|
Dopo mezzanotte
|
| 00:00:01 |
== Sub By PROMiSE == |
| 00:00:14 |
After Midnight |
| 00:00:18 |
Directed by |
| 00:00:25 |
Where are our stories from? Where they go? |
| 00:00:30 |
These stories are like dust in the air |
| 00:00:32 |
Rise through airflow, interweaved for some time... |
| 00:00:35 |
Then disappear, nobody will know them |
| 00:00:44 |
At night, a man ride motorcycle |
| 00:00:46 |
The story begins in this way |
| 00:01:01 |
His job is to rob others with the motorcycle |
| 00:01:04 |
He comes from Farrchina¡ |
| 00:01:05 |
Which isn't a good place for most of the people in Torino¡ |
| 00:01:08 |
But actually, people don't know where is it at all |
| 00:01:11 |
All the people in Farrchina call him Angelo |
| 00:01:16 |
He is a man which attracts girls |
| 00:01:19 |
But tonight is not the best night in his life |
| 00:01:32 |
I know you want to know more about why should you stay here |
| 00:01:37 |
Whom does he hurt? Is it serious? |
| 00:01:39 |
In fact in the cinema... |
| 00:01:41 |
What audience cares is the story of the roles |
| 00:01:44 |
But, at the beginning, |
| 00:01:48 |
Nobody shows up |
| 00:01:51 |
Sight of city shines in people's eyes |
| 00:01:56 |
Maybe it's this place that tells these stories exactly |
| 00:02:01 |
Moreau is the most famous building in Torino |
| 00:02:08 |
It earned some money |
| 00:02:10 |
But not much |
| 00:02:12 |
People in Torino don't know |
| 00:02:17 |
Anyway, Martino works here |
| 00:02:20 |
To know the story of Angelo, actually¡ |
| 00:02:22 |
We need to relate his story with him |
| 00:03:14 |
Martino is a simple man, |
| 00:03:17 |
We will concern on it later |
| 00:03:23 |
We only need to know now¡ |
| 00:03:25 |
He has a bike and an old handcinematograph |
| 00:03:28 |
He thinks these two |
| 00:03:30 |
Are more advanced than the modern machine |
| 00:03:39 |
How are you, Grandpa. |
| 00:03:51 |
Starring: Giorgio Pasotti |
| 00:03:57 |
Starring: Francesca Inaudi |
| 00:04:04 |
Starring: Fabio Troiano |
| 00:05:58 |
Grandpa said, you like this bike? |
| 00:06:03 |
Yes, I like it |
| 00:06:08 |
Bye, Grandpa. |
| 00:06:29 |
(Every evening, Martino will meet Amanda in noshery. |
| 00:06:34 |
Is it the same as before? |
| 00:06:35 |
(He nod, pay, get a snack, and then go back to work) |
| 00:06:55 |
(Amanda's life is as regular as Martino's) |
| 00:07:01 |
(Every afternoon, to earn more money) |
| 00:07:02 |
(She hands out ads for a loan company) |
| 00:07:07 |
(She is seeking the satisfied relationship with |
| 00:07:11 |
(She is his formal girl friend |
| 00:07:16 |
(Usually no results) |
| 00:07:23 |
(Amanda hopes to improve her life) |
| 00:07:27 |
(But she is only settled for imagination of |
| 00:07:30 |
(She needs to realize it with a normal attitude) |
| 00:07:40 |
She see that there will be 12 5 minutes later |
| 00:07:45 |
Yes, but I have to clean the kitchen, |
| 00:07:50 |
You take a taxi. |
| 00:07:54 |
It will use up all the money I earned today |
| 00:08:19 |
You need to explain me one thing |
| 00:08:24 |
When we were in school, |
| 00:08:28 |
Two plaits, but, I am still crop |
| 00:08:31 |
You are still in blowzy long hair |
| 00:08:33 |
Actually, it's the matter of spirit and body |
| 00:08:35 |
Because our jobs are hard |
| 00:08:38 |
We always bear the coldness, lumbago, |
| 00:08:41 |
I'm not like you as a watchman |
| 00:08:46 |
I promise to you, it's for my wife and child |
| 00:08:51 |
Especially child, really |
| 00:08:55 |
Do you know? I'm so happy to chat with you
|
| 00:09:02 |
You chatted very much |
| 00:09:04 |
You were not very quiet, silent |
| 00:09:07 |
Bye |
| 00:09:10 |
Anyway, it's not good for your liver eating there |
| 00:09:23 |
(Bruno, tha watchman is not totally wrong) |
| 00:09:25 |
(You needn't any talent to be on night shift |
| 00:09:29 |
(Just that Martino has his plan on his job) |
| 00:10:26 |
(Door opened, creaky) |
| 00:10:56 |
(Martino works well in the museum) |
| 00:11:00 |
(In the world, between the reality and fancy¡) |
| 00:11:03 |
(¡He needn't anything else) |
| 00:11:06 |
(He find a room totally for him in an empty storehouse) |
| 00:11:10 |
(He sleeps and lives there in the day) |
| 00:11:13 |
(Can we say Martino has a good living?) |
| 00:11:16 |
(Happiness can't be importuned |
| 00:11:31 |
Hello! |
| 00:11:35 |
I come to receive you |
| 00:12:26 |
New scent? |
| 00:12:34 |
I'm leaving, bye.----What |
| 00:12:39 |
I'm leaving, as you know, I have my things to do |
| 00:12:42 |
Yes, your business¡ |
| 00:12:50 |
Can you stay, a whol enight |
| 00:12:53 |
You know I want to stay very much |
| 00:12:56 |
Friday, let's go dancing after the work |
| 00:12:59 |
Friday? How about saturday? |
| 00:13:49 |
Angelo says, great |
| 00:14:08 |
(The city is full of stories in the night) |
| 00:14:11 |
(story for luxury, story about the man in the moon) |
| 00:14:16 |
(Beautiful story, blue story |
| 00:16:17 |
A car?-All are robbed |
| 00:16:20 |
Then, please help me to call a taxi |
| 00:16:23 |
You can try, but there is no taxi here |
| 00:16:27 |
My god, how should I go home? |
| 00:16:29 |
I drive a car for you at six |
| 00:16:33 |
You take the bus |
| 00:17:01 |
Excuse me, just move your ticket front? |
| 00:18:00 |
(160 meters outside city) |
| 00:18:02 |
(Martino doesn't sense the difference of the people beneath) |
| 00:18:06 |
(Exactly, what interests him is far away from here) |
| 00:18:11 |
(Symbol of wisdom- teacher said) |
| 00:18:14 |
(But, usually, ¡) |
| 00:18:16 |
(It block him from seeing the things nearer to him) |
| 00:19:04 |
Do you like the rouge? |
| 00:19:06 |
A bit more colourful-Strange. |
| 00:19:12 |
Did Angelo come tonight? |
| 00:19:16 |
(Sign)Ah, Angelo, ¡ |
| 00:19:20 |
If I were you, --I must¡ |
| 00:19:25 |
Shall we spend the weekend like this? |
| 00:19:31 |
What's the result of augury? |
| 00:19:32 |
(Barbara lives with Amanda |
| 00:19:35 |
The result said she will have a great love) |
| 00:19:39 |
(Even if it's true, but because the person like hers¡) |
| 00:19:42 |
(doesn't open the eyes to pray to the God, ¡) |
| 00:19:45 |
(Does augury in the newspaper really bring people comfort?) |
| 00:19:53 |
Hello.-Hello, Martino |
| 00:19:58 |
(Maolizio, Martino's brother-in-law) |
| 00:20:00 |
(And he likes sports much) |
| 00:20:03 |
(They are good, and another kind of augury) |
| 00:20:08 |
(Martino is good to Maolizio) |
| 00:20:10 |
(Although they are of different interests and charactors) |
| 00:20:16 |
Do you usually drive the car? The "titbit"? |
| 00:20:20 |
I watched a movie last night, |
| 00:20:27 |
Her legs¡are sexy like a cat! |
| 00:20:30 |
She is just in front of me, like this |
| 00:20:35 |
You stand in front of the screen, put it in front of them |
| 00:20:40 |
I know you don't want to touch her. |
| 00:20:43 |
It was splitted, look |
| 00:20:47 |
(Actually are some stars and directors |
| 00:20:53 |
(The opinion are directly from Lumiere brothers) |
| 00:20:59 |
(Film the world into all kinds of forms, |
| 00:21:03 |
Before the films turn into those things) |
| 00:21:05 |
(It's full of guns and unlucky loves |
| 00:21:27 |
(He restart the old machine patiently) |
| 00:21:30 |
(Those forgoten machine in Moreau) |
| 00:21:35 |
(He starts the machine, films, prints off) |
| 00:21:38 |
(the whole afternoon till the sunset) |
| 00:21:42 |
(To achieve what?) |
| 00:21:45 |
(That's his secret) |
| 00:22:17 |
Do you still do do these? |
| 00:22:22 |
But I must to earn money to buy a Jaguar, do you know? |
| 00:22:25 |
Then why do you tell me? |
| 00:22:30 |
No, not Jaguar. That's principle |
| 00:22:34 |
Then borrow one |
| 00:22:39 |
Ok |
| 00:22:43 |
Don't keep me waiting |
| 00:22:47 |
No, no- At most 15 minutes. Bye |
| 00:22:54 |
Ok, borrow one -Bye |
| 00:23:02 |
Have you forgoten? -What's the matter, no¡ |
| 00:23:06 |
You forgot¡ |
| 00:23:24 |
(Friday, saturday or other days are the same) |
| 00:23:42 |
(Buses, traffic light) |
| 00:23:49 |
(Double hamburger) |
| 00:23:52 |
(Amanda begins to worry about her future in there) |
| 00:23:57 |
(She forgot the stories |
| 00:24:00 |
Goodnight---goodnight |
| 00:24:06 |
I've told you |
| 00:24:09 |
No other customer |
| 00:24:14 |
I ever went to Wall street, |
| 00:24:18 |
If you still want to go early to catch the bus, |
| 00:24:57 |
113? |
| 00:25:00 |
Ambulance, and police car, come on |
| 00:25:15 |
My god!!!! |
| 00:25:29 |
Over there |
| 00:25:49 |
Have the bastard gone? |
| 00:25:54 |
He should come and go dancing |
| 00:25:59 |
It's his fault, all his fault |
| 00:26:02 |
I live with a car thief |
| 00:26:05 |
I'm in trouble, I'm trying to solve the problem. |
| 00:26:10 |
I will be angry thinking of this |
| 00:26:29 |
I want to go out for a walk |
| 00:26:35 |
Ah, wait! |
| 00:26:44 |
Listen, first¡ |
| 00:26:48 |
In a word¡ I'm Amanda -Martino |
| 00:26:56 |
Your purpose of coming here |
| 00:27:00 |
You works in museum |
| 00:27:08 |
Are you usually here alone? It's large here |
| 00:27:13 |
Nobody else will come at night? |
| 00:27:18 |
My god! |
| 00:27:22 |
Do you never fear? NO |
| 00:27:32 |
Mine is twice larger than yours |
| 00:27:36 |
Nothing to drink? ..Yes, beer? |
| 00:27:50 |
It's really¡ |
| 00:28:09 |
Thanks |
| 00:28:12 |
I have a small question |
| 00:28:15 |
I've got an accident, |
| 00:28:19 |
Can I stay here tonight? -Yes |
| 00:28:25 |
Thank you, Martino |
| 00:28:40 |
Ah, but can we really stay here? |
| 00:28:59 |
But no beds! |
| 00:29:08 |
(Martino likes Buster Keaton's movie) |
| 00:29:10 |
(Because the movies are mated with reality tightly) |
| 00:29:14 |
(He thinks there are many thought in the movies) |
| 00:29:16 |
That can improve daily life) |
| 00:29:18 |
(In a word) |
| 00:29:20 |
(A good movie) |
| 00:29:43 |
Toilet |
| 00:29:53 |
Food, drinks |
| 00:30:01 |
Kitchen |
| 00:30:09 |
Goodnight-Goodnight |
| 00:30:15 |
Some music? |
| 00:31:37 |
(In the morning, Amanda dreams of |
| 00:31:41 |
(No exits) |
| 00:31:44 |
(We can know without psychologist) |
| 00:31:46 |
(You dont' intend |
| 00:32:54 |
Breakfast |
| 00:33:14 |
Hello-Hello, it's me |
| 00:33:16 |
Ah, how are you! I can't talk with you now |
| 00:33:19 |
My situation is very bad |
| 00:33:22 |
The police are here |
| 00:33:24 |
They are hunting you |
| 00:33:27 |
Are you in the safe place? Ok |
| 00:33:30 |
My mobile phone is out of power |
| 00:33:33 |
Then I call you at 8, can you hear? 8 |
| 00:33:39 |
Ok, bye |
| 00:33:47 |
Business man |
| 00:33:50 |
Angelo, ¡ |
| 00:33:51 |
Tell your girl friend is good to all |
| 00:33:56 |
(Sobs)Of course, of course |
| 00:33:58 |
They call me "exploiter" |
| 00:34:01 |
(Although a bad guy, but because of this |
| 00:34:04 |
(Angelo is a person of no principle) |
| 00:34:08 |
(If something is wrong¡) |
| 00:34:10 |
(He can't control the situation) |
| 00:34:13 |
Brother, anything unhappy? |
| 00:34:19 |
Tonight on time. |
| 00:34:23 |
Will you be on time, too? |
| 00:35:05 |
I can't ignore this |
| 00:35:11 |
I can't look at the ardent eyes quietly |
| 00:35:17 |
Don't shiver, cry together |
| 00:35:24 |
I love you¡ |
| 00:35:29 |
Let's restart |
| 00:35:32 |
(At the moment) |
| 00:35:34 |
(He exhibits the firmness of man's) |
| 00:35:55 |
Are you ok? |
| 00:35:58 |
I want you to do me a favor |
| 00:36:00 |
I told you I want to leave, |
| 00:36:03 |
Ok |
| 00:36:05 |
Ok? Yes¡ |
| 00:36:08 |
No, you'd better find someone to be with you |
| 00:36:10 |
Tell him what I've done in your home |
| 00:36:14 |
Nobody else, only Ewan |
| 00:36:16 |
Who is Ewan? |
| 00:36:19 |
I'm waiting for him to have a cup of coffee |
| 00:36:20 |
If you want to sleep, I wait for him |
| 00:36:28 |
I'm be back soon |
| 00:36:30 |
You stay in this level |
| 00:36:34 |
No TV here? -Only movie |
| 00:36:39 |
Any book? |
| 00:36:48 |
"Human and his activity in the world" |
| 00:36:52 |
"The secret of harmonious psychology" |
| 00:36:54 |
Is the requirement of human exsitence, |
| 00:36:58 |
In his three dimensional world |
| 00:37:01 |
Bbeyond the plane, he study it in a stereo world |
| 00:37:43 |
Bye |
| 00:37:45 |
Is Martino around? |
| 00:37:48 |
I'm Ewan |
| 00:37:55 |
Bye |
| 00:38:09 |
It's really great to see Martino get an accompanier |
| 00:38:26 |
(Not the problem of Martino's getting along with firls) |
| 00:38:29 |
But his opinion of love is similiar with Keaton's movie) |
| 00:38:32 |
(After a lot of things) |
| 00:38:33 |
Finally he ans she are hand-in-hand |
| 00:38:37 |
(But this opinion of love is not popular among girls) |
| 00:38:44 |
He booked two |
| 00:38:48 |
Don't put your thing on me, |
| 00:38:55 |
Because no need |
| 00:38:56 |
I know, but if you don't tell all the time, |
| 00:39:00 |
Are you doleful or glad? |
| 00:39:04 |
I always don't understand this since I was here |
| 00:39:10 |
I'm usually alone |
| 00:39:12 |
aActually, staying here alone is good for you |
| 00:39:19 |
Do you think so? |
| 00:39:22 |
Anyway, I don't want to be alone tonight, |
| 00:39:26 |
May I come? I promise, |
| 00:39:31 |
Of course yes |
| 00:39:50 |
Hello, it's me. How are you |
| 00:39:53 |
They've gone, but I think they will monitor home |
| 00:39:56 |
(wheeze)Really bad |
| 00:39:58 |
Anyway, you've tought your bastard boss a lesson |
| 00:40:02 |
Where are you? |
| 00:40:04 |
It's hard to explain |
| 00:40:08 |
Maybe I don't tell you is better |
| 00:40:10 |
The phone is monitored |
| 00:40:13 |
Don't be Bin Laden! |
| 00:40:16 |
No, of course not |
| 00:40:18 |
But another guy is involved. Better¡ |
| 00:40:21 |
Nobody know where am I... Even not me? |
| 00:40:25 |
Um¡.-Ok, I call you |
| 00:40:31 |
Ok, I power on the mobile phone all the time, |
| 00:40:36 |
A safe place -Ok |
| 00:40:39 |
JUst can't see the central district |
| 00:40:41 |
Ok -No, I said that just now because I want to¡ |
| 00:40:44 |
Anyway, when you want to come, it opens for you |
| 00:40:47 |
I augur for you with poker |
| 00:40:50 |
Look, it says, --we |
| 00:40:52 |
Thanks -Welcome |
| 00:41:06 |
For example, are you free tomorrow morning? Yes |
| 00:41:13 |
(In 1895, Lumiere, |
| 00:41:19 |
(He annouced that "movie has no future") |
| 00:41:25 |
(This means that even the wise could be wrong some time) |
| 00:41:29 |
(If there is no movie, Martino and |
| 00:41:33 |
(Now maybe you and me don't exist, too) |
| 00:42:57 |
Even the damned noshery is more beautiful than here |
| 00:43:02 |
What's that? A kind of lottery |
| 00:43:07 |
A kind of mathematic game |
| 00:43:11 |
With obvious rule |
| 00:43:14 |
The third number is the sum of the two numbers before |
| 00:43:17 |
Look? 1, 1, 2, 3, 5, 8, 13, 21 |
| 00:43:27 |
You can try to pick off a piece of chrysanthemum |
| 00:43:29 |
Or count the number of squamas of pineapple |
| 00:43:32 |
If the amount of petals of flower is large, |
| 00:43:39 |
Those numbers will show |
| 00:43:40 |
A serials of mathematic rules in the field |
| 00:43:43 |
It directs us to guess the world, a kind of feeling |
| 00:43:52 |
It's not rare |
| 00:43:57 |
I've said it |
| 00:44:12 |
Look, if we crowded together |
| 00:44:19 |
Come on, I don't mind |
| 00:44:33 |
Where did you go just now? I called you four times) |
| 00:44:36 |
I can't answer the call, what's up? |
| 00:44:37 |
Where were you when I needed you last night? |
| 00:44:40 |
Ah, what happened to you again? |
| 00:44:43 |
No, don't worry |
| 00:44:48 |
Then tell you. I 'll call you at 12 at night |
| 00:44:51 |
Ok, bye -Bye |
| 00:44:53 |
Oh my god, it's almost 12 |
| 00:45:01 |
(In his story, the first time with Amanda¡) |
| 00:45:03 |
(Angelo feels he is lossing something, |
| 00:45:07 |
(Is it relate to lottery?) |
| 00:45:09 |
(or relate to the rude tongue |
| 00:45:12 |
(Denish) |
| 00:45:13 |
(Denish) |
| 00:45:17 |
( Thanks, Miss) |
| 00:45:57 |
Are you fine? Am I fine? |
| 00:46:02 |
I washed the clothes, |
| 00:46:17 |
Maybe it's better I do it. Do you mind? |
| 00:46:21 |
Alright |
| 00:47:02 |
It's the cashier. We close at 12 |
| 00:47:05 |
In addition, please pay attention to the boiling oil |
| 00:47:13 |
Excuse me, We closed |
| 00:47:19 |
We need have a talk |
| 00:47:28 |
Ah, Andrea ! |
| 00:47:40 |
What's the matter? No, nothing |
| 00:47:42 |
Do you hear something |
| 00:47:46 |
I must work now! --Where are you from? |
| 00:47:48 |
Can you speak chinese? --I'm from Indonesia |
| 00:47:51 |
We live in Farrchina |
| 00:47:53 |
That's similar with Indonesia |
| 00:47:58 |
Let's drink something |
| 00:48:01 |
Ok! --don't worry |
| 00:48:04 |
Ready? --Ready |
| 00:48:29 |
Do you want to see one thing |
| 00:51:39 |
Is it about you going to noshery to |
| 00:51:43 |
I really don't like double hamburger. |
| 00:52:08 |
Sorry |
| 00:52:15 |
What happened? No |
| 00:52:18 |
If no problem, you may go up |
| 00:52:21 |
You'd better drink something to warm up |
| 00:52:25 |
Ok |
| 00:52:52 |
(When love comes, ) |
| 00:52:54 |
(Beautiful melody arises in their hearts) |
| 00:52:57 |
(If their respective melodies arises the same time) |
| 00:53:01 |
(The song will be harmonious) |
| 00:53:16 |
Hello? |
| 00:53:18 |
Where on earth are you? Wait! |
| 00:53:24 |
What happened? |
| 00:53:26 |
I've talked with your boss, he cancelled the accusal |
| 00:53:29 |
You can go home --I know |
| 00:53:31 |
Thanks for your help |
| 00:53:32 |
Where on earth are you? Where? |
| 00:53:37 |
Inside Moreau? |
| 00:53:39 |
Receive me tomorrow.bye, it's almost out of power |
| 00:53:45 |
Bitch!!! |
| 00:55:46 |
At that time I wanted to tell you something about... |
| 00:56:29 |
(Fate lets Martino live in the real world) |
| 00:56:32 |
(lets him feel the great time imagined in the movie) |
| 00:56:36 |
(Now he wants to produce a movie about his life) |
| 00:56:40 |
(But love is not a return ticket) |
| 00:56:43 |
(It's of course very complicated, |
| 00:57:21 |
Hello. --Hello |
| 00:57:27 |
He is the watchman, the one who helped me |
| 00:57:50 |
Is it in the movie? --No |
| 00:57:56 |
Angel can fly, isn't it? |
| 00:58:01 |
Let's go home |
| 00:58:42 |
Bye!--Bye |
| 00:58:48 |
Why are you wearing so funny? |
| 00:59:05 |
Barbara is so nice, nobody else here |
| 00:59:08 |
I asked her whether it's ok¡ |
| 00:59:12 |
Is it beautiful, isn't it? |
| 00:59:15 |
We won't feel it empty at least. |
| 00:59:35 |
I bought something like this in the shop¡ |
| 00:59:50 |
At least you laugh |
| 00:59:55 |
Sorry, I'm not hungry |
| 01:00:13 |
Promise me, ok? What? |
| 01:00:16 |
We don't talk about what happened these days |
| 01:00:19 |
Alright |
| 01:00:25 |
Will you stay here the whole night? |
| 01:00:30 |
I stay here |
| 01:01:22 |
(Not because it's difficult to steal the car) |
| 01:01:25 |
(But you will feel it one day) |
| 01:01:27 |
(All the things you've thought over |
| 01:01:32 |
What's wrong with Angelo and you? |
| 01:01:39 |
Ah, so hot! |
| 01:01:42 |
Dunno, not the same as before |
| 01:01:47 |
Ah, I see |
| 01:01:52 |
How about the guy working in Moreau? |
| 01:01:57 |
Do you plan to see him again? |
| 01:02:01 |
I tell you, the results of the augury are |
| 01:02:03 |
Love, yes, money, no, career |
| 01:02:19 |
Do you see that girl again? |
| 01:03:22 |
We should have a talk |
| 01:03:33 |
He said himself¡ |
| 01:04:27 |
Alas! Love¡ |
| 01:04:33 |
You said to me "I love you", |
| 01:04:37 |
I said to you "I'm here" |
| 01:05:17 |
Do you know? Come, come up |
| 01:05:23 |
Come on |
| 01:05:29 |
I've thought of these things these days, |
| 01:05:36 |
I'm not gasconading I can solve the problem |
| 01:05:39 |
I can't solve it at all |
| 01:05:42 |
I can't understand something about Amanda |
| 01:05:44 |
I don't know |
| 01:05:49 |
I don't know you, |
| 01:05:57 |
I hope she is happy |
| 01:05:59 |
But just it |
| 01:06:03 |
Do you understand? |
| 01:06:05 |
I knew that at that time |
| 01:06:17 |
The problem is: I didn't want to lose her |
| 01:06:20 |
But I didn't want her to stay constrainedly |
| 01:06:25 |
So I asked you at that time whether you can¡ |
| 01:06:29 |
You can let her make a decision. Ah? |
| 01:06:42 |
That's a deal? |
| 01:06:45 |
Apparently, I need to face them |
| 01:06:48 |
Do you understand? |
| 01:06:50 |
Don't be angry¡ |
| 01:07:04 |
Brother, congratulations! --You are so great! |
| 01:07:08 |
The guys offending me would be like this |
| 01:07:10 |
Let's go |
| 01:07:33 |
(Should he make a wise decision on love?) |
| 01:07:42 |
(Amanda has a unhappy feeling, whichever she chooses) |
| 01:07:45 |
(The other one will be upset) |
| 01:08:01 |
Do you want me to decide? |
| 01:08:08 |
I decide not to choose |
| 01:08:14 |
What do you mean? |
| 01:08:16 |
I mean I choose neither |
| 01:08:19 |
But you can't! |
| 01:08:22 |
Do you also think so? |
| 01:08:26 |
It's really hard! |
| 01:08:28 |
How about the three together? |
| 01:08:33 |
I don't know¡ Try |
| 01:08:56 |
OK |
| 01:09:47 |
(Can three person fall in love together? |
| 01:09:54 |
(For a long time, people try to) |
| 01:09:55 |
(apply the mathematic rules to solve the mental problem) |
| 01:09:59 |
(But nobody succeed) |
| 01:10:03 |
(No matter what formula was chosen) |
| 01:10:05 |
(They can't get the correct answer) |
| 01:10:11 |
When he said, what did he say? |
| 01:10:15 |
Bye, Barbara, I'm going to work |
| 01:10:25 |
No, Martino, yes |
| 01:10:30 |
But I didn't. Tomorrow. I will go tomorrow |
| 01:10:51 |
What're the result of augury? |
| 01:11:20 |
Snow? |
| 01:11:26 |
How great it is to travel! |
| 01:11:42 |
Just like gas and polution, isn't it? |
| 01:11:45 |
What? --The two supplement each other |
| 01:11:49 |
It breaks the world, but people can't find the better |
| 01:11:54 |
I once watched a french movie in museum |
| 01:11:57 |
The story is about two boys and a girl. |
| 01:12:01 |
How is the end? Perfect? |
| 01:12:08 |
Now both of them hate me |
| 01:12:15 |
I just hoped we are all happy, no one will be hurt |
| 01:12:18 |
Actually, you just hoped the happiness |
| 01:12:23 |
But the truth is that if somebody is happy, |
| 01:12:28 |
Where do you hear it? Magazine? |
| 01:12:30 |
No, a customer told me |
| 01:12:36 |
I must tell you |
| 01:12:42 |
When you were not around, I slept with Angelo |
| 01:13:00 |
And I must tell you, too |
| 01:13:05 |
All the makeup on your face are disgusting |
| 01:13:16 |
What should I do now? |
| 01:13:18 |
Many things are fated |
| 01:13:21 |
Who is it? Is there another? |
| 01:13:34 |
(If, like what the lottery number suggests) |
| 01:13:37 |
(there is a feeling in the world, |
| 01:13:41 |
(But movie is not life. It needs the choice) |
| 01:13:45 |
Why I hate movie? |
| 01:13:47 |
Movie actually lets people see one side of the reality |
| 01:13:53 |
But not as you imagined |
| 01:13:59 |
In fact, they let you see what they want |
| 01:14:03 |
I.e. the ideal side |
| 01:14:08 |
They decorate and re-decorate |
| 01:14:13 |
In order to show people |
| 01:14:16 |
their ideal things. Do you understand? |
| 01:14:33 |
If you are in love, you will how to do |
| 01:14:40 |
You can't understand anything here |
| 01:14:49 |
Do you think it clearly? Are you sure? |
| 01:14:54 |
It's interesting |
| 01:14:56 |
You are always a good member |
| 01:15:03 |
It suits you very much |
| 01:15:07 |
In a word, it's suitable you are with us |
| 01:15:16 |
Why? |
| 01:15:48 |
30 Euros |
| 01:15:53 |
Ah, change! |
| 01:15:55 |
Change! |
| 01:16:19 |
Lottery, give me some lucky! |
| 01:16:39 |
Hello. --Hello |
| 01:16:44 |
Maybe I don't take care of you enough |
| 01:16:49 |
You know all the things about Amanda and work |
| 01:16:53 |
But |
| 01:17:02 |
Of course, , there is something about love |
| 01:17:08 |
I asked you whether you want to |
| 01:17:13 |
Together? You and me? |
| 01:17:17 |
For something else? ---No! |
| 01:17:23 |
Do you know, you are more beautiful without makeup? |
| 01:17:26 |
Ah, really? |
| 01:17:28 |
(Expectation, self-respect, dedication) |
| 01:17:31 |
(The most amazing thing in human nature is¡) |
| 01:17:33 |
(there is same melody in the hearts) |
| 01:17:36 |
(It seems that their logic and intellect about something) |
| 01:17:39 |
(have to be decided by instinct) |
| 01:17:48 |
(While Amanda? She is waiting for a direction) |
| 01:17:51 |
(But maybe waiting all her life) |
| 01:17:56 |
Radio: 12, 63, 7, 30. Rome's |
| 01:18:14 |
Oh my god |
| 01:19:02 |
(If you ask Angelo how is he) |
| 01:19:06 |
(He will shrug "no problem") |
| 01:19:14 |
(Actually he is following the guest in Balbala) |
| 01:19:18 |
(The only rule of love story is¡) |
| 01:19:20 |
(Somebody happy, somebody sad) |
| 01:19:25 |
(Just like the mathematic problem of emotion |
| 01:19:27 |
(Plus one, minus one, keeping plusing and minusing) |
| 01:19:30 |
(But abandon all, the result is still the same) |
| 01:19:32 |
(But something must be changed) |
| 01:19:36 |
(Just like the movies of the same stories for a hundred years) |
| 01:19:39 |
(But audience in the cinema are the same, |
| 01:19:46 |
Hello, you stop! |
| 01:19:51 |
Are you saying to me? |
| 01:19:55 |
Let him lose his way, it's not evening anyway |
| 01:19:57 |
I stop to shoot you |
| 01:20:00 |
Do you really want to shoot me? |
| 01:20:04 |
Are you really stupid? |
| 01:20:09 |
Take off the helmet |
| 01:20:14 |
Take off! |
| 01:20:16 |
Still come? Come |
| 01:20:21 |
Sorry, not in this way |
| 01:20:36 |
Stupid! |
| 01:20:47 |
(Now you know the person who shot Angelo |
| 01:20:51 |
(Although mistake, is it really important?) |
| 01:20:56 |
(For Angelo, it isn't at all.) |
| 01:20:59 |
(Now, at the moment, he loses her) |
| 01:21:01 |
(He realizes what he really want) |
| 01:21:05 |
(He smokes the last cigarette) |
| 01:21:08 |
(He only wants to leave gracefully) |
| 01:21:49 |
Is it the last thing I should look at? |
| 01:22:22 |
Take care |
| 01:22:25 |
Take care |
| 01:22:40 |
He usually said angel is for flying |
| 01:22:55 |
We should wait for suitable wind |
| 01:22:59 |
If wind blows that way |
| 01:23:01 |
Yes, will be in the river |
| 01:23:04 |
How about it blows in that way? |
| 01:23:09 |
Let's wait for a while |
| 01:23:22 |
Martino! |
| 01:23:24 |
Martino, I'm nether! |
| 01:24:10 |
(Story is like dust, story is dust) |
| 01:24:14 |
(Floats in the air, fly over with the air) |
| 01:24:18 |
(Here, for example, ) |
| 01:24:20 |
(We stop our story here, |
| 01:24:24 |
(I know "end" is the least suitable word) |
| 01:24:28 |
(Because movie could end, |
| 01:24:43 |
The end |
