Find Movie

Door In The Floor The en
00:02:31	Dead means they're broken?
00:02:35	Well, their bodies
00:02:39	And they're under the ground?
00:02:43	Tell me what dead is.
00:02:46	Mmm. When you...
00:02:50	When you look at the photographs
00:02:54	do you remember the stories
00:02:56	Yes.
00:02:59	Tom and Timmy are alive
00:03:04	It makes me sad
00:03:07	Makes me sad too, Ruthie.
00:03:10	But Mommy's sadder.
00:03:14	Well, yes.
00:03:48	Uh-huh.
00:03:52	Does your son have a driver's license?
00:03:55	Jesus.
00:03:57	Heh!
00:04:00	Yeah?
00:04:05	Yeah.
00:04:07	All right.
00:04:24	Eh, it still gets cold
00:04:27	Thanks.
00:04:30	Jesus. Look at this yard.
00:04:36	We should clear out some of these
00:04:43	I want to put in a swimming pool.
00:04:45	Why?
00:04:47	Oh, for Ruth when she gets older.
00:04:51	Something like the one we had
00:04:55	And the lawn...
00:05:02	No.
00:05:04	Look at this picture.
00:05:09	That's Minty O'Hare's son... the
00:05:14	He wants a summer job.
00:05:16	He wants to be a writer.
00:05:18	What would he do for you?
00:05:20	It's mainly for the experience,
00:05:23	I mean, if he's thinking about becoming a writer,
00:05:30	What would he actually do for you?
00:05:33	Mmm, well...
00:05:42	I've been thinking.
00:05:46	I want to try separating...
00:05:54	Just temporarily.
00:06:28	So you began your career writing novels?
00:06:30	Yes, but they were terrible novels. Uh,
00:06:36	before I realized
00:06:40	I am simply a entertainer of children,
00:06:44	Edward, don't be nervous
00:06:47	He's an Exonion.
00:06:50	His sons were charming boys...
00:06:52	but... mediocre students.
00:06:56	Why do cautionary tales for children come so
00:06:59	Well, I think I can imagine
00:07:02	Um, in my stories,
00:07:05	uh, you can see what's coming, but you don't see
00:07:09	Note his work habits.
00:07:12	See if there's a method
00:07:14	And... above all...
00:07:17	throw yourself in headlong and just
00:07:22	In my opinion, there is no better opening to any story
00:07:25	I mean, the first lines...
00:07:30	Daddy, I had a dream.
00:07:33	I heard a sound.
00:07:36	Uh, what sort of sound, Ruth?
00:07:38	It's in the house,
00:07:48	Hmm.
00:07:51	Well, let's go look for it then.
00:07:54	It's a sound that's trying to be quiet?
00:07:58	It was a sound like someone
00:08:15	Your penis looks funny.
00:08:19	My penis is funny.
00:08:23	Come out sound.
00:08:27	I'll tell you a story
00:08:31	One night when Thomas
00:08:34	and Timothy was still in diapers,
00:08:37	Tommy heard a sound.
00:08:42	Oh, Tom woke up,
00:08:44	but Tim did not.
00:08:48	And Tom woke up his father...
00:08:51	and asked him,
00:08:56	There's the sound again,"
00:09:00	"It's a monster!" he cried.
00:09:03	"It's just a mouse...
00:09:06	crawling between the walls,"
00:09:09	his father said,
00:09:11	and thumped the wall hard
00:09:14	And the mouse...
00:09:17	Scurried away.
00:09:20	"It's just a mouse.
00:09:23	That's all," Tom said.
00:09:25	And he quickly fell asleep.
00:09:28	But Tim,
00:09:31	he stayed awake all night long.
00:09:34	And every time that thing crawling
00:09:39	he'd hit the wall,
00:09:41	and he'd listen to the monster...
00:09:44	scurry away,
00:09:46	dragging his thick, wet fur,
00:09:49	and no arms and no legs with it.
00:09:55	- And that...
00:10:01	Where's Mommy?
00:10:05	Mommy, uh... It's her turn
00:10:07	It's my turn tomorrow night.
00:10:11	- Okay.
00:10:17	Hmm. Everyone has mice.
00:10:21	Mice are everywhere.
00:10:25	See you in the morning, Ruthie.
00:11:36	Eddie? Eddie?
00:11:43	Mrs. Cole?
00:11:48	Come.
00:11:52	You can drive, can't you?
00:11:56	I know boys your age. They love
00:12:00	Yes, ma'am. But I don't
00:12:04	It's an automatic.
00:12:07	Yes, ma'am.
00:12:10	Sorry about before. I was...
00:12:12	I was expecting Mr. Cole.
00:12:15	Ted lost his license
00:12:18	You're not at Exeter anymore.
00:12:23	Okay.
00:13:09	Aren't you coming in?
00:13:11	Not tonight.
00:13:31	Did it hurt?
00:13:34	No, I'm all right. I'm all right.
00:13:37	It is an honor to meet you, sir.
00:13:39	I want to thank you in advance for this
00:13:44	Ed, this is Doctor Loomis.
00:13:47	Hi.
00:13:50	I was class of'61.
00:13:52	So, Tuesday, yeah? Right.
00:13:55	Nice to meet you, Eddie. Ciao.
00:13:58	I've read all your novels and
00:14:00	Yeah, 3:30.
00:14:04	I've... I read all your novels
00:14:07	and my favorite is The
00:14:09	Well, you're probably one of the few
00:14:15	So, uh, what makes you think
00:14:18	Oh, I wrote something,
00:14:21	I'd be extremely honored if you might read
00:14:25	Well, writing is rigorous work.
00:14:30	Yeah. Many of my books contain
00:14:35	every word must be examined and
00:14:39	You're going to be spending the whole summer
00:14:43	- The right word. The true word.
00:14:45	I'm prepared to throw myself in headlong
00:14:48	Yeah, because I'm sure there'll be
00:14:52	Oh, all right.
00:14:55	I'm, uh, using squid ink for my new book,
00:14:59	and for all my drawings now.
00:15:02	There's a, uh...
00:15:04	a woman in Montauk,
00:15:07	She collects the squid ink for me.
00:15:10	Ah, you can go tomorrow. You see her
00:15:15	Also, I have to tell you...
00:15:20	you've arrived here during what is
00:15:25	Uh, Marion and I, we're separating...
00:15:29	temporarily, on a trial basis.
00:15:32	And I've, uh...
00:15:35	and every other night one of us
00:15:38	Uh, during the day, you'll work there
00:15:43	but you'll sleep here.
00:15:47	I know it seems
00:15:50	it's hard to know what's...
00:15:54	Anyway, your bedroom is in the main
00:16:00	Uh, you want to take your stuff up
00:16:03	Unpack.
00:16:06	Okay, well,
00:16:08	make yourself comfortable, Eddie.
00:16:11	Thank you, sir.
00:16:13	And... I'm sorry about your marriage.
00:16:16	Me too, Eddie.
00:16:19	Anyway,
00:16:22	I'm sure you're gonna do great here.
00:16:25	It's gonna be a good summer for ya.
00:17:00	**
00:17:20	Did you see the shrine?
00:17:22	Mm-hmm.
00:17:25	It's sad.
00:17:28	You go to Exeter, right?
00:17:30	An "upper"?
00:17:34	like, kind of like a junior. Your
00:17:37	So you get to go for free?
00:17:40	He was their teacher, right?
00:17:42	I guess.
00:17:47	- Did you know them before they died?
00:17:50	When I was in eighth grade
00:17:55	Really? Yeah. He was
00:17:59	His name was, like,
00:18:04	It was probably a nickname.
00:18:12	You know, it... it's quite common
00:18:18	It is.
00:18:43	Oh, great, you got it.
00:18:45	Just in time.
00:18:47	Uh, here, wait.
00:18:53	Here. I want you to, uh,
00:18:56	put it in here
00:18:59	What should I do next?
00:19:01	I'm sketching a model.
00:19:05	L... I could straighten up
00:19:08	No, no. Go ahead.
00:19:10	Anything really. I just want
00:19:14	Contemplating the waves...
00:19:17	will be a hell of a lot more useful to you
00:19:22	Okay.
00:19:25	plenty more rigorous work to do...
00:19:29	at some point in the near future.
00:19:33	Don't spill that stuff.
00:19:51	Take your dress off, please.
00:20:09	And your bra.
00:21:04	Morning, Eddie.
00:21:06	Morning, ma'am.
00:22:40	Bright, yeah.! Colors.!
00:23:37	Hi.
00:23:39	Did you just see that movie?
00:23:41	Me too.
00:23:45	- Is that your dinner?
00:23:47	I... got kind of tired of burgers.
00:23:52	Ted doesn't get you anything?
00:23:55	I mean, he would.
00:23:59	I don't think your parents would like it if
00:24:03	They wouldn't mind,
00:24:10	Eddie, would you like
00:24:13	I'll make sure you get
00:24:17	Okay.
00:24:19	Yeah.
00:24:22	Thanks. Good night.
00:24:24	See you.
00:25:08	Eddie?
00:25:10	Just one second.!
00:25:13	Ruth wanted to be sure that one
00:25:16	She gets anxious if she can't see them
00:25:22	Which one was it, sweetie?
00:25:25	Ahh.
00:25:27	He's just a little broken,
00:25:30	Not yet.
00:25:32	- Where's feet?
00:25:36	Where are the feet?
00:25:39	Sorry, Eddie.
00:25:42	We've gotten in the habit of showing Ruth these
00:25:45	That's okay.
00:25:47	Ahh, see?
00:25:50	What did he do?
00:26:49	That's Mrs. Vaughn.
00:26:51	Came over to discuss some sketches.
00:26:55	Uh, guess she's an early riser.
00:27:00	Do you want me to drive
00:27:02	I'm gonna... I'm gonna walk.
00:27:05	Um, after I finish, what should
00:28:32	Eddie, I should have knocked.
00:28:39	It's my fault.
00:28:43	I'm just... I'm just embarrassed.
00:28:50	Eddie?
00:29:02	Come here, please.
00:29:13	It's funny.
00:29:19	Eddie?
00:29:21	Look at me.
00:29:25	Sit.
00:29:39	I know boys your age.
00:29:41	I know it's what boys your age do,
00:29:45	Look, Eddie, I am flattered.
00:29:49	It felt good to know that someone
00:29:54	Oh, not to assume that you
00:29:59	Maybe about my clothes. And I know you
00:30:03	- I didn't...
00:30:08	It was a pink sweater,
00:30:12	Oh!
00:30:15	That sweater, it's so old.
00:30:19	Because of how it must feel
00:30:25	Oh.
00:30:32	Would you do me a favor?
00:30:37	Take this down with you.
00:30:40	Please?
00:30:44	Thank you.
00:31:04	I'll probably be about an hour.
00:31:14	- Hey, do you want your supplies?
00:31:58	Hi.
00:32:00	You look nice.
00:32:03	The tie or the jacket.
00:32:07	Okay.
00:32:13	How's the work going for you?
00:32:16	I just retype A Sound Like Someone
00:32:19	Sometimes he changes
00:32:22	and then the next morning
00:32:28	He needs a computer.
00:32:32	That's why he hired you,
00:32:40	I don't get to drive
00:32:48	Eddie, you're so serious.
00:32:51	Boys your age
00:32:55	I know a joke,
00:32:59	Tell me.
00:33:01	There's this battleship out in the ocean,
00:33:05	this captain learns that the mother of
00:33:10	And the sailor's name
00:33:13	So the captain thinks and thinks, and he tries to come up
00:33:18	And finally after staying up all night,
00:33:24	So the next morning he calls
00:33:29	"Gentlemen, all of you whose mothers
00:33:34	Not so fast, Abernathy. "
00:33:40	L- I like that joke, Eddie. L...
00:33:43	I do. I do.
00:33:54	Why don't you ask Alice
00:33:59	She's not my type.
00:34:02	Well, she's a good nanny anyway.
00:34:18	I think it was wrong of us
00:34:24	When we first moved here,
00:34:27	a new place,
00:34:30	a new child,
00:34:32	a new life, I suppose.
00:34:37	Ted's a good father.
00:34:41	But he doesn't really know how
00:34:47	And I can't.
00:34:50	I can't with her.
00:35:02	I picked that one
00:35:05	and you can almost imagine
00:35:12	Timothy looks guilty.
00:35:15	Thomas looks like a wild animal.
00:35:26	This one's funny.
00:35:29	Tommy looks so...
00:35:33	scared.
00:36:21	I hope I'm not disturbing you.
00:36:27	You can tell in this picture...
00:36:31	Timothy is more introspective,
00:36:33	like you.
00:36:43	And you know where this is?
00:36:46	What does it say?
00:36:50	"Come hither, boys, and become men. '"
00:36:57	Not pink with lilac.
00:37:01	Oh.
00:37:03	I wasn't thinking about the colors.
00:37:08	I don't know if they had sex.
00:37:11	Thomas, maybe. He was so popular.
00:37:14	But, Timothy, he was so shy.
00:37:21	That's all boys want, isn't it?
00:37:24	Yes.
00:37:27	Before I die.
00:37:39	Have you had sex, Eddie?
00:37:48	No.
00:37:55	Well, it's too hot in here,
00:37:59	so I hope you'll forgive me
00:38:55	You still really haven't had sex,
00:38:59	Not really.
00:39:03	No, not really.
00:39:09	But I feel...
00:39:12	I feel complete.
00:39:21	Come here.
00:39:50	"There was a little boy
00:39:55	"His mommy didn't know if
00:39:58	"They lived in a cabin in the woods
00:40:03	"and there was no one else around.
00:40:06	"And in the cabin
00:40:12	"The little boy was afraid of what
00:40:16	"and the mommy was afraid too.
00:40:19	"Once, long ago, other children had come
00:40:25	"but the children had opened
00:40:28	"and had disappeared down the hole.
00:40:32	"The mommy had tried
00:40:35	"but when she opened the door in the
00:40:40	"that her hair turned
00:40:43	"like the hair of a ghost.
00:40:46	"And the mommy had
00:40:51	"things so horrible
00:40:56	"And so the mommy wondered...
00:40:59	"if she wanted to have a little boy,
00:41:02	"especially because of everything
00:41:06	"And then she thought,"Why not?
00:41:11	"I'll just tell him not to open
00:41:16	"Yet the little boy...
00:41:18	"still didn't know
00:41:21	"into a world where there was
00:41:25	"But there were some beautiful things
00:41:29	"on the island and in the lake.
00:41:32	"Why not take a chance? 'he thought.
00:41:36	"And so the little boy was born
00:41:42	"and his mommy was happy again too.
00:41:47	"Although she told the boy...
00:41:49	"at least once every day,
00:41:52	"Don't ever, not ever,
00:41:56	"never, never, never...
00:41:58	"open the door in the floor. '
00:42:05	"But, of course, he was only a little boy.
00:42:09	"If you were that little boy,
00:42:12	wouldn't you want to open
00:42:25	The publisher thinks the drawings are too
00:42:29	But, um, I'm just
00:42:32	and I like to draw.
00:42:38	Nudes, uh... Nudes are a requisite
00:42:42	like... like landscapes.
00:42:45	No. Long Island's too flat.
00:42:48	You don't prefer to use
00:42:52	If nakedness... I mean, the feeling of
00:42:56	well, there's no nakedness that compares to what it feels
00:43:01	Hmm? Right, Eddie?
00:43:04	Yes. Yeah. No.
00:43:14	I'm grateful to you, Eddie. Oh, it's
00:43:18	No, I mean, uh,
00:43:21	I'm grateful to you for being
00:43:27	She's been so unhappy.
00:43:30	It's good to see her smiling again.
00:44:46	Hello, Cole residence.
00:44:51	No, he's not here yet.
00:44:57	Unsteady?
00:45:13	Excuse me, Mr. Cole.
00:45:16	Um, Patrick called
00:45:22	- He said you might want a ride home.
00:45:29	Go on home, Eddie.
00:45:32	Sorry, Mr. Cole. Good night.
00:46:45	Ready, Eddie?
00:46:47	Ahh.
00:46:51	I, uh, converted this barn into a squash
00:46:56	Not quite regulation
00:46:59	Plus, uh, there's a dead spot
00:47:03	So, basically, I'm considered
00:47:07	to be unbeatable on my own court.
00:47:10	You play much?
00:47:14	Ahh, well, don't expect
00:47:18	I'm gonna grind you
00:47:21	Huh!
00:47:36	Where those red lines intersect,
00:47:39	Whoever controls the "T"
00:47:43	You need to win control of the "T"
00:47:48	7- love.
00:48:04	Aah! Jesus!
00:48:06	Yeah, I'm fine.
00:48:09	Yeah, it was a good shot though.
00:48:12	Isn't that a let? Aren't you supposed
00:48:15	Well, technically you're right,
00:48:18	Can't just take the "T."
00:48:28	Aah!
00:48:34	You look like a boy
00:48:38	Maybe you need to catch up
00:49:11	Stop screaming, honey.
00:49:16	G- Go back to bed, okay?
00:49:19	- Okay?
00:49:27	Did you get the stamps?
00:49:34	They still have the ones with
00:49:40	Anyway, I, uh...
00:49:44	I presume it was Marion's mistake,
00:49:46	but surely it was a mistake for the
00:49:54	I'm not threatening you,
00:49:58	that, uh, you may be called
00:50:02	In the event of a custody dispute,
00:50:11	I would never have let a child see me
00:50:15	has really made no effort
00:50:18	from seeing what she saw.
00:50:21	And if you are asked to testify
00:50:26	I trust that you won't lie...
00:50:36	From the sound of it,
00:50:40	not that I have a personal problem
00:50:44	But for a child,
00:50:48	I imagine doing it doggishly...
00:50:50	must seem especially animalistic.
00:51:10	I'll only be about 25 minutes today.
00:51:15	Just a quick sketch.
00:51:24	I've never been unfaithful to Ted.
00:51:35	Why didn't you leave him?
00:51:39	Ted understands me.
00:51:45	Ted's the only one that really
00:51:54	You don't need some time?
00:52:03	Aah! What are you doing?
00:52:07	Okay. Ready?
00:52:11	He starts with conventional portraits...
00:52:14	a mother, a child.
00:52:17	Then the mother,
00:52:21	Then the nudes go through phases,
00:52:25	like innocence, modesty,
00:52:28	degradation...
00:52:31	and shame.
00:52:33	Mrs. Vaughn?
00:52:36	Mrs. Vaughn is experiencing the...
00:52:39	degrading phase right now.
00:52:44	Move your head to the light.
00:52:51	To the...
00:52:56	Evelyn.
00:53:54	I want to know more about you.
00:53:57	You know too much already.
00:54:09	Tell me about the accident.
00:54:13	I mean, do you know
00:54:17	or was it anybody's fault?
00:54:29	Marion?
00:54:41	M- Marion?
00:54:51	Mommy.
00:55:36	It was early in the morning,
00:55:41	Thomas and Timothy crawled under the
00:00:04	Well, maybe it never happened.
00:00:07	You know, maybe it was just a dream. No.
00:00:11	I guess it's just a mystery.
00:00:16	Don't you want to go back to bed?
00:00:19	Bring the picture.
00:00:23	That's true.
00:00:44	Mommy.! Mommy.!
00:00:55	Ow. Ow.!
00:00:59	She cut her finger, badly.
00:01:06	Shh. It's okay.
00:01:10	No. You're not
00:01:14	You're not going to die.
00:01:19	You don't understand. I put the
00:01:23	That's not the point. The point is, you shouldn't
00:01:28	That's her mother's job.
00:01:31	I doubt it. I doubt "asleep" would
00:01:35	I did it to her. I asked her
00:01:39	Ah, it doesn't matter.
00:01:41	She was a great mother to the boys,
00:01:45	It's my fault.
00:01:51	Ruthie, please.
00:01:53	- Come on now. Go to sleep now. Please.
00:01:56	I'm here, sweetie. Come on. Mommy!
00:01:58	Mommy! Come on. Now, please, Ruth.
00:02:00	Mommy!
00:02:02	Mommy! Mommy! Come on.
00:02:13	She had a bad dream.
00:02:18	What kind of banging noise?
00:02:22	What difference does it make?
00:02:29	Come on, honey.
00:02:31	It's okay.
00:02:34	It's okay. Shh. Shh.
00:02:39	It's okay.
00:02:43	It's okay. It's okay.
00:03:10	It's okay.
00:03:40	Take me back.
00:03:48	Like you should
00:03:51	Lick this just like you should
00:03:53	My neck, my back
00:03:58	My neck, my back
00:04:03	Leave it! Goddamn it.
00:04:06	That nigga, get on your knees A bitch
00:04:10	Thug misses know what I mean
00:04:15	Hos hatin'niggas watchin'me
00:05:45	Why now?
00:05:49	I've stayed too long already.
00:06:37	You want me
00:06:39	I want you to give her these,
00:06:45	Just the drawings...
00:06:48	Isn't she expecting you?
00:06:50	Tell her I'm not coming,
00:06:53	but I wanted her to have the drawings.
00:06:59	It... It might be, um, awkward...
00:07:03	to ask for the portfolio back.
00:07:05	It won't be a problem.
00:07:13	L
00:07:18	He said he wanted you
00:07:21	Oh.
00:07:23	Uh, but when is he coming?
00:07:27	I have the whole day for him on Friday.
00:07:31	Will you stop?
00:07:34	L- I don't know.
00:07:36	- Uh...
00:07:44	My God, I'm locked out.
00:07:46	You're gonna have to break in.
00:07:55	You're gonna have to carry me
00:07:59	How dare you? How
00:08:04	You're not exactly living an "un-sordid" life
00:08:08	Oh, go!
00:08:13	- Why did she think you looked at the drawings? Did you?
00:08:17	Oh, Christ. Of course you did. No.
00:08:22	Jesus. She did what? She didn't mean to, but she
00:08:27	- Jesus Christ.!
00:08:31	She said you liked all the doors to be locked,
00:08:35	She told you that?
00:08:37	She said she had the whole day
00:08:40	I can't spend the whole day
00:08:43	You're gonna have to come and pick me up
00:08:50	On Friday morning,
00:08:53	I know... for half an hour.
00:08:56	No. You're never going back,
00:09:00	and it'll take him all day
00:09:05	Mrs. Vaughn won't offer him a ride.
00:09:09	I don't expect him back before dark.
00:09:11	Ted's gonna be really pissed off.
00:09:18	I read your, um... your story.
00:09:21	Oh. I thought you forgot. No. I just
00:09:27	It's not very good, is it?
00:09:31	very... very personal.
00:09:33	It's, um...
00:09:36	Well, it's just a collection of personal
00:09:41	It's, uh... I was just tryin' to see if
00:09:44	Oh, it seems true. It, uh,
00:09:48	Sort of a...
00:09:53	it isn't really a story.
00:09:56	And that, uh... the guy, Hank... you
00:10:01	You need to prepare a reader
00:10:05	It just... It didn't seem like
00:10:10	you need to let your audience
00:10:15	you know, anticipate what's gonna
00:10:19	But, um, you have to guide them
00:10:22	There's a part of writing that, uh,
00:10:26	involves a certain manipulation.
00:10:30	That may seem cold to you, but it is, you know, sort of cold. L
00:10:35	Everything in fiction is a tool:
00:10:42	even death.
00:10:44	These are, you know...
00:10:47	These are like, uh, different colors on
00:10:58	Also, the details...
00:11:03	Specific details, they...
00:11:11	Not being specific, that's just sloppy.
00:11:15	S- Specific details?
00:11:18	smells, taste... details.
00:11:24	But I'll tell ya, for a, uh...
00:11:27	for a first effort, it's not that bad.
00:11:30	You know, the, uh...
00:11:32	The prose is a little purple, a little
00:11:37	You're welcome.
00:11:43	You ever think about
00:11:47	Be easier to do your own revisions that
00:11:59	Maybe the next book.
00:12:11	Oh, boy.
00:12:17	I'm not gonna last
00:12:20	Twenty minutes tops,
00:12:37	Five.
00:12:55	Lfhe hits you, hit him back.
00:12:59	At worst, he'll slap you.
00:13:02	You should make a fist,
00:13:05	If you punch him in the nose,
00:13:11	You can call Alice to help
00:13:14	You better start to like her a little.
00:13:17	When Ted kicks you out, you're going to
00:13:22	And who's gonna
00:13:28	I won't be a bad mother to her.
00:13:31	I'd rather be no mother
00:13:34	That doesn't
00:13:41	I don't want her
00:13:44	Remember, honey, don't cry
00:13:48	I promise you, it won't hurt.
00:13:51	Can I keep the stitches
00:14:03	You can take her anywhere for lunch. All she
00:14:09	And ketchup.
00:14:13	I have money.
00:14:27	I love you.
00:14:29	So long, Eddie.
00:14:48	Evelyn. Evelyn, wait! Wait now!
00:14:51	Come here, goddamn it!
00:14:53	Evelyn, Evelyn, Evelyn.
00:14:55	Evelyn!
00:15:18	Why the hell did he...
00:15:35	Oh-oh.
00:15:39	Run!
00:16:46	All right.
00:16:51	Did we get the picture?
00:16:54	Feet. Oh, the photograph.
00:16:58	That's not very nice. My stitches
00:17:03	Yeah. You know what? You're right. Let's go to the frame
00:17:16	Ted Cole?
00:17:18	Yes. It is. It is Ted Cole.
00:17:20	It is Ted Cole. It is.
00:17:24	Don't be silly. It's nothing
00:17:27	Could you... Ah! Get Mr. Cole a chair.
00:17:29	Can't you see he's bleeding?
00:17:31	Look, I... No, you look. If there's no
00:17:34	There must be someone else here besides you,
00:17:40	Did you got mad at her?
00:17:45	To put it simply, I need
00:17:49	I'll take you myself.
00:17:52	Of course, um, I'm going
00:17:55	She's probably out shopping,
00:17:58	You see, my car, it's in the shop. Mm.
00:18:03	I use a bicycle,
00:18:07	Mm. Too bad.
00:18:12	You warned him, you disgusting cretin.
00:18:14	If you have killed him, Mrs. Vaughn,
00:18:19	You want this? Hmm?
00:18:23	I understand that you're angry.
00:18:27	When my customers are angry, I ask them to voice
00:18:32	I work for Ted Cole. I'm a writer's assistant.
00:18:51	"60 times. " Really?
00:18:54	Yes.
00:19:05	The Vaughns of Gin Lane?
00:19:08	We framed a painting by Sibley for
00:19:14	Please go on.
00:19:17	Your signature is very, very beautiful.
00:19:21	I need a pen with a broader nib.
00:19:26	Red like blood,
00:19:28	Yes. Of course.
00:20:04	This is Ruth. She's four.
00:20:10	What do you want from me?
00:20:13	It's of Ruth's mother.
00:20:16	It's not a good picture of the boys.
00:20:18	- Yes, I know. Ruth likes the feet.
00:20:22	Yes, dear.
00:20:24	I'll go check. Should be
00:20:28	Can I have my writing back, please?
00:20:30	It's really not out of my way.
00:20:36	No. That's all right.
00:20:39	It's not trouble.
00:20:42	No. Really. There you are. If you need
00:20:46	L
00:20:54	There's no charge for the photograph.
00:21:04	Yes.
00:21:07	- Is the blood all gone?
00:21:10	As good as new.
00:21:13	- Okay. Thanks.
00:21:17	perhaps next summer.
00:21:19	I can always use an extra
00:21:26	She wrote her freshman English
00:21:28	Mmm.
00:21:34	Uh, "An Analysis of the Atavistic Symbols
00:21:40	As you know, um, myths and fairy tales
00:21:44	like magic doors
00:21:47	and people being so frightened
00:21:52	And the vagina? When the, uh, little boy's in
00:21:58	How long was this paper?
00:22:01	not counting the footnotes
00:22:06	But...
00:22:08	I don't suppose you girls have a car?
00:22:35	Ahh.
00:22:37	Oh. Is this sandwich for me?
00:22:41	These slippers are just wonderful.
00:22:45	They were a Christmas gift
00:22:48	Ah. May I?
00:22:54	I'll get these clothes right back to you. I
00:22:59	Look at that.
00:23:01	Phil was almost exactly your size.
00:23:07	Oh.
00:23:12	You know,
00:23:15	I've been looking for two suitable
00:23:19	Something I'm thinking about for my book.
00:23:22	At first I would want to draw
00:23:26	That way, when I draw
00:23:29	uh, the presence of the other one is...
00:23:33	How long would it take, and...
00:23:35	Uh... which one of us would you
00:23:39	I should do Glorie first.
00:23:43	First, uh... Well, first, the two
00:23:47	then Glorie alone, and then when
00:23:53	Mr. Cole,
00:23:56	So which are you,
00:24:00	Oh, Glorie, I'm...
00:24:03	I'm neither, really. I'm...
00:24:06	and I like to draw.
00:24:09	What sort of drawings
00:24:11	Don't... No, no, no.! Don't... Don't stop.
00:24:14	My goodness.
00:24:30	Uh, yeah. Why don't you, uh,
00:24:36	I'll be right there.
00:25:56	Would you like, uh, some
00:26:01	For the whole rest of your life, whenever you
00:26:06	Your hand will grow bigger, and your finger will grow
00:26:11	And it will always show up in your
00:26:16	I'll show you.
00:26:41	- Those are my fingerprints.
00:26:45	- So you were at the doctor's office
00:26:48	And we went to the beach.
00:26:52	And Eddie showed me my fingerprint.
00:26:55	- I see the photograph was ready finally.
00:26:58	Look at all this sand in your hair, Ruth.
00:27:02	Well, I was waiting quite a while
00:27:09	Where's Marion going? I'll give
00:27:12	- Answer me.
00:27:14	What's this? It's the only good
00:27:22	"60 times"?
00:27:30	Okay. Let's run.
00:27:36	Did you saw that?
00:27:38	Where are all the other pictures? Uh,
00:27:44	Look at you. You've got sand in your toes and in
00:27:50	Well, I guess it's a good time
00:27:55	But Mommy didn't move those things.
00:27:59	They're picture hooks.
00:28:03	- Mommy moved all the pictures but not the picture hooks.
00:28:08	I'll take a quick shower.
00:28:13	Why would Mommy do that?
00:28:17	I don't know, sweetie.
00:28:25	Hi. This is Ted.
00:28:29	Yeah, my wife's left me.
00:28:32	No, no. I'm okay.
00:28:38	Yeah. All right. Yeah.
00:28:41	I'll see you then. Bye.
00:28:49	Aah!
00:28:51	I don't know.
00:28:56	Jesus!
00:28:59	Christ!
00:29:01	I hit you with an open hand...
00:29:04	You clench your fist, you
00:29:07	Jesus Christ.! I'm sorry. Marion
00:29:10	"Marion said'"?
00:29:13	to get custody of Ruth,
00:29:16	She doesn't expect to get custody of Ruth.
00:29:20	- She told you that?
00:29:28	What kind of mother doesn't even try
00:29:34	I don't know.
00:29:39	God.
00:29:43	Okay. Okay.
00:29:47	Christ.
00:29:50	Why... Why did she have to take all
00:29:53	She could have taken the negatives and had
00:29:58	The hell she did.
00:30:06	She can't have the photographs
00:30:11	They were my sons too. I should have half the
00:30:16	Ruth should have some of the photographs.
00:30:21	Oh. Well, obviously,
00:30:25	I doubt it.
00:30:27	That's the only place she could go. I even know where in
00:30:33	You don't have an imagination, Eddie.
00:30:37	Christ. Aren't you planning on
00:30:41	That Marion's question,
00:30:44	- It's mine.
00:30:49	- She didn't tell me to get the photograph. That was my idea.
00:30:54	- I was thinking of Ruth.
00:31:00	Thank you.
00:31:04	No.
00:31:09	What day is tomorrow, Saturday? Yeah.
00:31:11	I want you out of here by tomorrow. Sunday at the
00:31:17	Alice can take you.
00:31:21	What about this one?
00:31:25	I'm sorry, Ruth. I don't
00:31:28	This is the one with Thomas in the tall hat.
00:31:33	Timothy can't reach Thomas's hat, 'cause Thomas is
00:31:39	Was the fight in the picture? No. The
00:31:43	Okay. We're gonna go watch a
00:31:47	We're gonna go pick a
00:31:49	Ruthie, stop it!
00:31:52	Stop it!
00:31:54	Oh, Alice.
00:32:01	What? What have you
00:32:03	I didn't do anything. She was
00:32:06	I've been asking her what's wrong,
00:32:14	Where's Ruthie?
00:32:17	Uh, she's asleep.
00:32:25	I'm sorry, Alice, for
00:32:30	Fuck you, Ted. I appreciate
00:32:36	I've spent years trying to get over
00:32:41	And I've done
00:32:44	No.
00:32:47	No. I just can't anymore.
00:32:52	And you should have
00:32:55	It's... It's too late for me to quit, Alice.
00:32:58	I never knew you were such
00:33:01	Alice has been superior to me
00:33:05	I am morally superior to you, Eddie.
00:33:09	"Morally superior. "
00:33:13	Don't you ever feel morally
00:33:17	Yeah. You see? Everyone feels
00:33:22	Fuck you guys.
00:33:24	There goes my ride
00:33:27	Oh, you're a smart boy, Eddie.
00:33:36	You want a drink?
00:33:40	No, thanks.
00:33:42	Oh, for Chrissake.
00:33:49	Jesus. Look at this yard.
00:33:55	Cannot believe she doesn't want
00:34:00	What kind of mother
00:34:03	I don't know her well enough
00:34:06	Let me tell you something, Eddie.
00:34:08	I don't know her well enough
00:34:12	Yeah, well, don't forget,
00:34:16	Guess she knew you pretty well.
00:34:20	Well enough to judge me,
00:34:26	But then, she's leaving you too,
00:34:34	You don't expect her to call you up
00:34:40	No. I don't expect to hear from her.
00:34:44	Hmm. I have drawings of her.
00:34:49	I drew her long ago,
00:34:54	She was so... so incredible.
00:35:01	You should have known her then.
00:35:05	Oh, Marion.
00:35:09	She hated to pose for me.
00:35:15	These are the only drawings I kept.
00:35:21	I was never good enough
00:35:24	I didn't know how to.
00:35:33	You want one?
00:35:36	No. Ruth should have them.
00:35:38	Mmm.
00:35:41	You're full
00:35:46	Wrong cubes.
00:36:04	Marion?
00:36:06	Jesus, aren't you the optimist?
00:36:12	Forget the light, Eddie.
00:36:16	This story's better in the dark.
00:36:23	What story? You told me you
00:36:27	but Marion can't handle this story.
00:36:30	Turns her to stone just thinking about it.
00:36:33	Remember, you turned her to stone
00:36:38	I remember.
00:36:41	Go on.
00:36:47	Well, here's the deal.
00:36:52	Thomas had his driver's license,
00:36:59	Tommy was 17 and...
00:37:03	Timmy was 15. He had only started
00:37:10	It was Ted's opinion that Timmy,
00:37:14	was already a more attentive student
00:37:21	Timmy studied the driving manual diligently.
00:37:27	He was a more patient driver than Thomas.
00:37:30	Not that Tommy was a bad driver.
00:37:36	He was alert, confident.
00:37:41	He had excellent reflexes.
00:37:47	And he was cynical enough to assume...
00:37:54	that every other driver is a bad driver.
00:37:58	Who taught to you drive, Eddie?
00:38:01	Um, my dad.
00:38:04	Well, good for him.
00:38:06	Tell him for me,
00:38:12	Okay.
00:38:29	Keep... Keep going.
00:38:33	We were out west, actually,
00:38:39	It was snowing...
00:38:45	At 17 and 15, respectively,
00:38:49	Thomas and Timothy
00:38:54	That day, in fact, Ted and Marion
00:38:59	where they were waiting
00:39:02	for Thomas and Timothy
00:39:06	and the last run after that.
00:39:10	I get the picture.
00:39:15	Well, that, uh...
00:39:19	that was one aspect
00:39:22	in the... area of the ongoing argument
00:39:27	I mean, Marion said that Ted was drunk,
00:39:33	Marion, while not drunk, certainly had had
00:39:37	Besides, Tommy had not been drinking.
00:39:42	There was no disagreement
00:39:45	And, brothers being brothers,
00:39:48	Timmy sat beside him in the passenger seat.
00:39:53	And as for the parents,
00:39:55	Ted and Marion... sat in the backseat.
00:40:03	Ted and Marion
00:40:06	about the best route
00:40:10	There was gonna have to be a left turn
00:40:14	So, Tommy moves into the center lane.
00:40:18	It's, um, a turning lane.
00:40:21	He puts on his blinker,
00:40:24	not knowing that both lights
00:40:29	that his father failed to clear off
00:40:33	failed to clear off the rear window.
00:40:38	Any cars coming up from behind Tommy's car
00:40:44	the brake lights or the tail lights.
00:40:46	The car is not visible,
00:40:51	or it's visible only at the last second to any...
00:40:55	anyone approaching from behind.
00:41:04	And then, the interior of the car
00:41:09	- It's the headlights from the car
00:41:24	The snowplow cut the car
00:41:36	Tommy was killed by the steering column.
00:41:43	And Ted...
00:41:46	was trapped in the backseat
00:41:53	He...
00:41:55	- He couldn't see Tommy, but he knew
00:42:02	She couldn't see Timmy.
00:42:05	Ted, however, could see
00:42:10	Ted could also see that the snowplow,
00:42:15	also cut Timmy's left leg off
00:42:26	Timothy Cole bled to death
00:42:35	Marion knew that Tommy was dead,
00:42:38	but only that Timmy
00:42:41	hopefully... to the hospital.
00:42:46	And then Marion,
00:42:49	she sees Timmy's shoe in the wreckage.
00:42:53	"Oh, look. Timmy's shoe.
00:43:00	And she walks over to it,
00:43:12	Ted... Ted wanted to stop her.
00:43:22	Talk about turned to stone.
00:43:30	I couldn't move.
00:43:51	And that was when Ted
00:43:54	that her younger son's shoe
00:44:02	to a leg.
00:44:07	And that was when Marion realized
00:44:18	And that...
00:44:21	that is the end of the story.
00:44:56	I hired you, Eddie,
00:45:01	I gave her you.
00:45:12	See you in the morning, Eddie.
00:45:51	It's Eduardo.
00:45:56	I don't know. Maybe Mrs.
00:45:59	No, no.
00:46:03	You don't see her out there anywhere, do
00:46:08	Maybe she's lying
00:46:12	- I'm being serious, for Chrissake.
00:46:19	Why... Why don't you go out there
00:46:25	Not me.
00:46:28	Oh, for Chrissake.
00:46:33	Wha...
00:46:35	At least go with me then.
00:46:39	Mrs. Vaughn fired me.
00:46:41	Let me make sure I understand you.
00:46:44	You think you saved my life,
00:46:47	Yes, I did save your life, and it
00:46:51	I play squash regularly,
00:46:55	but I do... I do appreciate
00:46:57	How much money are we talking about exactly?
00:47:04	I was hoping you might
00:47:07	Ah.
00:47:12	Let me... Let me show you
00:47:16	I want, uh, more lawn,
00:47:19	Just, uh, pretty big. You
00:47:22	No, no.
00:47:27	Wow. That's a lotta lawn.
00:47:31	And a lot of fertilizers.
00:47:35	Well, whatever you say. I'm putting
00:47:39	What about your wife?
00:47:42	What about her? Oh, uh, does
00:47:48	Yeah, sure.
00:47:51	She cooks, she look
00:47:56	Maybe, uh...
00:47:59	Or maybe she'd like
00:48:03	look after my daughter, Ruth.
00:48:06	Sure. I'll ask her.
00:48:09	Good. Good. Excellent.
00:48:13	Gotta do something about
00:48:17	Oh.
00:48:19	You can begin by taking my former assistant
00:48:26	Uh, immediately. Before
00:48:47	Well, you're a fairly good driver, Eddie.
00:48:52	About Marion,
00:48:57	Even before the accident...
00:49:00	even if there had never been
00:49:04	she still would be difficult.
00:49:08	I don't believe it.
00:49:15	About the shoe,
00:49:19	an "AirJordan," I think he called it.
00:49:27	Specific details, Eddie.
00:49:31	Specific details.

Door In The Floor The