Doctor Zhivago
|
00:07:36 |
What are they like, these girls? |
00:07:38 |
They're very good. A bit wild. |
00:07:43 |
- Are they literate? |
00:07:45 |
In and out of reformatories |
00:07:48 |
Jobs like this. It's degrading. |
00:07:50 |
They shouldn't use human beings |
00:07:53 |
No. |
00:07:54 |
And it's not efficient. |
00:07:56 |
If they were to give me |
00:07:58 |
...I'd be a year ahead of the plan by now. |
00:07:59 |
You're an impatient generation. |
00:08:01 |
Weren't you? |
00:08:02 |
Yes, we were. Very. |
00:08:05 |
Don't be too impatient, Comrade Engineer, |
00:08:09 |
Yes, I know that, Comrade General. |
00:08:10 |
Yes, but do you know what it cost? |
00:08:14 |
There were children in those days |
00:08:17 |
Did you know that? |
00:08:27 |
What is your interest in this girl, |
00:08:30 |
She may be my brother's child. |
00:08:32 |
- Yuri Andreyevich? |
00:08:35 |
My half-brother, I should say. |
00:08:38 |
If she is... |
00:08:40 |
...she's also Lara's child. |
00:08:44 |
The Lara? |
00:08:47 |
The Lara, yes. |
00:08:50 |
This is a new edition of the "Lara Poems." |
00:08:54 |
Yes, I know. |
00:08:58 |
Yes, everybody seems to, now. |
00:09:01 |
Well, we couldn't admire him |
00:09:06 |
No. |
00:09:22 |
Come in. |
00:09:28 |
I sent for you, Comrade. |
00:09:31 |
You're not in any trouble. |
00:09:43 |
I'm General Yevgraf Andreyevich Zhivago. |
00:09:48 |
I'm looking for someone. |
00:09:51 |
Do you understand? |
00:09:56 |
The person I'm looking for |
00:10:03 |
Please sit down. |
00:10:07 |
Your name is-- |
00:10:09 |
Tonya Komarova, Comrade General. |
00:10:11 |
They found you in Mongolia, didn't they? |
00:10:14 |
- Yes, Comrade General. |
00:10:17 |
I was lost, Comrade General. |
00:10:19 |
How did you come to be lost? |
00:10:21 |
I've forgotten. |
00:10:22 |
Was Komarovsky your father's name? |
00:10:25 |
I suppose so, Comrade General. |
00:10:27 |
You suppose so? |
00:10:28 |
It's a common name. |
00:10:30 |
Do you remember your father? |
00:10:32 |
No. |
00:10:34 |
Do you remember your mother? |
00:10:37 |
Yes, I remember my mother. |
00:10:39 |
What was her name? |
00:10:42 |
"Mammy." |
00:10:43 |
What was she like? |
00:10:48 |
Big. |
00:10:50 |
Big? |
00:10:51 |
I was little. She looked big. |
00:11:02 |
- Can you read? |
00:11:05 |
"Lara. A Cycle of Poems, by Y.A. Zhivago." |
00:11:09 |
Not me. My half-brother. |
00:11:14 |
The person I'm looking for... |
00:11:17 |
...would be this man's daughter. |
00:11:23 |
This would be her mother. |
00:11:28 |
"Lara." |
00:11:32 |
Did anybody ever call your mother Lara? |
00:11:35 |
I don't know. I don't think so. |
00:11:41 |
She's nice. |
00:11:45 |
I'm not your niece, Comrade General. |
00:11:48 |
Well, I'm nobody's idea of an uncle. |
00:11:50 |
But if this man were my father, |
00:11:54 |
Did your mother ever tell you |
00:11:56 |
Comrade General, my father wasn't a poet. |
00:11:59 |
What was your father? |
00:12:00 |
Not a poet. |
00:12:06 |
Did you like your father? |
00:12:08 |
I've forgotten. |
00:12:10 |
But you liked your mother? |
00:12:12 |
Yes, of course. |
00:12:17 |
Does the name "Strelnikov" |
00:12:23 |
"Varykino"? |
00:12:25 |
That's a place, not a person. |
00:12:28 |
"Gromeko"? |
00:12:30 |
- Gromeko? |
00:12:34 |
You see... |
00:12:36 |
...he lost his mother... |
00:12:38 |
...at about the same age you were... |
00:12:41 |
...when your mother lost you. |
00:12:47 |
And, in the same part of the world. |
00:14:14 |
Now is life's artful triumph |
00:14:18 |
...for the spirit has vanished |
00:14:21 |
...its clay groweth black. |
00:14:23 |
The vessel is shattered, voiceless, |
00:14:27 |
Committing which unto the grave, |
00:14:32 |
...that He will give her eternal rest. |
00:15:41 |
Yuri? |
00:16:12 |
You and your husband will dine with us, |
00:16:15 |
Thank you, Father. |
00:16:19 |
Will you lie down, then, Yuri? |
00:16:23 |
Your mammy and I were great, |
00:16:26 |
...so now we are going to look after you. |
00:16:29 |
Thank you. |
00:16:35 |
That's mother's. |
00:16:36 |
It's yours now. |
00:16:38 |
Yes, Yuri. Mammy left it to you. |
00:16:40 |
In her will. |
00:16:41 |
Do you know what a will is, old chap? |
00:16:45 |
Money. |
00:16:46 |
No, Yuri, just this. |
00:16:50 |
Can you play it? |
00:16:53 |
I thought all the people in this part |
00:16:56 |
You don't live here, do you? |
00:16:58 |
No, we live in Moscow. |
00:16:59 |
That's a long way from here, |
00:17:03 |
- Won't he? |
00:17:05 |
It takes time |
00:17:07 |
Mother could play it. |
00:17:10 |
Well, your mother was an artist, Yuri. |
00:17:13 |
She could make this common |
00:17:18 |
Your mother had a gift. |
00:17:19 |
Perhaps Yuri's got a gift. |
00:17:21 |
Would you like lessons? |
00:17:23 |
I can't play it. |
00:17:29 |
Say good night to Yuri, Tonya. |
00:17:34 |
He's your brother, now. |
00:17:40 |
Good night, Yuri. |
00:17:42 |
Good night, old chap. |
00:17:44 |
Good night. |
00:18:55 |
The Gromekos dldn't know |
00:18:59 |
He made hls reputatlon as a poet |
00:19:03 |
He sald that poetry was no more |
00:19:07 |
What he needed was a job. |
00:19:09 |
Pretty? |
00:19:10 |
Very. |
00:19:15 |
Yeah. It's their right to be pretty. |
00:19:21 |
What will you do next year, Zhivago? |
00:19:22 |
I thought of doing general practice. |
00:19:24 |
Think about doing pure research. |
00:19:26 |
It's exciting, important, tender, beautiful. |
00:19:29 |
General practice. |
00:19:31 |
Life. He wants to see life. Well... |
00:19:34 |
You'll find that pretty creatures |
00:21:10 |
What's your name? |
00:21:13 |
Antipov. |
00:21:14 |
Address? |
00:21:15 |
15 Patrofka. |
00:21:17 |
I'll have these. |
00:21:18 |
We have permission |
00:21:21 |
- Well, you claim them at the station. |
00:21:23 |
Now if you like. |
00:21:25 |
Very well. |
00:21:27 |
He's my brother. |
00:21:30 |
Well, take him home, Miss. |
00:21:40 |
Pasha, please! |
00:21:41 |
It's got to be done. |
00:21:43 |
Pasha, why has it got to be done? |
00:21:45 |
For them. For the Revolution. |
00:21:47 |
- Pasha, they don't want a revolution. |
00:21:50 |
They don't know it yet, |
00:21:52 |
Give me some of those, Comrade. |
00:21:56 |
Pasha, are you a Bolshevik? |
00:21:59 |
No. The Bolsheviks don't like me. |
00:22:02 |
They don't know right from wrong. |
00:22:04 |
Pasha Antipov, you're an awful prig. |
00:22:13 |
Why did you tell him I was your brother? |
00:22:16 |
Well, what else could I have told him? |
00:22:18 |
You could have told him I was your fiance. |
00:22:21 |
Pasha, don't be silly. I'm-- |
00:22:28 |
Monsieur Komarovsky has come to see |
00:22:32 |
People gossip around here. |
00:22:34 |
It's the system, Lara. |
00:22:36 |
People will be different |
00:22:40 |
Will you come? |
00:22:41 |
No, Pasha. |
00:22:44 |
I've got exams to take, Pasha. |
00:23:12 |
Hello, Auntie. |
00:23:15 |
There's a letter for you. |
00:23:16 |
From Paris. |
00:23:20 |
Lovely writing. |
00:23:21 |
She's coming home next month. |
00:23:23 |
Tonya? Oh, that's good! |
00:23:34 |
He does seem to be very well informed. |
00:23:37 |
And such a handsome figure of-- |
00:23:39 |
Good evening, Mama. Madame. |
00:23:42 |
Larissa. |
00:23:43 |
You can work in there, dear. |
00:24:06 |
Good evening, Larissa. |
00:24:08 |
Good evening, Monsieur. |
00:24:15 |
He advises some very important people. |
00:24:17 |
Yes, I know. |
00:24:18 |
I believe he has government connections. |
00:24:21 |
I don't know, I'm sure. |
00:24:22 |
Isn't he very expensive? |
00:24:26 |
Monsieur Komarovsky advises me |
00:24:29 |
He was a friend of my late husband. |
00:24:31 |
Oh, I see. |
00:24:32 |
Allow me. |
00:25:02 |
Tuesday, if I can, my dear. Goodbye. |
00:25:21 |
Where did you get this? |
00:25:23 |
A friend gave it to me, |
00:25:25 |
You're not to go |
00:25:27 |
No, Monsieur. |
00:25:28 |
It may not be as peaceful as they think. |
00:25:30 |
That's all I have to say. |
00:25:35 |
Yes, Monsieur. |
00:25:47 |
How old are you now? |
00:25:49 |
Seventeen, Monsieur. |
00:27:03 |
A hundred and three. |
00:27:05 |
Oh, dear. |
00:27:09 |
Oh, never mind. I'll be all right here. |
00:27:12 |
You will take Lara, won't you, |
00:27:15 |
It is so stupid of me! |
00:27:21 |
I think you'd better call it right off. |
00:27:23 |
Yes. I'll stay with you. |
00:27:24 |
Nonsense! I'll be perfectly all right. |
00:27:27 |
It's so disappointing for her, |
00:27:30 |
There's so little opportunity |
00:27:35 |
Very well. Get your coat. |
00:27:38 |
We're late, if we're going. |
00:27:40 |
I want to avoid Kropotkin Street. |
00:28:18 |
"Brotherhood and freedom." |
00:28:23 |
"Justice, equality and bread." |
00:28:27 |
Don't you think they're splendid? |
00:28:28 |
Yes, I do. |
00:28:30 |
"Brotherhood and freedom." |
00:28:32 |
Brotherhood and fiddlesticks! |
00:28:36 |
You've no right, Annushka. It isn't fair. |
00:28:43 |
We'd given you up, Monsieur. |
00:28:46 |
My niece. Coat, Lara. |
00:28:53 |
Charmante. |
00:28:55 |
Come, my dear. |
00:29:22 |
How's the Foie de Veau, Gascoigne? |
00:29:24 |
As always, Monsieur. |
00:29:26 |
- All right. Not too much-- |
00:29:31 |
- Jambon Farcl en Crote. |
00:29:35 |
Wine, Monsieur? |
00:29:37 |
A little light wine, yes. |
00:29:38 |
Oul, Monsleur. Mademolselle. |
00:29:41 |
This place must be dreadfully expensive, |
00:29:46 |
It is. |
00:29:48 |
Why not "Victor Yppolitovich"? |
00:29:52 |
I can't. |
00:30:20 |
Mother made this dress. |
00:30:22 |
Very nice. |
00:30:24 |
She's clever, isn't she? |
00:30:26 |
Your mother? Yes. Fine little woman. |
00:31:09 |
No doubt they'll sing in tune |
00:32:13 |
Prepare! |
00:32:36 |
Mount! |
00:33:47 |
Tote sabers! |
00:35:11 |
What, what? |
00:35:13 |
What? |
00:35:45 |
- Good night, dear. |
00:35:48 |
...Victor Yppolitovich. |
00:36:03 |
Go inside your houses, please. |
00:36:05 |
All these people will be taken care of. |
00:36:08 |
Go inside, please. |
00:36:10 |
All these people will be taken care of. |
00:36:13 |
Go inside, please. |
00:36:21 |
Get inside. |
00:36:25 |
Yuri, please. No trouble. |
00:36:28 |
Take him inside, sir, |
00:36:30 |
Yuri, I beg you. |
00:38:00 |
Daddy! |
00:38:07 |
There, now, that's enough. |
00:38:09 |
Your mother, your mother. |
00:38:14 |
Mammy! |
00:38:23 |
Mammy, how are you? |
00:38:26 |
Me? Fit as a fiddle. |
00:38:29 |
Turn 'round. |
00:38:33 |
Well, they've taught her something. |
00:38:44 |
- Look at that! |
00:38:48 |
Yes. Well, let's get along, dear. |
00:38:50 |
Yes. Run along, you two. |
00:38:56 |
I brought you this. It has a piece in it |
00:39:00 |
Oh, good! Thank you. |
00:39:03 |
It begins with you. You're the best. |
00:39:07 |
Very intelligent nation, the French. |
00:39:09 |
They have their heads together. |
00:39:11 |
Yes. They're looking at the paper. |
00:39:13 |
They're head over heels-- |
00:39:15 |
Annushka, stop it! |
00:39:17 |
Good marriages are made in Heaven, |
00:39:30 |
Victor Yppolitovich? |
00:39:35 |
I want to talk to you. |
00:39:38 |
No, Pasha. |
00:39:40 |
It's important. |
00:39:43 |
All right. |
00:39:54 |
How did you do it? |
00:39:56 |
I didn't. |
00:39:58 |
A Dragoon did. |
00:40:01 |
Oh, Pasha, darling! |
00:40:04 |
Come, come. |
00:40:08 |
- Where's your mother? |
00:40:27 |
Pasha, I can't deal with this. |
00:40:30 |
Have you got any iodine? |
00:40:31 |
- Yes, but-- |
00:40:46 |
Will it hurt? |
00:40:49 |
Pasha, darling! |
00:40:53 |
Pasha, you must go to a hospital! |
00:40:57 |
I daren't for a day or two. |
00:41:01 |
- Will you do something for me? |
00:41:05 |
Hide this. |
00:41:12 |
Oh, throw it away! |
00:41:13 |
No. |
00:41:15 |
There'll be no more |
00:41:18 |
There were women and children, Lara, |
00:41:22 |
Starving women asking for bread. |
00:41:24 |
On Tamskaya Avenue, the pigs |
00:41:29 |
Hide it for me. |
00:41:34 |
Thanks, Comrade. |
00:41:36 |
Pasha, darling, I'm not your comrade. |
00:41:38 |
Lara? |
00:41:44 |
- Yes? |
00:41:45 |
It's only Pasha. |
00:41:49 |
You came in very late last night, dear. |
00:41:51 |
The time went so quickly. |
00:41:54 |
Good. |
00:41:56 |
Are you going to church? |
00:41:58 |
Yes. |
00:42:10 |
You know what our Lord said |
00:42:14 |
Yes, Father. |
00:42:15 |
He said, "Go and sin no more." |
00:42:17 |
And, did she? |
00:42:20 |
- I don't know, Father. |
00:42:23 |
The flesh is not weak. |
00:42:25 |
It is strong. Only the sacrament |
00:42:28 |
Remember that. |
00:42:58 |
Monsieur... |
00:43:00 |
It's Number Six, this evening, sir. |
00:43:15 |
Sorry, I'm late. |
00:43:17 |
I've been waiting nearly an hour, Victor. |
00:43:19 |
Have you ordered? |
00:43:21 |
No. |
00:43:22 |
Well, you should have done. |
00:43:46 |
You chose it, Victor. |
00:43:52 |
You've grown up a lot, haven't you? |
00:43:55 |
Yes. |
00:43:56 |
What did you tell your mama tonight? |
00:43:58 |
Victor, don't! |
00:44:01 |
- May I smoke? |
00:44:08 |
You like it, don't you? Cigar smoke? |
00:44:12 |
Come along, my dear. |
00:44:15 |
Sant! |
00:44:17 |
Sant! |
00:44:23 |
Drink, drink. |
00:44:25 |
Up, up, up. |
00:44:43 |
Where did you tell her |
00:44:48 |
She didn't ask. |
00:44:49 |
- That's because she knows. |
00:44:51 |
You'd both take an oath she doesn't. |
00:44:54 |
And you both know she does. |
00:44:56 |
Victor, don't! |
00:44:57 |
What? |
00:44:58 |
Torment me. |
00:44:59 |
Torment? Oh, what a little hypocrite it is. |
00:45:06 |
I'm going, now, Victor. |
00:45:08 |
Whatever you like, dear. |
00:45:13 |
You see, you'll always come back. |
00:45:23 |
Stay, darling. |
00:45:27 |
Stay. |
00:46:23 |
Wake up! Here, take this. |
00:46:26 |
You show it to someone |
00:46:28 |
Professor Boris Kurt. And, you find him. |
00:46:32 |
Professor Boris Kurt. |
00:46:49 |
But, Boris, this is genius. |
00:46:51 |
Really, I thought it was Rachmaninoff?. |
00:47:04 |
And how's the general practitioner? |
00:47:07 |
A bit scared of his finals. |
00:47:09 |
Well, I don't think he need be. |
00:47:11 |
How do you like the idea of marrying |
00:47:14 |
I like it very much. |
00:47:17 |
No? |
00:47:19 |
I thought you nomads were hot-blooded. |
00:47:21 |
A slow lot, these general practitioners. |
00:47:23 |
How do you fancy |
00:47:26 |
Does he write poetry? |
00:47:28 |
Alas, no. |
00:47:29 |
Then I'm afraid it's out of the question. |
00:47:42 |
That's a marvelous girl, Zhivago. |
00:47:45 |
Yes, I'd noticed. |
00:47:48 |
It's for you. |
00:48:08 |
How would the poet like to see |
00:48:15 |
Boris, thank God you've come. |
00:48:18 |
Yes, I know it is. My assistant. |
00:48:20 |
- How do you do? |
00:48:22 |
This way. |
00:48:38 |
When did she do it? |
00:48:39 |
About eight o'clock this evening. |
00:48:46 |
Do you know what it was? |
00:48:52 |
Why didn't you get a local doctor? |
00:48:54 |
- I couldn't. |
00:48:56 |
Come on in. |
00:48:59 |
Turn her over. |
00:49:05 |
All right. |
00:49:09 |
Water. |
00:49:25 |
Now, Yuri. Come on, dear. Come on. |
00:49:29 |
Now, Yuri. |
00:49:32 |
Come on, dear. |
00:49:34 |
Come on, Yuri. |
00:49:35 |
Sorry. |
00:49:37 |
Well, my dear, that's it. |
00:49:41 |
That's it. Good. |
00:49:42 |
Good. |
00:49:45 |
Good. |
00:49:53 |
Is she going to live? |
00:49:56 |
Water. |
00:50:03 |
- She is, isn't she? |
00:50:07 |
Funny thing. |
00:50:08 |
There's a man, speaks on public platforms. |
00:50:11 |
In with the government. |
00:50:15 |
And he risks it all. |
00:50:17 |
For that! |
00:50:19 |
That's not how poets see them, is it? |
00:50:21 |
That's how GPs see them. |
00:50:23 |
That's how they are. |
00:50:26 |
You know, from here, she looks beautiful. |
00:50:29 |
Zhivago, I think you're a hard case. |
00:50:36 |
There's a child in the case. |
00:50:39 |
Oh, for heaven's sake, Boris-- |
00:50:42 |
She might have thought about "Lara" |
00:50:45 |
Does the girl know? |
00:50:46 |
I'm afraid she does. |
00:50:48 |
- Is she here? |
00:50:51 |
Tell her that her mother's going to live. |
00:50:54 |
Wait a minute, Victor. Yurian. |
00:50:57 |
Yes, of course. |
00:51:00 |
What are we going to say about this? |
00:51:04 |
- Must we say anything? |
00:51:06 |
I'm taking her to the hospital. |
00:51:09 |
You know that needn't be difficult, Boris. |
00:53:37 |
- What is the name of your assistant? |
00:53:40 |
Andreyevich? |
00:53:41 |
Yes, why? Do you know him? |
00:53:43 |
No, I knew his father slightly. |
00:53:46 |
Fine. |
00:53:57 |
Cheer up, Yuri. I'll have the poor bitch |
00:54:00 |
What's his name? |
00:54:03 |
That's Victor Komarovsky. |
00:54:06 |
He executed my father's will. |
00:54:08 |
Uncle Alex turned it down. |
00:54:10 |
By Komarovsky's account |
00:54:13 |
And what there was |
00:54:15 |
Oh, he's a very good businessman. |
00:54:17 |
But I doubt that he's crooked. |
00:54:20 |
Very good company. Knows life. |
00:54:23 |
He's had a bad scare tonight. |
00:54:43 |
You don't mind coming here, do you, |
00:54:45 |
No, no. It reminds me of my youth. |
00:54:51 |
- I went to the hospital again. |
00:54:54 |
She wants you to go and forgive her. |
00:54:58 |
You can tell her the truth |
00:55:06 |
Is this him? |
00:55:08 |
Yes. |
00:55:09 |
- He knows nothing about-- |
00:55:17 |
Pasha, this is Monsieur Komarovsky. |
00:55:23 |
Please. |
00:55:32 |
- Will you eat? |
00:55:35 |
I hope you don't think this is impertinent, |
00:55:38 |
Not at all. |
00:55:39 |
I am...I have been advising |
00:55:43 |
I'm interested in what happens to her. |
00:55:45 |
There's something I have to tell you. |
00:55:48 |
I am committed to the Revolution. |
00:55:51 |
Nothing... |
00:55:53 |
...not even Lara, |
00:55:58 |
You misunderstand. |
00:56:00 |
Your political views do not concern me. |
00:56:02 |
So far as that goes, I'm probably |
00:56:06 |
I have a few contacts of my own, |
00:56:09 |
How do you propose to live? |
00:56:11 |
I've been offered a teaching post. |
00:56:13 |
- May I know where? |
00:56:15 |
I know it. Not much of a place. |
00:56:18 |
It's beautiful country, |
00:56:20 |
It'll be a quiet life, won't it? |
00:56:23 |
That's what we want. |
00:56:24 |
Well, you'll excuse me. |
00:56:28 |
Adequate. If not more. |
00:56:33 |
Pavel Pavlovich, my chief impression is, |
00:56:37 |
...is that you're very young. |
00:56:39 |
Monsieur Komarovsky, |
00:56:42 |
Do people improve with age? |
00:56:44 |
They grow a little more tolerant. |
00:56:46 |
Because they have more |
00:56:48 |
If people don't marry young, |
00:56:52 |
A little experience. |
00:56:54 |
I'm 26. My mother died, needlessly, |
00:56:58 |
My father died in prison. |
00:57:01 |
I've worked my way |
00:57:04 |
I am familiar with things |
00:57:07 |
All this is an experience |
00:57:10 |
I've no amorous experience, |
00:57:12 |
None whatever. Lara's 17. |
00:57:17 |
You probably find this situation comic. |
00:57:20 |
We're going to be married next year. |
00:57:30 |
I hope I haven't offended you |
00:57:32 |
Not at all. Admirable. |
00:57:42 |
A young crusader. |
00:57:43 |
Oh, he's not-- |
00:57:45 |
He's a very fine young man. |
00:57:49 |
You're very generous, |
00:57:54 |
Larissa, I want to talk to you. |
00:58:05 |
Monsieur Komarovsky, will you-- |
00:58:08 |
I beg you. |
00:58:09 |
Drop this affectation of addressing me |
00:58:13 |
Under the circumstances, |
00:58:16 |
Lara, I am determined to save you |
00:58:20 |
There are two kinds of men, and only two. |
00:58:24 |
He is high-minded. He is pure. |
00:58:27 |
He is the kind of man that the world |
00:58:31 |
He's the kind of man who breeds |
00:58:36 |
- Do you understand? |
00:58:37 |
I think you do. |
00:58:39 |
There's another kind. |
00:58:41 |
Not high-minded. Not pure, but alive. |
00:58:45 |
That your tastes at this time should incline |
00:58:49 |
But, for you to marry that boy |
00:58:52 |
Because, there are two kinds of women. |
00:58:56 |
There are two kinds of women and you, |
00:59:04 |
You, my dear, are a slut. |
00:59:09 |
I am not! |
00:59:12 |
We'll see. |
00:59:56 |
And, don't delude yourself |
00:59:58 |
That would flatter us both. |
01:00:43 |
The master's not at home, Miss Lara. |
01:00:45 |
Not at home? |
01:00:46 |
No. He went to |
01:00:52 |
Are you going there, Miss? |
01:00:55 |
Please don't say I told you. |
01:00:57 |
No, thank you, Piotr. |
01:00:58 |
Merry Christmas, Miss Lara. |
01:01:01 |
Oh, thank you, |
01:01:09 |
Merry Christmas, Yuri Andreyevich. |
01:01:52 |
What's the matter? |
01:01:57 |
We had an appointment this evening. |
01:02:00 |
Haven't you got the letter? I left a letter-- |
01:02:02 |
I've not been home. I'm going home, now. |
01:02:06 |
Where're you going, Lara? |
01:02:09 |
What's in this letter? |
01:02:12 |
What's in this letter? |
01:02:17 |
Are you breaking-- |
01:02:18 |
- It's all in the letter. |
01:02:20 |
Everything. |
01:02:22 |
Don't! |
01:03:25 |
Yuri, there's an extraordinary girl |
01:03:29 |
I know. I'm dancing with her. |
01:03:33 |
You're keen tonight, Victor. |
01:03:34 |
I like to win. |
01:03:36 |
Silence! |
01:03:37 |
Silence, everybody! Silence, please! |
01:03:41 |
I have a very delightful announcement |
01:03:47 |
Oh, Madame Sventytski! |
01:03:48 |
Yes. Why not? |
01:03:51 |
I have to announce that Dr. Yuri Zhivago-- |
01:03:55 |
Doctor Zhivago, |
01:04:00 |
Now, listen, please! |
01:04:02 |
Dr. Zhivago is betrothed in marriage to-- |
01:04:27 |
My dear Victor! |
01:04:30 |
My dear man! |
01:04:31 |
Get her out. |
01:04:33 |
What? |
01:04:34 |
Get her out. Get her out! |
01:04:37 |
Yes. Yes. I'll get the police. |
01:04:39 |
No! |
01:04:40 |
I don't want you to get the police. |
01:04:42 |
I do not want the police. |
01:05:04 |
Let her go! |
01:05:28 |
Please! |
01:05:29 |
Quiet, please. Please. Give way. |
01:05:32 |
Please, would you mind? |
01:05:35 |
Would you mind? Thank you, thank you. |
01:05:49 |
Our destinies seem to be interwoven, |
01:05:51 |
Yes. |
01:05:53 |
I was a close friend of your father. |
01:05:56 |
I knew you were his business partner. |
01:05:58 |
Rather more than that. |
01:06:03 |
Also, I am in contact with your brother. |
01:06:06 |
Yevgraf?. |
01:06:07 |
I should say I'm in contact with those |
01:06:10 |
Oh, I disagree with Bolshevism. |
01:06:12 |
Thank you. |
01:06:15 |
You seem to know your trade. |
01:06:17 |
But, I can still admire Bolsheviks, as men. |
01:06:21 |
Shall I tell you why? |
01:06:24 |
Yes. |
01:06:27 |
They may win. |
01:06:31 |
I'd like to meet him, Yevgraf. |
01:06:33 |
He sent me a marvelous letter. |
01:06:36 |
He likes my poetry. |
01:06:38 |
That would have pleased your father. |
01:06:41 |
Your father was not a bad man, Yuri. |
01:06:45 |
I hardly knew him. |
01:06:48 |
You perhaps may not credit this... |
01:06:51 |
...but he was devoted to your mother. |
01:07:07 |
I suppose I may continue to rely |
01:07:14 |
You mean, will I tell anyone the truth |
01:07:19 |
That's what I mean, yes. |
01:07:23 |
You may continue to rely |
01:07:27 |
You are fastidious, aren't you? |
01:07:31 |
What happens to a girl like that, |
01:07:35 |
Interested? |
01:07:38 |
I give her to you. |
01:07:42 |
You shouldn't smoke. You've had a shock. |
01:07:51 |
I give her to you, Yuri Andreyevich. |
01:07:55 |
A wedding present. |
01:09:07 |
Where have you seen that girl before? |
01:09:10 |
What makes you think |
01:09:12 |
Haven't you? |
01:09:14 |
- Yes. |
01:09:16 |
I'm not supposed to say. |
01:09:19 |
No, don't tell me, |
01:10:01 |
In bourgeols terms It was a war |
01:10:04 |
In Bolshevlk terms It was a war between |
01:10:09 |
And, whlch of them won was |
01:10:29 |
I was ordered by the Party to enllst. |
01:10:34 |
They were shoutlng for vlctory |
01:10:36 |
...praylng for vlctory, to the same God. |
01:10:40 |
My task, the Party's task, |
01:10:45 |
From defeat would sprlng the Revolutlon. |
01:10:47 |
And, the Revolutlon would be |
01:10:51 |
The Party looked |
01:10:54 |
...most of them wearlng |
01:10:57 |
When the boots wore out, |
01:11:00 |
When the tlme came, I was able to take |
01:11:04 |
The best day's work I ever dld. |
01:11:07 |
But, for the moment, |
01:11:09 |
There were too many volunteers llke me. |
01:11:12 |
Mostly, It was mere hysterla. |
01:11:15 |
But there were men wlth better motlves, |
01:11:18 |
...and wanted a man's part. |
01:11:20 |
Good men, wasted. |
01:11:23 |
Unhappy men, too. |
01:11:25 |
Unhappy In thelr jobs. |
01:11:27 |
Unhappy wlth thelr wlves. |
01:11:30 |
Doubtlng themselves. |
01:11:32 |
Happy men don't volunteer. |
01:11:35 |
They walt thelr turn and thank God |
01:11:40 |
The ones who got back home wlth |
01:11:45 |
...these were the lucky ones. |
01:11:52 |
Even Comrade Lenln... |
01:11:54 |
...underestlmated both |
01:11:59 |
...and our cursed capaclty for sufferlng. |
01:12:04 |
By the second wInter of the war... |
01:12:07 |
...the boots had worn out... |
01:12:10 |
...but the llne stlll held. |
01:12:13 |
Thelr great coats fell to pleces |
01:12:17 |
Thelr ratlons were Irregular. |
01:12:20 |
Half of them went lnto actlon |
01:12:23 |
...led by men they dldn't trust. |
01:12:25 |
Come on, you bastards! |
01:12:29 |
And, those they dld trust-- |
01:12:30 |
Come on, Comrades. Come on! |
01:12:33 |
Come on! |
01:12:44 |
Come on! |
01:12:47 |
Come on! |
01:12:49 |
Comrades! Earthshakers! |
01:12:52 |
Show them! |
01:12:56 |
Charge! |
01:13:18 |
At last they dld what all the armles |
01:13:24 |
They began to go home. |
01:13:36 |
That was the beglnnlng of the Revolutlon. |
01:14:02 |
Deserters. |
01:14:04 |
Replacements. |
01:14:18 |
Tote arms! |
01:14:28 |
Come back. |
01:14:31 |
Stick together! |
01:14:35 |
Stick together and we'll be all right. |
01:14:39 |
And be ready for them. |
01:15:05 |
Turn around, lads! |
01:15:06 |
- Don't go any farther. |
01:15:09 |
Pigs to the slaughter! Look at you! |
01:15:11 |
Turn around, lads. |
01:15:34 |
Listen, lads. |
01:15:36 |
Ten miles up that road are the Germans! |
01:15:40 |
- Rubbish. |
01:15:42 |
They're coming. And they're coming fast. |
01:15:46 |
You've let them in. |
01:15:49 |
They're coming for your wives... |
01:15:51 |
...your houses, your country. |
01:15:54 |
Your country, Officer! |
01:15:57 |
Yes, my country! And proud-- |
01:16:14 |
Get back in your ranks! |
01:16:17 |
Get back in your ranks! |
01:16:24 |
Get back! |
01:16:28 |
Get back in the ranks! |
01:17:43 |
Are you a nurse? |
01:17:45 |
Yes. |
01:17:46 |
- Are you all right? |
01:17:48 |
Then help me. |
01:18:17 |
Doctor, I ought to tell you, |
01:18:20 |
I see. Right. |
01:18:22 |
Why did you volunteer? |
01:18:24 |
- I came here to find my husband. |
01:18:28 |
- Have you ever seen an operation? |
01:18:30 |
We'll manage. |
01:18:43 |
They're in the next village, brothers. |
01:18:48 |
- Your Honor-- |
01:19:18 |
Did you find your husband? |
01:19:21 |
No. |
01:19:23 |
Your Honor... |
01:19:24 |
Yes, we'd better be off. |
01:19:41 |
You know, you often look at me |
01:19:44 |
I have seen you. |
01:19:50 |
Were you there? |
01:19:52 |
No wonder you look at me. |
01:19:56 |
Did you know Victor Komarovsky? |
01:19:58 |
Yes, I did. That young man, |
01:20:01 |
My husband. |
01:20:02 |
A lot of courage. |
01:20:05 |
As a matter of fact, I thought you both did. |
01:20:08 |
Good man to shoot at. |
01:20:11 |
I'd give anything never to have met him. |
01:20:42 |
The tsar's in prison. |
01:20:46 |
Lenin's in Moscow. |
01:20:49 |
Civil war has started. |
01:20:51 |
Good! |
01:20:52 |
Civil war, good? |
01:20:54 |
Not good, Comrade Nurse, inevitable. |
01:20:58 |
But Lenin in Moscow! |
01:21:01 |
This Lenin, will he be the new tsar then? |
01:21:06 |
Listen, Daddy. |
01:21:09 |
Only workers in a worker's state. |
01:21:14 |
Are you a doctor? |
01:21:15 |
- Yes. |
01:22:02 |
I can't deal with this. |
01:22:04 |
Order of the Provisional Government. |
01:22:15 |
"If you could see how hard |
01:22:18 |
"...I feel sure you'd forgive me, dear, |
01:22:21 |
When was that written? |
01:22:23 |
July 20th. |
01:22:24 |
Eight weeks! |
01:22:26 |
"But now the war seems |
01:22:28 |
"The hospital is emptying, |
01:22:32 |
"I may even get time to write some verse, |
01:22:36 |
Oh, I do hope so! |
01:22:40 |
"Larissa Antipova is still here, |
01:22:45 |
"She seems to have the strange gift |
01:22:50 |
"She often does the wrong things, |
01:22:55 |
"How is Uncle Alex? |
01:22:57 |
- "Can he still get his English tobacco?" |
01:23:00 |
"Can Sasha say his letters yet? |
01:23:05 |
He didn't get my letter. |
01:23:08 |
"Most of all, my dearest, how are you?" |
01:23:11 |
Strangely upsetting. |
01:23:14 |
Can't see what difference it makes. |
01:23:18 |
They're at it again! |
01:23:20 |
I wish they'd decide once and for all... |
01:23:23 |
...which gang of hooligans constitutes |
01:23:34 |
Cheer up, Sergei. |
01:23:36 |
Don't you want to go home? |
01:23:39 |
There's fighting at home, Your Honor. |
01:23:42 |
Red Guards and White Guards, |
01:23:47 |
Your Honor is a kind gentleman. |
01:23:52 |
And, the nurse is a kind lady. |
01:24:08 |
Finished? |
01:24:10 |
Just about. |
01:24:20 |
In a couple of weeks |
01:24:22 |
If I can get on a train. |
01:24:27 |
I want to be with Katya |
01:24:30 |
Yes, of course. |
01:24:33 |
But, now that we're going, I feel sad. |
01:24:37 |
Sad. |
01:24:39 |
Really sad. |
01:24:41 |
- Well, we've been here some time. |
01:24:46 |
This must have been a lovely house, once. |
01:24:49 |
Don't you think? |
01:24:50 |
What are you going to do? |
01:24:52 |
In Gradov? |
01:24:54 |
Yes. |
01:24:56 |
I'll be all right. |
01:24:57 |
I wish I could think so. |
01:25:04 |
You could run a laundry. |
01:25:07 |
What will you do? |
01:25:09 |
I suppose I'll go back to the hospital. |
01:25:12 |
It's funny to think of you there. |
01:25:18 |
I used to pass it on my way to school. |
01:25:21 |
Do you ever come to Moscow? |
01:25:24 |
From Gradov? |
01:25:26 |
If only there were someone |
01:25:28 |
Of course, if there were, |
01:25:31 |
Zhivago, don't. |
01:25:37 |
My dear, don't, please! |
01:25:45 |
Now, look what you've made me do. |
01:25:54 |
We've been together six months, |
01:25:59 |
...and we've not done anything |
01:26:03 |
I don't want you to have to lie about me. |
01:26:07 |
You understand that, Yuri? |
01:26:12 |
You understand everything. |
01:26:23 |
Come on, Comrades! I'm in a hurry. |
01:26:26 |
Going home, Kuril? |
01:26:28 |
Home, Your Excellency? |
01:26:29 |
Petrograd. I'm joining the Red Guard. |
01:26:32 |
What about your wife? |
01:26:34 |
Sometimes, Comrade Nurse, |
01:26:37 |
Right! |
01:26:39 |
Goodbye, honored Doctor. |
01:26:41 |
Want some advice? |
01:26:43 |
- Said the millstone to the barley. |
01:26:46 |
Adapt yourself! |
01:26:55 |
Goodbye, Durinev. |
01:26:56 |
Goodbye, Your Honor. |
01:26:59 |
Goodbye, Andr. |
01:27:01 |
Goodbye, Simyon. |
01:27:06 |
I'll never forget Your Honor. |
01:27:09 |
Never! |
01:27:11 |
Goodbye, Zhivago. |
01:27:14 |
Goodbye. Thank you. |
01:27:19 |
Pilenko. |
01:27:57 |
Goodbye, brothers! |
01:28:43 |
The doctor is a gentleman. |
01:28:45 |
Right. Written all over him. |
01:28:47 |
He's a good man. |
01:28:49 |
God rot good men. |
01:29:07 |
Yuri! |
01:29:38 |
This is Comrade Yelkin, |
01:29:43 |
How do you do? |
01:29:45 |
Welcome. |
01:29:47 |
Comrade Kaprugina-- |
01:29:49 |
Welcome. |
01:29:50 |
It's not for you to welcome us, Comrade. |
01:29:52 |
Comrade Kaprugina is the chairman |
01:29:56 |
- Yes, of course. |
01:29:59 |
Oh, yes. |
01:30:02 |
I signed them myself, I'm afraid. |
01:30:09 |
Holy Cross? |
01:30:11 |
What? |
01:30:13 |
- Holy Cross Hospital. It's on-- |
01:30:18 |
Good. It needed reforming. |
01:30:26 |
Medicals report |
01:30:29 |
Yes. I believe there's typhus? |
01:30:32 |
You've been listening |
01:30:35 |
There is no typhus in our city. |
01:30:38 |
Well, that's good news. |
01:30:41 |
When you've started work, |
01:30:45 |
I've always worked. |
01:30:52 |
Whatever is the matter? |
01:30:54 |
You are. |
01:30:57 |
There was living space for 13 families |
01:31:05 |
Yes. This is a better arrangement, |
01:31:08 |
More just. |
01:31:17 |
Well, it is more just, Tonya. |
01:31:30 |
Is it good to be home? |
01:31:41 |
Sasha? |
01:31:42 |
Who else? |
01:31:46 |
It's your daddy, Sasha. |
01:31:48 |
Sasha! |
01:31:50 |
Sasha! |
01:31:53 |
Naughty boy! |
01:31:54 |
No, don't say that. |
01:31:57 |
May I come in? |
01:32:01 |
Watch carefully. |
01:32:03 |
I am about to ignite the last half |
01:32:09 |
Good meal? |
01:32:11 |
- Very. |
01:32:15 |
That was very good, Tonya. |
01:32:17 |
That was nothing. |
01:32:18 |
She's been saving that salami |
01:32:20 |
Have you, darling? |
01:32:21 |
I got it for a clock. |
01:32:23 |
She's a marvel. Coffee, you observe. |
01:32:26 |
Stop it, Daddy. He knows I'm a marvel. |
01:32:30 |
Did you write any poetry? |
01:32:32 |
Quite a lot. |
01:32:34 |
Is it good? |
01:32:36 |
Yes, I think so. |
01:32:38 |
Can I see it? |
01:32:40 |
Well, of course. |
01:32:43 |
What happened to Nurse Antipova? |
01:32:48 |
Yes, I suppose they were. |
01:32:51 |
That's the girl who shot |
01:32:54 |
Yes, Daddy. You know it is. |
01:32:56 |
She's gone home to her little girl. |
01:32:59 |
- Oh, we shan't see her then? |
01:33:02 |
What a pity! |
01:33:11 |
Farewell, the pleasures of the flesh. |
01:33:15 |
What I don't understand is |
01:33:23 |
You have no right whatever |
01:33:26 |
As a Soviet deputy, I-- |
01:33:27 |
That gives you the power, not the right. |
01:33:30 |
It's noticed, you know. |
01:33:33 |
You should have called the area doctor. |
01:33:36 |
I want this done quietly. |
01:33:38 |
Why, what is it, typhus? |
01:33:50 |
I'll take him away. Get me some transport. |
01:33:53 |
It isn't typhus. |
01:33:55 |
It's another disease |
01:33:59 |
That seems to give you satisfaction. |
01:34:00 |
It would give me satisfaction |
01:34:03 |
- Would it? Why? |
01:34:06 |
Your attitude is noticed, you know. |
01:34:14 |
Hello. |
01:34:20 |
The stove's out! |
01:34:25 |
The stove's out! |
01:34:28 |
What's the matter with you? |
01:34:39 |
She lets it out as soon as you've gone, |
01:34:56 |
We haven't enough fuel. |
01:35:16 |
I told myselflt was beneath my dlgnlty |
01:35:24 |
But nothlng ordered by the Party |
01:35:27 |
...and the Party was rlght. |
01:35:29 |
One man desperate for a blt of fuel |
01:35:32 |
Flve mllllon people desperate for fuel |
01:35:36 |
That was the flrst tlme |
01:35:39 |
But, I knew hlm, |
01:35:44 |
Perhaps It was the tle ofblood |
01:35:47 |
We were only half-tled, anyway, |
01:35:51 |
Indeed, as a pollceman, I would say |
01:35:54 |
"...and you're half way home. " |
01:35:57 |
Nor was It admlratlon |
01:36:00 |
I dld admlre hlm, but I dldn't thlnk |
01:36:04 |
Besldes, I've executed better men than me |
01:36:39 |
Now you'll have to live |
01:36:41 |
Bring that! Bring that back! |
01:36:44 |
Oh, listen to His Excellency! |
01:36:48 |
I want no anarchy! |
01:36:50 |
I want this carried out correctly. |
01:36:55 |
What are you doing? |
01:36:56 |
Re-allocation of living space, |
01:36:59 |
Fifty square meters |
01:37:01 |
Dammit, whose house is this, anyway? |
01:37:04 |
Father, be quiet! |
01:37:05 |
All right, 50 square meters. |
01:37:09 |
They're being stored. |
01:37:10 |
They're being stolen. |
01:37:12 |
Just a minute! |
01:37:23 |
And where did you get this? |
01:37:25 |
I pulled it out of a fence. |
01:37:54 |
I told them who I was. |
01:37:56 |
The old man was hostlle, the glrl cautlous. |
01:38:01 |
My brother... |
01:38:04 |
...seemed very pleased. |
01:38:09 |
I think the girl was the only one |
01:38:14 |
You're just as I imagined you. |
01:38:17 |
I asked hlm hadn't he one of hls own. |
01:38:20 |
And so he talked about the Revolutlon. |
01:38:22 |
You lay life on a table and you cut out |
01:38:26 |
I told hlm If he felt llke that |
01:38:30 |
Cutting out the tumors of injustice, |
01:38:33 |
Someone must keep life alive |
01:38:36 |
By living. |
01:38:37 |
Isn't that right? |
01:38:39 |
I thought then It was wrong. |
01:38:41 |
He told me what he thought |
01:38:45 |
He approved of us, but for reasons |
01:38:50 |
Approval such as hls |
01:38:52 |
I told hlm so. |
01:38:54 |
Of course, I can't approve this evening |
01:38:57 |
He was walklng about wlth a noose |
01:39:01 |
So I told hlm what I had heard |
01:39:07 |
Not liked? |
01:39:09 |
Not liked by whom? |
01:39:12 |
Why not liked? |
01:39:13 |
So I told hlm that. |
01:39:24 |
Do you think it's "personal, |
01:39:29 |
I lled. |
01:39:31 |
But he belleved me. |
01:39:33 |
And It struck me through to see |
01:39:38 |
The glrl knew what It meant, |
01:39:41 |
They couldn't survlve |
01:39:44 |
I urged them to leave and llve obscurely |
01:39:47 |
...where they could keep themselves allve. |
01:39:49 |
We have, used to have, |
01:39:55 |
The people know us there. |
01:39:57 |
He dldn't reslst. |
01:39:59 |
I offered to obtaln permlts, |
01:40:02 |
...told them what to take |
01:40:08 |
I had the Impertlnence to ask hlm |
01:40:13 |
And so we parted. |
01:40:15 |
I thlnk I even told hlm |
01:40:19 |
But perhaps I dldn't. |
01:42:14 |
Fifty persons! |
01:42:15 |
Fifty persons only! |
01:42:17 |
Fifty persons! |
01:42:22 |
Tonya, here! |
01:42:23 |
Fifty persons only! |
01:42:26 |
Get back! |
01:42:29 |
Fifty persons only! |
01:42:31 |
Fifty persons! |
01:42:34 |
Fifty persons! |
01:42:36 |
Only 50 persons! |
01:42:50 |
Charming accommodation. |
01:42:52 |
Charming accommodation. |
01:42:55 |
That's very good. |
01:42:56 |
I'm an intellectual. |
01:42:58 |
Shut up, you "intellectual." |
01:43:02 |
Shut up, you lickspittle. |
01:43:11 |
Forced labor. |
01:43:22 |
Attention, Comrades. |
01:43:24 |
Your train will leave tomorrow morning. |
01:43:26 |
Health regulations for the journey: |
01:43:29 |
Night soil will be emptied |
01:43:32 |
Straw to be replaced at ten day intervals |
01:43:36 |
In the event of fresh straw |
01:43:40 |
This is disinfectant. Use it. |
01:43:44 |
In this wagon is a detachment |
01:43:46 |
Liar. |
01:43:52 |
You are required by Military Committee |
01:43:55 |
One carriage is occupied by sailors |
01:44:01 |
So you'll be in good hands. |
01:44:03 |
They're idiots. |
01:44:06 |
Attention, Comrades. |
01:44:07 |
In approximately 11 days' time |
01:44:11 |
...where White Guard units, |
01:44:14 |
...and other criminal reactionary elements, |
01:44:18 |
The Military Committee assures you... |
01:44:20 |
...that the criminals have been |
01:44:23 |
...by Red Guard units under the command |
01:44:29 |
There's a man. |
01:44:31 |
Clap him. |
01:44:33 |
The line is definitely clear. |
01:44:36 |
Long live the Revolution! |
01:44:38 |
Long live anarchy! |
01:44:39 |
Lickspittle! Bureaucrat! |
01:44:51 |
Is that necessary? |
01:44:53 |
Six volunteers I've signed for, |
01:44:58 |
I'm a free man, lickspittle. |
01:45:01 |
There's nothing you can do about it. |
01:45:09 |
I'm the only free man on this train. |
01:45:13 |
The rest of you are cattle. |
01:50:15 |
Help me, brothers, for the love of God. |
01:50:32 |
Come on! |
01:50:53 |
Yuri, the child is dead. |
01:51:04 |
It wasn't my child, dear... |
01:51:06 |
...and his little soul's in Heaven now, |
01:51:10 |
Who did it, Comrade, the Whites? |
01:51:13 |
The Whites? |
01:51:16 |
No, Strelnikov. |
01:51:20 |
Well, then, you must have done something. |
01:51:23 |
It wasn't us, Comrade. |
01:51:25 |
The commander said |
01:51:27 |
It wasn't us, it was those pigs in Kuniko. |
01:51:29 |
We told him, but he didn't believe us. |
01:51:31 |
I expect you were lying. |
01:51:33 |
- As God's my witness. |
01:51:37 |
Commander Strelnikov is a great man. |
01:51:41 |
A commander, Sasha, |
01:51:45 |
Does he? |
01:51:47 |
I don't know. They say so. |
01:51:48 |
It's true. |
01:51:49 |
No one knows where he comes from. |
01:51:52 |
And they never know where he is. |
01:51:54 |
- He's back up the line. |
01:51:59 |
Someone's for it. |
01:52:03 |
Oh, really, not again! |
01:52:06 |
What this time? |
01:52:17 |
Never mind, Father. |
01:52:24 |
I know what I'm going to do. |
01:52:48 |
Look! |
01:52:50 |
The Urals. |
01:52:53 |
Look, Sasha, look. |
01:52:56 |
Through the mountains and into the forest. |
01:52:59 |
Then it'll be much warmer still. |
01:53:02 |
Will there be wolves in the forest? |
01:53:28 |
Strelnikov! |
01:53:37 |
That's Strelnikov. |
01:58:19 |
Daddy! |
01:58:23 |
What's that noise? |
01:58:26 |
It's only a waterfall. |
01:58:27 |
No, the other noise. |
01:58:33 |
Guns, Sasha. |
01:58:35 |
Are they fighting? |
01:58:37 |
They must be. It's a long way away. |
01:58:40 |
Let's go to sleep. |
01:59:29 |
Get him! |
01:59:37 |
Look! |
01:59:46 |
Is that all? |
01:59:47 |
That's all. |
01:59:56 |
Bring him. |
02:00:09 |
Who sent you here, Zhivago? |
02:00:12 |
No one sent me here, Commander. |
02:00:14 |
I'm going to Yuriatin |
02:00:16 |
They're on the train from Moscow. |
02:00:18 |
Yes, we've checked that. |
02:00:20 |
Then? |
02:00:21 |
You put your knife with a fork and a spoon |
02:00:24 |
Perhaps you travel with a wife and child |
02:00:30 |
No. |
02:00:31 |
Yuriatin is occupied by White Guards. |
02:00:35 |
No. We're going on to Varykino. |
02:00:38 |
Not through Yuriatin. It's under shellfire. |
02:00:41 |
Commander, I'm not a White agent. |
02:00:45 |
No, I don't think you are. |
02:00:47 |
All right, Kolya. Thank you, Comrades. |
02:00:49 |
Take it. |
02:00:52 |
It's not as silly as it seems. |
02:01:01 |
Are you the poet? |
02:01:03 |
Yes. |
02:01:04 |
I used to admire your poetry. |
02:01:06 |
Thank you. |
02:01:08 |
I shouldn't admire it now. |
02:01:10 |
I should find it absurdly personal. |
02:01:13 |
Feelings, insights, affections. |
02:01:18 |
You don't agree. You're wrong. |
02:01:21 |
The personal life is dead in Russia. |
02:01:24 |
History has killed it. |
02:01:26 |
I can see how you might hate me. |
02:01:30 |
I hate everything you say, |
02:01:36 |
You have a brother? |
02:01:37 |
Yevgraf?. |
02:01:38 |
Yevgraf. Yes. The policeman. |
02:01:40 |
I didn't know that. |
02:01:42 |
Perhaps not. A "secret" policeman. |
02:01:45 |
Yevgraf?. |
02:01:46 |
No, Yevgraf's a Bolshevik. |
02:01:52 |
I don't know anything about these things. |
02:01:55 |
Oh, you know a great deal. |
02:01:58 |
When you came in you recognized me. |
02:02:01 |
How? |
02:02:02 |
Has someone shown you photographs? |
02:02:04 |
No. |
02:02:05 |
I am certain that you recognized me. |
02:02:10 |
I've seen you before, Commander. |
02:02:13 |
When? |
02:02:14 |
Six years ago. |
02:02:16 |
Go on. |
02:02:17 |
Christmas Eve. You-- |
02:02:20 |
You were there? |
02:02:22 |
Or, has someone told you this? |
02:02:24 |
I attended to the man |
02:02:28 |
Why do you call her my wife? |
02:02:31 |
I met her again. |
02:02:33 |
We served together on the Ukranian Front. |
02:02:36 |
If she's with you, |
02:02:39 |
I haven't seen her since the war. |
02:02:42 |
She's in Yuriatin. |
02:02:46 |
Yuriatin! |
02:02:49 |
The private life is dead, |
02:02:55 |
We saw a sample of your manhood |
02:02:58 |
They were selling horses to the Whites. |
02:03:00 |
No. |
02:03:01 |
It seems you burned the wrong village. |
02:03:03 |
They always say that. |
02:03:05 |
A village betrays us, a village is burnt. |
02:03:08 |
Your point, their village. |
02:03:10 |
Kolya! |
02:03:17 |
And what will you do |
02:03:21 |
Just live. |
02:03:24 |
Take him away. He's innocent. |
02:03:36 |
You're lucky. |
02:04:11 |
We've been diverted. |
02:04:13 |
Varykino Halt. |
02:04:28 |
Hello? |
02:04:33 |
Hello? |
02:04:38 |
How lovely! |
02:04:44 |
Oh, how lovely! |
02:04:48 |
Hello? |
02:04:50 |
Hello? |
02:04:57 |
Alexander Maximiovich? |
02:04:59 |
Yes. |
02:05:01 |
It's me, Petya. |
02:05:04 |
Your Honor! |
02:05:05 |
Now, now, now, |
02:05:10 |
How do we get to the house, Petya? |
02:05:12 |
As you always did, Your Honor. |
02:05:35 |
Look, Sasha! |
02:05:41 |
What is it, Petya? Forest fire? |
02:05:44 |
Forest fire, Your Honor? |
02:05:46 |
That's Yuriatin. |
02:05:48 |
Poor souls. |
02:05:52 |
Now, the Reds again. |
02:05:54 |
That's Strelnikov. His heart must be dead. |
02:06:00 |
We'll soon be there, now, Sasha. |
02:06:02 |
Another five miles. |
02:06:04 |
Is it that far? One forgets. |
02:06:08 |
Oh, well enough, Your Honor. |
02:06:29 |
Varykino! |
02:07:19 |
All locked up, you see. |
02:07:27 |
A body, styling itself. |
02:07:30 |
The Yuriatin Committee |
02:07:33 |
...has expropriated my house |
02:07:38 |
Very well. |
02:07:39 |
I'm one of the people, too! |
02:07:44 |
Don't, Your Honor! |
02:07:46 |
- Get out of my way! |
02:07:48 |
Petya brought us here. |
02:07:50 |
That makes him |
02:07:53 |
They shoot counterrevolutionaries. |
02:08:07 |
It's not the Reds in the town, |
02:08:10 |
- Partisans. |
02:08:12 |
Who knows? They go where they want, |
02:08:15 |
All we need is a roof, Petya. |
02:08:17 |
And a bit of garden. Is there nowhere? |
02:08:25 |
They didn't lock the cottage. |
02:08:37 |
Oh, yes, we can manage here. |
02:08:43 |
Oh, the stove works. |
02:08:45 |
I'll find you a few sticks of furniture. |
02:08:47 |
And some seed potatoes? |
02:08:50 |
I'm afraid the garden is dreadfully run back. |
02:09:03 |
Yes. Thank you. |
02:09:33 |
Well done, my boy. |
02:09:34 |
I must say, scratch a Russian |
02:09:37 |
I've always said so. |
02:09:39 |
Well, you're wrong. |
02:09:40 |
He works like a peasant, |
02:09:43 |
I don't mind, Tonya. Really. |
02:09:46 |
- It's a good life. |
02:09:48 |
I wouldn't be surprised if you two didn't |
02:09:53 |
Awfully glad about the expected |
02:09:57 |
Anna was born here, you know. |
02:09:59 |
Oh, no, I didn't know that. |
02:10:01 |
Well, I'm terribly glad. |
02:10:03 |
Here's winged Mercury. |
02:10:07 |
Looks a bit down in the mouth. |
02:10:11 |
Enter. |
02:10:13 |
What news from Yuriatin? |
02:10:15 |
There's no lard, no sugar. |
02:10:18 |
There's flour, salt, coffee and nails. |
02:10:27 |
Bad news? |
02:10:29 |
Oh, Lord, not another purge! |
02:10:32 |
No. |
02:10:33 |
Strelnikov's gone. |
02:10:35 |
That's not bad news. |
02:10:36 |
No. He's in Manchuria, they say. |
02:10:44 |
That's the news. |
02:11:05 |
They've shot the tsar. |
02:11:10 |
And all his family. |
02:11:14 |
Oh, that's a savage deed. |
02:11:20 |
What's it for? |
02:11:24 |
It's to show there's no going back. |
02:12:36 |
Yuri, why don't you go to Yuriatin? |
02:12:39 |
Yes, why don't you, my boy? |
02:12:44 |
Why? What's in Yuriatin? |
02:12:46 |
It isn't Petersburg. |
02:12:48 |
A very decent little library... |
02:12:50 |
...if it's still there. |
02:12:52 |
I wish you would. |
02:12:55 |
No, I don't think so. |
02:12:57 |
Anyway, the roads are blocked. |
02:14:59 |
Zhivago? |
02:15:04 |
Yes. |
02:15:10 |
How are you? |
02:15:13 |
What are you doing here? |
02:15:15 |
We're at Varykino. |
02:15:18 |
Varykino? |
02:15:26 |
Why Varykino? |
02:15:28 |
Why not? We had to go somewhere. |
02:15:30 |
But, here! |
02:15:33 |
I came here to find my husband. |
02:15:36 |
Strelnikov. I met him. |
02:15:40 |
Met him? |
02:15:41 |
Yes. |
02:17:11 |
How long have you been living here? |
02:17:15 |
About a year. |
02:17:21 |
Alone? |
02:17:22 |
With Katya. |
02:17:24 |
Where's Katya now? |
02:17:26 |
At school. |
02:18:15 |
Is Tonya with you? |
02:18:18 |
All of us. |
02:18:20 |
Sasha? |
02:18:21 |
Of course. |
02:18:27 |
What are we going to do? |
02:18:29 |
I don't know. |
02:19:42 |
Yuri? |
02:19:45 |
It's awfully early, isn't it? |
02:19:48 |
Half past six. |
02:19:50 |
What are you doing? |
02:19:52 |
Nothing. Couldn't sleep. |
02:19:54 |
Is anything the matter? |
02:19:56 |
No. |
02:20:02 |
Shall I get some tea? |
02:20:06 |
Yes, do. |
02:21:25 |
Hello. You are silly. We called and called. |
02:21:28 |
- Did you? I didn't hear. |
02:21:32 |
- Hello, Lara. |
02:21:37 |
How's Olya Petrovna? |
02:21:39 |
She gets worse and worse. |
02:21:41 |
She gave us C.I. and arithmetic |
02:21:43 |
C.I.? |
02:21:45 |
Civic Instruction. |
02:21:47 |
Look. |
02:21:50 |
- That's very good, Katya. |
02:21:53 |
It's the tsar. |
02:21:56 |
The tsar was an enemy of the people. |
02:22:00 |
Well, he didn't know he was an enemy |
02:22:03 |
Well, he should have known, shouldn't he? |
02:22:05 |
Yes, he should. |
02:22:07 |
Fancy not knowing C.I. |
02:22:11 |
Lunch. |
02:22:13 |
Good. |
02:22:14 |
Come on, you. |
02:22:46 |
Smell. |
02:22:52 |
This one's a prize-fighter. |
02:22:55 |
Yuri! |
02:22:58 |
Wait a minute. |
02:23:00 |
There. |
02:23:19 |
I'm going in to Yuriatin, darling-- |
02:23:21 |
What? Now? |
02:23:22 |
Yes, I want to get some morphine, |
02:23:26 |
I shan't need morphine. |
02:23:27 |
You never know. |
02:23:29 |
Well, I shan't need it today. |
02:23:30 |
No. But, it's pretty close. |
02:23:35 |
- You'll be back before it's dark? |
02:23:50 |
Yes, yes, my darling. Do what's best. |
02:23:54 |
I'm not coming back. |
02:23:55 |
I understand. |
02:23:57 |
But, never, Lara. |
02:24:00 |
Do you understand? |
02:24:03 |
Do you believe me? |
02:25:04 |
Comrade Doctor, I need a medical officer. |
02:25:06 |
Sorry. I have a wife and child in Varykino. |
02:25:09 |
And a mistress in Yuriatin. |
02:25:13 |
Comrade Medical Officer, |
02:25:16 |
...and we shoot deserters. Up! |
02:25:31 |
Up! |
02:26:06 |
- Where are you taking me? |
02:26:09 |
- And where is the Front? |
02:26:11 |
The Front is wherever there are |
02:26:14 |
Wherever there is one gang |
02:26:16 |
...one battalion of foreign interventionists, |
02:26:19 |
Wherever there is one resentful |
02:26:23 |
...one dubious poet hugging his private life. |
02:26:25 |
That, too, is the Front. |
02:26:29 |
How long are you going to keep me? |
02:26:31 |
For as long as we need you. |
02:27:20 |
Now! |
02:27:30 |
Charge! |
02:28:26 |
Well, that was easy. Come on, Doctor, |
02:29:14 |
"St. Michael's Military School." |
02:29:22 |
You old bastard! |
02:29:36 |
It doesn't matter. |
02:29:41 |
Did you ever love a woman, Razin? |
02:29:43 |
I once had a wife and four children. |
02:29:58 |
He has been a good comrade. |
02:29:59 |
He's been a good medical officer. |
02:30:01 |
We took him from his wife, |
02:30:04 |
None of this matters. |
02:30:07 |
What does matter, Comrade Commissar? |
02:30:10 |
Tell me, I've forgotten. |
02:30:11 |
This is contemptible. The doctor stays. |
02:30:13 |
I command this unit! |
02:30:14 |
We command jointly. |
02:30:20 |
I could have you taken out and shot. |
02:30:23 |
And could you have the Party |
02:30:26 |
Try to understand. |
02:30:28 |
As the military struggle nears its close, |
02:30:32 |
In the hour of victory |
02:30:35 |
All men will then be judged politically... |
02:30:37 |
...regardless of their military record. |
02:30:41 |
Meanwhile, there are still White units |
02:30:44 |
The doctor stays. |
02:30:46 |
That concludes the meeting. |
02:31:38 |
Comrade, where are you going? |
02:31:41 |
Are you running away, Comrade? |
02:31:44 |
Soldiers. |
02:31:45 |
Red soldiers or White soldiers? |
02:31:47 |
Soldiers. |
02:33:33 |
Tonya! |
02:33:35 |
Tonya! |
02:33:37 |
Sasha! |
02:33:41 |
Tonya! |
02:33:45 |
Tonya! |
02:33:49 |
Tonya! |
02:33:54 |
Tonya! |
02:33:55 |
Tonya! |
02:34:44 |
This is Yuriatin? |
02:34:46 |
Yes. Yuriatin. |
02:34:49 |
What's happened at Varykino? |
02:34:50 |
The Moscow folks? |
02:34:53 |
Yes. |
02:34:53 |
They've gone away. Gone away. |
02:35:48 |
Lord what happiness! |
02:35:51 |
Someone saw you near the Town. |
02:35:53 |
I take it you have gone to Varykino, |
02:35:57 |
But just in case, I've left a little food, |
02:36:01 |
Put the lid back on the pan |
02:36:04 |
Oh, I'm mad with joy. |
02:37:19 |
Tonya! |
02:37:22 |
Tonya! |
02:37:24 |
Yuri. |
02:37:25 |
Tonya! |
02:37:26 |
Yuri. Yuri, darling. |
02:37:44 |
It's all right, Yuri. They're safe. |
02:37:47 |
They're in Moscow. |
02:37:49 |
- In Moscow? |
02:37:51 |
- Tonya? |
02:37:53 |
They're safe. |
02:37:56 |
Safe. |
02:38:00 |
Firing squad-- |
02:38:38 |
Better. |
02:38:48 |
What? |
02:38:50 |
I've got a letter for you. |
02:38:52 |
I've had it three months. |
02:38:56 |
And it was three months getting here. |
02:38:59 |
It's from Moscow. |
02:39:03 |
I think it's from Tonya. |
02:39:05 |
It's addressed to you. Care of me. |
02:39:09 |
She came into Yuriatin to find you |
02:39:13 |
Someone sent her here. |
02:39:15 |
You met? |
02:39:20 |
She's very fine. |
02:39:31 |
My dearest dear... |
02:39:33 |
...I am sending this to Larissa Antipova... |
02:39:36 |
...because if you are alive, |
02:39:39 |
...I think that is where you will go. |
02:39:42 |
We have a little daughter, Yuri, |
02:39:45 |
Her name is Anna. |
02:39:47 |
Father sends greetings. |
02:39:50 |
Sasha has grown quite a lot. |
02:39:52 |
He is quite big now. |
02:39:54 |
Whenever we speak of you |
02:39:58 |
This is what I have to tell you. |
02:40:00 |
We are being deported from Russia. |
02:40:03 |
We can't make out |
02:40:07 |
An organization in Paris |
02:40:09 |
...will know where we are... |
02:40:11 |
...but nothing is certain |
02:40:13 |
I am writing this in haste. |
02:40:16 |
They are coming for us now. |
02:40:18 |
God bless you. |
02:40:20 |
I must honestly admit |
02:40:34 |
Yuri, when they got away to Moscow, |
02:41:13 |
Yuri! |
02:41:38 |
May I come in? |
02:41:42 |
Yuri Andreyevich, you've changed, I think. |
02:41:46 |
Oh, yes, decidedly. |
02:41:49 |
Larissa... |
02:41:52 |
...remarkably the same. |
02:42:01 |
I came from Moscow. |
02:42:04 |
I'm on my way to Vladivostock. |
02:42:13 |
I'm here to offer you my help. |
02:42:15 |
We don't want it. |
02:42:17 |
Speak for yourself. |
02:42:18 |
We don't want it. |
02:42:20 |
Yuri Andreyevich, you spent two years |
02:42:23 |
You have no discharge |
02:42:26 |
Your family in Paris is involved |
02:42:30 |
Now all these are technicalities. |
02:42:33 |
But your style of life... |
02:42:34 |
...everything you say and think... |
02:42:36 |
...your published writings |
02:42:40 |
Your days are numbered. |
02:42:42 |
Unless I help you. |
02:42:44 |
Do you want my help? |
02:42:47 |
No. |
02:42:48 |
Wait, Yuri. |
02:42:55 |
Larissa, three glasses. |
02:42:57 |
No! |
02:42:59 |
Yuri, you must see how serious this is. |
02:43:05 |
Please don't underestimate me. |
02:43:07 |
Practically, or morally, |
02:43:13 |
How do you know all this about Yuri? |
02:43:15 |
How can you help? |
02:43:17 |
I do and I can. Isn't that sufficient? |
02:43:20 |
No. |
02:43:23 |
Sant, Larissa. |
02:43:34 |
Our eastern seaboard is |
02:43:38 |
The Commissariat of Foreign Affairs wants |
02:43:43 |
It affords us a temporary channel |
02:43:47 |
I've good contacts in the Far East. |
02:43:51 |
I've been appointed the minister of justice. |
02:43:54 |
The Bolsheviks trust you? |
02:43:56 |
They trust no one. |
02:44:04 |
Here's how I can help you. |
02:44:06 |
You... |
02:44:08 |
You come with me |
02:44:10 |
And from there you can go where you like. |
02:44:13 |
To Paris. |
02:44:15 |
Or not. |
02:44:17 |
I think you'd better go. |
02:44:19 |
Your rarified selfishness is intolerable. |
02:44:24 |
Larissa's in danger, too. |
02:44:26 |
By association with me? |
02:44:28 |
No. Not by association with you. |
02:44:32 |
By association with Strelnikov. |
02:44:35 |
I've never met Strelnikov. |
02:44:36 |
You're married to Strelnikov. |
02:44:39 |
I was married to Pasha Antipov. |
02:44:41 |
I understand, I understand. |
02:44:45 |
You're being watched. |
02:44:48 |
Do you know why? |
02:44:50 |
A husband is a sticky commodity, my dear. |
02:44:55 |
Go away! |
02:44:59 |
More of your high-minded lunacy. |
02:45:04 |
You have a child to think of. |
02:45:06 |
Look here. |
02:45:08 |
Here. |
02:45:09 |
That's sugar for the child. |
02:45:11 |
I don't want it. |
02:45:14 |
You'd refuse my sugar? |
02:45:17 |
Who are you to refuse me anything? |
02:45:19 |
Now you go! |
02:45:24 |
- I came-- |
02:45:27 |
Go! |
02:45:29 |
I came to you in good faith. |
02:45:37 |
You stay here then and get your desserts! |
02:45:42 |
Your desserts, do you hear me? |
02:45:48 |
You think you're immaculate. |
02:45:54 |
You're not immaculate! |
02:45:58 |
I know you! |
02:46:01 |
Do you hear me? |
02:46:03 |
We're all made of the same clay, you know. |
02:46:09 |
Clay! |
02:46:12 |
Clay! |
02:46:18 |
Lara. |
02:46:22 |
He's rubbish, Lara. |
02:46:25 |
Yes, rubbish. |
02:46:29 |
I wish he'd never happened. |
02:46:32 |
Does it matter? |
02:46:34 |
Doesn't it? |
02:46:36 |
Not to me. |
02:46:46 |
What shall we do? Can we get on a train? |
02:46:49 |
No, they'd arrest us on the spot. |
02:46:52 |
I don't want to stay here and wait. |
02:46:54 |
No. |
02:46:58 |
Listen. |
02:47:00 |
- We could go to-- |
02:47:05 |
They'd find out sooner or later. |
02:47:07 |
Yes, but later. |
02:47:09 |
And if our days are really numbered, Yuri-- |
02:47:11 |
Yes. We'd better live them. |
02:47:16 |
Before we're parted. |
02:47:19 |
Yes. |
02:49:52 |
Anna taught me to write at this desk. |
02:53:41 |
This isn't me, Yuri. |
02:53:44 |
Yes, it is. |
02:53:46 |
No. |
02:53:48 |
It's you. |
02:53:54 |
"Lara." |
02:54:43 |
Yuri! |
02:54:46 |
Yuri, there's a wolf howling! |
02:54:48 |
Oh, yes. |
02:54:53 |
I've seen them. They're frightened. |
02:54:57 |
Yes. I know. |
02:55:00 |
I'm sorry. |
02:55:10 |
Oh, Lord, this is an awful time to be alive. |
02:55:13 |
No. |
02:55:14 |
It is. Oh, it is! |
02:55:15 |
No. No. |
02:56:20 |
Wouldn't it have been lovely |
02:56:22 |
Before we did? |
02:56:24 |
Yes. |
02:56:28 |
We'd have got married |
02:56:34 |
If we'd had children, Yuri, |
02:56:39 |
I think we may go mad, |
02:56:43 |
I shall always think about it. |
02:56:46 |
- Will you write today? |
02:57:07 |
Katya! |
02:57:10 |
Come to me, darling. |
02:57:24 |
Victor! |
02:57:27 |
We thought it was-- |
02:57:30 |
Quiet. |
02:57:33 |
I wonder if you'd mind, Comrades? |
02:57:39 |
There's a train belonging |
02:57:42 |
It has a carriage for myself |
02:57:45 |
You would travel in comfort and safety. |
02:57:48 |
There's no question. |
02:57:50 |
I'm not going without you. |
02:57:54 |
Well, then, I'll have to speak |
02:58:12 |
Strelnikov is dead. |
02:58:14 |
What? |
02:58:15 |
Spare me your expressions of regret. |
02:58:17 |
He was a murderous neurotic |
02:58:21 |
Do you see how this affects Larissa? |
02:58:24 |
You don't. |
02:58:26 |
You're a fool. |
02:58:32 |
She's Strelnikov's wife. |
02:58:33 |
Why do you think they haven't |
02:58:36 |
Why do you think |
02:58:39 |
They were waiting for Strelnikov. |
02:58:41 |
If they thought that he would |
02:58:44 |
...they didn't know him. |
02:58:45 |
They knew him well enough. |
02:58:47 |
He was only five miles from here |
02:58:50 |
He was arrested on the open road. |
02:58:53 |
Throughout the entire interview, |
02:58:56 |
...which is his right name, and refused |
02:59:00 |
On his way to execution, |
02:59:03 |
...and blew his own brains out. |
02:59:05 |
Oh, my God! |
02:59:08 |
Don't tell Lara this. |
02:59:10 |
I think I know Lara at least as well as you. |
02:59:12 |
But don't you see her position? |
02:59:16 |
These men that came with me today |
02:59:18 |
...will come for her and the child tomorrow, |
02:59:21 |
Now, I know exactly what you think of me. |
02:59:24 |
And why. |
02:59:26 |
But if you're not coming with me, |
02:59:29 |
So, are you coming with me? |
02:59:32 |
Do you accept the protection |
02:59:34 |
...on any terms that Caliban cares to make? |
02:59:38 |
Or, is your delicacy so exorbitant that you |
02:59:52 |
There are some bags to carry, Comrades. |
03:00:11 |
Get in! |
03:00:16 |
Come. |
03:00:21 |
- How many? |
03:00:23 |
Sorry, not enough room. |
03:00:24 |
Comrade, there's got to be room. |
03:00:26 |
It's all right, I have to bring our sledge. |
03:00:28 |
Hurry. This train can't wait. |
03:00:31 |
You start, I'll catch you up. |
03:00:39 |
Right, Comrades! |
03:00:42 |
We'll see you. |
03:00:45 |
Hurry! |
03:02:18 |
I'm afraid that's it, my dear. |
03:02:21 |
You fool! |
03:02:24 |
Did you really think |
03:02:35 |
The man's an idiot. |
03:02:39 |
From Mongolia |
03:02:41 |
He'll never leave Russia. |
03:02:42 |
Let him stay. |
03:02:46 |
Yes. |
03:02:49 |
To be sure, it was your duty as a mother. |
03:02:52 |
That's right, Victor. |
03:02:57 |
I'm carrying Yuri's child. |
03:03:04 |
I was born out there, |
03:03:08 |
I think it was Mongolia. I don't remember. |
03:03:10 |
You were born in Mongolia. |
03:03:13 |
So were a lot of other children. |
03:03:15 |
Not many called Tonya, bearing the name |
03:03:18 |
Komarov's a common name. So is Tonya. |
03:03:20 |
With fair hair and blue eyes, |
03:03:23 |
...when the civil war broke out |
03:03:25 |
There's something you haven't told me. |
03:03:27 |
How did you come to be lost? |
03:03:30 |
I can't remember. |
03:03:31 |
I don't believe that. |
03:03:33 |
No! |
03:03:35 |
Shall I tell you |
03:03:38 |
If she was my mother, Comrade General. |
03:03:40 |
You doubt it? |
03:03:41 |
I picked my brother up, literally picked |
03:03:44 |
He had a fourth-class ration book |
03:03:48 |
He didn't seem to mind that, or anything. |
03:03:50 |
I thought he was a happier man than me. |
03:03:54 |
He suffered me to buy him a new suit. |
03:03:57 |
And to get him a job at his old hospital. |
03:04:00 |
I saw him off for his first day's work. |
03:04:03 |
This was eight years |
03:04:09 |
So, he never saw her again? |
03:04:15 |
Thank you. You've been very kind to me. |
03:04:24 |
He must have known how ill he was. |
03:04:28 |
But, he kept it to himself. |
03:04:56 |
Please! |
03:06:01 |
I was astonished at the extent |
03:06:05 |
His work was unobtainable at the time. |
03:06:09 |
But, ifpeople love poetry, they love poets. |
03:06:13 |
And nobody loves poetry like a Russian. |
03:06:25 |
Excuse me, Comrade. |
03:06:27 |
Are you Yevgraf?. |
03:06:30 |
My name's Lara. |
03:06:31 |
I knew her name from the Lara poems... |
03:06:33 |
...which I'd found |
03:06:37 |
I knew your brother. |
03:06:40 |
I need your help. |
03:06:42 |
She'd come to Moscow |
03:06:45 |
I helped her as far as I could. |
03:06:50 |
But, I knew it was hopeless. |
03:06:58 |
I think I was a little in love with her. |
03:07:08 |
One day she went away |
03:07:11 |
She died, or vanished, somewhere... |
03:07:14 |
...in one of the labor camps... |
03:07:16 |
...a nameless number on a list |
03:07:21 |
That was quite common in those days. |
03:07:33 |
How did you come to be lost? |
03:07:37 |
- We were running in the street. |
03:07:39 |
- My father. |
03:07:41 |
I don't know. |
03:07:43 |
The street was under fire. |
03:07:45 |
There were explosions |
03:07:50 |
...and he let go of my hand. |
03:07:54 |
He let go of my hand. |
03:07:57 |
And I was lost. |
03:08:02 |
Would a father have done that? |
03:08:04 |
Oh, yes, people will do anything. |
03:08:08 |
It was Komarovsky. |
03:08:12 |
This man was your father. |
03:08:18 |
Why won't you believe it? |
03:08:21 |
Don't you want to believe it? |
03:08:24 |
Not if it isn't true. |
03:08:29 |
That's inherited. |
03:08:31 |
Comrade General, when I was a child, |
03:08:35 |
You can imagine how I wanted parents. |
03:08:39 |
I wanted to die when I was a child, |
03:08:46 |
Now, I don't know. |
03:08:50 |
I can't be of any use to them, now, can I? |
03:08:53 |
I was hoping I might be |
03:08:58 |
Will you think about it? |
03:09:00 |
Yes. |
03:09:06 |
It's all right, David. |
03:09:11 |
Do you work here? |
03:09:12 |
Yes, Comrade General. I'm an operator. |
03:09:14 |
And what do you operate? |
03:09:17 |
That! |
03:09:33 |
You've promised to think about it. |
03:09:47 |
Tonya! |
03:09:50 |
Can you play the balalaika? |
03:09:52 |
Can she play? |
03:09:54 |
She's an artist! |
03:09:55 |
An artist? Who taught you? |
03:09:58 |
No one taught her. |
03:10:02 |
Then, it's a gift. |