Don Juan Demarco

en
00:01:58 My name is Don Juan DeMarco.
00:02:00 I am the son of the great swordsman...
00:02:02 ...Antonio Garibaldi DeMarco...
00:02:05 ...who was tragically killed
00:02:08 ...the beautiful Doña Inez
00:02:13 I am the world's greatest lover.
00:02:33 I have made love
00:02:38 I was 21 last Tuesday.
00:02:45 - Good evening, sir.
00:02:52 No woman has ever
00:02:55 Only one has rejected me,
00:02:59 ...she is the only one
00:03:03 This is why, at 21, I have
00:03:09 But first...
00:03:39 May I?
00:03:41 Well, actually, I'm expecting a friend.
00:03:43 He's been delayed,
00:03:46 Well, I will not linger.
00:03:50 I am Don Juan.
00:03:54 That's very funny. Is there
00:03:57 No, I am Don Juan...
00:04:00 ...directly descended
00:04:03 And you seduce women.
00:04:05 No, I never take advantage of a woman.
00:04:08 I give women pleasure...
00:04:11 ...if they desire it.
00:04:14 It is of course the greatest pleasure
00:04:24 There are some women...
00:04:26 ...fine-featured...
00:04:28 ...a certain texture to their hair...
00:04:32 ...a curve to the ears that...
00:04:34 ...that sweeps like the turn of a shell.
00:04:38 These women...
00:04:42 ...have fingers with the same
00:04:48 The fingertips have the same
00:04:52 And when you touch their knuckles...
00:04:55 ...it is like passing your hands
00:04:59 And this tender,
00:05:06 ...is the same as brushing
00:05:15 And, finally...
00:05:27 Every woman is a mystery to be solved...
00:05:30 ...but a woman hides nothing
00:05:35 Her skin color can tell us
00:05:39 A hue like the blush of a rose,
00:05:43 ...and she must be coaxed
00:05:45 ...with a warmth like the sun.
00:05:48 The pale and dappled skin
00:05:51 ...calls for the lust of a wave
00:05:54 ...so we may stir up
00:05:57 ...and bring the foamy delight
00:06:00 Although there is no metaphor...
00:06:02 ...that truly describes
00:06:06 ...the closest is playing
00:06:10 I wonder...
00:06:13 ...feel the same rapture
00:06:16 ...when he coaxes a single
00:06:40 Muchas gracias, señorita.
00:06:42 Every true lover knows...
00:06:44 ...that the moment
00:06:46 ...comes when ecstasy is long over...
00:06:49 ...and he beholds
00:06:52 ...which has blossomed
00:06:58 Sorry I'm late, honey.
00:07:03 I hope you went ahead without me.
00:07:14 Oh, well.
00:07:16 Now I must die.
00:07:52 - Hey.
00:07:54 How you doing?
00:07:58 You're putting on a little weight here.
00:08:00 You know...
00:08:01 ...you and me been going
00:08:04 Sorry to do this to you, Jack...
00:08:06 ...but this is a job that only
00:08:09 He's a jumper to be
00:08:14 What's the costume?
00:08:15 He's Don Juan.
00:08:17 He wishes to end his life gloriously.
00:08:21 He wants us to send
00:08:26 ...to do battle with him...
00:08:27 ...preferably...
00:08:32 Did he actually say this?
00:08:35 I was up there.
00:08:40 I tell you.
00:08:44 Over here.
00:08:51 Are you sure this is how Freud started?
00:08:54 What do I know?
00:08:56 You're the shrink.
00:09:12 Where is Don Francisco da Silva?
00:09:16 - Where is he?
00:09:21 ...left for Mallorca on this weekend...
00:09:24 ...but I am his uncle
00:09:30 This will not do.
00:09:31 I must die at the hands
00:09:34 I am Don Juan DeMarco.
00:09:36 You are the Don Juan?
00:09:39 This is correct.
00:09:41 Why, with so many successes...
00:09:44 ...does the great Don Juan
00:09:48 Because there is
00:09:51 Do you mean to say
00:09:57 Not when my Doña Ana is everything.
00:10:01 Her name is Doña Ana.
00:10:04 Now you understand
00:10:08 I ask only that it be
00:10:12 ...so it may be said I died
00:10:17 This young woman, Doña Ana,
00:10:22 I would like so much
00:10:28 Have you never met a woman
00:10:33 ...until your every sense
00:10:36 You inhale her...
00:10:39 ...you taste her...
00:10:41 ...you see your unborn children
00:10:45 ...and know that your heart
00:10:49 Your life begins with her...
00:10:51 ...and without her,
00:10:58 I have no doubt that
00:11:01 ...can be very painful...
00:11:03 ...but why lose hope along with life?
00:11:06 Why lose everything?
00:11:09 You must not forget, my friend...
00:11:12 ...that the power of your love...
00:11:14 ...the power of love
00:11:18 ...and will not be denied.
00:11:24 I apologize...
00:11:26 ...for this unmanly display,
00:11:37 Please.
00:11:41 I accept.
00:11:46 Bravo. Bravo.
00:12:06 Morning, Doc!
00:12:14 White male, age 21...
00:12:17 ...brought in on a 10-day paper
00:12:23 Apparently precipitated by
00:12:28 ...and the patient indicates...
00:12:30 ...no previous history of suicides...
00:12:33 ...no record of any prior hospitalization.
00:12:37 There's no record of anything...
00:12:38 ...school, jail, mother, father,
00:12:43 And this kid is... Bizzako...
00:12:48 ...and is severely delusional...
00:12:51 ...and believes he's somebody else.
00:12:53 - Anybody we know?
00:12:58 - I'm working nights again.
00:13:01 I'm not kidding you.
00:13:03 Let's settle down now and...
00:13:05 I'm always the bad boy in these.
00:13:09 Who wants him?
00:13:16 I do.
00:13:17 - Wait a minute.
00:13:19 Jack, wait a minute.
00:13:22 Of course I'm retiring, but I think
00:13:25 This sounds like a long-term case
00:13:29 I'm gonna give it to Bill.
00:13:40 Wait. Hold on one second.
00:13:42 No offence. I'd like to discuss
00:13:45 Can we do talk about it later?
00:13:48 I look forward to it.
00:13:50 I want this kid.
00:13:52 Be reasonable.
00:13:54 - You're leaving in 10 days.
00:13:57 No, no, no.
00:13:59 A delusional patient like this does not
00:14:02 The instant his 10-day paper
00:14:05 Then we'll have to
00:14:07 If this was a year ago...
00:14:09 ...and I said I could get this kid
00:14:12 ...there wouldn't be any doubt.
00:14:13 Well, that's probably true.
00:14:14 Yes. So that's not the real reason
00:14:21 You've been doing it
00:14:23 You know it. You're burnt out.
00:14:26 That's why you asked
00:14:27 You don't need more time
00:14:29 So, please, Jack. Don't make my life
00:14:33 How long have I known you?
00:14:34 Twenty-five years we've been
00:14:36 Yes. And during that time, you're
00:14:39 ...this place has ever seen.
00:14:42 But now it's time...
00:14:45 Where are you going?
00:14:48 All that sand, the sky, those vistas.
00:14:50 You'll have a wonderful time.
00:14:52 I wish you could see your face.
00:14:55 I'm giving him to Bill.
00:15:00 This kid's gonna do a
00:15:04 ...until it looks like a tortilla...
00:15:06 ...and it's going
00:15:17 Would you, hmm...
00:15:19 Would you like to talk about...
00:15:20 ...why you attempted to kill yourself?
00:15:24 You want Don Juan DeMarco,
00:15:27 ...to talk to you?
00:15:30 What do you know of great love?
00:15:35 Have you ever loved a woman...
00:15:38 ...until milk leaked from her...
00:15:40 ...as though she had just
00:15:44 ...and now must feed it or burst?
00:15:50 Have you ever tasted a woman...
00:15:53 ...until she believed
00:15:56 ...only by consuming the tongue
00:16:00 Have you ever loved
00:16:04 ...that the sound
00:16:07 ...could cause her body to shudder...
00:16:10 ...and explode
00:16:13 ...that only weeping
00:16:19 Where is Don Octavio del Flores?
00:16:22 Who?
00:16:24 My host at this villa.
00:16:27 Via?
00:16:29 - Via?
00:16:31 Via?
00:16:33 Oh, villa.
00:16:35 Sí, villa.
00:16:36 - Villa.
00:16:39 Villa.
00:16:41 Where is Don Octavio?
00:16:45 You mean Dr. Mickler?
00:16:48 Who?
00:16:53 Why do you think that Dr. Mickler...
00:16:56 ...is Don Octavio del Flores?
00:17:00 Why do you think
00:17:01 ...is Dr. Mickler?
00:17:10 Well. Hello there, Willy.
00:17:13 How are you?
00:17:14 - Don Octavio del Flores.
00:17:17 You told him that you were
00:17:20 Oh, Jesus.
00:17:21 You told a delusional patient...
00:17:23 ...that you were a 17th-century
00:17:25 The idea was to get him
00:17:27 Well. He's all yours, Don.
00:17:32 Wait. Wait a minute. Wait a minute.
00:17:35 You bet I did.
00:17:36 And what did he say?
00:17:38 His exact words were,
00:17:50 This is very kind of you
00:17:57 Yeah.
00:18:00 Yeah. Come on in.
00:18:03 Dr. Mickler, I've brought...
00:18:07 ...Mr. Juan here for his appointment.
00:18:10 Thank you, Gloria.
00:18:12 I can return at the end
00:18:14 No. It's okay.
00:18:16 No. It's really no trouble. No trouble.
00:18:18 I'll be passing by this door
00:18:21 - Thank you.
00:18:24 Thanks a lot.
00:18:27 What are you doing to these girls?
00:18:30 Gosh almighty.
00:18:34 Your people have taken
00:18:37 They had no right to do that.
00:18:39 I never remove my mask in public.
00:18:41 Do you understand
00:18:45 Not fully, but...
00:18:48 Well, I will be cursed.
00:18:51 Well, I can certainly understand
00:18:55 Well, think how you would feel...
00:18:56 ...if you were made to take off
00:19:00 Our masks really
00:19:04 How long you been wearing yours?
00:19:06 Since I was 16.
00:19:11 I placed the mask on my face
00:19:15 ...on the day I left my mother,
00:19:21 I have some pills here,
00:19:26 - I think they'll help.
00:19:29 Well, then I am afraid we must take
00:19:33 ...because you are severely deluded.
00:19:39 What delusions have I got?
00:19:42 This fantasy
00:19:47 I am very disappointed in you,
00:19:53 Here's the drill. They can
00:19:56 That's state law.
00:19:59 You're on what they call
00:20:01 ...and for those 10 days...
00:20:03 ...they can do whatever
00:20:06 I am not deluded.
00:20:08 I am Don Juan, and if you will not
00:20:12 ...I will prove it to you.
00:20:15 What if I don't believe you're Don Juan?
00:20:24 Then I will take your medication...
00:20:28 ...and you may commit me
00:20:33 Do we have an agreement?
00:20:36 Do I have these 10 days
00:20:43 Okay.
00:20:45 Very well.
00:20:48 I was born in Mexico.
00:21:11 It became evident
00:21:15 ...that there was something
00:21:33 I, myself,
00:21:36 ...that my play was not like
00:21:41 By the time I was 10...
00:21:43 ...the attraction
00:21:44 ...was becoming of some concern
00:21:47 She presented me to God...
00:21:50 ...and asked the Lord to save me
00:21:53 Apparently, it was too late.
00:22:01 The lessons I learned in church
00:22:06 By the time I was 12...
00:22:08 ...I understood the obligation
00:22:11 ...to share one's blessings
00:22:28 ¡Vayanse ya de aqui!
00:22:29 ¡Se acabo lo bueno!
00:22:34 One night,
00:22:37 ...at the window in her slip...
00:22:39 ...and noticed, for the first time...
00:22:42 ...how a woman's underclothing
00:22:46 ...how it rides on a cushion of air
00:22:50 ...how the silk
00:22:53 ...brushing her flesh
00:22:56 ...and I understood how a woman
00:23:02 Are you Italian...
00:23:04 ...Mexican, or Spanish?
00:23:06 That is all you have to say?
00:23:10 Your name is DeMarco.
00:23:13 You were brought up in Mexico,
00:23:17 ...you speak it with a Castilian accent.
00:23:21 My accent has been colored
00:23:25 Very well.
00:23:27 I was raised in Mexico.
00:23:32 His name was Tony DeMarco.
00:23:34 The Dance King of Astoria.
00:23:36 Excuse me. Your father
00:23:40 - ...here in New York City in Astoria?
00:23:45 My father had come to Mexico...
00:23:47 ...to work for a pharmaceutical company.
00:23:49 He had just gotten off the bus...
00:23:51 ...and was walking
00:23:53 ...to inquire about renting a room...
00:23:55 ...when he first saw my mother.
00:23:57 Both her parents were killed
00:24:00 My mother was younger
00:24:04 She took over their plantation.
00:24:06 Sitting in the sunlight
00:24:09 ...with the bright rays
00:24:11 ...she was a vision so beautiful...
00:24:14 ...that at first my father
00:24:18 It was love at first sight.
00:24:55 They held each other
00:24:57 ...kissing and touching,
00:25:01 I thought you said your mother
00:25:04 That's my father's story.
00:25:11 They were married the next week.
00:25:14 My father took the name Don Antonio...
00:25:16 ...and became el patron,
00:25:20 Their love was like a perfect prayer.
00:25:24 Even God could not deny it.
00:25:26 I was born exactly nine months later.
00:25:31 So I said to him "Let me just
00:25:34 "You have been exploring
00:25:39 "and you still have
00:25:40 "what's wrong with it...
00:25:41 "why the radiator keeps
00:25:43 "So this means
00:25:45 "just as broken as when
00:25:47 "except now you want
00:25:50 "for the time it took you
00:25:54 Know what he said to me?
00:25:56 Said, "We can keep looking,
00:26:00 "but it's $65 an hour."
00:26:12 Well, pay it.
00:26:15 Pay it?
00:26:20 Where were you just now?
00:26:24 El Mexico.
00:26:48 Jack, I was looking for you.
00:26:50 - A little springtime.
00:26:52 Excuse me, Nurse.
00:26:53 - You're giving me tulips?
00:26:55 - Jack, why are you giving me tulips?
00:26:57 What's the occasion for the tulips?
00:27:01 This kid is fantastico.
00:27:03 I'm glad he's meeting
00:27:05 - Jack, there's something
00:27:07 Let me tell you what
00:27:09 Please, wait, wait, Jack!
00:27:11 When do you intend to start
00:27:13 He's been here two days.
00:27:16 You do intend to give him medication?
00:27:18 Well, I don't know.
00:27:19 Wait, Wait. He's a delusional patient.
00:27:23 If I give him medication...
00:27:25 ...I'm never going to get
00:27:28 ...and it's a wonderful world.
00:27:30 - Okay. No meds.
00:27:33 - Thank you.
00:27:35 What's that?
00:27:36 Right now, Don Juan is having
00:27:40 ...on the female staff up in his unit.
00:27:43 I mean officially, in his hacienda...
00:27:45 ...there are more nurses
00:27:47 - Right.
00:27:49 Yes, I took care of it, my dear man.
00:27:53 Hey, man,
00:27:55 Who are you?
00:27:56 I'm your new nurse, Mr. Compton...
00:27:58 ...but you can call me Rocco,
00:28:01 I am not Casanova.
00:28:04 Yeah, right. Come on, man.
00:28:23 Come in.
00:28:25 Doc, Don Juan.
00:28:27 Hi, Rocco. Thank you.
00:28:31 Well, got a real treat for you today.
00:28:34 Here are her nipples...
00:28:36 ...and here's her pubis.
00:28:39 Her lover...
00:28:40 ...is kissing the contours
00:28:42 ...just where it folds
00:28:53 Why don't we move on
00:28:55 What do you have in mind, Don Octaivo?
00:28:57 Why don't we talk about who I am?
00:29:01 - Yes. I know who you are.
00:29:03 You're Don Octavio del Flores
00:29:08 And where are we here?
00:29:11 Well, I haven't seen a deed, but
00:29:14 What would you say
00:29:17 ...said to you, "This is
00:29:21 And that you're a patient here...
00:29:23 ...and that I am your psychiatrist?
00:29:25 I would say that
00:29:28 ...and uncreative way of
00:29:31 Look, you want to know if I understand
00:29:35 Yes, I understand that.
00:29:38 But then how can I say
00:29:40 - ...and I am a guest at your villa, correct?
00:29:43 By seeing beyond
00:29:47 Now, there are those who do not
00:29:51 When I say that all my women are...
00:29:54 ...dazzling beauties,
00:29:57 The nose of this one is too large.
00:30:00 The hips of another,
00:30:03 The breasts of a third,
00:30:06 But I see these women
00:30:10 ...glorious, radiant, spectacular,
00:30:15 ...because I am not limited
00:30:19 Women react to me the way
00:30:21 ...because they sense I search out
00:30:25 ...until it overwhelms everything else...
00:30:29 ...and then they cannot
00:30:32 ...to release that beauty
00:30:36 So to answer your question,
00:30:40 ...that this great edifice
00:30:43 ...is your villa.
00:30:44 It is your home.
00:30:46 And as for you,
00:30:50 ...you are a great lover like myself...
00:30:53 ...even though you may
00:30:56 ...and your accent.
00:30:58 Shall I continue?
00:31:00 Yeah.
00:31:02 Very well.
00:31:04 Back to Mexico.
00:31:08 My mother, God bless her...
00:31:09 ...does not give up easily.
00:31:12 When I was 16,
00:31:15 ...to instill Christian values
00:31:20 My mother's judgment
00:31:24 Doña Julia was 23 and married...
00:31:27 ...the faithful and devoted wife
00:31:33 It was no secret that Doña Julia...
00:31:35 ...would have been much better
00:31:39 "Therefore glorify God in your body...
00:31:41 "and in your spirit...
00:31:43 "which are God's."
00:31:50 My feelings consumed me day and night.
00:31:53 I felt within me a torment...
00:31:56 ...a burning wound, a yearning...
00:31:59 ...combined with
00:32:03 But what was it?
00:32:05 And you had no idea what it was?
00:32:08 Well, I had an idea, but...
00:32:11 Nothing definite.
00:32:14 My father, understanding that
00:32:18 ...began to teach me
00:32:21 So, there was a lot of sword fighting...
00:32:22 ...going on when you were growing up?
00:32:24 Well, it was a small
00:32:27 ...that resisted modern technology.
00:32:30 Advance. Lunge.
00:32:46 I noticed that the smile
00:32:51 ...it had been replaced by a sadness
00:32:55 I sensed that Doña Julia was
00:32:59 ...and my own situation
00:33:05 I could only think of Doña Julia.
00:33:09 To keep myself from going mad...
00:33:11 ...I turned into a metaphysician.
00:33:15 I considered the meaning of truth...
00:33:18 ...of being...
00:33:20 ...and God.
00:33:24 I thought of the timetable
00:33:27 ...and then I thought
00:33:53 I never will consent.
00:33:58 I never will consent.
00:34:02 I never will cons...
00:34:04 But somehow, she consented.
00:34:07 She did.
00:34:26 Then suddenly,
00:34:29 ...the way a woman's body is made...
00:34:31 ...the way a man's body
00:34:34 ...the fire burning in my loins...
00:34:36 ...the intense desire to merge as one...
00:34:39 ...it all came together
00:35:05 There are only four questions
00:35:11 What is sacred?
00:35:13 Of what is the spirit made?
00:35:16 What is worth living for?
00:35:19 And what is worth dying for?
00:35:22 The answer to each is the same.
00:35:26 Only love.
00:35:32 Doña Julia was my first love.
00:35:40 Well...
00:35:43 I see our time is up.
00:35:47 The mask?
00:35:53 Obsessive compulsive disorder...
00:35:56 ...with erotomatic features.
00:36:00 Confirm delusional disorder.
00:36:08 Confirm depression
00:36:33 Possible hysterical personality.
00:37:02 I take it you want to go upstairs.
00:37:05 What gives you that idea?
00:37:09 Why are you listening to opera?
00:37:12 You hate opera.
00:37:14 You have very, very beautiful eyes.
00:37:18 Come here.
00:37:20 Well, you know,
00:37:24 ...I'm going to take my calcium...
00:37:26 ...so my bones don't break
00:37:28 ...my aspirin, so my heart
00:37:31 ...my Metamucil, so I don't
00:37:35 ...and, of course, my estrogen...
00:37:36 ...to convince my body
00:37:41 Come here.
00:38:10 What the hell you doing in there?
00:38:35 Rain check?
00:38:40 I've been thinking
00:38:43 There isn't any transitional
00:38:49 I just feel as though
00:38:52 ...the momentum of mediocrity.
00:38:56 I mean, what happened
00:39:00 ...that used to light our way?
00:39:02 Oh, Jack, no. Listen, honey.
00:39:05 You know all those fires
00:39:08 They caused a lot of trouble.
00:39:10 I mean, fires are really
00:39:12 They burn a lot of energy
00:39:17 I want to tell you something.
00:39:20 - No, it's not.
00:39:22 A good, steady, warm glow...
00:39:26 ...you know, that does the trick
00:39:30 No fire, no heat.
00:39:33 No heat, no life.
00:39:36 - That's the equation.
00:39:40 May I assume that
00:39:44 ...that you will not be easing
00:39:47 Goddamn right, baby.
00:39:49 What am I going to retire from, life?
00:39:52 Listen. We haven't started yet.
00:39:53 This is a 12-rounder,
00:39:56 ...and you and I are going to go
00:40:01 Listen to me. What is going on?
00:40:04 You've been funny lately.
00:40:07 I don't know.
00:40:08 Come on. You got to tell me, Jack.
00:40:11 It's no secret. I don't know.
00:40:14 I've been feeling...
00:40:16 I've been treating this kid lately.
00:40:19 He thinks he's Don Juan,
00:40:23 ...and he's got a sword
00:40:26 So who is he really?
00:40:29 I don't know...
00:40:32 ...but he's...
00:40:35 ...he's getting to me.
00:40:52 Goddamn, you're
00:40:59 I know.
00:41:01 This is going to be a good one.
00:41:12 - Oh, Jesus. Not there, honey.
00:41:16 Damn.
00:41:18 I'm on my hair clasp.
00:41:20 I don't want to be injured here.
00:41:23 At every instant,
00:41:27 Time stopped for those four months.
00:41:30 There was neither day nor night...
00:41:32 ...just my love and hers.
00:41:35 As for Don Alfonzo,
00:41:38 ...handling the details
00:41:40 ...that I was practically able
00:41:44 I truly believed I had found
00:41:48 ...until one night.
00:41:51 My sweet bird!
00:41:58 Where is he?
00:42:02 For God sakes, Don Alfonzo.
00:42:03 What sort of drunken fit has seized you?
00:42:05 How dare you suspect me?
00:42:07 Me, who the thought of
00:42:11 Search and search and search.
00:42:14 ...you ungrateful,
00:42:18 Are you quite satisfied now?
00:42:20 I will kill this man.
00:42:24 My sword.
00:42:26 Where's my sword?
00:42:32 He's going to kill me.
00:42:35 He's going to kill me.
00:42:40 Quick. Go out the garden gate.
00:42:54 I will kill you!
00:42:59 Don Juan!
00:43:01 I will kill you!
00:43:05 It was the last I was able
00:43:09 ...the lovely Doña Julia.
00:43:13 In great remorse,
00:43:15 ...and was never
00:43:18 Don Alfonzo was humiliated...
00:43:20 ...that he had been cuckolded
00:43:23 ...so to retaliate,
00:43:27 ...that he and my mother had been
00:43:32 It was, of course,
00:43:36 My father was quick
00:43:45 I have no doubt my father
00:43:49 ...were it not
00:43:53 He looked up at my mother's eyes...
00:43:56 ...and it was too late.
00:44:21 Oh, God! I will lose them both!
00:44:24 You have killed my father.
00:45:19 Forgive me, Father.
00:45:22 Of course I forgive you.
00:45:29 You are my son.
00:45:57 And so it was that my father...
00:46:00 ...the great swordsman Don Antonio...
00:46:03 ...died in my mother's arms...
00:46:05 ...as our tears fell upon him.
00:46:12 That evening,
00:46:16 ...I placed a mask upon my face.
00:46:21 And vowed never to remove it
00:46:33 My father left me too soon,
00:46:38 I never had the chance...
00:00:10 Hi. You Dr. Mickler?
00:00:12 - That's right.
00:00:14 Okay. Would you just
00:00:17 So...
00:00:24 Hello, dear.
00:00:37 So, Jack...
00:00:42 Excuse me, ma'am.
00:00:44 You're the occasion.
00:00:57 No, really, Jack.
00:01:13 Beautiful.
00:01:16 Excuse me, ma'am.
00:01:47 - Buenos dias, el capitan.
00:01:51 Where's Rocco?
00:01:54 He has moved to Madrid.
00:01:56 - Madrid?
00:01:58 - Spain?
00:02:02 Then he feels so guilty, he feels
00:02:06 ...that he puts on this mask...
00:02:08 ...and he vows never
00:02:11 ...as long as he lives.
00:02:13 Now, is that a perfect myth or not?
00:02:16 It's wonderful.
00:02:19 You know, Jack, this kid is remarkable.
00:02:21 You're right. And it is.
00:02:23 It's exactly like a Greek myth.
00:02:25 The son becomes potent,
00:02:28 ...leads to the destruction
00:02:31 ...who he replaces,
00:02:32 ...he must someday to become a man.
00:02:34 But the guilt of replacing the man...
00:02:37 ...who loves him and gave
00:02:39 It's enormous.
00:02:42 So he must hide it by wearing a mask.
00:02:44 It's time to put the kid on meds, Jack.
00:02:48 You want to drive this kid nuts?
00:02:51 Fill him full of
00:02:56 ...and in 48 hours, you're
00:02:58 ...that you are not ever going to forget
00:03:02 I'm telling you, Jack, he is
00:03:06 How do you know he's not Don Juan?
00:03:08 I've been with the kid. I know.
00:03:10 Has he ever told you, Jack,
00:03:14 ...that he's been living
00:03:16 Has he ever told you?
00:03:18 - Has he mentioned?
00:03:23 I got a call about an hour ago
00:03:27 Now, please, Jack...
00:03:29 ...put the boy on medication.
00:03:31 Paul, you don't understand.
00:03:34 Please!
00:03:35 Take it easy.
00:03:37 You got five days.
00:03:42 I am pissed off at you.
00:03:46 And don't forget
00:03:49 Really pissed off.
00:04:03 - Mrs. DeMarco?
00:04:06 Yes. This is Dr. Mickler.
00:04:08 Remember? We spoke on
00:04:12 Doña Ana...
00:04:16 He waits for the mailman everyday
00:04:20 See, the boy's convinced
00:04:27 He's worse than his father, Tony.
00:04:31 Tony, the Dance King of Astoria.
00:04:36 This is his father?
00:04:39 He won a prize for dancing?
00:04:42 Well, you never heard of him?
00:04:46 Did his father sell pharmaceuticals?
00:04:49 Tony?
00:04:50 Tony couldn't sell a boat
00:04:54 No. He worked for
00:04:57 He did drapes and sofas.
00:05:00 - His father still alive?
00:05:04 Didn't Johnny tell you anything?
00:05:07 Tony died in a terrible car crash.
00:05:11 - It was five years ago.
00:05:14 In Phoenix.
00:05:18 - They never lived in Mexico?
00:05:20 - Where is his mother now?
00:05:23 We were never what you might call close.
00:05:29 Mrs. DeMarco, how often did you
00:05:33 ...when he was growing up?
00:05:34 Only once. Johnny was six.
00:05:37 Do you mean that that's the only time...
00:05:40 ...you saw Johnny in your entire life?
00:05:43 Up till three months ago.
00:05:46 I...
00:05:48 I opened the door...
00:05:50 ...and there was Zorro.
00:05:54 I just seen your grandmother...
00:05:56 ...and she's got
00:05:58 ...that your name is
00:06:01 ...that you grew up
00:06:04 ...and that your father
00:06:07 Interesting fantasy.
00:06:10 But I suppose
00:06:13 ...it is harmless enough.
00:06:16 There's something else.
00:06:17 She told me your father worked
00:06:20 You want me to tell you some
00:06:24 ...so you will think I am sane.
00:06:25 If that is what it takes
00:06:27 ...I will be happy to do it.
00:06:29 But there is a rumor that you are
00:06:33 I've heard that rumor, too.
00:06:35 Well, can you not tell when you meet
00:06:38 Are you saying that your
00:06:42 In so many words, yes.
00:06:45 She hated my mother,
00:06:47 ...because my grandmother
00:06:50 So we stayed as far away
00:06:53 In Phoenix, Arizona.
00:06:55 In Mexico.
00:06:56 You mean you never lived
00:06:59 No, I never lived in Phoenix, Arizona.
00:07:02 What about your father's death?
00:07:04 I have told you how
00:07:12 Her name is Chel... I'm not
00:07:15 I just want to point out her name is
00:07:18 They never use their real names.
00:07:21 She is really my Doña Ana.
00:07:26 She's trying to teach me a lesson.
00:07:29 You know, I...
00:07:31 I once treated a young man
00:07:37 And he fell in love,
00:07:39 ...with a girl on a poster...
00:07:42 ...and he was very insecure about women.
00:07:45 And...
00:07:48 ...he tried to contact her.
00:07:50 He must have called
00:07:55 ...till finally,
00:07:57 ...took pity on him
00:08:00 So he called her...
00:08:03 ...and they had
00:08:05 ...and she let him know...
00:08:07 ...she never wanted
00:08:15 And then what happened?
00:08:16 What happened next? He tried to
00:08:24 Doña Ana is real, Don Octavio.
00:08:28 Would you like to hear about her?
00:08:31 I suppose so.
00:08:36 Shortly after the death of my father...
00:08:39 ...my mother decided it would be
00:08:44 ...as though a voyage at sea
00:08:47 She herself had determined
00:08:49 ...at the convent of Santa Maria
00:08:55 I was being sent forth
00:09:00 Of course,
00:09:03 ...was that the ship
00:09:06 Instead of Cadiz...
00:09:08 ...they set sail for an obscure
00:09:13 ...where all the passengers were
00:09:18 You were sold into slavery
00:09:22 That's correct.
00:09:24 I was purchased by one
00:09:27 ...and led off by her eunuch.
00:09:45 Though I had no idea why I was
00:09:49 ...my mask had been replaced
00:09:53 ...and so I supposed I was still keeping
00:09:59 The sultan had a harem
00:10:03 ...so the demands he placed on
00:10:27 I was presented to the sultana.
00:10:30 I still did not understand why
00:11:00 You may rise.
00:11:04 And you may go.
00:11:09 You may stay.
00:11:15 Slowly,
00:11:18 why I had been brought
00:11:21 But I still loved Doña Julia.
00:11:27 I am sorry. I love another.
00:11:33 Undress!
00:11:35 Kill me if you must.
00:11:38 I am prepared to die
00:11:42 ...knowing that I defiled
00:11:45 ...who brought my manhood alive
00:11:53 It sings?
00:11:55 I was prepared to lose my life...
00:11:58 ...rather than debase my love.
00:12:00 How could I be unfaithful
00:12:04 ...who had nearly given up
00:12:08 How could I sleep with another woman...
00:12:10 ...after giving myself, body and soul...
00:12:13 ...to sweet Doña Julia?
00:12:16 How could I forsake
00:12:19 ...I had with my flower,
00:12:25 Actually, I was surprised...
00:12:27 ...at how easily
00:12:33 You know, my friend,
00:12:36 ...I had always believed that a man
00:12:40 I have been badly misled.
00:12:42 It is absolutely incredible
00:12:45 ...Doña Julia was
00:12:47 ...and now...
00:12:49 ...now there is the magnificent
00:12:53 What a glorious body,
00:12:55 Will you please shut up?
00:13:00 Suddenly I was struck by
00:13:04 I prayed they had found
00:13:07 ...where I wouldn't be discovered
00:13:09 As fortune would have it...
00:13:12 ...their solution was a brilliant one.
00:13:15 It was God's canvas
00:13:27 For the next two years, my days
00:13:31 And your nights?
00:13:33 My nights were spent with the
00:13:43 Come.
00:13:45 Come to me, my little cockatoo.
00:13:51 At the end of two years...
00:13:52 ...I noticed that I didn't have
00:14:02 This could be a problem.
00:14:24 You may rise, my little dove.
00:14:47 Oh, well. All good things
00:14:52 Gulbeyaz,
00:14:55 ...arranged for me
00:14:59 I had learned to love
00:15:02 ...each one a lesson
00:15:07 I knew I would miss every one of them.
00:15:10 They'd stolen my spirit
00:15:14 ...like a May day breaking.
00:15:20 I would...
00:15:22 I would like to hear this
00:15:26 ...but there's something
00:15:29 So I was wondering if we could
00:15:33 Of course.
00:15:35 Good. Thank you.
00:15:37 Hasta mañana.
00:15:49 You're home early.
00:15:52 How would you feel about
00:15:59 Okay. Go.
00:16:03 Okay. Wait a sec.
00:16:08 Over here now.
00:16:12 What happened?
00:16:14 You're no good at all.
00:16:15 No, I am too good.
00:16:19 - Well...
00:16:21 You got five. I know.
00:16:26 - Did you get it?
00:16:45 Okay, last but not least, the moment
00:16:50 ...Don Juan DeMarco.
00:16:56 In respect to that,
00:16:59 ...I've got a meeting with the kid
00:17:04 ...and I think it might very well
00:17:08 Jack, this isn't a treatment conference.
00:17:11 This is a disposition conference.
00:17:13 We have to know what to do
00:17:15 ...when his 10-day paper expires.
00:17:17 Do we ask the judge to commit him?
00:17:19 Do we let him go?
00:17:20 What?
00:17:24 I...I don't know.
00:17:27 I won't know until I have
00:17:29 Look, Jack, he's a suicidal patient.
00:17:31 He's not suicidal. It was a
00:17:34 You're not suggesting
00:17:39 - No, I'm not suggesting that.
00:17:41 Then, obviously first thing Monday...
00:17:42 ...we have to get the judge
00:17:44 Also on Monday...
00:17:45 ...we're gonna have to transfer
00:17:47 ...because that's
00:17:50 You think you're up to it?
00:17:52 If he's on medication, I could.
00:17:56 He'll be on medication.
00:18:01 All right. I'll give him...
00:18:04 A hundred milligrams
00:18:08 And Bill can begin to decrease it...
00:18:10 ...once his anxiety lessens about
00:18:15 Could you tell him...
00:18:17 If he refuses, do we restrain
00:18:20 I'll get him to take the medication,
00:18:23 What's the big concern here?
00:18:26 Anyway, I've got to go.
00:18:28 No, no. There's one other
00:18:31 Okay! We're ready!
00:18:33 For he's a jolly good fellow...
00:18:36 For he's a jolly good fellow...
00:18:38 For he's a jolly good fellow...
00:18:43 Which nobody can deny!
00:18:50 "Today is the first day
00:18:56 Come in!
00:18:59 I am Doña Inez...
00:19:01 ...the mother of Don Juan DeMarco.
00:19:04 May I come in, Don Octavio?
00:19:09 Please.
00:19:22 I came as soon as
00:19:25 ...told me that my son had called them.
00:19:28 What exactly is wrong with him?
00:19:32 Well...I am...
00:19:34 I am very grateful, Sister,
00:19:37 ...at this strange moment in time...
00:19:40 ...because there is so much
00:19:43 ...that I need in order
00:19:44 How can I be of help?
00:19:46 For instance, is it a fact
00:19:50 ...with you and your husband
00:19:54 San Luis Coatzacoalcos.
00:19:56 It's not very far from
00:19:58 Have you heard of it?
00:20:01 Well, not many have.
00:20:06 In order to help your son...
00:20:07 ...I have to have some information.
00:20:10 I need to know about Don Alfonzo...
00:20:13 ...about his father,
00:20:17 ...and about your relationship
00:20:20 I think it would be best...
00:20:21 ...if you would discuss
00:20:24 My vows to God do not allow me to talk...
00:20:27 ...about certain aspects of my past.
00:20:30 I don't think, Sister...
00:20:32 ...that I'm making myself clear.
00:20:34 I've been to see
00:20:39 ...and she tells me that
00:20:42 ...have ever lived in Mexico.
00:20:45 She said that you met Tony
00:20:49 ...and, till recently, she said
00:20:54 ...once in her life, when
00:20:58 She also said that five years ago...
00:21:01 ...that your husband
00:21:05 Now, in addition...
00:21:14 I'm sorry, but you
00:21:18 ...that I need to know the truth.
00:21:21 The truth is inside you, Don Octavio.
00:21:25 I cannot help you find that.
00:21:40 Isn't she exactly as
00:21:46 Yeah.
00:21:48 Exactly.
00:21:54 Doña Julia has become a nun
00:21:59 So it seems.
00:22:02 I told my mother
00:22:03 ...but I will miss her.
00:22:05 She really has a way of putting
00:22:13 Why are you so certain...
00:22:15 ...that your mother was not having
00:22:22 My mother was not having an affair.
00:22:26 Well, I think you can understand...
00:22:27 ...how the thought
00:22:31 ...when you told me
00:22:33 It's never been clear to me what...
00:22:36 ...what your mother meant
00:22:38 "I will lose both of them!"
00:22:40 Did she mean both
00:22:43 ...or both of her lovers?
00:22:51 My mother...
00:22:53 ...was not having an affair.
00:22:55 Do you understand why it's necessary...
00:22:58 Shut up!
00:23:00 You think I don't know...
00:23:02 ...what's going on with you,
00:23:04 You need me for a transfusion...
00:23:06 ...because your own blood
00:23:08 ...and clogged your heart.
00:23:11 Your need for reality...
00:23:12 Your need for a world
00:23:15 ...will continue to choke your veins
00:23:20 My perfect world is no less real
00:23:24 It is only in my world
00:23:31 Isn't it?
00:23:33 Yeah.
00:23:37 You're right.
00:23:39 My world is...
00:23:42 Not perfect.
00:23:57 What is this thing
00:24:00 Why does everyone
00:24:03 ...suck it bone-dry of all its glory?
00:24:06 Why do you bother
00:24:15 This will be our...
00:24:17 ...our last session.
00:24:20 I'm retiring on Monday.
00:24:32 Then I will tell you about Doña Ana...
00:24:36 ...and you will decide
00:24:44 On the second day
00:24:49 ...our ship was caught in a typhoon.
00:24:53 I alone survived.
00:24:56 After days drifting at sea...
00:24:59 ...I found myself on the island of Eros.
00:25:05 She was 17...
00:25:07 ...and Nature's bride...
00:25:09 ...fresh and fair...
00:25:11 ...and unacquainted with
00:25:15 Her beauty was not made
00:25:19 ...but shined from within like a star.
00:25:34 There are those
00:25:36 ...that a single soul,
00:25:39 ...can split into twin spirits...
00:25:41 ...and shoot like falling stars
00:25:45 ...where over
00:25:47 ...their magnetic forces
00:25:50 ...back into one.
00:25:52 But how else to explain
00:25:56 We were convinced that there was...
00:25:59 ...no other life
00:26:02 We believed that we would never die.
00:26:08 You must promise me...
00:26:10 ...that we will be together
00:26:16 That we will live here
00:26:21 And that should circumstance
00:26:27 It is here we will come...
00:26:30 ...to wait all eternity...
00:26:34 ...for the other to return.
00:26:40 I love you.
00:26:43 Promise me.
00:26:46 I promise.
00:27:09 One day...
00:27:14 I love you too much.
00:27:18 But I cannot love you any less.
00:27:25 It's of no great consequence,
00:27:29 ...will you be wearing your mask
00:27:36 I have sworn to do so.
00:27:39 Then I ask only that you tell me...
00:27:41 ...what has led you
00:27:47 I related the sad tale
00:27:51 ...never guessing for a moment...
00:27:52 ...that my sweet Doña Ana believed
00:27:55 ...as she had for me.
00:28:02 Very well, my love.
00:28:06 I will accept that I am not the first...
00:28:08 ...if you will tell me
00:28:11 ...how many others there have been.
00:28:16 This would have been a very
00:28:20 ...but truth is a terrible habit.
00:28:25 Including you...
00:28:28 ...there have been...
00:28:34 ...exactly...
00:28:41 One...
00:28:43 ...thousand five hundred and two.
00:28:48 I could see that this was
00:28:52 ...than the one she had in mind...
00:28:54 ...and not easy for her
00:29:00 As her pain struck at my heart
00:29:03 ...I begged to be forgiven.
00:29:05 I removed my mask
00:29:09 ...but it was to no avail.
00:29:11 To hide her humiliation...
00:29:13 ...she took up the mask
00:29:18 And so my adventures came to an end...
00:29:21 ...and with them,
00:29:23 ...like my father...
00:29:25 I would die in the arms
00:29:40 Who am I?
00:29:44 Sit down.
00:29:50 You...
00:29:53 ...are Don Juan DeMarco...
00:29:58 ...the greatest lover
00:30:04 And you, my friend...
00:30:06 ...who are you?
00:30:10 Who am I?
00:30:18 I am Don Octavio del Flores...
00:30:22 ...married to the beautiful...
00:30:25 ...Doña Lucita...
00:30:27 ...the light of my life.
00:30:34 And you, my friend...
00:30:38 You have seen through all of my masks.
00:30:47 Here's your water, Doctor.
00:30:49 Thank you.
00:31:02 You said that you believed, Don Octavio.
00:31:07 I believe that you are Don Juan...
00:31:11 ...but there are
00:31:24 Then I will do as you ask, my friend.
00:31:48 ¡Vamos!
00:32:10 You're retiring on Monday.
00:32:14 We're going to get airborne,
00:32:16 I'm trying to tell you something.
00:32:19 We need to be a flight of eagles.
00:32:26 I don't see myself in that picture.
00:32:29 What's the matter with you?
00:32:32 - I don't know.
00:32:37 Jack, you know who I am.
00:32:41 Who's brought you coffee
00:32:44 Listen, I know a lot
00:32:47 ...and I know a lot of facts, but
00:32:55 What do you want to know?
00:32:58 I want to know...
00:33:00 ...what your hopes...
00:33:02 ...and your dreams are
00:33:07 ...when I was thinking about myself.
00:33:12 What's so funny?
00:33:23 I thought you'd never ask.
00:33:31 Hey, Doc! Good morning.
00:33:52 Do you understand
00:33:58 Okay, then.
00:34:01 ...a little about yourself,
00:34:04 ...what made you
00:34:06 ...how you feel now.
00:34:15 I was born in...
00:34:19 ...in Queens.
00:34:22 Me and my parents moved to Phoenix...
00:34:25 ...when I was a kid.
00:34:28 I hated it.
00:34:30 When I was 16...
00:34:32 ...my father was killed
00:34:35 ...just outside of town.
00:34:38 My mother...
00:34:39 ...she'd been having these affairs...
00:34:41 ...and my father knew.
00:34:44 Anyway, she felt so guilty...
00:34:46 ...she decided to become a nun.
00:34:52 So, within three weeks
00:34:54 ...she was in a convent
00:35:00 And there I was.
00:35:06 I didn't know where to go.
00:35:08 I didn't know what to do.
00:35:16 So, one day, I was...
00:35:21 Looking at this magazine...
00:35:25 And there was a centerfold.
00:35:28 And I knew she wouldn't
00:35:30 ...you know, so I...
00:35:34 ...I'd been reading a book...
00:35:36 ...this book...and...
00:35:41 ...I decided to become Don Juan.
00:35:46 So, I called up the magazine.
00:35:50 They wouldn't give me
00:35:54 I was about to give up, and...
00:35:57 ...one day, I reached this woman
00:35:59 I think she was
00:36:05 ...the woman took pity on me...
00:36:07 ...and she gave me
00:36:09 ...so I called her up.
00:36:11 I said that we were
00:36:15 ...and she called me a creep,
00:36:22 I just decided that my life was over...
00:36:23 ...so I was going to kill myself...
00:36:26 ...or at least I was going
00:36:29 ...that I would kill myself...
00:36:30 ...so I could get some
00:36:32 I never really had any
00:36:41 Thank you.
00:36:46 Someone will show you
00:36:56 Doctors...
00:36:58 ...this seems like a perfectly
00:37:02 I've had a couple
00:37:05 ...and I'm certainly
00:37:06 ...to a mental institution for his.
00:37:09 Your Honor,
00:37:11 Let him go.
00:37:12 Thank you.
00:37:14 Thank you very much, Judge.
00:37:16 As his doctor,
00:37:18 I've spent more time
00:37:20 I'll call you later,
00:37:23 - Goodbye, Bill.
00:37:26 - Your Honor, I think the boy...
00:37:29 Please! Bill! Nurse! Please!
00:37:31 As Head of the hospital,
00:37:35 My name is Don Octavio del Flores.
00:37:40 I am the world's greatest psychiatrist.
00:37:44 I have cured over a thousand patients.
00:37:48 Their faces linger in my memory...
00:37:51 ...like summer days...
00:37:54 ...but none more so
00:38:04 And so it was not so insane...
00:38:06 ...that we all found ourselves
00:38:09 ...flying to the island of Eros.
00:38:16 It was like the Garden before the fall.
00:38:22 Everything seemed possible.
00:38:34 And how does our fable end?
00:38:38 His Doña Ana, his centerfold...
00:38:42 ...was she waiting
00:38:45 ...for him to return
00:38:50 Why not?
00:39:23 Sadly, I must report...
00:39:25 ...that the last patient
00:39:29 ...the great lover,
00:39:32 ...suffered from a romanticism...
00:39:34 ...which was completely incurable...
00:39:38 ...and even worse...
00:39:40 ...highly contagious.