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Don t Say A Word en
00:01:51	Leon put 'em on the same squad.
00:01:56	Montana and Rice?
00:01:59	But do they cover the spread?
00:02:02	Hell, no. Not like the Giants.
00:02:04	Let me tell you something.
00:02:08	Meggett and LT, any damn day.
00:02:10	Those guys are your meat and potatoes.
00:02:13	And don't even bring up Miami.
00:02:17	Miami only has Marino with the
00:02:21	They have no running game. It's like
00:02:27	That's why they get blitzed
00:02:31	I can't believe you guys.
00:02:33	I mean, yeah, they put up a ton of points,
00:02:38	Take the over, then bet
00:02:41	The pigs, the barn, the little chickens and
00:02:47	- Dallas, America's team? My sweet black ass.
00:02:51	Tried the bookie-fuckin' routine, right?
00:02:54	Everybody and their wrinkled
00:02:58	Therefore, they gotta win by two touchdowns
00:03:03	So do me a favor. Take the points and run.
00:03:07	Come on, guys.
00:03:10	Unless you are a moron, retarded Saints fan,
00:03:13	therefore you deserve
00:03:16	- America's sport, baby. Football.
00:03:20	You're talkin' about my sport.
00:03:24	One minute, fellas.
00:03:28	It's showtime.
00:03:36	OK. Let's do it.
00:03:45	It's a nasty habit.
00:03:58	Go.
00:04:19	Everybody down on the ground.
00:04:23	- Hands above your heads.
00:04:27	You want me to use this thing?
00:04:31	- How long?
00:04:40	I see you, baby.
00:04:45	Bingo.
00:04:58	- 1798.
00:05:02	It's 90 seconds.
00:05:11	Got it.
00:05:18	Upstairs.
00:05:27	- What is that?
00:05:31	One minute.
00:05:36	- It's not here.
00:05:51	All right, 45.
00:05:53	My God.
00:06:00	30 seconds.
00:06:07	OK. Come on.
00:06:52	Break out the diamond.
00:06:59	Fuckin' right.
00:07:09	The Surgeon General was right.
00:07:13	No. Go back.
00:07:16	- Is there a problem?
00:08:16	The psychodynamics of compulsive stealing
00:08:20	An act committed to relieve
00:08:25	an attempt to harm an imagined enemy,
00:08:28	or a form of revenge against those who have
00:08:33	or somehow inflicted a narcissistic injury.
00:08:41	But stealing panties
00:08:46	There's nothing in there.
00:08:51	I've never really been
00:08:56	I don't know if I should say this.
00:09:00	I won't say anything.
00:09:03	You promise to keep your word?
00:09:07	OK. Well, you know, that thing
00:09:13	Everybody does it.
00:09:17	The mailman does it.
00:09:21	If anybody tells you they don't, they're lying.
00:09:26	My mom says I'm oversexed.
00:09:52	- Hi, Daddy.
00:09:56	- This is me.
00:09:59	The girl I am talking to is at least 11.
00:10:02	Can I speak to your mother, please?
00:10:06	- Don't forget the turkey.
00:10:09	It's Thanksgiving eve, Nathan.
00:10:13	OK. Fairway, right?
00:10:16	The man's a steel trap.
00:10:19	- I will be there in ten minutes.
00:10:31	Go away.
00:10:39	Come on.
00:10:43	Shit.
00:11:33	Louis, this better be a real emergency.
00:11:37	My hero. Look.
00:11:40	She's not one of your Dalton Trust Fund
00:11:44	I don't know, Louis. I don't talk to you for
00:11:50	- Jesus Christ.
00:11:54	She took a razor to an orderly in Rockland.
00:11:56	- 111 stitches to close him up.
00:11:59	Good question.
00:12:02	Yeah, I see that. Selective mutism,
00:12:06	- Post-traumatic symptoms...
00:12:11	An IQ off the charts. Saw her father
00:12:15	- Dr. Sachs?
00:12:18	The girl who was biting the heads
00:12:22	Call security. Make sure
00:12:25	Louis, I don't know
00:12:28	- Look, I got a family at home, waiting.
00:12:32	She's an 18-year-old girl
00:12:36	You and I are between her
00:12:39	What do you mean, "you and I"?
00:12:43	You're a big asshole for making me say this.
00:12:49	You're better at this stuff than I am.
00:12:52	Everybody knows
00:12:55	Elisabeth Burrows is the kind of case you and
00:13:00	Just kidding. I didn't mean it that way.
00:13:06	- She needs you.
00:13:08	But why the emergency? Why tonight?
00:13:10	If we don't make progress by Monday,
00:13:12	they're gonna ship her to Creedmore
00:13:17	That's why she needs you now. Five minutes.
00:13:24	- Arnie, Frankie, good evening.
00:13:28	- Afraid so.
00:13:32	I'll pass, but you know Dr. Sachs.
00:13:35	Mind the gate.
00:13:38	What's the new cocktail?
00:13:41	Haldol, Droperidol and Ativan.
00:13:44	- And she's awake?
00:13:47	- He told me to stay. You're making a mistake.
00:13:50	- She eating?
00:13:54	letting anybody touch her, or saying a word.
00:13:58	- You're making a mistake.
00:14:01	Dr. Sachs, he told me to stay.
00:14:03	I will have a word with him, Louise.
00:14:11	What's with the heavy artillery?
00:14:15	It took about five guys
00:14:24	Louis, is there
00:14:27	No.
00:14:32	Could you open the door, please?
00:14:36	- You OK?
00:14:38	- Yeah.
00:15:11	Hello.
00:15:16	Elisabeth, my name is Dr. Conrad.
00:15:19	I'm a psychiatrist.
00:15:24	The word has it
00:15:27	I can understand that.
00:15:29	I used to work in this hospital.
00:15:41	Elisabeth, would you mind
00:15:47	That means I'm gonna have to touch you.
00:16:38	Now, that's not supposed to happen.
00:16:41	True catatonics have what's called
00:16:46	It means they stay
00:16:51	There's more to you
00:16:54	You're very good at what you do.
00:17:02	So, is there anything you wanna talk about?
00:17:12	That's OK. We hardly know each other.
00:17:21	I know you must have been very frightened
00:17:26	I know that you were angry,
00:17:32	But I also know that you were in a lot of pain,
00:17:35	because nobody is
00:17:42	So maybe we'll talk next week.
00:17:51	You want what they want.
00:17:55	Don't you?
00:18:01	What who wants?
00:18:09	Elisabeth. What who wants?
00:18:14	I'll never tell.
00:18:21	Any of you.
00:19:25	Hello?
00:19:33	Who are you?
00:19:43	Five to three this old bag doesn't have cable.
00:19:55	Dinner's over.
00:20:07	- How you doin', Tony?
00:20:25	Hello?
00:20:29	This certainly looks like
00:20:35	It smells like the Conrad residence.
00:20:40	And it's definitely overheated,
00:20:49	But it doesn't sound
00:20:54	Hi, honey. I'm looking for a little girl.
00:21:00	About four feet two, light brown hair.
00:21:08	Where did she go?
00:21:13	If I don't find that little girl,
00:21:16	I'm gonna have to go downstairs
00:21:23	I'll be back in ten minutes.
00:21:30	- Hi, Daddy.
00:21:33	- Look what I did in art class today.
00:21:37	- You've got such a unique vision.
00:21:41	- Aren't you supposed to be in bed?
00:21:45	- I see. What kind of mental problems?
00:21:49	- I think you've been in my study again.
00:21:53	- Go say good night to Mom.
00:21:56	- Good night, Mommy.
00:21:59	- Yeah.
00:22:02	Delicious.
00:22:04	I'll put Monkey right over here
00:22:07	And I'll put Sally over here
00:22:13	You had a bad day.
00:22:16	- Why do you say that?
00:22:20	I have a "frown-face" because it's
00:22:26	Where were you tonight?
00:22:29	I was working.
00:22:31	Why?
00:22:33	Because I was helping a young girl.
00:22:38	All right. But that's gonna cost ya.
00:22:42	All right. What's it gonna be?
00:22:46	One hug, two kisses.
00:22:51	You cut a tough deal.
00:22:56	And one kiss.
00:22:59	And two kisses.
00:23:03	Will they put Bart Simpson in the parade?
00:23:05	They will put Bart Simpson
00:23:10	OK. But I don't think they'll care
00:23:17	- Good night, sweetheart. I love you.
00:23:58	- Let me give you a hand, Detective.
00:24:01	That's beautiful.
00:24:06	What exactly is beautiful?
00:24:08	- Your leatherjacket. It's beautiful.
00:24:14	- Did you read about the Manhattan Bridge?
00:24:17	It was built wrong. It moves ten feet.
00:24:21	- Syd Simon.
00:24:23	- Detective Cassidy, what can I do for you?
00:24:27	Floater. Female, no ID.
00:24:30	She's maybe in her twenties.
00:24:34	Sloughing of her skin tells me
00:24:39	This time of year,
00:24:42	A couple to three days tops.
00:24:50	Her hands have been tied.
00:24:54	They're still lookin'.
00:24:59	Another body was found
00:25:02	- Battery Park area?
00:25:04	The victim was male, middle-aged.
00:25:07	- I need preliminary findings by tonight.
00:25:13	C'mon, Syd. I got plans for
00:25:19	- Tomorrow's the best I can do.
00:25:21	First thing, though.
00:25:33	Cars have now been towed,
00:25:36	so the annual Turkey Trot,
00:25:40	8,000-meter race? That doesn't sound right.
00:25:43	You can't be distracted.
00:25:47	Here you are, immobile,
00:25:55	totally exposed,
00:25:58	and quite vulnerable.
00:26:04	I think you need a bath.
00:26:06	Guess what, sweetie.
00:26:09	You did?
00:26:12	You didn't have Nathan Conrad's
00:26:18	- No.
00:26:20	I didn't get that one yet.
00:26:23	Pretty hot. Not too hot, is it?
00:26:26	- No. It's nice.
00:26:41	- We should keep it down.
00:27:36	Prepare to die of delight.
00:27:40	Jessie, c'mon. Let's join the downhill racer.
00:27:48	I heard that about the downhill racer.
00:27:51	Honey, you were dreaming.
00:27:53	- It was icy, you know?
00:27:56	- And very windy, too.
00:28:00	- Good morning.
00:28:03	I don't know.
00:28:05	Jessie? Come on.
00:28:13	All right. I'm gonna go there all by myself.
00:28:17	See all those floats alone.
00:28:24	Jessie, come on. Breakfast is getting cold.
00:28:28	Does she have a new hiding place
00:28:30	Probably. She's been running round
00:28:35	Jessie. Get in here right now.
00:28:39	Eat it up before it gets cold.
00:28:42	Nathan? She wouldn't
00:29:13	She's not there. She knows better than
00:29:18	Jessie. Get in here right now.
00:29:54	- She lost one of her socks.
00:29:58	- She's gone.
00:30:01	- Wait. Where is she?
00:30:04	- No. She's in the hallway...
00:30:07	- Nobody took her, Nathan.
00:30:12	What? Nathan, call the police.
00:30:18	I can't get a dial tone. Hello?
00:30:20	Get off the line. This is an emergency.
00:30:24	- There is nothing wrong with it, Nathan.
00:30:27	Yeah, I know.
00:30:33	- Who is this?
00:30:38	- What?
00:30:41	What's your worst fear, Nathan?
00:30:45	- My what?
00:30:49	- Where is she?
00:30:53	- Give it to me.
00:30:57	- No.
00:30:59	Not until I talk to my daughter
00:31:04	Rule number one. You do not make demands.
00:31:08	You call me back
00:31:13	- What the hell were you doing?
00:31:16	- Listen to me, Aggie.
00:31:22	Aggie. I have to make sure she's all right.
00:31:25	What if they don't call back?
00:31:35	- Hello?
00:31:37	- Jessie, are you OK, sweetie?
00:31:41	No. Daddy, can I come home now? Daddy?
00:31:47	That was very brave, Nathan.
00:31:49	- Tell me how much money you want.
00:31:53	Pick up your wife
00:31:58	I'm fine.
00:32:04	What?
00:32:06	Nathan, what is it?
00:32:12	Don't close the curtains. I like the view.
00:32:17	Good. Now, on the bureau
00:32:22	I know what you're thinking. Don't.
00:32:24	By the time you hit
00:32:28	Rule number two. Do not try to call or signal
00:32:33	Not because I want to, but because
00:32:38	- Yes.
00:32:43	I can see you. I can hear you.
00:32:46	Wherever you go, you will be watched.
00:32:49	- What are they saying?
00:32:51	don't say a word.
00:32:54	- Now, tell me you understand.
00:32:57	Good. You have a pro bono patient.
00:33:03	A very disturbed girl.
00:33:06	She has a six-digit number in her head.
00:33:08	Locked away in her troubled mind.
00:33:13	- What kind of number?
00:33:16	I need that number. You need your daughter
00:33:21	You're a professional, Nathan. So am I.
00:33:23	If we do our jobs
00:33:26	by this time tomorrow it'll be like
00:33:31	Now, go back to Bridgeview. Take the Rover.
00:33:37	No police, no detours.
00:33:45	Rule number three.
00:33:59	Let's do exactly what he says.
00:34:03	- Nathan, why don't we call the police?
00:34:07	Because I believe him.
00:35:00	Happy Thanksgiving.
00:35:10	Asshole.
00:35:11	- Aren't you and Jessie hittin' the parade?
00:35:32	No signs of sexual assault.
00:35:35	I see evidence of injury in her neck.
00:35:38	Signs of bleeding in the
00:35:42	I don't know, Syd. This girl
00:35:46	Also evidence of a fracture
00:35:51	Syd. How'd she die?
00:35:53	No blunt instrument here.
00:35:56	- Her neck was snapped in two.
00:36:00	By two hands.
00:36:05	Syd. Same technique used
00:36:17	Same dislocation of the skull.
00:36:19	And the splotches on the body?
00:36:22	Cigarette burns. He was tortured.
00:36:25	And he had prison tats? OK.
00:36:28	I'm also gonna need fingerprints
00:36:32	You know this is Thanksgiving?
00:36:37	You're right.
00:36:40	Hope her family isn't waiting on her
00:36:46	Cassidy, I'm not susceptible
00:36:52	She probably helped
00:37:01	Fingerprints and dentals. Then I'm outta here.
00:37:04	Thank you, Syd.
00:38:01	Slow it down.
00:38:08	Come on.
00:38:34	Roll down your window, sir.
00:38:39	- Officer, I'm a doctor.
00:38:42	- See that tuba player rolling off your hood?
00:38:47	I need an escort to
00:38:50	Do I look like a freakin' helicopter?
00:39:01	- He's talking to the cops. What do we do?
00:39:07	There's a young girl who could die.
00:39:09	So, Officer, you can either
00:39:14	Or not.
00:39:20	Get outta here. Move on.
00:39:24	Let's go. Right over there.
00:39:28	Hold the band right there.
00:39:31	Open those gates for me, guys.
00:39:34	The son of a bitch. He just picked up
00:40:09	I like that.
00:40:12	- What?
00:40:15	- You didn't tell me the context of the number.
00:40:20	This girl has a decade
00:40:24	Even if she knows,
00:40:28	In my experience, people are at their best
00:40:33	You can't just flick a switch in her head.
00:40:35	Trust me. It does not
00:40:38	The money's bad, I know.
00:40:44	And Nathan? Don't lose the phone.
00:41:35	- The doctor has landed.
00:41:39	- Nope.
00:41:42	- Do you have the key to Dr. Sachs's office?
00:41:45	- Open it, please.
00:41:47	Open it.
00:42:54	I thought Nathan explained the rules
00:43:02	There's no percentage
00:43:06	You sick son of a bitch.
00:43:08	- You hurt my little girl and I'll...
00:43:12	You were about to say something personal.
00:43:15	I think.
00:43:17	- No.
00:43:19	If your husband is on his game today,
00:43:23	There's a good side, Aggie. This will bring
00:43:29	Or sponge bath.
00:43:33	The remote is to your left. Pick it up.
00:43:37	Pick it up.
00:43:42	Good. Now turn it on.
00:43:48	Try HBO.
00:43:55	No. I've seen this. A bit too violent.
00:43:59	Try a nice family drama.
00:44:50	- Nathan. What are you doin' here?
00:44:54	- How'd you get in? Who let you in?
00:44:58	Why are you here on Thanksgiving?
00:45:00	Why am I here? I gotta testify
00:45:05	I thought I'd come to my office
00:45:09	You broke into my files.
00:45:13	- I woulda given you the key, man.
00:45:17	No, it just got here. But I've been through the
00:45:22	- I think she's overlaying.
00:45:26	She is a brilliant mimic.
00:45:30	She's highly adaptive. She takes on
00:45:34	She's like a counterfeit schizophrenic, maybe.
00:45:37	I can't believe it's all smoke and mirrors.
00:45:40	That would place her
00:45:42	I gotta believe there's
00:45:46	She has classic post-traumatic
00:45:50	Seeing her father die, that was ground zero.
00:45:55	And she also believes that
00:46:01	That is why she stayed institutionalized these
00:46:09	So, 20 different hospitalizations,
00:46:13	20 different diagnoses.
00:46:16	All overlaying. Nathan, that would make her
00:46:23	Or desperate.
00:46:44	- Louis?
00:46:48	Does anybody know I'm treating
00:46:52	Everybody. I put it up last night after you left.
00:46:56	Figured you might be back.
00:46:59	I also reinstated your password. Gate, please.
00:47:21	Elisabeth, good morning.
00:47:25	Are you feeling better?
00:47:29	I brought you something.
00:47:34	A chocolate turkey.
00:47:37	The sugar'll help you metabolize
00:47:47	Do you like Thanksgiving?
00:48:02	Wanna touch?
00:48:04	- Sorry?
00:48:08	I know what you're trying to do.
00:48:19	The other doctor?
00:48:22	- Dr. Sachs.
00:48:27	- I don't like him.
00:48:32	Very fucking funny.
00:48:35	Elisabeth, there's something
00:48:43	But first I wanna show you something.
00:48:46	I have a daughter. She's eight.
00:48:50	Going on 18.
00:48:53	Her name's Jessie.
00:48:58	I have some of her favorite things here.
00:49:02	This is Horton Hears a Who!
00:49:05	I've read it to her so many times,
00:49:14	And this...
00:49:36	And this.
00:49:39	This is Sally.
00:49:44	Would you like one of those?
00:49:47	I'll make sure the hospital lets you keep it.
00:49:50	But you can only choose one.
00:49:52	- What the hell is this? Toys "R" Us?
00:50:10	- Dr. Conrad?
00:50:14	Get out.
00:50:18	No.
00:50:19	I want you to leave.
00:50:21	No. We're not finished talking, Elisabeth.
00:50:25	I know what you're trying to do.
00:50:28	You wanna embarrass me. It won't work.
00:50:37	What's your name?
00:50:42	Your hair's really long.
00:50:48	My hair used to be that long
00:50:55	What's that thing on your neck?
00:50:59	It's kind of impolite
00:51:07	It's a symbol.
00:51:12	- What's it mean?
00:51:16	Elisabeth, there's something I need to know.
00:51:20	Jessie.
00:51:22	Jessie? That's my little girl's name.
00:51:26	Wanna see a picture that Jessie drew?
00:51:30	I'll make you a deal. I'll show you
00:51:35	Is it worth just one answer?
00:51:41	Maybe.
00:51:44	I'm gonna ask my question now, Elisabeth.
00:51:47	Is the man that you hurt in Rockland...
00:51:50	Did that have anything to do with the terrible
00:51:55	Come on, run.
00:51:58	Come on, honey, run.
00:52:05	- I didn't know what you were talking about.
00:52:08	I didn't know who "they" were
00:52:11	- Now I do. I know how bad they wanted it.
00:52:14	I know how important it was
00:52:17	I'm just asking...
00:52:21	Elizabeth, you have to...
00:52:35	I'm sorry.
00:52:43	You lost her.
00:52:45	She's still got the doll, doesn't she?
00:53:16	- Yeah?
00:53:19	I can gain her trust. But without
00:00:01	- The answer's right in front of you.
00:00:06	- Then look closer.
00:00:08	Nathan. It's 12:22.
00:00:16	I'm sure of one thing. They would have
00:00:23	Like this. Check this out.
00:00:26	See how he's got his tail up, poised?
00:00:30	He gets his stinger back over the top
00:00:37	Trying to recuperate.
00:00:45	Sofia.
00:00:54	Sofia, why are you here?
00:01:01	I broke it. Mr. Conrad will fix it.
00:01:11	What?
00:01:14	Turkey? No. No tacchino.
00:01:19	No telephone. Just give it to me.
00:01:29	Hello.
00:01:32	Get rid of her.
00:01:35	Sofia, no tacchino.
00:01:51	- Any more visitors?
00:02:07	Come on. Yeah, baby, take it off.
00:02:16	All right. Suit yourself.
00:02:46	I have to go. You have to call me back.
00:02:49	Have you seen this?
00:02:51	What's this?
00:02:55	- Where'd you find this?
00:02:58	"A young girl was found
00:03:02	This is around the time her father died.
00:03:06	Could she have been lost or unattended?
00:03:09	On an island in the East River?
00:03:14	I saw Sarah. Two days ago. She was
00:03:19	- Maybe she's still with him.
00:03:24	Jake. Tray 57, and just her face.
00:03:30	- It stinks in here.
00:03:34	- I've never seen anyone dead before.
00:03:38	- I'm gonna get sick.
00:03:43	Come on.
00:03:53	I've gotta take this.
00:03:59	Cassidy. Hey, baby.
00:04:02	Yeah. You should take the one o'clock,
00:04:09	- Make it seven.
00:04:12	Don't promise.
00:04:15	What? Yeah, I'm almost done here.
00:04:18	Yeah. I'm at the city morgue. Bye.
00:04:24	- Your NCIC on the guy with the busted neck.
00:04:30	Leon Edwards Croft.
00:04:34	- Jesus, what does he have, 15, 20 arrests?
00:04:39	- You run him for known associates?
00:04:53	It's OK.
00:04:55	Why would someone do this to Sarah?
00:04:59	The guy with the cigarette burns, Croft?
00:05:04	Robbery said they hit banks.
00:05:07	No convictions till '91.
00:05:10	And three of his friends just
00:05:16	Patrick Barry Koster.
00:05:20	November 4th.
00:05:23	Did Croft rat these guys out?
00:05:25	I don't know. Could be payback.
00:05:28	He has no priors. There is nothing on him.
00:05:32	I know. It's the only thing
00:05:39	I guess that's who I need to talk to.
00:05:41	- Watch your back.
00:05:51	You picked Jessie's
00:05:54	She and Sally were
00:06:01	Where is she?
00:06:04	Where's Jessie?
00:06:09	They took her.
00:06:12	Now she's really scared. As scared as you
00:06:17	but she's only eight years old, Elisabeth.
00:06:20	She's not as strong as you are. She can't
00:06:25	I am not just here to help you.
00:06:31	- Me help you.
00:06:40	Otherwise, I'm not getting my little girl back.
00:06:47	Today's Thanksgiving.
00:06:51	Do you remember Thanksgiving?
00:06:54	Yes, I remember.
00:06:59	Who were you with?
00:07:02	My dad.
00:07:05	Just me and my dad.
00:07:09	Being strong isn't only
00:07:12	It's also having the strength to let go,
00:07:14	especially if you're holding
00:07:18	that you don't even know
00:07:24	The only way that you can
00:07:36	You have to go back
00:07:41	I can't. Can't do it. No.
00:07:45	Here we go. The main event.
00:07:47	You can't help my little girl
00:07:50	No, please.
00:07:55	Listen to me. The men that have Jessie
00:08:01	are the same men you're frightened of,
00:08:05	- I don't wanna hear this.
00:08:09	- You want what they want.
00:08:11	- They'll kill my little girl if you don't tell me.
00:08:15	Daddy.
00:08:17	- Is it a telephone number?
00:08:19	- An address? An account?
00:08:22	- A bank account? A code? A place?
00:08:25	What is it?
00:08:29	What's wrong? We lost the feed?
00:08:32	No, we're good.
00:08:35	You leave him alone.
00:08:40	Your father is gone.
00:08:44	And no one is gonna hurt him anymore.
00:08:50	My little girl is still alive.
00:08:54	Jessie is alive.
00:09:07	Dr. Conrad...
00:09:12	I'm scared.
00:09:27	I know. I'm sorry.
00:09:31	- Shit.
00:09:36	- Elisabeth...
00:09:40	You're OK.
00:09:54	Long time since breakfast.
00:09:57	- Yeah.
00:10:14	The best turkey you ever had.
00:10:16	Careful, or I'll put you in the oven with it.
00:10:23	I love you, Daddy.
00:10:48	- What's that?
00:10:53	with a 10-gauge needle
00:10:55	500mg? Why not give her a quart of Jack
00:11:01	The event is obviously
00:11:05	She should respond beautifully to Amytal.
00:11:19	Answer it.
00:11:30	You answer the phone.
00:11:38	Tell them everything's OK,
00:11:41	and that you're going to plan B.
00:11:46	Everything's OK, and we're going to plan B.
00:11:50	It's a drug.
00:11:54	You knew all about the numbers,
00:11:58	- I swear to God...
00:12:02	They got my fucking girlfriend.
00:12:05	- He'll kill her if I don't get him this number.
00:12:09	He's got my daughter.
00:12:13	- He's got my little girl.
00:12:18	I'm sorry. I didn't know.
00:12:21	You gotta get the number for this guy.
00:12:25	Dr. Sachs?
00:12:28	- Yes?
00:12:33	- A cop? What kind of cop?
00:12:37	- What does he want?
00:12:41	OK.
00:12:45	- Tell her I'll be right there.
00:12:50	- He said no cops under any circumstances.
00:12:56	You have to be cool,
00:13:17	If we don't have it by 4:30, we go to plan...
00:14:03	Peanut butter and jelly.
00:14:11	Hello there.
00:14:13	- I'm Louis Sachs.
00:14:22	- Pretty girl. Is that your daughter?
00:14:24	No. This is not my daughter.
00:14:29	- I'm here about this woman.
00:14:32	- You don't know her?
00:14:48	She worked in the hospital for five months.
00:14:52	Really? We have dozens and dozens
00:14:56	She worked in the department you oversee.
00:15:00	That's strange. I should know who she is.
00:15:03	And I don't. So there's gotta be a mistake.
00:15:07	- When did you last see Sarah?
00:15:11	I just told you, and I'll tell you again,
00:15:25	Where are we going?
00:15:28	- Do you have a lawyer, sir?
00:15:32	- Do you have a lawyer?
00:15:35	- You don't know Sarah?
00:15:38	A week ago, in Central Park, with you.
00:15:43	- You know Vanessa? She knows you.
00:15:46	I'm about to read you your rights.
00:15:49	- My rights?
00:15:51	- What did I do?
00:15:54	This is last weekend, with you,
00:16:00	You took this picture. And this is her now.
00:16:04	This one you did, this one I took.
00:16:08	- That's not Sarah.
00:16:11	- No, it's not Sarah in the fucking morgue.
00:16:17	The morgue?
00:16:26	- It can't be Sarah. That's not the deal.
00:16:32	Why don't you tell me
00:16:35	Who is part of the deal?
00:16:40	Tell me who is part of the deal.
00:16:43	He said we had until five today.
00:16:47	It's no mistake. Who's "we"?
00:16:49	We are so fuckin' close.
00:16:52	- Dr. Sachs, who is "we"?
00:16:55	Why don't you quit wasting
00:17:01	You like country music?
00:17:47	What did I say about noise?
00:17:53	Daddy's smart little girl, aren't you?
00:17:57	Better hope your mother didn't hear that.
00:18:00	Go full screen on her.
00:18:07	Tighter.
00:18:29	- She heard.
00:18:34	She's stopped breathing.
00:19:03	So what can I do for you, Doc?
00:19:06	Arnie, I need to ask you a favor.
00:19:10	Were you takin' Burrows for a stroll?
00:19:16	- We're out of here. Bring her.
00:19:34	Take care of her.
00:19:37	I need you to open the gates.
00:19:40	- On whose authorization?
00:19:45	That's why they call this place
00:19:49	Cos I'd have to be, basically,
00:19:54	OK. Well, I just had to ask you...
00:20:02	It's OK, Arnie. It's just a sedative.
00:20:07	It's all right. You'll be fine in about an hour.
00:20:55	Dr. Conrad?
00:21:00	Fuck.
00:21:26	Excuse me.
00:21:38	Security breach. Start emergency procedures.
00:21:42	Security personnel, officer down. We have a
00:22:41	A gold Land Rover just left Bridgeview,
00:22:45	- They're leaving.
00:22:48	Wanted for questioning
00:22:56	Have an RMP respond
00:23:54	Oh, my God.
00:24:15	- What's on your mind, Nathan?
00:24:24	Wait a second. Where are you taking Jessie?
00:24:28	- Why are you moving her?
00:24:35	Why are you moving her?
00:24:40	All right, I will get you the number.
00:24:45	- Just don't hurt her.
00:25:01	You have reached New York City's
00:25:05	Your call will be answered in
00:25:13	You crippled bitch.
00:26:17	- Are you all right?
00:26:36	Move.
00:26:43	- This is where it happened, isn't it?
00:26:51	When we left home, my dad and me...
00:26:59	Big car, dark.
00:27:04	I'd never seen my dad so scared.
00:27:07	He grabbed my arm. He kept running.
00:27:10	And I tried to keep up.
00:27:22	- You can do it.
00:27:26	You can do it. Let's go.
00:27:33	It's OK.
00:27:39	Elisabeth?
00:27:42	There were lots of people.
00:27:45	But my dad just pulled me through them.
00:27:50	I looked back.
00:27:53	They were so fast.
00:27:57	They're still behind us.
00:28:01	There were only two men. We lost one.
00:28:06	My dad took me around the corner.
00:28:22	He made me hide over here.
00:28:27	Listen to me carefully.
00:28:32	It's gonna be fine.
00:28:41	Russel, where've you been?
00:28:45	What's in the fuckin' bag?
00:28:48	They could see my dad's face
00:28:56	There's nothing in the fuckin bag.
00:28:59	Where is it, Russel?
00:29:05	What's happening now? Elisabeth?
00:29:10	I don't believe a fuckin' word.
00:29:16	Elisabeth, what do you see?
00:29:18	Where is it?
00:29:20	The one in the red coat kept on kicking him
00:29:24	and asking him
00:29:28	- Let me up and I'll tell you where it is.
00:29:34	- Where is it?
00:29:37	And everybody was watching
00:29:56	Elisabeth, what did the man want?
00:30:02	- I can almost reach him.
00:30:06	- Daddy!
00:30:13	Turn around. Hands up.
00:30:20	- Down on your knees.
00:30:25	Did he want a number?
00:30:30	Elisabeth,
00:30:33	He wants Mishka. My doll.
00:30:36	- And where is Mishka? Where is your doll?
00:31:17	- Yeah.
00:31:19	All right. I have what you want.
00:31:22	Good. I'm listening.
00:31:25	I've decided I'm gonna deliver
00:31:29	No time.
00:31:32	- No choice.
00:31:34	That's the best way
00:31:37	Other than missing the deadline,
00:31:42	Rule number one. No more clock.
00:31:45	- What?
00:31:48	- Now, I'll meet you there.
00:31:51	I think you know where. And rule number
00:31:57	Do you hear me?
00:32:04	- Daddy?
00:32:07	Yeah. Daddy, please come get me now.
00:32:10	I'm on my way, sweetheart.
00:32:15	- Anything else?
00:32:27	I got a medical emergency.
00:33:06	- Aggie?
00:33:09	- She's fine.
00:33:12	Aggie, listen to me.
00:33:16	What is that? Did you call the police?
00:33:19	Aggie?
00:33:21	No. But somebody did.
00:33:25	Do they know what's going on?
00:33:27	- Not yet. Listen.
00:33:32	Just get her back.
00:35:09	What you doin' down there?
00:35:11	That's my boat. Where you goin', asshole?
00:35:16	What you doin'? Bring that back.
00:37:13	Dr. Conrad.
00:37:17	You're a committed man.
00:37:23	I wanna see her.
00:37:27	I wanna see her now.
00:37:30	Grim place for a holiday, isn't it?
00:37:38	Hello, Elisabeth.
00:37:42	I've thought about you
00:37:45	I bet you've thought about me, too.
00:37:50	I know you've been through a lot.
00:37:57	Your father let us both down.
00:38:03	- Where's my daughter?
00:38:06	- Where is she?
00:38:08	- I wanna see Jessie.
00:38:11	You're not getting anything until I see...
00:38:16	We talked about bravery today.
00:38:23	It's not good.
00:38:29	You need to know how to use these.
00:38:38	I wanna see my daughter.
00:38:42	Yeah, I think you've earned it.
00:38:45	- Max.
00:38:48	- Jessie?
00:38:52	It's all right, honey. You're gonna be fine.
00:38:57	You guessed the number
00:39:00	Now what?
00:39:03	I finish my job.
00:39:13	Come on, Nathan. Up the stairs.
00:39:33	Over there, by the table.
00:39:36	And Elisabeth. Not her.
00:39:39	Take her back outside.
00:39:42	- Daddy?
00:39:49	Now, let's see what 200 an hour can do.
00:40:09	Officer Peterson. Nice work.
00:40:13	- It's over there.
00:40:17	He smashed through a steel fence
00:40:20	Then he jacked a boat from that individual.
00:40:23	He and some girl. Sounds a little hinky.
00:40:27	- A boat to where?
00:40:30	It is not. It is my problem.
00:40:44	- Where's the music coming from, Elisabeth?
00:40:51	- Where?
00:40:58	On the boat that brought
00:41:01	Yeah.
00:41:05	It was cold. It was wet.
00:41:09	My eyes were burning,
00:41:13	How did you know which one was your dad?
00:41:18	They gave him a number.
00:41:22	Where was this number?
00:41:28	It's on his box.
00:41:37	I tried to get it open,
00:41:41	I couldn't lift it, it was too heavy.
00:41:45	I couldn't put Mishka inside.
00:41:49	Better pray she's lying, Nathan.
00:41:52	Where did Mishka go?
00:41:56	- They saw me.
00:42:01	The men with the music.
00:42:05	They were working. They said my lips
00:42:12	I told them "My dad's inside."
00:42:16	"And I need to put her inside with him."
00:42:20	"I need to put Mishka in the box," I told them.
00:42:30	What did they do?
00:42:37	They helped me.
00:42:47	They helped me put Mishka
00:42:54	They let me stay with him.
00:42:58	Until...
00:43:46	So what's gonna happen
00:43:49	He's gonna have you
00:43:53	You like her. I can tell that.
00:43:56	And when you're done with us,
00:44:02	Just keep walkin'.
00:44:54	This boat's for charter, not runnin'
00:44:58	Like I said, sir, it's police business. Do me a
00:45:25	Go on, Max. Open it up.
00:45:53	Get her out.
00:45:55	The girl. Out.
00:45:59	- Sit down.
00:46:03	Let me go.
00:46:06	I am going to put a bullet through your knee.
00:46:11	No.
00:46:21	No. Get off.
00:46:26	Get her off.
00:46:29	Sit down.
00:46:31	Forget the fuckin' number.
00:46:34	- She gave it to you - in reverse.
00:46:38	- It's reversed in her mind.
00:46:42	Cognitive distortion.
00:46:44	She wrote it right to left.
00:46:48	Look.
00:46:52	She sees it in a mirror.
00:47:06	Can you imagine
00:47:20	Central, this is
00:47:24	Shots fired
00:47:27	I'm en route. I need Harbor and Aviation.
00:48:26	Ten years of my life.
00:48:29	Bought and fuckin' paid for.
00:48:41	Take care of that.
00:50:28	You're not like me, Nathan.
00:50:30	I would have killed
00:50:35	Police. Don't move.
00:50:41	Drop your weapon.
00:50:46	Go on.
00:51:20	I never got your name.
00:51:24	Patrick.
00:51:30	Are you sure I'm not like you?
00:51:38	Are you sure?
00:51:51	Was this really worth it?
00:51:54	What?
00:51:58	Your life.
00:52:00	Absolutely.
00:52:04	It's mine.
00:52:09	Then you go get it.
00:54:31	I'll be right back, sweetie.
00:54:39	- How are you holdin' up?
00:54:45	Thank you.
00:55:20	Let's go. Come on.
00:56:52	Visiontext Subtitles: Yasmeen Khan

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