Don t Look Now
|
00:00:36 |
DON´T LOOK NOW |
00:01:35 |
Action Man patrol, open fire! |
00:01:41 |
This is your Commander speaking. |
00:01:50 |
Mortar attack, dig in! |
00:02:53 |
What are you reading? |
00:02:55 |
I'm trying to answer Christine's |
00:03:00 |
why is a frozen pond flat? |
00:03:09 |
That's a good question. |
00:03:40 |
"Lake Ontario |
00:03:43 |
east to its west shore". |
00:03:47 |
Nothing is what it seems. |
00:03:51 |
Did you put the slides together? |
00:03:54 |
No, I put the duplicates in my tray. |
00:04:12 |
Action Man patrol, fall in. |
00:04:16 |
Enemy in sight. Range one thousand. |
00:04:28 |
Oh shit! |
00:04:59 |
What's the matter? |
00:05:02 |
Nothing. |
00:05:14 |
Dad! |
00:07:33 |
Everything is rotten. |
00:07:35 |
The stone is like tobacco. |
00:07:38 |
Should I carry on? |
00:07:41 |
No. It's already late. |
00:07:45 |
My wife's waiting for me. |
00:07:48 |
See you tomorrow at San Nicolò. |
00:07:53 |
Thanks a lot! |
00:08:05 |
Ciao! |
00:08:31 |
Hi! |
00:08:34 |
What are you doing? |
00:08:37 |
Just a letter. How'd it go? |
00:08:39 |
The deeper we go, the more Byzantine. |
00:08:45 |
And you can't change course? |
00:08:48 |
The options are restore the fake |
00:08:53 |
What did you say? |
00:08:59 |
on the windows of St. Nicholas, |
00:09:03 |
His repairs |
00:09:06 |
I'll send you slides, |
00:09:10 |
is more reasonable this term. |
00:09:15 |
"I'm enclosing the money |
00:09:20 |
with the padded soles." |
00:09:24 |
God, it's cold. |
00:09:33 |
I've got something in my eye. |
00:09:43 |
Do you want me to add something? |
00:09:48 |
It's so cold in here and |
00:10:02 |
I must take some time off. |
00:10:05 |
Signori? |
00:10:07 |
What do you want? |
00:10:12 |
Pollo sopresso, scampi al ferri, |
00:10:16 |
vino bianco, due insalate verdi... |
00:10:22 |
Did you see the bishop today? |
00:10:24 |
I'm terribly sorry! |
00:10:28 |
Sorry. |
00:10:31 |
What? |
00:10:40 |
I think I'd better go help them. |
00:10:44 |
Perhaps I can show you where it is. |
00:11:11 |
I hope you don't think us rude. |
00:11:14 |
Rude? Why? |
00:11:15 |
Staring at you out there. |
00:11:17 |
Comes from the country. |
00:11:22 |
I'm frightfully sorry. |
00:11:26 |
Which eye is it? |
00:11:28 |
Well, let me help. |
00:11:32 |
No! |
00:11:34 |
the last time you tried poking about. |
00:11:39 |
Perhaps... |
00:11:41 |
...perhaps I can help? |
00:11:44 |
That's awfully kind. |
00:11:46 |
Oh dear. |
00:11:50 |
My sister is blind you see. |
00:11:54 |
I see. |
00:12:36 |
That's it. It was a tiny |
00:12:39 |
black speck. I think I've got it. |
00:12:44 |
Thank you very much. Goodness. |
00:12:47 |
You do remind me of my daughter. |
00:12:49 |
Really? |
00:12:55 |
Your handkerchief. |
00:12:59 |
You're sad... |
00:13:04 |
My sister's psychic. |
00:13:08 |
I've seen her and she |
00:13:12 |
I've seen your little girl |
00:13:17 |
and she was laughing! |
00:13:20 |
Yes, |
00:13:21 |
she was with you! |
00:13:25 |
And she's laughing! |
00:13:27 |
I'm sorry if we stared. |
00:13:34 |
She's wearing a shiny little mac. |
00:13:39 |
Christine! |
00:13:41 |
But she's laughing! |
00:13:43 |
She's happy as can be! |
00:13:59 |
You're very like her. |
00:14:07 |
Is that better? |
00:14:09 |
Shall I fetch your husband? |
00:14:13 |
Jolly good! |
00:14:15 |
Just leave me alone. I'll be fine. |
00:14:18 |
Alright, my dear. |
00:14:24 |
Did you |
00:14:27 |
really see her? |
00:14:30 |
She was there. |
00:14:34 |
She was there! |
00:14:49 |
I thought you were right. |
00:15:00 |
Signore. |
00:15:20 |
I sent your food back to be warmed. |
00:15:23 |
The mastic that works it is number 3. |
00:16:05 |
Hey! |
00:16:11 |
Signore! |
00:16:18 |
That's it then. |
00:17:06 |
They're only children here! |
00:17:09 |
I was playing with them. |
00:17:13 |
Christine is still with us. |
00:17:17 |
Christine's dead. |
00:17:21 |
The two ladies in the restaurant, |
00:17:24 |
they were watching us while we ate. |
00:17:26 |
They told me they could see |
00:17:31 |
This is two people we don't even know! |
00:17:36 |
There's one that's blind, |
00:17:40 |
She described to me |
00:17:45 |
Laura... |
00:17:49 |
I haven't felt as good as this |
00:17:53 |
I don't need pills, |
00:18:00 |
When did the doctor say you could go? |
00:18:06 |
I wish you'd believe me. |
00:18:10 |
I really feel good at last! |
00:18:13 |
Seeing is believing. |
00:18:18 |
Put your shoes on. |
00:18:35 |
Out of the way! |
00:18:39 |
But I must go through! |
00:18:42 |
A homicide occurred here! |
00:18:44 |
What's going on? |
00:18:51 |
What did he say? Homicide? |
00:18:57 |
Stop! |
00:19:01 |
You can't. Stop now! |
00:19:07 |
What are you doing? |
00:19:12 |
Turn left! |
00:19:15 |
You can't go through here. |
00:19:23 |
Isn't this where you were with... |
00:19:34 |
I want to stop at this church. |
00:19:37 |
It's closed. Why that one? |
00:19:43 |
I just wanted to... |
00:19:48 |
Oh, Laura! |
00:20:02 |
I don't like this church at all. |
00:20:13 |
Do you have any change? |
00:20:16 |
I'm going to light a candle for her. |
00:20:20 |
Fifty. |
00:20:22 |
I don't have any fifties. |
00:20:25 |
Maybe I'll light six. |
00:20:37 |
Thank you, my love. |
00:21:19 |
The Madonna by Antonio Rizzo |
00:21:22 |
in about 1 490. |
00:21:27 |
Note the flowers woven into... |
00:21:51 |
Jesus! |
00:21:54 |
The bishop! |
00:21:57 |
In the name of the Father, the Son, |
00:22:00 |
and the Holy Spirit. Amen. |
00:22:05 |
Love of our Father |
00:22:09 |
be with you. |
00:22:29 |
How are you, John? |
00:22:32 |
It was entirely my fault. |
00:22:35 |
It wasn't John's fault. |
00:22:38 |
Laura, you're looking better. |
00:22:41 |
I'm really terribly sorry. |
00:22:45 |
These workmen took me around. |
00:22:49 |
I'd like you to look at the mosaics |
00:22:54 |
I've already been much too long. |
00:22:59 |
Thursday, if that's alright? |
00:23:05 |
I took some samples from the pilings. |
00:23:09 |
The churches belong to God, but |
00:23:17 |
Does he have other priorities? |
00:23:22 |
We have stopped listening. |
00:23:26 |
Are you a Christian, Laura? |
00:23:30 |
I don't know. |
00:23:35 |
St. Nicholas |
00:23:36 |
of this church is the Patron Saint |
00:23:45 |
We must talk, John! |
00:23:47 |
Thursday I'll have your room ready. |
00:23:51 |
I'll have the mastic samples by then. |
00:23:55 |
I look forward to hearing about it. |
00:23:59 |
Ciao. |
00:24:04 |
He doesn't give an |
00:24:08 |
Why did he ask me if I was Christian? |
00:24:13 |
What in God's name made you do that? |
00:24:17 |
Ciao Giorgio! |
00:24:25 |
You know? Your bishop really |
00:24:30 |
He probably makes God |
00:24:34 |
Signor! |
00:24:36 |
The key! |
00:24:40 |
He has the key! |
00:24:43 |
Be careful! If you ruin it, |
00:24:47 |
I don't know what I'd do! |
00:24:56 |
I'm going |
00:24:59 |
Enough of this idling around. |
00:25:03 |
What? |
00:25:10 |
Don't we have to book at this place? |
00:25:16 |
What place? |
00:25:19 |
The place we're going to be eating at! |
00:25:22 |
Yeah, sure. |
00:25:25 |
Where is my Neutralgina then? |
00:25:36 |
You'll have to read this! |
00:25:48 |
What are you doing? |
00:25:51 |
I can't hear what you're saying. |
00:25:54 |
I still can't hear. |
00:25:58 |
I'm having a bath. |
00:26:00 |
You heard me that time. |
00:26:43 |
You know those lumps are coming back |
00:26:49 |
See? |
00:27:03 |
85 kilos, which is 1 90 pounds. |
00:27:11 |
You okay? |
00:27:40 |
Come in! |
00:27:42 |
May I tidy up? |
00:27:48 |
I'll come back later. |
00:28:01 |
It's a miracle |
00:28:05 |
The unconscious body reacts faster |
00:28:10 |
Perhaps. |
00:28:13 |
You have toothpaste on your mouth. |
00:28:20 |
Eat it off! |
00:28:27 |
I can't get it off. |
00:28:38 |
This. |
00:32:56 |
Yes. |
00:32:58 |
Really? |
00:33:03 |
You will be eating here tonight, |
00:33:06 |
No, we're eating out tonight. |
00:33:09 |
Too bad. Have a good night. |
00:33:12 |
Thank you. |
00:33:18 |
You can to go home. |
00:33:40 |
Come here, I think I found the way! |
00:33:47 |
I never minded being lost in Venice. |
00:33:52 |
Now, we take the second left |
00:33:55 |
Oh, yeah? |
00:33:59 |
A nice dark little alley! |
00:34:05 |
Yes, this is it. |
00:34:08 |
Yes, it is. |
00:34:11 |
Come on. |
00:34:30 |
Oh, rats! I'm getting out of here. |
00:34:37 |
I know this place. |
00:34:51 |
This is it! It's Ponte Giretto! |
00:34:54 |
What? |
00:34:56 |
- No, I... |
00:35:11 |
What's that, John? |
00:35:16 |
Come on. |
00:35:25 |
What on earth was that? |
00:35:28 |
Maybe something else. |
00:35:40 |
This was just around the corner |
00:35:44 |
I know where we are now. |
00:35:53 |
Ready? |
00:36:10 |
Slow! |
00:36:13 |
Yeah. Higher. |
00:36:16 |
Beautiful. Good. |
00:36:40 |
Ready? |
00:36:42 |
It'll fall down! |
00:36:48 |
Go! |
00:36:50 |
Go! |
00:36:54 |
Are you ready? |
00:37:08 |
Hello! |
00:37:10 |
Hello! |
00:37:12 |
How extraordinary to see you. |
00:37:16 |
Yes, I know. |
00:37:19 |
Yes. |
00:37:23 |
Hold on. |
00:37:28 |
Stop! Wait. |
00:37:30 |
Yes, I remember her hair. |
00:37:34 |
Light hair and silky soft. |
00:37:36 |
She tossed it as she laughed. |
00:37:41 |
Heather! You've no right to... |
00:37:46 |
I'll just go and get my coat. |
00:37:50 |
Thanks. |
00:37:52 |
No, no! There! |
00:37:56 |
Yes, there. |
00:37:59 |
Okay. |
00:38:02 |
Hold on! |
00:38:04 |
Wait still. Now. |
00:38:08 |
I'll hold it right here. |
00:38:12 |
Pull, pull! |
00:38:23 |
Sunday afternoon, |
00:38:26 |
we'd just finished lunch. |
00:38:29 |
Before I used to smoke then. |
00:38:36 |
John just suddenly got up |
00:38:41 |
as if he knew |
00:38:45 |
Yes. |
00:38:48 |
Yes, of course! |
00:38:50 |
Of course! He has the gift. |
00:38:53 |
That's why the child was trying |
00:38:58 |
Even if he doesn't know it. |
00:39:03 |
It's a curse as well as a gift. |
00:39:08 |
Wait, there's a knot. |
00:39:11 |
Slow! |
00:39:13 |
It's off-center! |
00:39:16 |
It never was in the middle. |
00:39:19 |
Over! To the left! |
00:39:24 |
You can't |
00:39:27 |
ever contact people, can you? |
00:39:30 |
We're often asked. She's quite famous. |
00:39:33 |
They all want a lot of mumbo-jumbo, |
00:39:36 |
and holding hands. Second sight |
00:39:41 |
It is impertinent |
00:39:44 |
back for our entertainment. |
00:39:47 |
It wouldn't be for my entertainment. |
00:39:51 |
Would you come for tea? |
00:39:54 |
Just for a little while? |
00:39:58 |
I'd like that. Thank you. |
00:40:03 |
I make no promises. |
00:40:05 |
No. |
00:40:09 |
It's ridiculous! |
00:40:12 |
I'm not getting involved |
00:40:15 |
I've been trying to hang on to myself, |
00:40:21 |
that's been with me like some pain, |
00:40:24 |
and finally through these two women |
00:40:29 |
They disapprove of mumbo-jumbo, too! |
00:40:33 |
Of course they do! |
00:40:36 |
Laura, do you not see... |
00:40:52 |
Laura, that's enough. |
00:40:55 |
I've listened to you. You said let |
00:41:00 |
You let her go near that pond. |
00:41:04 |
You said you'd give your life |
00:41:09 |
Jesus H. Christ. |
00:41:12 |
She's trying to get in touch with us! |
00:41:18 |
Go, go on to your crazy women. |
00:41:40 |
Here, drink this. Whisky. |
00:41:43 |
Thank you. I don't really need it. |
00:41:47 |
I'll be back in a jiffy. |
00:41:50 |
Here you are. |
00:41:55 |
Where are you? |
00:42:00 |
Oh, the children. |
00:42:03 |
Who are you looking at? |
00:42:07 |
There's a boy here |
00:42:11 |
Difficult to tell his age. |
00:42:15 |
And then Charles in his uniform. |
00:42:18 |
Then the three girls. |
00:42:21 |
Then there's Angus. |
00:42:24 |
Yes. |
00:42:28 |
Yes, he was a gentle child. |
00:42:37 |
You haven't touched your drink. |
00:42:42 |
Was that Angus? |
00:42:45 |
I was just looking at the pictures |
00:42:50 |
It jars you, losing one like that. |
00:42:54 |
So can you, I daresay. |
00:42:59 |
Nothing can replace |
00:43:03 |
Now then... |
00:43:10 |
It's alright. |
00:43:12 |
It's alright! |
00:43:43 |
Are your legs crossed? |
00:43:47 |
Yes. |
00:44:07 |
Switch the light out. |
00:45:16 |
Yes. |
00:45:27 |
Yes! |
00:45:31 |
Yes! |
00:45:38 |
What are you doing there? |
00:45:43 |
John! Yes! |
00:45:47 |
English. |
00:45:52 |
Who are you? |
00:45:58 |
English. |
00:46:03 |
Peeping Tom! |
00:46:19 |
What did she say? |
00:46:23 |
What did she say? |
00:46:27 |
What did she say? |
00:47:12 |
I got scared for you. |
00:47:15 |
I told you it was alright. |
00:47:23 |
How much have you been drinking? |
00:47:38 |
You're not going to be sick, are you? |
00:47:42 |
You just got the sniff. |
00:47:46 |
Alright, John, the blind one, |
00:47:52 |
You'd understand if you'd... |
00:47:56 |
Today when I was there, she went |
00:48:01 |
Really... |
00:48:04 |
Yes? |
00:48:06 |
She said that your life |
00:48:11 |
She kept on and on saying that. |
00:48:44 |
I wouldn't go in there |
00:48:50 |
I haven't thrown up for ten years. |
00:48:55 |
John? |
00:48:59 |
I really think we must leave Venice. |
00:49:03 |
She was trying to warn us. |
00:49:10 |
John! |
00:49:13 |
My daughter is dead. |
00:49:17 |
messages back from the fucking grave! |
00:49:20 |
is dead! She is dead, dead, dead! |
00:49:41 |
You must think I'm ill then? |
00:49:51 |
If I'm ill, |
00:49:56 |
Yep. |
00:49:58 |
Maybe I am. |
00:50:08 |
Maybe... |
00:50:10 |
Maybe |
00:50:14 |
Maybe I shouldn't see them again. |
00:50:18 |
Yeah. |
00:50:23 |
Maybe I should take my pills again. |
00:50:25 |
On the desk right there. There. |
00:50:32 |
Here. |
00:50:34 |
Here. |
00:50:46 |
You... |
00:50:48 |
You could get |
00:50:53 |
Yeah. |
00:50:57 |
Yes. |
00:51:04 |
Do you really think you could, John? |
00:51:14 |
Alright, Laura. |
00:51:18 |
Alright. |
00:51:46 |
Hello. |
00:51:48 |
Hello? |
00:51:50 |
Hello. - Hello? |
00:51:55 |
Operator! |
00:51:56 |
Operator! |
00:51:59 |
Operator! |
00:52:01 |
Hello! |
00:52:02 |
Operator! |
00:52:06 |
Hello! |
00:52:09 |
Hello! |
00:52:10 |
Where in England? |
00:52:15 |
John Baxter here. |
00:52:19 |
Headmaster, Porton School. |
00:52:23 |
I'm awfully sorry |
00:52:27 |
What time is it with you? |
00:52:30 |
Oh, I see. We got your telephone |
00:52:36 |
Yes. There's been |
00:52:40 |
It's your son, Johnny. He's been |
00:52:46 |
but Matron thinks... |
00:52:49 |
Mr. Baxter? It's Mandy Babbage here. |
00:52:52 |
Yes, poor little Johnny. |
00:52:56 |
There's nothing to worry about. |
00:53:00 |
Yes. |
00:53:05 |
Tell them I'm on the next plane home. |
00:53:08 |
What was that? |
00:53:10 |
My wife will be there this morning. |
00:53:13 |
Yes. |
00:53:17 |
Yes, goodnight. Good morning. |
00:53:21 |
Bye. |
00:53:24 |
This is what I meant |
00:53:28 |
This is it, this is what they meant. |
00:53:31 |
You see? |
00:53:37 |
Pronto! Pronto! |
00:53:40 |
Alitalia, please. |
00:53:43 |
Get me the airport then. |
00:53:47 |
Oh, Christ! Thank you. Goodnight. |
00:53:51 |
Darling, she said |
00:53:55 |
But that is not so! You know that. |
00:53:59 |
I won't ask you any more |
00:54:03 |
You'll be doing the right thing |
00:54:13 |
It's a charter flight, you've got |
00:54:18 |
He's finding out where they go from. |
00:54:20 |
don't forget to ask the bishop |
00:54:24 |
about staying over in England. |
00:54:27 |
Whatever you can do. |
00:54:32 |
I'll tell him today. |
00:54:36 |
No. Call tonight. |
00:54:40 |
Her name is Signora Baxter. |
00:54:45 |
In 1 0 minutes? |
00:54:47 |
In 1 0 minutes. From Riva Schiavoni? |
00:54:50 |
Thanks. You're a friend. |
00:54:54 |
The boat leaves in ten minutes |
00:55:01 |
Mr. Baxter! |
00:55:03 |
We are closing! |
00:55:05 |
I'll collect everything this morning! |
00:55:08 |
I can't believe this! |
00:55:19 |
Good morning. I am John Baxter. |
00:55:28 |
Give Johnny my love. |
00:55:42 |
I'll call you tonight, okay? |
00:56:52 |
This has great significance! |
00:56:55 |
The Holy Virgin and |
00:57:00 |
Yes. |
00:57:03 |
Beautiful work. |
00:57:07 |
I discovered it myself |
00:57:12 |
and immediately had it examined. |
00:57:15 |
It is about |
00:57:23 |
Morning! |
00:57:27 |
Good morning! |
00:57:31 |
I'm sorry, but this church |
00:57:36 |
You have all worked so hard. |
00:57:38 |
Are those the mosaics? |
00:57:45 |
Is something the matter? |
00:57:48 |
Our son had an accident, |
00:57:53 |
this morning. |
00:57:56 |
It'll be okay. |
00:57:59 |
Laura's had some complications since |
00:58:02 |
Christine... |
00:58:04 |
You should have gone with her. |
00:58:08 |
Can I see the mosaics? |
00:58:20 |
Marvelous! |
00:58:21 |
The firm has worked |
00:58:25 |
Will they be able to match those? |
00:58:31 |
May I compare them? |
00:59:21 |
Lower me down! |
00:59:27 |
Slowly! |
00:59:35 |
Yes, good. |
01:00:44 |
Take that rope! |
01:00:59 |
It'll hold! |
01:01:00 |
Take that rope! |
01:01:35 |
Hold it tight! |
01:01:47 |
Get him! |
01:02:11 |
You had me worried! Mama mia! |
01:02:15 |
I've never seen anything like it! |
01:02:33 |
I need a cigarette. |
01:02:35 |
Would you like |
01:02:39 |
No, I'm going to walk for a bit. |
01:02:42 |
May I walk with you? |
01:02:49 |
My father was killed in a fall. |
01:02:54 |
Yes. |
01:02:56 |
Unbelievable. |
01:02:58 |
What? |
01:03:00 |
My wife was warned |
01:03:05 |
Warned? |
01:03:08 |
It was... |
01:03:12 |
like a... |
01:03:15 |
kind of prophecy. |
01:03:20 |
I wish I didn't have to |
01:03:25 |
I do, but I wish I didn't have to. |
01:03:58 |
What happened? |
01:04:01 |
We found a body. |
01:04:03 |
I hope it's not another murder. |
01:04:16 |
We should go. |
01:04:47 |
Yes. |
01:04:52 |
Don't turn her! |
01:04:57 |
Careful! |
01:05:31 |
Excuse me. We waited |
01:05:49 |
Pronto! |
01:05:51 |
The bishop's driver |
01:05:56 |
Thank you. |
01:06:49 |
Laura! |
01:06:58 |
Laura! |
01:07:13 |
Hey, watch out! |
01:07:45 |
Where is the manager? |
01:08:07 |
Signor Alexander... |
01:08:10 |
I thought... the end of the season, |
01:08:15 |
Has Mrs. Baxter come back here? |
01:08:19 |
My wife, yes. Has she come back here? |
01:08:24 |
I just saw her on the Grand Canal. |
01:08:27 |
Has she come back here? |
01:08:32 |
No, I'm just asking |
01:08:35 |
No, Signore. |
01:08:45 |
Momi! |
01:08:47 |
Haven't you hung up the sign yet? |
01:08:50 |
We hang up the sign, |
01:09:08 |
My luggage get away all right? - Yes. |
01:10:41 |
Yes. |
01:10:43 |
Here. |
01:10:46 |
Yes. |
01:10:48 |
He's ready. |
01:10:56 |
The inspector is in room 87. |
01:10:59 |
Room 87. |
01:11:02 |
Thank you. |
01:11:35 |
Hello! |
01:11:39 |
Sit down, Mr. Baxter. |
01:11:43 |
This is your wife, |
01:11:48 |
How are they? |
01:11:55 |
Age makes women grow to look more |
01:12:03 |
Old men decay |
01:12:08 |
Women seem to converge, eh? |
01:12:12 |
I hadn't thought about it. |
01:12:18 |
is to make the living appear dead. |
01:12:26 |
You no longer stay at the "Europa"? |
01:12:31 |
No, it closed for the winter. |
01:12:34 |
Tell me |
01:12:38 |
My wife met these two women... |
01:12:42 |
a couple of days ago. |
01:12:45 |
The blind one claimed to have seen |
01:12:51 |
She said Christine was happy. |
01:12:54 |
My wife collapsed. |
01:12:59 |
She was happy, |
01:13:04 |
She... she was... |
01:13:07 |
her whole self again. We... |
01:13:10 |
A row? No, well... |
01:13:15 |
I was only trying to protect her. |
01:13:18 |
It didn't make any difference |
01:13:23 |
And when she came back, |
01:13:27 |
last night, we went to bed. |
01:13:30 |
There was a call from England. |
01:13:33 |
Our son goes to school in England. |
01:13:39 |
My wife said that she had been warned. |
01:13:42 |
She got on the first plane to England. |
01:13:45 |
I saw her go. I put her on the boat. |
01:13:52 |
Have you called the airport? |
01:13:55 |
Yes. The plane was full, |
01:14:02 |
Please go on. |
01:14:07 |
Between 1 0:30 and 1 1:00 on a boat. |
01:14:12 |
She's here in Venice |
01:14:18 |
What is it, Mr. Baxter? |
01:14:22 |
I do not understand. |
01:14:25 |
If she's in Venice, |
01:14:31 |
If she can. |
01:14:35 |
What is it you fear? |
01:14:46 |
A killer |
01:14:52 |
My wife is not a well woman. |
01:14:57 |
Yes. |
01:15:00 |
Yes, of course. |
01:15:04 |
I would have thought... |
01:15:11 |
there must be more. |
01:15:17 |
My wife got something |
01:15:21 |
something that neither doctors nor I |
01:15:27 |
so she went with them. |
01:15:30 |
Where I don't know. I was |
01:15:33 |
in the pensione last night, |
01:15:38 |
before I came here, I looked for it. |
01:15:47 |
So now she's with them. |
01:15:58 |
Why should one criticize you |
01:16:02 |
Thank you for talking to me. |
01:16:06 |
I am grateful. |
01:16:09 |
Palazzo Vendori. |
01:16:12 |
I want you to help me. Try again. |
01:16:16 |
Try to find the pensione. |
01:16:19 |
It will make me feel that we have |
01:16:27 |
I don't even know where to start. |
01:16:32 |
Start from where |
01:16:37 |
Okay. |
01:16:38 |
Good luck. |
01:16:40 |
Where did you say? |
01:16:42 |
San Nicolò dei Mendicoli. |
01:16:45 |
Ah, yes. |
01:16:56 |
Pronto? Sabbione? |
01:16:58 |
Follow Signor Baxter |
01:20:51 |
Hello! |
01:20:53 |
Is anyone here? Hello! |
01:20:58 |
Ah, hello Signora. |
01:21:03 |
Two old ladies... Sisters... |
01:21:07 |
One... |
01:21:12 |
Hello, Signora. Two... |
01:21:17 |
Two old ladies... |
01:21:21 |
Sisters. One... |
01:21:24 |
What's that called? So. Yes? |
01:21:29 |
Ah! Come along. |
01:21:32 |
They left this morning. |
01:21:35 |
Yes. My wife. |
01:21:38 |
Come along. |
01:21:49 |
But where are they? |
01:21:52 |
But where? - They left today. |
01:21:56 |
Me? No, thank you. |
01:22:11 |
Where? |
01:22:14 |
No. |
01:22:15 |
Excuse me. Thank you, Mr. Baxter. |
01:22:19 |
Who are you? |
01:22:22 |
Homicide. |
01:22:28 |
They're not here. |
01:22:41 |
Yes. Very nice! |
01:22:49 |
Yes, Signor? |
01:22:52 |
Baxter. John Baxter. |
01:22:58 |
I'll tell him that you are here. |
01:23:15 |
Your Excellency, |
01:23:26 |
Do we have the medical results? |
01:23:40 |
Sister... - He won't be long. |
01:23:45 |
It's urgent. Could I use that phone? |
01:23:56 |
Can I dial that here? |
01:24:06 |
Pronto! To England, please. |
01:24:19 |
Mrs. Babbage? John Baxter. |
01:24:21 |
Hello! |
01:24:23 |
I've been trying to ring you, |
01:24:26 |
but the wire's down or something. |
01:24:29 |
Johnny's absolutely fine! |
01:24:32 |
Quite right as rain. He woke up |
01:24:37 |
Fit as a fiddle! The doctor's |
01:24:40 |
let him get up, |
01:24:45 |
And it wasn't a concussion. |
01:24:47 |
Johnny can remember everything. |
01:24:51 |
It's something they have to watch. |
01:24:55 |
I suppose you'd like to speak |
01:24:59 |
Here she is. |
01:25:01 |
I... |
01:25:04 |
Laura? |
01:25:07 |
There's nothing wrong, |
01:25:10 |
absolutely nothing. He just has |
01:25:14 |
Are you alright? Where are you? |
01:25:16 |
I'm at Alberto's. |
01:25:22 |
I don't know what time it gets in, |
01:25:27 |
Everything is very good. |
01:25:30 |
John's fine, and I'm okay. |
01:25:33 |
I thought I saw you here. |
01:25:37 |
with the two sisters. |
01:25:41 |
Alright, don't worry, sweetheart! |
01:25:44 |
I found the flight number. |
01:25:49 |
I'm at Porton, John! |
01:25:53 |
It's arriving at 1 1:00. |
01:25:58 |
I'll come straight to Alberto's. |
01:26:04 |
I'll see you about eleven, okay? |
01:26:08 |
Okay. |
01:26:12 |
I love you. Bye. |
01:26:19 |
Let Jesus Christ |
01:26:22 |
lead your heart and spirit |
01:26:28 |
Amen. |
01:26:33 |
John! Are you feeling alright? |
01:26:36 |
Yes. Excuse me, Alberto. |
01:26:40 |
I think I just have to... |
01:26:44 |
May I use your telephone? |
01:26:58 |
I don't blame you moving in here. |
01:27:03 |
Do you want to see Johnny again? |
01:27:09 |
Mrs. Baxter, I think |
01:27:23 |
Good evening. |
01:27:26 |
Up the stairs. |
01:27:39 |
Wendy? |
01:27:41 |
Answer me! |
01:27:44 |
It's me, John Baxter. |
01:27:48 |
What's happened to Wendy? |
01:27:51 |
I don't know, I'll find out. |
01:27:54 |
I don't know what's happening. |
01:27:58 |
Where is the other? |
01:28:02 |
She was very furious. |
01:28:05 |
She's at the British Consulate. |
01:28:11 |
It's half past nine now. |
01:28:15 |
I want to go home to the hotel. |
01:28:20 |
This is a Police Station. |
01:28:23 |
I can't tell you how sorry I am. |
01:28:28 |
They took us out of our hotel. |
01:28:32 |
Then they asked us about your wife... |
01:28:37 |
I'm taking you back now. |
01:28:40 |
May she? |
01:28:43 |
If I could just take your arm? |
01:28:50 |
You can't understand the noises |
01:28:56 |
I'm so sorry. I just feel that... |
01:29:00 |
If you could just take me back. |
01:29:31 |
Signora Baxter? |
01:29:33 |
More luggage? |
01:29:37 |
Okay. Do you speak English? |
01:29:42 |
In Venice I love that |
01:29:46 |
Watch, steps. |
01:29:50 |
The sound changes, you see, |
01:29:55 |
and the echoes from the walls |
01:29:59 |
My sister hates it. |
01:30:05 |
She says it's like a city in aspic, |
01:30:09 |
left over from a dinner party, |
01:30:15 |
It frightens her. Too many shadows. |
01:30:22 |
We are almost there. |
01:30:27 |
Milton loved this city. |
01:30:31 |
No. It's interesting. |
01:30:41 |
This isn't the right way, is it? |
01:30:44 |
The Palazzo di Conte Barberigo. |
01:30:48 |
This is the wrong way! |
01:30:53 |
Yes? |
01:30:56 |
It is just along the way. |
01:31:11 |
I've tried to keep them. |
01:31:15 |
They're very wild in Venice. |
01:31:19 |
Do you like cats, Mr. Baxter? |
01:31:23 |
I like them alright, |
01:31:28 |
Here's the hotel. |
01:31:31 |
These are swinging doors. |
01:31:33 |
I'll keep them open. |
01:31:38 |
We changed hotels cause Wendy said |
01:31:44 |
Careful of the steps. |
01:31:48 |
Here is the key. |
01:31:51 |
Room 307. |
01:31:56 |
Okay, it's here. |
01:32:05 |
They said you left at the station. |
01:32:11 |
Has he? |
01:32:14 |
and had been there quite a while |
01:32:18 |
They found your wife then? |
01:32:22 |
He's explained everything. Have we a |
01:32:28 |
Yes. |
01:32:31 |
We're leaving tomorrow. |
01:32:34 |
Have you put the photographs out? |
01:32:38 |
Just a glass of water for me. |
01:32:41 |
I'll fetch it. |
01:32:59 |
So you can find it quite easily. |
01:33:03 |
Thank you. |
01:33:07 |
Thank you. |
01:33:09 |
Doesn't really look like her. |
01:33:12 |
No? |
01:33:17 |
Please, your photograph. |
01:33:21 |
What? |
01:33:26 |
My God! |
01:33:28 |
Thank you for your help. Bye-bye. |
01:33:32 |
Goodbye. |
01:33:52 |
Thank you. |
01:33:54 |
You're wearing odd socks. |
01:33:57 |
I know. I was merely informing you. |
01:34:00 |
I must go... - You've been wearing |
01:34:05 |
Wait! - Is there anything I can do? |
01:34:09 |
She'll be alright. |
01:34:20 |
Wait! |
01:34:22 |
Fetch him back! |
01:34:25 |
Please, please, fetch him back! |
01:34:42 |
Please, fetch him back! |
01:34:47 |
Get him back! |
01:34:49 |
Fetch him! Fetch him! |
01:34:55 |
Get him! |
01:34:58 |
Get him back! |
01:35:14 |
Mr. Baxter! |
01:35:17 |
Mr. Baxter! |
01:35:19 |
Mr. Baxter? |
01:35:36 |
Hello, is John here? |
01:35:41 |
What is it? |
01:35:51 |
Hurry! |
01:35:54 |
Mrs. Baxter... |
01:35:58 |
Mrs. Baxter. |
01:36:02 |
I saw Christine! |
01:36:06 |
Find him! You must warn him! |
01:36:11 |
She told you to leave. |
01:36:14 |
She told you to leave. |
01:36:18 |
She told you to leave Venice! |
01:36:22 |
Beware! |
01:36:43 |
Laura! Mrs. Baxter! |
01:37:11 |
Come here! With the boat. Up here! |
01:37:16 |
No, with the boat! Wait! |
01:37:27 |
Wait! |
01:37:31 |
Ugly monster! |
01:37:34 |
When I catch you, I'll kill you! |
01:37:38 |
Where do you go? |
01:37:41 |
Hold her! |
01:37:44 |
Run! |
01:37:51 |
You piece of shit! |
01:39:49 |
It's alright. Everything's okay. |
01:39:55 |
I'm coming. |
01:40:11 |
She is possessed by the devil! |
01:40:18 |
It's okay. |
01:40:24 |
I'm a friend. |
01:40:28 |
I won't hurt you. |
01:40:32 |
Come on. |
01:40:34 |
Darling! |
01:40:42 |
Wait... |
01:40:47 |
Nooo! |
01:42:13 |
Laura! |