A Life Less Ordinary
|
00:00:11 |
So, here's the deal. |
00:00:12 |
We are in the garden, right? |
00:00:14 |
And everything is great. |
00:00:16 |
And there's this tree. |
00:00:17 |
And the man says, |
00:00:20 |
"Don't eat the fruit |
00:00:22 |
"That apple you do not eat." |
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He goes inside, |
00:00:26 |
maybe takes a dump. |
00:00:28 |
Anyway, what does she do? |
00:00:31 |
She eats the apple! |
00:00:33 |
I can't believe what I'm seeing! |
00:00:34 |
He says, "Don't eat it!" |
00:00:36 |
Unbelievable! |
00:00:38 |
Since then, men, women... |
00:00:41 |
It's all going wrong! |
00:00:42 |
So inviting |
00:00:44 |
So exciting |
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Whenever you're near |
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I hear a symphony |
00:00:51 |
A tender melody |
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Pulling me closer |
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Closer to your arms |
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Then suddenly |
00:01:02 |
Your lips are touching mine |
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A feeling so divine |
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Till I leave the past behind |
00:01:12 |
I'm lost in a world |
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Of make-believe |
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Whenever you're near |
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I hear a symphony... |
00:01:39 |
Divorce. |
00:01:42 |
Miserable marriage. |
00:01:46 |
Wedding canceled. |
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Remarried. |
00:01:50 |
Divorced again. |
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Ahh! |
00:01:53 |
Irreconcilable |
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Dysfunctional marriage! |
00:01:58 |
Divorce! Divorce! |
00:02:00 |
Divorce! Divorce! |
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Well? |
00:02:06 |
Talk to me. |
00:02:07 |
We had a bad run. |
00:02:09 |
Things have changed down there. |
00:02:10 |
Men and women |
00:02:12 |
Well, things are |
00:02:15 |
I'm getting pressure |
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if you know what I mean, |
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For men and women to be bonded |
00:02:23 |
In the meantime, I've been |
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new incentive schemes |
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Leading operatives, huh? |
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That's you. |
00:02:32 |
Skip the flattery, |
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It's a hard case to crack. |
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I have full confidence |
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If you don't... |
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you don't come back. |
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What? |
00:02:47 |
No way. |
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That's the new incentive scheme. |
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Your mission |
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blah, blah, blah, blah, OK? |
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When you're done... |
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you come back. |
00:03:00 |
If youfail... |
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you stay down there forever. |
00:03:05 |
You are not serious. |
00:03:07 |
Liberatum mani. |
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It's out of my hands. |
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No ordinary sin |
00:03:39 |
This perfect working order |
00:03:44 |
I'd rather sink than swim |
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If I can't walk on water |
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Let the scandal in |
00:04:00 |
This perfect world disorder |
00:04:05 |
I'd rather drown than swim |
00:04:10 |
I can't walk on water |
00:04:15 |
This taste of dilution |
00:04:21 |
Velvet divorce |
00:04:25 |
I get bored |
00:04:27 |
Velvet divorce |
00:04:30 |
I get bored |
00:04:32 |
Velvet divorce |
00:04:37 |
Velvet divorce |
00:04:40 |
I get bored |
00:04:58 |
She's the secret daughter... |
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of Marilyn Monroe |
00:05:05 |
I mean, that's why Marilyn |
00:05:08 |
So, the young girl |
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unaware of |
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Years go by. |
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She's beautiful. |
00:05:16 |
She's smart. |
00:05:17 |
She's successful, OK? |
00:05:19 |
Then what? |
00:05:21 |
Well, then... |
00:05:24 |
Then she gets sent to London |
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Where she discovers |
00:05:28 |
and also unravels |
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hidden underneath the embassy. |
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Uh, yeah. |
00:05:36 |
It's kind of obvious, Robert. |
00:05:38 |
Of course it's obvious, guys. |
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You buy it in the airport, |
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Oh, Ms. Gesteten. |
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Nice to see you down here. |
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I'd love to stay and talk, |
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Nice trick, Celine. |
00:05:57 |
- Want to try your luck? |
00:06:00 |
With the fruit. |
00:06:03 |
I don't have time for games. |
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If you're afraid, |
00:06:07 |
Celine, last night, |
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And I said no, |
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OK. |
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So I'm flirtatious. |
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It's in my nature. |
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But I want you to think again. |
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Do you know how difficult |
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a good husband in this town? |
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Let alone a good dentist. |
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Celine... |
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I'm serious. |
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Robots? |
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You're telling us we're gonna be |
00:06:41 |
That robots will get down on |
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and clean the dust out of |
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I think not, Ms. Gesteten. |
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At least the robot won't spend |
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Not even a very good |
00:06:59 |
Oh, I see. This is personal. |
00:07:01 |
This has nothing to do with me, |
00:07:03 |
This comes right from the top... |
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Perhaps it's time |
00:07:10 |
It's too late. |
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You're fired. |
00:07:13 |
You ready? |
00:07:15 |
Mm-hmm. |
00:07:16 |
Now, if you move... |
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the offer's canceled. |
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OK. |
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Mm-hmm. |
00:07:26 |
- Wait, Celine... |
00:07:28 |
Do you think this is wise? |
00:07:30 |
Puts me off. |
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Ha. |
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Ha. |
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Stop! |
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Aah! Aah! Aah! |
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Mayhew... |
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Would you call a doctor? |
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It would be a pleasure, madam. |
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What are you doing here |
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Hi, Lily. |
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Well? Answer me. |
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Lily, I... I got fired. |
00:08:01 |
They replaced me with a robot. |
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I know how they feel. |
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Hmm? |
00:08:06 |
Look, I've been meaning |
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for a while now, and... |
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seems like a good a time as any. |
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Robert... |
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I'm leaving you. |
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You're leaving? |
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His name is Ryan. |
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We're in love. |
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How can you do this? |
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I want a man, not a dreamer. |
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I don't know what to say. |
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I'll get another job. |
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Sorry... |
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but as of tonight... |
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you're going home alone. |
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Uh... |
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Lily! |
00:09:17 |
I'm leaving you. |
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You're fired. |
00:09:20 |
It's kind of obvious, Robert. |
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He teaches aerobics. |
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We're in love. |
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We're moving to Miami. |
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Oh. |
00:09:58 |
Lily? |
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Lily? |
00:10:11 |
Mr. Robert Lewis? |
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Yeah, that's me. |
00:10:16 |
My name is Jackson. |
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This is my associate |
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We're from the Firm But Fair |
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I have a list of certain items |
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under federal and state law... |
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in lieu of unpaid debts. |
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Furthermore, we are contracted |
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notice of eviction from these |
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I beg your pardon? |
00:10:38 |
We can do this |
00:10:41 |
It's up to you. |
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The client pays our |
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Well? |
00:10:47 |
Oh, without, please. |
00:10:49 |
Good choice. |
00:10:50 |
OK, let's go. |
00:10:51 |
All right. |
00:11:02 |
Cannot believe this. |
00:11:08 |
Do you have any idea... |
00:11:11 |
how difficult it is to find |
00:11:14 |
Hmm?! |
00:11:16 |
Or a good dentist, come to that? |
00:11:21 |
Playing this sort of game... |
00:11:23 |
you have disgraced yourself |
00:11:27 |
You caught him |
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so apparently he'll live. |
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But he'll never practice |
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that's for sure. |
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Mr. Schneider, |
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Mr. Schneider,487. |
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My main fear is you're going |
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who long ago found her own |
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That is to say |
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Her biggest problem |
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a mistake I have taken |
00:11:59 |
You... |
00:12:01 |
are gonna go to work, my girl. |
00:12:03 |
What? |
00:12:07 |
You have spent |
00:12:09 |
watching the tide |
00:12:10 |
but from tomorrow, |
00:12:12 |
here, under my supervision. |
00:12:15 |
You're gonna learn |
00:12:17 |
about money and how it flows |
00:12:20 |
towards he who owns it. |
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How to generate |
00:12:23 |
a loss from a profit. |
00:12:30 |
This may not strike you |
00:12:31 |
Seven... |
00:12:32 |
It may make you want to vomit. |
00:12:34 |
But you will get used |
00:12:37 |
And pretty soon, |
00:12:39 |
and asking for more |
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Eleven... |
00:12:46 |
Mr. Naville, I presume? |
00:12:47 |
Eleven... |
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You think you can |
00:12:51 |
Eleven... |
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Well, get this! |
00:12:54 |
Eleven... |
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Aah! |
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Twelve... |
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thirteen... |
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Fuck. |
00:13:04 |
Fourteen... |
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Ohh! |
00:13:17 |
Nobody fucking move! |
00:13:18 |
Nobody fucking move! |
00:13:35 |
Aah! Aah! |
00:13:37 |
Aah! Aah! |
00:13:47 |
Everyone on the floor! |
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Everyone! |
00:13:54 |
Everyone! |
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Four, five... |
00:14:00 |
six... |
00:14:02 |
seven... |
00:14:10 |
Now, I want my job back! |
00:14:12 |
I want what I had before, |
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I'm gonna count to five. |
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If you don't oblige me, |
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One! |
00:14:20 |
Two! |
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Three! |
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Four! |
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Five! |
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Ow! |
00:14:36 |
- Ow! |
00:14:37 |
- What did you say that for? |
00:14:40 |
I know that! |
00:14:42 |
I thought you had a problem. |
00:14:43 |
It's nothing to be ashamed of. |
00:14:44 |
Without access |
00:14:46 |
- Shut up! |
00:14:48 |
I don't need any help. |
00:14:50 |
You'll die for this, |
00:14:52 |
- I'm sorry. No. |
00:14:55 |
In the head this time. |
00:14:57 |
Shut up! |
00:14:59 |
Who are you, anyway? |
00:15:01 |
Nobody! |
00:15:02 |
I'm his daughter. |
00:15:05 |
Aah! |
00:15:14 |
This kid's got a gun. |
00:15:16 |
Hey, cool it. |
00:15:24 |
Take it easy, pal. |
00:15:28 |
Drive! |
00:15:30 |
Will you just drive?! |
00:15:32 |
I can't. |
00:15:35 |
- What? |
00:15:37 |
- You don't know how to drive? |
00:15:39 |
- Why not?! |
00:15:41 |
Well, you do now! |
00:15:43 |
This one makes it go faster, |
00:15:45 |
This is forwards, |
00:15:47 |
The rest you can pick up |
00:15:50 |
Drive! |
00:16:11 |
Where are we going? |
00:16:12 |
Never mind that. |
00:16:14 |
He cut in on me. |
00:16:15 |
Mirror, signal, maneuver. |
00:16:34 |
You say nothing, OK? |
00:16:37 |
Afternoon, ma'am. |
00:16:39 |
My name's Walt. |
00:16:41 |
I'm here to help you any way |
00:16:43 |
be it short or long... |
00:16:44 |
and whether it is purely |
00:16:46 |
or for the use of our extensive |
00:16:49 |
- Is this a gas station, Walt? |
00:16:52 |
Then fill it up with gas |
00:16:58 |
The guy was just doing his job. |
00:17:01 |
You know, he was just trying |
00:17:07 |
You're in a lot of trouble, |
00:17:10 |
My father's |
00:17:13 |
Do you realize that? |
00:17:16 |
Tortured first, naturally. |
00:17:18 |
Then he's gonna have you killed. |
00:17:23 |
And what if I let you go? |
00:17:26 |
I don't know. What do you think? |
00:17:30 |
Think he's just gonna |
00:17:32 |
Wait a minute. |
00:17:33 |
Why would I ask him |
00:17:35 |
Your father treated me |
00:17:38 |
like I was nobody... |
00:17:40 |
just because I was a cleaner... |
00:17:43 |
Ahem. |
00:17:45 |
Well, that's the tank full, sir. |
00:17:50 |
Thank you, Walt. |
00:18:00 |
That's for you, Walt. |
00:18:02 |
You're a man, Walt. |
00:18:03 |
Not a slave, not a machine. |
00:18:07 |
Don't let anyone |
00:18:10 |
Go on. |
00:18:33 |
It's empty. |
00:18:49 |
Let's get this clear. |
00:18:52 |
I'm not gonna hurt you... |
00:18:53 |
but I am the kidnapper, |
00:18:55 |
Victim. |
00:18:56 |
That's just the way it is. |
00:18:57 |
It's OK. |
00:19:01 |
Kidnapped before? |
00:19:03 |
Yeah. I was twelve. |
00:19:05 |
- God, that's terrible. |
00:19:12 |
So... so how am I doing? |
00:19:15 |
In the kidnap? |
00:19:17 |
Yeah. |
00:19:19 |
So far, |
00:19:23 |
Thank you. |
00:19:25 |
Anyway, I'm just tying you up so |
00:19:28 |
I know that. |
00:19:29 |
Because, of course, you would. |
00:19:30 |
Are you gonna try |
00:19:32 |
No. |
00:19:33 |
Isn't that what |
00:19:36 |
No, it's not. |
00:19:38 |
It didn't even cross your mind? |
00:19:40 |
No. Well... No. |
00:19:42 |
Do you have a problem with sex? |
00:19:44 |
No. |
00:19:45 |
So you're just frightened of it? |
00:19:47 |
No. |
00:19:48 |
- Nervous, then? |
00:19:50 |
- Then calm down. |
00:19:52 |
I'm just trying to explain... |
00:19:54 |
that there's no sexual motives |
00:19:57 |
I'm glad we got that cleared up. |
00:20:08 |
So, what did they do next? |
00:20:14 |
They put a needle in my arm |
00:20:16 |
and sent it to my father. |
00:20:20 |
The next week |
00:20:21 |
and the same the next week |
00:20:24 |
He waited six weeks. |
00:20:28 |
That's what happens |
00:20:38 |
Around our way |
00:20:40 |
The sun shines bright |
00:20:44 |
Around our way |
00:20:47 |
The birds sing for ya |
00:20:50 |
'Cause they already know ya |
00:21:08 |
Enjoying the book? |
00:21:10 |
No. |
00:21:11 |
What's it about? |
00:21:13 |
It's a romance. |
00:21:15 |
This girl meets this guy. |
00:21:17 |
They fall in love. |
00:21:18 |
It's bullshit. |
00:21:19 |
I'm writing a novel myself. |
00:21:22 |
A lot of people say that, |
00:21:24 |
I'm not interested... |
00:21:25 |
in you or your novel... |
00:21:27 |
or any other pathetic ambition |
00:21:29 |
to change your miserable, |
00:21:35 |
Do you want some exercise? |
00:21:37 |
No. |
00:21:38 |
You can't say no. It's |
00:21:40 |
- I want to read my book. |
00:21:42 |
Doesn't mean |
00:21:43 |
- You just said you weren't! |
00:21:53 |
" She heard |
00:21:55 |
"and a flicker of a smile |
00:21:58 |
"as she meditated on the power |
00:22:02 |
"'Are you sure you want |
00:22:05 |
"she asked." |
00:22:06 |
Do you think |
00:22:09 |
No. |
00:22:11 |
If they are in love, |
00:22:15 |
Tonight, you're mine |
00:22:16 |
I hate it down here. |
00:22:18 |
I hate the air |
00:22:21 |
and I hate the plumbing. |
00:22:23 |
" She pulled him |
00:22:25 |
I ache... all over. |
00:22:27 |
"This, indeed, |
00:22:28 |
I sweat in the heat |
00:22:35 |
But will you love me tomorrow? |
00:22:38 |
Why can't we stay |
00:22:41 |
Budget doesn't cover that. |
00:22:43 |
Exactly. Why not? |
00:22:47 |
You know those mysterious ways |
00:22:53 |
Well, this is one of them. |
00:22:55 |
"...cold, gloating gaze, |
00:22:58 |
"towards the bulge |
00:22:59 |
I remember the good old days. |
00:23:01 |
" She heard |
00:23:03 |
All you had to do |
00:23:06 |
Nature did the rest. |
00:23:08 |
"She gasped..." |
00:23:09 |
Aah! Fuck! |
00:23:10 |
"with surprise and delight." |
00:23:12 |
Doesn't work like that anymore. |
00:23:13 |
" All of her soul |
00:23:16 |
"as she sensed the firm, |
00:23:18 |
"of his warm flesh." |
00:23:19 |
Men and women... |
00:23:22 |
Sure has. |
00:23:23 |
"In the hidden recess |
00:23:25 |
"their bodies fused |
00:23:27 |
of torrid, torrid sexual..." |
00:23:29 |
When the night |
00:23:31 |
Meets the morning sun |
00:23:36 |
I'd like to know |
00:23:39 |
That your love |
00:23:43 |
Is a love I can |
00:23:46 |
Be sure of |
00:23:49 |
So tell me now |
00:23:52 |
Mmm. |
00:23:53 |
And I won't ask again |
00:23:55 |
Mmm. |
00:23:57 |
Will you still love me tomorrow? |
00:23:59 |
Mmm. |
00:24:00 |
Aren't you hungry? |
00:24:04 |
I don't eat red meat. |
00:24:09 |
Well, you could eat |
00:24:12 |
They're on the same plate. |
00:24:14 |
So? |
00:24:17 |
I'm not gonna eat this. |
00:24:21 |
Do you eat fish and poultry? |
00:24:24 |
Yes. |
00:24:25 |
But not red meat? |
00:24:27 |
No. Or eggs, unless I know |
00:24:30 |
Then why didn't you tell me |
00:24:32 |
Because you didn't ask! |
00:24:34 |
And I do like meat. |
00:24:36 |
Moral reasons, if you must know. |
00:24:38 |
If you had taken the time |
00:24:39 |
Why are you such a pain |
00:24:41 |
Because you tied me to a chair |
00:24:44 |
Because I am the victim... |
00:24:45 |
and you are the kidnapper, |
00:24:47 |
Meaning exactly what? |
00:24:49 |
"Kidnap For Beginners"... |
00:24:52 |
have you even asked |
00:25:03 |
Don't say a word |
00:25:08 |
Hello. Mr. Naville? |
00:25:09 |
lt... it's me. |
00:25:11 |
Now, I want my... |
00:25:12 |
Me. |
00:25:14 |
The kidnapper! |
00:25:16 |
Right. Now, what I want... |
00:25:19 |
It's not like that. |
00:25:22 |
That's unfair now. I would not... |
00:25:25 |
What are you doing? |
00:25:27 |
No, what are you doing? |
00:25:29 |
I'm negotiating |
00:25:30 |
- Did you get very far? |
00:25:32 |
- Right. |
00:25:34 |
Remember |
00:25:36 |
at Harvard Business School, OK? |
00:25:37 |
I didn't go |
00:25:40 |
It's a figure of speech, Robert. |
00:25:42 |
Oh. |
00:25:43 |
Sorry. |
00:25:44 |
Negotiation is a weakness. |
00:25:46 |
You are the kidnapper. |
00:25:48 |
You demand, and he complies. |
00:25:50 |
You go in hard, |
00:25:53 |
- Hard and fast. |
00:25:55 |
I'm you. |
00:25:57 |
You grasp that? |
00:25:59 |
OK. |
00:26:00 |
Pretend it's ringing. |
00:26:03 |
Go to your dark side. |
00:26:07 |
OK. He answers. |
00:26:10 |
All right, you motherfucker, |
00:26:13 |
I'm sending her back in pieces |
00:26:15 |
I'm gonna pull her fingers out |
00:26:18 |
and then I'm gonna fry them up |
00:26:22 |
And so on and so on |
00:26:24 |
For no longer than |
00:26:28 |
What? |
00:26:39 |
Hello there. Mr. Naville? |
00:26:47 |
Right, you asshole, |
00:26:49 |
and I'm gonna cut her up... |
00:26:52 |
and post her home to you |
00:27:02 |
Right, daughter, |
00:27:04 |
and I'm gonna send... |
00:27:06 |
Right! Right! |
00:27:10 |
No, I can't speak to anyone! |
00:27:13 |
Hello? |
00:27:14 |
Yeah, I can hold. |
00:27:16 |
Right, listen, you asshole, |
00:27:18 |
and I'm gonna send her back |
00:27:21 |
Oh, I'm sorry, madam. |
00:27:22 |
No, I must've dialed |
00:27:24 |
No, I haven't got |
00:27:26 |
I have someone else's. |
00:27:27 |
No, we're not married. |
00:27:29 |
Yes, I've read the same thing. |
00:27:31 |
It's very hard to find |
00:27:35 |
Well, I'm sure |
00:27:36 |
In principle, I've got |
00:27:40 |
What is the problem? |
00:27:41 |
I think you should |
00:27:48 |
Done this kind of work before? |
00:27:49 |
We do everything. |
00:27:51 |
Eviction and debt collection |
00:27:54 |
but personal retrieval, |
00:27:56 |
you name it, we do it. |
00:27:57 |
How much? |
00:27:59 |
Our fee for the recovery |
00:28:03 |
one hundred thousand dollars. |
00:28:05 |
That's a lot of money. |
00:28:07 |
Five thousand advance. |
00:28:10 |
The rest is cash on delivery. |
00:28:12 |
Naturally, |
00:28:14 |
whereby if we only bring back |
00:28:16 |
we only get part of the money. |
00:28:17 |
That's enough, Jackson. |
00:28:18 |
If he's cut her ears off, |
00:28:21 |
we'll knock a couple thousand |
00:28:23 |
More for a limb, obviously. |
00:28:24 |
Jackson. |
00:28:25 |
Sorry. |
00:28:27 |
Mr. Naville, |
00:28:30 |
My partner is simply envisaging |
00:28:33 |
What about the kidnapper? |
00:28:35 |
You want him, too? |
00:28:37 |
That's extra. |
00:28:39 |
What if he gets in the way? |
00:28:40 |
We'll deal with that situation |
00:28:43 |
What if I want him |
00:28:45 |
Let us speak plainly, |
00:28:49 |
You want we should kill him? |
00:28:51 |
Yes. |
00:28:53 |
Uh... |
00:29:04 |
Sir, I must say... |
00:29:05 |
No one's asking you, Mayhew. |
00:29:07 |
Very good, sir. |
00:29:08 |
I am not gonna kill anyone. |
00:29:12 |
If we don't get this job, |
00:29:24 |
- Two hundred thousand dollars. |
00:29:28 |
Including all expenses... |
00:29:30 |
except medical costs... |
00:29:32 |
for which you accept full |
00:29:35 |
Only for the duration |
00:29:37 |
- Naturally. |
00:30:08 |
Good afternoon. |
00:30:09 |
Hi. |
00:30:11 |
I'm Tod Johnson. |
00:30:16 |
I live up the hill. |
00:30:18 |
That's nice. |
00:30:19 |
I see most things from up there. |
00:30:23 |
Saw you arrive. |
00:30:26 |
Big car, middle of the night. |
00:30:29 |
Right. |
00:30:30 |
Wondered "Who's that?" |
00:30:33 |
Perfectly natural question. |
00:30:35 |
So I asked Felix. |
00:30:37 |
Felix? |
00:30:38 |
Felix is my friend. |
00:30:39 |
He hasn't been the same |
00:30:42 |
Of course. |
00:30:44 |
I asked him. |
00:30:46 |
"are they good, |
00:30:48 |
One bark for good, two for evil. |
00:30:50 |
Felix is a dog? |
00:30:54 |
Do you think |
00:30:57 |
Do you think |
00:30:59 |
whether or not |
00:31:00 |
What do you think I am... |
00:31:03 |
some kind |
00:31:06 |
with a barn |
00:31:08 |
and a scythe |
00:31:09 |
in readiness for Armageddon? |
00:31:11 |
No. |
00:31:13 |
Right! I'm regular! |
00:31:16 |
I want... |
00:31:18 |
That's not the point! |
00:31:21 |
Who are you?! |
00:31:24 |
Well, I'm... |
00:31:26 |
We're newlyweds. |
00:31:32 |
Are you coming back to bed |
00:31:36 |
This is Mr. Johnson, dear. |
00:31:41 |
Hello. |
00:31:42 |
Pleased to meet you, ma'am. |
00:31:44 |
You can call me Lucille. |
00:31:46 |
My pleasure, Lucille. |
00:31:51 |
You're not |
00:31:54 |
I live up the hill. |
00:31:55 |
Oh, good. You can't tell |
00:31:58 |
They never leave us alone, |
00:32:00 |
Ritchie? |
00:32:03 |
You recognize Ritchie, |
00:32:05 |
Ritchie Vanderlow? |
00:32:07 |
Six gold albums... |
00:32:09 |
three platinum. |
00:32:10 |
Fourteen consecutive |
00:32:12 |
Largest-selling artist |
00:32:15 |
for the last twelve months? |
00:32:16 |
Ritchie Vanderlow! |
00:32:18 |
You have got to understand, |
00:32:20 |
I watch mainly |
00:32:23 |
It's OK. |
00:32:25 |
We were married in secret... |
00:32:27 |
in a castle in Scotland. |
00:32:28 |
That's in England. |
00:32:30 |
Near Paris? |
00:32:32 |
Paris. |
00:32:33 |
Right. |
00:32:35 |
It was so romantic. |
00:32:38 |
We stayed there |
00:32:39 |
but it wasn't long enough... |
00:32:40 |
so we came here for the sake |
00:32:44 |
Mmm. I see. |
00:32:47 |
Would you like to come in... |
00:32:49 |
Mr. Johnson? |
00:32:58 |
No, I better be on my way. |
00:32:59 |
I have to feed Felix. |
00:33:01 |
OK. |
00:33:03 |
Well... |
00:33:04 |
it was a pleasure to meet you, |
00:33:08 |
See you around. |
00:33:17 |
I'll catch you later then, |
00:33:24 |
Take care, Ritchie. |
00:33:39 |
Thanks. |
00:33:42 |
This? |
00:33:43 |
The ransom note. |
00:33:45 |
- Right. Anonymous. |
00:33:47 |
Robert... |
00:33:48 |
my father knows who you are. |
00:33:51 |
Oh, I never thought of that. |
00:33:53 |
You are the worst kidnapper |
00:33:55 |
Oh, and that's all I am |
00:33:56 |
The latest kidnapper! |
00:33:58 |
A lifestyle accessory. |
00:33:59 |
And if it doesn't work, |
00:34:01 |
'cause you can always |
00:34:02 |
Quit being so melodramatic. |
00:34:04 |
I'm trying to do my best here... |
00:34:06 |
under really difficult |
00:34:07 |
It's not made any easier... |
00:34:09 |
by you criticizing |
00:34:16 |
- How much you asking for? |
00:34:18 |
- Dollars? |
00:34:20 |
- U.S. Dollars? |
00:34:22 |
Half a million dollars |
00:34:25 |
It's not meant |
00:34:28 |
If word got out I was liberated |
00:34:31 |
I could never show my face |
00:34:34 |
Diamonds have no value except |
00:34:37 |
It's more complicated |
00:34:39 |
OK, don't worry... |
00:34:41 |
all right? |
00:34:42 |
You're trying hard. |
00:34:44 |
You're keen to learn. |
00:34:46 |
Let's just not |
00:34:48 |
that we have the opportunity... |
00:34:50 |
to make |
00:34:55 |
We? |
00:34:56 |
Yes, Robert. |
00:34:59 |
You and me. |
00:35:01 |
Is that not a little irregular? |
00:35:05 |
Yes, it is. |
00:35:11 |
Millions? |
00:35:12 |
Please, dad, |
00:35:14 |
He's gonna kill me, daddy! |
00:35:16 |
Please! Just put it |
00:35:19 |
two miles south of Palmer, |
00:35:22 |
Daddy! |
00:35:41 |
OK, OK, OK. |
00:35:44 |
OK, OK. |
00:38:21 |
Nice shooting. |
00:38:23 |
Thanks. |
00:38:57 |
Shit. |
00:39:23 |
Aah! |
00:39:59 |
No problem. |
00:40:00 |
Exactly as you predicted. |
00:40:02 |
"Quick, drive my car." |
00:40:06 |
Here's forty dollars. |
00:40:10 |
If you don't mind me asking... |
00:40:12 |
how did you know |
00:40:14 |
It's our job |
00:40:15 |
You done |
00:40:17 |
Let's go! |
00:40:19 |
You can take the car, |
00:40:29 |
Look, |
00:40:31 |
They were trying to confuse you |
00:40:33 |
Yeah, before they killed me. |
00:40:35 |
And I lost the car, |
00:40:38 |
You can't expect to get |
00:40:40 |
Look, you are going to be fine. |
00:40:43 |
You are going to be... |
00:40:46 |
a success. |
00:40:48 |
Do you think so? |
00:40:50 |
You didn't get caught, right? |
00:40:52 |
No. |
00:40:53 |
No, I didn't get caught. |
00:40:55 |
I fooled them. |
00:40:57 |
I got away. |
00:40:59 |
Maybe we should go out. |
00:41:02 |
Out where? |
00:41:03 |
For a drink. |
00:41:07 |
What, like on a date? |
00:41:08 |
Yeah, like a date. |
00:41:14 |
I wouldn't call it |
00:41:16 |
No, Lily and I, we just... |
00:41:19 |
You know, |
00:41:21 |
There was no bitterness |
00:41:23 |
She left you? |
00:41:26 |
No, no, no, no. No! |
00:41:29 |
Yes, she left me. |
00:41:31 |
Mmm. |
00:41:33 |
The aerobics instructor. |
00:41:36 |
How did you know? |
00:41:37 |
You have the demeanor... |
00:41:38 |
of a man who's been left |
00:41:41 |
- I do? |
00:41:42 |
But be honest. |
00:41:45 |
You two weren't suited |
00:41:47 |
You dream of something better. |
00:41:49 |
Hence, the gymnast. |
00:41:52 |
Well, yeah. |
00:41:53 |
Yeah. It's a common scenario. |
00:41:57 |
Can I tell you about |
00:42:00 |
I'm in your dream? |
00:42:03 |
Now I feel violated. |
00:42:04 |
- Oh, it's not like that. |
00:42:07 |
Perhaps this is |
00:42:09 |
to tell you about my novel. |
00:42:10 |
Look, I'm not interested |
00:42:13 |
It's 1962, right? |
00:42:15 |
And Marilyn Monroe... |
00:42:16 |
is giving birth to a baby girl. |
00:42:18 |
She's on the phone |
00:42:20 |
saying, " Jack, it's yours. |
00:42:22 |
So the orphan grows up... |
00:42:23 |
And she solves |
00:42:25 |
It's kind of obvious, Robert. |
00:42:34 |
Let's play a game. |
00:42:38 |
If I win... |
00:42:41 |
I go free. |
00:42:42 |
Look, you are free. |
00:42:45 |
You're more a kidnapper |
00:42:47 |
Indulge me, Robert. |
00:42:49 |
Well, if it's what you want. |
00:42:52 |
It's all I ever want. |
00:42:57 |
OK. |
00:43:16 |
You're free. |
00:43:18 |
That's right. |
00:43:21 |
Aren't you gonna leave? |
00:43:24 |
We haven't got our money yet. |
00:43:29 |
Don't take your love to town |
00:43:35 |
Oh, Ruby |
00:43:39 |
For God's sakes, turn around |
00:43:42 |
Big hand! Big hand! |
00:43:44 |
Big hand for local boy |
00:43:49 |
We are privileged |
00:43:52 |
a very special guest... |
00:43:53 |
who is a close personal friend |
00:43:56 |
and I'm gonna ask him |
00:43:59 |
He is the best-selling artist |
00:44:03 |
with twelve gold albums... |
00:44:05 |
sixteen platinum albums... |
00:44:07 |
and thirty-two |
00:44:11 |
Mr. Ritchie Vanderclaw! |
00:44:44 |
Thank you very much. |
00:44:45 |
My name is Rob... |
00:44:48 |
and, um... |
00:44:51 |
I'd like to sing this song |
00:44:54 |
Aww. |
00:44:55 |
Lucille. |
00:44:56 |
Uh... |
00:44:59 |
Oh, and this is |
00:45:09 |
Somewhere |
00:45:12 |
Beyond the sea |
00:45:14 |
Somewhere |
00:45:15 |
Waiting for me |
00:45:18 |
My lover stands |
00:45:20 |
On golden sands |
00:45:23 |
And watches the ships |
00:45:25 |
That go sailing |
00:45:29 |
Somewhere |
00:45:32 |
Beyond the sea |
00:45:34 |
She's there |
00:45:35 |
Watching for me |
00:45:38 |
And if I could fly |
00:45:40 |
Like birds on high |
00:45:43 |
Then straight to her arms |
00:45:45 |
I'd go sailing |
00:45:49 |
It's far |
00:45:51 |
Beyond the stars |
00:45:53 |
It's near |
00:45:55 |
Beyond the moon |
00:45:59 |
I know |
00:46:02 |
Beyond a doubt |
00:46:03 |
My heart |
00:46:05 |
Will lead me there |
00:46:07 |
Soon |
00:46:09 |
We'll meet |
00:46:11 |
Beyond the shore |
00:46:14 |
We'll kiss |
00:46:15 |
Just like before |
00:46:18 |
And happy we'll be |
00:46:20 |
Beyond the sea |
00:46:23 |
And never again |
00:46:25 |
I'll go sailing |
00:46:58 |
I know |
00:47:00 |
I know |
00:47:01 |
Beyond a doubt |
00:47:03 |
My heart |
00:47:05 |
Will lead me there |
00:47:07 |
Soon |
00:47:08 |
We'll meet |
00:47:14 |
Touches my heart |
00:47:18 |
Happy we'll be |
00:47:19 |
Beyond the sea |
00:47:22 |
And never again |
00:47:24 |
I'll go sailing |
00:47:48 |
Hmm. |
00:47:54 |
Oh, my God. What happened? |
00:47:57 |
You were great. |
00:48:01 |
I was? |
00:48:02 |
Mm-hmm. |
00:48:11 |
I remember drinking tequila. |
00:48:12 |
Certainly was a feature |
00:48:16 |
Then I had |
00:48:20 |
This dream, I've had it before. |
00:48:22 |
You're definitely in it now. |
00:48:23 |
I don't want to hear it. |
00:48:25 |
We were on this |
00:48:29 |
Never heard of it. |
00:48:30 |
Well, it's just a dream. |
00:48:32 |
I don't think the fact |
00:48:34 |
has any relevance. |
00:48:35 |
It merely indicates |
00:48:37 |
I mean, were I a tribesman |
00:48:41 |
the location would undoubtedly |
00:48:44 |
But I think |
00:48:46 |
We're on this game show |
00:48:49 |
My life was in danger. |
00:48:51 |
Are you ready? |
00:48:53 |
Am I ready for what? |
00:48:55 |
To write a letter. |
00:49:02 |
Perhaps you'd like to keep this. |
00:49:05 |
We had it analyzed. |
00:49:06 |
It's his handwriting |
00:49:08 |
Without our help, |
00:49:10 |
that could be the last trace |
00:49:11 |
He wants a straight |
00:49:19 |
- I want her back. |
00:49:21 |
And I want him dead. |
00:49:22 |
That's understood, Mr. Naville. |
00:49:24 |
Good. |
00:49:27 |
And when this is over, |
00:49:37 |
Bradley was nice, you know? |
00:49:39 |
Extremely wealthy. |
00:49:43 |
Honorable, amusing. |
00:49:45 |
And? |
00:49:47 |
Well, eighty-seven years old. |
00:49:49 |
- Ha ha. Pity. |
00:49:52 |
Then there was Jake. |
00:49:53 |
He was nice. |
00:49:55 |
Very rich. |
00:49:56 |
Just so conventional. |
00:49:58 |
You see? |
00:50:00 |
It's a problem. |
00:50:01 |
Then there was Angelo. |
00:50:04 |
Twenty-five years old... |
00:50:06 |
handsome, healthy... |
00:50:08 |
exciting... |
00:50:09 |
sophisticated. |
00:50:11 |
Considerate. |
00:50:18 |
So? |
00:50:21 |
Well, I think |
00:50:24 |
grew apart as people. |
00:50:31 |
The aerobics instructor? |
00:50:36 |
Like I said... |
00:50:38 |
it's a common scenario. |
00:50:44 |
So who was next? |
00:50:45 |
Then I started getting |
00:50:48 |
With your teeth? |
00:50:50 |
Yeah, my teeth. |
00:50:54 |
Hey, want a ride? |
00:50:55 |
Hi, thanks for stopping, guys. |
00:50:57 |
Uh, we're not stealing it, |
00:51:00 |
Had that dream again last night. |
00:51:02 |
What dream? |
00:51:03 |
We were |
00:51:06 |
- Mmm. Fascinating. |
00:51:08 |
On a game show? |
00:51:09 |
I know. |
00:51:11 |
Strange things were happening. |
00:51:12 |
Mmm. So it would appear. |
00:51:14 |
But my life was in danger... |
00:51:16 |
and you saved it. |
00:51:18 |
My heart was beating so fast... |
00:51:20 |
and then it stopped. |
00:51:22 |
And I was just about to die... |
00:51:24 |
and you saved it. |
00:51:26 |
You saved my life. |
00:51:28 |
Well, what are we waiting for? |
00:51:32 |
You want to get on with this |
00:51:34 |
Sure! |
00:51:36 |
You send the girl over. |
00:51:38 |
Ha ha. First the money. |
00:51:42 |
Are you OK, Miss Naville? |
00:51:44 |
Yes, I'm OK. |
00:51:46 |
I'm just a little frightened. |
00:52:07 |
Now, don't you worry, miss. |
00:52:09 |
Everything'll be all right. |
00:52:24 |
Well? |
00:52:25 |
Whew. It's here. |
00:52:28 |
OK? Send the girl over. |
00:52:33 |
OK, go on. |
00:52:34 |
Ohh, damn. |
00:52:36 |
Aah! Aah! |
00:52:39 |
Aah! Aah! Help! |
00:52:40 |
Get down! Get down! |
00:52:42 |
Yes. |
00:52:44 |
They tied me up! Ohh! |
00:52:46 |
Ha ha! |
00:53:28 |
Don't move a fucking muscle. |
00:53:32 |
Mmm. |
00:53:34 |
What took you? |
00:53:36 |
He shot up the car! |
00:53:40 |
You shot up our car. |
00:53:43 |
Now, what did you do that for? |
00:53:46 |
I was trying to make a getaway. |
00:53:51 |
You were trying |
00:54:05 |
How is she? |
00:54:08 |
I don't know. |
00:54:13 |
But I don't think it's worked. |
00:54:15 |
They're not... you know? |
00:54:17 |
Jeopardy. |
00:54:20 |
always works. |
00:54:42 |
OK. |
00:54:45 |
This is far enough. |
00:54:52 |
Are you... are you going |
00:54:55 |
Yeah. |
00:54:58 |
Well, then I don't see |
00:55:02 |
If you dig... |
00:55:04 |
I promise you |
00:55:06 |
I'll shoot you through the head. |
00:55:08 |
Now, look, you don't like that? |
00:55:10 |
I can just shoot you through |
00:55:11 |
You can bleed to death. |
00:55:13 |
It's up to you. |
00:55:30 |
Can you cut me free? |
00:55:33 |
Please? |
00:55:35 |
It's sore. |
00:55:40 |
What's he going to do with him? |
00:55:43 |
Shoot him in the back |
00:55:49 |
Right. |
00:55:52 |
Would that be a problem for you? |
00:55:57 |
Ever felt like |
00:56:01 |
Yes. |
00:56:04 |
No, I mean... |
00:56:06 |
something is... |
00:56:08 |
destined to happen... |
00:56:10 |
and it doesn't? |
00:56:13 |
Like, what happens |
00:56:16 |
are no longer in control? |
00:56:21 |
I don't know. |
00:56:24 |
The truth is... |
00:56:26 |
I don't think even he knows |
00:56:29 |
the chaos, the... |
00:56:32 |
This hatred, this violence. |
00:56:35 |
Who... |
00:56:37 |
Who are you talking about? |
00:56:42 |
Jeopardy, Jackson... |
00:56:44 |
always works. |
00:56:48 |
Dig. |
00:56:55 |
What are they doing in there? |
00:56:59 |
Should've shot him myself. |
00:57:00 |
Yeah, well, you can't |
00:57:04 |
I take it you're not |
00:57:07 |
What? |
00:57:09 |
I mean you're not in love. |
00:57:11 |
What's it to you? |
00:57:14 |
Nothing. |
00:57:19 |
Just asking. |
00:57:21 |
I like it like that |
00:57:23 |
And I know it |
00:57:27 |
That's OK. You can stop now. |
00:57:29 |
No. |
00:57:31 |
I've waited long enough. |
00:57:35 |
No. |
00:57:36 |
Give me that. Lie down. |
00:57:38 |
No, no. No! |
00:57:40 |
Give it to me! Give it to me! |
00:57:43 |
Please! |
00:57:45 |
- Please. |
00:57:47 |
Aah! |
00:57:52 |
Leave it all behind |
00:57:55 |
I commit you to his mercy. |
00:57:56 |
Please. Please. Please. |
00:58:00 |
Aah! |
00:58:03 |
Aah! Aah! |
00:58:05 |
Aah! |
00:58:06 |
Aah! |
00:58:07 |
No! No! |
00:58:10 |
Get up! |
00:58:11 |
Robert, get off! |
00:58:17 |
Who are they? |
00:58:19 |
Come on! |
00:58:21 |
That's what keeps me |
00:58:24 |
That's what keeps me |
00:58:26 |
That's what keeps me down |
00:58:27 |
Aah! |
00:58:31 |
Ohh. |
00:58:33 |
Just for a minute there, |
00:58:35 |
I told you don't get caught. |
00:58:37 |
Don't get out of the car. |
00:58:38 |
Don't ever go into the woods |
00:58:40 |
- I know. You're right. |
00:58:42 |
You might like to remember that. |
00:58:45 |
Have you got the money? |
00:58:47 |
- Aah! |
00:58:51 |
No! Jesus! |
00:58:57 |
I'm going to get you. |
00:59:02 |
Aah! |
00:59:09 |
Ohh! |
00:59:10 |
Shit. |
00:59:24 |
- Oh, shit. |
00:59:26 |
Oh, shit. |
00:59:32 |
Drive! |
00:59:43 |
Ohh! |
00:59:49 |
Ohh! |
00:59:55 |
Jesus! |
00:59:58 |
- Jump! |
01:00:00 |
Jump! |
01:00:03 |
Aah! |
01:00:04 |
Aah! |
01:00:09 |
Aah! |
01:00:10 |
Aah! |
01:01:18 |
If the card's no good, |
01:01:21 |
It's my card, lady. |
01:01:24 |
- Is there a problem? |
01:01:29 |
Don't worry. Don't worry. |
01:01:30 |
I've got some cash, OK? |
01:01:32 |
Thirty dollars, sir. |
01:01:35 |
Thank you. |
01:01:41 |
How could he |
01:01:43 |
Stay calm, OK? |
01:01:49 |
My own father. |
01:01:53 |
I've never been so humiliated |
01:01:56 |
- I know exactly how you feel. |
01:01:59 |
Only the exceptionally rich |
01:02:01 |
Don't take it personally. |
01:02:03 |
Is he trying to say |
01:02:05 |
Sink to the bottom like her? |
01:02:07 |
Like who? |
01:02:10 |
Pull over. |
01:02:20 |
Oh, no. |
01:02:28 |
Oh, no, no, no. |
01:02:29 |
Live a little. |
01:02:30 |
This is insane. |
01:02:31 |
Stop worrying so much. |
01:02:34 |
That's what I'm worrying about. |
01:02:35 |
Trust me. |
01:02:38 |
Next. |
01:02:41 |
Hello. |
01:02:43 |
I thought we agreed... |
01:02:51 |
Fill the bag. |
01:02:52 |
Oh, my God, she's got a gun! |
01:02:57 |
Leave my daughter alone. |
01:03:00 |
- Don't be silly. |
01:03:02 |
She's not going to kill |
01:03:03 |
- Yes, I am. |
01:03:04 |
Shut up. |
01:03:06 |
Christ, no! |
01:03:07 |
Everybody calm down..., |
01:03:08 |
or this girl's brains |
01:03:10 |
- Fill the bag! |
01:03:12 |
You shut up especially. |
01:03:14 |
You can't hold the girl hostage. |
01:03:15 |
What? |
01:03:17 |
Oh, no! |
01:03:18 |
You didn't find it difficult. |
01:03:19 |
- That was different. |
01:03:21 |
Didn't feel different. |
01:03:25 |
Now do you understand |
01:03:28 |
But you, unlike me, |
01:03:31 |
- Oh, no. |
01:03:33 |
OK, kill me, |
01:03:38 |
Extremely amusing! |
01:03:39 |
" Kill me, |
01:03:40 |
Robert, |
01:03:42 |
- Very funny. |
01:03:44 |
What's wrong? I thought |
01:03:47 |
That's what's wrong! |
01:03:48 |
Shoot you? I wouldn't do that. |
01:03:50 |
- Oh, no? |
01:03:52 |
- Oh, good! |
01:04:17 |
What's wrong? |
01:04:21 |
Celine, it's over. |
01:04:26 |
Aah! |
01:04:38 |
I'm dying, Celine. |
01:04:39 |
I think I'm dying, |
01:04:41 |
You're not going to die. |
01:04:43 |
I don't want to die. |
01:04:46 |
Are you taking me to a hospital? |
01:04:47 |
Because I don't want to die |
01:04:49 |
I'm not going |
01:04:52 |
What do you mean, you're not |
01:04:55 |
Take me to a hospital! |
01:04:59 |
Very nice. |
01:05:01 |
Very nice, indeed. |
01:05:04 |
You could have a perfect smile. |
01:05:06 |
For two thousand dollars, |
01:05:09 |
No, thanks. |
01:05:11 |
Do you think a perfect smile |
01:05:13 |
Is that what you think? Huh? |
01:05:15 |
Do you think that Celine's smile |
01:05:17 |
No, it's not. |
01:05:18 |
It's mine. |
01:05:20 |
I gave it to her... |
01:05:21 |
just like I can give you one. |
01:05:23 |
I'll fix your teeth |
01:05:24 |
I didn't get shot in the teeth. |
01:05:26 |
Well, let me tell you something. |
01:05:28 |
It wouldn't have made |
01:05:31 |
I don't want to say anything. |
01:05:32 |
It's your teeth, |
01:05:34 |
you'll have fifty grand worth |
01:05:38 |
If you wait another year... |
01:05:39 |
he'll be dead. |
01:05:42 |
Sorry. Just a little |
01:05:50 |
You know, |
01:05:52 |
Take a break. |
01:05:55 |
Go get counseling, you know? |
01:05:56 |
Fuck them. What do they know? |
01:05:57 |
They wanted me to stay |
01:05:59 |
I discharged myself |
01:06:00 |
Lucky for you that I did, huh? |
01:06:03 |
OK. |
01:06:04 |
Have you, um, done this before? |
01:06:07 |
The principles of surgery... |
01:06:08 |
are the same |
01:06:14 |
Aah! Aah! |
01:06:17 |
Aren't you going |
01:06:19 |
I'm sure you'll pass out |
01:06:22 |
Aah! |
01:06:25 |
Aah! |
01:06:40 |
Give me another one. |
01:06:41 |
Here we go, baby. |
01:06:42 |
Ay-yi-yi-yi-yaah! |
01:06:49 |
Give it to me hot. |
01:06:51 |
Thank you. |
01:06:56 |
Give me the Bambi, baby. |
01:06:59 |
That's it. |
01:07:00 |
God! |
01:07:03 |
OK, turn over. Turn over. |
01:07:04 |
- What? |
01:07:07 |
Turn... |
01:07:09 |
There you go. |
01:07:10 |
Flash me the tush. |
01:07:12 |
One heel. |
01:07:16 |
Excellent. |
01:07:19 |
Mmm. |
01:07:24 |
Robbie! |
01:07:25 |
Hey, how are you? Come on. |
01:07:27 |
Join the party. |
01:07:29 |
Come on. |
01:07:30 |
Do you want some champagne? |
01:07:31 |
How rude of me. Excuse me, love. |
01:07:35 |
Oh, wait. |
01:07:38 |
Here you go. |
01:07:40 |
Here. Look at that. |
01:07:42 |
So, I understand that you're... |
01:07:46 |
I understand that |
01:07:49 |
Don't be shocked. |
01:07:51 |
We go back a long way. |
01:07:53 |
Oh, I see. You're her dentist. |
01:07:55 |
Yup. That's right. |
01:07:57 |
We met over that particularly |
01:08:00 |
In fact... |
01:08:01 |
I gave her her first filling. |
01:08:06 |
Ohh! |
01:08:07 |
Fuck. |
01:08:09 |
Oh, I wish |
01:08:11 |
Now I have to hurt you... |
01:08:13 |
which is inconvenient |
01:08:18 |
Ohh! |
01:08:22 |
Fucker. |
01:08:23 |
Get up! |
01:08:24 |
Leave him alone, Elliot. |
01:08:26 |
Why don't you |
01:08:36 |
Are you all right? |
01:08:37 |
Uhh! |
01:08:39 |
Gaah! |
01:08:51 |
Uhh! Aah! |
01:09:08 |
You want to explain to me... |
01:09:10 |
exactly what you were trying |
01:09:12 |
How about you |
01:09:14 |
I didn't want you |
01:09:16 |
and I think I saved your life. |
01:09:19 |
I'd rather have died |
01:09:21 |
Witnessed what, exactly? |
01:09:22 |
You and Elliot in |
01:09:25 |
He would've passed out |
01:09:27 |
if you hadn't come along. |
01:09:28 |
Yeah, sure. |
01:09:30 |
Even if we were |
01:09:32 |
what's it got to do with you |
01:09:36 |
Aah. |
01:09:42 |
You thought we had something? |
01:09:43 |
It's possible. |
01:09:45 |
But why? |
01:09:46 |
Why do we |
01:09:48 |
We were getting along just fine. |
01:09:50 |
Having something |
01:09:55 |
What will you do now, |
01:09:59 |
Of course I'm not. |
01:10:00 |
- You thought about it. |
01:10:02 |
It never even occurred to you? |
01:10:04 |
Well, it wouldn't be so bad. |
01:10:06 |
You see what I mean? |
01:10:07 |
Consider it forgotten. |
01:10:12 |
Where do you want to go? |
01:10:14 |
Don't care. |
01:10:17 |
Do you want to get out |
01:10:18 |
- Are you asking me to get out? |
01:10:20 |
- It's the same thing. |
01:10:22 |
One is a request, |
01:10:24 |
Fine. If that's what |
01:10:27 |
If that's what you want, |
01:10:29 |
And don't even ask |
01:10:30 |
Don't even imagine that I care. |
01:10:32 |
Exactly the problem! |
01:10:34 |
Where's the love gone to? |
01:10:36 |
Don't leave |
01:10:38 |
Yeah, yeah, yeah |
01:10:41 |
You got me hurtin' |
01:10:43 |
Don't leave |
01:10:44 |
Yeah, yeah |
01:10:46 |
Yeah, yeah |
01:10:47 |
You know it's never been easy |
01:10:51 |
To love someone like me |
01:10:54 |
Oh, oh |
01:10:55 |
Don't leave |
01:10:58 |
Yeah, yeah |
01:11:00 |
Fuck. |
01:11:03 |
Where did all the love go? |
01:11:06 |
Where's the love gone to? |
01:11:14 |
Stop hovering over me. |
01:11:17 |
Have you written anything yet? |
01:11:20 |
I... I... |
01:11:24 |
What am I supposed to write? |
01:11:25 |
Love letters, Jackson, |
01:11:28 |
I need time to think. |
01:11:31 |
We don't have time. |
01:11:32 |
Every day they spend apart... |
01:11:34 |
the more difficult |
01:11:37 |
And if Naville finds our boy... |
01:11:42 |
he's just meat. |
01:11:44 |
Maybe I didn't treat you... |
01:11:50 |
So, think, Jackson... |
01:11:53 |
have you ever done this before? |
01:11:56 |
Back when I was alive, |
01:12:01 |
You wrote to some girl? |
01:12:03 |
A long time ago. |
01:12:04 |
You never told me about this. |
01:12:07 |
It never came to nothing. |
01:12:09 |
Her father |
01:12:12 |
It was just young love, |
01:12:16 |
many times... |
01:12:18 |
with passion... |
01:12:20 |
and despair. |
01:12:21 |
You were always on my mind |
01:12:26 |
Maybe I didn't hold you |
01:12:29 |
I never knew |
01:12:31 |
All those lonely, lonely nights |
01:12:33 |
I often wonder |
01:12:38 |
sweet Eliza. |
01:12:42 |
Eliza... |
01:12:44 |
Gray. |
01:12:49 |
Her father was a colonel. |
01:12:52 |
Jackson, you're qualified. |
01:12:55 |
You can write this letter. |
01:12:57 |
That's the problem, see? |
01:12:59 |
I wrote to her, sure, |
01:13:02 |
Well, what, then? |
01:13:05 |
As a matter of fact... |
01:13:07 |
I... |
01:13:08 |
wrote... |
01:13:10 |
love poems. |
01:13:11 |
Tell me that your sweet love |
01:13:13 |
Tell me that your sweet love |
01:13:14 |
Hasn't died |
01:13:16 |
Give me |
01:13:21 |
Give me one more chance |
01:13:22 |
To keep you satisfied |
01:13:24 |
Remember, my dear... |
01:13:25 |
they only want one thing. |
01:13:28 |
Maybe they want it |
01:13:31 |
but it's still |
01:13:37 |
Little things |
01:13:38 |
I should have said |
01:13:40 |
And done |
01:13:42 |
I just never took the time |
01:13:47 |
You were always on my mind |
01:13:50 |
You were always on my mind |
01:13:52 |
You were always on my mind |
01:13:59 |
I wish |
01:14:01 |
A poem... |
01:14:03 |
is a very personal document. |
01:14:06 |
I hope it was a good one. |
01:14:08 |
That's all I'm saying. |
01:14:09 |
Because if she don't like it, |
01:14:12 |
And if she don't come, |
01:14:15 |
It's her. |
01:14:50 |
- I got your poem. |
01:14:53 |
Your poem... |
01:14:55 |
Poem? |
01:15:03 |
"Oh, desert me, |
01:15:06 |
"and bring me back my love... |
01:15:08 |
"for she and I have parted... |
01:15:10 |
"and the sky is up above." |
01:15:12 |
It worked. |
01:15:13 |
She loves it. |
01:15:19 |
" Your limbs |
01:15:23 |
"Your touch... |
01:15:25 |
"so soft and tender." |
01:15:30 |
"But the bits |
01:15:32 |
"are the bits that..." |
01:15:35 |
I'm not going to read that line. |
01:15:37 |
Jackson, Jackson, |
01:15:39 |
It was a... |
01:15:41 |
Yeah? |
01:15:42 |
A simple poetic reference... |
01:15:44 |
uh, to... |
01:15:45 |
Celine. |
01:15:47 |
Please. |
01:15:48 |
Last verse. |
01:15:52 |
"Just as the flowers blossom... |
01:15:54 |
"in the gaze |
01:15:58 |
"I would be most honored..." |
01:16:01 |
"if you would bear my son." |
01:16:06 |
Robert, no one has ever |
01:16:10 |
All those guys I dated, |
01:16:13 |
They just wanted to own this. |
01:16:15 |
Huh? |
01:16:16 |
I would never open |
01:16:19 |
And before I met you... |
01:16:22 |
I never believed |
01:16:25 |
Oh! |
01:16:26 |
I knew it! |
01:16:27 |
But when you |
01:16:29 |
Ha ha ha ha! |
01:16:30 |
and got the wrong idea |
01:16:32 |
I knew it! |
01:16:34 |
I should've understood. |
01:16:36 |
- Celine... |
01:16:38 |
This is difficult for me |
01:16:40 |
but I feel I can trust you. |
01:16:42 |
I didn't write the poem. |
01:16:45 |
What? |
01:16:46 |
I didn't write it. |
01:16:48 |
I've never written a poem |
01:16:49 |
How can anybody |
01:16:50 |
It's his handwriting. |
01:16:52 |
But it's your handwriting. |
01:16:54 |
It... it has this address. |
01:16:55 |
It even has some sort of cheap |
01:16:58 |
I didn't write the poem, OK? |
01:17:04 |
Oh, my God. |
01:17:07 |
Celine, no need to... |
01:17:13 |
Human fucking beings. |
01:17:16 |
What do you have to do? |
01:17:18 |
We did everything for them! |
01:17:20 |
Brought them together. |
01:17:22 |
We damn near killed them both! |
01:17:24 |
We gave them every opportunity. |
01:17:27 |
All they had to do |
01:17:30 |
and we could've gone home. |
01:17:34 |
Maybe we failed, Jackson... |
01:17:39 |
but we don't have to live |
01:17:52 |
Is she gone? |
01:17:55 |
Yeah. |
01:17:56 |
Nice-looking woman. |
01:17:58 |
She isn't my type. |
01:18:03 |
What are you talking about? |
01:18:06 |
Look at yourself. |
01:18:08 |
You're nobody. |
01:18:11 |
You're nothing. |
01:18:12 |
You're wanted in connection |
01:18:15 |
You're cleaning the floor |
01:18:19 |
She is an intelligent, |
01:18:23 |
beautiful rich woman. |
01:18:27 |
The issue of whether or not |
01:18:31 |
is not one |
01:18:33 |
to have to resolve |
01:18:35 |
She's there watching for me |
01:18:39 |
Or indeed the next, since she |
01:18:43 |
for glamorous pussy... |
01:18:45 |
and you will be cleaning |
01:18:49 |
in hell. |
01:18:53 |
I guess so. |
01:18:54 |
So why are you even |
01:18:58 |
I don't know. |
01:19:01 |
Stupid... |
01:19:05 |
Come on. |
01:19:06 |
Finish the floor. |
01:19:22 |
What the fuck? |
01:19:24 |
Aah! |
01:19:26 |
Shut up! |
01:19:30 |
Where's my beautiful poem? |
01:19:52 |
Your father's not home yet. |
01:19:55 |
I don't expect he'll pay |
01:19:58 |
Not till we send a few fingers |
01:20:00 |
Ooh. |
01:20:03 |
Sixteen. |
01:20:04 |
I'm gonna stick right there. |
01:20:06 |
Say, how about you? |
01:20:12 |
You want a hit? |
01:20:17 |
No. |
01:20:18 |
Mmm, stay. |
01:20:21 |
- Uh-huh? |
01:20:23 |
- Hit? |
01:20:25 |
Now, Miss Naville... |
01:20:27 |
you've got a five-card trick, |
01:20:28 |
you've got a five-card trick, |
01:20:30 |
You can stick right there... |
01:20:31 |
and you got |
01:20:33 |
Mm-hmm. |
01:20:34 |
But you want another hit? OK. |
01:20:36 |
No, no! |
01:20:38 |
- What is that? |
01:20:41 |
I can't do that. |
01:20:43 |
She might cheat |
01:20:48 |
All right. |
01:20:50 |
I'll answer the door. |
01:20:52 |
You play blackjack |
01:21:01 |
You sure you want |
01:21:03 |
before you take another hit? |
01:21:04 |
No! |
01:21:06 |
No! |
01:21:10 |
OK. |
01:21:11 |
No! |
01:21:14 |
And... |
01:21:16 |
No! |
01:21:20 |
Aah! |
01:21:27 |
Well... |
01:21:31 |
There. |
01:21:32 |
It's just as well |
01:21:36 |
Come on! |
01:21:42 |
All right, now cut her free. |
01:21:43 |
Aah! |
01:21:47 |
What the hell did you do to her? |
01:21:48 |
I punched her in the face. |
01:21:49 |
Oh! Ow! |
01:21:51 |
Oh, you punched her in the face. |
01:21:53 |
She's half your size, |
01:21:56 |
- She had a gun! |
01:21:58 |
So that makes |
01:22:00 |
I'm not saying |
01:22:02 |
I'm just trying to explain |
01:22:04 |
she could have been |
01:22:06 |
With a broken arm? |
01:22:08 |
With a broken arm?! |
01:22:09 |
OK. I'm sorry. |
01:22:12 |
Now just cut her free! |
01:22:24 |
You son of a bitch! |
01:22:26 |
- Celine? |
01:22:29 |
I'm just trying to explain. |
01:22:30 |
Aah! |
01:22:32 |
Despite your crummy poem... |
01:22:34 |
I came to visit |
01:22:37 |
was humiliate me |
01:22:39 |
I thought you were decent. |
01:22:40 |
I thought you were different, |
01:22:42 |
You're just a lying, cheating |
01:22:45 |
just like all the rest! |
01:22:46 |
Celine, |
01:22:48 |
I don't know |
01:22:50 |
but I'll tell you, |
01:22:52 |
Oh, sure. |
01:22:54 |
Not so easy now, huh? |
01:22:55 |
Celine, Celine! |
01:22:58 |
When you left the diner |
01:23:01 |
I realized |
01:23:03 |
whom I'd spent the happiest... |
01:23:04 |
most exciting times |
01:23:06 |
who I care for |
01:23:09 |
Listen, listen! |
01:23:11 |
Do you remember |
01:23:14 |
I dreamed that my life |
01:23:16 |
that my heart stopped. |
01:23:17 |
But you saved my life... |
01:23:19 |
when you pierced my heart |
01:23:21 |
And that's the truth. |
01:23:24 |
Celine, what I'm saying |
01:23:30 |
What? What did you say? |
01:23:33 |
What I was trying to say |
01:23:37 |
Oh, shit. |
01:23:39 |
What? |
01:23:41 |
Who is that? |
01:23:43 |
Don't worry, Miss Celine. |
01:23:44 |
Everything's going to be |
01:23:52 |
Aah! |
01:24:10 |
Well, we're not just gonna |
01:24:13 |
No, sir. |
01:24:28 |
Come in. |
01:24:33 |
Yes, there is a |
01:24:36 |
Deeper river |
01:24:39 |
That will bring you |
01:24:43 |
Home again |
01:24:47 |
Oh, there is a |
01:24:50 |
Deeper river |
01:24:54 |
Flowing under |
01:24:58 |
I don't think |
01:25:00 |
Isn't there anything you can do? |
01:25:02 |
I don't have the authority |
01:25:06 |
Deeper river |
01:25:08 |
I don't have the authority |
01:25:10 |
That will bring you |
01:25:12 |
Home again |
01:25:17 |
Let me out of this trunk now! |
01:25:20 |
Robert, he's gonna kill you! |
01:25:21 |
Just run. |
01:25:24 |
He's gonna kill you! |
01:25:27 |
Just run, Robert, run! |
01:25:29 |
It's probably |
01:25:31 |
That's probably where it is. |
01:25:38 |
It's not in the canoe, sir... |
01:25:39 |
but I think it's, uh, upstairs. |
01:25:43 |
I think it's upstairs. |
01:25:45 |
They probably left it |
01:25:48 |
That would be a good place. |
01:25:50 |
Tsk tsk tsk. |
01:25:51 |
I don't think he has it... |
01:25:54 |
Mr. Naville. |
01:25:55 |
No. I... |
01:25:56 |
that's it! |
01:25:57 |
That's where it is! |
01:25:59 |
That's where it was. |
01:26:01 |
I put it under that board. |
01:26:02 |
I'll have your money back to you |
01:26:06 |
Board up, and then |
01:26:11 |
We're just gonna have |
01:26:13 |
You don't have my money. |
01:26:15 |
Yeah, it's down here, |
01:26:18 |
Just where I left it. |
01:26:19 |
And frankly, I don't care. |
01:26:21 |
It's just a detail. |
01:26:23 |
You'll have your money |
01:26:28 |
Long as you understand |
01:26:30 |
It's the principle. |
01:26:39 |
Somebody please |
01:26:46 |
Mayhew, not with the ax. |
01:26:50 |
This is Gabriel. |
01:26:52 |
Get me God. |
01:26:54 |
Let's go. Come on! |
01:26:56 |
Come on, come on! |
01:26:58 |
Robert, what happened was |
01:27:04 |
Did he just move? |
01:27:07 |
No, sir. |
01:27:08 |
In all respect, sir, how could |
01:27:14 |
Anyway, you shot them... |
01:27:16 |
then you shot... |
01:27:20 |
You sure he didn't move? |
01:27:21 |
I'm quite sure, sir. |
01:27:23 |
Yes, sir. |
01:27:25 |
No, sir. |
01:27:33 |
Sir? |
01:27:34 |
Please. |
01:27:37 |
Yeah, quite. |
01:27:39 |
Yeah, right. |
01:27:42 |
Mayhew, she's moved. |
01:27:44 |
She's moved. |
01:27:46 |
I saw it with my own eyes. |
01:27:47 |
Yes, sir. |
01:27:51 |
Thank you, sir. |
01:27:52 |
They are both dead, sir. |
01:27:54 |
I shot them myself. |
01:27:56 |
I won't disturb you again. |
01:27:58 |
Yahoo! |
01:28:04 |
Who's that? |
01:28:08 |
Robert? |
01:28:10 |
You shot them... |
01:28:12 |
and then you shot yourself, |
01:28:14 |
you set fire to this cabin. |
01:28:16 |
Didn't you? |
01:28:17 |
Not yet, he didn't. |
01:28:23 |
Celine. |
01:28:25 |
Why... |
01:28:27 |
Why don't you just |
01:28:31 |
Do not get in my way, father. |
01:28:33 |
Celine... |
01:28:36 |
you're not responsible |
01:28:38 |
You're unhinged. |
01:28:39 |
You need the best |
01:28:43 |
that money can buy... |
01:28:44 |
just like your mother. |
01:28:45 |
So why don't you just... |
01:28:51 |
Why don't you just |
01:28:58 |
Because as he dreamt... |
01:29:00 |
I shall save his life |
01:29:05 |
an arrow of my love for him. |
01:29:09 |
Kill him, Mayhew. |
01:29:27 |
Ezekiel! |
01:29:40 |
He's alive, Mayhew. |
01:29:44 |
They're all alive. |
01:30:04 |
If I were your woman |
01:30:06 |
And you were my man |
01:30:10 |
You'd have no other woman |
01:30:13 |
You'd be weak as a lamb |
01:30:17 |
If you had the strength |
01:30:19 |
To walk out that door |
01:30:23 |
My love would overrule my sense |
01:30:25 |
And I'd call you back for more |
01:30:28 |
If I were your woman |
01:30:29 |
So you're telling me |
01:30:32 |
are made in heaven? |
01:30:33 |
Not founded |
01:30:35 |
of two people being prepared... |
01:30:37 |
to tolerate the imperfections |
01:30:40 |
It's not successful |
01:30:43 |
It's love. And it comes from |
01:30:46 |
that we don't know about. |
01:30:47 |
So you also reject the idea... |
01:30:49 |
that love is merely |
01:30:52 |
to a physical necessity? |
01:30:54 |
Completely. |
01:30:55 |
Are you serious? |
01:30:57 |
Fate intervenes |
01:31:00 |
In ours, for instance. |
01:31:02 |
Fate brought us together. |
01:31:03 |
It kept us together. |
01:31:05 |
We were destined |
01:31:09 |
Fate had a pretty strange way |
01:31:13 |
But that's |
01:31:15 |
It's inexplicable, |
01:31:17 |
and absolutely beyond control |
01:31:20 |
But you nearly got killed. |
01:31:22 |
But I didn't... |
01:31:24 |
and here we are. |
01:31:26 |
Do you have any substantial |
01:31:30 |
None at all. |
01:31:31 |
And you realize |
01:31:34 |
I know that. |
01:31:35 |
Then why do you believe it? |
01:31:38 |
Because, Celine, I'm a dreamer. |
01:31:42 |
Well, I guess |
01:31:48 |
Are you ready? |
01:31:50 |
As I'll ever be. |
01:31:53 |
Then let's go. |
01:31:56 |
But I'm too afraid to show it |
01:31:58 |
If I were your woman |
01:32:00 |
If you were my woman |
01:32:01 |
If I were your woman |
01:32:03 |
If you were my woman |
01:32:04 |
If I were your woman |
01:32:06 |
If you were my woman |
01:32:11 |
Never, no, no, no |
01:32:13 |
Stop loving you |
01:32:16 |
Oh, yeah |
01:32:19 |
If I were your woman |
01:32:23 |
Do you know what I'd do? |
01:32:27 |
I'd never, never, never |
01:32:32 |
If I were your woman |
01:32:34 |
Your sweet loving woman |
01:32:37 |
If you were my woman |
01:32:38 |
If I were your woman |
01:32:40 |
If you were my woman |
01:32:41 |
I'd be your only woman |
01:32:43 |
If you were my woman |
01:32:44 |
If I were your woman |
01:32:46 |
If you were my woman |
01:32:47 |
You'd need no other woman |
01:32:48 |
You'd need no other woman |
01:32:57 |
All clear. |
01:33:08 |
So, how was it? |
01:33:11 |
Believe me, Gabriel. |
01:33:13 |
You don't want to know. |
01:33:14 |
- But it worked. |
01:33:19 |
Love... |
01:33:20 |
worked. |
01:33:21 |
Ameratus pathum laborium. |
01:33:25 |
Are we going home now? |
01:33:27 |
We're going home. |
01:33:30 |
At last. |
01:33:31 |
Ohh! |
01:33:59 |
The paper boy |
01:34:02 |
Lying to the teacher |
01:34:06 |
He didn't, and he should've |
01:34:12 |
Ernie bangs the sound |
01:34:16 |
The letterbox is open, |
01:34:18 |
Aah! |
01:34:19 |
I'll meet you at the office |
01:34:26 |
Round our way |
01:34:28 |
The birds are singing |
01:34:32 |
Round our way |
01:34:35 |
The sun shines bright |
01:34:38 |
Aah! |
01:34:40 |
Round our way |
01:34:42 |
The birds sing for you |
01:34:44 |
'Cause they already know you |
01:34:48 |
Yeah, they already know you |
01:35:02 |
The game is kicking off |
01:35:06 |
It's twenty-five a side, |
01:35:09 |
There's gonna be a loser |
01:35:11 |
And you know the next goal wins |
01:35:16 |
Cab it to the front |
01:35:17 |
As it's called a draw |
01:35:19 |
Everybody's knocking |
01:35:22 |
Ernie bangs the sound |
01:35:24 |
And no one's spoken |
01:35:27 |
La la la la la la la |
01:35:30 |
Round our way |
01:35:36 |
Round our way |
01:35:43 |
Round our way |
01:35:48 |
'Cause they already know you |
01:35:51 |
Yeah, they already know you |
01:35:59 |
On the highway |
01:36:01 |
Unpaved |
01:36:03 |
Going my way |
01:36:04 |
You're so alone today |
01:36:07 |
Like a ghost town |
01:36:09 |
I found there's no relief |
01:36:12 |
No soul to mercy |
01:36:14 |
Is it true what they say? |
01:36:17 |
You can't behave |
01:36:19 |
You gamble your soul away |
01:36:22 |
Measuring your dreams |
01:36:24 |
Oh, this life seems |
01:36:26 |
Like the gristle of loneliness |
01:36:30 |
Do do do do |
01:36:31 |
Don't let the sun |
01:36:36 |
Do do do do do |
01:36:38 |
Don't let the sun |
01:36:58 |
Like an ice age |
01:37:00 |
Nice days on your way |
01:37:03 |
Sipping the golden dregs |
01:37:06 |
On a riptide |
01:37:07 |
Freaks ride |
01:37:09 |
Sleep inside |
01:37:11 |
A parasite's appetite |
01:37:13 |
Oh, say, can't you see |
01:37:16 |
The chemistry? |
01:37:18 |
The parasites, the cleanup fee |
01:37:21 |
Death metal hands |
01:37:23 |
Recycled cans |
01:37:25 |
Get well cards |
01:37:30 |
Don't let the sun |
01:37:36 |
Do do do do do |
01:37:37 |
Don't let the sun |
01:37:47 |
I got a magical ray |
01:37:48 |
That reads you |
01:37:50 |
You got a mystic pen |
01:37:55 |
Tests of my strength |
01:37:58 |
Are pretty much all I know |
01:37:59 |
For the rest of my life, |
01:38:03 |
Climbing |
01:38:07 |
Climbing |
01:38:11 |
Somewhere |
01:38:15 |
Somewhere |
01:38:18 |
And I have no fear |
01:38:22 |
I have no fear |
01:38:26 |
'Cause love is here |
01:38:31 |
Love is here |
01:38:35 |
Love is here |
01:38:39 |
Love is here |
01:38:43 |
Love is... |
01:38:44 |
Did you know |
01:38:46 |
With a daisy in my hair |
01:38:48 |
Roses in my hand |
01:38:50 |
And broken rhythms in disrepair |
01:38:52 |
I hear |
01:38:54 |
A danger in the air |
01:38:56 |
For the rest of my life, |
01:39:00 |
Climbing |
01:39:03 |
Climbing |
01:39:07 |
Somewhere |
01:39:15 |
Subtitles by LeapinLar |