|
Die gro e Liebe The Great Love
|
| 00:01:22 |
[Landing Gear] |
| 00:01:48 |
Hey - he's got only one leg out! |
| 00:01:50 |
- Who is it? |
| 00:01:54 |
Gentlemen, this looks bad! |
| 00:01:56 |
- Seems he can't move out the left. |
| 00:01:58 |
So why don't he pull in the right wheel |
| 00:02:01 |
Most likely cause he can't, bonehead. |
| 00:02:03 |
The Tommy must have hit his wires. |
| 00:02:04 |
And he's out of petrol any minute! |
| 00:02:06 |
- He should bale out! |
| 00:02:09 |
He would never give up his machine! |
| 00:02:11 |
- Alert! |
| 00:02:15 |
Come on, go, go! |
| 00:02:31 |
See, children - |
| 00:02:33 |
Sure, guys - |
| 00:02:36 |
- Any scratches, Wendlandt? |
| 00:02:38 |
Hardly surprising... |
| 00:02:43 |
Please announce to the squadron |
| 00:02:45 |
at Berlin tomorrow at noon |
| 00:02:47 |
and report to the Aviation Ministry. |
| 00:02:49 |
Understood? |
| 00:02:51 |
Over. |
| 00:03:00 |
Well, Wendlandt? |
| 00:03:03 |
your one-legged landing. |
| 00:03:07 |
Now attention, gentlemen. |
| 00:03:10 |
your report to the ministry |
| 00:03:12 |
so I think I can expect you back |
| 00:03:15 |
That night in Berlin you can |
| 00:03:18 |
To sleep late would be |
| 00:03:22 |
Well - and now? |
| 00:03:24 |
Now we should sleep late, I guess. |
| 00:03:26 |
- And where? |
| 00:03:34 |
Two orchestra seats please. |
| 00:03:37 |
If you do not mind. |
| 00:03:39 |
- I'm sorry. |
| 00:03:41 |
- We're sold out. |
| 00:03:43 |
You should rather be glad about it! |
| 00:03:45 |
We're really all sold out, |
| 00:03:46 |
- Too bad. |
| 00:03:49 |
Well - but I cannot |
| 00:03:51 |
- I'm really terribly sorry, |
| 00:03:54 |
You'll see - with my proverbial luck |
| 00:03:57 |
- Pardon me? |
| 00:04:00 |
I'm in a terrible hurry. |
| 00:04:01 |
- There are no more tickets |
| 00:04:03 |
- So what else do you want? |
| 00:04:07 |
All right - to prevent damage |
| 00:04:10 |
- You take them? |
| 00:04:12 |
How much do we owe you? |
| 00:04:14 |
Now - Herr Oberleutnant - |
| 00:04:17 |
- What's on... Putzi? |
| 00:04:20 |
Ah! Putzi, from the radio request concert! |
| 00:04:23 |
Oh, that's great...! |
| 00:04:26 |
Well, how else? |
| 00:04:30 |
But I also would have thought |
| 00:04:32 |
Yes I see Herr Oberleutnant, |
| 00:04:35 |
- ...and the street train... |
| 00:04:37 |
- What's his name? - Putzi! |
| 00:04:40 |
- Tickets, please! |
| 00:04:42 |
- Well, and the dog? |
| 00:04:44 |
Herr Oberleutnant, |
| 00:04:46 |
- With me he's in good hands. |
| 00:05:10 |
My life for love... |
| 00:05:20 |
oh yes. |
| 00:05:23 |
My whole happiness is love... |
| 00:05:27 |
oh yes! |
| 00:05:30 |
I can't help it, |
| 00:05:33 |
that's all me, after all, |
| 00:05:37 |
a heart like my heart |
| 00:05:43 |
And nights without love - |
| 00:05:47 |
oh no. |
| 00:05:50 |
There never should be any, |
| 00:05:53 |
oh no! |
| 00:05:56 |
And although some consider me |
| 00:06:03 |
My life for love - |
| 00:06:06 |
Yes, Sir! |
| 00:06:09 |
I don't want to dream |
| 00:06:12 |
I'm standing with both feet |
| 00:06:16 |
And I am spending |
| 00:06:20 |
My motto is: |
| 00:06:26 |
My life for love |
| 00:06:31 |
oh yes. |
| 00:06:34 |
My whole happiness is love |
| 00:06:39 |
oh yes! |
| 00:06:43 |
I can't help it, |
| 00:06:50 |
a heart like my heart |
| 00:06:57 |
My life for love, |
| 00:07:01 |
My whole happiness is love, |
| 00:07:04 |
I can't help it, |
| 00:07:08 |
a heart like my heart |
| 00:07:11 |
And nights without love - ha, no! |
| 00:07:15 |
There never should be any, oh no! |
| 00:07:18 |
And although some consider me |
| 00:07:21 |
My life for love! |
| 00:07:23 |
My life for love! |
| 00:07:30 |
My life for love - |
| 00:07:36 |
Yes, Sir! |
| 00:07:42 |
Gosh! Gorgeous woman, eh? |
| 00:07:45 |
What for... |
| 00:07:46 |
To tell her |
| 00:07:50 |
Urgent call from Vienna, |
| 00:07:54 |
- Now come on, just a moment... |
| 00:08:11 |
- What have you got there, Alfred? |
| 00:08:21 |
- You really want to go? |
| 00:08:24 |
Unwinnable. |
| 00:08:27 |
Now excuse me - after all |
| 00:08:29 |
Ah... Herr Oberleutnant |
| 00:08:33 |
Ha, I don't need that... |
| 00:08:35 |
Where do you want to go already? |
| 00:08:37 |
Nope - now it's just beginning! |
| 00:08:49 |
- Please, take this. |
| 00:08:51 |
Come on, it's high time! |
| 00:08:53 |
I thought... I thought |
| 00:08:55 |
- I've brought it for Fräulein... |
| 00:09:06 |
Herr Rudnitzky telephones |
| 00:09:10 |
- Well, things like that take their time. |
| 00:09:13 |
- Well... |
| 00:09:15 |
If Herr Rudnitzky would really... |
| 00:09:17 |
Take this home with you, |
| 00:09:23 |
This is coffee. |
| 00:09:27 |
Haaahh - I get heart-throb |
| 00:09:30 |
What an admirer! |
| 00:09:33 |
- Is it allowed ask, by whom? |
| 00:09:37 |
Madam... that must be a mistake. |
| 00:09:41 |
- Why a mistake? |
| 00:09:44 |
- Actually, he means me. |
| 00:09:47 |
He only gave you the coffee |
| 00:09:50 |
so you'd turn a blind eye |
| 00:09:53 |
... please take a look who's there. |
| 00:09:54 |
Now who else could it be, |
| 00:10:05 |
My esteemed Fräulein Käthe. |
| 00:10:07 |
As much as I am pleased to see you here, |
| 00:10:10 |
to deprive us - albeit only |
| 00:10:14 |
- So this means in plain... |
| 00:10:18 |
- Well? |
| 00:10:21 |
My attorney also says |
| 00:10:23 |
And there's really nothing one can do. |
| 00:10:25 |
Or should I go to court |
| 00:10:27 |
that I caught my wife |
| 00:10:30 |
Maybe she still loves you? |
| 00:10:31 |
Love, me? |
| 00:10:34 |
or my music publishing house, |
| 00:10:37 |
Loving, me... |
| 00:10:43 |
I guess I'm sympathetic |
| 00:10:46 |
that they don't want |
| 00:10:50 |
Maybe it's because of my nature |
| 00:10:52 |
to be rather convenient |
| 00:10:56 |
Maybe also... |
| 00:10:59 |
- And am I not the same for you? |
| 00:11:02 |
Yes... Well, I'm your partner |
| 00:11:06 |
together we do our tours, but... |
| 00:11:11 |
what you mean to me |
| 00:11:16 |
But what I mean to you... |
| 00:11:19 |
Don't be so hopeless, Alexander! |
| 00:11:22 |
Hopeless, but merry... |
| 00:11:28 |
Well - seems it has |
| 00:11:32 |
that's just what a half-baked |
| 00:11:38 |
Don't you think the same? |
| 00:11:41 |
I have too little energy, no? |
| 00:11:46 |
Perhaps you doubt altogether |
| 00:11:50 |
to become happy with you some day. |
| 00:11:53 |
Come on Alexander, I'll change |
| 00:11:55 |
Oh, right - they must be |
| 00:11:57 |
- Why - don't you come along? |
| 00:12:00 |
I have to go to the office again - |
| 00:12:02 |
Shall I call it off too, so we |
| 00:12:03 |
No, no, I really have to |
| 00:12:06 |
But Alexander... |
| 00:12:07 |
what has actually changed |
| 00:12:11 |
I mean, what has actually changed, |
| 00:12:15 |
You're so kind to me - |
| 00:12:18 |
- Now you come along, will you? |
| 00:12:21 |
I don't necessarily have |
| 00:12:23 |
I will think about your words... |
| 00:12:26 |
that actually make me |
| 00:12:30 |
Good bye. |
| 00:12:37 |
I don't get it - |
| 00:12:39 |
If you're in love, |
| 00:12:41 |
- Our coffee he...?! |
| 00:12:45 |
Cigarette? |
| 00:12:49 |
Do you think it's possible |
| 00:12:51 |
A taxi? Quite impossible, |
| 00:12:53 |
But wait, I'll take you |
| 00:12:56 |
Taxi! |
| 00:12:58 |
Hello! |
| 00:12:59 |
What's up? |
| 00:13:01 |
Here, madam! |
| 00:13:02 |
- Where ya wanna go? |
| 00:13:05 |
Nah, forget it. |
| 00:13:07 |
to drive home da brides |
| 00:13:09 |
of whom they don't even know |
| 00:13:12 |
Now look - isn't that |
| 00:13:15 |
Nope, he isn't - |
| 00:13:17 |
Of course he is! |
| 00:13:19 |
Well then, now come quickly, |
| 00:13:21 |
over there your tramway's |
| 00:13:23 |
Hello! Wait! Hello, hello! |
| 00:13:28 |
Seems like you almost forgot |
| 00:13:29 |
God, what am I to do |
| 00:13:31 |
Hello, listen... say, |
| 00:13:36 |
- Stop, stop! - What... |
| 00:14:13 |
Well - where to? |
| 00:14:16 |
I see. |
| 00:14:18 |
So... change to the subway. |
| 00:14:21 |
Cause she changes to the subway too. |
| 00:14:24 |
Every evening after the performance |
| 00:14:27 |
25 pennies please... thanks. |
| 00:14:30 |
Well, and you? |
| 00:14:34 |
25... |
| 00:15:04 |
Very well. We're rid of that |
| 00:15:08 |
But actually I can |
| 00:15:11 |
I myself - if I wouldn't accidentally |
| 00:15:15 |
I don't know if I would not |
| 00:15:20 |
Where are you going anyway? |
| 00:15:21 |
- Me? Where I'm going? |
| 00:15:24 |
Hm... well... |
| 00:15:27 |
I see. |
| 00:15:28 |
- Why? Does it interest you? |
| 00:15:31 |
I thought as much... that you're |
| 00:15:37 |
All the more I'm interested in |
| 00:15:39 |
That's none of your concern. |
| 00:15:40 |
Now don't say that. |
| 00:15:42 |
You are mistaken. |
| 00:15:44 |
But... we're already talking |
| 00:15:52 |
A small, adorable dog |
| 00:16:00 |
No. |
| 00:16:02 |
Poor dog. |
| 00:16:11 |
That's... |
| 00:16:15 |
Tell me - what do you want from me? |
| 00:16:19 |
Another would perhaps say: |
| 00:16:23 |
but I don't want to keep you in suspense |
| 00:16:26 |
I'm expected. |
| 00:16:29 |
- Who's expecting you? |
| 00:16:31 |
charming owner of this apartment. |
| 00:16:34 |
- Why - do you know her? |
| 00:16:39 |
- Hardly. |
| 00:16:43 |
- Oh, you have guests? |
| 00:16:47 |
Ah, there you are, my dear! |
| 00:16:48 |
Thank you very much |
| 00:16:51 |
Unfortunately I couldn't come earlier... |
| 00:16:53 |
The main thing is that you |
| 00:16:55 |
But where is Herr... |
| 00:16:57 |
Please give the dog some water |
| 00:16:59 |
- Herr Rudnitzky? He has |
| 00:17:03 |
Tremendously kind, Madam, |
| 00:17:06 |
Especially since I already |
| 00:17:09 |
of your charming party |
| 00:17:11 |
- My charming companion... |
| 00:17:13 |
- Yes of course. |
| 00:17:16 |
Excellent! I am pleased |
| 00:17:18 |
Ah, good evening, my dear fellow! |
| 00:17:21 |
Good evening! |
| 00:17:22 |
Good evening... how's it going? |
| 00:17:25 |
How's the hunting? |
| 00:17:27 |
- How's the tiresome rheumatism? |
| 00:17:29 |
Oh, of course, |
| 00:17:32 |
Yes - you might say that. |
| 00:17:34 |
...I've recently heard you |
| 00:17:36 |
Oh please, would you |
| 00:17:38 |
Beg your pardon? |
| 00:17:39 |
You should introduce me please - |
| 00:17:42 |
- But here is no woman named Wendlandt. |
| 00:17:46 |
- But she has another name. |
| 00:17:48 |
Yes, all very well, but first you have |
| 00:17:51 |
- But I already did... |
| 00:17:54 |
It is indeed charming, Madam... |
| 00:17:56 |
Good evening, Herr Konsul! |
| 00:17:58 |
Oh please Herr Konsul, would |
| 00:18:00 |
- With pleasure... |
| 00:18:03 |
But please, Herr Konsul, I did |
| 00:18:06 |
- Please... |
| 00:18:08 |
With pleasure. Ladies and gentlemen, |
| 00:18:14 |
Thank you - |
| 00:18:16 |
Well, it's really hard to |
| 00:18:19 |
Well therefor it will be |
| 00:18:21 |
Oh, thank you, that was excellent. |
| 00:18:24 |
What? |
| 00:18:26 |
That we're alone here now. |
| 00:18:30 |
You must be the sassiest |
| 00:18:33 |
But that's of no advantage to you - |
| 00:18:35 |
Later... |
| 00:18:37 |
Of course! I don't want to |
| 00:18:43 |
Huh? |
| 00:18:44 |
Who are you anyway? |
| 00:18:45 |
- Ah, now you'd like to know, yes? |
| 00:18:49 |
Yes, I'd like to know, |
| 00:18:51 |
You already realized that. |
| 00:18:56 |
- And your name? |
| 00:19:03 |
Oh please. Better |
| 00:19:07 |
- Why should I? |
| 00:19:10 |
- What would you get out of it? |
| 00:20:30 |
- Excuse me... |
| 00:20:34 |
Madam are wanted on the phone. |
| 00:20:36 |
- Excuse me for a moment... |
| 00:20:45 |
Hello Hanna - yes? Excuse me, |
| 00:20:49 |
It was really a crazy idea, |
| 00:20:53 |
You know - if those Westphals |
| 00:20:57 |
I'd now love to stop by |
| 00:21:00 |
Very dear of you, but... |
| 00:21:03 |
It is... quite nice here today. |
| 00:21:05 |
No no no, really! |
| 00:21:07 |
Yes... sleep well. |
| 00:21:09 |
See you tomorrow. Good night. |
| 00:21:17 |
Oh, by the way, my dearest, |
| 00:21:20 |
- Yes? |
| 00:21:22 |
- Mine? |
| 00:21:24 |
I mean the nice young man |
| 00:21:27 |
- Oh, I thought, you know him? |
| 00:21:29 |
Yes, but I actually |
| 00:21:33 |
Jenny - what's his name actually? |
| 00:21:36 |
- Who? |
| 00:21:38 |
- Shouldn't you know it? |
| 00:21:41 |
Me? No. |
| 00:21:43 |
Well... then it was me |
| 00:21:46 |
But you know him, too. |
| 00:21:50 |
Hah, what was their name again... |
| 00:21:52 |
Yes, there we must have met him. |
| 00:21:54 |
Isn't his name... Knesewitz? |
| 00:21:56 |
- Of course, of course! Knesewitz! |
| 00:21:58 |
No wait a minute, wait... |
| 00:22:01 |
But no... what made you |
| 00:22:04 |
No no no. He is, |
| 00:22:07 |
the son of the old... |
| 00:22:10 |
Knesebeck. |
| 00:22:12 |
- 'Evening Frau Holberg! |
| 00:22:38 |
- What's his name? |
| 00:22:40 |
- Whom do you belong? |
| 00:22:43 |
Please give my regards |
| 00:22:46 |
I'll call tomorrow morning... |
| 00:22:59 |
German Radio will now pause its |
| 00:23:03 |
Oh, do you know |
| 00:23:05 |
- Frau Holberg just left - |
| 00:23:09 |
- Hello Putzi! |
| 00:23:11 |
- Oh, this is your dog? |
| 00:23:14 |
Thank you, madam. |
| 00:23:16 |
It really was a delightful evening. |
| 00:23:22 |
Well I...? |
| 00:23:24 |
Perhaps he had to pop out... |
| 00:23:26 |
Oh my God where are you going - |
| 00:23:29 |
I didn't promise anything. |
| 00:23:31 |
Then I'll accompany you - |
| 00:23:33 |
Not at least, but |
| 00:23:43 |
So... I thank you for your companion, |
| 00:23:46 |
- Already? |
| 00:23:48 |
- You sure have a talent for it. |
| 00:23:51 |
I beg your pardon, but ... |
| 00:23:53 |
I was very busy over the last days, |
| 00:23:56 |
- I see... work-related? |
| 00:23:59 |
Well... what occupation |
| 00:24:01 |
I travel quite a lot. |
| 00:24:04 |
I see. And always with the dog. |
| 00:24:06 |
From now on, yes. |
| 00:24:11 |
So you don't want tell me |
| 00:24:13 |
I will. |
| 00:24:16 |
Shall I predict something for you? |
| 00:24:19 |
Then I predict that you |
| 00:24:23 |
- But you don't seem to be a good prophet. |
| 00:24:26 |
Didn't I tell you already |
| 00:24:29 |
You will ask me into your house |
| 00:24:31 |
I will not. |
| 00:24:38 |
See? Am I a good prophet? |
| 00:24:40 |
Now you already have to |
| 00:24:46 |
Oh no ... again down to the basement |
| 00:24:49 |
Come on, are these people |
| 00:24:56 |
Good evening, Frau Holberg! |
| 00:24:59 |
No, indeed. |
| 00:25:02 |
Of course! That is, the mister |
| 00:25:04 |
- What, that small animal? |
| 00:25:07 |
I'm sorry, |
| 00:25:10 |
Who knows what it's good for. |
| 00:25:12 |
Can't he take quarters in your kitchen? |
| 00:25:16 |
Well ... I probably have |
| 00:25:19 |
Now don't be so nervous... |
| 00:25:21 |
You have left the light burning |
| 00:25:23 |
Me? But you were |
| 00:25:25 |
Because you always run down so headless! |
| 00:25:28 |
Ah! It's already beginning, |
| 00:25:30 |
But no, somebody upstairs |
| 00:25:32 |
- May I help you with your coat? |
| 00:25:35 |
We'll do that down in the basement. |
| 00:25:38 |
Oh, thank God, madam, |
| 00:25:40 |
Just go down, Käthe, |
| 00:25:42 |
Dog? What dog - that one? |
| 00:25:44 |
- Inge, the milk! |
| 00:25:46 |
- Andi, the sandwiches! |
| 00:25:47 |
Mother... the money and... |
| 00:25:49 |
Yes yes, father, now come already... |
| 00:25:52 |
That's organisation! |
| 00:25:54 |
Now, now, take it easy |
| 00:25:57 |
- 'Evening, Fräulein Käthe! |
| 00:25:59 |
Well, as always... |
| 00:26:03 |
Behave yourself, will you? |
| 00:26:07 |
Oh, now look at this... |
| 00:26:10 |
Bean coffee? Do I hear right? |
| 00:26:13 |
Indeed... downright... |
| 00:26:15 |
- Where did you get it? |
| 00:26:17 |
- Oh. |
| 00:26:19 |
At least she claims, |
| 00:26:20 |
- What? The coffee or the admirer? |
| 00:26:23 |
Let's take it downstairs with us! |
| 00:26:24 |
- Is there a boiler? |
| 00:26:30 |
Good, and now turn off the lights. |
| 00:26:32 |
Gladly... why? |
| 00:26:34 |
Why? |
| 00:26:35 |
- Because I want to open the windows. |
| 00:26:38 |
Say, you probably come |
| 00:26:40 |
Not quite, but almost. |
| 00:26:47 |
Gosh - beautiful, isn't it? |
| 00:26:49 |
Hmm ... like in fairy tales... |
| 00:26:52 |
No, much more beautiful - |
| 00:26:55 |
Yes. And that's why we now |
| 00:26:58 |
because in reality there are |
| 00:27:00 |
...and yet, the reality is beautiful. |
| 00:27:02 |
Even if there's dangers. |
| 00:27:05 |
Perhaps even because |
| 00:27:09 |
But you're right - |
| 00:27:11 |
And then there's the jam |
| 00:27:14 |
One should report this to the police! |
| 00:27:15 |
...our uncle, the major always says... |
| 00:27:18 |
...try it with dry orange peels! |
| 00:27:22 |
- Those brats really make me faint. |
| 00:27:24 |
Children, don't make such a racket... |
| 00:27:25 |
- What's with the teddy? |
| 00:27:27 |
- Oh... what was the matter with him? |
| 00:27:29 |
- Oh my goodness... |
| 00:27:32 |
Well, are the people here |
| 00:27:36 |
- Oh, thank you! |
| 00:27:37 |
Well you just could have knocked me off. |
| 00:27:39 |
No, now it's too late. |
| 00:27:43 |
What is that? |
| 00:27:45 |
But dear ladies, |
| 00:27:46 |
let us elegantly ignore it. |
| 00:27:48 |
I suggest we now boil ourselves, |
| 00:27:51 |
a nice cup of coffee. |
| 00:27:52 |
Coffee? |
| 00:27:54 |
Just spare me that old malt slop, |
| 00:27:56 |
- Oh, you don't drink coffee? |
| 00:27:59 |
- So much the better! |
| 00:28:02 |
Here... One! |
| 00:28:04 |
Now wait a minute, |
| 00:28:07 |
- How do you say that? |
| 00:28:11 |
You don't say! |
| 00:28:13 |
- Oh... |
| 00:28:20 |
Dear residents, it's my pleasure |
| 00:28:23 |
to a cup of real bean coffee! |
| 00:28:25 |
Children, I almost don't believe it. |
| 00:28:28 |
The matter has only one catch... |
| 00:28:29 |
What, now don't you say |
| 00:28:30 |
No no, the coffee is real - |
| 00:28:32 |
only the person, that owns the coffee... |
| 00:28:33 |
...is not real? |
| 00:28:34 |
Yes, it is, but I'm not entirely sure, |
| 00:28:36 |
whether she gladly donates |
| 00:28:39 |
Oh, now I really do have to say, |
| 00:28:41 |
I think this is quite peculiar. |
| 00:28:42 |
Please, I'm asking you: |
| 00:28:45 |
or don't we? |
| 00:28:45 |
- Well if you hold the opinion... |
| 00:28:48 |
- Bravo! |
| 00:28:52 |
Because the kind donator |
| 00:28:54 |
I brought the coffee |
| 00:28:56 |
That was a good idea... |
| 00:28:58 |
Hurrah! Hurrah! Hurrah! |
| 00:29:02 |
The shooting has already stopped. |
| 00:29:05 |
Surely won't take much longer. |
| 00:29:07 |
Who here in the house |
| 00:29:09 |
That's up at Frau Holberg's... |
| 00:29:11 |
Oh, it certainly |
| 00:29:13 |
Well, look at that... "acquaintance". |
| 00:29:15 |
How should I know! |
| 00:29:17 |
Well well... the siren brings it to light! |
| 00:29:21 |
Unfortunately, we did not |
| 00:29:23 |
but luckily there is an outspoken |
| 00:29:26 |
- No no, ladies and gentlemen... |
| 00:29:28 |
...let me for a moment briefly |
| 00:29:29 |
But arguments are entirely |
| 00:29:32 |
Whoever does not honour the malt, |
| 00:29:35 |
If we all drink two by two |
| 00:29:37 |
all works out nicely. |
| 00:29:39 |
Cheers. |
| 00:29:42 |
Why his coffee? |
| 00:29:46 |
Frau Holberg, here you are... |
| 00:29:49 |
You're an impossible person... |
| 00:29:50 |
Why? You see, with me |
| 00:29:52 |
No one plays with me anymore. |
| 00:29:55 |
Well Hans, then we two men |
| 00:29:57 |
- Five! |
| 00:29:59 |
Oh, excuse me... that one. |
| 00:30:03 |
The aunt no longer plays along at all... |
| 00:30:11 |
Fräulein Käthe... |
| 00:30:13 |
Well, I really shouldn't, |
| 00:30:18 |
All clear! |
| 00:30:21 |
- Excuse me... |
| 00:30:24 |
Excuse me! |
| 00:30:24 |
Please let me... |
| 00:30:27 |
Oh no, may I, yes? |
| 00:30:29 |
Thank God, saved some of it. |
| 00:30:31 |
Why? Just leave the rest |
| 00:30:34 |
You must be joking... |
| 00:30:38 |
Putzi, all clear! |
| 00:30:41 |
Well for God's sake, |
| 00:30:43 |
Now what has he done - |
| 00:30:45 |
Oh, you know, that few old bottles... |
| 00:30:47 |
I should have, I mean, I wanted |
| 00:30:50 |
- It doesn't matter, the few shards... |
| 00:30:52 |
Broken glass brings you luck. |
| 00:30:55 |
that I have proverbial... |
| 00:30:57 |
Say, you really should be |
| 00:31:00 |
You've already got goose bumps. |
| 00:31:01 |
Well shouldn't I first... |
| 00:31:03 |
Never mind... I will bring |
| 00:31:05 |
Good night! |
| 00:31:06 |
- Good night, Käthe... |
| 00:31:55 |
- You did tell her of course. |
| 00:31:57 |
- That you're a pilot officer. |
| 00:31:59 |
- I didn't tell her. |
| 00:32:01 |
Well man, I didn't want to tell her |
| 00:32:05 |
Can't stand it, when women cry. |
| 00:32:08 |
And then, you know... what for? |
| 00:32:12 |
Who knows whether one... meets again... |
| 00:33:06 |
Never mind, I'll open. |
| 00:33:09 |
Oh, in person... |
| 00:33:14 |
Here you go! |
| 00:33:17 |
This is Herr Mocelli... |
| 00:33:21 |
Maybe we can - if it's alright |
| 00:33:25 |
Very pleased, Signora, very pleased - |
| 00:33:28 |
Very exquisite pleasure |
| 00:33:32 |
And the Italian publico - |
| 00:33:35 |
What do you want to say? |
| 00:33:37 |
(Italian) |
| 00:33:45 |
Very kind, Herr Mocelli. |
| 00:33:47 |
What does he want? |
| 00:33:48 |
- You're so nervous, no? |
| 00:33:50 |
I'm not nervous, not at all - |
| 00:33:53 |
Good! Sorry, I meant |
| 00:33:56 |
But we have to offer him something. |
| 00:33:58 |
Yes... excuse me... |
| 00:34:01 |
Would you like something to drink? |
| 00:34:06 |
Tell me, Hanna... |
| 00:34:08 |
I haven't seen much of you |
| 00:34:10 |
Do you have something against me? |
| 00:34:12 |
Are you upset because of recently? |
| 00:34:15 |
- Why, what was recently? |
| 00:34:18 |
after my telephone conversation |
| 00:34:20 |
because of the divorce... |
| 00:34:22 |
My God, if I always |
| 00:34:24 |
when you your wife |
| 00:34:27 |
I can even empathize with her. |
| 00:34:29 |
What you can empathize with her? |
| 00:34:31 |
Well - after all, it's not that easy |
| 00:34:39 |
- Take this! |
| 00:34:42 |
Excuse me, Herr Mocelli! |
| 00:34:45 |
It's okay... |
| 00:34:50 |
Tell me, Käthe - |
| 00:34:53 |
What's going on? Nothing... |
| 00:34:57 |
So... please, Herr... ehh... |
| 00:35:00 |
Grazie... grazie tante... |
| 00:35:02 |
Beg your pardon? |
| 00:35:12 |
Just a few girls |
| 00:35:15 |
- Please excuse me, Herr Mocelli! |
| 00:35:25 |
- Good evening, Herr Alfred! |
| 00:35:27 |
Well, everything packed already |
| 00:35:30 |
- Thanks, I guess I have everything ready. |
| 00:35:32 |
Well then, Herr Alfred - |
| 00:35:36 |
Take care... who knows |
| 00:35:39 |
- Same to you... take care... |
| 00:35:42 |
So... |
| 00:35:44 |
- Fräulein... Fräulein Käthe! |
| 00:35:47 |
- Did you want to say something? |
| 00:35:50 |
What I always had wanted to ask... |
| 00:35:54 |
I mean... is it true, that she |
| 00:35:57 |
Yes, that's right! Way back, |
| 00:35:59 |
when Herr... the one from Rome, was here, |
| 00:36:02 |
- And that's fixed? |
| 00:36:05 |
- Why? Are you perhaps there too? |
| 00:36:07 |
Yes... uhh... maybe. |
| 00:36:09 |
Well Herr Alfred , I have to say |
| 00:36:12 |
Well now, I'm really |
| 00:36:14 |
You know, I've already |
| 00:36:16 |
how you always take everything |
| 00:36:20 |
You know Herr Alfred, for |
| 00:36:23 |
there's nothing like the reassuring |
| 00:36:26 |
- Hm, hm... |
| 00:36:30 |
Also because you don't talk much. |
| 00:36:32 |
a real man, I say, can keep silent. |
| 00:36:36 |
You can. |
| 00:36:38 |
- Alfred, how is it, you come along? |
| 00:36:40 |
Gustav, say... |
| 00:36:42 |
we didn't contract for July yet? |
| 00:36:43 |
Nope. We take a break. |
| 00:36:46 |
Oh, Herr Alfred said |
| 00:36:48 |
in July in Rome... |
| 00:36:50 |
Tell me... you must be |
| 00:36:52 |
- In July in Rome? |
| 00:36:54 |
Man, I know very well |
| 00:36:57 |
But I tell you something: |
| 00:36:58 |
If you didn't have the courage |
| 00:37:01 |
then you will not have the guts |
| 00:37:03 |
In July to Rome...! |
| 00:37:05 |
Herr Alfred, well... |
| 00:37:08 |
Actually, your brother is right. |
| 00:37:12 |
Why do you want to wait till Rome! |
| 00:37:15 |
Well, now just give yourself a boot |
| 00:37:18 |
So, why... do you think |
| 00:37:20 |
Sure, of course, us women |
| 00:37:23 |
when men are a bit cheeky in love! |
| 00:37:26 |
- You think so? |
| 00:37:28 |
Good! Then I will talk to her! |
| 00:37:30 |
With whom... what... |
| 00:37:33 |
I see... |
| 00:37:38 |
You women are quite good in talking |
| 00:37:41 |
only if you really should talk, |
| 00:37:43 |
I don't like it when you make |
| 00:37:46 |
This is typically female again. |
| 00:37:49 |
No woman likes this. |
| 00:37:52 |
Now come on kiddo, be nice, |
| 00:37:56 |
and have dinner with me once again. |
| 00:37:58 |
- Ah yes, you're going tomorrow morning... |
| 00:38:00 |
We will not see each other |
| 00:38:03 |
You know, dining alone |
| 00:38:06 |
My stomach does not like it. |
| 00:38:08 |
If one always mutely |
| 00:38:11 |
Hanna, won't you finally tell me |
| 00:38:15 |
Well... I will tell you. |
| 00:38:19 |
But you will not be pleased. |
| 00:38:23 |
I did not expect that anyway. |
| 00:38:27 |
- Good evening! |
| 00:38:30 |
(Italian) |
| 00:38:38 |
- Well and then? |
| 00:38:41 |
He went. |
| 00:38:43 |
And since then... |
| 00:38:44 |
No letter. No call. Nothing! |
| 00:38:49 |
And you have no idea |
| 00:38:52 |
- What is it? |
| 00:38:54 |
Why this? We already |
| 00:38:56 |
- We have... compote. |
| 00:39:01 |
- Alexander, believe me! |
| 00:39:04 |
You know, I'm a exceptionally |
| 00:39:07 |
for psychological garbage. |
| 00:39:08 |
- You want compote? |
| 00:39:11 |
Compote was out a long time ago, |
| 00:39:13 |
You simply have to come earlier. |
| 00:39:16 |
- Listen, I will not be spoken to like that. |
| 00:39:23 |
A confession with obstacles. |
| 00:39:28 |
You know, maybe I also should have |
| 00:39:30 |
then disappear for three weeks. |
| 00:39:33 |
Perhaps then you would love me too. |
| 00:39:36 |
Do you actually love this person? |
| 00:39:37 |
- Yes. |
| 00:39:39 |
Finally admit to yourself |
| 00:39:43 |
Then you will also realize |
| 00:39:46 |
You think you love him because |
| 00:39:48 |
your vanity has been hurt. |
| 00:39:51 |
That's what I already try |
| 00:39:55 |
When I hear you speak |
| 00:39:58 |
how I could do things |
| 00:40:00 |
How is that possible? |
| 00:40:02 |
Because I cannot always |
| 00:40:06 |
But this is not the worst thing, actually. |
| 00:40:08 |
Much worse is that you |
| 00:40:12 |
But Alexander, you're my real friend! |
| 00:40:15 |
It is not that easy |
| 00:40:19 |
One easily becomes a tragic figure... |
| 00:40:22 |
or, what is even worse... a comic. |
| 00:40:25 |
One just had to be ruthless for once, |
| 00:40:30 |
and suddenly one would |
| 00:40:33 |
But one just isn't able to do that. |
| 00:40:36 |
Because one loves her. |
| 00:40:37 |
Believe me, Hanna, in a very short time |
| 00:40:41 |
and so I, I hope. |
| 00:40:43 |
- Good night. |
| 00:40:45 |
I'll write when I'm in Vienna, okay? |
| 00:40:48 |
And sleep well. |
| 00:40:50 |
I'll try! |
| 00:41:28 |
Hanna! |
| 00:41:31 |
How did you come here? |
| 00:41:34 |
Who let you in? |
| 00:41:35 |
Your girl of course! |
| 00:41:37 |
What's the matter? |
| 00:41:39 |
Not at all! |
| 00:41:42 |
Won't you sit down? |
| 00:41:44 |
You don't seem to be very happy |
| 00:41:48 |
- How are you? |
| 00:41:52 |
I see. |
| 00:41:55 |
Travelling again. |
| 00:41:58 |
- Ah. |
| 00:42:00 |
But today I came back, |
| 00:42:05 |
Yes? |
| 00:42:08 |
Speak... |
| 00:42:12 |
And so I thought, |
| 00:42:16 |
Well, how are you? |
| 00:42:22 |
Quite well... |
| 00:42:39 |
Hanna! What's the matter? |
| 00:42:42 |
Am I not allowed to give you a kiss? |
| 00:42:44 |
- You didn't ask then either. |
| 00:42:50 |
Hanna... |
| 00:42:52 |
I was looking forward |
| 00:42:56 |
aren't you glad at all? |
| 00:42:58 |
Sure... |
| 00:43:00 |
Sure I am glad that |
| 00:43:02 |
it once again occurred to you |
| 00:43:05 |
Hanna... I couldn't come any sooner. |
| 00:43:07 |
And you also could not call me. |
| 00:43:10 |
You couldn't write either. |
| 00:43:12 |
Now you no longer would have |
| 00:43:14 |
Best will be, you go. |
| 00:43:16 |
- Hanna! |
| 00:43:18 |
I took long me enough |
| 00:43:21 |
that you will never come back. |
| 00:43:22 |
Now I have reconciled myself with it. |
| 00:43:25 |
And now I ask you: Go. |
| 00:43:28 |
And what if I had written? |
| 00:43:30 |
But you didn't write! |
| 00:43:51 |
Military postal service |
| 00:43:53 |
Hanna, what will you |
| 00:43:57 |
But I am a pilot and I had to be back |
| 00:44:00 |
I didn't say anything because I |
| 00:44:03 |
Military postal service |
| 00:44:04 |
Hanna! |
| 00:44:07 |
I love you Hanna, |
| 00:44:11 |
I did not send it off |
| 00:44:14 |
that I would be here sooner |
| 00:44:17 |
- You are... |
| 00:44:21 |
And in those three weeks |
| 00:44:24 |
Even then I was here |
| 00:44:30 |
And... why didn't you |
| 00:44:34 |
I didn't want that, Hanna... |
| 00:44:36 |
I didn't want you to... |
| 00:44:42 |
I wanted you to... |
| 00:44:57 |
Towards the English Channel! |
| 00:44:59 |
English hunters... |
| 00:45:26 |
What's the matter with you?? |
| 00:45:28 |
He's a pilot, too. |
| 00:45:31 |
Who? |
| 00:45:33 |
He... |
| 00:45:35 |
How do you know? |
| 00:45:37 |
Did he now write you after all? |
| 00:45:41 |
He was with me for three days. |
| 00:45:43 |
Four weeks ago today. |
| 00:45:46 |
He came at that evening |
| 00:45:50 |
And since then? |
| 00:45:52 |
Since then... |
| 00:45:54 |
I live on his letters. |
| 00:45:57 |
Now he is in France. |
| 00:45:59 |
My life for love... oh yes. |
| 00:46:07 |
Hey Wendlandt! |
| 00:46:08 |
Say don't you want to hit |
| 00:46:12 |
Why do you turn it off, |
| 00:46:15 |
Tell me, Edgar, |
| 00:46:17 |
... I shall send her your greetings! |
| 00:46:19 |
No, I mean... |
| 00:46:20 |
when you arrive in Berlin, |
| 00:46:23 |
isn't it rather horrible, |
| 00:46:26 |
Nope, not at all. |
| 00:46:27 |
One enjoys oneself with somebody, |
| 00:46:29 |
one has a few little drinks, no... |
| 00:46:31 |
No, that's no fun to me anymore. |
| 00:46:32 |
I want to know |
| 00:46:35 |
That there's someone waiting for me, |
| 00:46:39 |
Listen, Wendlandt... |
| 00:46:42 |
next week I should pick up |
| 00:46:45 |
actually I don't feel like it. |
| 00:46:47 |
Why don't we talk with |
| 00:46:48 |
Cheers! |
| 00:46:54 |
Yah... |
| 00:46:58 |
- Hey!! |
| 00:47:02 |
- How's the heart, how's love? |
| 00:47:05 |
nah, that's downright |
| 00:47:07 |
- Why, did anything happen? |
| 00:47:09 |
she already wrote you, |
| 00:47:12 |
No... where has she gone? |
| 00:47:13 |
To an army concert in Paris! |
| 00:47:16 |
Paris? |
| 00:47:21 |
I believe for sure he will come, |
| 00:47:24 |
It's not even three hours |
| 00:47:26 |
Okay. Suppose your letter |
| 00:47:30 |
and he would really |
| 00:47:32 |
You would not believe |
| 00:47:34 |
One day with the person you love. |
| 00:47:37 |
Oh yes - I do believe that... |
| 00:47:40 |
but tell me - make yourself |
| 00:47:43 |
when he's not here. |
| 00:47:45 |
Happy? |
| 00:47:46 |
You know, I think one does not |
| 00:47:50 |
really loves. |
| 00:47:52 |
Have you also noticed this already... |
| 00:47:55 |
I mean... did you also... |
| 00:48:00 |
Too bad... so we directly |
| 00:48:03 |
- Couldn't you go back via Paris? |
| 00:48:07 |
I have to be back at my unit tomorrow. |
| 00:48:11 |
See, now you see it, |
| 00:48:16 |
But just how you feel now |
| 00:48:19 |
she's always waiting and waiting, |
| 00:48:23 |
no, practically always for nothing. |
| 00:48:26 |
Now you see for yourself |
| 00:48:35 |
I'm in the kitchen for a moment. |
| 00:48:53 |
Ah - hungry you are anyway, well, |
| 00:48:55 |
I already prepared something for you. |
| 00:48:58 |
You know... 'cause I have to go soon. |
| 00:49:01 |
'Cause my Max is here. |
| 00:49:03 |
Oh, Max? Since when do you have a Max? |
| 00:49:05 |
My Max... I already have him |
| 00:49:08 |
He's on leave. |
| 00:49:09 |
That's also why madam |
| 00:49:12 |
for the few days, because he |
| 00:49:15 |
That was nice of her, eh? |
| 00:49:17 |
How's your strong coffee admirer, |
| 00:49:19 |
who carried the whole family |
| 00:49:21 |
Oh, you mean Alfred? |
| 00:49:23 |
Oh he... nah. |
| 00:49:25 |
You know that was more like an ideal, |
| 00:49:30 |
Do you know how I mean it, I mean... |
| 00:49:32 |
I rather have my Max in my hand, |
| 00:49:36 |
Well then... that would be it. |
| 00:49:39 |
- So have a good time, Fräulein Käthe! |
| 00:49:42 |
that is... so alone, no... |
| 00:51:05 |
I know that I cannot be there |
| 00:51:08 |
that you will often have |
| 00:51:11 |
But I also know that I belong to you |
| 00:51:15 |
I love you, |
| 00:51:18 |
if you want to become my wife, |
| 00:51:20 |
I know, you want it. |
| 00:51:23 |
Frau Holberg, Herr Rudnitzky please! |
| 00:51:54 |
If at times my heart loves unhappily |
| 00:52:00 |
it is inexpressibly saddened with grief |
| 00:52:06 |
then I always think: |
| 00:52:10 |
I'm so alone! |
| 00:52:16 |
Where is someone |
| 00:52:22 |
So I sometimes yearningly craved. |
| 00:52:29 |
But, after a while |
| 00:52:34 |
and you realize: |
| 00:52:41 |
This is not the end of the world |
| 00:52:47 |
though it at times may look grey. |
| 00:52:51 |
One day it will be more colourful again, |
| 00:52:55 |
one day it will be heavenly blue again! |
| 00:52:59 |
If your world turns topsy-turvy |
| 00:53:03 |
and your head is spinning around |
| 00:53:06 |
this is not the end of the world, |
| 00:53:10 |
we still need it, after all, |
| 00:53:14 |
this is not the end of the world, |
| 00:53:18 |
we still need it, after all! |
| 00:53:21 |
This is not the end of the world, |
| 00:53:25 |
though it at times may look grey. |
| 00:53:28 |
One day it will be more colourful again, |
| 00:53:32 |
one day it will be heavenly blue again! |
| 00:53:35 |
If your world turns topsy-turvy |
| 00:53:39 |
and your head is spinning around |
| 00:53:42 |
this is not the end of the world, |
| 00:53:46 |
we still need it, after all, |
| 00:53:49 |
this is not the end of the world, |
| 00:53:54 |
cause we still need it, after all! |
| 00:54:07 |
Hello Wendlandt! |
| 00:54:09 |
You asked for a report - |
| 00:54:11 |
- I want to marry, Herr Major! |
| 00:54:13 |
We'll see. |
| 00:54:15 |
Thank you, Herr Major. |
| 00:54:17 |
Say... you seriously want to |
| 00:54:20 |
Yes, why, do you mind? |
| 00:54:24 |
- Some time ago I wanted to buy a necktie... |
| 00:54:26 |
So I searched all shop windows |
| 00:54:28 |
- but nowhere a tie that I liked. |
| 00:54:31 |
Suddenly I see one - |
| 00:54:34 |
well I immediately fell in love with it. |
| 00:54:35 |
I rush into the store, |
| 00:54:38 |
Ah, so you do talk of marriage. |
| 00:54:40 |
I'm talking of neckties. |
| 00:54:42 |
Well, and as I now walk back |
| 00:54:45 |
I made a terrible discovery. |
| 00:54:48 |
All other ties in the shop windows |
| 00:54:50 |
suddenly looked better to me than mine. |
| 00:54:52 |
In other words: |
| 00:54:55 |
No... I can understand you in a certain way |
| 00:54:56 |
I myself, after all, also bought that tie. |
| 00:54:58 |
But... I don't understand the necktie. |
| 00:55:01 |
Hanna? Oh, she didn't have |
| 00:55:05 |
What? She did not yet say Yes...? |
| 00:55:06 |
Ha, well, now I'm relieved! |
| 00:55:08 |
She will reconsider this ten times! |
| 00:55:09 |
No, Alexander, |
| 00:55:12 |
I will marry the man I love. |
| 00:55:14 |
That's my whole consideration. |
| 00:55:16 |
We will have a small house somewhere, |
| 00:55:18 |
not too far from Berlin, |
| 00:55:20 |
a real home, not just living here now |
| 00:55:24 |
And in this small house |
| 00:55:27 |
grow radishes, breed rabbits, |
| 00:55:30 |
wash diapers... |
| 00:55:32 |
that's how I always imagined your career.. |
| 00:55:34 |
But Alexander, can't you see |
| 00:55:35 |
Now he finally was in Berlin, |
| 00:55:38 |
But he needs someone who's always there |
| 00:55:42 |
- Well, but I do not need anyone. |
| 00:55:45 |
I know, I know ... |
| 00:55:47 |
I only act as if I were... unhappy... |
| 00:55:49 |
as an act of politeness. |
| 00:55:51 |
Now tell me, seriously: |
| 00:55:55 |
You don't even know this person |
| 00:55:56 |
you're going to tie yourself to |
| 00:55:58 |
But I will get to know him now! |
| 00:56:00 |
For three weeks we have time |
| 00:56:02 |
Three wonderful weeks. |
| 00:56:04 |
And we will marry.... |
| 00:56:06 |
Such an eve-of-the-wedding party |
| 00:56:09 |
Why? |
| 00:56:10 |
At the wedding, |
| 00:56:12 |
And the guests constantly have the feeling |
| 00:56:15 |
(Danish) |
| 00:56:17 |
Look, Mom, that's |
| 00:56:20 |
- A dog's picture? |
| 00:56:24 |
- Hm? |
| 00:56:27 |
- Well... he shall bring us good luck! |
| 00:56:30 |
What's that? |
| 00:56:33 |
No, but we still have |
| 00:56:35 |
It all should have happened so fast, |
| 00:56:40 |
They're building the scaffold |
| 00:56:42 |
You still have time until tomorrow |
| 00:56:45 |
- Don't you want to reconsider it? |
| 00:56:48 |
Next time I will |
| 00:56:57 |
What did Mom say? |
| 00:56:59 |
No, quite the opposite - she says, |
| 00:57:01 |
because I never had a proper home. |
| 00:57:03 |
Yes, tomorrow is the most duti... |
| 00:57:05 |
most beautiful day of my life. |
| 00:57:07 |
Why - didn't she like |
| 00:57:10 |
You're impossible! |
| 00:57:12 |
Smorrebrod... |
| 00:57:13 |
Yes, Mom brought it from Denmark! |
| 00:57:15 |
But still something missing - green salad! |
| 00:57:18 |
Ah, that would be ridiculous, |
| 00:57:20 |
I just thought, |
| 00:57:22 |
Ordinary? You Berliners |
| 00:57:24 |
I think I don't hear you right - |
| 00:57:26 |
So... just do not let yourselves |
| 00:57:29 |
And at eight precisely, |
| 00:57:32 |
All right, lady. |
| 00:57:35 |
Sure, what did you think of us. |
| 00:57:37 |
Just say - where did you get |
| 00:57:39 |
Because I'm so nervous! |
| 00:57:41 |
Because everything here |
| 00:57:45 |
I always thought you could only sing. |
| 00:57:47 |
You know - I have |
| 00:57:49 |
Yes, I've noticed. |
| 00:57:51 |
I also thought you could only fly... |
| 00:57:53 |
Not always (????) |
| 00:57:56 |
Earlier, when my husband was still alive, |
| 00:57:59 |
I spoke German very well |
| 00:58:02 |
- ..."forgotten"! |
| 00:58:06 |
Oh - oh, madam, |
| 00:58:09 |
Oh, please, please... |
| 00:58:12 |
It is eve of the wedding - |
| 00:58:15 |
The children? But madam, |
| 00:58:20 |
Ta-da! - mine is ready. |
| 00:58:23 |
(Danish) |
| 00:58:24 |
A serious struggle is carried out here. |
| 00:58:27 |
Yes, international match, |
| 00:58:28 |
2 - 0! |
| 00:58:31 |
Now wait, you didn't even try mine! |
| 00:58:33 |
Well, but now we want to go |
| 00:58:36 |
Yes - the congratulatory telegrams! |
| 00:58:42 |
Are you happy? |
| 00:58:44 |
Very much. And you? |
| 00:58:47 |
Now, Herr Etzdorf - |
| 00:58:48 |
please, you will read the telegrams. |
| 00:58:51 |
Telegrams... it's funny |
| 00:58:54 |
- Why? |
| 00:58:57 |
Well, yes, the wedding |
| 00:59:00 |
Beloved bride and bridegroom! |
| 00:59:03 |
I ask for your valued attention. |
| 00:59:09 |
- By the way, it will already start poetic. |
| 00:59:13 |
For us all comes the time, |
| 00:59:16 |
So good luck to you both, |
| 00:59:19 |
Ah! Uncle Peter seems to be |
| 00:59:23 |
Hanna and Paul Wendlandt, |
| 00:59:26 |
Sincerest congratulations. |
| 00:59:29 |
- What, that's all? |
| 00:59:30 |
Well, they didn't overstrain |
| 00:59:32 |
Perhaps they are still angry with you... |
| 00:59:34 |
Ah, would be immeasurably sad... |
| 00:59:36 |
A congratulatory telegram |
| 00:59:38 |
Immediately report... |
| 00:59:41 |
- Quit joking! |
| 00:59:45 |
- The telegram's official? |
| 00:59:46 |
- And it's already yesterday's! |
| 00:59:51 |
Wendlandt... |
| 00:59:54 |
but we have to leave this evening. |
| 00:59:56 |
This evening? |
| 00:59:58 |
- Yes. |
| 01:00:00 |
What is... I could not understand? |
| 01:00:03 |
- We must leave this very evening |
| 01:00:08 |
Where's Hanna? |
| 01:00:15 |
Eve-of-the-wedding! |
| 01:00:18 |
Break a thing, mend your luck! |
| 01:00:21 |
Long live the newlyweds! Hurray! |
| 01:00:23 |
Stop it! |
| 01:00:27 |
Is my wife upstairs? |
| 01:00:29 |
Yes, I think so, Herr Oberleutnant. |
| 01:00:36 |
Hanna...! |
| 01:00:37 |
Did you say "my wife"? |
| 01:00:40 |
Well - you are my wife, no? |
| 01:00:46 |
Hanna... |
| 01:00:47 |
I'll tell the workmen to stop, |
| 01:00:52 |
That can wait now... |
| 01:00:57 |
But tell me, where is the statement |
| 01:01:01 |
I thought it was here too, no? |
| 01:01:05 |
- Excuse me - do I disturb? |
| 01:01:10 |
- Alexander, I want to ask you something. |
| 01:01:13 |
- On the phone I somehow couldn't say it... |
| 01:01:15 |
Tell me - our guest performance in Rome, |
| 01:01:19 |
Of course - you didn't want to...? |
| 01:01:21 |
Yes... but I've changed my mind. |
| 01:01:24 |
Now, that my mother is gone... |
| 01:01:26 |
you know I can't sit around alone |
| 01:01:30 |
I need... |
| 01:01:35 |
Oh please Fräulein, wouldn't you rather |
| 01:01:38 |
Yes please, Herr Rudnitzky. |
| 01:01:41 |
...because Frau Holberg apparently |
| 01:01:44 |
Listen... I don't want |
| 01:01:47 |
Ah. So a brand new program too. |
| 01:01:50 |
This would have been the only number |
| 01:01:52 |
and ready for Rome. |
| 01:01:54 |
Tell me... how do you think |
| 01:01:56 |
Even if Mocelli still can insert our act - |
| 01:01:59 |
what I could possibly imagine - |
| 01:02:01 |
how should we create a new program |
| 01:02:04 |
Studying the songs, rehearsals |
| 01:02:07 |
that it's not that easy... |
| 01:02:11 |
Don't resent me for this, but |
| 01:02:13 |
to go to another rehearsal |
| 01:02:17 |
- Very fine grapes... do you want some? |
| 01:02:28 |
No, I didn't want this in the first place. |
| 01:02:28 |
you would pull yourself together |
| 01:02:30 |
In the past really all the best ideas |
| 01:02:33 |
And this time? |
| 01:02:35 |
your thoughts are heaven knows where... |
| 01:02:37 |
I mean, I know, where. |
| 01:02:38 |
Have a little patience |
| 01:02:40 |
Look, I will definitely |
| 01:02:43 |
We'll see. |
| 01:02:48 |
So here we are, Herr Director! |
| 01:02:51 |
Ah, very good, very good! |
| 01:02:55 |
What I wanted to ask, Herr Director... |
| 01:02:56 |
is Frau Holberg already in Rome? |
| 01:02:58 |
Signora Holberg is here for a long time... |
| 01:03:00 |
Oh how their hearts now beat, |
| 01:03:02 |
all are so excited, |
| 01:03:04 |
because they're so touched, |
| 01:03:06 |
today will be beautiful! |
| 01:03:08 |
Tralalalalalala, |
| 01:03:11 |
Tralalalalalala... |
| 01:03:15 |
Come on, we're accustomed to this, look. |
| 01:03:17 |
Be good, we have to rehearse, please. |
| 01:03:21 |
...there are so many dangers |
| 01:03:24 |
and yet every one is happy. |
| 01:03:25 |
Taralaa, taralaa, juchei |
| 01:03:37 |
... will lose everyone of them. |
| 01:03:40 |
The blue hussars are coming today |
| 01:03:42 |
juchei, and the girls are all delighted. |
| 01:03:44 |
There are so many dangers... |
| 01:03:46 |
Alexander, don't get mad at me, |
| 01:03:48 |
At a 300 miles per hour |
| 01:03:52 |
but not sing a chanson. |
| 01:03:54 |
Please go on, yes, |
| 01:03:56 |
Say... does he always treat Frau Holberg |
| 01:04:04 |
Here's the Variety. |
| 01:04:05 |
Oh please, would you be so kind |
| 01:04:08 |
Oh, momente momente, |
| 01:04:10 |
Tell them they should call |
| 01:04:13 |
It's very urgent, yes? |
| 01:04:18 |
The blue hussars are coming today |
| 01:04:20 |
juchei, and the girls are all delighted. |
| 01:04:22 |
There are so many dangers, dang... |
| 01:04:25 |
dangers, and yet... |
| 01:04:29 |
How dare you!! |
| 01:04:31 |
To hell with you! |
| 01:04:36 |
Prego, Maestro... stage manager says: |
| 01:04:40 |
Frau Holberg no telephone! |
| 01:04:42 |
And if from now on anyone |
| 01:04:44 |
Do you understand me? |
| 01:04:47 |
- I will smack that guy in the kisser! |
| 01:04:49 |
You should rather talk to her! |
| 01:04:55 |
Can't you make the animal |
| 01:04:59 |
Presto, presto! |
| 01:05:03 |
Ah, what's 'Ah' mean - |
| 01:05:08 |
Calm down... |
| 01:05:10 |
The blue hussars are coming today |
| 01:05:12 |
juchei, and the girls are all delighted. |
| 01:05:14 |
There are so many dangers, |
| 01:05:18 |
and yet every one is happy. |
| 01:05:20 |
Tralalala, love makes them all crazy. |
| 01:05:27 |
Tralalalalalala, |
| 01:05:31 |
Tralalalalalala, |
| 01:05:38 |
Signora Holberg! |
| 01:05:38 |
Signora Holberg are not to speak. |
| 01:05:41 |
- But yes, but ... |
| 01:05:43 |
But... |
| 01:05:44 |
But it is very important, the Signora |
| 01:05:48 |
Not to speak now! |
| 01:05:49 |
Well then, not, good. |
| 01:05:51 |
... now they will walk through the streets. |
| 01:05:54 |
Tralalalalalala, |
| 01:06:00 |
The blue hussars are coming today, |
| 01:06:04 |
There are so many dangers |
| 01:06:08 |
Taralaa taralaa juchei |
| 01:06:11 |
taralaa taralaa |
| 01:06:16 |
One kiss, one kiss, |
| 01:06:22 |
but their heart, and even more... |
| 01:06:28 |
My Käthe! |
| 01:06:30 |
Already at the hotel! |
| 01:06:31 |
- Hello! |
| 01:06:32 |
There you are! |
| 01:06:33 |
That's really nice of you |
| 01:06:35 |
Well, when you suddenly |
| 01:06:37 |
Yes man, I'm on leave |
| 01:06:40 |
Leave? |
| 01:06:42 |
He's here! He's already at the hotel, |
| 01:06:43 |
Don't get mad at me, |
| 01:06:49 |
That's it. |
| 01:06:51 |
Simply walks out on us, |
| 01:06:54 |
Like silly schoolboys! |
| 01:06:57 |
Listen, Herr..., you must not |
| 01:07:00 |
Otherwise... what then? |
| 01:07:03 |
- Otherwise, you may perhaps |
| 01:07:09 |
Oh, could it be you love her too, |
| 01:07:19 |
- Madam! |
| 01:07:20 |
- I just wanted to tell you... |
| 01:07:22 |
This Kapellmeister... |
| 01:07:24 |
- But Herr Vanloo... |
| 01:07:27 |
I was so happy to see you again! |
| 01:07:28 |
How true, it is indeed nice |
| 01:07:32 |
Farewell - my fiancée |
| 01:07:39 |
Now tell me - you look |
| 01:07:41 |
- Yes, I was in Berlin at the Scala then. |
| 01:07:46 |
You know Herr Alfred... |
| 01:07:48 |
One should not mourn |
| 01:07:51 |
I didn't do that either then - |
| 01:07:56 |
now always keep your feet |
| 01:08:04 |
Hello! |
| 01:08:05 |
Hanna? |
| 01:08:06 |
Well, I didn't expect |
| 01:08:09 |
Excuse me - it took me |
| 01:08:12 |
That you're here... |
| 01:08:15 |
- Now you have soap on your face! |
| 01:08:19 |
I immediately ran away from the rehearsal, |
| 01:08:22 |
Did you now finally get |
| 01:08:25 |
I didn't even know |
| 01:08:29 |
Oh, the rehearsals will soon be over, |
| 01:08:30 |
and after the premiere |
| 01:08:32 |
Listen, you know, we will of course |
| 01:08:35 |
Just outside the city there are |
| 01:08:37 |
outside, in Frasca. |
| 01:08:39 |
Well... in fact, we now could |
| 01:08:42 |
We quickly write for the papers! |
| 01:08:45 |
Or ... perhaps you do |
| 01:08:48 |
Why shouldn't I love you anymore? |
| 01:08:50 |
- If I were to ask you this... |
| 01:08:53 |
Well, I think you were very angry |
| 01:08:55 |
Angry? I was sad, desperate! |
| 01:08:59 |
If one is so close |
| 01:09:03 |
Excuse me. |
| 01:09:07 |
Wendlandt. |
| 01:09:10 |
You have become Hauptmann? |
| 01:09:12 |
- Yes please? |
| 01:09:16 |
Herr Hauptmann Becker has notified you? |
| 01:09:18 |
So I can have that place in the |
| 01:09:22 |
Yes... at four o'clock. |
| 01:09:25 |
Yes. Thank you very much. |
| 01:09:31 |
Yes, Hanna. |
| 01:09:33 |
Now, you probably already know... |
| 01:09:35 |
why it once again will come to |
| 01:09:41 |
- I have to go tonight... |
| 01:09:45 |
- I thought you're on leave? |
| 01:09:47 |
but I have to go anyway. |
| 01:09:49 |
Did you get an order? |
| 01:09:51 |
No... |
| 01:09:53 |
But... |
| 01:10:03 |
- But Hanna, you can't just run away |
| 01:10:06 |
- Tomorrow we can go on rehearsing. |
| 01:10:08 |
- He's already leaving tonight. |
| 01:10:09 |
Voluntarily - without order... |
| 01:10:21 |
What has happened, Herr Wendlandt - |
| 01:10:24 |
- Who are you? |
| 01:10:26 |
- Wendlandt. You already know me. |
| 01:10:29 |
I was hoping to make |
| 01:10:32 |
in a more pleasurable way. |
| 01:10:34 |
So do I, Herr Rudnitzky. |
| 01:10:36 |
What can I do for you? |
| 01:10:38 |
- I have a favour to ask you... |
| 01:10:40 |
Give Hanna some time to calm down. |
| 01:10:43 |
- I don't know how you come... |
| 01:10:46 |
I will tell you. |
| 01:10:49 |
I... |
| 01:10:50 |
I love this woman. |
| 01:10:53 |
I mean, I really love this woman. |
| 01:10:55 |
That does not interest me. |
| 01:10:56 |
But it must interest you |
| 01:10:58 |
since she knows you. |
| 01:10:59 |
That her whole career goes down the drain, |
| 01:11:03 |
I don't think of me now, |
| 01:11:06 |
... who I know for so many years. |
| 01:11:08 |
But you... you both |
| 01:11:10 |
This goes well beyond |
| 01:11:16 |
- Hanna? |
| 01:11:23 |
You must excuse me for |
| 01:11:28 |
I think I did not |
| 01:11:30 |
when are you going to leave? |
| 01:11:32 |
Tonight. |
| 01:11:37 |
And... without orders? |
| 01:11:39 |
Yes. |
| 01:11:40 |
I have met a comrade - |
| 01:11:44 |
who indicated to me |
| 01:11:47 |
made myself available |
| 01:11:48 |
I see... |
| 01:11:50 |
he "indicated" it. |
| 01:11:52 |
And why, if I may ask? |
| 01:11:55 |
He would not even tell me. |
| 01:11:57 |
Oh... so he just |
| 01:12:00 |
Yes, and he also got me |
| 01:12:03 |
And now you're just going - |
| 01:12:06 |
and I just have to put up |
| 01:12:08 |
Hanna! |
| 01:12:09 |
For every hour I'm not at my squadron |
| 01:12:12 |
another comrade has to stand in for me, |
| 01:12:14 |
and right now... |
| 01:12:15 |
Hanna...! |
| 01:12:17 |
I beg you, |
| 01:12:21 |
It's damned hard for me too... |
| 01:12:25 |
- But you do have to accept... |
| 01:12:28 |
I cannot bear it any more! |
| 01:12:30 |
What did you actually have to bear yet? |
| 01:12:32 |
The fact that I always |
| 01:12:34 |
- That our wedding had to be postponed? |
| 01:12:41 |
Ah... |
| 01:12:44 |
Just wait until they call you. |
| 01:12:46 |
You don't even know, |
| 01:12:49 |
Yes, I do know it. |
| 01:12:51 |
- I want to go, |
| 01:12:52 |
I beg you, don't try |
| 01:12:55 |
to dissuade me from my decision |
| 01:12:57 |
And I ask you to stay at least |
| 01:13:05 |
I thought you knew what it means |
| 01:13:38 |
- You don't have anything |
| 01:16:43 |
Frau Holberg please. |
| 01:18:12 |
... So Moscow has not only broken |
| 01:18:16 |
but betrayed them in a cowardly way. |
| 01:18:21 |
I have therefore decided today |
| 01:18:23 |
to put the fate and future |
| 01:18:29 |
back into the hands of our soldiers. |
| 01:18:43 |
Have you heard, Madam, |
| 01:18:45 |
have you heard? |
| 01:18:46 |
Yes... war with the Soviets. |
| 01:18:49 |
So that's why Herr Hauptmann |
| 01:18:52 |
I felt so very sorry about that. |
| 01:18:58 |
Rome, June 22, 1941 |
| 01:19:00 |
Beloved! |
| 01:19:02 |
Now I know why you wanted to leave. |
| 01:19:04 |
While you risk your life at any moment, |
| 01:19:06 |
I'm not even able to wait |
| 01:19:08 |
a few weeks, a few months |
| 01:19:11 |
- Writing to him, madam? |
| 01:19:14 |
But currently there's mail ban. |
| 01:19:17 |
Didn't you know? |
| 01:19:24 |
Tell me, Etzdorf... |
| 01:19:26 |
Did you ever have |
| 01:19:29 |
Do I give the impression? |
| 01:19:30 |
- At times... |
| 01:19:32 |
Machine ready to go, |
| 01:19:34 |
- Good. |
| 01:19:36 |
Well now don't ponder all |
| 01:19:38 |
It's all right, the way |
| 01:19:43 |
Look... my mother is long dead. |
| 01:19:45 |
I think she was the only woman |
| 01:19:49 |
And so I climb very lightly |
| 01:19:51 |
So... break a leg! |
| 01:20:16 |
I'll sing it to you, alright? |
| 01:20:18 |
It's not yet complete... |
| 01:20:20 |
The melody is... the words |
| 01:20:26 |
I know some day |
| 01:20:34 |
and then a thousand |
| 01:20:56 |
That's nice, Alexander... |
| 01:20:58 |
Lately, at night... |
| 01:21:01 |
We both have the same star |
| 01:21:04 |
and your destiny is also mine |
| 01:21:09 |
You are far away |
| 01:21:13 |
because our souls are one... |
| 01:21:21 |
Excuse me! |
| 01:21:23 |
A letter from him! |
| 01:21:27 |
I always knew |
| 01:21:29 |
It could not have been the end... |
| 01:21:42 |
Hanna! |
| 01:21:44 |
What's the matter, Hanna? |
| 01:21:54 |
Etzdorf is dead. |
| 01:21:56 |
They wanted to get me |
| 01:21:59 |
Earlier he told me |
| 01:22:02 |
it's all right the way it is, |
| 01:22:05 |
it's easier to climb |
| 01:22:08 |
From now on I will handle it |
| 01:22:10 |
I no longer want back... to you. |
| 01:22:14 |
But I'm not angry with you. |
| 01:22:16 |
Our wedding will never be. |
| 01:22:19 |
And this is a good thing, |
| 01:22:22 |
Take it easy... |
| 01:22:25 |
Paul |
| 01:23:12 |
Attention, Dora four... |
| 01:23:14 |
hit in oil pressure pipe... |
| 01:23:15 |
trying to clear out... |
| 01:23:45 |
How quiet it is here... |
| 01:23:48 |
and how beautiful... |
| 01:23:52 |
It was a good idea of you, |
| 01:23:56 |
Strange, this landscape... |
| 01:23:58 |
So endlessly cheerful, |
| 01:24:04 |
At times... |
| 01:24:07 |
at times I myself |
| 01:24:11 |
want to be dead. |
| 01:24:16 |
- Here you are... |
| 01:24:38 |
- Please... excuse me... the mail |
| 01:24:44 |
Thank you. |
| 01:25:05 |
May I? |
| 01:25:08 |
Oh, it's you. |
| 01:25:09 |
I brought your mail. |
| 01:25:11 |
Ah, these are just |
| 01:25:13 |
Do sit down! |
| 01:25:15 |
Well. |
| 01:25:18 |
What's the matter? |
| 01:25:23 |
- Well... |
| 01:25:27 |
Because of this you don't |
| 01:25:30 |
You're right... |
| 01:25:32 |
Actually, I even could be |
| 01:25:35 |
and now it could perhaps |
| 01:25:38 |
Especially today... |
| 01:25:40 |
My lawyer just wrote |
| 01:25:43 |
to the divorce. |
| 01:25:44 |
- All of a sudden? |
| 01:25:46 |
I threw my publishing house |
| 01:25:48 |
With money it suddenly worked. |
| 01:25:49 |
Alexander - your music publisher? |
| 01:25:52 |
What of it! |
| 01:25:54 |
I'm free now... |
| 01:25:57 |
though I do not quite know yet... |
| 01:25:59 |
for what... |
| 01:26:02 |
...or do I? |
| 01:26:06 |
Won't you allow me this small hope, hm? |
| 01:26:09 |
It will be later some day! |
| 01:26:11 |
This very small... |
| 01:26:13 |
hope... |
| 01:26:15 |
Hauptmann Wendlandt crashed -- |
| 01:26:17 |
No, Alexander. |
| 01:26:20 |
You know, I always think, |
| 01:26:22 |
He does not really mean it |
| 01:26:25 |
He only wrote that |
| 01:26:28 |
No, Hanna! |
| 01:26:33 |
Hanna... |
| 01:26:35 |
So do you still not feel that |
| 01:26:38 |
If he came back to you today, |
| 01:26:39 |
it would be just as unhappy |
| 01:26:41 |
If he came back to me today, |
| 01:26:43 |
I would wait weeks, months |
| 01:26:47 |
Didn't you say yourself |
| 01:26:48 |
One hour of happiness |
| 01:26:51 |
For all sorrow? |
| 01:26:55 |
That's what I said, yes... |
| 01:27:00 |
What have you got there - |
| 01:27:04 |
No... |
| 01:27:06 |
a Scala offer... |
| 01:27:08 |
...for January. |
| 01:27:19 |
Hanna, I think it's time |
| 01:27:31 |
If I had to live without hope, |
| 01:27:35 |
if I had to believe |
| 01:27:40 |
that there will be |
| 01:27:44 |
oh, that would be hard. |
| 01:27:48 |
If I would not know in my heart |
| 01:27:52 |
that one day you will |
| 01:27:57 |
life would be without |
| 01:28:01 |
but I know more. |
| 01:28:05 |
I know some day |
| 01:28:14 |
and then a thousand |
| 01:28:22 |
I know no love |
| 01:28:31 |
that's so great and so wonderful. |
| 01:28:39 |
We both have the same star |
| 01:28:43 |
and your destiny is also mine. |
| 01:28:47 |
You are far away |
| 01:28:51 |
because our souls are one. |
| 01:28:56 |
And that is why some day |
| 01:29:12 |
and I know |
| 01:29:53 |
- So beautiful... |
| 01:29:55 |
Please read this. |
| 01:29:57 |
- That can wait. |
| 01:30:00 |
- What is it? |
| 01:30:12 |
He will get well again. |
| 01:30:15 |
I go to him, this very night. |
| 01:30:37 |
When are you coming back? |
| 01:30:39 |
Never. |
| 01:30:46 |
Sad? |
| 01:30:50 |
Swindle. |
| 01:30:52 |
But I thank you. |
| 01:31:05 |
Herr Hauptmann, you have a visitor. |
| 01:31:17 |
Hanna... |
| 01:31:20 |
You... |
| 01:31:31 |
Didn't I always tell you |
| 01:31:35 |
Three times they hit me, |
| 01:31:37 |
get three weeks |
| 01:31:39 |
Three - one for each week!! |
| 01:31:41 |
- Three weeks? |
| 01:31:44 |
So perhaps we could try |
| 01:31:51 |
Three weeks - and then? |
| 01:32:02 |
Yes? |
| 01:32:13 |
The End |
