Doors The
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"The movie begins in five moments, " |
00:00:59 |
"All those not seated |
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We filed slowly, |
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The auditorium |
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After we'd sat down, it grew dark, |
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"The program for this evening isn't |
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You've seen birth, life and death. |
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Did you have a good life |
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Enough to base a movie on?" |
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Hey Jim, |
00:01:37 |
Let's finish this another night. |
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Turn the lights down |
00:01:52 |
Hey man, how come |
00:01:58 |
No music, no Doors. |
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Rolling. |
00:02:20 |
Is everybody in? |
00:02:22 |
Is everybody in? |
00:02:26 |
Is everybody in? |
00:02:29 |
The ceremony is about to begin. |
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Let me tell you about heartache, |
00:02:42 |
Wandering, wandering |
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Out here in the perimeter |
00:02:51 |
Out here |
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It's beautiful, |
00:03:04 |
Jimmy, wake up! |
00:03:06 |
Come on! |
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What's going on? |
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I don't know. |
00:03:34 |
Officer, what happened? |
00:03:37 |
No sir, |
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Just a dream, Jimmy, |
00:03:54 |
Just a dream. |
00:07:05 |
You got a problem with doors? |
00:07:07 |
Waste of time. |
00:07:11 |
I followed you from the beach. |
00:07:15 |
You followed me? Why? |
00:07:20 |
'cause you're the one. |
00:07:39 |
Maybe you should meet my old man. |
00:07:44 |
Mine's Jim. |
00:07:50 |
Pam and Jim. |
00:07:55 |
Who the hell was that? |
00:08:01 |
Nietzsche said, |
00:08:02 |
"All great things must first wear |
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in order to inscribe themselves |
00:08:12 |
Listen, children, |
00:08:19 |
In the séance, |
00:08:24 |
He acts like a madman, |
00:08:30 |
Have you ever seen God? A mandala. |
00:08:35 |
A symmetrical angel. |
00:08:37 |
We got our final vision by clap. |
00:08:40 |
Columbus's groin |
00:08:44 |
I touched her thigh, |
00:08:51 |
Hey Morrison! |
00:08:53 |
Fuck 'em, it's great. |
00:08:55 |
It's non-linear, poetic, |
00:08:59 |
This world. The monster of energy. |
00:09:02 |
Without beginning, without end. |
00:09:05 |
Likewise, without |
00:09:09 |
disclosing nothing. |
00:09:12 |
This world, |
00:09:14 |
this world is a will to power, |
00:09:16 |
and nothing besides. |
00:09:24 |
Very pretentious, Jim, not easy |
00:09:29 |
Dancing bears, Nazism, masturbation, |
00:09:32 |
What do you guys think? - Boring! |
00:09:37 |
No, it was worse! |
00:09:38 |
A guy sleeping for 7 hours! |
00:09:43 |
You need your art |
00:09:47 |
Right on, man! Let's ask the filmmaker |
00:09:51 |
Mr. Morrison? |
00:09:55 |
I quit. |
00:10:19 |
Awake. |
00:10:23 |
Shake dreams from your hair, |
00:10:26 |
Choose the day, |
00:10:29 |
The day's divinity, |
00:10:33 |
Come on out for a walk! |
00:10:35 |
It's a beautiful night! |
00:10:38 |
The vast radiant beach |
00:10:44 |
Couples, naked, race |
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... and we laugh |
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smug in the woolly |
00:11:05 |
Choose, they croon, the ancient ones. |
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Choose now, they croon, beneath |
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Enter again the sweet forest. |
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Enter the hot dream, |
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Everything is broken up and dances. |
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"Now I have come again to the land |
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Brothers and sisters |
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Children of the night, |
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Now night arrives |
00:11:44 |
Retire now |
00:11:47 |
Tomorrow we enter the town of |
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That's beautiful. |
00:11:56 |
Do you like that? |
00:11:59 |
I've never read much poetry before. |
00:12:05 |
What's a shaman? |
00:12:10 |
He's the medicine man of the Indians. |
00:12:15 |
He gets into a peyote trance, and |
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he gets deeper and deeper |
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and the whole tribe is healed. |
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All cultures have a version of it. |
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The Greeks had |
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The Indians say |
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They call him |
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What turns you on? |
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I don't know ... |
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Experience. |
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Freedom. |
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Love. |
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Now. |
00:12:58 |
The first time I did acid |
00:13:01 |
And I saw a friend of mine, |
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And I realized that, somehow, |
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We're all one, |
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And everything is beautiful. |
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I feel most alive |
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I think you're most alive |
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seeing truth. |
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Does death turn you on? |
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Life hurts a lot more. |
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"All the poems have wolves in them. |
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All but one. |
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The most beautiful one of all. |
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She dances in a ring of fire |
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and throws off the challenge |
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That's beautiful. |
00:14:22 |
Who did you write that for? |
00:14:26 |
I wrote it for you. |
00:15:00 |
Try acid, Ray. |
00:15:03 |
It's guaranteed. |
00:15:06 |
Shit, Morrison! |
00:15:10 |
My last trip was a real bummer, man. |
00:15:13 |
I never had a bummer on acid. |
00:15:17 |
Whatever works. |
00:15:18 |
You making movies at MGM yet? |
00:15:21 |
The production head there said to me, |
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"Where's your script?" |
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Godard doesn't use one." |
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I'm off movies, man. |
00:15:35 |
I went out to the desert |
00:15:40 |
I've been livin up on Trick's rooftop. |
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Got stuck on a chick. |
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Writing. |
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You're writing songs? |
00:15:53 |
Let me hear one. |
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I'm shy. |
00:16:00 |
You sing better than Dylan. |
00:16:08 |
Well let me hear your words. |
00:16:20 |
Let's swim to the moon. |
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Let's climb through the tide. |
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Penetrate the evening, |
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that the city sleeps to hide. |
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Let's swim out tonight, |
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it's our turn |
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Parked beside the ocean |
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on our moonlight drive. |
00:17:10 |
Those are great fuckin' lyrics, man! |
00:17:15 |
You write this? |
00:17:19 |
Yeah, |
00:17:22 |
I see a Dionysian scene. |
00:17:25 |
Ecstasy and madness! |
00:17:28 |
I got so much stuff, tons of songs. |
00:17:31 |
I can feel it. People want to |
00:17:35 |
Vietnam is right out there, man, |
00:17:39 |
Everything's going to flame, man, |
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We've got to make the myths. |
00:17:46 |
When Dionysus arrived in Greece, |
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he made all the women mad, |
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leaving their homes |
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There'll be copulations in the street. |
00:17:59 |
I've got a name: "The Doors." |
00:18:03 |
"The Doors of Perception." |
00:18:06 |
William Blake, actually: "When the |
00:18:10 |
things will appear as they truly are, |
00:18:45 |
What's the matter? |
00:18:49 |
I know, John. Jim, stay in time. |
00:18:55 |
I think it's hot. |
00:18:59 |
The lyrics are weird, man. |
00:19:03 |
You write one, man! |
00:19:06 |
We need more songs anyway. |
00:19:11 |
Let's go outside. |
00:19:24 |
I came up with something. |
00:19:29 |
A-minor and F-sharp ... |
00:20:00 |
Pretty good! |
00:20:05 |
That's great, Robby, nice changes! |
00:20:09 |
I call it "Light my Fire." |
00:20:11 |
To compete with your stuff, it |
00:20:17 |
Sounds like the Byrds, |
00:20:22 |
A little Latin beat |
00:20:24 |
Maybe put a long solo over it, |
00:20:28 |
Let's start again, man. |
00:20:31 |
A-minor, B-minor, it's jazz! |
00:20:50 |
Is that how it goes? |
00:21:00 |
Robby! Hey man ... |
00:21:04 |
Can you give me about five minutes? |
00:21:08 |
Let's let him work. |
00:21:18 |
What do you think about when you play? |
00:21:21 |
I dunno. |
00:21:24 |
Fish in my fish tank. |
00:21:27 |
Hey how about that acid tonight? |
00:21:31 |
Right here at Ray's house. Let's see |
00:21:37 |
No way, you always get the chicks. |
00:21:40 |
Hey, I got it! Come on! |
00:21:42 |
I got it, I got the intro, man. |
00:22:57 |
Turn around, man. Let them in, Jim! |
00:23:48 |
Jim, can I have an autograph? |
00:23:51 |
Where do you want it? |
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Leave it to me, |
00:23:57 |
You liked our music? |
00:24:01 |
It's dark though. Get some tunes |
00:24:06 |
That shit goes right to the radio. |
00:24:12 |
We need some real equipment. |
00:24:19 |
Wherever you want to go, I can |
00:24:23 |
We'll have a meeting on it. We do |
00:24:29 |
The Musketeers. |
00:24:30 |
I'm touched. But let me tell you, |
00:24:35 |
Think about it |
00:24:42 |
Hey, pay attention, |
00:24:46 |
Hey, how old are you? |
00:24:50 |
Get lost, will you. |
00:24:53 |
I'll make this quick and to the point, |
00:24:57 |
Drop those guys. |
00:24:59 |
Jimmy's got to start facing the crowd. |
00:25:03 |
The guy never does what's rehearsed. |
00:25:08 |
Your looks, your voice, that's what's |
00:25:12 |
Call me. I'm right. |
00:25:17 |
Do yourself a favor, |
00:25:19 |
I don't like a guy |
00:25:22 |
"Whiskey's" next, man, |
00:25:27 |
I still think the lyrics are weird. |
00:25:54 |
The chicks |
00:25:57 |
We still got to go one more step. |
00:26:02 |
We'll go to the desert and take |
00:26:07 |
It's kicking in! |
00:26:11 |
Come on, man. - I'm not doing acid, |
00:26:16 |
Hey, what's a rock'n'roll band for? |
00:26:19 |
Let's plan a murder, or |
00:26:24 |
I'm into TM, man, |
00:26:27 |
I'll try it, I'm ready. |
00:26:34 |
Who's on next? - Love. |
00:26:41 |
I am the Lizard King! |
00:26:46 |
Come on, raise your hand |
00:26:50 |
Let's take a poll: |
00:26:55 |
Bullshit! |
00:26:57 |
You're all plastic soldiers |
00:27:01 |
Come on! |
00:27:03 |
How many of you people |
00:27:06 |
How many of you people |
00:27:47 |
Close your eyes. |
00:27:50 |
See the snake? |
00:27:52 |
See the serpent appear? |
00:27:57 |
and five feet wide. |
00:28:04 |
He's ... |
00:28:07 |
... seven miles long. |
00:28:12 |
Deadly. |
00:28:17 |
See it? All the history of the world |
00:28:23 |
All people, all actions. |
00:28:26 |
We're all just |
00:28:32 |
God! |
00:28:34 |
It's big. |
00:28:36 |
It's moving, |
00:28:39 |
devouring consciousness, |
00:28:43 |
digesting power. |
00:28:47 |
Monster of energy! |
00:28:51 |
It's a monster. |
00:28:54 |
We're gonna |
00:28:59 |
Kiss the serpent. |
00:29:02 |
But if it senses fear, |
00:29:05 |
it'll eat us instantly. |
00:29:08 |
But if we kiss it without fear, |
00:29:10 |
it'll take us through the garden, |
00:29:13 |
through the gate, to the other side. |
00:29:18 |
Ride the snake. |
00:29:21 |
Till the end of time. |
00:29:25 |
I think I'm fucked up, man. |
00:29:30 |
Look at your eyes, man. |
00:29:33 |
I'm afraid of my father. |
00:29:39 |
Maybe you should kill your father. |
00:29:45 |
I feel the universe functioning, but |
00:29:52 |
Instead of oneness, |
00:29:56 |
But you're alive, Ray. |
00:29:58 |
Feel it. - I'm scared, Jim. |
00:30:02 |
Then use us, John. |
00:30:05 |
Use our strength. |
00:30:08 |
That's right. |
00:30:10 |
We're a tribe now, |
00:30:14 |
I promise you, promise you, I'll be |
00:30:19 |
Nothing will destroy the circle. |
00:30:21 |
Ride the snake. |
00:30:27 |
Come on! |
00:31:22 |
I'm lying, I am afraid. |
00:31:36 |
Jim, don't go away! |
00:31:38 |
Come dance with me! |
00:31:48 |
Where are you going, Jimmy? |
00:31:50 |
Jimmy, where are you going? |
00:37:08 |
The killer awoke before dawn. |
00:37:12 |
He put his boots on. |
00:37:17 |
He took a face |
00:37:19 |
from the ancient gallery |
00:37:32 |
He went into the room |
00:37:36 |
then he ... |
00:37:40 |
paid a visit to his brother. |
00:37:45 |
He walked on down the hall. |
00:37:51 |
And he came to a door. |
00:37:56 |
And he looked inside. |
00:38:05 |
"Father?" "Yes son?" |
00:38:13 |
"Mother?" |
00:38:19 |
"I want to ... |
00:38:22 |
... fuck you all night, baby!" |
00:38:30 |
"Mother, I want to fuck you!" |
00:38:41 |
Fuck, fuck oh yeah! |
00:38:43 |
Turn him off! Turn his fuckin amp off! |
00:39:08 |
He's a great artist! |
00:39:49 |
Get out of here! - Kill my father! |
00:39:54 |
Fuck my mother! - Nobody's gonna |
00:39:58 |
You're outta here! You're not gonna |
00:40:03 |
Come on, man, it's art! |
00:40:06 |
It's "Oedipus." |
00:40:08 |
Take a look at the future, old man. |
00:40:13 |
Here's your art right there! |
00:40:16 |
There's your art! |
00:40:19 |
We're never gonna work in this town |
00:40:22 |
Hi, I'm Jack Holzmann, I own Elektra |
00:40:28 |
Listen, |
00:40:29 |
if you could record |
00:40:32 |
we'd have something |
00:40:37 |
And Rothschild here was born to be |
00:40:43 |
... it's Bertold Brecht, |
00:40:46 |
I'm really blown away, I'd like to get |
00:40:52 |
Mr. Morrison, how'd you like to come |
00:40:57 |
Sure, why not? |
00:41:02 |
Bruce, do you feel it? |
00:41:06 |
An album of killer music in six days. |
00:41:11 |
Unreal! |
00:43:32 |
Name, occupation? |
00:43:37 |
Name, occupation? |
00:43:42 |
Robby Krieger, guitar player. |
00:43:45 |
John Densmore, percussionist, |
00:43:50 |
Name, occupation? |
00:43:53 |
Raymond Daniel Manzarek, |
00:43:59 |
Name, occupation? |
00:45:11 |
This way, Mr. Sullivan. |
00:45:12 |
They're called "The Doors." They have |
00:45:17 |
"Light Your Fire." |
00:45:21 |
Now, they're not your usual group, but |
00:45:30 |
No wonder. |
00:45:33 |
So what's your room number? |
00:45:38 |
You've got very serious hair. |
00:45:42 |
What about me? - I don't want to |
00:45:46 |
Hey handsome, what can I do? |
00:45:50 |
been haircuts. Don't touch it, go away! |
00:45:55 |
Boys! |
00:45:57 |
Meet Mr. Sullivan. |
00:46:01 |
I heard your record "Light That Fire." |
00:46:05 |
"Light My Fire." |
00:46:09 |
I just have one little thing, |
00:46:12 |
The network guys have |
00:46:17 |
"Girl we couldn't get much higher." |
00:46:21 |
so they asked |
00:46:25 |
"Girl, we couldn't get much better." |
00:46:30 |
How about: |
00:46:34 |
I don't think |
00:46:37 |
And fellows, have a nice big smile |
00:46:41 |
There's no point in being sullen. |
00:46:45 |
You boys should know that |
00:46:49 |
for four more shows. You dig? |
00:46:56 |
OK. Groovy! |
00:47:05 |
Well? |
00:47:06 |
Aw, come on, John. |
00:47:08 |
It's just a word, Jim. |
00:47:10 |
The Stones changed |
00:47:13 |
Why don't you change your name to ... |
00:47:18 |
It's just a word. |
00:47:20 |
Come on. They're my words, |
00:47:22 |
And now, |
00:47:24 |
direct from Los Angeles, California, |
00:47:28 |
The Doors! |
00:47:35 |
Are we OK soundwise, |
00:47:47 |
He said it! |
00:47:51 |
I can't believe that! |
00:47:54 |
What's he doing? What's that? |
00:47:56 |
Oh Jesus! |
00:47:59 |
You blew it, you little shit! |
00:48:08 |
OK, can you |
00:48:11 |
Come on, I know |
00:48:15 |
Great! |
00:48:19 |
Let's try something different. |
00:48:23 |
You take it off. |
00:48:29 |
That's good! |
00:48:32 |
The camera |
00:48:35 |
A woman you want to seduce. |
00:48:39 |
A man you want to kill. |
00:48:42 |
Anything you want. |
00:48:44 |
That's nice. |
00:48:47 |
Oh, that's great! |
00:48:49 |
Do you have any idea |
00:48:52 |
One image |
00:48:55 |
Where are the Doors? |
00:49:00 |
You're the one they want. |
00:49:05 |
Yeah that's good. Be ugly! |
00:49:09 |
I love that. |
00:49:11 |
Anything you want. |
00:49:12 |
There are no restrictions here. |
00:49:18 |
Look at yourself. |
00:49:24 |
You're your own audience now. |
00:49:28 |
The want you, |
00:49:32 |
worship, love you, |
00:49:35 |
adore you. |
00:49:37 |
Jim Morrison. |
00:49:40 |
The God of Rock and Cock. |
00:50:26 |
This is the fun part of my job, |
00:50:35 |
Let me put it this way: Andy Warhol |
00:50:40 |
I think bright people in America |
00:50:43 |
"Does Andy imitate life, |
00:50:47 |
Jim, this is Tom Baker, he's in one |
00:50:52 |
And this is Count Ruspuli. |
00:50:55 |
He's Italian, but he lives in Paris, |
00:51:02 |
You are great, eh, I see you |
00:51:06 |
So cool! So so cool! |
00:51:12 |
He's so cool. - What's your trip? |
00:51:17 |
Hey I caught your gig at the "Scene." |
00:51:22 |
I like your movies, man. |
00:51:28 |
Hey Jim, we're gonna split, why don't |
00:51:32 |
No, you can't leave, man. |
00:51:36 |
Look that's Jim Morrison. - No! |
00:51:40 |
Let's get out of here. |
00:51:44 |
Come with me, Andy is waiting in the |
00:51:51 |
Do you remember in San Francisco? |
00:51:58 |
This chick here sings with Andy's band |
00:52:01 |
She says |
00:52:07 |
Hi, I'm Nico. |
00:52:10 |
It's so boring tonight. |
00:52:13 |
Some of us are going downtown |
00:52:18 |
Elevate your taste in trolls, man. |
00:52:24 |
Vodka? |
00:52:26 |
I'll race you. |
00:52:31 |
You're death. |
00:52:37 |
Come on, let's go. |
00:52:39 |
Alright, we're gonna go to a club. |
00:52:42 |
I met this girl over here. |
00:52:45 |
Don't you guys want |
00:52:49 |
To tell you the truth, I could |
00:52:52 |
Come on, we've got a big gig tomorrow. |
00:52:55 |
I thought |
00:52:59 |
The four of us. |
00:53:02 |
These people are vampires. |
00:53:08 |
Come on, let's make the myths. |
00:53:13 |
Don't leave! |
00:53:17 |
I don't know what will happen. |
00:53:20 |
It might be death. |
00:53:24 |
It's not death, man. |
00:53:27 |
Don't drink too much. |
00:53:58 |
Jimmy, this way. |
00:54:00 |
Andy's waiting, this way. |
00:54:06 |
Jimmy please. Andy's waiting. Come on. |
00:54:13 |
How you doing? |
00:54:16 |
Alright! |
00:54:19 |
Pretty good! |
00:54:28 |
... there was this big show |
00:54:34 |
There were so many people. |
00:54:37 |
Andy, this is Jim Morrison of the |
00:54:40 |
Andy Warhol, of course. |
00:54:43 |
We really like your music. |
00:54:46 |
How are you doing, Andy? |
00:54:48 |
And there were |
00:54:54 |
The paintings |
00:54:57 |
and they had to |
00:55:04 |
It looked kind of great ... |
00:55:09 |
You see, Andy was the art. You should |
00:55:14 |
We would really love to use you |
00:55:17 |
You're such a beauty. - Andy says |
00:55:23 |
It would really be great, wouldn't it? |
00:55:28 |
I mean ... |
00:55:34 |
Just the singer, not the song. |
00:55:37 |
not the voyage. |
00:55:40 |
not the arrival. |
00:55:45 |
I think it was Edie, wasn't it. |
00:55:48 |
Yeah, and she said, |
00:55:52 |
I could talk to God with it, |
00:55:58 |
Here, this is for you. |
00:56:05 |
Now you can talk to God. |
00:56:22 |
Morrison, come here! |
00:56:45 |
Darling, I pay the bills, so I can |
00:56:50 |
I think God wants to talk to the bum. |
00:56:54 |
Check it out, brother. |
00:58:29 |
What are your songs about, |
00:58:33 |
Love, death, travel, revolt. |
00:58:39 |
We all write the songs. |
00:58:42 |
I'm interested in ... |
00:58:44 |
chaos, disorder, |
00:58:48 |
especially activities which |
00:58:52 |
How do you feel about being called |
00:58:56 |
When you say something like that |
00:59:02 |
What about the dreadful reviews |
00:59:06 |
I guess they didn't understand. |
00:59:10 |
Have you bothered to read the poetry? |
00:59:12 |
I mean, you keep denying that |
00:59:15 |
That's a rather provincial attitude. |
00:59:19 |
Ich believe in excess. |
00:59:22 |
Is that part of the shaman's wisdom? |
00:59:25 |
We spend more money every year on |
00:59:30 |
On behalf of British press ... - Where |
00:59:33 |
What do you spend all your money on? |
00:59:39 |
I believe in a long, prolonged |
00:59:44 |
to attain the unknown. |
00:59:47 |
Although I live in the subconscious, |
00:59:51 |
our pale reason |
00:59:55 |
Are you by any chance |
01:00:02 |
Do you hurt? |
01:00:05 |
What? |
01:00:07 |
What hurts you the most? |
01:00:13 |
What do your parents think |
01:00:15 |
I don't remember being born. It must |
01:00:20 |
They must have expressed some feeling. |
01:00:25 |
To tell you the truth, |
01:00:28 |
I don't like to talk about that. |
01:00:31 |
Could you at least tell us |
01:00:38 |
It was a horrible car crash, |
01:00:42 |
in New Mexico, |
01:00:46 |
My father ran right into a truckload |
01:00:53 |
all over the highway bleeding. |
01:00:56 |
Their souls, |
01:00:59 |
just leapt into mine. |
01:01:05 |
I'm sorry. |
01:01:08 |
Mr. Krieger, |
01:01:09 |
do you really consider |
01:01:42 |
Don't worry about it. |
01:01:46 |
Wanna do some coke? |
01:01:49 |
It'll loosen you up. |
01:02:00 |
Wow, how old is this? |
01:02:03 |
That's 14th century. |
01:02:06 |
Witchcraft! |
01:02:08 |
Witchcraft ... witches |
01:02:13 |
the goddesses of the grain, |
01:02:16 |
and when crossed, |
01:02:19 |
destroyers. |
01:02:27 |
You ever try drinking blood? |
01:02:30 |
What? |
01:02:32 |
It works, you know. |
01:02:35 |
If you drink it |
01:02:39 |
They used to |
01:02:43 |
I think that's what offended the |
01:02:49 |
They were a sexual threat |
01:02:53 |
like the Bacchae. |
01:02:55 |
5 days a year for Dionysus they used |
01:03:01 |
The first witches. |
01:03:03 |
Clans. |
01:03:05 |
Wild women. |
01:03:08 |
Looting. |
01:03:10 |
Fucking. |
01:03:13 |
Eating animals raw. |
01:03:15 |
Looking for Dionysus, |
01:03:19 |
to tear him to pieces. |
01:03:26 |
Where do you ... get the blood? |
01:03:32 |
"Blood is the rose |
01:03:36 |
A symbol of potency. |
01:03:39 |
Now you. |
01:03:40 |
I can't cut myself. - Don't be such a |
01:03:50 |
You do it. |
01:05:01 |
Come on, Rock God, fuck me! |
01:05:26 |
What do you want me to do? |
01:05:28 |
What can I do, baby? |
01:05:36 |
What's the matter, baby? |
01:05:38 |
What do you want me to do? |
01:05:42 |
see a doctor or something. |
01:05:46 |
What do you think, |
01:05:52 |
It happens to other guys too. |
01:06:00 |
That's the irony. |
01:06:05 |
Girls want my dick, |
01:06:17 |
It's not so complicated, |
01:06:22 |
I'll never wake up |
01:06:25 |
It's the hours, and the pressure, |
01:06:28 |
to do everything |
01:06:32 |
We weren't built to last. |
01:06:35 |
You're setting yourself up, you know. |
01:06:41 |
You're a poet, not a rock star. |
01:06:44 |
Do you really know what I am, Pam? |
01:06:48 |
You know what poetry is? - You don't |
01:06:52 |
Who am I? |
01:06:55 |
Where is the feast |
01:06:58 |
Where is the new wine? |
01:07:02 |
Dying on the vine? |
01:07:09 |
See, I lied to you. |
01:07:16 |
I love fame. |
01:07:19 |
I do love fame. |
01:07:28 |
Why are you doing this to me? - 'cause |
01:07:33 |
Maybe if you just put |
01:07:37 |
Suck it, Mommy, come on! - Fuck you! |
01:07:40 |
Where do you think you're going? |
01:07:43 |
I love my girl! |
01:07:45 |
How many other guys have you |
01:07:48 |
How many dogs |
01:07:50 |
You're the only one who couldn't make |
01:07:59 |
Would you die for me? |
01:08:01 |
Would you die for me? |
01:08:05 |
Sure! |
01:08:06 |
I'd die for anybody. |
01:08:14 |
Please! - Would you die for me? |
01:08:19 |
Say it! - Yes! Yes! |
01:08:27 |
Would you die for me? - Yes. |
01:08:29 |
I'm just a clown. |
01:08:32 |
Am I a clown? |
01:08:40 |
I need a home. |
01:08:43 |
A place to hide. |
01:08:47 |
I'm sorry, baby, |
01:08:51 |
Come on! |
01:08:54 |
Let's fuck death away. Come on. |
01:08:57 |
Alright ... |
01:09:01 |
An ancient lunatic |
01:09:20 |
We've got a serious |
01:09:24 |
The fire marshall is not going |
01:09:27 |
unless you clear the aisles |
01:09:30 |
Unless you clear these aisles, |
01:09:34 |
Hear the sound of the crowd? - I don't |
01:09:41 |
Come on! - You like that? |
01:09:43 |
Like that? |
01:09:47 |
Beg! |
01:09:50 |
Do you want to fuck me, huh? |
01:09:54 |
Don't ever fucking lie to me again. |
01:09:58 |
Your father. Why do you tell me |
01:10:01 |
He is dead, both of them, dead. |
01:10:03 |
If he's so dead, |
01:10:09 |
What? - You didn't really think |
01:10:13 |
Your father's an admiral in the Navy. |
01:10:16 |
He was at the Gulf of Tonkin |
01:10:27 |
Your dad's deputy chief of operations. |
01:10:40 |
What? |
01:10:45 |
You shouldn't have done that. - What's |
01:10:50 |
You went to the University of Florida, |
01:10:55 |
Arlington, Virginia, Washington D.C. |
01:11:01 |
You have a brother and a sister. |
01:11:04 |
"Seven miles long, " |
01:11:08 |
Where the fuck is Jim? |
01:11:22 |
I'm sorry. |
01:11:25 |
What did he do? |
01:11:28 |
Did he love you? |
01:11:33 |
How much? |
01:11:40 |
And your mama? |
01:11:48 |
Hatred is |
01:11:54 |
That doesn't matter |
01:11:58 |
Do you hear them out there? |
01:12:03 |
It's you they want now. |
01:12:07 |
It's not the Doors. |
01:12:10 |
It's not your mother, |
01:12:14 |
It's you. |
01:12:19 |
They don't want me, |
01:12:22 |
Ripped to pieces. |
01:12:25 |
Patricia, just hold me. |
01:12:31 |
What are you doing there? |
01:12:34 |
Nothing. - OK, both of you out! |
01:12:37 |
You idiot, don't you know who this is? |
01:12:43 |
Hey. Hey pig! |
01:12:46 |
Mother fucker! |
01:12:52 |
They got Jim! |
01:12:56 |
What the fuck is going on here? |
01:13:00 |
I'm blind! |
01:13:03 |
He's under arrest. |
01:13:07 |
Come on! |
01:13:10 |
Leave him alone. |
01:13:13 |
What do you know |
01:13:23 |
Fuck! |
01:15:38 |
Let me tell you about something that |
01:15:44 |
This is New Haven, isn't it? |
01:15:48 |
United States of America. |
01:15:52 |
Is the West really the best, |
01:15:54 |
or are you just stoned on weed? |
01:15:57 |
"Light My Fire!" |
01:16:15 |
I was with this girl backstage. |
01:16:18 |
We wanted some privacy, so ... |
01:16:21 |
we went into this shower stall. |
01:16:26 |
No, we weren't doing anything, |
01:16:31 |
All of a sudden, |
01:16:36 |
with a little blue hat |
01:16:43 |
And he said, |
01:16:45 |
And I said, "Nothing." |
01:16:48 |
And he said, |
01:16:50 |
"Well, you better |
01:16:53 |
"Or what?" I said. |
01:16:55 |
And he started pushing me. |
01:16:59 |
Yeah, so I started pushing back. |
01:17:02 |
He didn't like that. |
01:17:10 |
Then he reached behind, and |
01:17:16 |
And he sprayed it |
01:17:20 |
He fucking blinded me! |
01:17:24 |
Why? |
01:17:26 |
All because I was alone |
01:17:29 |
doing what he'd like to be doing, if |
01:17:37 |
In the United States |
01:17:41 |
"Land of the Free, |
01:17:43 |
"In God we trust." |
01:17:52 |
No, no! Say your thing. |
01:17:57 |
The show's over. |
01:18:00 |
You've violated state obscenity laws. |
01:18:04 |
There you go. |
01:18:29 |
Get your hands off me, you slaves! |
01:18:34 |
This isn't happening to me, |
01:18:44 |
Let's just say |
01:18:47 |
That's all. |
01:18:51 |
I kind of always |
01:18:54 |
Like Erich von Stroheim |
01:18:57 |
The man you loved to hate. |
01:19:00 |
That's meant to be ironic. |
01:19:03 |
Like courage wants to laugh. |
01:19:06 |
Essentially stupid situations. |
01:19:10 |
I go out on stage |
01:19:14 |
In me, they see |
01:19:20 |
Some say Lizard King, |
01:19:24 |
Or some black-clad leather demon, |
01:19:30 |
But really, I think of myself |
01:19:33 |
as a sensitive, |
01:19:38 |
but with the soul of a clown |
01:19:40 |
that always forces me |
01:19:52 |
I'm a fake hero. |
01:19:56 |
A joke that God's played on me. |
01:19:59 |
Hey everyone. |
01:20:01 |
Pour me my breakfast, |
01:20:05 |
What's the matter with Jimbo? |
01:20:09 |
Jim, eat this, man. |
01:20:11 |
We got one last place to go. - Ray's |
01:20:15 |
"Alive!" she cried. |
01:20:17 |
Ugh, I can't eat that, |
01:20:19 |
Gimme a Dos Equis, will you, Dolores? |
01:20:22 |
And a "Ramos Fizz!" |
01:20:26 |
You bet me a grand you're gonna walk |
01:20:30 |
Let's go right now. - Complaining |
01:20:35 |
We were going to make a fuckin' movie. |
01:20:38 |
You bet me a thousand bucks, man. |
01:20:41 |
Give him a double. |
01:20:43 |
Imagine me and Morrison |
01:20:46 |
two powerful, two Irish, |
01:20:48 |
in the same movie together. |
01:20:52 |
Yeah, I'll direct the shit out of it. |
01:20:56 |
We'll all three direct it. |
01:21:00 |
We'll call it "Zero." |
01:21:04 |
What the fuck ...! |
01:21:08 |
Fuckin' jack-off! |
01:21:20 |
It's only another 95 thousand. |
01:21:23 |
But I can get the best clothes, |
01:21:27 |
clothes you couldn't |
01:21:30 |
And then we could get the richest |
01:21:34 |
Sonny & Cher, the Stones ... |
01:21:37 |
It could be the best boutique |
01:21:40 |
Why don't we have a car? |
01:21:43 |
You lost it. |
01:21:46 |
Where's the Gravy Train? |
01:21:53 |
What's the matter with you? |
01:21:56 |
You said you wouldn't drink today. |
01:22:01 |
You promised. You're not gonna drink |
01:22:06 |
And you're gonna change those stinky |
01:22:10 |
Now I don't know about that. |
01:22:13 |
What are you on? |
01:22:15 |
Just some low-grade acid, |
01:22:22 |
God! I cooked! I cooked a duck, |
01:22:28 |
Ray and Dorothy think |
01:22:31 |
You said we'd wait until after, and |
01:22:35 |
No, it's cool, we'll trip and then |
01:22:40 |
No! No! |
01:22:41 |
I think it's a good thing |
01:22:46 |
That ... women are such noble |
01:22:50 |
with dignity after you die. |
01:22:54 |
Are you saying |
01:22:59 |
I think women have basically |
01:23:03 |
How can they not? They spend their |
01:23:08 |
Come on, Ma, I want to look inside. |
01:23:15 |
I'm a spy |
01:23:19 |
in the House of Love. |
01:23:23 |
I know the dream |
01:23:28 |
that you're dreaming of. |
01:23:32 |
I know |
01:23:34 |
the word |
01:23:37 |
that you |
01:23:39 |
long to hear. |
01:23:41 |
I know |
01:23:44 |
your deepest secret fear. |
01:23:50 |
I know everything. |
01:23:57 |
I love it when you sing to me. |
01:24:01 |
I'm the poet |
01:24:08 |
"Lions in the street, roaming, |
01:24:11 |
dogs in heat, rabid, foaming. |
01:24:14 |
A beast caged in the heart |
01:24:18 |
in the summer ground. He fled town, |
01:24:25 |
There's the nuptual couple! |
01:24:28 |
What am I going to do |
01:24:30 |
Something to drink! |
01:24:33 |
Jim! You really need somebody to |
01:24:37 |
Your handwriting |
01:24:40 |
Look at this! I wonder if William |
01:24:45 |
Honey! |
01:24:47 |
You're trying too hard. |
01:24:52 |
Seriously, I'm gonna organize all this |
01:24:57 |
You're trying too hard. |
01:25:01 |
There's some great poetry here, |
01:25:05 |
Hey, come on in! |
01:25:14 |
Hey, dog, how're you doing? |
01:25:18 |
What am I supposed to do? |
01:25:23 |
Who am I supposed to be |
01:25:27 |
I brought you something. |
01:25:31 |
My girl, that's who. |
01:25:34 |
I'm not your girl. |
01:25:38 |
I'm not your girl. I know you fuck |
01:25:42 |
Don't give me that shit! |
01:25:46 |
Hey, listen, listen everybody... |
01:25:50 |
She's lookin good, |
01:25:52 |
and to celebrate ... |
01:26:00 |
Patricia, hey! |
01:26:02 |
Have you ... met? She wrote |
01:26:08 |
Jim, why don't we go eat that turkey? |
01:26:13 |
Are you Patricia Kennealy? |
01:26:20 |
You actually |
01:26:26 |
Well, sometimes, yeah. |
01:26:31 |
I understand, I really do. |
01:26:33 |
But don't ever expect that Jim's ever |
01:26:37 |
because you're one of a hundred. |
01:26:41 |
Look who's talking! |
01:26:43 |
I'd like to think that Jim can make up |
01:26:47 |
Don't kid yourself. He's crazy, but |
01:26:52 |
Let's go check on the sweet potatoes. |
01:26:57 |
It's gonna be one of those dinners. |
01:27:00 |
Glad you made it. |
01:27:06 |
Hey ... - I just have one more thing |
01:27:11 |
You have ruined |
01:27:14 |
Bastard! |
01:27:22 |
Pamela, Pamela, please! |
01:27:26 |
What did you give to her, eh? |
01:27:29 |
Come on Jimmy! - We'll work it out. |
01:27:53 |
You want to know what murder is? |
01:27:56 |
You want a little death? |
01:27:59 |
Come on! |
01:28:03 |
Then kill me, come on. |
01:28:07 |
Kill me, go on! |
01:28:10 |
Come on, give me some death! |
01:28:15 |
You killed my duck. |
01:28:18 |
You killed my duck. |
01:28:22 |
And I'm still killing your fucking |
01:28:27 |
Duck! Dead! Death fucking dead! |
01:28:31 |
There, the duck is dead! |
01:28:34 |
Will you stop this shit and get sane! |
01:28:39 |
Fuck off, Ray! |
01:28:42 |
Fuck you, Tom! |
01:28:44 |
This party's getting low rent! |
01:28:47 |
I guess we're not eating. |
01:28:53 |
Fuck it, man, |
01:28:56 |
What happened to us, Daddy? |
01:29:02 |
There was some beautiful poetry. |
01:29:05 |
Come on, honey. |
01:29:21 |
And action! |
01:29:40 |
Your mother's here |
01:29:43 |
I don't want to see them, Siddons. |
01:29:46 |
What do you want me to do with them? |
01:29:51 |
Ladies and gentlemen, |
01:29:56 |
The Doors! |
01:30:54 |
I've been so Ionely, |
01:31:01 |
Oh hi, I didn't realize you're |
01:31:06 |
I hope you are cool about this, eh? |
01:31:10 |
Don't forget |
01:31:35 |
Are we talking about death choices? |
01:31:39 |
just like we said. |
01:31:42 |
Death - You're hurting me. |
01:31:45 |
Well let me introduce you |
01:31:51 |
Fuck you! |
01:31:53 |
Oh sanctuary ... |
01:31:56 |
I'll give you a place to hide. |
01:32:04 |
Hey, honey, |
01:32:08 |
Sanctuary? Hold on, baby! |
01:32:12 |
Come on, honey, we're almost home! |
01:32:36 |
You're blinding me, baby. |
01:32:41 |
That's better. |
01:32:46 |
Hey, look out! |
01:32:48 |
There's a cop right there, slow down! |
01:33:17 |
By right line, the running line, |
01:33:22 |
By wood and stone, by wind and fire, |
01:33:24 |
I bring you in. |
01:33:27 |
We worship the |
01:33:30 |
The Great Mother, the Triple Goddess |
01:33:36 |
Death does not part, |
01:33:40 |
And the vow is forever. |
01:36:18 |
I am the Lizard King. |
01:36:21 |
I can do anything. |
01:37:21 |
Fucking Neanderthal primadonna, |
01:37:43 |
Cut! Cut! |
01:37:46 |
Terrific, Jim, we just |
01:37:48 |
had a bit of a technical problem. |
01:37:53 |
Hey, Paul? |
01:37:55 |
Suck a fart out of my asshole, |
01:38:04 |
I hear the booze and the smokes, |
01:38:08 |
Well maybe because it's stale. |
01:38:12 |
We've got to do a hundred takes |
01:38:15 |
Let's do something else. |
01:38:19 |
Let's do ... |
01:38:21 |
Come on, come on ... |
01:38:23 |
"Rock is Dead." |
01:38:25 |
Everybody come out here, |
01:38:32 |
He's too fucking self-conscious. |
01:38:35 |
That's it, get these turkeys |
01:38:39 |
Are you deaf? Beat it! Let's go! |
01:38:43 |
What are you doing, Jim? |
01:38:46 |
I'm sitting |
01:38:49 |
I look out of that glass: |
01:38:53 |
But do you know what? |
01:38:55 |
And the whole time he's standing right |
01:39:01 |
Don't make me go through it again. |
01:39:05 |
dive to the bottom of a bottle |
01:39:08 |
I won't go through it again! |
01:39:11 |
Why are you fucking this up? |
01:39:25 |
Catchy tune! |
01:39:27 |
You sold it |
01:39:35 |
How much? |
01:39:37 |
Man, we couldn't reach you ... |
01:39:41 |
It's not a big deal, man. The song |
01:39:45 |
Feliciano's already |
01:39:49 |
Robby thought it was a good idea. |
01:39:59 |
You should've been here! |
01:40:04 |
Do you know what you're saying |
01:40:08 |
The Doors, all for one, |
01:40:15 |
It's not about money |
01:40:21 |
or these desires that you have. |
01:40:27 |
... using the music to break through. |
01:40:34 |
I don't know. |
01:40:37 |
We lost something here, man. |
01:40:39 |
I don't think so, Jim. |
01:40:42 |
There's just a bigger picture, |
01:40:46 |
Yeah? |
01:40:52 |
What the fuck is going on? |
01:40:56 |
Just kidding. |
01:41:00 |
Oh, hi, honey! |
01:41:03 |
We were just |
01:41:06 |
I wanted you to find us. |
01:41:13 |
You don't have to torture me. |
01:41:27 |
It's gonna be all right. |
01:41:30 |
You're the one. |
01:41:32 |
Really? |
01:41:37 |
You're so vulnerable about everything, |
01:41:42 |
Alright, let's keep that |
01:43:26 |
I love you. |
01:43:53 |
A hot night in Miami, March '69. Every |
01:43:58 |
Unfortunately, |
01:44:02 |
Morrison falls off the stage |
01:44:05 |
The "Soft Parade" album only confirms |
01:44:09 |
"Touch Me" and "Tell All The People" |
01:44:13 |
So the question is: Why am I here? |
01:44:16 |
Are funerals entertainment? |
01:44:18 |
He's not gonna show, man. I know it. |
01:44:21 |
This guy's done it too many times. |
01:44:24 |
Bill is with him. |
01:44:32 |
There will be a show tonight |
01:44:36 |
and sing them songs myself. |
01:44:45 |
Jimbo, clean up your act! |
01:44:49 |
Hey listen, Paul, can you get us some |
01:44:54 |
Why not? What's some heroin? |
01:44:58 |
in anything that's going to |
01:45:00 |
What's my goal? |
01:45:03 |
"Your only friend, the end." |
01:45:08 |
I just want to sing the blues, man. |
01:45:12 |
Get fat, do nothing, |
01:45:15 |
With that wasteline, Jimbo, |
01:45:18 |
What is wrong with |
01:45:21 |
A big beast, like a tank, feel great! |
01:45:24 |
Rock is cock, and your rock is dying. |
01:45:26 |
Rock is death, man, |
01:45:30 |
I'll write poetry and direct movies. |
01:45:36 |
You've tested all the limits: |
01:45:40 |
money ... what are you gonna do |
01:45:44 |
When you're too fat and old |
01:45:47 |
What are you gonna do for Act 3? |
01:45:51 |
Listen, you two-bit fucking actor, |
01:45:53 |
you underestimate the audience. |
01:45:56 |
Face it, Jimmy, you're not going to be |
01:46:01 |
is two cars and a house. |
01:46:06 |
Do you know what they want? |
01:46:08 |
You really wanna know what they want? |
01:46:11 |
Something sacred. |
01:46:14 |
That's what they want. |
01:46:24 |
You're 2 hours late! - Where are the |
01:46:29 |
Hey, how are you doing? |
01:46:32 |
You're not playing? |
01:46:34 |
So sue me! Then we'll see where your |
01:46:38 |
I'm not going out there until I get |
01:46:42 |
How will you know what |
01:46:47 |
You're a fucking asshole, Morrison! |
01:46:51 |
Everyone thinks we're drug addicts. |
01:46:55 |
We took drugs to expand our mind, |
01:46:59 |
Listen, John. |
01:47:01 |
Have you ever eaten the human flesh? |
01:47:07 |
Hey Rob! It's cool man. Listen: |
01:47:14 |
Just one more time. |
01:47:17 |
For the Doors, man, you'll play like |
01:47:27 |
You said you love pain, |
01:47:29 |
but you run from it |
01:48:21 |
I don't wanna see any more of that |
01:50:00 |
Look at this beautiful living thing! |
01:50:02 |
You wouldn't eat my little friend, |
01:50:07 |
Love animals, |
01:50:09 |
don't eat them. - I'd fuck her, |
01:52:15 |
You're all a bunch |
01:52:21 |
How long you think it's gonna last? |
01:52:24 |
How long are you gonna |
01:52:28 |
I tell you this, |
01:52:30 |
I'm gonna get my kicks before |
01:52:39 |
Come on Jim! "Light My Fire!" |
01:52:43 |
Fuck you, man. |
01:52:45 |
That's the word, the very little word. |
01:52:49 |
Come on, let me hear them, |
01:52:53 |
You'd all eat shit, wouldn't you? |
01:53:00 |
Adolf Hitler is alive and well |
01:53:05 |
I fucked her last night. |
01:53:10 |
What are you gonna do about it? |
01:53:28 |
Come on, come on and suck me, babe! |
01:53:33 |
Can't you see that |
01:53:39 |
Wait a minute! Bullshit! |
01:53:41 |
This is fucked up! |
01:53:45 |
It's all fucked up! |
01:53:49 |
Miami Beach, Florida, huh? |
01:53:54 |
Hey, I went |
01:53:58 |
Then I got smart |
01:54:02 |
They're trying to |
01:54:06 |
I ain't talkin' about no revolution. |
01:54:10 |
I'm talkin' about having a |
01:54:15 |
I'm talkin' about love your neighbor |
01:54:20 |
Come on, how about |
01:54:25 |
Come on, |
01:54:28 |
I'm talkin' about love! Love! Love! |
01:54:34 |
I'm talkin' about |
01:54:37 |
... and love 'em. Oh yeah! |
01:54:50 |
Anybody want to come up here |
01:54:54 |
Come on, I'm Ionely up here! |
01:54:57 |
Come on, sweetheart, you wanna see it? |
01:55:00 |
Why don't I pull it out for you, |
01:55:05 |
Will that do it for ya? |
01:55:09 |
Alright now, I'm gonna show it to you. |
01:55:20 |
See it? |
01:55:25 |
Yeah! |
01:55:28 |
I wanna see some action out there! |
01:55:34 |
No limits! |
01:55:35 |
No laws! You wanna fuck? |
01:55:42 |
No limits, no laws! |
01:55:59 |
Where's the guy with the penis? |
01:57:47 |
Mr. Morrison, |
01:57:50 |
you are charged |
01:57:55 |
simulated masturbation, |
01:57:58 |
public drunkenness, |
01:58:01 |
profanity, |
01:58:04 |
and public exposure. |
01:58:07 |
How do you plead? |
01:58:12 |
Your honor, there is playing right now |
01:58:17 |
in which the actors disrobe |
01:58:21 |
Objection, your honor, that is |
01:58:24 |
Your honor, how can you sustain that? |
01:58:29 |
This is a major first amendment |
01:58:34 |
Every witness they have brought here |
01:58:36 |
has testified to not actually seeing |
01:58:41 |
who is related to the officer. |
01:58:43 |
I tell you, if you convict |
01:58:47 |
I assure you, that some day, |
01:58:51 |
you will wake up screaming. |
01:58:59 |
Are you going to get rid of it? |
01:59:06 |
Look ... |
01:59:09 |
Wouldn't it be better to have it with |
01:59:13 |
A fucking genius, that's what it'd be. |
01:59:18 |
From you and me? |
01:59:21 |
The child would be |
01:59:26 |
It would be a monster. |
01:59:31 |
Look ... |
01:59:33 |
I got this trial that's hanging on me, |
01:59:38 |
I don't want the responsibility. |
01:59:40 |
You're a coward, |
01:59:44 |
The only way you can't afford it |
01:59:47 |
Those vows were forever |
01:59:51 |
"Death does not part, only |
01:59:57 |
I was stoned. |
02:00:00 |
It seemed like |
02:00:06 |
Fuck you! |
02:00:10 |
Then it will be your kid. |
02:00:13 |
But if you want the abortion, |
02:00:16 |
Oh no, you won't! - Yes I will! |
02:00:24 |
What difference does it make? |
02:00:27 |
You never pretended? |
02:00:30 |
I did. |
02:00:32 |
I don't even |
02:00:36 |
But I don't like |
02:00:47 |
Have you looked |
02:00:51 |
Look at that stomach. |
02:00:54 |
Don't say those things. |
02:01:15 |
James Douglas Morrison, |
02:01:19 |
I hereby sentence you |
02:01:21 |
to six months of hard labor in Dade |
02:01:26 |
I'm sentencing you to |
02:01:30 |
After which you are to serve two years |
02:01:35 |
Your honor, I have an appellate bond |
02:01:39 |
I ask that Mr. Morrison remain free, |
02:01:49 |
Everywhere, Jacksonville, Dallas, |
02:01:52 |
cancelled. The press, for the first |
02:01:56 |
Pam has called six times. Catherine, |
02:02:00 |
You gotta go to the dentist. |
02:02:02 |
Look Jim, go home, get some sleep. |
02:02:04 |
And wash your hair. |
02:02:07 |
This guy really despises us. |
02:02:11 |
20 other bands, but not us. |
02:02:12 |
First Hendrix, now Janis. |
02:02:14 |
The radio stations aren't playing us |
02:02:17 |
in some big cities: |
02:02:19 |
We could drag this appeal out for |
02:02:22 |
The FBI's behind it, Jim. |
02:02:24 |
They extradited you |
02:02:26 |
A new image: |
02:02:28 |
slow, quiet, the beard, |
02:02:31 |
"We want the world, |
02:02:36 |
My eyes have seen the glory |
02:02:40 |
The band |
02:02:44 |
It was fun. |
02:02:53 |
I think |
02:02:59 |
Do you hear me, Jim Morrison? |
02:03:03 |
We're rolling! Jump! |
02:03:07 |
I want you to come back in here |
02:03:10 |
I am not |
02:03:14 |
Your life is bullshit! If you love me, |
02:03:29 |
Come on baby! |
02:03:32 |
Watch it! Once more with feeling! |
02:03:34 |
Take two! |
02:03:36 |
I don't want to die. - We're going to |
02:03:39 |
I don't have an ending, Ray. |
02:03:43 |
"All the poetry has wolves in it ... |
02:03:49 |
the most beautiful of all ... |
02:03:55 |
and throws off |
02:03:58 |
That's my girl! |
02:04:01 |
Let's go! Let's leave this place. |
02:04:05 |
Just you and me, baby. |
02:04:07 |
We can, you know. |
02:04:10 |
Just one more step. |
02:04:14 |
No, no, no! I want to live! |
02:04:17 |
I want to live with you! |
02:04:22 |
"All the poetry has wolves in it, Pam. |
02:04:26 |
All but one. |
02:04:30 |
The most beautiful of all. |
02:04:34 |
I hope you go out smiling. |
02:04:37 |
Like a child |
02:04:44 |
The angel man |
02:04:47 |
his benevolent soul. |
02:04:51 |
Ophelia! |
02:04:54 |
Leave sudden in silk. |
02:04:57 |
Chlorine dream. |
02:05:00 |
Mad, stifled witness." |
02:05:27 |
Hi Dorothy, wow, you cut your hair. |
02:05:31 |
Was your hair getting in the way? |
02:05:34 |
Where's Ray? I got to catch a plane. |
02:05:38 |
Where's Princess? |
02:05:45 |
We added a rain effect |
02:05:52 |
It's the best album since "Days." |
02:05:56 |
I must admit, |
02:05:58 |
pretty good for four guys who weren't |
02:06:03 |
So you're really |
02:06:06 |
Yeah, you know, |
02:06:11 |
"Observations of an American |
02:06:15 |
You've still got a lot of |
02:06:17 |
I still think we've got |
02:06:21 |
I'm pinned, man. They got |
02:06:26 |
I'm a wanted man. |
02:06:31 |
I'm gonna miss you. |
02:06:34 |
I'm gonna miss that feeling |
02:06:38 |
You, John, miss me? |
02:06:40 |
More than you think, asshole. |
02:06:45 |
We can always |
02:06:51 |
As far as I'm concerned, |
02:06:53 |
I made music with Dionysus. |
02:06:58 |
We had moments onstage |
02:07:03 |
You lay off those drugs, Robby. |
02:07:06 |
Hey, Merry Christmas. |
02:07:17 |
We'll get together again, |
02:07:22 |
Maybe we'll make |
02:07:35 |
Sabrina, this is for you. |
02:07:41 |
Morrison, see you around. |
02:07:46 |
I'll see you back. |
02:07:49 |
And little Princess Smiling Face, |
02:07:52 |
this one's for you. |
02:07:55 |
From Chief Mojo Rising. |
02:08:00 |
Happy Birthday, Princess. |
02:08:02 |
Let me see. |
02:08:05 |
Forever young. |
02:08:08 |
The strangest life |
02:08:58 |
Jim, got a plane to catch? |
02:09:08 |
"We're reaching for death |
02:09:11 |
We're trying for something |
02:09:14 |
Last words. Out." |
02:09:26 |
Did you get all that |
02:09:30 |
I got it, Jim. |
02:09:42 |
Come on, let's get some tacos. |
02:10:02 |
Death. |
02:10:06 |
It's not so bad. |
02:10:09 |
I love my girl. |
02:10:17 |
Jim? |
02:10:55 |
I knew it was you, Jim Morrison. |
02:11:11 |
Come on, baby, get out of the tub. |
02:11:16 |
Just stop joking around, now, |
02:11:50 |
Was it all right, Jim? |
02:11:55 |
Did you enjoy it |
02:12:00 |
Just like you said you would? |
02:12:30 |
"They are waiting to take us |
02:12:35 |
You know how pale and wanton thrillful |
02:12:40 |
Unannounced, unplanned for, |
02:12:43 |
like a scaring, over-friendly guest |
02:12:48 |
Death make angels of us all, |
02:12:50 |
and gives us wings where we had |
02:13:00 |
No more money, no more fancy dress, |
02:13:05 |
Until its other jaw |
02:13:08 |
and loose obedience |
02:13:13 |
I will not go. |
02:13:15 |
I prefer a feast of friends |
02:13:28 |
JIM IS SAID TO HAVE DIED OF HEART FAILURE. |