this! |
| 01:01:03 |
This is my story! |
| 01:01:06 |
Look, Sam. Tell you what. |
| 01:01:08 |
You don't give me a truck, |
| 01:01:10 |
Give us a break, Thornburg. |
| 01:01:12 |
Eat it, Harvey! |
| 01:01:13 |
..four, three, two,... |
| 01:01:16 |
..one. |
| 01:01:17 |
Harvey, we're on the air. |
| 01:01:23 |
Good evening. |
| 01:01:27 |
And I'm Gail Wallens. |
| 01:01:29 |
This is Nightline News at 10.00. |
| 01:01:31 |
Our top stories |
| 01:01:34 |
Take truck number five. |
| 01:01:45 |
He wasn't lying about Marco. |
| 01:01:48 |
The other man was Heinrich... |
| 01:01:51 |
..and his bag is missing. |
| 01:01:55 |
He had the detonator. |
| 01:02:01 |
Theo. |
| 01:02:03 |
Theo. |
| 01:02:04 |
Yo! |
| 01:02:05 |
We mayhave some problems. |
| 01:02:09 |
Three down, four to go. |
| 01:02:11 |
Then don't waste time... |
| 01:02:12 |
..talking to me. |
| 01:02:15 |
This is SergeantAIPowell... |
| 01:02:16 |
..of the Los Angeles |
| 01:02:18 |
If the person who radioed for help... |
| 01:02:20 |
..can hearme on this channel,... |
| 01:02:21 |
..acknowledge this transmission. |
| 01:02:23 |
I say again,... |
| 01:02:24 |
..if the person who radioed |
| 01:02:28 |
..acknowledge this transmission! |
| 01:02:34 |
I read you, pal. |
| 01:02:37 |
What's left of him. |
| 01:02:39 |
Can you identify yourself?. |
| 01:02:41 |
Not now. Maybe later. |
| 01:02:43 |
Listen fast. This is a party line. |
| 01:02:45 |
The neighbours got itchy trigger fingers. |
| 01:02:47 |
All right, here's the deal. |
| 01:02:48 |
You got 30 or so hostages |
| 01:02:50 |
The leader's name is Hans. |
| 01:02:52 |
We have to find him and shut him up. |
| 01:02:53 |
He's telling them everything! |
| 01:02:55 |
Let him. I'm waiting for the FBl. |
| 01:02:57 |
He can waste |
| 01:02:59 |
..but we must find the bag, Fritz. |
| 01:03:01 |
They have a freakin'arsenalhere. |
| 01:03:03 |
We must have the detonators. |
| 01:03:05 |
They got missiles, automatic weapons,... |
| 01:03:07 |
..and enough plastic explosives |
| 01:03:10 |
They're down to nine now, |
| 01:03:13 |
These guys are mostly European... |
| 01:03:15 |
..judging by their clothing labels and... |
| 01:03:24 |
..cigarettes. |
| 01:03:26 |
They're well-financed and very slick. |
| 01:03:28 |
How do you know that? |
| 01:03:30 |
I've seen enough phoney IDs in my time... |
| 01:03:32 |
..to recognise the ones they got |
| 01:03:38 |
Add all that up. I don't know |
| 01:03:41 |
..but you got |
| 01:03:43 |
..and they're here to stay. |
| 01:03:46 |
I hear you, partner. |
| 01:03:47 |
LA's finest are on it,... |
| 01:03:49 |
..so light 'em if you got 'em. |
| 01:03:51 |
Way ahead of you, partner. |
| 01:03:54 |
So what do I call you? |
| 01:03:58 |
Call me... |
| 01:04:01 |
..Roy. |
| 01:04:02 |
Listen up, Roy, |
| 01:04:06 |
..don't be shy, OK? |
| 01:04:07 |
In the meantime, find a safe place |
| 01:04:11 |
They're all yours, Al. |
| 01:04:31 |
Who's talking to 'em? |
| 01:04:33 |
I am, sir. |
| 01:04:37 |
Dwayne Robinson. What's the deal? |
| 01:04:39 |
What do these pricks want? |
| 01:04:41 |
If you mean the terrorists,... |
| 01:04:43 |
..we haven't heard a peep from them. |
| 01:04:45 |
Who have you been talking to? |
| 01:04:48 |
We don't know. |
| 01:04:51 |
But he appears to be |
| 01:04:54 |
He's killed one terrorist for sure |
| 01:04:57 |
He claims? |
| 01:04:58 |
Powell, has it occurred to you... |
| 01:05:00 |
..he could be |
| 01:05:03 |
..or some nutcase in there? |
| 01:05:05 |
I don't think so. |
| 00:00:02 |
- How do you know that? |
| 00:00:06 |
..like being able to spot a phoney ID. |
| 00:00:09 |
Jesus Christ, Powell! |
| 00:00:11 |
He could be a fucking bartender |
| 00:00:13 |
TV's here. |
| 00:00:16 |
Oh, shit. |
| 00:00:35 |
I have a request. |
| 00:00:36 |
What idiot put you in charge? |
| 00:00:39 |
You did... |
| 00:00:41 |
..when you murdered my boss. |
| 00:00:43 |
Now everybody's looking to me. |
| 00:00:45 |
Personally, I'd pass on the job. |
| 00:00:48 |
I don't enjoy being this close to you. |
| 00:00:59 |
Go on. |
| 00:01:00 |
We have a pregnant woman. |
| 00:01:02 |
Relax. She's not due |
| 00:01:05 |
..but sitting on that rock |
| 00:01:09 |
So I'd like permission to move her |
| 00:01:13 |
No, but I'll have a sofa |
| 00:01:16 |
Good enough. |
| 00:01:18 |
And unless you like it messy,... |
| 00:01:20 |
..start bringing us |
| 00:01:22 |
Yes. You're right. |
| 00:01:26 |
It will be done. |
| 00:01:28 |
Was there something else? |
| 00:01:32 |
No, thank you. |
| 00:01:40 |
Mr Takagi |
| 00:01:44 |
Gennero. |
| 00:01:47 |
Ms Gennero. |
| 00:01:52 |
We interrupt this programme |
| 00:01:55 |
This is Richard Thornburg |
| 00:01:58 |
Tonight, Los Angeles hasjoined |
| 00:02:01 |
the sadand worldwide |
| 00:02:04 |
whose only membership requirement |
| 00:02:06 |
is to suffer the anguish |
| 00:02:09 |
Approximately two hours ago, |
| 00:02:14 |
seized control |
| 00:02:17 |
sealing off all entrances and exits. |
| 00:02:19 |
All telephone lines have been cut |
| 00:02:21 |
and the only communication |
| 00:02:23 |
has been through the use |
| 00:02:26 |
which the group |
| 00:02:29 |
According to official sources, |
| 00:02:31 |
the perpetrators of this building siege... |
| 00:02:33 |
Unit five, |
| 00:02:36 |
We got Charlie unit in position |
| 00:02:39 |
by the parking structure. |
| 00:02:40 |
Let me ask you something. |
| 00:02:42 |
Does this stairway |
| 00:02:45 |
Yeah. |
| 00:02:46 |
Tell them to go ahead. |
| 00:02:48 |
What's going on? |
| 00:02:51 |
What's it look like? We're going in. |
| 00:02:53 |
Going in? Man, that's crazy! |
| 00:02:56 |
There could be over 30 hostages |
| 00:02:58 |
We don't know shit, Powell. |
| 00:03:00 |
If there's hostages, how come |
| 00:03:03 |
If there's terrorists in there, |
| 00:03:07 |
All we know is that |
| 00:03:09 |
It's probably the same silly son of a bitch |
| 00:03:11 |
you've been talking to on that radio. |
| 00:03:13 |
Excuse me, sir, |
| 00:03:15 |
but what about the body |
| 00:03:18 |
Probably some stockbroker |
| 00:03:20 |
We're ready, Chief. |
| 00:03:22 |
- Light 'em up. Let's go. |
| 00:03:24 |
- Blue units, go. |
| 00:03:39 |
Powell? |
| 00:03:41 |
Powell, you still with me, babe? |
| 00:03:45 |
Yo, Al. |
| 00:03:46 |
I'm here, Roy, |
| 00:03:49 |
I'll talk to you later. |
| 00:03:50 |
Al, what's wrong? |
| 00:03:51 |
I'll talk to you later. |
| 00:03:53 |
If you are what I think you are, |
| 00:03:55 |
you'll know when to listen, |
| 00:03:59 |
and when to pray. |
| 00:04:01 |
Jesus Christ! |
| 00:04:03 |
Christ, Powell, |
| 00:04:05 |
I told you what kind of people |
| 00:04:07 |
Let's load them up. |
| 00:04:12 |
They'll be coming. |
| 00:04:16 |
Theo, you are the eyes now. |
| 00:04:31 |
- Rivers. |
| 00:04:32 |
Begin your reconnoitre. |
| 00:04:36 |
Let's go. |
| 00:04:40 |
Shit! |
| 00:05:01 |
Come on. Let's go. |
| 00:05:13 |
Ow! Jesus! |
| 00:05:49 |
All right, spread out. |
| 00:06:17 |
Shut up. |
| 00:06:21 |
Let's go. |
| 00:06:27 |
You macho assholes. No! No! |
| 00:06:32 |
Ahem... all right. Listen up, guys. |
| 00:06:36 |
'Twas the night before Christmas |
| 00:06:38 |
and all through the house |
| 00:06:41 |
not a creature was stirring, except |
| 00:06:43 |
the four assholes |
| 00:06:46 |
two-by-two cover formation. |
| 00:06:50 |
We're all set. |
| 00:06:53 |
We're ready. |
| 00:06:55 |
Kick ass. |
| 00:06:56 |
Go! |
| 00:06:58 |
Right. Let's do it. |
| 00:07:15 |
Take cover! |
| 00:07:17 |
They're shooting at 'em. |
| 00:07:19 |
It's panic fire. |
| 00:07:21 |
They're shooting at the lights. |
| 00:07:27 |
They're going after the lights. |
| 00:07:32 |
It's not happening. |
| 00:07:33 |
Mike, burn it. |
| 00:07:37 |
Don't be impatient. |
| 00:07:39 |
Just wound them. |
| 00:07:43 |
Get them back. |
| 00:07:45 |
They're almost in. |
| 00:07:47 |
Send in the car. |
| 00:07:49 |
Send in the car. |
| 00:08:04 |
Jesus Christ! |
| 00:08:08 |
Rivers, Rodriguez, report. |
| 00:08:11 |
Wait a minute. |
| 00:08:18 |
The police have themselves an RV. |
| 00:08:26 |
Southeast corner. |
| 00:08:40 |
Oh, Jesus Christ. |
| 00:08:54 |
Get back! Get the fuck back! |
| 00:08:59 |
Get over there. |
| 00:09:00 |
Schnell! Schnell! |
| 00:09:01 |
Mach schnell! |
| 00:09:06 |
Weiter! Weiter! Weiter! |
| 00:09:08 |
Mach schnell! Mach schnell! |
| 00:09:10 |
Weiter! |
| 00:09:14 |
Mach los! Mach los! |
| 00:09:36 |
I see him! |
| 00:09:49 |
- Fire! |
| 00:09:56 |
Oh, my God! |
| 00:10:00 |
Hang on, Rivers. That's an order. |
| 00:10:04 |
Hit it again. |
| 00:10:05 |
All right, you motherfucker, |
| 00:10:07 |
Let them pull back! |
| 00:10:08 |
Thank you, Mr Cowboy. |
| 00:10:11 |
Hit it |
| 00:10:11 |
again. |
| 00:10:26 |
Fire. |
| 00:10:42 |
Fuck me. |
| 00:10:44 |
Get them out of the car! They're burning! |
| 00:10:57 |
Fuck it. |
| 00:11:01 |
Mach schnell! Mach los! |
| 00:11:10 |
Let's see you take this |
| 00:11:17 |
Geronimo, motherfucker. |
| 00:11:38 |
Oh, shit! |
| 00:11:44 |
They're using artillery on us! |
| 00:11:46 |
You idiot, it's not the police. |
| 00:11:49 |
It's him. |
| 00:11:58 |
Holy shit. |
| 00:12:05 |
My God! |
| 00:12:08 |
- Tell me you got that. |
| 00:12:13 |
Eat your heart out, Channel Five. |
| 00:12:15 |
We've had an update |
| 00:12:17 |
on the terrorist take over |
| 00:12:19 |
Sources say |
| 00:12:21 |
may be this man... Hans Gruber. |
| 00:12:24 |
A member ofthe radical |
| 00:12:27 |
Strangely, the Volksfrei leadership |
| 00:12:30 |
stating that Gruber had been |
| 00:12:33 |
Al, do you copy? |
| 00:12:36 |
Are you all right? |
| 00:12:38 |
Yeah, I'm fine. |
| 00:12:41 |
W-what was that? |
| 00:12:42 |
Remember that plastic |
| 00:12:45 |
There you go. |
| 00:12:48 |
No, but it's gonna need a paint job |
| 00:12:50 |
and a shitload of screen doors. |
| 00:12:52 |
Our spotter said you got two |
| 00:12:54 |
- Is that him? |
| 00:12:59 |
I don't know who you think you are |
| 00:13:01 |
but you just destroyed a building. |
| 00:13:04 |
We do not want your help. |
| 00:13:07 |
We don't want your help. |
| 00:13:09 |
I've got 100 people down here, |
| 00:13:12 |
Glass? Who gives a shit about glass? |
| 00:13:15 |
Who the fuck is this? |
| 00:13:18 |
This is Deputy Chief of Police |
| 00:13:21 |
and I am in charge of this situation. |
| 00:13:23 |
Oh, you're in charge? |
| 00:13:24 |
I got some bad news for you, Dwayne. |
| 00:13:27 |
From up here it doesn'tlook |
| 00:13:30 |
Listen to me, you little asshole... |
| 00:13:32 |
Asshole? |
| 00:13:33 |
I'm not the one |
| 00:13:35 |
on national TV, Dwayne. |
| 00:13:37 |
Ah ha ha! |
| 00:13:38 |
Listen to me,jerk-off, |
| 00:13:40 |
if you're not part of the solution, |
| 00:13:43 |
Quit being part of the problem |
| 00:13:49 |
Hey, Roy, how you feeling? |
| 00:13:51 |
Pretty fucking unappreciated, Al. |
| 00:13:53 |
Hey, look. I love you. |
| 00:13:55 |
So do a lot of the otherguys. |
| 00:13:58 |
So hang in there, man, you hear me? |
| 00:14:00 |
You hang in there. |
| 00:14:04 |
Yeah, thanks, partner. |
| 00:14:12 |
What are you doing? |
| 00:14:14 |
I'm tired of sitting here |
| 00:14:15 |
waiting to see |
| 00:14:17 |
them or your husband. |
| 00:14:19 |
What are you going to do? |
| 00:14:21 |
Hey, babe, |
| 00:14:22 |
I negotiate million-dollar deals |
| 00:14:24 |
I think I can handle this Eurotrash. |
| 00:14:26 |
Hey, sprechen sie talk, huh? |
| 00:14:29 |
If you'd listened to me, |
| 00:14:32 |
I don't want neutral. I want dead. |
| 00:14:35 |
Hope I'm not interrupting. |
| 00:14:37 |
What does he want? |
| 00:14:39 |
It's not what I want. |
| 00:14:50 |
Look, let's be straight, OK? |
| 00:14:52 |
It's obvious you're not |
| 00:14:55 |
up here to snatch a few purses. |
| 00:14:57 |
You're very perceptive. |
| 00:14:58 |
I watch 60 Minutes. |
| 00:15:00 |
I say to myself, |
| 00:15:03 |
they're motivated, they're happening, |
| 00:15:06 |
they want something. |
| 00:15:07 |
I couldn't care less |
| 00:15:10 |
Maybe you're pissed off |
| 00:15:12 |
Maybe it's the Hebes, |
| 00:15:14 |
It's none of my business. |
| 00:15:15 |
I figure you're here |
| 00:15:18 |
You're amazing. |
| 00:15:19 |
You figured this all out already? |
| 00:15:21 |
Hey, business is business. |
| 00:15:24 |
You use a gun, |
| 00:15:26 |
What's the difference? |
| 00:15:27 |
Let's put it in my terms. |
| 00:15:28 |
You're here on a hostile takeover. |
| 00:15:30 |
You grab us for some green |
| 00:15:31 |
but you didn't expect some poison pill |
| 00:15:34 |
Am I right? |
| 00:15:36 |
Hans, |
| 00:15:37 |
bubbie... |
| 00:15:39 |
I'm your white knight. |
| 00:15:42 |
I must have missed 60 Minutes. |
| 00:15:45 |
What are you saying? |
| 00:15:48 |
The guy upstairs |
| 00:15:56 |
I can give him to you. |
| 00:16:00 |
Oh, God... |
| 00:16:04 |
Roy? Roy, you all right? |
| 00:16:08 |
Just trying to fire down |
| 00:16:12 |
What do they put in these things, |
| 00:16:14 |
anyway? |
| 00:16:15 |
Sugar, enriched flour, |
| 00:16:17 |
partially hydrogenated |
| 00:16:19 |
polysorbate 60, |
| 00:16:21 |
and yellow dye number five. |
| 00:16:22 |
Just everything |
| 00:16:26 |
How many kids you got, Al? |
| 00:16:28 |
As a matter of fact, |
| 00:16:32 |
How about you, cowboy? |
| 00:16:34 |
You got any kids |
| 00:16:37 |
Yeah. |
| 00:16:39 |
Two. |
| 00:16:41 |
Sure hope I can see them |
| 00:16:43 |
swinging on ajungle gym |
| 00:16:47 |
Well, now, that's a date |
| 00:16:49 |
but you bring the ice cream. |
| 00:16:52 |
Touching, cowboy. Touching. |
| 00:16:55 |
Or shouldl call you |
| 00:16:56 |
Mr McClane? |
| 00:17:00 |
Mr Officer John McClane |
| 00:17:03 |
of the New York |
| 00:17:07 |
Get on the phone to Harry in New York. |
| 00:17:09 |
You better get a hold of somebody |
| 00:17:12 |
Sister Theresa called me |
| 00:17:15 |
My friends call me John |
| 00:17:18 |
and you're neither, shithead. |
| 00:17:21 |
I have someone |
| 00:17:24 |
A very special friend |
| 00:17:27 |
who was with you |
| 00:17:36 |
Hey, John boy. |
| 00:17:39 |
Ellis? |
| 00:17:41 |
Yeah. |
| 00:17:42 |
Listen, John, they're giving me |
| 00:17:46 |
I know you think you're doing yourjob |
| 00:17:49 |
but you'rejust dragging |
| 00:17:51 |
Look, no-one gets out of here |
| 00:17:54 |
can talk to the LA Police. |
| 00:17:56 |
That won't happen until you stop |
| 00:18:05 |
Ellis, what have you told them? |
| 00:18:07 |
I told them we were old friends |
| 00:18:11 |
at the party. |
| 00:18:14 |
Ellis, you shouldn't be doing this. |
| 00:18:16 |
Tell me about it. |
| 00:18:24 |
All right, John, listen. |
| 00:18:25 |
They want you to tell them |
| 00:18:29 |
They know people are listening. |
| 00:18:31 |
They want the detonators, |
| 00:18:38 |
John, didn't you hear me? |
| 00:18:42 |
Yeah, I hear you. |
| 00:18:44 |
John, get with the programme. |
| 00:18:46 |
The police are here now. |
| 00:18:49 |
Tell these guys where the detonators are |
| 00:18:52 |
I'm putting my life |
| 00:18:55 |
Ellis, listen to me carefully. |
| 00:18:57 |
John... |
| 00:18:57 |
Shut up, Ellis! |
| 00:19:00 |
Put Hans back on the line. |
| 00:19:02 |
Hans, this shithead doesn'tknow |
| 00:19:06 |
Good. Then you'll |
| 00:19:08 |
and save your friend's life. |
| 00:19:10 |
You're not part ofthis equation. |
| 00:19:12 |
Hey, what am l, a method actor? |
| 00:19:15 |
Babe, putaway the gun. |
| 00:19:16 |
This is radio, not television. |
| 00:19:18 |
Hans, this asshole is not my friend! |
| 00:19:20 |
I just met him tonight! |
| 00:19:22 |
Jesus Christ, Ellis! |
| 00:19:24 |
Tell them you don't know me! |
| 00:19:27 |
How can you say that |
| 00:19:29 |
John? John? |
| 00:19:57 |
Do you hear that? |
| 00:19:58 |
Talk to me! |
| 00:20:01 |
Where are they, |
| 00:20:04 |
Sooner or later |
| 00:20:05 |
I mightget to someone |
| 00:20:08 |
Go fuck yourself, Hans. |
| 00:20:12 |
He just let the guy die. |
| 00:20:14 |
He just gave him up. |
| 00:20:17 |
That's like pulling the trigger yourself. |
| 00:20:19 |
Can't you see what's happening? |
| 00:20:22 |
He did everything he could |
| 00:20:25 |
If he gave himself up, |
| 00:20:28 |
No way, man. They'd be talking to us. |
| 00:20:31 |
You tell this partner of yours |
| 00:20:34 |
Because if he doesn't, |
| 00:20:38 |
The man is hurting. |
| 00:20:40 |
He is alone, tired, |
| 00:20:41 |
and he hasn't seen diddly-squat |
| 00:20:45 |
You're gonna tell me he'll give a damn |
| 00:20:48 |
about what you do to him |
| 00:20:51 |
Why don't you wake up |
| 00:20:54 |
You listen to me, sergeant. |
| 00:20:56 |
Any time you want to go home, |
| 00:20:59 |
No, sir. |
| 00:21:03 |
Attention, police. |
| 00:21:06 |
Attention, police. |
| 00:21:08 |
- This is Sergeant AI Powell... |
| 00:21:11 |
This is Deputy Chief Dwayne Robinson. |
| 00:21:14 |
Who is this? |
| 00:21:15 |
This is Hans Gruber. |
| 00:21:17 |
I assume you realise the futility |
| 00:21:21 |
We have no wish |
| 00:21:23 |
What is it you do wish for? |
| 00:21:26 |
I have comrades in arms |
| 00:21:30 |
The American State Department |
| 00:21:34 |
Now it can rattle it for me. |
| 00:21:38 |
The following people |
| 00:21:42 |
In Northern lreland the seven members |
| 00:21:45 |
In Canada, the five imprisonedleaders |
| 00:21:50 |
In Sri Lanka, the nine members |
| 00:21:54 |
What the fuck? |
| 00:21:56 |
Asian Dawn? |
| 00:21:57 |
I read about them in Time magazine. |
| 00:22:00 |
When these revolutionary |
| 00:22:04 |
the hostages in this building |
| 00:22:07 |
and they will accompany us |
| 00:22:10 |
to the Los Angeles |
| 00:22:12 |
where they will be given |
| 00:22:15 |
You have two hours to comply. |
| 00:22:17 |
Wait a minute. Uh, Mr. Gruber. |
| 00:22:20 |
I don't have the authority. |
| 00:22:24 |
Hello? Hello! |
| 00:22:29 |
Did you get all that? |
| 00:22:32 |
Do you think they'll even try? |
| 00:22:34 |
Who cares? |
| 00:22:38 |
Theo, are we on schedule? |
| 00:22:41 |
One more to go, then it's up to you. |
| 00:22:43 |
You better be right |
| 00:22:46 |
It's Christmas, Theo. |
| 00:22:48 |
It's the time of miracles, |
| 00:22:50 |
and call me |
| 00:22:54 |
Karl, |
| 00:22:55 |
hunt that little shit down |
| 00:22:59 |
Fritz is checking the explosives. |
| 00:23:01 |
I'll check the explosives. |
| 00:23:04 |
Hey, Powell, you out there? |
| 00:23:06 |
I'm here, John. I'm here. |
| 00:23:09 |
You gotta believe me. |
| 00:23:13 |
Well, it's gonna be |
| 00:23:17 |
I hear you. |
| 00:23:25 |
Did you catch that bullshit |
| 00:23:27 |
It doesn'tmake sense, man. |
| 00:23:31 |
Hey, don't ask me, man. |
| 00:23:32 |
I'm just a deskjockey |
| 00:23:35 |
The way you drove that car |
| 00:23:39 |
In my youth. In my youth. |
| 00:23:42 |
..author of "Hostage Terrorist, |
| 00:23:46 |
A Study in Duality. " |
| 00:23:47 |
Dr Hasseldorf, |
| 00:23:49 |
what can we expect |
| 00:23:51 |
Well, Gail, |
| 00:23:52 |
by this time, |
| 00:23:54 |
the early stages |
| 00:23:57 |
As in Helsinki, Sweden. |
| 00:23:59 |
Finland. |
| 00:24:00 |
Basically, it's when the hostages |
| 00:24:04 |
go through a sort of |
| 00:24:07 |
and a projection of dependency. |
| 00:24:09 |
A strange sort oftrust |
| 00:24:12 |
We've hadsituations |
| 00:24:14 |
have embraced their captors |
| 00:24:17 |
and even corresponded with them |
| 00:24:19 |
No, no, darling. Asian Dawn. Dawn. |
| 00:24:22 |
D-A-W-N. |
| 00:24:25 |
- Sir? |
| 00:24:27 |
Sir, the FBI is here. |
| 00:24:29 |
- The FBI is here now? |
| 00:24:33 |
Hold this. |
| 00:24:34 |
Want a breath mint? |
| 00:24:40 |
Hey, how you doing, man? |
| 00:24:43 |
I'm Agent Johnson. |
| 00:24:46 |
- Oh, how you doing? |
| 00:24:49 |
I'm, uh... |
| 00:24:52 |
I'm Dwayne Robinson, LAPD. |
| 00:24:56 |
Not any more. |
| 00:25:52 |
Hi, there. How you doing? |
| 00:25:59 |
Ohh... |
| 00:26:02 |
Please, God. No. |
| 00:26:05 |
You're one ofthem. |
| 00:26:07 |
No! Don't kill me! Please! |
| 00:26:10 |
Don't kill me, please! |
| 00:26:12 |
Whoa. Relax. |
| 00:26:15 |
I'm not gonna hurt you! |
| 00:26:19 |
Oh, God. |
| 00:26:25 |
What the fuck |
| 00:26:26 |
What were you looking for? |
| 00:26:28 |
I managed to get out ofthere and |
| 00:26:30 |
I was just trying |
| 00:26:34 |
and see if I could signal for help. |
| 00:26:38 |
It's just over here. |
| 00:26:40 |
Hold it. Forget the roof. |
| 00:26:44 |
I said forget the roof. |
| 00:26:48 |
You want to stay alive, |
| 00:26:53 |
The best we can figure it, |
| 00:26:55 |
we've got maybe |
| 00:26:59 |
probably on the 30th floor |
| 00:27:01 |
and maybe seven or eight |
| 00:27:05 |
Sounds like an A-7 scenario. |
| 00:27:07 |
Thank you. |
| 00:27:10 |
When we commandeer your men, |
| 00:27:12 |
Aren't you forgetting something? |
| 00:27:15 |
Such as? |
| 00:27:16 |
What about John McClane? |
| 00:27:17 |
He's the reason |
| 00:27:21 |
He's also the reason |
| 00:27:24 |
He's inside? Who is he? |
| 00:27:27 |
He might be a cop. |
| 00:27:30 |
- One ofyours? |
| 00:27:38 |
You smoke? |
| 00:27:40 |
Yeah. |
| 00:27:47 |
Thanks. |
| 00:27:52 |
You don't work for Nakatomi. |
| 00:27:59 |
And ifyou're not one ofthem... |
| 00:28:04 |
I'm a cop from New York. |
| 00:28:07 |
New York? |
| 00:28:09 |
Yeah. |
| 00:28:11 |
Got invited to |
| 00:28:14 |
Who knew? |
| 00:28:23 |
Better than being caught |
| 00:28:35 |
I'm John McClane. |
| 00:28:38 |
You're, uh... |
| 00:28:41 |
Clay. |
| 00:28:44 |
Bill Clay. |
| 00:28:52 |
Know how to use a handgun, Bill? |
| 00:28:55 |
I spent a weekend at a combat ranch. |
| 00:28:57 |
That game with the guns |
| 00:29:00 |
Probably seems kind of stupid to you. |
| 00:29:03 |
Nope. |
| 00:29:08 |
Time for the real thing, Bill. |
| 00:29:18 |
All you got to do |
| 00:29:21 |
Come on. |
| 00:29:41 |
Put down the gun |
| 00:29:43 |
and give me my detonators. |
| 00:29:50 |
Well, well, well... |
| 00:29:53 |
Hans. |
| 00:29:55 |
Put it down now. |
| 00:30:01 |
That's pretty tricky |
| 00:30:04 |
You oughta be on fucking TV |
| 00:30:10 |
But what do you want |
| 00:30:14 |
I already used all the explosives. |
| 00:30:19 |
Or did l? |
| 00:30:22 |
I'm going to count to three. |
| 00:30:24 |
Yeah. Like you did with Takagi? |
| 00:30:27 |
Oops. |
| 00:30:30 |
No bullets. |
| 00:30:31 |
What do you think... |
| 00:30:34 |
You were saying? |
| 00:31:30 |
Karl. |
| 00:31:32 |
SchieB dem Fenster. |
| 00:31:40 |
Shoot the glass! |
| 00:32:16 |
Jesus Christ! |
| 00:32:46 |
Smile, Karl. |
| 00:32:52 |
..is the lastresort ofdiplomacy, |
| 00:32:55 |
then couldn't wejustas well say |
| 00:32:58 |
that terrorism has an equal claim |
| 00:33:02 |
Tell me you got something. |
| 00:33:04 |
McClane's name, badge number, |
| 00:33:08 |
and his family's home address |
| 00:33:10 |
right here in LA. |
| 00:33:14 |
Whoo! |
| 00:33:20 |
Go to work. |
| 00:33:22 |
Got it. |
| 00:33:36 |
God, that man looks really pissed. |
| 00:33:41 |
He's still alive. |
| 00:33:44 |
What? |
| 00:33:46 |
Only John can drive |
| 00:34:05 |
Hans, you better heat up that miracle |
| 00:34:08 |
because we just broke through |
| 00:34:10 |
and the electromagnetic |
| 00:34:13 |
Have a look at what our friends |
| 00:34:21 |
Hey, John. |
| 00:34:22 |
John McClane, you still with us? |
| 00:34:24 |
Yeah. |
| 00:34:26 |
But all things being equal, |
| 00:34:31 |
Chalk up two more bad guys. |
| 00:34:33 |
The boys down here |
| 00:34:37 |
We gota poolgoing on you. |
| 00:34:39 |
What kind of odds am I getting? |
| 00:34:41 |
You don't want to know. |
| 00:34:43 |
Put me down for 20. |
| 00:34:44 |
I'm good for it. |
| 00:34:49 |
Hey, pal, you gotflatfeet? |
| 00:34:54 |
What the hell |
| 00:34:57 |
Something had |
| 00:34:59 |
What's the matter? |
| 00:35:00 |
You don't thinkjockeyingpapers |
| 00:35:06 |
No. |
| 00:35:10 |
I had an accident. |
| 00:35:12 |
The wayyou drive, I can see why. |
| 00:35:15 |
What'd you do ? |
| 00:35:16 |
Run over your captain's foot |
| 00:35:22 |
I shot a kid. |
| 00:35:25 |
He was 13 years old. |
| 00:35:28 |
Oh, it was dark. I couldn'tsee him. |
| 00:35:30 |
He hada raygun, lookedreal enough. |
| 00:35:35 |
When you're a rookie, they teach you |
| 00:35:39 |
except how to live with a mistake. |
| 00:35:45 |
Anyway, ljust couldn'tbring myself |
| 00:35:53 |
Sorry, man. |
| 00:35:56 |
Hey, man, how could you know? |
| 00:36:01 |
I feel like shit anyway. |
| 00:36:06 |
Well, then, this won't matter. |
| 00:36:07 |
The LAPD is not calling the shots |
| 00:36:15 |
The Feds? |
| 00:36:16 |
You got it. |
| 00:36:19 |
Those are the city engineers. |
| 00:36:22 |
Wait. |
| 00:36:24 |
They're going into the street circuits. |
| 00:36:26 |
Those guys in the suits, |
| 00:36:29 |
That's the FBl. |
| 00:36:31 |
They're ordering the others |
| 00:36:35 |
Regular as clockwork. |
| 00:36:38 |
Or a time lock. |
| 00:36:40 |
Precisely. |
| 00:36:42 |
The circuits that cannot be cut |
| 00:36:46 |
in response to a terrorist incident. |
| 00:36:49 |
You asked for miracles, Theo. |
| 00:36:51 |
I give you the F-B-l. |
| 00:36:56 |
I want the building shut down. |
| 00:36:58 |
I got a problem. I got a switch... |
| 00:37:00 |
I don't care |
| 00:37:05 |
You can't do it from here. |
| 00:37:06 |
- Yeah, you could. |
| 00:37:09 |
I could just... I got the radio... |
| 00:37:11 |
You can't do it from here. |
| 00:37:14 |
They've gotta take out |
| 00:37:16 |
We're talking 10 square blocks. |
| 00:37:18 |
Ten blocks? Johnson, that's crazy. |
| 00:37:20 |
It's Christmas Eve. |
| 00:37:23 |
You have to go wider. |
| 00:37:24 |
- I need authorisation. |
| 00:37:30 |
Lose the grid, or you lose yourjob. |
| 00:37:38 |
- Yeah, Central? |
| 00:37:40 |
This is Walt down at Nakatomi. |
| 00:37:42 |
Would it be possible for you |
| 00:37:47 |
Are you crazy?! |
| 00:37:48 |
Maybe I should call the Mayor. |
| 00:37:51 |
No shit it's my ass. |
| 00:37:54 |
Shut it down now. |
| 00:38:00 |
Emergency lighting activated. |
| 00:38:03 |
Al, talk to me. What's going on here? |
| 00:38:06 |
Ask the FBl. |
| 00:38:07 |
They got the universal |
| 00:38:10 |
and they're running it step by step. |
| 00:38:15 |
It's gonna go. It's gonna go! |
| 00:38:18 |
Yes! |
| 00:38:43 |
Merry Christmas. |
| 00:38:46 |
They must be pissing in their pants. |
| 00:38:49 |
The Mayor is gonna have my ass. |
| 00:38:58 |
Whoo! |
| 00:39:12 |
What are we gonna do now ? |
| 00:39:15 |
Arrest them for not paying |
| 00:39:18 |
We've shut them down. |
| 00:39:20 |
We let them sweat for a while, |
| 00:39:23 |
Right up the ass. |
| 00:39:28 |
This is Agent Johnson. |
| 00:39:29 |
No, the other one. |
| 00:39:31 |
I want that air support ready |
| 00:39:34 |
Damn right. Fully armed. |
| 00:39:44 |
Oh, yes! |
| 00:39:47 |
I wish to talk to the FBl. |
| 00:39:52 |
This is Special Agent Johnson. |
| 00:39:55 |
The State Departmenthas arranged |
| 00:39:59 |
Helicopters are en route |
| 00:40:02 |
I hearyou. We'll be ready. |
| 00:40:03 |
By the time he figures out |
| 00:40:07 |
When they touch down, |
| 00:40:09 |
They'll spend a month |
| 00:40:10 |
By the time they figure out |
| 00:40:13 |
we'll be sitting on a beach earning 20%. |
| 00:40:21 |
Ah! Jeez! |
| 00:40:23 |
Powell? |
| 00:40:25 |
Yo, Powell, you got a minute? |
| 00:40:28 |
I'm here, John. |
| 00:40:32 |
Listen, I'm starting to get |
| 00:40:36 |
I want you to do something for me. |
| 00:40:38 |
Um... ahem... |
| 00:40:40 |
I want you to find my wife. |
| 00:40:42 |
Don't ask me how. |
| 00:40:44 |
Uh, I want you |
| 00:40:49 |
I want you to tell her that... |
| 00:40:58 |
Tell her it took me |
| 00:41:01 |
what ajerk I've been |
| 00:41:03 |
but, um... |
| 00:41:06 |
that... |
| 00:41:11 |
that when things started |
| 00:41:14 |
I should have been more supportive. |
| 00:41:19 |
And, uh... |
| 00:41:21 |
Ijustshouldhave been |
| 00:41:27 |
Oh, shit. |
| 00:41:31 |
Tell her that, um |
| 00:41:34 |
that she's the best thing |
| 00:41:40 |
She's heard me say "l love you" |
| 00:41:45 |
She never heard me say I'm sorry. |
| 00:41:49 |
I want you to tell her that, Al. |
| 00:41:56 |
OK? |
| 00:41:58 |
You got that, man? |
| 00:42:00 |
Yeah, lgotit, John. |
| 00:42:03 |
But you can tell her that yourself. |
| 00:42:05 |
You just watch your ass |
| 00:42:10 |
I guess that's up to the man upstairs. |
| 00:42:16 |
John? |
| 00:42:18 |
John? |
| 00:42:20 |
What the fuck |
| 00:42:25 |
John? |
| 00:42:27 |
No, Al, listen. |
| 00:42:32 |
I gotta go check on something. |
| 00:42:37 |
One minute, that's all I'm asking. |
| 00:42:40 |
One minute to speak to them. |
| 00:42:42 |
All right. Get back. Get back. |
| 00:42:44 |
All right, look. |
| 00:42:46 |
You let me in right now, |
| 00:42:53 |
This is the last time |
| 00:42:56 |
to speak to their parents. |
| 00:42:59 |
All right? |
| 00:43:01 |
All right. Come on. Come on. |
| 00:43:13 |
What were you doing, Hans? |
| 00:43:15 |
What were you doing? |
| 00:43:39 |
Jesus, Mary, mother of God. |
| 00:43:46 |
Al, listen to me! |
| 00:43:48 |
The roof is wired to... |
| 00:43:53 |
John? |
| 00:43:56 |
John! |
| 00:43:58 |
John, come in! |
| 00:44:00 |
Did you get that? |
| 00:44:01 |
Something about a double-cross. |
| 00:44:04 |
Tell me about it. |
| 00:44:12 |
We are both professionals. |
| 00:44:16 |
This is personal. |
| 00:44:20 |
Aww... |
| 00:44:42 |
They're coming! |
| 00:44:45 |
Choppers are coming. |
| 00:44:47 |
Time to gather your flock, |
| 00:44:50 |
Your mom and dad |
| 00:44:54 |
They're verybrave people. |
| 00:44:56 |
Is there somethingyou'dlike |
| 00:45:00 |
Come home. |
| 00:45:12 |
Mrs McClane. |
| 00:45:17 |
How nice to make your acquaintance. |
| 00:45:23 |
On your feet, everyone! To the roof! |
| 00:45:25 |
Lock them up there |
| 00:45:55 |
You should have heard |
| 00:45:58 |
when I broke his fucking neck! |
| 00:46:04 |
What do you figure the breakage? |
| 00:46:07 |
I figure we take out the terrorists, |
| 00:46:09 |
Iose 20, 25% ofthe hostages, tops. |
| 00:46:13 |
I can live with that. |
| 00:46:15 |
Get this thing on the deck. |
| 00:46:17 |
They're expecting transports, |
| 00:46:32 |
Move it! Come on! Move! |
| 00:46:34 |
Come on! Come on! |
| 00:46:36 |
Move it! |
| 00:46:38 |
Go! Move! |
| 00:46:44 |
Theo. |
| 00:46:45 |
A little bonus for us. |
| 00:46:47 |
Please, sit down. Sit down! |
| 00:46:49 |
A policeman's wife |
| 00:46:52 |
McClane, I have some news for you. |
| 00:46:55 |
McClane? |
| 00:47:08 |
Move! |
| 00:47:12 |
Come on! |
| 00:47:25 |
Motherfucker! I'll kill you! |
| 00:47:32 |
Armed. |
| 00:47:33 |
- The truck? |
| 00:47:42 |
After all your posturing, |
| 00:47:47 |
you're nothing but a common thief. |
| 00:47:49 |
I am an exceptional thief, |
| 00:47:52 |
And since I'm moving up |
| 00:47:53 |
you should be more polite. |
| 00:48:02 |
You motherfucker, |
| 00:48:05 |
I'm gonna fuckin' cook you, |
| 00:48:31 |
I don't like this, Sarge. |
| 00:48:40 |
Yee-hah! |
| 00:48:48 |
I was in Junior High, dickhead. |
| 00:49:19 |
Where's Holly? |
| 00:49:20 |
Where's Holly Gennero? |
| 00:49:22 |
Holly Gennero? Where's Holly? |
| 00:49:24 |
Where's Holly? Where is she? |
| 00:49:26 |
- They took her! |
| 00:49:28 |
The vault! |
| 00:49:29 |
- Where is the vault? |
| 00:49:31 |
They just took her! |
| 00:49:33 |
Get downstairs! |
| 00:49:34 |
The whole fucking roof |
| 00:49:37 |
Get down! |
| 00:49:38 |
Get down! |
| 00:49:43 |
They made us, Bureau. |
| 00:49:46 |
Break left! |
| 00:49:54 |
Nail that sucker! |
| 00:50:04 |
I'm on your side, you assholes! |
| 00:50:07 |
Swing around again! |
| 00:50:29 |
What the fuck... |
| 00:50:33 |
Oh, John, |
| 00:50:36 |
How the fuck |
| 00:50:49 |
There's something wrong! |
| 00:50:52 |
- Blow the roof. |
| 00:50:54 |
Blow the roof! |
| 00:50:59 |
I promise I will never even think |
| 00:51:02 |
about going up |
| 00:51:08 |
Oh, God, please don't let me die! |
| 00:52:42 |
Holy Christ! |
| 00:52:46 |
We're gonna need |
| 00:53:01 |
Jesus fucking Christ! |
| 00:53:04 |
Fuck! |
| 00:53:30 |
What the fuck is going on? |
| 00:53:34 |
What are you gonna do? |
| 00:53:46 |
Shit! |
| 00:53:47 |
All right! |
| 00:53:50 |
Hey! Hey! |
| 00:53:53 |
Hang on, baby. |
| 00:53:54 |
Hang on, honey. |
| 00:53:57 |
Oh, God. |
| 00:54:43 |
Hans! |
| 00:54:59 |
Jesus. |
| 00:55:01 |
Hi, honey. |
| 00:55:26 |
So that's what this is all about? |
| 00:55:30 |
Put down the gun. |
| 00:55:33 |
Why'd you have to nuke |
| 00:55:35 |
Well, when you steal $600, |
| 00:55:38 |
When you steal 600 million, |
| 00:55:42 |
unless they think |
| 00:55:44 |
Put down the gun. |
| 00:55:57 |
Nein. This is mine. |
| 00:56:01 |
You got me. |
| 00:56:03 |
Still the cowboy, Mr McClane. |
| 00:56:06 |
Americans... all alike. |
| 00:56:08 |
This time, John Wayne does not walk off |
| 00:56:12 |
That was Gary Cooper, asshole. |
| 00:56:14 |
Enough jokes. |
| 00:56:16 |
You'd have made a pretty |
| 00:56:19 |
Oh, yes. What was it |
| 00:56:24 |
Yippee-ki-yay, motherfucker. |
| 00:56:48 |
Holly! |
| 00:56:55 |
Happy trails, Hans. |
| 00:57:02 |
- Aah! |
| 00:57:41 |
I hope that's not a hostage. |
| 00:58:11 |
Gimme water hook-ups |
| 00:58:19 |
Over here. It's a better angle. |
| 00:58:21 |
Let's give them a hand. |
| 00:58:25 |
Keep it going, now. Keep it going. |
| 00:58:34 |
- Come on. We're going to miss it! |
| 00:59:00 |
What was it like in there? |
| 00:59:50 |
Al, this is my wife Holly. |
| 00:59:52 |
Holly Gennero. |
| 00:59:55 |
Holly McClane. |
| 00:59:57 |
Hello, Holly. |
| 00:59:59 |
You got yourself a good man. |
| 01:00:01 |
You take good care of him. |
| 01:00:03 |
McClane! |
| 01:00:05 |
McClane, I want a debriefing! |
| 01:00:08 |
You got some things |
| 01:00:10 |
Ellis' murder, for one thing. |
| 01:00:12 |
Property damage, |
| 01:00:56 |
Two ofyou go inside |
| 01:01:10 |
No. This one's with me. |
| 01:01:23 |
Mr McClane, Mr McClane! |
| 01:01:24 |
Now that it's all over, |
| 01:01:27 |
what are your feelings? |
| 01:01:34 |
Well, well, well. |
| 01:01:36 |
- Merry Christmas, Argyle. |
| 01:01:44 |
Did you get that? |
| 01:01:45 |
Let me through. |
| 01:01:47 |
If this is their idea of Christmas, |
| 01:01:51 |
Yo, Al. |
| 01:01:52 |
I'm here, Roy, |
| 01:01:55 |
I'll talk to you later. |
| 01:01:55 |
Al, what's wrong? |
| 01:01:56 |
I'll talk to you later. |
| 01:01:58 |
If you are what I think you are, |
| 01:01:59 |
you'll know when to listen, |
| 01:02:03 |
and when to pray. |
| 01:02:04 |
Jesus Christ! |
| 01:02:06 |
Christ, Powell, |
| 01:02:07 |
I told you what kind of people |
| 01:02:09 |
Let's load them up. |
| 01:02:14 |
They'll be coming. |
| 01:02:16 |
Theo, you are the eyes now. |
| 01:02:28 |
- Rivers. |
| 01:02:29 |
Begin your reconnoitre. |
| 01:02:32 |
Let's go. |
| 01:02:36 |
Shit! |
| 01:02:52 |
Come on. Let's go. |
| 01:03:02 |
Ow! Jesus! |
| 01:03:31 |
All right, spread out. |
| 01:03:53 |
Shut up. |
| 01:03:56 |
Let's go. |
| 01:04:01 |
You macho assholes. No! No! |
| 01:04:05 |
Ahem... all right. Listen up, guys. |
| 01:04:09 |
'Twas the night before Christmas |
| 01:04:10 |
and all through the house |
| 01:04:12 |
not a creature was stirring, except |
| 01:04:14 |
the four assholes |
| 01:04:16 |
two-by-two cover formation. |
| 01:04:20 |
We're all set. |
| 01:04:22 |
We're ready. |
| 01:04:24 |
Kick ass. |
| 01:04:25 |
Go! |
| 01:04:26 |
Right. Let's do it. |
| 01:04:40 |
Take cover! |
| 01:04:41 |
They're shooting at 'em. |
| 01:04:43 |
It's panic fire. |
| 01:04:44 |
They're shooting at the lights. |
| 01:04:49 |
They're going after the lights. |
| 01:04:53 |
It's not happening. |
| 01:04:54 |
Mike, burn it. |
| 01:04:57 |
Don't be impatient. |
| 01:04:59 |
Just wound them. |
| 01:05:02 |
Get them back. |
| 01:05:04 |
They're almost in. |
| 01:05:05 |
Send in the car. |
| 01:05:06 |
Send in the car. |
| 01:05:18 |
Jesus Christ! |
| 01:05:22 |
Rivers, Rodriguez, report. |
| 01:05:24 |
Wait a minute. |
| 01:05:30 |
The police have themselves an RV. |
| 01:05:36 |
Southeast corner. |
| 01:05:48 |
Oh, Jesus Christ. |
| 01:05:59 |
Get back! Get the fuck back! |
| 01:06:02 |
Get over there. |
| 01:06:03 |
Schnell! Schnell! |
| 01:06:05 |
Mach schnell! |
| 01:06:09 |
Weiter! Weiter! Weiter! |
| 01:06:10 |
Mach schnell! Mach schnell! |
| 01:06:12 |
Weiter! |
| 01:06:15 |
Mach los! Mach los! |
| 01:06:32 |
I see him! |
| 01:06:42 |
- Fire! |
| 01:06:49 |
Oh, my God! |
| 01:06:51 |
Hang on, Rivers. That's an order. |
| 01:06:54 |
Hit it again. |
| 01:06:55 |
All right, you motherfucker, |
| 01:06:57 |
Let them pull back! |
| 01:06:58 |
Thank you, Mr Cowboy. |
| 01:07:00 |
Hit it |
| 01:07:00 |
again. |
| 01:07:13 |
Fire. |
| 01:07:25 |
Fuck me. |
| 01:07:27 |
Get them out of the car! They're burning! |
| 01:07:37 |
Fuck it. |
| 01:07:40 |
Mach schnell! Mach los! |
| 01:07:48 |
Let's see you take this |
| 01:07:54 |
Geronimo, motherfucker. |
| 01:08:10 |
Oh, shit! |
| 01:08:15 |
They're using artillery on us! |
| 01:08:16 |
You idiot, it's not the police. |
| 01:08:19 |
It's him. |
| 01:08:26 |
Holy shit. |
| 01:08:31 |
My God! |
| 01:08:34 |
- Tell me you got that. |
| 01:08:38 |
Eat your heart out, Channel Five. |
| 01:08:40 |
We've had an update |
| 01:08:41 |
on the terrorist take over |
| 01:08:43 |
Sources say |
| 01:08:45 |
may be this man... Hans Gruber. |
| 01:08:46 |
A member ofthe radical |
| 01:08:49 |
Strangely, the Volksfrei leadership |
| 01:08:52 |
stating that Gruber had been |
| 01:08:54 |
Al, do you copy? |
| 01:08:56 |
Are you all right? |
| 01:08:58 |
Yeah, I'm fine. |
| 01:09:00 |
W-what was that? |
| 01:09:01 |
Remember that plastic |
| 01:09:04 |
There you go. |
| 01:09:06 |
No, but it's gonna need a paint job |
| 01:09:08 |
and a shitload of screen doors. |
| 01:09:09 |
Our spotter said you got two |
| 01:09:11 |
- Is that him? |
| 01:09:14 |
I don't know who you think you are |
| 01:09:17 |
but you just destroyed a building. |
| 01:09:19 |
We do not want your help. |
| 01:09:21 |
We don't want your help. |
| 01:09:23 |
I've got 100 people down here, |
| 01:09:25 |
Glass? Who gives a shit about glass? |
| 01:09:28 |
Who the fuck is this? |
| 01:09:30 |
This is Deputy Chief of Police |
| 01:09:32 |
and I am in charge of this situation. |
| 01:09:34 |
Oh, you're in charge? |
| 01:09:35 |
I got some bad news for you, Dwayne. |
| 01:09:37 |
From up here it doesn'tlook |
| 01:09:40 |
Listen to me, you little asshole... |
| 01:09:41 |
Asshole? |
| 01:09:42 |
I'm not the one |
| 01:09:43 |
on national TV, Dwayne. |
| 01:09:45 |
Ah ha ha! |
| 01:09:46 |
Listen to me,jerk-off, |
| 01:09:48 |
if you're not part of the solution, |
| 01:09:50 |
Quit being part of the problem |
| 01:09:55 |
Hey, Roy, how you feeling? |
| 01:09:56 |
Pretty fucking unappreciated, Al. |
| 01:09:58 |
Hey, look. I love you. |
| 01:10:00 |
So do a lot of the otherguys. |
| 01:10:02 |
So hang in there, man, you hear me? |
| 01:10:04 |
You hang in there. |
| 01:10:07 |
Yeah, thanks, partner. |
| 01:10:13 |
What are you doing? |
| 01:10:15 |
I'm tired of sitting here |
| 01:10:16 |
waiting to see |
| 01:10:17 |
them or your husband. |
| 01:10:19 |
What are you going to do? |
| 01:10:20 |
Hey, babe, |
| 01:10:21 |
I negotiate million-dollar deals |
| 01:10:23 |
I think I can handle this Eurotrash. |
| 01:10:25 |
Hey, sprechen sie talk, huh? |
| 01:10:27 |
If you'd listened to me, |
| 01:10:29 |
I don't want neutral. I want dead. |
| 01:10:32 |
Hope I'm not interrupting. |
| 01:10:34 |
What does he want? |
| 01:10:34 |
It's not what I want. |
| 01:10:43 |
Look, let's be straight, OK? |
| 01:10:45 |
It's obvious you're not |
| 01:10:47 |
up here to snatch a few purses. |
| 01:10:49 |
You're very perceptive. |
| 01:10:50 |
I watch 60 Minutes. |
| 01:10:52 |
I say to myself, |
| 01:10:54 |
they're motivated, they're happening, |
| 01:10:56 |
they want something. |
| 01:10:57 |
I couldn't care less |
| 01:11:00 |
Maybe you're pissed off |
| 01:11:01 |
Maybe it's the Hebes, |
| 01:11:03 |
It's none of my business. |
| 01:11:04 |
I figure you're here |
| 01:11:06 |
You're amazing. |
| 01:11:07 |
You figured this all out already? |
| 01:11:09 |
Hey, business is business. |
| 01:11:11 |
You use a gun, |
| 01:11:12 |
What's the difference? |
| 01:11:13 |
Let's put it in my terms. |
| 01:11:14 |
You're here on a hostile takeover. |
| 01:11:15 |
You grab us for some green |
| 01:11:16 |
but you didn't expect some poison pill |
| 01:11:19 |
Am I right? |
| 01:11:20 |
Hans, |
| 01:11:22 |
bubbie... |
| 01:11:23 |
I'm your white knight. |
| 01:11:25 |
I must have missed 60 Minutes. |
| 01:11:27 |
What are you saying? |
| 01:11:30 |
The guy upstairs |
| 01:11:36 |
I can give him to you. |
| 01:11:40 |
Oh, God... |
| 01:11:43 |
Roy? Roy, you all right? |
| 01:11:46 |
Just trying to fire down |
| 01:11:49 |
What do they put in these things, |
| 01:11:51 |
anyway? |
| 01:11:52 |
Sugar, enriched flour, |
| 01:11:53 |
partially hydrogenated |
| 01:11:55 |
polysorbate 60, |
| 01:11:56 |
and yellow dye number five. |
| 01:11:58 |
Just everything |
| 01:12:00 |
How many kids you got, Al? |
| 01:12:02 |
As a matter of fact, |
| 01:12:05 |
How about you, cowboy? |
| 01:12:07 |
You got any kids |
| 01:12:10 |
Yeah. |
| 01:12:11 |
Two. |
| 01:12:12 |
Sure hope I can see them |
| 01:12:14 |
swinging on ajungle gym |
| 01:12:17 |
Well, now, that's a date |
| 01:12:19 |
but you bring the ice cream. |
| 01:12:21 |
Touching, cowboy. Touching. |
| 01:12:24 |
Or shouldl call you |
| 01:12:25 |
Mr McClane? |
| 01:12:27 |
Mr Officer John McClane |
| 01:12:30 |
of the New York |
| 01:12:33 |
Get on the phone to Harry in New York. |
| 01:12:35 |
You better get a hold of somebody |
| 01:12:37 |
Sister Theresa called me |
| 01:12:40 |
My friends call me John |
| 01:12:42 |
and you're neither, shithead. |
| 01:12:44 |
I have someone |
| 01:12:47 |
A very special friend |
| 01:12:49 |
who was with you |
| 01:12:56 |
Hey, John boy. |
| 01:12:59 |
Ellis? |
| 01:13:00 |
Yeah. |
| 01:13:01 |
Listen, John, they're giving me |
| 01:13:05 |
I know you think you're doing yourjob |
| 01:13:07 |
but you'rejust dragging |
| 01:13:09 |
Look, no-one gets out of here |
| 01:13:11 |
can talk to the LA Police. |
| 01:13:13 |
That won't happen until you stop |
| 01:13:20 |
Ellis, what have you told them? |
| 01:13:21 |
I told them we were old friends |
| 01:13:24 |
at the party. |
| 01:13:26 |
Ellis, you shouldn't be doing this. |
| 01:13:28 |
Tell me about it. |
| 01:13:34 |
All right, John, listen. |
| 01:13:36 |
They want you to tell them |
| 01:13:38 |
They know people are listening. |
| 01:13:40 |
They want the detonators, |
| 01:13:46 |
John, didn't you hear me? |
| 01:13:49 |
Yeah, I hear you. |
| 01:13:51 |
John, get with the programme. |
| 01:13:53 |
The police are here now. |
| 01:13:55 |
Tell these guys where the detonators are |
| 01:13:57 |
I'm putting my life |
| 01:13:59 |
Ellis, listen to me carefully. |
| 01:14:01 |
John... |
| 01:14:02 |
Shut up, Ellis! |
| 01:14:04 |
Put Hans back on the line. |
| 01:14:05 |
Hans, this shithead doesn'tknow |
| 01:14:09 |
Good. Then you'll |
| 01:14:10 |
and save your friend's life. |
| 01:14:11 |
You're not part ofthis equation. |
| 01:14:13 |
Hey, what am l, a method actor? |
| 01:14:15 |
Babe, putaway the gun. |
| 01:14:17 |
This is radio, not television. |
| 01:14:18 |
Hans, this asshole is not my friend! |
| 01:14:20 |
I just met him tonight! |
| 01:14:21 |
Jesus Christ, Ellis! |
| 01:14:23 |
Tell them you don't know me! |
| 01:14:25 |
How can you say that |
| 01:14:27 |
John? John? |
| 01:14:49 |
Do you hear that? |
| 01:14:50 |
Talk to me! |
| 01:14:53 |
Where are they, |
| 01:14:55 |
Sooner or later |
| 01:14:56 |
I mightget to someone |
| 01:14:58 |
Go fuck yourself, Hans. |
| 01:15:01 |
He just let the guy die. |
| 01:15:03 |
He just gave him up. |
| 01:15:05 |
That's like pulling the trigger yourself. |
| 01:15:07 |
Can't you see what's happening? |
| 01:15:10 |
He did everything he could |
| 01:15:11 |
If he gave himself up, |
| 01:15:14 |
No way, man. They'd be talking to us. |
| 01:15:16 |
You tell this partner of yours |
| 01:15:19 |
Because if he doesn't, |
| 01:15:22 |
The man is hurting. |
| 01:15:23 |
He is alone, tired, |
| 01:15:25 |
and he hasn't seen diddly-squat |
| 01:15:28 |
You're gonna tell me he'll give a damn |
| 01:15:30 |
about what you do to him |
| 01:15:32 |
Why don't you wake up |
| 01:15:35 |
You listen to me, sergeant. |
| 01:15:36 |
Any time you want to go home, |
| 01:15:39 |
No, sir. |
| 01:15:42 |
Attention, police. |
| 01:15:44 |
Attention, police. |
| 01:15:46 |
- This is Sergeant AI Powell... |
| 01:15:49 |
This is Deputy Chief Dwayne Robinson. |
| 01:15:50 |
Who is this? |
| 01:15:51 |
This is Hans Gruber. |
| 01:15:53 |
I assume you realise the futility |
| 01:15:56 |
We have no wish |
| 01:15:58 |
What is it you do wish for? |
| 01:16:00 |
I have comrades in arms |
| 01:16:04 |
The American State Department |
| 01:16:07 |
Now it can rattle it for me. |
| 01:16:10 |
The following people |
| 01:16:13 |
In Northern lreland the seven members |
| 01:16:16 |
In Canada, the five imprisonedleaders |
| 01:16:19 |
In Sri Lanka, the nine members |
| 01:16:23 |
What the fuck? |
| 01:16:24 |
Asian Dawn? |
| 01:16:26 |
I read about them in Time magazine. |
| 01:16:28 |
When these revolutionary |
| 01:16:31 |
the hostages in this building |
| 01:16:33 |
and they will accompany us |
| 01:16:35 |
to the Los Angeles |
| 01:16:37 |
where they will be given |
| 01:16:39 |
You have two hours to comply. |
| 01:16:41 |
Wait a minute. Uh, Mr. Gruber. |
| 01:16:44 |
I don't have the authority. |
| 01:16:47 |
Hello? Hello! |
| 01:16:50 |
Did you get all that? |
| 01:16:53 |
Do you think they'll even try? |
| 01:16:55 |
Who cares? |
| 01:16:58 |
Theo, are we on schedule? |
| 01:17:00 |
One more to go, then it's up to you. |
| 01:17:02 |
You better be right |
| 01:17:05 |
It's Christmas, Theo. |
| 01:17:06 |
It's the time of miracles, |
| 01:17:08 |
and call me |
| 01:17:11 |
Karl, |
| 01:17:12 |
hunt that little shit down |
| 01:17:15 |
Fritz is checking the explosives. |
| 01:17:16 |
I'll check the explosives. |
| 01:17:19 |
Hey, Powell, you out there? |
| 01:17:21 |
I'm here, John. I'm here. |
| 01:17:23 |
You gotta believe me. |
| 01:17:26 |
Well, it's gonna be |
| 01:17:29 |
I hear you. |
| 01:17:35 |
Did you catch that bullshit |
| 01:17:37 |
It doesn'tmake sense, man. |
| 01:17:40 |
Hey, don't ask me, man. |
| 01:17:41 |
I'm just a deskjockey |
| 01:17:44 |
The way you drove that car |
| 01:17:47 |
In my youth. In my youth. |
| 01:17:49 |
..author of "Hostage Terrorist, |
| 01:17:52 |
A Study in Duality. " |
| 01:17:53 |
Dr Hasseldorf, |
| 01:17:55 |
what can we expect |
| 01:17:56 |
Well, Gail, |
| 01:17:57 |
by this time, |
| 01:17:59 |
the early stages |
| 01:18:01 |
As in Helsinki, Sweden. |
| 01:18:02 |
Finland. |
| 01:18:04 |
Basically, it's when the hostages |
| 01:18:07 |
go through a sort of |
| 01:18:09 |
and a projection of dependency. |
| 01:18:11 |
A strange sort oftrust |
| 01:18:13 |
We've hadsituations |
| 01:18:15 |
have embraced their captors |
| 01:18:17 |
and even corresponded with them |
| 01:18:19 |
No, no, darling. Asian Dawn. Dawn. |
| 01:18:21 |
D-A-W-N. |
| 01:18:24 |
- Sir? |
| 01:18:25 |
Sir, the FBI is here. |
| 01:18:27 |
- The FBI is here now? |
| 01:18:30 |
Hold this. |
| 01:18:31 |
Want a breath mint? |
| 01:18:36 |
Hey, how you doing, man? |
| 01:18:38 |
I'm Agent Johnson. |
| 01:18:40 |
- Oh, how you doing? |
| 01:18:43 |
I'm, uh... |
| 01:18:45 |
I'm Dwayne Robinson, LAPD. |
| 01:18:48 |
Not any more. |
| 01:19:34 |
Hi, there. How you doing? |
| 01:19:39 |
Ohh... |
| 01:19:41 |
Please, God. No. |
| 01:19:44 |
You're one ofthem. |
| 01:19:45 |
No! Don't kill me! Please! |
| 01:19:47 |
Don't kill me, please! |
| 01:19:49 |
Whoa. Relax. |
| 01:19:52 |
I'm not gonna hurt you! |
| 01:19:55 |
Oh, God. |
| 01:19:59 |
What the fuck |
| 01:20:01 |
What were you looking for? |
| 01:20:02 |
I managed to get out ofthere and |
| 01:20:04 |
I was just trying |
| 01:20:06 |
and see if I could signal for help. |
| 01:20:10 |
It's just over here. |
| 01:20:12 |
Hold it. Forget the roof. |
| 01:20:15 |
I said forget the roof. |
| 01:20:18 |
You want to stay alive, |
| 01:20:22 |
The best we can figure it, |
| 01:20:24 |
we've got maybe |
| 01:20:27 |
probably on the 30th floor |
| 01:20:28 |
and maybe seven or eight |
| 01:20:31 |
Sounds like an A-7 scenario. |
| 01:20:33 |
Thank you. |
| 01:20:35 |
When we commandeer your men, |
| 01:20:38 |
Aren't you forgetting something? |
| 01:20:39 |
Such as? |
| 01:20:40 |
What about John McClane? |
| 01:20:41 |
He's the reason |
| 01:20:44 |
He's also the reason |
| 01:20:47 |
He's inside? Who is he? |
| 01:20:49 |
He might be a cop. |
| 01:20:51 |
- One ofyours? |
| 01:20:58 |
You smoke? |
| 01:21:00 |
Yeah. |
| 01:21:05 |
Thanks. |
| 01:21:09 |
You don't work for Nakatomi. |
| 01:21:15 |
And ifyou're not one ofthem... |
| 01:21:19 |
I'm a cop from New York. |
| 01:21:21 |
New York? |
| 01:21:23 |
Yeah. |
| 01:21:24 |
Got invited to |
| 01:21:27 |
Who knew? |
| 01:21:34 |
Better than being caught |
| 01:21:44 |
I'm John McClane. |
| 01:21:46 |
You're, uh... |
| 01:21:48 |
Clay. |
| 01:21:51 |
Bill Clay. |
| 01:21:57 |
Know how to use a handgun, Bill? |
| 01:22:00 |
I spent a weekend at a combat ranch. |
| 01:22:01 |
That game with the guns |
| 01:22:03 |
Probably seems kind of stupid to you. |
| 01:22:06 |
Nope. |
| 01:22:10 |
Time for the real thing, Bill. |
| 01:22:18 |
All you got to do |
| 01:22:20 |
Come on. |
| 01:22:36 |
Put down the gun |
| 01:22:38 |
and give me my detonators. |
| 01:22:43 |
Well, well, well... |
| 01:22:46 |
Hans. |
| 01:22:48 |
Put it down now. |
| 01:22:53 |
That's pretty tricky |
| 01:22:55 |
You oughta be on fucking TV |
| 01:23:00 |
But what do you want |
| 01:23:03 |
I already used all the explosives. |
| 01:23:07 |
Or did l? |
| 01:23:09 |
I'm going to count to three. |
| 01:23:10 |
Yeah. Like you did with Takagi? |
| 01:23:13 |
Oops. |
| 01:23:15 |
No bullets. |
| 01:23:16 |
What do you think... |
| 01:23:19 |
You were saying? |
| 01:24:04 |
Karl. |
| 01:24:05 |
SchieB dem Fenster. |
| 01:24:12 |
Shoot the glass! |
| 01:24:40 |
Jesus Christ! |
| 01:25:05 |
Smile, Karl. |
| 01:25:09 |
..is the lastresort ofdiplomacy, |
| 01:25:12 |
then couldn't wejustas well say |
| 01:25:14 |
that terrorism has an equal claim |
| 01:25:17 |
Tell me you got something. |
| 01:25:19 |
McClane's name, badge number, |
| 01:25:22 |
and his family's home address |
| 01:25:23 |
right here in LA. |
| 01:25:27 |
Whoo! |
| 01:25:32 |
Go to work. |
| 01:25:33 |
Got it. |
| 01:25:44 |
God, that man looks really pissed. |
| 01:25:49 |
He's still alive. |
| 01:25:50 |
What? |
| 01:25:52 |
Only John can drive |
| 01:26:07 |
Hans, you better heat up that miracle |
| 01:26:10 |
because we just broke through |
| 01:26:12 |
and the electromagnetic |
| 01:26:14 |
Have a look at what our friends |
| 01:26:20 |
Hey, John. |
| 01:26:21 |
John McClane, you still with us? |
| 01:26:23 |
Yeah. |
| 01:26:25 |
But all things being equal, |
| 01:26:28 |
Chalk up two more bad guys. |
| 01:26:30 |
The boys down here |
| 01:26:33 |
We gota poolgoing on you. |
| 01:26:35 |
What kind of odds am I getting? |
| 01:26:36 |
You don't want to know. |
| 01:26:38 |
Put me down for 20. |
| 01:26:39 |
I'm good for it. |
| 01:26:43 |
Hey, pal, you gotflatfeet? |
| 01:26:47 |
What the hell |
| 01:26:49 |
Something had |
| 01:26:51 |
What's the matter? |
| 01:26:52 |
You don't thinkjockeyingpapers |
| 01:26:56 |
No. |
| 01:27:00 |
I had an accident. |
| 01:27:02 |
The wayyou drive, I can see why. |
| 01:27:03 |
What'd you do ? |
| 01:27:04 |
Run over your captain's foot |
| 01:27:09 |
I shot a kid. |
| 01:27:12 |
He was 13 years old. |
| 01:27:14 |
Oh, it was dark. I couldn'tsee him. |
| 01:27:16 |
He hada raygun, lookedreal enough. |
| 01:27:20 |
When you're a rookie, they teach you |
| 01:27:23 |
except how to live with a mistake. |
| 01:27:28 |
Anyway, ljust couldn'tbring myself |
| 01:27:34 |
Sorry, man. |
| 01:27:36 |
Hey, man, how could you know? |
| 01:27:40 |
I feel like shit anyway. |
| 01:27:44 |
Well, then, this won't matter. |
| 01:27:45 |
The LAPD is not calling the shots |
| 01:27:51 |
The Feds? |
| 01:27:53 |
You got it. |
| 01:27:55 |
Those are the city engineers. |
| 01:27:57 |
Wait. |
| 01:27:59 |
They're going into the street circuits. |
| 01:28:00 |
Those guys in the suits, |
| 01:28:03 |
That's the FBl. |
| 01:28:04 |
They're ordering the others |
| 01:28:07 |
Regular as clockwork. |
| 01:28:10 |
Or a time lock. |
| 01:28:12 |
Precisely. |
| 01:28:13 |
The circuits that cannot be cut |
| 01:28:17 |
in response to a terrorist incident. |
| 01:28:19 |
You asked for miracles, Theo. |
| 01:28:21 |
I give you the F-B-l. |
| 01:28:24 |
I want the building shut down. |
| 01:28:26 |
I got a problem. I got a switch... |
| 01:28:27 |
I don't care |
| 01:28:31 |
You can't do it from here. |
| 01:28:33 |
- Yeah, you could. |
| 01:28:35 |
I could just... I got the radio... |
| 01:28:36 |
You can't do it from here. |
| 01:28:39 |
They've gotta take out |
| 01:28:40 |
We're talking 10 square blocks. |
| 01:28:42 |
Ten blocks? Johnson, that's crazy. |
| 01:28:44 |
It's Christmas Eve. |
| 01:28:46 |
You have to go wider. |
| 01:28:47 |
- I need authorisation. |
| 01:28:51 |
Lose the grid, or you lose yourjob. |
| 01:28:58 |
- Yeah, Central? |
| 01:28:59 |
This is Walt down at Nakatomi. |
| 01:29:01 |
Would it be possible for you |
| 01:29:05 |
Are you crazy?! |
| 01:29:06 |
Maybe I should call the Mayor. |
| 01:29:09 |
No shit it's my ass. |
| 01:29:11 |
Shut it down now. |
| 01:29:16 |
Emergency lighting activated. |
| 01:29:18 |
Al, talk to me. What's going on here? |
| 01:29:20 |
Ask the FBl. |
| 01:29:21 |
They got the universal |
| 01:29:24 |
and they're running it step by step. |
| 01:29:27 |
It's gonna go. It's gonna go! |
| 01:29:30 |
Yes! |
| 01:29:50 |
Merry Christmas. |
| 01:29:52 |
They must be pissing in their pants. |
| 01:29:55 |
The Mayor is gonna have my ass. |
| 01:30:02 |
Whoo! |
| 01:30:13 |
What are we gonna do now ? |
| 01:30:15 |
Arrest them for not paying |
| 01:30:18 |
We've shut them down. |
| 01:30:19 |
We let them sweat for a while, |
| 01:30:22 |
Right up the ass. |
| 01:30:26 |
This is Agent Johnson. |
| 01:30:27 |
No, the other one. |
| 01:30:28 |
I want that air support ready |
| 01:30:31 |
Damn right. Fully armed. |
| 01:30:39 |
Oh, yes! |
| 01:30:41 |
I wish to talk to the FBl. |
| 01:30:45 |
This is Special Agent Johnson. |
| 01:30:47 |
The State Departmenthas arranged |
| 01:30:51 |
Helicopters are en route |
| 01:30:53 |
I hearyou. We'll be ready. |
| 01:30:54 |
By the time he figures out |
| 01:30:57 |
When they touch down, |
| 01:30:58 |
They'll spend a month |
| 01:31:00 |
By the time they figure out |
| 01:31:02 |
we'll be sitting on a beach earning 20%. |
| 01:31:09 |
Ah! Jeez! |
| 01:31:10 |
Powell? |
| 01:31:12 |
Yo, Powell, you got a minute? |
| 01:31:14 |
I'm here, John. |
| 01:31:17 |
Listen, I'm starting to get |
| 01:31:20 |
I want you to do something for me. |
| 01:31:22 |
Um... ahem... |
| 01:31:24 |
I want you to find my wife. |
| 01:31:25 |
Don't ask me how. |
| 01:31:27 |
Uh, I want you |
| 01:31:31 |
I want you to tell her that... |
| 01:31:38 |
Tell her it took me |
| 01:31:40 |
what ajerk I've been |
| 01:31:42 |
but, um... |
| 01:31:45 |
that... |
| 01:31:49 |
that when things started |
| 01:31:51 |
I should have been more supportive. |
| 01:31:54 |
And, uh... |
| 01:31:56 |
Ijustshouldhave been |
| 01:32:01 |
Oh, shit. |
| 01:32:04 |
Tell her that, um |
| 01:32:06 |
that she's the best thing |
| 01:32:12 |
She's heard me say "l love you" |
| 01:32:15 |
She never heard me say I'm sorry. |
| 01:32:19 |
I want you to tell her that, Al. |
| 01:32:25 |
OK? |
| 01:32:26 |
You got that, man? |
| 01:32:27 |
Yeah, lgotit, John. |
| 01:32:30 |
But you can tell her that yourself. |
| 01:32:32 |
You just watch your ass |
| 01:32:36 |
I guess that's up to the man upstairs. |
| 01:32:40 |
John? |
| 01:32:42 |
John? |
| 01:32:44 |
What the fuck |
| 01:32:48 |
John? |
| 01:32:49 |
No, Al, listen. |
| 01:32:53 |
I gotta go check on something. |
| 01:32:57 |
One minute, that's all I'm asking. |
| 01:32:59 |
One minute to speak to them. |
| 01:33:01 |
All right. Get back. Get back. |
| 01:33:03 |
All right, look. |
| 01:33:05 |
You let me in right now, |
| 01:33:10 |
This is the last time |
| 01:33:12 |
to speak to their parents. |
| 01:33:15 |
All right? |
| 01:33:16 |
All right. Come on. Come on. |
| 01:33:26 |
What were you doing, Hans? |
| 01:33:28 |
What were you doing? |
| 01:33:47 |
Jesus, Mary, mother of God. |
| 01:33:52 |
Al, listen to me! |
| 01:33:54 |
The roof is wired to... |
| 01:33:58 |
John? |
| 01:34:00 |
John! |
| 01:34:02 |
John, come in! |
| 01:34:03 |
Did you get that? |
| 01:34:04 |
Something about a double-cross. |
| 01:34:07 |
Tell me about it. |
| 01:34:13 |
We are both professionals. |
| 01:34:17 |
This is personal. |
| 01:34:19 |
Aww... |
| 01:34:37 |
They're coming! |
| 01:34:39 |
Choppers are coming. |
| 01:34:41 |
Time to gather your flock, |
| 01:34:44 |
Your mom and dad |
| 01:34:47 |
They're verybrave people. |
| 01:34:49 |
Is there somethingyou'dlike |
| 01:34:52 |
Come home. |
| 01:35:01 |
Mrs McClane. |
| 01:35:05 |
How nice to make your acquaintance. |
| 01:35:10 |
On your feet, everyone! To the roof! |
| 01:35:12 |
Lock them up there |
| 01:35:36 |
You should have heard |
| 01:35:38 |
when I broke his fucking neck! |
| 01:35:43 |
What do you figure the breakage? |
| 01:35:45 |
I figure we take out the terrorists, |
| 01:35:47 |
Iose 20, 25% ofthe hostages, tops. |
| 01:35:50 |
I can live with that. |
| 01:35:52 |
Get this thing on the deck. |
| 01:35:53 |
They're expecting transports, |
| 01:36:05 |
Move it! Come on! Move! |
| 01:36:07 |
Come on! Come on! |
| 01:36:08 |
Move it! |
| 01:36:10 |
Go! Move! |
| 01:36:14 |
Theo. |
| 01:36:16 |
A little bonus for us. |
| 01:36:17 |
Please, sit down. Sit down! |
| 01:36:19 |
A policeman's wife |
| 01:36:21 |
McClane, I have some news for you. |
| 01:36:24 |
McClane? |
| 01:36:34 |
Move! |
| 01:36:37 |
Come on! |
| 01:36:48 |
Motherfucker! I'll kill you! |
| 01:36:53 |
Armed. |
| 01:36:54 |
- The truck? |
| 01:37:01 |
After all your posturing, |
| 01:37:05 |
you're nothing but a common thief. |
| 01:37:07 |
I am an exceptional thief, |
| 01:37:09 |
And since I'm moving up |
| 01:37:10 |
you should be more polite. |
| 01:37:18 |
You motherfucker, |
| 01:37:19 |
I'm gonna fuckin' cook you, |
| 01:37:40 |
I don't like this, Sarge. |
| 01:37:48 |
Yee-hah! |
| 01:37:54 |
I was in Junior High, dickhead. |
| 01:38:19 |
Where's Holly? |
| 01:38:20 |
Where's Holly Gennero? |
| 01:38:21 |
Holly Gennero? Where's Holly? |
| 01:38:23 |
Where's Holly? Where is she? |
| 01:38:24 |
- They took her! |
| 01:38:26 |
The vault! |
| 01:38:27 |
- Where is the vault? |
| 01:38:28 |
They just took her! |
| 01:38:30 |
Get downstairs! |
| 01:38:31 |
The whole fucking roof |
| 01:38:33 |
Get down! |
| 01:38:34 |
Get down! |
| 01:38:38 |
They made us, Bureau. |
| 01:38:40 |
Break left! |
| 01:38:47 |
Nail that sucker! |
| 01:38:55 |
I'm on your side, you assholes! |
| 01:38:57 |
Swing around again! |
| 01:39:15 |
What the fuck... |
| 01:39:18 |
Oh, John, |
| 01:39:20 |
How the fuck |
| 01:39:31 |
There's something wrong! |
| 01:39:33 |
- Blow the roof. |
| 01:39:35 |
Blow the roof! |
| 01:39:39 |
I promise I will never even think |
| 01:39:41 |
about going up |
| 01:39:46 |
Oh, God, please don't let me die! |
| 01:41:01 |
Holy Christ! |
| 01:41:04 |
We're gonna need |
| 01:41:17 |
Jesus fucking Christ! |
| 01:41:19 |
Fuck! |
| 01:41:39 |
What the fuck is going on? |
| 01:41:43 |
What are you gonna do? |
| 01:41:52 |
Shit! |
| 01:41:53 |
All right! |
| 01:41:56 |
Hey! Hey! |
| 01:41:58 |
Hang on, baby. |
| 01:41:59 |
Hang on, honey. |
| 01:42:01 |
Oh, God. |
| 01:42:38 |
Hans! |
| 01:42:51 |
Jesus. |
| 01:42:53 |
Hi, honey. |
| 01:43:12 |
So that's what this is all about? |
| 01:43:16 |
Put down the gun. |
| 01:43:18 |
Why'd you have to nuke |
| 01:43:20 |
Well, when you steal $600, |
| 01:43:22 |
When you steal 600 million, |
| 01:43:25 |
unless they think |
| 01:43:27 |
Put down the gun. |
| 01:43:37 |
Nein. This is mine. |
| 01:43:41 |
You got me. |
| 01:43:42 |
Still the cowboy, Mr McClane. |
| 01:43:45 |
Americans... all alike. |
| 01:43:46 |
This time, John Wayne does not walk off |
| 01:43:49 |
That was Gary Cooper, asshole. |
| 01:43:51 |
Enough jokes. |
| 01:43:52 |
You'd have made a pretty |
| 01:43:55 |
Oh, yes. What was it |
| 01:43:58 |
Yippee-ki-yay, motherfucker. |
| 01:44:18 |
Holly! |
| 01:44:24 |
Happy trails, Hans. |
| 01:44:29 |
- Aah! |
| 01:45:01 |
I hope that's not a hostage. |
| 01:45:25 |
Gimme water hook-ups |
| 01:45:31 |
Over here. It's a better angle. |
| 01:45:32 |
Let's give them a hand. |
| 01:45:36 |
Keep it going, now. Keep it going. |
| 01:45:42 |
- Come on. We're going to miss it! |
| 01:46:04 |
What was it like in there? |
| 01:46:44 |
Al, this is my wife Holly. |
| 01:46:45 |
Holly Gennero. |
| 01:46:48 |
Holly McClane. |
| 01:46:49 |
Hello, Holly. |
| 01:46:50 |
You got yourself a good man. |
| 01:46:52 |
You take good care of him. |
| 01:46:54 |
McClane! |
| 01:46:55 |
McClane, I want a debriefing! |
| 01:46:58 |
You got some things |
| 01:47:00 |
Ellis' murder, for one thing. |
| 01:47:01 |
Property damage, |
| 01:47:37 |
Two ofyou go inside |
| 01:47:48 |
No. This one's with me. |
| 01:47:58 |
Mr McClane, Mr McClane! |
| 01:47:59 |
Now that it's all over, |
| 01:48:01 |
what are your feelings? |
| 01:48:07 |
Well, well, well. |
| 01:48:08 |
- Merry Christmas, Argyle. |
| 01:48:14 |
Did you get that? |
| 01:48:15 |
Let me through. |
| 01:48:17 |
If this is their idea of Christmas, |
