|
Domovoy The Ghost
|
| 00:00:43 |
Okay, get myself together... |
| 00:00:46 |
He pulled out a gun. |
| 00:00:52 |
Illuminated only by... |
| 00:00:54 |
Only, only, only... |
| 00:00:57 |
What was illuminating him? |
| 00:01:00 |
Only... |
| 00:01:07 |
Illuminated only by the street light... |
| 00:01:12 |
... the dim light of street lanterns. |
| 00:01:16 |
Hell. |
| 00:01:18 |
CENTRAL PARTNERSHIP |
| 00:01:23 |
MAGNUM MOVIE COMPANY |
| 00:01:34 |
present |
| 00:01:37 |
KONSTANTIN HABENSKI |
| 00:01:41 |
VLADIMIR MASHKOV |
| 00:01:46 |
CHULPAN HAMATOVA |
| 00:01:51 |
in the film of |
| 00:01:59 |
THE GHOST |
| 00:02:07 |
Script |
| 00:02:11 |
Director |
| 00:02:23 |
Get out of here. |
| 00:03:05 |
Sasha, have your people gone mad? |
| 00:03:09 |
It was all white, and now it's all red. |
| 00:03:13 |
"Suddenly the Ghost understood |
| 00:03:18 |
- Are you drinking again? |
| 00:03:21 |
To no avail. |
| 00:03:25 |
Have you gone mad? |
| 00:03:28 |
Wait. |
| 00:03:30 |
Wait! Have you read it yourself? |
| 00:03:32 |
- This? |
| 00:03:34 |
I must've read this 5 times already. |
| 00:03:35 |
- Good morning. |
| 00:03:37 |
Nice to meet you. |
| 00:03:39 |
Yes, yes... I'm listening. |
| 00:03:43 |
Jenya, please make us some coffee. |
| 00:03:46 |
Maybe you should try writing |
| 00:04:12 |
[Advertisement poster reads: |
| 00:04:34 |
Dear customers. |
| 00:04:36 |
On the top floor of our store you can get an autograph from the writer Anton Prachenko. |
| 00:04:43 |
- Hello. |
| 00:04:46 |
- What is your name? |
| 00:04:48 |
Glorious name. |
| 00:04:54 |
- Thank you. |
| 00:05:05 |
- Hello. |
| 00:05:07 |
- I read your book. |
| 00:05:10 |
Total crap. |
| 00:05:13 |
Earlier your writing was much better. |
| 00:05:16 |
- What is your name? |
| 00:05:21 |
You should read comics, Egor. |
| 00:05:24 |
Maybe someone will like it. |
| 00:05:34 |
Excuse me, but I'm not Sorokin... |
| 00:05:36 |
That's alright. |
| 00:05:46 |
Hello... |
| 00:05:48 |
- What is your name? |
| 00:05:53 |
Have you yourself ever killed? |
| 00:05:57 |
- I do not understand. |
| 00:06:01 |
I am a writer. |
| 00:06:07 |
I wish you the same. |
| 00:06:18 |
Dear customers. |
| 00:06:20 |
On the top floor of our store you can get an autograph from the writer Anton Prachenko. |
| 00:07:16 |
What's wrong? |
| 00:07:18 |
Has something happened? |
| 00:07:20 |
Wait... |
| 00:08:48 |
- They are all killers? |
| 00:08:53 |
This one at the bookstore |
| 00:08:56 |
From the top ranks. |
| 00:08:58 |
- Fulfilled the client's special request. |
| 00:09:02 |
A bullet in the mouth. |
| 00:09:04 |
- So he wouldn't talk... |
| 00:09:06 |
What were we talking about? |
| 00:09:12 |
About nothing. |
| 00:09:13 |
You haven't met him before? |
| 00:09:17 |
Don't think so. |
| 00:09:21 |
Okay. |
| 00:09:23 |
Try to put together a composite sketch. |
| 00:09:42 |
Today in the center of Moscow an audacious double murder took place. |
| 00:09:45 |
In front of dozens of passersby Anatoly Shmelyov and his bodyguards were shot dead. |
| 00:09:48 |
Shmelyov was supposed to be the main witness in the Filipp Yagorsky trial, |
| 00:09:52 |
but the prosecution has not yet established a connection between those two facts. |
| 00:10:11 |
"Revenge of the Ghost" |
| 00:10:14 |
"Anton! Good luck! |
| 00:10:22 |
I think the eyes are wrong. |
| 00:10:29 |
I don't know... |
| 00:10:32 |
Can we do different eyebrows? |
| 00:10:36 |
So, how's it going? |
| 00:10:40 |
I can not remember. |
| 00:10:43 |
He had this face... |
| 00:10:45 |
Also he was in a baseball cap, |
| 00:10:48 |
I can't remember. |
| 00:10:51 |
I see. |
| 00:10:54 |
If you remember anything, please call. |
| 00:10:58 |
After the initial shock passes, |
| 00:11:01 |
Please wait. |
| 00:11:05 |
Maybe it's silly... |
| 00:11:07 |
But I would like to write about it. |
| 00:11:09 |
If it's possible |
| 00:11:14 |
You have a strange muse. |
| 00:11:17 |
Stop creating a myth |
| 00:12:25 |
- Hi! |
| 00:12:29 |
Come here. |
| 00:12:37 |
What's the occasion? |
| 00:12:42 |
A celebration... |
| 00:12:44 |
- Romantic dinner. |
| 00:12:46 |
Wash your hands, take off your coat. |
| 00:12:49 |
- But today is Tuesday. |
| 00:12:52 |
We can not see each other |
| 00:12:58 |
You're quite excited, I see. |
| 00:13:01 |
Can you imagine that two people |
| 00:13:05 |
"Imagine... |
| 00:13:08 |
- It must be the new title of your book. |
| 00:13:12 |
I was signing books at a bookstore |
| 00:13:17 |
It was so simple... |
| 00:13:20 |
Simple and beautiful. |
| 00:13:23 |
Most importantly it was completely different. |
| 00:13:30 |
All my life I've been writing about this, |
| 00:13:34 |
- Are you okay? |
| 00:13:37 |
I just have to write it all down right now |
| 00:13:42 |
Let's have dinner |
| 00:13:46 |
Vika, once in a century |
| 00:13:50 |
Once in a century |
| 00:13:52 |
- Vika. |
| 00:13:55 |
Maybe I should just leave? |
| 00:14:05 |
Vika... |
| 00:14:08 |
- Your favorite salad. |
| 00:14:11 |
Vika! |
| 00:14:13 |
- You know I can't work when... |
| 00:14:19 |
When someone is around. |
| 00:14:28 |
You don't even remember |
| 00:14:33 |
Why I don't remember? |
| 00:14:35 |
Tuesday? |
| 00:14:38 |
Exactly a year ago we met. |
| 00:14:42 |
Do you know why you don't remember? |
| 00:14:45 |
And you don't care about me too. |
| 00:14:47 |
- Vika, you could have warned me earlier. |
| 00:14:50 |
- Let me call a cab, Vika... |
| 00:15:38 |
The beginning, the beginning... |
| 00:15:41 |
Yes, exactly. |
| 00:15:44 |
He was lying down on the asphalt, |
| 00:15:50 |
As if the victim before his death had decided to turn up to the heavens for help. |
| 00:15:58 |
The last thing he felt were the drops of rain on his face. |
| 00:16:03 |
One fell into his mouth, |
| 00:16:07 |
The intense taste of moisture |
| 00:16:37 |
Yes? |
| 00:16:39 |
Yes, yes... |
| 00:16:41 |
I just... |
| 00:16:45 |
I'll be there soon. |
| 00:16:47 |
Damn... |
| 00:17:21 |
What are you honking for? |
| 00:17:23 |
Can't you see we're working? |
| 00:17:25 |
Get outta here! |
| 00:17:56 |
I see no reasons |
| 00:17:58 |
Can you understand, |
| 00:18:01 |
I think it will be |
| 00:18:04 |
- You're the father, so you decide. |
| 00:18:27 |
Hi, warrior. |
| 00:18:29 |
- Hi. |
| 00:18:34 |
- How are you? |
| 00:18:38 |
- And what's this? |
| 00:18:40 |
Chipolino? |
| 00:18:43 |
- You've come again for 5 minutes? |
| 00:18:47 |
Till evening. |
| 00:18:49 |
- So what are we going to play? |
| 00:18:51 |
You don't know? |
| 00:18:56 |
- Shall we play? |
| 00:19:00 |
You must choose the tallest tree. |
| 00:19:03 |
Shall we choose? |
| 00:19:05 |
Which is the tallest? |
| 00:19:08 |
- That one. |
| 00:19:11 |
Okay. |
| 00:19:15 |
Excuse me. |
| 00:19:16 |
- May we climb that tree? |
| 00:19:19 |
See, we can't. |
| 00:19:23 |
In that case let's do another game. |
| 00:19:25 |
You have to find... |
| 00:19:35 |
The killer has been to the bookstore |
| 00:19:39 |
Why do you think so? |
| 00:19:41 |
He's too well aware of |
| 00:20:01 |
Writer! |
| 00:20:02 |
Do you know the weather |
| 00:20:06 |
What? |
| 00:20:07 |
I'm asking if you know |
| 00:20:12 |
What weather? |
| 00:20:13 |
My umbrella broke. |
| 00:20:18 |
If it's about the police, I promise... |
| 00:20:22 |
That darn thing! |
| 00:20:24 |
- Forget about the cops. |
| 00:20:27 |
Right on. |
| 00:20:29 |
- I've been skimming your novel. |
| 00:20:33 |
You write well, |
| 00:20:36 |
- But the people buy it... |
| 00:20:39 |
Do you like it yourself? |
| 00:20:46 |
The book is probably not the best, just... |
| 00:20:51 |
I had this period... |
| 00:20:52 |
I see. |
| 00:20:53 |
- Helps? |
| 00:20:57 |
Want a real story? |
| 00:21:01 |
We'll make a book. |
| 00:21:06 |
You serious? |
| 00:21:09 |
This is nonsense... |
| 00:21:11 |
That's not what I meant to say, I... |
| 00:21:14 |
Why are you offering this to me? |
| 00:21:17 |
Who else? |
| 00:21:21 |
Why do you need it? |
| 00:21:23 |
Bored. |
| 00:21:27 |
Not afraid that |
| 00:21:32 |
No. |
| 00:21:33 |
You're interested, aren't you, |
| 00:22:10 |
- Good day. |
| 00:22:14 |
- Paid the money? |
| 00:22:17 |
The rest on Saturday. |
| 00:22:20 |
Drink, it'll be good for you. |
| 00:22:30 |
They write about us. |
| 00:23:06 |
Hi. |
| 00:23:07 |
Hello. |
| 00:23:10 |
What's that for? |
| 00:23:12 |
We are going to have |
| 00:23:16 |
What interview... |
| 00:23:19 |
Don't get ahead. |
| 00:23:22 |
Start by telling me how you write books. |
| 00:23:26 |
That is... |
| 00:23:29 |
quite a creative process. |
| 00:23:31 |
It requires solitude, concentration. |
| 00:23:34 |
Just like my job. |
| 00:23:38 |
Then what? |
| 00:23:40 |
Then the main thing is to invent a story, |
| 00:23:49 |
Interesting. |
| 00:23:50 |
Will you order something? |
| 00:23:52 |
- Black tea, please, and a doughnut. |
| 00:23:55 |
- A delicious one. |
| 00:23:59 |
Listen to this true story. |
| 00:24:03 |
Just a second. |
| 00:24:15 |
There were two friends. |
| 00:24:18 |
They had a common business. |
| 00:24:20 |
One liked amusements: |
| 00:24:23 |
As a result of such a life, |
| 00:24:28 |
To pay the debt |
| 00:24:32 |
The friend was standing in his way. |
| 00:24:35 |
Then he, through his connections, finds a killer, |
| 00:24:40 |
He leaves for him an an agreed place |
| 00:24:45 |
And his friend... |
| 00:24:47 |
turns out to be the killer. |
| 00:24:49 |
He receives the front money and |
| 00:24:53 |
Imagine the scheme? |
| 00:24:55 |
Theme. |
| 00:24:57 |
Well, yes. |
| 00:24:59 |
Keep listening... |
| 00:25:00 |
Hold on. Maybe you can you tell |
| 00:25:03 |
What's there to tell? |
| 00:25:06 |
Work - home, home - work. |
| 00:25:09 |
Still. |
| 00:25:11 |
Work is just work. |
| 00:25:15 |
But you are no truck driver. |
| 00:25:20 |
Are you on about the "mortal sin"? |
| 00:25:22 |
It's the people who order my services who fight among themselves. I just put the period in their relationships, that's all. |
| 00:25:27 |
Okay. |
| 00:25:30 |
- What is important in your work? |
| 00:25:34 |
- Except emotions. |
| 00:25:36 |
They interfere. |
| 00:25:45 |
Most important thing is the result, right? |
| 00:25:48 |
You see... |
| 00:25:50 |
You can kill anyone. |
| 00:25:54 |
You... |
| 00:25:59 |
Can you not kill? |
| 00:26:01 |
Can you not write? |
| 00:26:09 |
Probably not. |
| 00:26:10 |
Simply... |
| 00:26:12 |
Don't know how to do |
| 00:26:14 |
Then why do you ask? |
| 00:27:02 |
There he is. |
| 00:27:06 |
Thanks, you can go. |
| 00:27:21 |
You know, it's actually not bad. |
| 00:27:24 |
Honestly, not bad. |
| 00:27:26 |
I'm serious. |
| 00:27:30 |
- Where? |
| 00:27:33 |
- One sec... |
| 00:27:35 |
Probably left them at home. |
| 00:27:38 |
- Anyways, I'm gonna think. But the general feel... |
| 00:27:42 |
I have another place. |
| 00:27:43 |
Okay, why right away... |
| 00:27:46 |
Will you be thinking long? |
| 00:27:48 |
Anton, if you continue writing |
| 00:27:51 |
it's gonna be a hit! |
| 00:27:54 |
Keep working, stupid. |
| 00:28:22 |
Why was I called? |
| 00:28:24 |
Will you be long? |
| 00:28:27 |
We're working on it. |
| 00:28:33 |
Yes, I understand, going there now. |
| 00:28:45 |
So? |
| 00:28:46 |
- Have you remembered anything? |
| 00:28:49 |
I told you everything. |
| 00:28:51 |
You never met the killer before? |
| 00:28:54 |
No. |
| 00:28:55 |
I think I told you this already. |
| 00:28:58 |
So what did you speak to him about? |
| 00:29:01 |
I don't remember. |
| 00:29:04 |
Not a single camera captured his face, only because he knew exactly where each of them is located. |
| 00:29:10 |
This means that he has been there before. |
| 00:29:14 |
Maybe even tried meeting you there. |
| 00:29:17 |
Or maybe you did? |
| 00:29:19 |
What meeting? |
| 00:29:21 |
Tell me, are you suspecting me? |
| 00:29:26 |
You think you are writing books, right? |
| 00:29:29 |
No. |
| 00:29:31 |
With all this you're making a criminal |
| 00:29:40 |
Listen. |
| 00:29:42 |
Some brainless kid will read your novel... |
| 00:29:46 |
and then will take a gun |
| 00:29:51 |
Think about that. |
| 00:29:53 |
Okay, I'll think about it. |
| 00:29:58 |
Free to go... |
| 00:30:02 |
Goodbye. |
| 00:30:17 |
The Ghost did not work through intermediaries. |
| 00:30:21 |
He found a big fish in the criminal world |
| 00:30:26 |
Only to disappear after several orders. |
| 00:30:30 |
But once he made a mistake, |
| 00:30:35 |
Dager worked for us. |
| 00:30:40 |
Next everything went according to our plan: |
| 00:30:45 |
Hold on. |
| 00:30:49 |
His dead body. |
| 00:30:52 |
There was a chase. |
| 00:30:54 |
He tried to escape |
| 00:31:24 |
Funny. |
| 00:31:26 |
Do you know the funniest part? |
| 00:31:29 |
The legend about the Ghost |
| 00:31:33 |
It was not destroyed |
| 00:31:37 |
Soon afterwards rumors started in the criminal world that the Ghost is still alive. That he wasn't killed. |
| 00:31:42 |
Because the criminals also need their hero. Their own legend. |
| 00:31:47 |
The idea is so enticing that certain writers try to resurrect him in their novels. |
| 00:31:52 |
Listen, sir. |
| 00:31:54 |
I just read about the Ghost killer once in a newspaper and invented a story. |
| 00:31:58 |
The book sold well, |
| 00:32:03 |
If someone does not like it, |
| 00:32:06 |
But before his death |
| 00:32:09 |
Knife stab in the neck. |
| 00:32:13 |
So what? |
| 00:32:15 |
Why am I telling you this? |
| 00:32:17 |
The Ghost's last victim was |
| 00:32:22 |
A major from Kemerovo. |
| 00:32:30 |
Now do you understand his reaction? |
| 00:32:44 |
Yes... |
| 00:32:47 |
Hands together. |
| 00:32:49 |
Good job. |
| 00:32:51 |
Hold the reins. |
| 00:32:53 |
Lower the heel. |
| 00:32:58 |
Don't sleep! |
| 00:33:00 |
With energy. |
| 00:33:11 |
A lift? |
| 00:33:13 |
Shall I give you a lift? |
| 00:33:16 |
Alright. |
| 00:33:19 |
My friends just opened a restaurant. |
| 00:33:22 |
I'm tired, I don't want to. |
| 00:33:25 |
Alright. |
| 00:33:37 |
I know that I'm an idiot, |
| 00:33:40 |
Give me advice as |
| 00:33:45 |
No, she doesn't talk to me on the phone. |
| 00:33:48 |
- Doesn't want to. |
| 00:33:50 |
Vika, I know that this is not funny, but... |
| 00:33:53 |
I'm a thousand times guilty. |
| 00:33:55 |
Should I get on my knees before you? |
| 00:33:58 |
Want to walk all over me |
| 00:34:04 |
Vika... |
| 00:34:06 |
- Anton, do you need me at all? |
| 00:34:10 |
Okay, that's it. |
| 00:34:12 |
Stop drinking. |
| 00:34:14 |
- That's it! |
| 00:34:16 |
- I do not drink. |
| 00:34:18 |
Me too. What else? |
| 00:34:19 |
- Go to bed no later than 4AM. |
| 00:34:23 |
- What else? |
| 00:34:26 |
Okay, tomorrow... |
| 00:34:31 |
- Clementina is eating your flowers. |
| 00:34:34 |
- Stop! It's a "she"? |
| 00:34:36 |
Give it here! |
| 00:34:39 |
Vika, wait. |
| 00:34:41 |
Allow me to carry your saddle. |
| 00:34:43 |
Thank you. |
| 00:34:46 |
- And kiss me. |
| 00:34:48 |
In the forehead. |
| 00:34:58 |
I'm gonna tell you this one story. |
| 00:35:00 |
Five years ago there was one man... |
| 00:35:04 |
Got in the way of many people, |
| 00:35:09 |
Security, video surveillance, |
| 00:35:15 |
Three tried doing him in before me. |
| 00:35:17 |
- And what? |
| 00:35:20 |
I studied him for a long time. |
| 00:35:22 |
People next to him, his habits. |
| 00:35:25 |
Was looking for his weak points. |
| 00:35:27 |
- Found one? |
| 00:35:30 |
In Voronej. |
| 00:35:33 |
I did some chemisty in her medicine cabinet, and she was taken to the hospital. |
| 00:35:37 |
He flew to her from Moscow immediately. |
| 00:35:45 |
What about the grandma? |
| 00:35:47 |
What? |
| 00:35:49 |
The grandma will outlive both of us. |
| 00:36:02 |
Anton, let's go sleep. |
| 00:36:55 |
What do you think? |
| 00:36:57 |
Everything seems okay, |
| 00:37:02 |
What is wrong? |
| 00:37:05 |
Your victims are always without bodyguards. |
| 00:37:09 |
Why does he take so long? |
| 00:37:13 |
You see... the Ghost, he... |
| 00:37:15 |
He has to study the victim, right? |
| 00:37:18 |
And after all... it's literature. |
| 00:37:21 |
I can not give away everything |
| 00:37:24 |
Got it. |
| 00:37:26 |
His thoughts are all confused. |
| 00:37:30 |
Really? |
| 00:37:33 |
I don't know... |
| 00:37:36 |
I try to pass it all through myself. |
| 00:37:39 |
How do you do it? |
| 00:37:44 |
I imagine what I would think, |
| 00:37:49 |
if I was in that situation. |
| 00:37:52 |
To think like him |
| 00:37:58 |
- Listen... Let's try it. |
| 00:38:02 |
No, I'm serious. In literature there exists such a technique called profound identification. |
| 00:38:06 |
It's when the writer lives out in real life the life of one of his characters. |
| 00:38:11 |
Let's do it like this. |
| 00:38:14 |
You give me an order. |
| 00:38:20 |
Then I will start to understand, |
| 00:38:23 |
I will experience the whole situation from within. Let's do it! |
| 00:38:27 |
Will you kill? |
| 00:38:31 |
No, kill... |
| 00:38:36 |
What are you thinking? |
| 00:38:38 |
No, I just... |
| 00:38:42 |
Let's do it this way... |
| 00:38:45 |
My goal... |
| 00:38:48 |
is to find myself one-on-one with the victim without witnesses. |
| 00:38:51 |
As if finish him off and escape. |
| 00:38:55 |
"As if" let's do it. |
| 00:38:57 |
Who is the victim? |
| 00:38:59 |
Choose anyone. |
| 00:39:02 |
Anyone? |
| 00:39:23 |
You don't pity her? |
| 00:39:25 |
I do pity. |
| 00:39:28 |
You're not thinking |
| 00:39:40 |
This one. |
| 00:39:42 |
Let's do this one. |
| 00:39:51 |
He even has bodyguards, |
| 00:39:54 |
I'll be right back. |
| 00:40:13 |
- Where are you going? |
| 00:40:15 |
Here. |
| 00:40:27 |
What is this? |
| 00:40:29 |
Traffic cops' database. |
| 00:40:31 |
Enter the number. |
| 00:40:34 |
Damn... |
| 00:40:44 |
So? |
| 00:40:49 |
So... We have the name |
| 00:40:52 |
- Write it down. |
| 00:40:55 |
- You have many gadgets like this? |
| 00:40:59 |
Vladimir Vyacheslavovich Ordyntsev. |
| 00:41:03 |
- Don't write down the name. |
| 00:41:06 |
What if they find the notebook? |
| 00:41:08 |
Cover your trail. |
| 00:41:11 |
Think of a nickname. |
| 00:41:14 |
He's a good-looking chap. |
| 00:41:16 |
The Macho. |
| 00:41:19 |
Just like in a novel. |
| 00:41:22 |
You're a writer, |
| 00:41:25 |
One moment... |
| 00:41:27 |
The Tartar... |
| 00:41:30 |
- Why "the Tartar"? |
| 00:41:32 |
The Golden Horde |
| 00:41:35 |
Funny. |
| 00:41:38 |
Let it be "Tartar" then. |
| 00:41:42 |
Do you yourself have a nickname? |
| 00:41:44 |
Probably something catchy, |
| 00:41:46 |
What do you need it for? |
| 00:41:49 |
Just curious. |
| 00:41:51 |
The Ghost. |
| 00:41:55 |
- I was being serious. |
| 00:42:01 |
Okay, if you don't want to tell me, |
| 00:42:05 |
Ready. |
| 00:42:08 |
What's next? |
| 00:42:10 |
How much? |
| 00:42:13 |
- I don't understand. |
| 00:42:16 |
You're asking about money? |
| 00:42:19 |
- Wait, maybe... |
| 00:42:22 |
You wanted to go through all the stages for real. So name a price? |
| 00:42:28 |
I don't know... |
| 00:42:31 |
What are your income brackets? |
| 00:42:34 |
How much do you make |
| 00:42:39 |
- Everything depends on number of copies sold... |
| 00:42:43 |
- No, no, I... |
| 00:42:46 |
- Thirty? |
| 00:42:49 |
Dollars? |
| 00:42:54 |
- If it's a bestseller, then... |
| 00:42:59 |
- Then it's thirty, yes. |
| 00:43:04 |
I leaft you advance payment |
| 00:43:08 |
Code to the box is known only by you |
| 00:43:12 |
Do not go to it right away. Look around. |
| 00:43:18 |
Catch drift of the mood. |
| 00:43:26 |
- Do you know how birds are like people? |
| 00:43:31 |
They fly to where the feed is. |
| 00:43:35 |
Funny. |
| 00:45:12 |
Hi. |
| 00:45:14 |
I missed you a lot. |
| 00:45:20 |
I'll call you back. |
| 00:45:32 |
From the moment you took the money |
| 00:45:38 |
Think of it as signing a contract. |
| 00:45:44 |
What's next? |
| 00:45:45 |
Now study his personality, |
| 00:45:51 |
His habits, interests. |
| 00:45:57 |
The people around him. |
| 00:46:27 |
While following the Tartar, I tried hard to find the slightest explanation for his existence. |
| 00:46:32 |
But he was a totally useless and empty subject. |
| 00:46:37 |
Who was wasting money and wasting his life. |
| 00:46:40 |
I did not need to turn off my emotions. |
| 00:46:44 |
Towards the Tatar |
| 00:47:18 |
- You walked in after them just like that? |
| 00:47:21 |
Bought two tickets to a concert, |
| 00:47:25 |
I think he won't take the bodyguards |
| 00:47:28 |
- Good job. Why did you get two tickets? |
| 00:47:31 |
- I don't need one. Give mine to someone else. |
| 00:47:34 |
The concert goes on for about 3 hours without intermission. |
| 00:47:37 |
The Tartar will 100% have to go smoke |
| 00:47:40 |
- By the way, the bathroom is the ideal place. |
| 00:47:44 |
Listen... Tell me, |
| 00:47:47 |
Do you have to dress in a particular way? |
| 00:47:50 |
"Going for the job" - what? |
| 00:47:52 |
You are going to a concert, |
| 00:47:56 |
- Where to now? |
| 00:48:38 |
Ever shot before? |
| 00:48:40 |
We used to shoot in school. |
| 00:48:49 |
Here, shoot. |
| 00:48:51 |
Is it real? |
| 00:49:03 |
It's so heavy. |
| 00:49:05 |
Let's go. |
| 00:49:23 |
Take off the safety lock. |
| 00:49:34 |
Don't spare the bullets. |
| 00:49:38 |
There were times during war, |
| 00:49:40 |
that with their hearts shot through |
| 00:49:52 |
Give it. |
| 00:50:04 |
Pay attention. |
| 00:50:13 |
- Finished. |
| 00:50:24 |
Excellent. |
| 00:50:31 |
Hand tighter. |
| 00:50:33 |
Like that. |
| 00:50:40 |
Got it! |
| 00:50:45 |
Control shot? |
| 00:50:50 |
Broke it? |
| 00:50:53 |
Give it here. |
| 00:50:57 |
Okay, enough for today. |
| 00:51:07 |
What do I shoot with in the theater? |
| 00:51:10 |
Your finger. |
| 00:51:23 |
I am in the crowd. |
| 00:51:28 |
Never did I think about this before. |
| 00:51:31 |
Suddenly I felt myself naked. |
| 00:51:35 |
There is only one way |
| 00:51:52 |
- Hi. |
| 00:51:56 |
- How's the life of your animals? |
| 00:52:02 |
- You are drunk. |
| 00:52:05 |
Anton, look at yourself. |
| 00:52:08 |
I'm celebrating the birthday of uncle Kolya. |
| 00:52:11 |
That's great! |
| 00:52:16 |
Drink more, write your books, |
| 00:52:19 |
We had an agreement. I asked you like a man. Why do you make promises then? |
| 00:52:25 |
Come on, now... |
| 00:52:27 |
- Give me my coat. |
| 00:52:29 |
When you come to your senses we'll talk, alright? |
| 00:52:32 |
That's it! |
| 00:52:34 |
Anton, I am not joking. |
| 00:52:37 |
- Where are you going? |
| 00:52:40 |
Get lost, I'm not joking. |
| 00:52:43 |
No jocking, you hear? |
| 00:52:45 |
I'm disgusted. Don't you understand? |
| 00:52:48 |
Take your hands off, I said! |
| 00:52:53 |
- What are you doing? |
| 00:52:55 |
Understand? |
| 00:52:58 |
Anton, have you gone mad? |
| 00:53:03 |
- Calm down. |
| 00:53:07 |
Calm down. |
| 00:53:11 |
- I understand everything. |
| 00:53:16 |
- What do you understand? |
| 00:53:19 |
What do not touch? |
| 00:53:22 |
What do not touch... |
| 00:54:23 |
Has something happened? |
| 00:54:28 |
Tough day. |
| 00:54:34 |
Personal problems. |
| 00:54:37 |
I see. |
| 00:54:39 |
I can't find understanding |
| 00:54:42 |
We argue. Without her it's bad, with her it's bad. I'm all confused. |
| 00:54:45 |
This morning she left me a letter: "I'm leaving." |
| 00:54:50 |
Maybe she has someone else? |
| 00:54:52 |
- In what sense? |
| 00:54:57 |
No, no... |
| 00:55:03 |
No, it can't be. |
| 00:55:06 |
If it can't, then it can't. |
| 00:55:09 |
Okay, what's next? |
| 00:55:13 |
Tomorrow is the concert. |
| 00:55:15 |
Is that it? |
| 00:55:17 |
What else? |
| 00:55:20 |
You find yourself with him |
| 00:55:23 |
you leave quietly |
| 00:55:25 |
- Later you tell me how it was. |
| 00:55:28 |
Good luck. |
| 00:55:30 |
Don't forget the finger. |
| 00:55:37 |
Hi, Vika, where are you? |
| 00:55:41 |
Nowhere? |
| 00:55:43 |
Say, that letter... |
| 00:55:46 |
Yes, I'm serious, I couldn't be more serious. |
| 00:55:50 |
Vika... |
| 00:55:53 |
I don't have anyone. |
| 00:55:57 |
Let's go, it's not nice. |
| 00:56:00 |
Who's that there? Who is there? |
| 00:56:04 |
Why are you screaming? What do you care? |
| 00:56:07 |
Hello! |
| 00:56:09 |
Let's go. |
| 00:56:24 |
Mother of... |
| 00:56:30 |
- Something happened? |
| 00:57:53 |
What are you doing, jerk? |
| 00:57:56 |
What?! Stop! |
| 00:57:58 |
Come here! |
| 00:58:16 |
- Bye. Thank you. |
| 00:58:20 |
- After coffee people don't sleep. |
| 00:58:23 |
I'm planning to. |
| 00:58:25 |
Forgive me. Everything was great, many thanks. |
| 00:58:29 |
Pleasant dreams. |
| 00:58:33 |
Last thing I need. |
| 00:58:36 |
Who is that? |
| 00:58:38 |
With two at once, right? |
| 00:58:41 |
- Vadim, do not get out. |
| 00:58:44 |
Anton! Get out from here! |
| 00:58:47 |
- This guy? |
| 00:58:53 |
Anton! |
| 00:58:54 |
- You what... |
| 00:58:56 |
What do you want? |
| 00:59:01 |
What do I want? |
| 00:59:04 |
Anton, look at me. |
| 00:59:08 |
Get out of here! |
| 00:59:11 |
Stop it! |
| 00:59:15 |
- What do I want? |
| 00:59:20 |
Get out of here. |
| 00:59:22 |
Now, leave. |
| 00:59:24 |
I ask you, leave, Anton. |
| 00:59:29 |
Spit and that's enough... |
| 00:59:31 |
Animal... |
| 00:59:38 |
Can you get up? |
| 00:59:46 |
He fell, I beat him with the gun handle. |
| 00:59:49 |
I felt only one thing - satisfaction. |
| 00:59:53 |
I could do anything I want to him. |
| 00:59:56 |
Vika was also yelling something, I do not remember. |
| 01:00:00 |
Suddenly, I realized how I want to die. |
| 01:00:07 |
Not die as a writer, no. |
| 01:00:11 |
No, I want to die in a fight. |
| 01:00:15 |
Once and that's it. |
| 01:01:03 |
I beg you only five minutes. |
| 01:01:06 |
For five minutes. |
| 01:01:09 |
I have to tell you something very important. |
| 01:01:13 |
At 6PM. |
| 01:01:16 |
6:30PM, alright? |
| 01:01:19 |
Alright? |
| 01:01:20 |
Where I said, okay? |
| 01:01:23 |
Yes, yes. |
| 01:01:27 |
Wait, wait, I love... |
| 01:01:49 |
Flowers will not help. |
| 01:01:51 |
- Vika, please forgive me. |
| 01:01:53 |
No. It's all the nerves, the wiskey. I give you my word of honor that from today I don't drink. |
| 01:01:58 |
- Word of honor? |
| 01:02:05 |
- Shall we go? |
| 01:02:08 |
"An evening of organ music." |
| 01:02:11 |
- Anton, are you sure you're sober? |
| 01:02:15 |
- What kind of music? |
| 01:02:20 |
- Okay, let's try it. |
| 01:02:22 |
Wait! |
| 01:02:25 |
- What is it? |
| 01:02:27 |
You'll open it later. Later. |
| 01:02:31 |
Only I haven't forgiven you, got it? |
| 01:02:56 |
- Hi, Pasha. |
| 01:02:59 |
- How are you doing? |
| 01:03:02 |
- Why are you not playing with the boys? |
| 01:03:05 |
Let's go. |
| 01:03:13 |
Look at those cars. |
| 01:03:17 |
Good cars. |
| 01:03:31 |
Please open the purse. |
| 01:03:35 |
What is this? |
| 01:03:37 |
- A gift. |
| 01:03:39 |
- It this necessary? |
| 01:03:44 |
What? What's inside? |
| 01:03:46 |
Tell me! |
| 01:05:29 |
Sorry. |
| 01:05:52 |
I'll Be back. Hold it. |
| 01:06:11 |
Notice and remember. |
| 01:06:13 |
How many bodyguards... |
| 01:06:17 |
In general pay more attention, Anton. |
| 01:06:29 |
Check the windows, |
| 01:06:42 |
You must know exactly where is |
| 01:07:24 |
Bravo! |
| 01:08:28 |
- Telephone. |
| 01:08:29 |
Phone! |
| 01:08:32 |
Listen carefully, writer. |
| 01:08:34 |
The gun has your fingerprints on it. |
| 01:08:37 |
In your book you described in detail |
| 01:08:42 |
If you go to the cops, I'll kill Vika. |
| 01:08:45 |
See you later. |
| 01:08:51 |
Here. |
| 01:09:34 |
- What do you want? |
| 01:09:38 |
Open the door! |
| 01:09:55 |
Young man, where are you going? |
| 01:09:58 |
- Where's the 7th ward? |
| 01:10:00 |
You can't go there! |
| 01:10:03 |
Security! |
| 01:10:09 |
Pasha... Get up. |
| 01:10:12 |
Get ready. |
| 01:10:15 |
Let's go. |
| 01:10:23 |
- Good day. |
| 01:10:37 |
- Hello. |
| 01:10:45 |
- Hello. |
| 01:11:01 |
I found this in the garbage bin. |
| 01:11:04 |
Send the gun for experts analysis. |
| 01:11:12 |
You see... All the ducks flew away. |
| 01:11:17 |
She has a broken wing, and the male does not want to fly away without her. |
| 01:11:23 |
The Ghost finished off Ordyntsev, |
| 01:11:27 |
- Are you sure it's him? |
| 01:11:30 |
I got a photo of his face, |
| 01:11:33 |
Sit down. |
| 01:11:43 |
Here he's taking the advance. |
| 01:11:47 |
The box number and code I gave myself. |
| 01:11:50 |
Here he is following Ordyntsev. |
| 01:11:56 |
So... |
| 01:12:00 |
Eat. This is really good for you. |
| 01:12:08 |
To be honest, I never thought |
| 01:12:23 |
Vitaly... |
| 01:12:27 |
Don't miss. |
| 01:12:32 |
A wonderful dish. |
| 01:12:54 |
COMPATIBILITY 98% |
| 01:13:13 |
- Finally. |
| 01:13:16 |
I must run now, if I'm not back in more than 2 hours, |
| 01:13:22 |
Sergei Slesarev, main command. |
| 01:13:25 |
- Say that I have been set up. |
| 01:13:27 |
Just say that I've been set up. |
| 01:13:31 |
- Anton. |
| 01:13:32 |
- I was very scared. |
| 01:13:34 |
About you. Tell me, what's going on? |
| 01:13:37 |
Do not open to anyone. |
| 01:13:46 |
Coming, coming. |
| 01:13:48 |
Guess whose fingerprints |
| 01:13:51 |
Very funny, Slesarev. |
| 01:13:53 |
- Remember that writer? |
| 01:13:55 |
The last witness |
| 01:13:58 |
Now think... |
| 01:13:59 |
How is Prachenko involved in |
| 01:14:04 |
Anyways. |
| 01:14:05 |
Go to him, |
| 01:14:08 |
Remember the address. |
| 01:14:11 |
Damn. |
| 01:14:53 |
Come on, birdy. |
| 01:15:43 |
Are you okay? |
| 01:15:45 |
I'm asking, are you okay? |
| 01:15:49 |
It's alright... |
| 01:15:57 |
So? |
| 01:15:59 |
Happy? |
| 01:16:12 |
- Have you yourself ever killed? |
| 01:16:16 |
I've been studying you for a long time. |
| 01:16:19 |
The people close to you. |
| 01:16:22 |
Was looking for your weak points. |
| 01:16:24 |
We'll make a book. |
| 01:16:28 |
- What is your name? |
| 01:16:30 |
To think like one |
| 01:16:33 |
Who is the victim? |
| 01:16:41 |
Even with bodyguards, just what we need. |
| 01:16:49 |
So "the Ghost" is now me? |
| 01:16:52 |
Great, great how I set myself up. |
| 01:16:56 |
So the victim was a real one? |
| 01:17:01 |
What if I didn't choose the Tartar? |
| 01:17:05 |
How well you planned it. |
| 01:17:07 |
"Like a bird to the feed..." |
| 01:17:10 |
Where are we going? |
| 01:17:12 |
Where are we going? |
| 01:17:14 |
Why are you always silent? |
| 01:17:17 |
Bitch... |
| 01:17:19 |
Bitch! |
| 01:18:21 |
Carefully. |
| 01:19:21 |
Yes? |
| 01:19:22 |
Sergei Valentinovich Slesarev? |
| 01:19:30 |
Yes, Captain Slesarev is listening. |
| 01:19:32 |
Anton asked me to call you. |
| 01:19:38 |
He said that I must call you, |
| 01:19:44 |
He also said that he thinks he's been set up... |
| 01:19:48 |
What? |
| 01:19:53 |
Goncharova 32, apartment 10. |
| 01:19:56 |
Okay, I'm waiting. |
| 01:21:30 |
Good morning. |
| 01:21:41 |
The chain extends only as far as the toilet. |
| 01:21:44 |
My head hurts. |
| 01:21:48 |
Suck it up, it'll stop soon. |
| 01:21:55 |
Why did they think that you're dead? |
| 01:21:59 |
Mistook me for another. |
| 01:22:24 |
Here are pills for the headache. |
| 01:22:31 |
Yes... If you decide to play games with me, you'll be working together with Vika and your son. |
| 01:22:36 |
I'll put their heads right here. |
| 01:22:38 |
They'll be giving you advice. |
| 01:22:40 |
Please, don't touch them. |
| 01:22:43 |
You have two days. |
| 01:22:45 |
Wait, wait. |
| 01:22:47 |
You... |
| 01:22:50 |
- Why do you need this? |
| 01:24:32 |
Every move, every action, |
| 01:24:35 |
even the most well thought out, |
| 01:24:38 |
No matter how much it may be better |
| 01:24:42 |
It is my decision |
| 01:24:48 |
You can do it, when you want to. |
| 01:25:03 |
Done eating? |
| 01:25:21 |
Listen. |
| 01:25:25 |
Nobody will ever know anything, |
| 01:25:28 |
I swear to you. |
| 01:25:31 |
Why should you live? |
| 01:25:35 |
After all, I have a son... |
| 01:25:37 |
I have Vika. |
| 01:25:40 |
And why would they need you? |
| 01:25:44 |
Is it better to live like you, |
| 01:25:52 |
People are always alone. |
| 01:25:55 |
And most of all they hate those, |
| 01:25:59 |
Sorry. |
| 01:26:16 |
Here they are, your people. |
| 01:26:19 |
"Boys stab their friend to death |
| 01:26:23 |
Here's another good one. |
| 01:26:25 |
"A college student throws her |
| 01:26:31 |
How do you like this one? |
| 01:26:33 |
"A father rapes his daughter for many years, |
| 01:26:37 |
You better tell us how it's possible to put your own son into an insane asylum? |
| 01:26:42 |
Shut your mouth. |
| 01:26:45 |
Why don't you write about that? |
| 01:26:47 |
You've experienced it on the inside. |
| 01:26:59 |
I... |
| 01:27:03 |
I used to drink a lot. Before... |
| 01:27:08 |
Pasha was born... |
| 01:27:11 |
with severe problems. |
| 01:27:14 |
Wife immediately left, and I... |
| 01:27:16 |
I took him home... |
| 01:27:22 |
It was then |
| 01:27:25 |
He... |
| 01:27:27 |
He must have been in a lot of pain... |
| 01:27:35 |
And I can not have |
| 01:27:43 |
All these pills, all these drugs... |
| 01:27:49 |
I love him, but I... |
| 01:27:54 |
I had to write. |
| 01:28:00 |
At the boarding school... |
| 01:28:04 |
It was better for him there... |
| 01:28:11 |
It is better for you. |
| 01:28:14 |
You do not love anyone, writer. |
| 01:28:17 |
Everyone is like that. |
| 01:28:24 |
You... |
| 01:28:26 |
Don't judge everyone according to yourself. |
| 01:28:35 |
I do not judge according to myself. |
| 01:28:38 |
Who are you? |
| 01:28:41 |
You think it up. |
| 01:28:43 |
You're a writer after all. |
| 01:28:46 |
Are you a moral monster. |
| 01:28:51 |
Yeah, put me into an insane asylum, |
| 01:28:55 |
There's a storyline for you. |
| 01:28:59 |
Wash up. |
| 01:29:31 |
What's stinking so? |
| 01:29:33 |
A dead body. |
| 01:29:38 |
I'm waiting for the ending. |
| 01:29:41 |
Not funny. |
| 01:30:15 |
You can not leave anyone behind. |
| 01:30:18 |
Or they will find you. |
| 01:31:05 |
If you do not destroy yourself, |
| 01:31:08 |
you will surely be destroyed by someone else. |
| 01:31:11 |
No other options. |
| 01:31:24 |
Not too much salt? |
| 01:31:30 |
Try it. |
| 01:31:59 |
Samuel Colt once said that it's not the weapon |
| 01:32:03 |
I'm ready to sign my name |
| 01:32:07 |
The End. |
| 01:33:25 |
This is it. |
| 01:34:57 |
Sign here. |
| 01:35:06 |
As a ghost he lived, |
| 01:35:10 |
Here. |
| 01:35:44 |
So you were just writing a book? |
| 01:35:48 |
Oh, God... |
| 01:35:50 |
Who brought me here? |
| 01:35:52 |
Nothing else worries you? |
| 01:35:55 |
Because of your scribblings |
| 01:35:59 |
I did not want that. |
| 01:36:01 |
"Did not want..." |
| 01:36:05 |
To be honest, I also did not want the criminal charges against you to be dropped. |
| 01:36:09 |
But from a conspirator |
| 01:36:12 |
Alright, anyways... |
| 01:36:15 |
Inside the house |
| 01:36:18 |
The prosecution has no charges against you. |
| 01:36:22 |
Keep writing your books. |
| 01:36:27 |
That is, of course, |
| 01:36:32 |
I still do not understand, |
| 01:37:03 |
Dad, now you walk like me? |
| 01:37:08 |
Yes, Pasha, just like you. |
| 01:37:11 |
So, shall we go? |
| 01:37:15 |
- Bye, Dad. |
| 01:37:20 |
We'll come tomorrow. |
| 01:37:45 |
"Ghost. The Search." |
| 01:39:14 |
Hello, Vika? |
| 01:39:18 |
Is everything okay? |
| 01:39:20 |
Thank God. |
| 01:40:56 |
Starring: |
| 01:41:04 |
Director - KAREN OGANESYAN |
| 01:41:12 |
SUBTITLES WRITTEN BY: |
| 01:41:23 |
For all other English subtitles to Russian movies made by Katia see: |
