Don t Look Now

en
00:00:36 DON´T LOOK NOW
00:01:35 Action Man patrol, open fire!
00:01:41 This is your Commander speaking.
00:01:50 Mortar attack, dig in!
00:02:53 What are you reading?
00:02:55 I'm trying to answer Christine's
00:03:00 why is a frozen pond flat?
00:03:09 That's a good question.
00:03:40 "Lake Ontario
00:03:43 east to its west shore".
00:03:47 Nothing is what it seems.
00:03:51 Did you put the slides together?
00:03:54 No, I put the duplicates in my tray.
00:04:12 Action Man patrol, fall in.
00:04:16 Enemy in sight. Range one thousand.
00:04:28 Oh shit!
00:04:59 What's the matter?
00:05:02 Nothing.
00:05:14 Dad!
00:07:33 Everything is rotten.
00:07:35 The stone is like tobacco.
00:07:38 Should I carry on?
00:07:41 No. It's already late.
00:07:45 My wife's waiting for me.
00:07:48 See you tomorrow at San Nicolò.
00:07:53 Thanks a lot!
00:08:05 Ciao!
00:08:31 Hi!
00:08:34 What are you doing?
00:08:37 Just a letter. How'd it go?
00:08:39 The deeper we go, the more Byzantine.
00:08:45 And you can't change course?
00:08:48 The options are restore the fake
00:08:53 What did you say?
00:08:59 on the windows of St. Nicholas,
00:09:03 His repairs
00:09:06 I'll send you slides,
00:09:10 is more reasonable this term.
00:09:15 "I'm enclosing the money
00:09:20 with the padded soles."
00:09:24 God, it's cold.
00:09:33 I've got something in my eye.
00:09:43 Do you want me to add something?
00:09:48 It's so cold in here and
00:10:02 I must take some time off.
00:10:05 Signori?
00:10:07 What do you want?
00:10:12 Pollo sopresso, scampi al ferri,
00:10:16 vino bianco, due insalate verdi...
00:10:22 Did you see the bishop today?
00:10:24 I'm terribly sorry!
00:10:28 Sorry.
00:10:31 What?
00:10:40 I think I'd better go help them.
00:10:44 Perhaps I can show you where it is.
00:11:11 I hope you don't think us rude.
00:11:14 Rude? Why?
00:11:15 Staring at you out there.
00:11:17 Comes from the country.
00:11:22 I'm frightfully sorry.
00:11:26 Which eye is it?
00:11:28 Well, let me help.
00:11:32 No!
00:11:34 the last time you tried poking about.
00:11:39 Perhaps...
00:11:41 ...perhaps I can help?
00:11:44 That's awfully kind.
00:11:46 Oh dear.
00:11:50 My sister is blind you see.
00:11:54 I see.
00:12:36 That's it. It was a tiny
00:12:39 black speck. I think I've got it.
00:12:44 Thank you very much. Goodness.
00:12:47 You do remind me of my daughter.
00:12:49 Really?
00:12:55 Your handkerchief.
00:12:59 You're sad...
00:13:04 My sister's psychic.
00:13:08 I've seen her and she
00:13:12 I've seen your little girl
00:13:17 and she was laughing!
00:13:20 Yes,
00:13:21 she was with you!
00:13:25 And she's laughing!
00:13:27 I'm sorry if we stared.
00:13:34 She's wearing a shiny little mac.
00:13:39 Christine!
00:13:41 But she's laughing!
00:13:43 She's happy as can be!
00:13:59 You're very like her.
00:14:07 Is that better?
00:14:09 Shall I fetch your husband?
00:14:13 Jolly good!
00:14:15 Just leave me alone. I'll be fine.
00:14:18 Alright, my dear.
00:14:24 Did you
00:14:27 really see her?
00:14:30 She was there.
00:14:34 She was there!
00:14:49 I thought you were right.
00:15:00 Signore.
00:15:20 I sent your food back to be warmed.
00:15:23 The mastic that works it is number 3.
00:16:05 Hey!
00:16:11 Signore!
00:16:18 That's it then.
00:17:06 They're only children here!
00:17:09 I was playing with them.
00:17:13 Christine is still with us.
00:17:17 Christine's dead.
00:17:21 The two ladies in the restaurant,
00:17:24 they were watching us while we ate.
00:17:26 They told me they could see
00:17:31 This is two people we don't even know!
00:17:36 There's one that's blind,
00:17:40 She described to me
00:17:45 Laura...
00:17:49 I haven't felt as good as this
00:17:53 I don't need pills,
00:18:00 When did the doctor say you could go?
00:18:06 I wish you'd believe me.
00:18:10 I really feel good at last!
00:18:13 Seeing is believing.
00:18:18 Put your shoes on.
00:18:35 Out of the way!
00:18:39 But I must go through!
00:18:42 A homicide occurred here!
00:18:44 What's going on?
00:18:51 What did he say? Homicide?
00:18:57 Stop!
00:19:01 You can't. Stop now!
00:19:07 What are you doing?
00:19:12 Turn left!
00:19:15 You can't go through here.
00:19:23 Isn't this where you were with...
00:19:34 I want to stop at this church.
00:19:37 It's closed. Why that one?
00:19:43 I just wanted to...
00:19:48 Oh, Laura!
00:20:02 I don't like this church at all.
00:20:13 Do you have any change?
00:20:16 I'm going to light a candle for her.
00:20:20 Fifty.
00:20:22 I don't have any fifties.
00:20:25 Maybe I'll light six.
00:20:37 Thank you, my love.
00:21:19 The Madonna by Antonio Rizzo
00:21:22 in about 1 490.
00:21:27 Note the flowers woven into...
00:21:51 Jesus!
00:21:54 The bishop!
00:21:57 In the name of the Father, the Son,
00:22:00 and the Holy Spirit. Amen.
00:22:05 Love of our Father
00:22:09 be with you.
00:22:29 How are you, John?
00:22:32 It was entirely my fault.
00:22:35 It wasn't John's fault.
00:22:38 Laura, you're looking better.
00:22:41 I'm really terribly sorry.
00:22:45 These workmen took me around.
00:22:49 I'd like you to look at the mosaics
00:22:54 I've already been much too long.
00:22:59 Thursday, if that's alright?
00:23:05 I took some samples from the pilings.
00:23:09 The churches belong to God, but
00:23:17 Does he have other priorities?
00:23:22 We have stopped listening.
00:23:26 Are you a Christian, Laura?
00:23:30 I don't know.
00:23:35 St. Nicholas
00:23:36 of this church is the Patron Saint
00:23:45 We must talk, John!
00:23:47 Thursday I'll have your room ready.
00:23:51 I'll have the mastic samples by then.
00:23:55 I look forward to hearing about it.
00:23:59 Ciao.
00:24:04 He doesn't give an
00:24:08 Why did he ask me if I was Christian?
00:24:13 What in God's name made you do that?
00:24:17 Ciao Giorgio!
00:24:25 You know? Your bishop really
00:24:30 He probably makes God
00:24:34 Signor!
00:24:36 The key!
00:24:40 He has the key!
00:24:43 Be careful! If you ruin it,
00:24:47 I don't know what I'd do!
00:24:56 I'm going
00:24:59 Enough of this idling around.
00:25:03 What?
00:25:10 Don't we have to book at this place?
00:25:16 What place?
00:25:19 The place we're going to be eating at!
00:25:22 Yeah, sure.
00:25:25 Where is my Neutralgina then?
00:25:36 You'll have to read this!
00:25:48 What are you doing?
00:25:51 I can't hear what you're saying.
00:25:54 I still can't hear.
00:25:58 I'm having a bath.
00:26:00 You heard me that time.
00:26:43 You know those lumps are coming back
00:26:49 See?
00:27:03 85 kilos, which is 1 90 pounds.
00:27:11 You okay?
00:27:40 Come in!
00:27:42 May I tidy up?
00:27:48 I'll come back later.
00:28:01 It's a miracle
00:28:05 The unconscious body reacts faster
00:28:10 Perhaps.
00:28:13 You have toothpaste on your mouth.
00:28:20 Eat it off!
00:28:27 I can't get it off.
00:28:38 This.
00:32:56 Yes.
00:32:58 Really?
00:33:03 You will be eating here tonight,
00:33:06 No, we're eating out tonight.
00:33:09 Too bad. Have a good night.
00:33:12 Thank you.
00:33:18 You can to go home.
00:33:40 Come here, I think I found the way!
00:33:47 I never minded being lost in Venice.
00:33:52 Now, we take the second left
00:33:55 Oh, yeah?
00:33:59 A nice dark little alley!
00:34:05 Yes, this is it.
00:34:08 Yes, it is.
00:34:11 Come on.
00:34:30 Oh, rats! I'm getting out of here.
00:34:37 I know this place.
00:34:51 This is it! It's Ponte Giretto!
00:34:54 What?
00:34:56 - No, I...
00:35:11 What's that, John?
00:35:16 Come on.
00:35:25 What on earth was that?
00:35:28 Maybe something else.
00:35:40 This was just around the corner
00:35:44 I know where we are now.
00:35:53 Ready?
00:36:10 Slow!
00:36:13 Yeah. Higher.
00:36:16 Beautiful. Good.
00:36:40 Ready?
00:36:42 It'll fall down!
00:36:48 Go!
00:36:50 Go!
00:36:54 Are you ready?
00:37:08 Hello!
00:37:10 Hello!
00:37:12 How extraordinary to see you.
00:37:16 Yes, I know.
00:37:19 Yes.
00:37:23 Hold on.
00:37:28 Stop! Wait.
00:37:30 Yes, I remember her hair.
00:37:34 Light hair and silky soft.
00:37:36 She tossed it as she laughed.
00:37:41 Heather! You've no right to...
00:37:46 I'll just go and get my coat.
00:37:50 Thanks.
00:37:52 No, no! There!
00:37:56 Yes, there.
00:37:59 Okay.
00:38:02 Hold on!
00:38:04 Wait still. Now.
00:38:08 I'll hold it right here.
00:38:12 Pull, pull!
00:38:23 Sunday afternoon,
00:38:26 we'd just finished lunch.
00:38:29 Before I used to smoke then.
00:38:36 John just suddenly got up
00:38:41 as if he knew
00:38:45 Yes.
00:38:48 Yes, of course!
00:38:50 Of course! He has the gift.
00:38:53 That's why the child was trying
00:38:58 Even if he doesn't know it.
00:39:03 It's a curse as well as a gift.
00:39:08 Wait, there's a knot.
00:39:11 Slow!
00:39:13 It's off-center!
00:39:16 It never was in the middle.
00:39:19 Over! To the left!
00:39:24 You can't
00:39:27 ever contact people, can you?
00:39:30 We're often asked. She's quite famous.
00:39:33 They all want a lot of mumbo-jumbo,
00:39:36 and holding hands. Second sight
00:39:41 It is impertinent
00:39:44 back for our entertainment.
00:39:47 It wouldn't be for my entertainment.
00:39:51 Would you come for tea?
00:39:54 Just for a little while?
00:39:58 I'd like that. Thank you.
00:40:03 I make no promises.
00:40:05 No.
00:40:09 It's ridiculous!
00:40:12 I'm not getting involved
00:40:15 I've been trying to hang on to myself,
00:40:21 that's been with me like some pain,
00:40:24 and finally through these two women
00:40:29 They disapprove of mumbo-jumbo, too!
00:40:33 Of course they do!
00:40:36 Laura, do you not see...
00:40:52 Laura, that's enough.
00:40:55 I've listened to you. You said let
00:41:00 You let her go near that pond.
00:41:04 You said you'd give your life
00:41:09 Jesus H. Christ.
00:41:12 She's trying to get in touch with us!
00:41:18 Go, go on to your crazy women.
00:41:40 Here, drink this. Whisky.
00:41:43 Thank you. I don't really need it.
00:41:47 I'll be back in a jiffy.
00:41:50 Here you are.
00:41:55 Where are you?
00:42:00 Oh, the children.
00:42:03 Who are you looking at?
00:42:07 There's a boy here
00:42:11 Difficult to tell his age.
00:42:15 And then Charles in his uniform.
00:42:18 Then the three girls.
00:42:21 Then there's Angus.
00:42:24 Yes.
00:42:28 Yes, he was a gentle child.
00:42:37 You haven't touched your drink.
00:42:42 Was that Angus?
00:42:45 I was just looking at the pictures
00:42:50 It jars you, losing one like that.
00:42:54 So can you, I daresay.
00:42:59 Nothing can replace
00:43:03 Now then...
00:43:10 It's alright.
00:43:12 It's alright!
00:43:43 Are your legs crossed?
00:43:47 Yes.
00:44:07 Switch the light out.
00:45:16 Yes.
00:45:27 Yes!
00:45:31 Yes!
00:45:38 What are you doing there?
00:45:43 John! Yes!
00:45:47 English.
00:45:52 Who are you?
00:45:58 English.
00:46:03 Peeping Tom!
00:46:19 What did she say?
00:46:23 What did she say?
00:46:27 What did she say?
00:47:12 I got scared for you.
00:47:15 I told you it was alright.
00:47:23 How much have you been drinking?
00:47:38 You're not going to be sick, are you?
00:47:42 You just got the sniff.
00:47:46 Alright, John, the blind one,
00:47:52 You'd understand if you'd...
00:47:56 Today when I was there, she went
00:48:01 Really...
00:48:04 Yes?
00:48:06 She said that your life
00:48:11 She kept on and on saying that.
00:48:44 I wouldn't go in there
00:48:50 I haven't thrown up for ten years.
00:48:55 John?
00:48:59 I really think we must leave Venice.
00:49:03 She was trying to warn us.
00:49:10 John!
00:49:13 My daughter is dead.
00:49:17 messages back from the fucking grave!
00:49:20 is dead! She is dead, dead, dead!
00:49:41 You must think I'm ill then?
00:49:51 If I'm ill,
00:49:56 Yep.
00:49:58 Maybe I am.
00:50:08 Maybe...
00:50:10 Maybe
00:50:14 Maybe I shouldn't see them again.
00:50:18 Yeah.
00:50:23 Maybe I should take my pills again.
00:50:25 On the desk right there. There.
00:50:32 Here.
00:50:34 Here.
00:50:46 You...
00:50:48 You could get
00:50:53 Yeah.
00:50:57 Yes.
00:51:04 Do you really think you could, John?
00:51:14 Alright, Laura.
00:51:18 Alright.
00:51:46 Hello.
00:51:48 Hello?
00:51:50 Hello. - Hello?
00:51:55 Operator!
00:51:56 Operator!
00:51:59 Operator!
00:52:01 Hello!
00:52:02 Operator!
00:52:06 Hello!
00:52:09 Hello!
00:52:10 Where in England?
00:52:15 John Baxter here.
00:52:19 Headmaster, Porton School.
00:52:23 I'm awfully sorry
00:52:27 What time is it with you?
00:52:30 Oh, I see. We got your telephone
00:52:36 Yes. There's been
00:52:40 It's your son, Johnny. He's been
00:52:46 but Matron thinks...
00:52:49 Mr. Baxter? It's Mandy Babbage here.
00:52:52 Yes, poor little Johnny.
00:52:56 There's nothing to worry about.
00:53:00 Yes.
00:53:05 Tell them I'm on the next plane home.
00:53:08 What was that?
00:53:10 My wife will be there this morning.
00:53:13 Yes.
00:53:17 Yes, goodnight. Good morning.
00:53:21 Bye.
00:53:24 This is what I meant
00:53:28 This is it, this is what they meant.
00:53:31 You see?
00:53:37 Pronto! Pronto!
00:53:40 Alitalia, please.
00:53:43 Get me the airport then.
00:53:47 Oh, Christ! Thank you. Goodnight.
00:53:51 Darling, she said
00:53:55 But that is not so! You know that.
00:53:59 I won't ask you any more
00:54:03 You'll be doing the right thing
00:54:13 It's a charter flight, you've got
00:54:18 He's finding out where they go from.
00:54:20 don't forget to ask the bishop
00:54:24 about staying over in England.
00:54:27 Whatever you can do.
00:54:32 I'll tell him today.
00:54:36 No. Call tonight.
00:54:40 Her name is Signora Baxter.
00:54:45 In 1 0 minutes?
00:54:47 In 1 0 minutes. From Riva Schiavoni?
00:54:50 Thanks. You're a friend.
00:54:54 The boat leaves in ten minutes
00:55:01 Mr. Baxter!
00:55:03 We are closing!
00:55:05 I'll collect everything this morning!
00:55:08 I can't believe this!
00:55:19 Good morning. I am John Baxter.
00:55:28 Give Johnny my love.
00:55:42 I'll call you tonight, okay?
00:56:52 This has great significance!
00:56:55 The Holy Virgin and
00:57:00 Yes.
00:57:03 Beautiful work.
00:57:07 I discovered it myself
00:57:12 and immediately had it examined.
00:57:15 It is about
00:57:23 Morning!
00:57:27 Good morning!
00:57:31 I'm sorry, but this church
00:57:36 You have all worked so hard.
00:57:38 Are those the mosaics?
00:57:45 Is something the matter?
00:57:48 Our son had an accident,
00:57:53 this morning.
00:57:56 It'll be okay.
00:57:59 Laura's had some complications since
00:58:02 Christine...
00:58:04 You should have gone with her.
00:58:08 Can I see the mosaics?
00:58:20 Marvelous!
00:58:21 The firm has worked
00:58:25 Will they be able to match those?
00:58:31 May I compare them?
00:59:21 Lower me down!
00:59:27 Slowly!
00:59:35 Yes, good.
01:00:44 Take that rope!
01:00:59 It'll hold!
01:01:00 Take that rope!
01:01:35 Hold it tight!
01:01:47 Get him!
01:02:11 You had me worried! Mama mia!
01:02:15 I've never seen anything like it!
01:02:33 I need a cigarette.
01:02:35 Would you like
01:02:39 No, I'm going to walk for a bit.
01:02:42 May I walk with you?
01:02:49 My father was killed in a fall.
01:02:54 Yes.
01:02:56 Unbelievable.
01:02:58 What?
01:03:00 My wife was warned
01:03:05 Warned?
01:03:08 It was...
01:03:12 like a...
01:03:15 kind of prophecy.
01:03:20 I wish I didn't have to
01:03:25 I do, but I wish I didn't have to.
01:03:58 What happened?
01:04:01 We found a body.
01:04:03 I hope it's not another murder.
01:04:16 We should go.
01:04:47 Yes.
01:04:52 Don't turn her!
01:04:57 Careful!
01:05:31 Excuse me. We waited
01:05:49 Pronto!
01:05:51 The bishop's driver
01:05:56 Thank you.
01:06:49 Laura!
01:06:58 Laura!
01:07:13 Hey, watch out!
01:07:45 Where is the manager?
01:08:07 Signor Alexander...
01:08:10 I thought... the end of the season,
01:08:15 Has Mrs. Baxter come back here?
01:08:19 My wife, yes. Has she come back here?
01:08:24 I just saw her on the Grand Canal.
01:08:27 Has she come back here?
01:08:32 No, I'm just asking
01:08:35 No, Signore.
01:08:45 Momi!
01:08:47 Haven't you hung up the sign yet?
01:08:50 We hang up the sign,
01:09:08 My luggage get away all right? - Yes.
01:10:41 Yes.
01:10:43 Here.
01:10:46 Yes.
01:10:48 He's ready.
01:10:56 The inspector is in room 87.
01:10:59 Room 87.
01:11:02 Thank you.
01:11:35 Hello!
01:11:39 Sit down, Mr. Baxter.
01:11:43 This is your wife,
01:11:48 How are they?
01:11:55 Age makes women grow to look more
01:12:03 Old men decay
01:12:08 Women seem to converge, eh?
01:12:12 I hadn't thought about it.
01:12:18 is to make the living appear dead.
01:12:26 You no longer stay at the "Europa"?
01:12:31 No, it closed for the winter.
01:12:34 Tell me
01:12:38 My wife met these two women...
01:12:42 a couple of days ago.
01:12:45 The blind one claimed to have seen
01:12:51 She said Christine was happy.
01:12:54 My wife collapsed.
01:12:59 She was happy,
01:13:04 She... she was...
01:13:07 her whole self again. We...
01:13:10 A row? No, well...
01:13:15 I was only trying to protect her.
01:13:18 It didn't make any difference
01:13:23 And when she came back,
01:13:27 last night, we went to bed.
01:13:30 There was a call from England.
01:13:33 Our son goes to school in England.
01:13:39 My wife said that she had been warned.
01:13:42 She got on the first plane to England.
01:13:45 I saw her go. I put her on the boat.
01:13:52 Have you called the airport?
01:13:55 Yes. The plane was full,
01:14:02 Please go on.
01:14:07 Between 1 0:30 and 1 1:00 on a boat.
01:14:12 She's here in Venice
01:14:18 What is it, Mr. Baxter?
01:14:22 I do not understand.
01:14:25 If she's in Venice,
01:14:31 If she can.
01:14:35 What is it you fear?
01:14:46 A killer
01:14:52 My wife is not a well woman.
01:14:57 Yes.
01:15:00 Yes, of course.
01:15:04 I would have thought...
01:15:11 there must be more.
01:15:17 My wife got something
01:15:21 something that neither doctors nor I
01:15:27 so she went with them.
01:15:30 Where I don't know. I was
01:15:33 in the pensione last night,
01:15:38 before I came here, I looked for it.
01:15:47 So now she's with them.
01:15:58 Why should one criticize you
01:16:02 Thank you for talking to me.
01:16:06 I am grateful.
01:16:09 Palazzo Vendori.
01:16:12 I want you to help me. Try again.
01:16:16 Try to find the pensione.
01:16:19 It will make me feel that we have
01:16:27 I don't even know where to start.
01:16:32 Start from where
01:16:37 Okay.
01:16:38 Good luck.
01:16:40 Where did you say?
01:16:42 San Nicolò dei Mendicoli.
01:16:45 Ah, yes.
01:16:56 Pronto? Sabbione?
01:16:58 Follow Signor Baxter
01:20:51 Hello!
01:20:53 Is anyone here? Hello!
01:20:58 Ah, hello Signora.
01:21:03 Two old ladies... Sisters...
01:21:07 One...
01:21:12 Hello, Signora. Two...
01:21:17 Two old ladies...
01:21:21 Sisters. One...
01:21:24 What's that called? So. Yes?
01:21:29 Ah! Come along.
01:21:32 They left this morning.
01:21:35 Yes. My wife.
01:21:38 Come along.
01:21:49 But where are they?
01:21:52 But where? - They left today.
01:21:56 Me? No, thank you.
01:22:11 Where?
01:22:14 No.
01:22:15 Excuse me. Thank you, Mr. Baxter.
01:22:19 Who are you?
01:22:22 Homicide.
01:22:28 They're not here.
01:22:41 Yes. Very nice!
01:22:49 Yes, Signor?
01:22:52 Baxter. John Baxter.
01:22:58 I'll tell him that you are here.
01:23:15 Your Excellency,
01:23:26 Do we have the medical results?
01:23:40 Sister... - He won't be long.
01:23:45 It's urgent. Could I use that phone?
01:23:56 Can I dial that here?
01:24:06 Pronto! To England, please.
01:24:19 Mrs. Babbage? John Baxter.
01:24:21 Hello!
01:24:23 I've been trying to ring you,
01:24:26 but the wire's down or something.
01:24:29 Johnny's absolutely fine!
01:24:32 Quite right as rain. He woke up
01:24:37 Fit as a fiddle! The doctor's
01:24:40 let him get up,
01:24:45 And it wasn't a concussion.
01:24:47 Johnny can remember everything.
01:24:51 It's something they have to watch.
01:24:55 I suppose you'd like to speak
01:24:59 Here she is.
01:25:01 I...
01:25:04 Laura?
01:25:07 There's nothing wrong,
01:25:10 absolutely nothing. He just has
01:25:14 Are you alright? Where are you?
01:25:16 I'm at Alberto's.
01:25:22 I don't know what time it gets in,
01:25:27 Everything is very good.
01:25:30 John's fine, and I'm okay.
01:25:33 I thought I saw you here.
01:25:37 with the two sisters.
01:25:41 Alright, don't worry, sweetheart!
01:25:44 I found the flight number.
01:25:49 I'm at Porton, John!
01:25:53 It's arriving at 1 1:00.
01:25:58 I'll come straight to Alberto's.
01:26:04 I'll see you about eleven, okay?
01:26:08 Okay.
01:26:12 I love you. Bye.
01:26:19 Let Jesus Christ
01:26:22 lead your heart and spirit
01:26:28 Amen.
01:26:33 John! Are you feeling alright?
01:26:36 Yes. Excuse me, Alberto.
01:26:40 I think I just have to...
01:26:44 May I use your telephone?
01:26:58 I don't blame you moving in here.
01:27:03 Do you want to see Johnny again?
01:27:09 Mrs. Baxter, I think
01:27:23 Good evening.
01:27:26 Up the stairs.
01:27:39 Wendy?
01:27:41 Answer me!
01:27:44 It's me, John Baxter.
01:27:48 What's happened to Wendy?
01:27:51 I don't know, I'll find out.
01:27:54 I don't know what's happening.
01:27:58 Where is the other?
01:28:02 She was very furious.
01:28:05 She's at the British Consulate.
01:28:11 It's half past nine now.
01:28:15 I want to go home to the hotel.
01:28:20 This is a Police Station.
01:28:23 I can't tell you how sorry I am.
01:28:28 They took us out of our hotel.
01:28:32 Then they asked us about your wife...
01:28:37 I'm taking you back now.
01:28:40 May she?
01:28:43 If I could just take your arm?
01:28:50 You can't understand the noises
01:28:56 I'm so sorry. I just feel that...
01:29:00 If you could just take me back.
01:29:31 Signora Baxter?
01:29:33 More luggage?
01:29:37 Okay. Do you speak English?
01:29:42 In Venice I love that
01:29:46 Watch, steps.
01:29:50 The sound changes, you see,
01:29:55 and the echoes from the walls
01:29:59 My sister hates it.
01:30:05 She says it's like a city in aspic,
01:30:09 left over from a dinner party,
01:30:15 It frightens her. Too many shadows.
01:30:22 We are almost there.
01:30:27 Milton loved this city.
01:30:31 No. It's interesting.
01:30:41 This isn't the right way, is it?
01:30:44 The Palazzo di Conte Barberigo.
01:30:48 This is the wrong way!
01:30:53 Yes?
01:30:56 It is just along the way.
01:31:11 I've tried to keep them.
01:31:15 They're very wild in Venice.
01:31:19 Do you like cats, Mr. Baxter?
01:31:23 I like them alright,
01:31:28 Here's the hotel.
01:31:31 These are swinging doors.
01:31:33 I'll keep them open.
01:31:38 We changed hotels cause Wendy said
01:31:44 Careful of the steps.
01:31:48 Here is the key.
01:31:51 Room 307.
01:31:56 Okay, it's here.
01:32:05 They said you left at the station.
01:32:11 Has he?
01:32:14 and had been there quite a while
01:32:18 They found your wife then?
01:32:22 He's explained everything. Have we a
01:32:28 Yes.
01:32:31 We're leaving tomorrow.
01:32:34 Have you put the photographs out?
01:32:38 Just a glass of water for me.
01:32:41 I'll fetch it.
01:32:59 So you can find it quite easily.
01:33:03 Thank you.
01:33:07 Thank you.
01:33:09 Doesn't really look like her.
01:33:12 No?
01:33:17 Please, your photograph.
01:33:21 What?
01:33:26 My God!
01:33:28 Thank you for your help. Bye-bye.
01:33:32 Goodbye.
01:33:52 Thank you.
01:33:54 You're wearing odd socks.
01:33:57 I know. I was merely informing you.
01:34:00 I must go... - You've been wearing
01:34:05 Wait! - Is there anything I can do?
01:34:09 She'll be alright.
01:34:20 Wait!
01:34:22 Fetch him back!
01:34:25 Please, please, fetch him back!
01:34:42 Please, fetch him back!
01:34:47 Get him back!
01:34:49 Fetch him! Fetch him!
01:34:55 Get him!
01:34:58 Get him back!
01:35:14 Mr. Baxter!
01:35:17 Mr. Baxter!
01:35:19 Mr. Baxter?
01:35:36 Hello, is John here?
01:35:41 What is it?
01:35:51 Hurry!
01:35:54 Mrs. Baxter...
01:35:58 Mrs. Baxter.
01:36:02 I saw Christine!
01:36:06 Find him! You must warn him!
01:36:11 She told you to leave.
01:36:14 She told you to leave.
01:36:18 She told you to leave Venice!
01:36:22 Beware!
01:36:43 Laura! Mrs. Baxter!
01:37:11 Come here! With the boat. Up here!
01:37:16 No, with the boat! Wait!
01:37:27 Wait!
01:37:31 Ugly monster!
01:37:34 When I catch you, I'll kill you!
01:37:38 Where do you go?
01:37:41 Hold her!
01:37:44 Run!
01:37:51 You piece of shit!
01:39:49 It's alright. Everything's okay.
01:39:55 I'm coming.
01:40:11 She is possessed by the devil!
01:40:18 It's okay.
01:40:24 I'm a friend.
01:40:28 I won't hurt you.
01:40:32 Come on.
01:40:34 Darling!
01:40:42 Wait...
01:40:47 Nooo!
01:42:13 Laura!