|
Die Zeit die man Leben nennt This Life Is Yours
|
| 00:00:05 |
I was a planned child, my parents said. |
| 00:00:09 |
Oskar, my father, even said |
| 00:00:14 |
When he began to carry out his intention. |
| 00:00:19 |
He gave of his best, he said. |
| 00:00:28 |
Until the day my life changed completely. |
| 00:00:32 |
This Life Is Yours |
| 00:00:38 |
If you look at a single minute, |
| 00:00:43 |
Just a small bit of time. |
| 00:00:47 |
An hour has sixty, a day 1440 minutes. |
| 00:00:53 |
So when I was 22, I had already |
| 00:00:58 |
563,200 minutes. |
| 00:01:04 |
And then, according to the unknown |
| 00:01:08 |
one second was picked |
| 00:01:12 |
And that second became more important than |
| 00:01:33 |
Is Jargonov really here? |
| 00:01:36 |
He made me fail in Prague. |
| 00:01:38 |
Good evening. |
| 00:01:41 |
Welcome to this year's International |
| 00:01:47 |
As our first pianist I invite |
| 00:01:52 |
He'll play Liszt's Sonata in B Minor. |
| 00:02:02 |
He's a monster. A precision machine |
| 00:02:09 |
I just heard that Yuri Kovacs |
| 00:02:15 |
He'll play Beethoven. |
| 00:02:18 |
The second movement of Sonata |
| 00:02:26 |
He's playing your piece. |
| 00:02:32 |
This is outrageous. |
| 00:02:38 |
He does it on purpose, the rat. |
| 00:03:28 |
In Prague, when I dropped out. |
| 00:03:34 |
You can lose, but you can never give up. |
| 00:03:40 |
And now we invite Luca Behrendt |
| 00:03:46 |
Whatever he plays, it'll be better. |
| 00:03:50 |
Once more, we invite |
| 00:03:55 |
What will he do? |
| 00:04:01 |
I see Luca will play the same piece |
| 00:04:06 |
Playing the same piece |
| 00:04:12 |
Luca will play the Third Movement |
| 00:04:17 |
Opus 31, number 2. Please go ahead. |
| 00:06:42 |
How much time do they need? |
| 00:06:58 |
Ladies and gentlemen, dear competitors, |
| 00:07:04 |
I hope you enjoyed it. |
| 00:07:08 |
It's a pleasure for me |
| 00:07:14 |
In third place, we have |
| 00:07:19 |
Good decision. |
| 00:07:23 |
We invite the artist to the stage. |
| 00:07:41 |
In second place, we have a superlative |
| 00:07:49 |
We invite Yuri Kovacs to the stage. |
| 00:08:11 |
And the first prize of the International |
| 00:08:19 |
Luca Behrendt. |
| 00:09:24 |
You won't mind if I don't come along? |
| 00:09:29 |
You have to be fit, tomorrow. |
| 00:09:35 |
And thank you. |
| 00:09:39 |
It brought me luck. |
| 00:09:43 |
And now it has to bring you luck. |
| 00:10:06 |
Kuballa has reserved a table at |
| 00:10:12 |
Calm down, Mom. Time to relax. |
| 00:12:19 |
More mail for you. Do you know you get |
| 00:12:29 |
It's a beautiful day. |
| 00:12:33 |
A bit of sunshine for you. |
| 00:13:34 |
Hello, Lynn. |
| 00:13:40 |
Can I come in? |
| 00:13:51 |
I'm so sorry. |
| 00:14:02 |
I'd give anything |
| 00:14:07 |
It's too late. |
| 00:14:09 |
His life is ruined. And mine as well. |
| 00:14:13 |
Don't say that. |
| 00:14:17 |
We'll pull through together. |
| 00:14:21 |
Together? |
| 00:14:24 |
That would be a change. |
| 00:14:28 |
He's my son too. I don't see him |
| 00:14:33 |
That's why you came |
| 00:14:37 |
I can understand you're hurt. |
| 00:14:42 |
But reproaches don't help. |
| 00:14:47 |
Tell me where you were, |
| 00:14:51 |
When he gave his first concert. |
| 00:14:56 |
But now... What were you |
| 00:15:03 |
I think you liked it |
| 00:15:07 |
But that's not the point now. |
| 00:15:10 |
I've been trying to reach Luca for weeks. |
| 00:15:17 |
I respected that. Until now. |
| 00:15:22 |
Please talk to him, Lynn. |
| 00:15:28 |
There's so much I want to tell him. |
| 00:15:33 |
I don't want him to think I'm intruding. |
| 00:16:01 |
Give it to me. Wait a minute. |
| 00:16:08 |
Don't you understand German? Come on. |
| 00:16:11 |
That was my ball. |
| 00:16:14 |
I hear Yuri plays Rachmaninov now, |
| 00:16:19 |
I know, I know. He doesn't get |
| 00:16:24 |
The CD isn't selling well. |
| 00:16:28 |
He's an intellectual. |
| 00:16:31 |
It's all cerebral. The feeling is missing. |
| 00:16:37 |
He played like a dream. |
| 00:16:43 |
Unforgettably, actually. |
| 00:16:46 |
Who, Yuri? |
| 00:16:50 |
It wasn't empty, |
| 00:16:56 |
It was a very sensitive, mature |
| 00:17:01 |
How is he? I never hear about him. |
| 00:17:06 |
He's in a rehab clinic near Salzburg, |
| 00:17:11 |
I wanted to visit him, |
| 00:17:17 |
Flowers. |
| 00:17:20 |
I have to go. |
| 00:17:24 |
It was terrible. |
| 00:17:27 |
We can't abandon him now. |
| 00:18:01 |
Roderick. Come on, people. |
| 00:18:05 |
Look at this mess. Can you clean it up? |
| 00:18:11 |
Where's Luca? |
| 00:18:17 |
If everything worked like your mouth... |
| 00:18:21 |
But I'm lucky, you don't hurt a cripple. |
| 00:18:24 |
Can't you be nicer to him? |
| 00:18:28 |
It's not our fault. He thinks he's better |
| 00:18:34 |
Used to play piano. |
| 00:18:57 |
Come on, move your ass, you spazz. |
| 00:19:07 |
There he is. |
| 00:19:34 |
Oh, shit. |
| 00:19:42 |
There's going to be trouble. |
| 00:19:50 |
Come on, guys, faster. |
| 00:20:33 |
Go on, help him. |
| 00:20:40 |
Rod. Pull him up. |
| 00:20:43 |
Give me a hand. |
| 00:20:49 |
Pull him out. |
| 00:21:23 |
Everything will be alright. |
| 00:21:44 |
He must learn to accept his situation. |
| 00:21:47 |
Start a new, normal life |
| 00:21:51 |
My son has never led a normal life. |
| 00:21:54 |
That's why it's important |
| 00:21:59 |
We have to get him interested. |
| 00:22:02 |
He needed his legs |
| 00:22:10 |
Life doesn't depend on two legs. |
| 00:22:19 |
Maybe he'll recover. |
| 00:22:23 |
No, but you shouldn't |
| 00:22:27 |
Do you see this spot? |
| 00:22:30 |
This vertebra has shifted, |
| 00:22:35 |
That means the damage |
| 00:22:39 |
causes a permanent paraplegic paralysis. |
| 00:22:43 |
Of course we can build up some muscles. |
| 00:22:48 |
But he'll always be confined |
| 00:23:02 |
We live on the sixth floor, |
| 00:23:08 |
The main thing is getting him |
| 00:23:15 |
I think I have an idea. |
| 00:23:24 |
We're closed. Leave me alone. |
| 00:23:27 |
Open up, I don't have all day. |
| 00:23:30 |
I can't, my wheelchair has a flat. |
| 00:23:37 |
You're getting on my nerves. |
| 00:23:44 |
What is it? |
| 00:23:47 |
I'm going to the nuthouse after all? |
| 00:23:54 |
It looks like the time |
| 00:23:59 |
I could croak any day, you know. |
| 00:24:03 |
I'm very ill. |
| 00:24:07 |
But you don't take care of yourself. |
| 00:24:10 |
Hey, leave Sandy alone. |
| 00:24:13 |
She hates it when greasy fingers |
| 00:24:16 |
Get out of my room, or... |
| 00:24:26 |
A pigsty, in here. |
| 00:24:29 |
Dr. Frankenstein, want some lifeless |
| 00:24:37 |
Your results are terrible, as you know. |
| 00:24:41 |
Alcohol and nicotine are poison. |
| 00:24:45 |
I'm not normal. They're moving me. |
| 00:24:49 |
We need your room. |
| 00:24:52 |
It's an emergency, and you have |
| 00:24:58 |
Half a guy can't have a whole room. |
| 00:25:02 |
You have a chance to do some good, |
| 00:25:12 |
I'm depending on you. |
| 00:25:26 |
Someone should do me |
| 00:25:35 |
Your new home. |
| 00:25:39 |
Neat, like a girl's room. |
| 00:25:42 |
It smells like one too. |
| 00:25:47 |
Nothing but a trained nurse, that is. |
| 00:25:51 |
This is a mistake. |
| 00:25:56 |
If I hadn't saved you, |
| 00:26:00 |
What's he doing here? |
| 00:26:06 |
No way am I minding this mother's boy. |
| 00:26:10 |
It's not up to me. It was decided upstairs. |
| 00:26:15 |
Put him in another room. |
| 00:26:19 |
Shut up. And this box is taboo, |
| 00:26:23 |
You'll manage, I know you will. |
| 00:26:45 |
Unbelievable. Rooming |
| 00:26:49 |
They don't care if it gives me |
| 00:26:55 |
I'll tell Dr. Assaro that losing my |
| 00:27:02 |
Yes, what is it now? |
| 00:27:15 |
Hello. Who do we have here? |
| 00:27:25 |
I'm looking for Luca Behrendt. |
| 00:27:28 |
Hey, mother's boy. |
| 00:27:38 |
You have a visitor. |
| 00:27:55 |
Josephine. Hi, I'm Roderick Stark. |
| 00:28:01 |
That's nice. |
| 00:28:06 |
Sure, moving. |
| 00:28:19 |
Yes, just get out of here. |
| 00:28:24 |
You're much prettier. |
| 00:28:29 |
No, really. |
| 00:28:33 |
Yes, I'm getting in the mood as well. |
| 00:28:45 |
I hope you're not mad at me |
| 00:28:50 |
But I've tried to |
| 00:28:57 |
I've written to you so often. |
| 00:29:03 |
You shouldn't have come. |
| 00:29:06 |
It's not like before. |
| 00:29:11 |
I understand how you feel. |
| 00:29:17 |
But I came to tell you I'm there for you. |
| 00:29:23 |
No matter what happened, or will happen. |
| 00:29:30 |
There's no point. |
| 00:29:35 |
We were always there for each other. |
| 00:29:46 |
You have your life, and I have mine. |
| 00:29:51 |
If you really want to help me... |
| 00:29:58 |
just leave me alone. |
| 00:30:38 |
You have physiotherapy in five minutes. |
| 00:30:44 |
That's not funny. You do the therapy |
| 00:30:50 |
Goodbye? |
| 00:30:52 |
Orders from Dr. Assaro. If you don't join |
| 00:30:59 |
That would be a pity. |
| 00:31:03 |
And she's the boss around here. |
| 00:31:06 |
I'm depending on you. |
| 00:31:18 |
Roderick, Roderick, |
| 00:31:23 |
Watch your feet. Further apart. |
| 00:31:32 |
It was nice, baby. |
| 00:31:36 |
Other things still work as well. |
| 00:31:43 |
Come on. The feet. |
| 00:31:47 |
Yes, that's good. |
| 00:31:49 |
Prince Valium, welcome to |
| 00:31:54 |
That's here. One more minute. |
| 00:32:02 |
I'm Mike. |
| 00:32:06 |
Let's start with the treadmill. |
| 00:32:11 |
It keeps the muscles elastic, improves |
| 00:32:17 |
So you won't grow crooked. |
| 00:32:21 |
A handicap isn't enough? |
| 00:32:25 |
You're handicapped too. Get used to it. |
| 00:32:29 |
Thanks a lot, Black Mamba. |
| 00:32:46 |
Hi there, spazz. |
| 00:32:48 |
God, this makes me puke. |
| 00:32:54 |
You're really mental. |
| 00:32:59 |
You're not allowed to smoke in your room. |
| 00:33:04 |
Are you going to stop me, wise ass? |
| 00:34:02 |
The maestro plays piano. |
| 00:34:07 |
An original concert. Bye. |
| 00:34:12 |
Asshole. |
| 00:34:22 |
I hope I'm not disturbing you. |
| 00:34:30 |
I know you don't want to see anyone. |
| 00:34:40 |
Were you about to play? |
| 00:34:48 |
I'm sorry to hear it. I... |
| 00:34:51 |
Playing the piano is for sissies, right? |
| 00:34:55 |
I've never said that. |
| 00:34:59 |
But you were thinking it. |
| 00:35:03 |
That's not true. |
| 00:35:14 |
I think we should talk. |
| 00:35:17 |
So many things |
| 00:35:21 |
You ignored me for ten years. Don't start |
| 00:35:45 |
Good evening. |
| 00:35:53 |
So, anything going on tonight? |
| 00:36:15 |
I'm sorry, Luca. |
| 00:36:21 |
I know talking isn't your thing, |
| 00:36:30 |
I said I'm an asshole sometimes. |
| 00:36:35 |
Yes, but not on purpose. |
| 00:36:40 |
I don't know why I bug people. |
| 00:36:46 |
And because I'm an asshole. |
| 00:36:50 |
Come on, listen to me. |
| 00:36:53 |
We're giving a party, |
| 00:36:58 |
I'm not in the mood. |
| 00:37:03 |
Don't be a bore. Just saddle |
| 00:37:18 |
The coast is clear. |
| 00:37:21 |
Stay close to me. |
| 00:37:31 |
Many cripples got lost here, |
| 00:37:49 |
You can have a look around. |
| 00:37:57 |
My friends call me Rod. |
| 00:38:00 |
Short for Roderick. Not Red, that |
| 00:38:22 |
What is this stuff? |
| 00:38:24 |
Ethanol. Medicinal alcohol. |
| 00:38:37 |
Are you trying to kill me? |
| 00:38:44 |
Once the pain goes away, |
| 00:38:48 |
It goes right to your brain. |
| 00:38:53 |
Make room, okay. |
| 00:38:58 |
Does Assaro know about this? |
| 00:39:02 |
She'd put an end to it right away. |
| 00:39:13 |
Is it far? This is insane. |
| 00:39:19 |
What can happen? Lightning |
| 00:39:25 |
Do we roll all the way to Salzburg? |
| 00:39:29 |
Be glad you don't have to walk. |
| 00:39:34 |
Nothing. |
| 00:39:36 |
Come on, let's have a race. |
| 00:39:50 |
That's great. Struggling to get here, |
| 00:39:56 |
You think we have the wrong tires? |
| 00:40:01 |
Moni, this is Luca, Luca, this is Moni. |
| 00:40:05 |
Can you take me in? |
| 00:40:10 |
Even though you only have |
| 00:40:15 |
There's more that reminds you of a horse. |
| 00:40:22 |
Look out, please. |
| 00:40:26 |
Look out for my bad legs. |
| 00:40:30 |
You've brought backup? |
| 00:40:34 |
Be nice to him, he's in a wheelchair. |
| 00:40:42 |
Is this a disco or a |
| 00:40:46 |
Sorry buddy, paraplegics only. |
| 00:40:50 |
Hurry up and jump off a bridge. |
| 00:41:57 |
So, do you like it here? |
| 00:41:59 |
Oh well, Rod dragged me in here. |
| 00:42:04 |
I don't know where he gets the strength. |
| 00:42:09 |
He's really tough, isn't he? |
| 00:42:14 |
I'm sorry. |
| 00:42:16 |
I'd forgotten that you're also... |
| 00:42:24 |
That spazz can't dance. |
| 00:42:35 |
Something's leaking. |
| 00:42:41 |
I should have drunk vodka |
| 00:42:45 |
This happened to me before |
| 00:42:50 |
You smell. |
| 00:42:53 |
I'm going to dance again. |
| 00:43:24 |
Phew. Move over, |
| 00:43:29 |
Moni had the hots for you. |
| 00:43:32 |
We can forget about women. |
| 00:43:36 |
There are other ways, besides |
| 00:43:42 |
At least we're not guys who kiss and run. |
| 00:43:46 |
You don't need to take stock |
| 00:43:52 |
Your frustration |
| 00:43:59 |
Is it still far? |
| 00:44:02 |
Clean up the urine, |
| 00:44:06 |
No rowdiness at six in the morning, |
| 00:44:13 |
Could you keep it down? |
| 00:44:16 |
At least turn down the treble. |
| 00:44:18 |
And leaving the clinic |
| 00:44:25 |
He shouldn't drink. It's poison to him. |
| 00:44:32 |
Go to dialysis. |
| 00:44:34 |
I'd prefer a massage parlor |
| 00:44:40 |
You're making good progress. |
| 00:44:42 |
If that continues, |
| 00:44:47 |
Home, where's that? |
| 00:45:07 |
So here you are. |
| 00:45:09 |
I've searched the |
| 00:45:14 |
How are you? You look fine. |
| 00:45:21 |
How's the music going? |
| 00:45:25 |
I seem to recall you're a pianist. |
| 00:45:33 |
May I? |
| 00:45:41 |
It's nice here. Far from the pressure |
| 00:45:51 |
You need these creative breaks. |
| 00:45:57 |
They clear the head, |
| 00:46:03 |
Still, it's time to get started again. |
| 00:46:07 |
Get started again? |
| 00:46:11 |
Not playing anymore? |
| 00:46:15 |
What I said. I'm not playing anymore. |
| 00:46:21 |
Your hands are okay, there are many |
| 00:46:26 |
Bach. He's part of your repertoire. |
| 00:46:33 |
Your accident changed your life, and I |
| 00:46:40 |
But to the music, it's irrelevant. |
| 00:46:48 |
The music is in your soul, |
| 00:46:57 |
Beethoven composed his 9th when he |
| 00:47:03 |
He read the words from the singers' lips, |
| 00:47:08 |
He had to press his ears to the piano... |
| 00:47:12 |
to check his composition, |
| 00:47:20 |
In the face of an iron will, |
| 00:47:31 |
Humility, young man. |
| 00:47:37 |
You have received |
| 00:47:43 |
Do something with it. |
| 00:48:26 |
The guys are organizing |
| 00:48:30 |
That's music to your ears, right? |
| 00:48:40 |
What's wrong? |
| 00:48:43 |
Birthday present from my parents. |
| 00:48:46 |
It's easier than coming by, |
| 00:48:51 |
I wanted to get a house |
| 00:48:56 |
Who'd live with a cripple? |
| 00:49:01 |
At first, they visited me |
| 00:49:06 |
, Then she said she couldn't |
| 00:49:11 |
That's the way it is. |
| 00:49:14 |
She was a great woman. |
| 00:49:16 |
Legs up to her ass, and back. |
| 00:49:20 |
And they had these tiny hairs, |
| 00:49:31 |
With her, it wasn't just about sex. |
| 00:49:37 |
but it was about feelings as well. |
| 00:49:43 |
Be glad you'll be out of here soon. |
| 00:49:46 |
You're right, we have a shitty life. |
| 00:49:50 |
We're at the bottom of the chain. |
| 00:49:53 |
You shouldn't say that. |
| 00:49:58 |
Look. |
| 00:50:01 |
I need you. |
| 00:50:07 |
I'm serious. |
| 00:50:14 |
Without you, I wouldn't be here anymore. |
| 00:50:17 |
Give me one reason to carry on. |
| 00:50:21 |
We have to carry on until we find out |
| 00:50:28 |
As shitty as it is, |
| 00:50:42 |
So what about that birthday party? |
| 00:50:45 |
No, that's much too dull. |
| 00:50:51 |
I have a better idea. |
| 00:51:29 |
Your apple juice, boys. |
| 00:51:32 |
Drink it slowly, or you'll be legless. |
| 00:51:36 |
Excuse me, this is a mistake. |
| 00:51:43 |
I just wanted to ask for ice. |
| 00:51:49 |
Excuse me. You danced so beautifully. |
| 00:51:52 |
I paid a lot. You should dance. |
| 00:51:58 |
Hello, sweetheart. I'm Scarlett. |
| 00:52:09 |
I've brought you something. |
| 00:52:12 |
Three apples on a wall. |
| 00:52:17 |
Two? |
| 00:52:20 |
We're going to have fun together. |
| 00:52:33 |
Come along. |
| 00:52:35 |
Don't be a bore. Saddle the ponies. |
| 00:52:39 |
Later, okay? |
| 00:52:53 |
Well? |
| 00:52:56 |
Would you like to join me on the bed? |
| 00:52:59 |
It's much cozier. |
| 00:53:11 |
You're my birthday present. |
| 00:53:17 |
Why? |
| 00:53:19 |
Because you're probably my last. |
| 00:53:24 |
Sit down next to me, |
| 00:53:36 |
May I? |
| 00:53:40 |
The most beautiful thing there is. |
| 00:54:08 |
Does your friend always |
| 00:54:12 |
What does he do, by the way? |
| 00:54:16 |
He's an artist. |
| 00:54:19 |
An artist? He doesn't look like one. |
| 00:54:23 |
So what do artists look like? |
| 00:54:28 |
Like you. |
| 00:54:30 |
You're special, somehow. |
| 00:54:38 |
It's up. |
| 00:54:40 |
It's up. |
| 00:55:01 |
You smell so nice. |
| 00:56:00 |
Help. We need a doctor. |
| 00:56:36 |
So? Are you feeling better? |
| 00:56:46 |
The doctor thinks |
| 00:56:50 |
The bed will be free again in a few days. |
| 00:57:02 |
I don't want to croak here, Luca. |
| 00:57:07 |
I can feel it. My ticker is getting weaker, |
| 00:57:16 |
Why do I have a muscle disease, |
| 00:57:22 |
Sometimes I tell myself my next life |
| 00:57:33 |
The Buddhists say you start your new life |
| 00:57:42 |
And a hospital isn't really |
| 00:57:48 |
I want to die where I feel good. |
| 00:59:04 |
What's the matter with Luca? |
| 00:59:07 |
He says he needs a place to live, soon. |
| 00:59:10 |
He wants to move in with Roderick. |
| 00:59:13 |
A young man he met at the clinic. |
| 00:59:18 |
Is he in a wheelchair too? |
| 00:59:23 |
Wide doors, no stairs or thresholds |
| 00:59:30 |
And you, as a contractor, |
| 00:59:37 |
Financially, it's also |
| 00:59:42 |
No problem, I'll be there for you. him |
| 00:59:46 |
I know I've made mistakes. |
| 00:59:49 |
But can't we leave the past behind? |
| 00:59:55 |
For Luca? |
| 01:00:01 |
For Luca. |
| 01:00:16 |
Ah, my brown couch. |
| 01:00:23 |
You, over there. Take that plant outside. |
| 01:00:29 |
Are you gardeners? |
| 01:00:31 |
No, we're nuclear physicists, |
| 01:00:36 |
I'd like to knock the foulmouth |
| 01:00:40 |
I heard that, Baloo. |
| 01:00:44 |
Not a bad idea. You're hard to miss. |
| 01:00:50 |
Oh, oh. A piano, a piano. |
| 01:00:53 |
What's it doing here? |
| 01:00:55 |
Grand piano. |
| 01:01:07 |
I guess neither of you, any time soon. |
| 01:01:12 |
I thought he'd be pleased. |
| 01:01:15 |
He always looks like that |
| 01:01:41 |
Damn. |
| 01:01:43 |
Why do I miscount all the time? |
| 01:01:49 |
You'd have been a very pretty lawyer. |
| 01:02:03 |
You. |
| 01:02:08 |
I was about to stop anyway. |
| 01:02:16 |
Forget the notes. |
| 01:02:21 |
It's good to see you. |
| 01:02:45 |
big closing concert with Yuri Kovacs |
| 01:02:52 |
Come here. |
| 01:02:57 |
Look at this. |
| 01:03:00 |
This Kovacs, who stole your piece, |
| 01:03:08 |
Say something. Compose some text. |
| 01:03:12 |
He's good, he deserves it. |
| 01:03:16 |
If this is true, |
| 01:03:20 |
The Maniac of the Keys, |
| 01:03:24 |
Alright, I know what |
| 01:03:29 |
Yes, so? |
| 01:03:31 |
What do you mean? |
| 01:03:33 |
He's coming back, giving a big concert, |
| 01:03:38 |
You don't take it lying down, |
| 01:03:43 |
Glamour and glory? |
| 01:03:47 |
Chicks go crazy |
| 01:03:50 |
My mother was nuts |
| 01:03:54 |
Who? |
| 01:03:56 |
He wrote songs, for Elise, or something. |
| 01:04:01 |
That's what I said. Look, you have to play. |
| 01:04:06 |
I can see it now. |
| 01:04:10 |
Forget it. |
| 01:04:14 |
Your Rudi Kleidermann |
| 01:04:18 |
That schmaltzy look? We can work on it. |
| 01:04:22 |
He can work the pedals. |
| 01:04:25 |
Pedals? What pedals? |
| 01:04:30 |
What pedals? |
| 01:04:33 |
Hey, Earth to mother's boy. What pedals? |
| 01:05:00 |
What are you doing? |
| 01:05:04 |
We go to the moon, separate Siamese |
| 01:05:12 |
We'll show this Kovacs what's what. |
| 01:05:15 |
For the last time, |
| 01:05:19 |
You're just scared |
| 01:05:22 |
I don't want to be laughed at, |
| 01:05:27 |
If I could play as well as you... |
| 01:05:32 |
I won't leave anything behind. |
| 01:05:39 |
You know I'm not |
| 01:05:45 |
but if you'd let fly |
| 01:06:32 |
Come on in. |
| 01:06:34 |
What a surprise. |
| 01:06:37 |
No, I'm happy to see you. You look good. |
| 01:06:42 |
Shall we have lunch? |
| 01:06:58 |
Not bad. |
| 01:07:03 |
It's not quite ready yet. |
| 01:07:09 |
What can I do for you? |
| 01:07:11 |
I can' t explain now, but I have |
| 01:07:17 |
I won the contest, |
| 01:07:23 |
I searched the internet |
| 01:07:36 |
This way. |
| 01:07:45 |
Maybe it's a stupid idea, |
| 01:07:50 |
But I didn't know what to do. |
| 01:07:59 |
On the contrary. I think it's great. |
| 01:08:04 |
Give me a little time, okay? |
| 01:08:19 |
Sorry, the meeting just went on and on. |
| 01:08:24 |
How are you? |
| 01:08:27 |
That's good. And how's Luca? |
| 01:08:30 |
Also fine, thank God. |
| 01:08:35 |
Glad to hear it. I was always |
| 01:08:39 |
That's why I'm here. He'd like to play |
| 01:08:47 |
The concert? How is he going to do that? |
| 01:08:54 |
That's why it's important we support him. |
| 01:08:59 |
I thought he was unable to move his legs? |
| 01:09:03 |
A construction is being developed |
| 01:09:10 |
A construction? |
| 01:09:13 |
This concert gives him |
| 01:09:17 |
To pick up where he left off |
| 01:09:24 |
A construction. |
| 01:09:27 |
A star pianist in a... |
| 01:09:30 |
That would be sensational. |
| 01:09:34 |
The best way would be |
| 01:09:39 |
The headset runs on a small battery, |
| 01:09:46 |
Biting on the left side |
| 01:09:52 |
And biting on the right the right one? |
| 01:09:59 |
Pneumatically, I thought. |
| 01:10:02 |
It could work. |
| 01:10:54 |
Look. The computer's here, and it works. |
| 01:11:07 |
What are you playing? |
| 01:11:15 |
I'd like to play it at the concert. |
| 01:11:20 |
Is it yours? |
| 01:12:08 |
Let's practice a little |
| 01:12:12 |
Not so fast. There's plenty of time. |
| 01:12:16 |
The concert isn't tonight. |
| 01:12:40 |
Say something. |
| 01:12:42 |
We need an ambulance. Help me. |
| 01:12:46 |
Help me. |
| 01:12:48 |
Somebody call an ambulance. |
| 01:13:09 |
I'm glad you're here. I need your help. |
| 01:13:12 |
Talk some sense into him. |
| 01:13:16 |
On his own responsibility. |
| 01:13:21 |
He can hardly breathe, |
| 01:13:28 |
He doesn't want to die in a hospital. |
| 01:13:35 |
I promised him. |
| 01:13:45 |
Alright, then. I'll tell the nurse |
| 01:14:01 |
You've really missed |
| 01:14:05 |
It's clear who hung those up. |
| 01:14:10 |
Rod, that'll do. |
| 01:14:15 |
Very elegant. Nothing to be |
| 01:14:20 |
I hope you'll knock them dead |
| 01:14:24 |
They're making such a big noise |
| 01:14:29 |
I'm glad to be back. |
| 01:14:34 |
Ah, vodka and orange. |
| 01:14:43 |
Only the vodka's missing. |
| 01:14:49 |
I'll retreat to my room, |
| 01:14:55 |
I'll do my best to keep the noise down. |
| 01:14:58 |
I'll be back for the sundowner. |
| 01:15:37 |
Hello, you two. |
| 01:15:43 |
What's wrong? |
| 01:15:46 |
Why the long face? |
| 01:15:52 |
Kuballa sent me a fax. |
| 01:15:57 |
They've cancelled us. |
| 01:16:04 |
The marketing department is against it. |
| 01:16:10 |
He says... |
| 01:17:04 |
open air concert with Yuri Kovacs |
| 01:17:18 |
You have to tell him. |
| 01:17:56 |
Everything okay? |
| 01:17:59 |
When do you have to be there? |
| 01:18:05 |
I wanted to... |
| 01:18:07 |
Only you can prove |
| 01:18:12 |
I'm depending on you. |
| 01:18:19 |
My tuxedo has disappeared. |
| 01:18:21 |
No, it hasn't. |
| 01:18:25 |
it's hanging over there. I had it cleaned, |
| 01:18:34 |
Get that notebook, will you? |
| 01:18:59 |
It's for you. |
| 01:19:02 |
It contains everything |
| 01:19:09 |
Also, I want to tell you right now |
| 01:19:18 |
I'm proud of you too. |
| 01:19:33 |
What is it? |
| 01:19:38 |
The bow tie is missing. |
| 01:19:48 |
It's not important, really. |
| 01:19:55 |
I was afraid you wanted |
| 01:20:02 |
Now get out of here. |
| 01:20:48 |
Can I see your tickets? |
| 01:20:52 |
I can't let you in without a ticket. |
| 01:20:57 |
You can't go in, I said. |
| 01:20:59 |
What's your friend's name? |
| 01:21:02 |
Felix Lundquist. Let him in, |
| 01:21:08 |
But... |
| 01:21:12 |
Come on. I've been waiting for you. |
| 01:21:53 |
Where were you? |
| 01:22:13 |
Hey, he's done. |
| 01:22:17 |
What are you waiting for? |
| 01:22:20 |
That's why you're here, isn't it? |
| 01:22:42 |
That's Luca Behrendt. |
| 01:22:45 |
What's he doing here? |
| 01:22:47 |
He's not in the program. |
| 01:22:52 |
He's not listed. It's against protocol. |
| 01:22:56 |
Forget protocol. |
