Direct Contact
|
00:02:41 |
You think you're a big shot. |
00:02:44 |
Don't you? |
00:02:46 |
You... |
00:02:49 |
Nope. |
00:03:00 |
You've been nine months here. |
00:03:03 |
Well I'm sorry. |
00:03:13 |
Are you stupid? |
00:03:17 |
Well that's |
00:03:23 |
I should kill |
00:03:27 |
Well what are |
00:03:45 |
That's no way |
00:05:58 |
Visitor. |
00:06:21 |
You don't look too good, |
00:06:25 |
I'm Clive Connelly. |
00:06:27 |
at the American Embassy |
00:06:29 |
I'm here to help you. |
00:06:31 |
Well, I've been here for |
00:06:37 |
The American government's |
00:06:39 |
an ex-Special Forces |
00:06:41 |
locked up |
00:06:43 |
- You fucked up. |
00:06:47 |
Mike, I hope you don't mind |
00:06:49 |
'cause I understand |
00:06:52 |
You think you're special. |
00:06:55 |
Obviously you're wrong |
00:06:58 |
So get to your point. |
00:06:59 |
Well... |
00:07:02 |
you're a permanent resident |
00:07:04 |
of the worst fuckin' prison |
00:07:06 |
You owe a lot of money |
00:07:08 |
to a couple 'a very |
00:07:11 |
You stay in here much longer |
00:07:14 |
You're a dead man |
00:07:16 |
Unless what? |
00:07:18 |
I got a proposition for you. |
00:07:21 |
One that could |
00:07:23 |
with a hundred thousand dollars |
00:07:27 |
We have a complex situation. |
00:07:29 |
One that's a little too |
00:07:31 |
for us to be directly involved in. |
00:07:34 |
An American citizen |
00:07:38 |
She's been held |
00:07:40 |
at a compound |
00:07:42 |
By this man. Vlado Karadjov. |
00:07:45 |
Calls himself a warlord. |
00:07:47 |
So why didn't you go |
00:07:50 |
I guess diplomacy failed. |
00:07:52 |
The fuck wanted money. |
00:07:53 |
The American government |
00:08:01 |
All right. |
00:08:03 |
I'll get you the girl, but, |
00:08:05 |
it's gonna cost you |
00:08:09 |
Fine. |
00:08:11 |
- When do I get my money? |
00:08:15 |
The rest when you deliver the girl. |
00:08:17 |
Twenty now. |
00:08:20 |
I just happen... |
00:08:22 |
Now, my number is on speed dial |
00:08:27 |
And this is a list of people |
00:08:31 |
There could be one problem. |
00:08:34 |
The girl might resist. |
00:08:36 |
What do you mean? |
00:08:37 |
One of our negotiators |
00:08:39 |
He got the impression that she... |
00:08:41 |
was developing sympathy |
00:08:43 |
Which isn't that uncommon |
00:08:44 |
when you've been kept |
00:08:50 |
We think the first guy |
00:08:52 |
Zoran Posternoff. |
00:08:54 |
He runs a nightclub |
00:08:56 |
Club Thirty-three. I know. |
00:09:25 |
Where's Zoran? |
00:09:58 |
Riggins. |
00:09:59 |
What the hell |
00:10:02 |
Business. |
00:10:04 |
Business? Sit down. |
00:10:10 |
Business? |
00:10:15 |
I got ten right here. |
00:10:17 |
- And? |
00:10:21 |
- How? |
00:10:27 |
Why? |
00:10:30 |
He's holding an American |
00:10:34 |
Take my advice. |
00:10:37 |
Karadjov has powerful allies. |
00:10:39 |
Nobody fucks with him |
00:10:43 |
Nobody. |
00:10:54 |
- So where can I find him? |
00:10:59 |
Wait here. |
00:11:02 |
I'm gonna see |
00:11:04 |
Okay? |
00:11:15 |
Hi. You want a drink? |
00:11:18 |
You read my mind. |
00:11:21 |
- Make it big. |
00:11:24 |
You're American, |
00:11:27 |
Well, that depends on you two. |
00:11:36 |
Here's to having a good time. |
00:11:40 |
You are coming with us. |
00:11:54 |
Hold him down. |
00:11:59 |
You still owe me ten. |
00:12:05 |
Nice to see you haven't changed. |
00:12:08 |
Get him out of here. |
00:12:10 |
Move. |
00:12:24 |
What are you doing in my city? |
00:12:27 |
I'm here about a woman. |
00:12:30 |
What woman? |
00:12:32 |
Ana Gale. |
00:12:35 |
How much? |
00:12:37 |
What do you mean? |
00:12:39 |
Each time someone |
00:12:42 |
Only not big enough. |
00:12:44 |
How much this time? |
00:12:46 |
Nothin'. |
00:12:49 |
Nothing? |
00:12:52 |
Nothing. |
00:12:54 |
Her family wants her back. |
00:12:56 |
If you come here again, |
00:12:58 |
I am not going |
00:13:01 |
See, I don't like guns. |
00:13:06 |
You shoot people, |
00:13:17 |
Okay. We're through. |
00:13:42 |
- What else you got? |
00:13:45 |
You got the Gloc |
00:13:47 |
that can open a hole inside |
00:13:49 |
Baretta ninety-two |
00:13:51 |
Also, AK-forty-seven |
00:13:55 |
Uh, titanium hull points. |
00:13:57 |
What else you can |
00:13:58 |
How about some |
00:14:00 |
some stun grenades. |
00:14:02 |
C-four. |
00:14:03 |
Are you going to fight |
00:14:06 |
And some remote bomb triggers. |
00:14:08 |
Whatever. |
00:14:10 |
Well, I got an appointment |
00:14:13 |
- Are you crazy? |
00:14:15 |
Have you picked out |
00:14:17 |
He lives in a military base. |
00:14:19 |
He's friends with General Drago. |
00:14:21 |
The Butcher of Sobrewsky, he |
00:14:24 |
Oh, I know. |
00:14:26 |
You don't have chance. Oh. |
00:14:32 |
Where is that base? |
00:17:56 |
Mama, Mama. |
00:18:22 |
Vlado. |
00:18:24 |
- General Drago |
00:20:22 |
Don't be scared. |
00:20:26 |
Let's try that again. |
00:20:27 |
I'm here to rescue you. |
00:20:29 |
You're goin' home. |
00:20:32 |
You won't scream? |
00:20:34 |
Are you sure? |
00:20:36 |
Help. Help. |
00:21:35 |
Let go. |
00:22:39 |
Get in. |
00:23:55 |
Come on. |
00:23:56 |
Let me go. |
00:23:58 |
Hey, you gonna stop fighting, |
00:24:01 |
No. |
00:24:03 |
Okay. |
00:24:06 |
- Don't you dare. |
00:24:33 |
Let me go. |
00:24:36 |
Let me out of here. |
00:24:38 |
Let me out of here. Let me go. |
00:24:42 |
You son of a bitch. |
00:24:45 |
Let me out of here. |
00:24:53 |
I could have been killed. |
00:24:55 |
You gonna try to run again? |
00:24:57 |
No. |
00:25:05 |
Who the hell |
00:25:07 |
Well, I'm here to get you away |
00:25:10 |
What kidnappers? |
00:25:13 |
Vlado Karadjov. |
00:25:14 |
I wasn't kidnapped. |
00:25:18 |
- You weren't? |
00:25:21 |
You weren't drugged |
00:25:22 |
What? No. |
00:25:25 |
Well, why were you |
00:25:27 |
Because I wanted to be. |
00:25:29 |
I work for a health organization. |
00:25:32 |
I came here two years ago |
00:25:35 |
Once we got it under control... |
00:25:37 |
he made me an offer to take care |
00:25:40 |
Look. Somethin' isn't right here. |
00:25:43 |
What's not right |
00:25:46 |
My information says you |
00:25:48 |
Well you'd better check |
00:25:50 |
because I'm going to the police, |
00:25:51 |
- and I'm going to talk... |
00:25:52 |
for a second so I could think. |
00:25:58 |
All right. I'm gonna take you to |
00:26:01 |
Why? |
00:26:02 |
Because they're payin' me |
00:26:04 |
Paying you? |
00:26:05 |
I was at the Embassy five |
00:26:09 |
All right, well, |
00:26:11 |
I can't go back without you, so... |
00:26:13 |
you're comin' with me. |
00:26:15 |
Hey. Stay quiet. |
00:27:34 |
Sit. |
00:27:48 |
Good morning, |
00:27:49 |
How may I direct your call? |
00:27:51 |
Mike Riggins for |
00:27:54 |
- Are you sure, sir? |
00:27:56 |
attach? for you guys. |
00:27:58 |
I'll check for you, sir. |
00:28:01 |
- Hello, sir? |
00:28:03 |
There's no one |
00:28:06 |
What, did you check |
00:28:08 |
Yes sir. |
00:28:12 |
No Clive Connelly? |
00:28:13 |
Nope. I'm sorry, sir. |
00:28:19 |
- Hello? |
00:28:21 |
Yeah, I called the Embassy. |
00:28:24 |
Mike, let me explain. |
00:28:26 |
Explain what? |
00:28:28 |
Mike, Clive Connelly's |
00:28:30 |
What are you talkin' about? |
00:28:31 |
It's an alias I use. I told you this |
00:28:34 |
This is bullshit. |
00:28:36 |
She's... she was... |
00:28:39 |
Mike. She's been brainwashed. |
00:28:40 |
She lives in a Army camp |
00:28:42 |
She's become sympathetic |
00:28:44 |
- I told you that. |
00:28:46 |
Ask her her name. |
00:28:48 |
- Go ahead. Ask her her name. |
00:28:50 |
- My name? |
00:28:52 |
Ana Gale. |
00:28:55 |
Ana Gale. |
00:28:56 |
She's lying. |
00:28:59 |
Well what does that prove? |
00:29:00 |
It proves that in her state |
00:29:02 |
Well, neither can you. |
00:29:04 |
How do I know who |
00:29:05 |
Come on, Mike. |
00:29:07 |
you outta prison... |
00:29:11 |
What? What's he saying? |
00:29:13 |
I'll tell you what. |
00:29:15 |
and I'll prove to you everything |
00:29:18 |
Mike, where are you now? |
00:29:21 |
- Somewhere close. |
00:29:22 |
Now listen. There's a reservoir |
00:29:25 |
No, no. A public place. |
00:29:27 |
The Town Center Main Plaza in... |
00:29:31 |
Okay. Bring the girl, all right? |
00:29:33 |
Just bring the money. |
00:29:37 |
- Prick. |
00:29:41 |
He said your real |
00:29:45 |
That was my birth name. |
00:29:46 |
So why'd you lie about that? |
00:29:48 |
I took my mother's maiden name |
00:29:51 |
I don't care anymore. |
00:29:52 |
I'm gonna see that guy, |
00:29:54 |
find out what the problem is. |
00:29:55 |
- And me? |
00:29:58 |
Fine. |
00:30:05 |
What the hell? |
00:30:10 |
- No. |
00:31:20 |
- Mike. |
00:31:22 |
to give me my money. |
00:31:23 |
- It's not necessary. |
00:31:26 |
What are you talking about? |
00:31:27 |
Call them off, |
00:31:29 |
- They're there for our protection. |
00:31:32 |
- Seven. Six. Five. |
00:31:35 |
All units stand down. |
00:31:39 |
- Where's my money? |
00:31:42 |
Somewhere safe. |
00:31:44 |
You should have brought |
00:31:46 |
You must be fuckin' jokin'. |
00:31:48 |
Look, maybe we got off |
00:31:50 |
I should have been more |
00:31:52 |
- But the situation... |
00:31:54 |
I wanna know who the fuck |
00:31:56 |
I work for the U.S. government. |
00:31:58 |
It's a special division of the C.I.A. |
00:32:00 |
That's why I was able to work |
00:32:03 |
Why? |
00:32:04 |
- We want the girl. |
00:32:07 |
Yes, I know that. |
00:32:10 |
Well, who is she? |
00:32:12 |
That's none 'a your business. |
00:32:15 |
Well, I wanna see |
00:32:17 |
Mike, I'm prepared to offer |
00:32:20 |
if you just give the girl |
00:32:22 |
Well, that sounds like |
00:32:24 |
I think I have a better one. |
00:32:27 |
What the fuck is wrong |
00:32:29 |
Drago wants you dead, |
00:32:31 |
You have nowhere to go. |
00:32:33 |
Maybe if I bring her back, |
00:32:35 |
Sit down, Mike. |
00:32:37 |
- Sit down. |
00:32:39 |
You'll never find her. |
00:33:01 |
Move it, hurry. |
00:33:08 |
Now. Stay on him. |
00:33:24 |
He's on a black bike. |
00:33:27 |
Keep an eye out for the girl. |
00:33:34 |
Connelly, |
00:33:49 |
That jackass. Where the hell |
00:34:01 |
Drago. |
00:34:10 |
...at the Square |
00:35:01 |
Do not lose that son of a bitch, |
00:35:19 |
...innocent. |
00:36:23 |
Mr. Robbins? |
00:36:27 |
Clive Connelly |
00:36:29 |
About time. |
00:36:30 |
- What do you have for me? |
00:36:33 |
What do you mean |
00:36:35 |
I hear Ana's not |
00:36:38 |
- Yeah, that's right. |
00:36:42 |
There's no problem. |
00:36:43 |
Don't worry about it. |
00:36:46 |
No, Clive, you don't. |
00:36:48 |
Because if you did, |
00:36:52 |
What if this guy goes AWOL and... |
00:36:53 |
decides to cross |
00:36:55 |
General Drago, |
00:36:56 |
who controls the border, |
00:36:58 |
Riggins won't get across it. |
00:37:00 |
Well, that better be |
00:37:03 |
I've got a lot on the line here. |
00:37:09 |
See what you can find out |
00:37:12 |
Right away, sir. |
00:37:16 |
All right. We're gettin' out. |
00:37:21 |
Damn it. |
00:37:31 |
Drago, we need to talk. |
00:37:32 |
When I find that |
00:37:34 |
I'm gonna kill him. |
00:37:36 |
Not likely. |
00:37:40 |
Riggins is very, |
00:37:42 |
General, the guy walked |
00:37:44 |
blew the place to shit, |
00:37:46 |
Excuse me. What are you saying, |
00:37:49 |
No, I'm saying |
00:37:50 |
who the fuck you're dealing with. |
00:37:52 |
The American I'll kill for free. |
00:37:55 |
What do you propose for the girl? |
00:37:57 |
It's a hundred thousand dollars |
00:38:00 |
You can do whatever |
00:38:02 |
But I get the girl. |
00:38:04 |
Volker just may have |
00:38:06 |
Fuck Vlado. |
00:38:09 |
He brought the girl to your camp |
00:38:10 |
without considering |
00:38:12 |
General, you work for me. |
00:38:14 |
You do what I need to have done... |
00:38:17 |
four hundred thousand dollars |
00:38:21 |
Deal. |
00:38:27 |
They're at a train station. |
00:39:00 |
How do I get to Clogdale? |
00:39:02 |
The Ested departs |
00:39:04 |
Where do you think you're goin'? |
00:39:06 |
Let go of me. |
00:39:07 |
No you're not. |
00:39:10 |
but I'm not |
00:39:12 |
Okay. Let's go. |
00:39:15 |
- How did you find me? |
00:39:25 |
Just get on. |
00:40:18 |
So how come everyone's |
00:40:20 |
I have no idea. |
00:40:23 |
I don't. |
00:40:28 |
There's somethin' |
00:40:30 |
Look, why don't you ask your |
00:40:32 |
He already told me. |
00:40:34 |
And you believe that? |
00:40:47 |
Great. |
00:41:04 |
Get down. |
00:41:14 |
Look. |
00:41:52 |
Come on. |
00:41:58 |
Come on. |
00:42:09 |
Come on. |
00:42:25 |
Do not shoot the girl. |
00:42:55 |
Come on. |
00:43:07 |
The American, where did he go? |
00:43:12 |
Where is he? |
00:43:27 |
There they go, |
00:43:36 |
Come on. |
00:43:39 |
Get in the back. |
00:43:59 |
Get down. |
00:44:24 |
- Hang on. |
00:44:58 |
No, please, I'm stuck. |
00:45:01 |
You all right? Okay. |
00:46:02 |
Where are we going? |
00:46:17 |
Sit down. |
00:46:29 |
Two coffees, please. |
00:46:32 |
were ex last seen |
00:46:35 |
G one zero eight eight F H. |
00:46:39 |
Again, American Michael Riggins |
00:46:41 |
is considered armed |
00:46:44 |
Ana Robbins is the daughter |
00:46:47 |
Alister Robbins... |
00:46:50 |
who passed away last week... |
00:46:53 |
Ana has been missing |
00:46:56 |
Six months ago, |
00:46:57 |
her father offered |
00:47:00 |
for her safe return. |
00:47:02 |
You're Alister Robbin's daughter? |
00:47:06 |
Well, that explains a few things, |
00:47:15 |
Look, I'm sorry. |
00:47:17 |
- For what? |
00:47:19 |
- Forget it. I despise him. |
00:47:23 |
Well, because he had |
00:47:24 |
my mother and got her pregnant. |
00:47:26 |
But he never wanted |
00:47:29 |
She loved him |
00:47:31 |
I hated him. |
00:47:36 |
Well it's a lotta money to give up. |
00:47:38 |
I don't care about that. |
00:47:41 |
I never saw him again. |
00:47:43 |
- Well, look, Ana. |
00:48:05 |
And, uh, I- I'd like to... |
00:48:10 |
Um... Oh- okay, |
00:49:11 |
- Out. |
00:49:17 |
Mike. |
00:49:19 |
Get in. |
00:49:37 |
- They're everywhere. |
00:49:42 |
- How much? |
00:49:45 |
To take me in. |
00:49:48 |
Not enough. |
00:49:50 |
And if you don't? |
00:49:53 |
- You're shot. |
00:49:55 |
Are you sure? It looks... |
00:49:58 |
Yeah. I'm okay. |
00:50:24 |
Just wait here. |
00:50:47 |
No, but others have tried. |
00:50:49 |
People are trying to kill us. |
00:51:03 |
Hold still, okay? |
00:51:10 |
Sorry. It just grazed you. |
00:51:15 |
Lucky Mike. |
00:51:22 |
Good as new. |
00:51:24 |
Who'd you call? |
00:51:26 |
Don't lie to me. |
00:51:28 |
A friend. Someone I can trust |
00:51:31 |
Well how do you know |
00:51:34 |
The same way |
00:51:40 |
Sir... |
00:51:42 |
we got a problem. |
00:51:45 |
- What do you mean? |
00:51:47 |
Take a look at this. |
00:51:51 |
Michael Riggins. |
00:51:53 |
Ex-Marine Corps. |
00:51:59 |
Honorable discharge. |
00:52:01 |
Prison time. |
00:52:03 |
Solitary. |
00:52:05 |
Guy is a goddamn |
00:52:09 |
This is worse than we thought. |
00:52:12 |
Get me a flight to Gourna. |
00:52:38 |
Hey. Come here. |
00:52:39 |
It'll be all right. Come on. |
00:53:08 |
Vlado. |
00:53:11 |
Ana. |
00:53:13 |
- I knew it. |
00:53:15 |
Yeah. Sure. |
00:53:26 |
Are you all right, Ana? |
00:53:27 |
I'm fine. |
00:53:32 |
You have caused me |
00:53:35 |
- I'm sorry to hear that. |
00:53:38 |
- They're trying to kill us. |
00:53:40 |
I will take you |
00:53:45 |
I'll take care of her. |
00:53:49 |
Well, I'm still comin' with you. |
00:53:51 |
I have some unfinished business. |
00:55:51 |
Vlado. |
00:56:36 |
Well, why am I not surprised? |
00:56:40 |
Time to show you the money, |
00:56:46 |
I assume we still have a deal. |
00:56:48 |
Not that you have much choice |
00:56:55 |
Pick it up and walk away. |
00:56:58 |
- What about Ana? |
00:57:01 |
I promise. |
00:57:04 |
Take the car. |
00:57:07 |
- Vlado wont need it. |
00:57:11 |
What are you doing? |
00:57:15 |
Everything'll be fine. |
00:57:27 |
So it really |
00:57:31 |
Bastard. |
00:57:40 |
Don't worry. |
00:57:49 |
Well, Princess. |
00:57:51 |
What do you want? |
00:57:55 |
Your father was either |
00:57:59 |
or he felt guilty about... |
00:58:00 |
fucking your mother |
00:58:03 |
What are you talking about? |
00:58:05 |
He left the controlling interest |
00:58:09 |
You must be kidding. |
00:58:10 |
I have no interest |
00:58:13 |
That's good. |
00:58:16 |
Then you won't have any trouble |
00:58:19 |
It's a pre-notarized |
00:58:22 |
of your controlling interest |
00:58:24 |
So all's it needs |
00:58:28 |
Transfer to who? |
00:58:30 |
- Your uncle, Trent Robbins. |
00:58:34 |
He's behind all this? |
00:58:35 |
He's your father's brother. |
00:58:37 |
Somebody has to run |
00:58:40 |
No, this is all wrong. |
00:58:43 |
What do you care? |
00:58:44 |
- Just sign the fuckin' paper. |
00:58:52 |
You stupid bitch. |
00:58:55 |
No. |
00:59:01 |
You are either |
00:59:04 |
or I'm gonna have little pieces |
00:59:06 |
Do you understand me? |
00:59:27 |
Where the fuck |
00:59:46 |
He saved us. |
00:59:49 |
I'm sorry. He was a good man. |
01:00:02 |
Drago, he's heading |
01:00:04 |
- Cut him off. |
01:00:42 |
One down. |
01:00:49 |
Watch out. |
01:01:14 |
There they are. Keep on 'em. |
01:01:25 |
Hang on. |
01:01:37 |
Cut them off. |
01:01:40 |
Get on 'em. |
01:02:12 |
They're getting close. |
01:02:30 |
Stay with them. |
01:03:20 |
Shit. |
01:03:29 |
Watch out. |
01:03:41 |
There they are. Keep on 'em. |
01:03:43 |
Right there. |
01:03:48 |
Shoot, now, now. |
01:03:55 |
How the hell |
01:03:59 |
Connelly. |
01:04:13 |
Where the hell are they? |
01:04:17 |
Goddamn it, we lost 'em. |
01:04:19 |
We gotta return to base now. |
01:04:52 |
Oh. Shit. |
01:04:55 |
Well, I guess that's it. |
01:04:59 |
Well, let's go. |
01:05:01 |
Come on. |
01:05:19 |
Well, I guess these are the best |
01:05:24 |
As long as there's no bed |
01:05:43 |
There you go. |
01:05:47 |
That'll have to do. |
01:05:49 |
Thank you |
01:05:53 |
Why'd you do it? |
01:05:55 |
Beats the hell outta me. |
01:06:03 |
How did you end up here |
01:06:11 |
The Marine Corps. |
01:06:15 |
I was in Kosovo. |
01:06:19 |
Saw things in that war |
01:06:24 |
So I came here. |
01:06:26 |
To do what? |
01:06:28 |
Transporter of high tech stuff. |
01:06:31 |
You mean a weapons smuggler? |
01:06:33 |
Not exactly. |
01:06:35 |
I was bringing weapons |
01:06:40 |
Maybe it was my way |
01:06:45 |
And you got caught? |
01:06:48 |
Yeah. |
01:06:52 |
And now you're just |
01:06:59 |
I was. |
01:07:16 |
Are we gonna make it? |
01:07:20 |
I don't know. |
01:07:24 |
It doesn't look too good. |
01:07:27 |
Every road from here to Luka's |
01:07:32 |
Isn't there some other place |
01:07:36 |
You don't run from |
01:07:39 |
You'll just make it easier for him |
01:07:44 |
Let's get some rest. |
01:07:47 |
I'll take the first watch. |
01:07:57 |
At least I'll die rich. |
01:08:03 |
- What are you doin' up? |
01:08:06 |
How's your wound? |
01:09:07 |
Where is he? |
01:09:08 |
He's gone under for now, |
01:09:11 |
This is the most insane |
01:09:13 |
Where's Drago now? |
01:09:14 |
I've got every one |
01:09:17 |
This guy has more brains |
01:09:18 |
and guts than all |
01:09:21 |
If you had paid Drago the money |
01:09:23 |
he wanted for the girl to start... |
01:09:24 |
with none 'a this |
01:09:26 |
From now on, |
01:09:28 |
I mean, anything without |
01:09:52 |
Hey. |
01:09:54 |
Wow. |
01:09:56 |
What happened last night? |
01:10:00 |
The best thing to happen to me |
01:10:13 |
I don't care who you are. |
01:10:15 |
I'm just damn glad I met you. |
01:10:21 |
We need to find |
01:11:24 |
Well, let's hit the road. |
01:11:44 |
Hang on. |
01:11:46 |
Police are tellin' me |
01:11:47 |
from a farm twenty kilometers |
01:11:49 |
- by a man and a woman. |
01:11:52 |
The Board'll give me full |
01:11:54 |
within thirty days |
01:11:58 |
Kill 'em both. |
01:12:09 |
Three miles to the Embassy. |
01:12:12 |
They know we |
01:12:14 |
Relax. |
01:12:17 |
Yes sir. |
01:12:34 |
Here we go. |
01:13:00 |
Buckle up. |
01:13:28 |
Oh, shit. |
01:13:52 |
Take the wheel. |
01:14:24 |
Good. |
01:14:32 |
Sir, we got an unidentified vehicle |
01:14:35 |
inbound at a high rate of speed. |
01:14:49 |
Terrorist attack. |
01:14:51 |
Take your positions. |
01:15:08 |
Fire. |
01:15:18 |
- What are they doing? |
01:15:21 |
Stay down. Get down. |
01:16:02 |
Let's go. |
01:16:25 |
Come on. |
01:16:42 |
All right. |
01:16:44 |
Get down over there. |
01:17:15 |
Ana. |
01:17:17 |
Come on out, okay, kitten. |
01:17:20 |
- Uncle Trent. |
01:17:45 |
Fire. |
01:17:57 |
I'm not gonna ask you again. |
01:18:00 |
Come out, Ana. |
01:18:09 |
Fuck me. |
01:18:49 |
Ana. |
01:19:00 |
- Take the second floor. |
01:19:21 |
Ana. |
01:19:23 |
Ana. |
01:19:26 |
Where are you? |
01:20:08 |
Ana. |
01:20:09 |
Uncle Trent. You bastard. |
01:20:13 |
Come on, kitten. |
01:20:14 |
Everything's gonna be all right. |
01:20:16 |
You liar, you've been trying |
01:21:23 |
Ana. |
01:21:25 |
Ana. Come on, Ana. |
01:21:28 |
I'm not gonna hurt you. |
01:23:30 |
Shit, God. Oh, shit, Mike. |
01:23:34 |
Oh, shit. Mike. |
01:23:37 |
Listen, I got a lotta money. |
01:23:38 |
There's a lot more money. |
01:23:40 |
A lot. I'll give it all to you. |
01:23:47 |
You'll never live long enough. |
01:24:07 |
Ana? |
01:24:10 |
Listen to me like you've |
01:24:14 |
I want you to call Ana now. |
01:24:18 |
You gonna talk me to death? |
01:24:20 |
Have it your way. |
01:24:30 |
I don't believe... |
01:24:50 |
- Are you okay? |
01:24:53 |
That one didn't graze me. |
01:24:56 |
Still lucky Mike. |
01:25:00 |
Yeah. |
01:25:08 |
Oh, God. |
01:25:11 |
U.S. Marines. Stop right there. |
01:25:15 |
Let me get those hands. |
01:25:23 |
God bless America. |
01:25:25 |
All right boys. |
01:26:05 |
So, now that you're |
01:26:11 |
what are your plans? |
01:26:20 |
I thought I'd kidnap |
01:26:23 |
But this time we'll do it right. |
01:26:27 |
Oh. |