|
Dragonfly
|
| 00:00:47 |
[Man] |
| 00:00:49 |
My wife is stuck in that |
| 00:00:59 |
It's bad, Joe. |
| 00:01:02 |
The roads are washed out. |
| 00:01:06 |
Can you... |
| 00:01:10 |
Can you get |
| 00:01:14 |
They're putting us on the bus. |
| 00:01:20 |
Joe? Joe? |
| 00:01:24 |
Emily! Em... |
| 00:01:41 |
[Baby Crying] |
| 00:01:55 |
[All Screaming] |
| 00:02:11 |
[Screaming Continues] |
| 00:02:18 |
[Woman] |
| 00:02:22 |
and a credit |
| 00:02:24 |
she was a healer |
| 00:02:29 |
Those who knew her |
| 00:02:32 |
inspired by her commitment |
| 00:02:35 |
literally everything |
| 00:02:38 |
which is why |
| 00:02:40 |
to celebrate |
| 00:02:44 |
not so much taken from us... |
| 00:02:47 |
as given to us. |
| 00:02:49 |
From her colleagues |
| 00:02:53 |
to her young patients here... |
| 00:02:55 |
in Chicago Memorial's |
| 00:02:59 |
she will be sorely missed. |
| 00:03:05 |
[Joe Narrating] We're told |
| 00:03:08 |
is the last thing a lot |
| 00:03:11 |
I've tried to keep that in mind |
| 00:03:15 |
But I don't know |
| 00:03:19 |
What image she took with her. |
| 00:03:21 |
If there was |
| 00:03:24 |
or she died |
| 00:03:27 |
And that I don't know this... |
| 00:03:30 |
haunts me. |
| 00:03:32 |
[Man] |
| 00:03:36 |
[Joe] |
| 00:03:39 |
We are searching the shoreline |
| 00:03:41 |
but the bus is |
| 00:03:44 |
The river runs |
| 00:03:46 |
There is nothing |
| 00:03:48 |
Por favor, go home. |
| 00:03:52 |
I'm not going anywhere. |
| 00:03:55 |
Not till this is over. |
| 00:03:57 |
I assure you, senor, |
| 00:04:11 |
- [Siren Wailing] |
| 00:04:27 |
No vitals, no pulse. |
| 00:04:30 |
What are you doing here? |
| 00:04:32 |
What do we have? |
| 00:04:34 |
There's nothing I can do |
| 00:04:37 |
Now, what do we have? |
| 00:04:39 |
Eleven injuries. |
| 00:04:43 |
All right, let's go. |
| 00:04:45 |
Third degree. |
| 00:04:48 |
- Airway's crushed. |
| 00:04:51 |
- Hit the windshield. |
| 00:04:54 |
Get a C.T. Find out |
| 00:04:56 |
What's this? |
| 00:05:00 |
Give her to Simon. |
| 00:05:03 |
- [Joe] |
| 00:05:06 |
- How pregnant? Anybody know? |
| 00:05:10 |
- She's souring. |
| 00:05:13 |
It might have a chance, |
| 00:05:16 |
It's still got a heartbeat. |
| 00:05:19 |
- This requires consultation... |
| 00:05:23 |
There's a procedure |
| 00:05:26 |
I'm not terminating |
| 00:05:29 |
Get Prenatal |
| 00:05:40 |
It was the right call. |
| 00:05:42 |
Delivering a technically |
| 00:05:45 |
without consultation |
| 00:05:48 |
Who was dead. |
| 00:05:50 |
The baby's alive, Hugh. |
| 00:05:55 |
I'm concerned, Joe. |
| 00:05:58 |
You refused to treat |
| 00:06:02 |
As though she were |
| 00:06:07 |
Can we discuss this |
| 00:06:09 |
Since Emily's death, |
| 00:06:13 |
24-hour shifts, I'm told, |
| 00:06:16 |
Think I'm losing my edge? |
| 00:06:19 |
You're starting to cut |
| 00:06:24 |
You need to grieve. |
| 00:06:28 |
I need to grieve? |
| 00:06:38 |
I am serious, Joe. |
| 00:06:40 |
Take that time off. |
| 00:06:57 |
Was it you |
| 00:07:01 |
Passing on the suicide? |
| 00:07:08 |
How is she doing? |
| 00:07:11 |
She's waiting for a bed |
| 00:07:49 |
- Why did you do this to me? |
| 00:07:55 |
Bring me back. |
| 00:07:57 |
Where were you going? |
| 00:08:01 |
Someplace better. |
| 00:08:02 |
Is that right? |
| 00:08:06 |
It's all I want now. |
| 00:08:10 |
Well, unfortunately, |
| 00:08:14 |
It's waged quite |
| 00:08:19 |
No one knows my heart. |
| 00:08:22 |
[Sobbing] |
| 00:08:25 |
Maybe that's why |
| 00:08:30 |
to give somebody |
| 00:08:37 |
Let me tell you |
| 00:08:42 |
You better be |
| 00:08:45 |
'Cause crappy |
| 00:08:51 |
So go ahead. |
| 00:08:55 |
But when you |
| 00:09:04 |
Hi, Father. |
| 00:09:08 |
[Thunder Rumbles] |
| 00:09:12 |
"And on her footfall, |
| 00:09:17 |
"her whisper on the wind... |
| 00:09:20 |
she speaks from a place |
| 00:09:23 |
Hey, look who's here. |
| 00:09:25 |
Hey, you! |
| 00:09:28 |
Pour him a beer. |
| 00:09:32 |
Hey, Joe, "Rachel in Heaven" |
| 00:09:36 |
Remember? |
| 00:09:39 |
To Emily. |
| 00:09:44 |
How are things |
| 00:09:46 |
I don't know why we try |
| 00:09:49 |
if they've got |
| 00:09:51 |
like "Rachel in Heaven." |
| 00:09:54 |
That's where Emily is. |
| 00:09:57 |
If anyone deserved |
| 00:09:58 |
Hear, hear. |
| 00:10:01 |
I don't know |
| 00:10:03 |
Lord knows I tried |
| 00:10:08 |
She was the best of us. |
| 00:10:12 |
She saw the second |
| 00:10:16 |
She was the heart, |
| 00:10:30 |
Where are you, Joe? |
| 00:10:34 |
Nowhere. |
| 00:10:39 |
No, come on, man. |
| 00:10:41 |
Like you said, Eric, |
| 00:10:44 |
Joe, come on. |
| 00:10:46 |
Don't leave, Joe. |
| 00:10:49 |
Buddy, that is not |
| 00:10:54 |
But you were right on, buddy. |
| 00:10:57 |
All of you. |
| 00:11:00 |
Thank you |
| 00:11:03 |
See ya. |
| 00:11:23 |
Hey, Doc. |
| 00:11:28 |
Sorry I missed the service. |
| 00:11:32 |
Was it nice? |
| 00:11:34 |
I guess. |
| 00:11:36 |
I couldn't handle it. |
| 00:11:38 |
Well, then you're not |
| 00:11:43 |
They needed somebody to sign |
| 00:11:47 |
It's a toy company |
| 00:11:50 |
That'll teach her |
| 00:11:53 |
Yeah, that'll teach her. |
| 00:11:57 |
You'd think a professor |
| 00:12:00 |
It's all right. |
| 00:12:05 |
Hey, I saw through the |
| 00:12:09 |
- Should he go back to the vet? |
| 00:12:13 |
[Laughs] |
| 00:12:21 |
[Crackling] |
| 00:12:23 |
[Phone Ringing] |
| 00:12:31 |
[Answering Machine Beeps] |
| 00:12:33 |
I forgot to tell you |
| 00:12:36 |
[Eric] Gotta come, Joe! |
| 00:12:38 |
I sent you a packet, okay? |
| 00:12:41 |
[Beep] |
| 00:12:46 |
You wanna go rafting |
| 00:12:53 |
Nice to see you too. |
| 00:13:40 |
[Emily Chuckling] |
| 00:13:42 |
I just don't picture you |
| 00:13:45 |
All right. Well, |
| 00:13:49 |
If you do, |
| 00:13:51 |
Because eagles eat |
| 00:13:55 |
In your next life too? |
| 00:13:57 |
You mean, if you got a chance |
| 00:14:03 |
No. I'll fly around |
| 00:14:07 |
But you know what |
| 00:14:10 |
Yeah, but... |
| 00:14:13 |
if I'm a bird |
| 00:14:16 |
How are we gonna... |
| 00:14:18 |
You know. |
| 00:14:21 |
We'll just have to |
| 00:14:25 |
to make up |
| 00:14:40 |
[Moaning] |
| 00:15:01 |
[Moaning] |
| 00:15:20 |
[Emily's Voice] |
| 00:15:22 |
Because it's who I am, |
| 00:15:25 |
what we dedicated |
| 00:15:27 |
For God sakes, Emily, |
| 00:15:31 |
when we first met... |
| 00:15:33 |
that we'd pack our kids |
| 00:15:36 |
to show them |
| 00:15:38 |
It was naive, Emily, |
| 00:15:44 |
Our values? |
| 00:15:51 |
I'm needed there, Joe... |
| 00:15:54 |
and I'm going. |
| 00:15:58 |
Whether you choose to |
| 00:16:02 |
[Banging Sound] |
| 00:16:30 |
[Man] So this thing |
| 00:16:32 |
It was a present I gave her |
| 00:16:35 |
Got to weigh half a pound, |
| 00:16:38 |
on the bedside table |
| 00:16:42 |
So what are you saying? |
| 00:16:45 |
I don't know. |
| 00:16:47 |
Nothing, I guess. |
| 00:16:50 |
dragonflies were sort of |
| 00:16:54 |
How Indians have buffalo heads |
| 00:16:57 |
hers was a dragonfly. |
| 00:17:01 |
She even had this small |
| 00:17:05 |
Said her grandfather |
| 00:17:07 |
on his... |
| 00:17:11 |
It's called |
| 00:17:14 |
I once skunked |
| 00:17:17 |
by putting it |
| 00:17:22 |
When she was alive, |
| 00:17:24 |
with a dragonfly on it |
| 00:17:27 |
Now? Now I see 'em |
| 00:17:32 |
There was one... There was |
| 00:17:37 |
A real one. |
| 00:17:39 |
Last night a package arrived. |
| 00:17:41 |
a mobile to put on |
| 00:17:44 |
of dragonflies. |
| 00:17:47 |
And then this thing last night |
| 00:17:50 |
You know what I think? |
| 00:17:53 |
I think you are literally |
| 00:17:57 |
Yeah, you should move. |
| 00:18:00 |
You're living with |
| 00:18:03 |
Never would. |
| 00:18:06 |
Would only talk |
| 00:18:10 |
She even taught it |
| 00:18:16 |
"Honey. |
| 00:18:18 |
You ought to sell |
| 00:18:22 |
Stuck with it. |
| 00:18:25 |
I promised her |
| 00:18:28 |
that if anything ever happened |
| 00:18:33 |
Would you? |
| 00:18:35 |
Would you? |
| 00:18:37 |
Oh, no. |
| 00:18:43 |
I need to live up to |
| 00:18:46 |
That's one thing |
| 00:18:51 |
Any other promises |
| 00:18:53 |
Just one, but I'm |
| 00:18:57 |
today. |
| 00:18:59 |
Hi, Joe. |
| 00:19:01 |
- I was kind of hoping you took |
| 00:19:05 |
I convinced Joe to take |
| 00:19:09 |
- Right, Joe? |
| 00:19:12 |
on the oncology ward |
| 00:19:16 |
I thought this might be |
| 00:19:18 |
After six months? |
| 00:19:22 |
I'm not sure how many |
| 00:19:29 |
Asshole. |
| 00:19:32 |
Isn't there someplace |
| 00:21:07 |
[Boy's Voice, Echoing] |
| 00:21:28 |
Joe! |
| 00:21:47 |
Joe! |
| 00:21:53 |
Joe! |
| 00:21:55 |
Joe, can't you hear me? |
| 00:21:58 |
Joe! |
| 00:22:06 |
- All right. Hold C.P.R. |
| 00:22:09 |
Continue it. |
| 00:22:12 |
Come on, Jeffrey. |
| 00:22:16 |
Still nothing. |
| 00:22:17 |
Shock him. |
| 00:22:21 |
- Nothing. |
| 00:22:23 |
I said again. |
| 00:22:25 |
- He's not coming back this time. |
| 00:22:28 |
Clear! |
| 00:22:32 |
[Steady Beep] |
| 00:22:35 |
[Sighs] |
| 00:22:38 |
[Steady Beep Continues] |
| 00:23:04 |
- [Rhythmic Beep] |
| 00:23:07 |
- He's back! Jump on it! |
| 00:23:09 |
Yes, Jeffrey, yes! |
| 00:23:12 |
Put that O-2 mask on him. |
| 00:23:15 |
You'll have to leave. |
| 00:23:18 |
Jeffrey, can you hear me? |
| 00:23:23 |
I just came on. |
| 00:23:25 |
They're stabilizing him. |
| 00:23:27 |
He flat-lined, |
| 00:23:31 |
That's our Jeffrey. His heart |
| 00:23:36 |
He'll come out of there |
| 00:23:40 |
and what they said. |
| 00:23:42 |
[Knocking] |
| 00:23:58 |
Hi, I'm Dr. Darrow |
| 00:24:00 |
I know who you are. |
| 00:24:02 |
The hospital administrator |
| 00:24:06 |
and asked to be notified |
| 00:24:10 |
Did the boy who was being |
| 00:24:13 |
Jeffrey... |
| 00:24:16 |
Right. Is he... |
| 00:24:19 |
Mm-hmm. He was one of |
| 00:24:22 |
Actually, |
| 00:24:24 |
I promised I'd look in |
| 00:24:32 |
Be great if you could |
| 00:24:36 |
put in that call to |
| 00:24:40 |
Between you and me, Doctor, |
| 00:24:44 |
how do I put it... |
| 00:24:46 |
I use the word "asshole." |
| 00:24:48 |
[Chuckling] |
| 00:24:53 |
Three-one-five. |
| 00:24:56 |
You'll love him. |
| 00:25:08 |
- Hello. |
| 00:25:11 |
How's he doing? |
| 00:25:16 |
Nice. |
| 00:25:20 |
I couldn't say. |
| 00:25:24 |
All right. |
| 00:25:28 |
Crucifix made of Jell-O? |
| 00:25:31 |
Man, you're good. |
| 00:25:34 |
He hasn't stopped drawing |
| 00:25:41 |
So what is it? |
| 00:25:43 |
I don't know. |
| 00:25:45 |
Just woke up |
| 00:25:47 |
I happened to be |
| 00:25:50 |
I know. |
| 00:25:53 |
You saw me in there? |
| 00:25:55 |
Yeah. You came in |
| 00:26:02 |
You saw me |
| 00:26:05 |
Pretty sure it was you. |
| 00:26:08 |
Jeffrey! |
| 00:26:11 |
Could I ask... |
| 00:26:13 |
We're not encouraged |
| 00:26:17 |
There was a nun on the ward |
| 00:26:21 |
Sister Madeline |
| 00:26:23 |
Stirred up all kinds of |
| 00:26:27 |
on a TV tabloid show. |
| 00:26:29 |
She never even |
| 00:26:30 |
and I've got the best |
| 00:26:35 |
I'm allowed a coffee break |
| 00:26:39 |
In spite of hospital policy, |
| 00:26:44 |
You're scheduled for |
| 00:26:58 |
So what are we talking |
| 00:27:00 |
What we shouldn't. |
| 00:27:04 |
In the I.C.U. Yesterday, |
| 00:27:07 |
it seemed to me |
| 00:27:09 |
- I was flat-lined. |
| 00:27:12 |
So how could you |
| 00:27:16 |
- But you said... |
| 00:27:20 |
You looked down? |
| 00:27:22 |
From the ceiling. |
| 00:27:30 |
Okay. |
| 00:27:32 |
Don't believe me? |
| 00:27:34 |
Should I? |
| 00:27:37 |
Ever see that little |
| 00:27:42 |
Bend down here. |
| 00:27:44 |
Come on. |
| 00:27:48 |
Yeah, that was you. |
| 00:27:55 |
Jeffrey, |
| 00:27:58 |
You look like a... |
| 00:28:02 |
I'm a Joe. |
| 00:28:04 |
Does it ring a bell? |
| 00:28:09 |
Emily's Joe? |
| 00:28:13 |
Joe Darrow. |
| 00:28:17 |
I saw her yesterday too. |
| 00:28:20 |
What do you mean, |
| 00:28:23 |
She was there. |
| 00:28:27 |
Where? |
| 00:28:29 |
All around me. |
| 00:28:34 |
Inside the rainbow. |
| 00:28:36 |
The mist. |
| 00:28:40 |
falling through it... |
| 00:28:44 |
until she caught me... |
| 00:28:46 |
then brought me |
| 00:28:49 |
She kind of flew me. |
| 00:28:51 |
She flew me out... |
| 00:28:56 |
so I could come back... |
| 00:29:00 |
and tell somebody something. |
| 00:29:03 |
Tell what, Jeffrey? |
| 00:29:06 |
To who? |
| 00:29:10 |
Joe. |
| 00:29:14 |
Tell me what, Jeffrey? |
| 00:29:18 |
Tell Joe what? |
| 00:29:21 |
It was loud in the rainbow... |
| 00:29:23 |
like thunder in there. |
| 00:29:25 |
- Tell me what, Jeffrey? |
| 00:29:30 |
You were calling my name. |
| 00:29:32 |
Joe. |
| 00:29:35 |
Joe! |
| 00:29:38 |
Joe, can't you hear me? |
| 00:29:40 |
Joe! |
| 00:29:43 |
Joe! Joe! |
| 00:29:46 |
Whoa, whoa. |
| 00:29:48 |
Look at my eyes. |
| 00:29:51 |
Just breathe. |
| 00:29:53 |
Just breathe |
| 00:29:57 |
What happened? |
| 00:29:59 |
I'm fine. |
| 00:30:01 |
He wanted to know |
| 00:30:04 |
His heart stopped again. |
| 00:30:07 |
- I was there, actually. |
| 00:30:10 |
while it was stopped. |
| 00:30:12 |
Oh. Telling one of |
| 00:30:14 |
Trying to get on TV. |
| 00:30:16 |
I'm gonna give him a dust mop |
| 00:30:20 |
My daddy don't believe me. |
| 00:30:23 |
He do the "bald spot" |
| 00:30:29 |
[Laughing] |
| 00:30:31 |
It don't work |
| 00:30:33 |
Just us bald guys, huh? |
| 00:30:40 |
You had me going there, |
| 00:30:43 |
You don't believe me? |
| 00:30:46 |
[Woman Over P.A., Indistinct] |
| 00:30:51 |
What if I do remember what |
| 00:30:54 |
then would you believe me? |
| 00:30:57 |
Do you remember it? |
| 00:30:59 |
If you come back, I might. |
| 00:31:02 |
[Father] |
| 00:31:04 |
[Jeffrey] |
| 00:31:07 |
Probably to take |
| 00:31:53 |
[Woman Chuckling] |
| 00:31:56 |
[Joe] |
| 00:31:58 |
from the ceiling, |
| 00:32:01 |
[Man] |
| 00:32:04 |
I hate to burst your bubble, |
| 00:32:07 |
I think bald is sexy. |
| 00:32:10 |
Really? |
| 00:32:12 |
I've got a parrot |
| 00:32:14 |
Are you still |
| 00:32:17 |
We're working on |
| 00:32:20 |
A listening parrot. |
| 00:32:23 |
A bird after my own heart. |
| 00:32:27 |
Really? |
| 00:32:29 |
Gwyn's a grief counselor, Joe. |
| 00:32:36 |
Is that right? |
| 00:32:38 |
I've heard a lot of clients talk |
| 00:32:43 |
how they'd wake up talking |
| 00:32:45 |
moving toward the light. |
| 00:32:47 |
And what's |
| 00:32:49 |
I'm just your parrot, |
| 00:32:53 |
[Man] I can tell you |
| 00:32:57 |
The tunnel is |
| 00:32:59 |
And the white light |
| 00:33:02 |
As it grows bigger, |
| 00:33:04 |
How do you explain |
| 00:33:07 |
around their deathbed after |
| 00:33:10 |
to describe what |
| 00:33:12 |
down to the patterns |
| 00:33:14 |
[Man] |
| 00:33:17 |
Obviously the brain |
| 00:33:21 |
soaking up all the last bits |
| 00:33:25 |
That's what you get |
| 00:33:28 |
no discussion about |
| 00:33:30 |
no tunnel; |
| 00:33:32 |
Next thing, they're gonna |
| 00:33:38 |
Funny thing is, |
| 00:33:42 |
This kid. |
| 00:33:44 |
I heard his voice |
| 00:33:48 |
And when I introduced myself |
| 00:33:54 |
Said that Emily |
| 00:33:59 |
Do you believe |
| 00:34:04 |
No, Counselor, I don't. |
| 00:34:12 |
I can give you |
| 00:34:18 |
Bye, Joe. You want me to |
| 00:34:21 |
Sorry. |
| 00:34:30 |
Excuse me. |
| 00:34:38 |
I am kind of busy |
| 00:34:42 |
Well, isn't there anyone else |
| 00:34:45 |
All right. I understand. |
| 00:34:51 |
I'm sorry. |
| 00:34:54 |
It's too threatening. |
| 00:34:56 |
It's about unresolved issues |
| 00:34:59 |
guilt, anger |
| 00:35:02 |
that's why |
| 00:35:05 |
from the Virgin Mary |
| 00:35:07 |
because we need to |
| 00:35:12 |
[Scoffs] |
| 00:35:18 |
You asked if I thought |
| 00:35:21 |
Let me answer now. |
| 00:35:23 |
She was my |
| 00:35:25 |
my best friend and lover, |
| 00:35:29 |
I also know I'm never |
| 00:35:33 |
Not ever. |
| 00:35:35 |
And I'm just beginning to |
| 00:35:38 |
that I sometimes wish that |
| 00:35:40 |
And the last thing I need |
| 00:35:43 |
or how to feel. |
| 00:35:45 |
Anger, yeah. |
| 00:35:47 |
Guilt, you bet. |
| 00:35:50 |
But I don't need you crawling |
| 00:35:54 |
Keep going, Joe. |
| 00:35:58 |
I'll drop you |
| 00:36:27 |
Hi. |
| 00:36:30 |
Hey. |
| 00:36:33 |
Ben. |
| 00:36:35 |
I'm Joe, Ben. |
| 00:36:42 |
Just admiring your artwork. |
| 00:36:45 |
What is it? |
| 00:36:47 |
She said you should |
| 00:36:50 |
I'm sorry? |
| 00:36:52 |
The lady. |
| 00:36:56 |
She said you'd... |
| 00:36:59 |
be coming to see me. |
| 00:37:03 |
- The nurse? |
| 00:37:11 |
What doctor? |
| 00:37:13 |
- She wants you to go there. |
| 00:37:28 |
I'm not... |
| 00:37:32 |
Go where? |
| 00:37:35 |
I dreamed of her... |
| 00:37:37 |
in the ambulance |
| 00:37:40 |
Then... I saw |
| 00:37:45 |
You know, |
| 00:37:48 |
In the picture |
| 00:37:53 |
Are you talking |
| 00:37:58 |
She died, I guess. |
| 00:38:03 |
And you dreamed of her? |
| 00:38:10 |
She wants you |
| 00:38:16 |
Go where, Ben? |
| 00:38:19 |
The rainbow. |
| 00:38:23 |
That's a rainbow? |
| 00:38:28 |
This... |
| 00:38:41 |
Have we met before, Ben? |
| 00:38:45 |
I don't know. |
| 00:38:49 |
How do you know |
| 00:38:53 |
She showed me your face. |
| 00:39:01 |
In a picture? |
| 00:39:05 |
In my mind. |
| 00:39:09 |
She said |
| 00:39:12 |
to tell you to go there. |
| 00:39:18 |
To a rainbow? |
| 00:39:23 |
Yes. |
| 00:39:28 |
Well, how would l... |
| 00:39:49 |
Christine, |
| 00:39:52 |
Yes. |
| 00:39:54 |
I don't think so. |
| 00:39:58 |
Yeah. On the third |
| 00:40:01 |
Why, Joe? |
| 00:40:06 |
Nothing. |
| 00:40:10 |
Miriam... |
| 00:40:12 |
The first kid, |
| 00:40:14 |
I follow him in |
| 00:40:17 |
where he flat-lines, |
| 00:40:20 |
Then when he's resuscitated, |
| 00:40:24 |
And that Emily... |
| 00:40:26 |
sent him back |
| 00:40:29 |
Tell you what? |
| 00:40:31 |
He doesn't remember. |
| 00:40:35 |
You want jelly? |
| 00:40:37 |
Are you taking me seriously? |
| 00:40:40 |
What does it matter? |
| 00:40:44 |
I'm just trying to focus |
| 00:40:47 |
And you think this isn't? |
| 00:40:54 |
Listen to me, Joe. |
| 00:40:59 |
After Hannah died, l... |
| 00:41:03 |
She told me I know |
| 00:41:06 |
if I saw a daisy growing |
| 00:41:10 |
We used to play |
| 00:41:13 |
And one day, |
| 00:41:18 |
Well, there you go. |
| 00:41:21 |
I was delusional. |
| 00:41:25 |
I had these conversations. |
| 00:41:27 |
Aren't you the guy that |
| 00:41:30 |
This isn't heaven. |
| 00:41:33 |
Oh. And she wants you |
| 00:41:39 |
According to these kids, |
| 00:41:41 |
Well, according to me, |
| 00:41:45 |
So you think |
| 00:41:48 |
Nothing is real |
| 00:41:51 |
Have you personally had |
| 00:41:54 |
And if so, |
| 00:41:56 |
- You know the answer. |
| 00:42:00 |
Because I haven't gone |
| 00:42:02 |
and she has no way |
| 00:42:19 |
It does sound nuts, |
| 00:42:21 |
Well, I wouldn't employ you |
| 00:42:25 |
And if I were you, |
| 00:42:28 |
Isn't there somewhere |
| 00:42:33 |
I could go |
| 00:42:36 |
Just what I've always |
| 00:42:40 |
white water. |
| 00:42:42 |
Get out of here. |
| 00:42:45 |
Go see white water... |
| 00:42:47 |
and get your head straight. |
| 00:43:34 |
Wanna see? |
| 00:43:39 |
They were the last thing |
| 00:43:58 |
Hmm. |
| 00:44:01 |
Sorry to break it |
| 00:44:06 |
she was cheatin' on ya. |
| 00:44:28 |
[Wings Fluttering] |
| 00:44:38 |
[Fluttering Continues] |
| 00:44:47 |
It's just a bug, Big Bird. |
| 00:44:50 |
Attracted to the light. |
| 00:44:53 |
Let's not get crazy here. |
| 00:45:27 |
[Fluttering Resumes] |
| 00:45:36 |
[Big Bird] |
| 00:45:43 |
Honey, I'm home. |
| 00:46:40 |
[Squawks] |
| 00:46:44 |
[Squawking Continues] |
| 00:46:48 |
Big Bird! |
| 00:46:55 |
Big Bird, no! |
| 00:47:27 |
[Gasps] |
| 00:47:40 |
[Cell Phone Ringing] |
| 00:47:43 |
[Joe] Miriam? |
| 00:47:45 |
Miriam, listen to me. |
| 00:47:48 |
I had to leave it. |
| 00:47:51 |
- Are you okay? |
| 00:47:55 |
I feel... |
| 00:47:58 |
I feel like |
| 00:48:00 |
What can I do? |
| 00:48:02 |
It was acting |
| 00:48:05 |
I felt like she was there... |
| 00:48:08 |
in the house. |
| 00:48:10 |
Jesus, Joe. |
| 00:48:13 |
I don't know what to do |
| 00:48:16 |
I'll take care of it. |
| 00:48:18 |
I'll wake up the vet |
| 00:48:21 |
You just... |
| 00:48:24 |
All right. Thanks. |
| 00:48:26 |
[Line Clicks] |
| 00:48:31 |
Is Jeffrey awake? |
| 00:48:34 |
Is he in his room? |
| 00:48:38 |
Joe! |
| 00:48:41 |
Joe. |
| 00:48:53 |
Joe, there was some talk |
| 00:48:57 |
Where is he? |
| 00:48:59 |
He's downstairs |
| 00:49:02 |
His nurse... Is she with him? |
| 00:49:04 |
She said there was |
| 00:49:06 |
interviewing kids about |
| 00:49:09 |
Sister Madeline. |
| 00:49:11 |
She's no longer |
| 00:49:14 |
And you know why? |
| 00:49:16 |
Because she overstepped |
| 00:49:18 |
Where is she employed? |
| 00:49:20 |
Would... Would |
| 00:49:23 |
Could you leave us |
| 00:49:25 |
[Woman Over P.A., |
| 00:49:32 |
What are you doing, |
| 00:49:35 |
You know |
| 00:49:38 |
To look in on Emily's kids. |
| 00:49:41 |
I told you, |
| 00:49:44 |
That you'd upset them? |
| 00:49:46 |
Jeffrey's cardiologist saw |
| 00:49:49 |
and he was damned upset |
| 00:49:52 |
put him under |
| 00:49:54 |
What is going on, Joe? |
| 00:50:05 |
The bird's okay. |
| 00:50:07 |
He will outlive us all. |
| 00:50:10 |
I tried to clean up |
| 00:50:12 |
overturned lamp, |
| 00:50:15 |
You didn't have to |
| 00:50:17 |
I didn't do all that. |
| 00:50:19 |
I left some of it... |
| 00:50:27 |
That weird picture |
| 00:50:30 |
The wiggly cross? |
| 00:50:36 |
Is it the kids |
| 00:50:39 |
Or is it you? |
| 00:50:46 |
'Cause if you did this, |
| 00:50:51 |
It's all over |
| 00:51:04 |
Watch the bird for me, |
| 00:51:13 |
[Playful Chattering] |
| 00:51:39 |
Excuse me. |
| 00:51:41 |
Excuse me. I'm looking |
| 00:51:44 |
May I ask |
| 00:51:48 |
- You'll have to call the office |
| 00:51:51 |
- Sir. Sir! |
| 00:51:54 |
Sister Madeline, |
| 00:51:56 |
Sir! |
| 00:52:01 |
Please, |
| 00:52:04 |
Please. |
| 00:52:06 |
This is private property. |
| 00:52:09 |
I know, I tried to call. |
| 00:52:11 |
Chaplain Services only |
| 00:52:13 |
He'll call the police. |
| 00:52:16 |
Just five minutes. |
| 00:52:18 |
You people have done |
| 00:52:21 |
- You don't understand. |
| 00:52:24 |
No more journalists. |
| 00:52:26 |
I'm not a journalist. |
| 00:52:31 |
Head of Emergency Services... |
| 00:52:33 |
at Chicago |
| 00:52:36 |
Joe Darrow. |
| 00:52:41 |
Emily's Joe. |
| 00:52:46 |
[Whispering] |
| 00:52:48 |
I need to know |
| 00:52:53 |
I've called the police. |
| 00:52:56 |
It's all right. |
| 00:52:59 |
I'm sorry. |
| 00:53:02 |
with the understanding |
| 00:53:06 |
[Bell Ringing] |
| 00:53:09 |
Yes, sir. |
| 00:53:17 |
The police respond quickly. |
| 00:53:39 |
Do you have business |
| 00:53:41 |
Beg your pardon? |
| 00:53:49 |
[Police Radio Chatter] |
| 00:54:33 |
[Sister Madeline] |
| 00:54:37 |
in miracles anymore, |
| 00:54:41 |
And the pediatric |
| 00:54:45 |
was the perfect laboratory |
| 00:54:48 |
the near-death experience. |
| 00:54:51 |
Being kids, they were |
| 00:54:55 |
on the other side. |
| 00:54:58 |
You're convinced it's not |
| 00:55:01 |
Just in their minds? |
| 00:55:06 |
What we're experiencing |
| 00:55:10 |
You're a doctor |
| 00:55:13 |
of being one, right? |
| 00:55:16 |
You imagined that... |
| 00:55:20 |
for yourself. |
| 00:55:23 |
If we can create this world |
| 00:55:26 |
why not the next? |
| 00:55:29 |
S-So you're saying, |
| 00:55:32 |
Gets us there. |
| 00:55:34 |
Did Emily believe? |
| 00:55:38 |
Because I think |
| 00:55:42 |
I believe she's trying |
| 00:55:45 |
Two kids have seen her. |
| 00:55:48 |
One was flat-lined, |
| 00:55:52 |
In the tunnel? |
| 00:55:55 |
Trying to tell me something, |
| 00:55:59 |
But I don't know what. |
| 00:56:01 |
And they... they... |
| 00:56:06 |
after they've... |
| 00:56:09 |
Have you ever seen |
| 00:56:13 |
No. |
| 00:56:25 |
I don't know. |
| 00:56:27 |
Am l... |
| 00:56:34 |
As nuts |
| 00:56:37 |
thinking there was |
| 00:56:42 |
Talk to an anesthesiologist. |
| 00:56:45 |
There are a hundred steps on |
| 00:56:49 |
between being |
| 00:56:52 |
and being dead. |
| 00:56:54 |
To put a patient under, |
| 00:56:57 |
only to the tenth rung. |
| 00:57:00 |
Beneath that is |
| 00:57:05 |
like the depths |
| 00:57:07 |
no one has explored. |
| 00:57:10 |
It's in those depths, |
| 00:57:14 |
she's finding them... |
| 00:57:17 |
They're her conduit, |
| 00:57:20 |
you'd find your way |
| 00:57:24 |
Stay close to them. |
| 00:57:26 |
Be with them when they slip away |
| 00:57:29 |
when they first awaken, |
| 00:57:35 |
One of them... |
| 00:57:37 |
will come back |
| 00:58:42 |
[Elevator Bell Dings] |
| 00:58:45 |
Release forms. |
| 00:58:47 |
[Chattering] |
| 00:58:50 |
- Where is it? |
| 00:58:53 |
Watch your line here. |
| 00:58:55 |
Hook him up to the ventilator |
| 00:58:57 |
This is Jeanette in Nephrology. |
| 00:59:00 |
Monitors are ready. |
| 00:59:02 |
Yes, it is an emergency. |
| 00:59:05 |
No, I can't hold. |
| 00:59:08 |
We've got a healthy kidney |
| 00:59:12 |
Joe. |
| 00:59:14 |
Yeah. |
| 00:59:17 |
and I want you |
| 00:59:20 |
All right. They're |
| 00:59:24 |
I want that made clear |
| 00:59:28 |
Stay on top of his vitals. |
| 00:59:31 |
I don't want anybody cutting |
| 00:59:34 |
Put Jeanette |
| 00:59:37 |
Jeanette. |
| 00:59:54 |
- You're Dickinson? |
| 00:59:57 |
They told me not to leave him, |
| 01:00:02 |
I'll keep watch |
| 01:00:04 |
Ventilator's set at 16. |
| 01:00:41 |
[Helicopter Approaches] |
| 01:01:10 |
[Beeping] |
| 01:01:21 |
[Softly] |
| 01:01:32 |
Joe. |
| 01:01:55 |
Come closer. |
| 01:02:00 |
Dear God. |
| 01:02:03 |
- [Man] We're from Lakeview. |
| 01:02:06 |
- Double doors on the right. |
| 01:02:10 |
Guys, we're gonna have to... |
| 01:02:18 |
We're from Lakeview in Lansing. |
| 01:02:22 |
You're not supposed to |
| 01:02:25 |
Get out. |
| 01:02:27 |
- Hey, take it easy, Doctor. |
| 01:02:29 |
Get everyone out. |
| 01:02:31 |
Dickinson's |
| 01:02:33 |
He said let's move 'em |
| 01:02:35 |
Wait, okay? |
| 01:02:37 |
It's all right. |
| 01:02:42 |
Hey, what are we waiting for? |
| 01:02:44 |
Charlie, wait a second. |
| 01:02:47 |
This man's not dead. |
| 01:02:49 |
I saw it. |
| 01:02:53 |
Come on, Joe. |
| 01:02:56 |
Come on. Let's go. |
| 01:02:58 |
Charlie, listen. |
| 01:03:03 |
Charlie, there's |
| 01:03:06 |
Don't kill this man. |
| 01:03:09 |
He spoke to me. |
| 01:03:12 |
Joe, this man |
| 01:03:14 |
It was her voice. |
| 01:03:18 |
Don't talk like this. |
| 01:03:20 |
You've gotta listen to me. |
| 01:03:23 |
For one minute. |
| 01:03:26 |
- Come on. Get him inside! |
| 01:03:30 |
Back off, man! |
| 01:03:33 |
- Somebody get Security! |
| 01:03:35 |
- For God's sake, Joe! |
| 01:03:39 |
Charlie, |
| 01:03:42 |
Joe! We need Security |
| 01:03:46 |
Please, listen to me! |
| 01:03:49 |
[Groaning] |
| 01:03:52 |
[Sirens Wailing In Distance] |
| 01:03:57 |
[Chattering] |
| 01:03:59 |
All right. |
| 01:04:01 |
We're going down. |
| 01:04:07 |
[Police Radio Chatter] |
| 01:04:11 |
[Joe] |
| 01:04:17 |
You posted bail? |
| 01:04:21 |
I also spoke to the hospital |
| 01:04:25 |
if you'll agree to take |
| 01:04:29 |
He said you claimed |
| 01:04:33 |
No. |
| 01:04:38 |
It was Emily. |
| 01:04:42 |
Speaking through him. |
| 01:04:45 |
You know, I could almost |
| 01:04:49 |
Of course |
| 01:04:52 |
Okay, then how about |
| 01:04:55 |
What kid? |
| 01:04:59 |
The first time he ever met her |
| 01:05:01 |
I've got his admission records |
| 01:05:04 |
That's evidence, right? |
| 01:05:08 |
She's trying to reach me, |
| 01:05:12 |
Why? |
| 01:05:19 |
Oh, you don't think |
| 01:05:21 |
If a kid could see her |
| 01:05:24 |
couldn't she be trying to |
| 01:05:27 |
There were no survivors. |
| 01:05:32 |
And never found her! |
| 01:05:35 |
because you never saw her body |
| 01:05:42 |
Emily's dead, Joe. |
| 01:05:45 |
That's what |
| 01:05:47 |
your refusal |
| 01:05:50 |
Look. |
| 01:05:53 |
If I hadn't seen Hannah's body, |
| 01:05:56 |
I'd still be waiting |
| 01:06:01 |
You have to |
| 01:06:04 |
You gotta |
| 01:06:07 |
Like everyone does. |
| 01:06:10 |
You gotta |
| 01:06:13 |
and take down the vacancy sign |
| 01:06:18 |
and get on with your life |
| 01:06:26 |
[Bag Crinkling] |
| 01:06:30 |
[Softly] |
| 01:06:36 |
What about |
| 01:06:40 |
What do you mean, |
| 01:06:42 |
Well, anything to get |
| 01:06:45 |
So, you think |
| 01:06:47 |
Maybe I'll go |
| 01:06:50 |
I'm mean with a paddle. |
| 01:06:54 |
The river's up |
| 01:06:56 |
It's gone from |
| 01:06:59 |
I want us all to go home, |
| 01:07:02 |
Note the hazard points, |
| 01:07:05 |
Oh, check out |
| 01:07:08 |
I'm just bringing my thong. |
| 01:07:10 |
Well, it better be disposable, |
| 01:07:14 |
Speaking of drink, |
| 01:07:17 |
Yeah! |
| 01:07:27 |
[Dog Barking In Distance] |
| 01:07:36 |
What do you think? |
| 01:07:39 |
I think it's an idea |
| 01:07:42 |
[Chuckles] |
| 01:07:46 |
The agent said |
| 01:07:48 |
Oh, get what you can |
| 01:07:51 |
Leave the memories behind. |
| 01:07:55 |
Yeah, but I didn't have corpses |
| 01:07:58 |
[Both Laughing] |
| 01:08:00 |
I'm gonna miss you, Joe. |
| 01:08:04 |
I'm gonna |
| 01:08:09 |
Would you show it for me |
| 01:08:13 |
- I'm taking that white-water trip. |
| 01:08:17 |
It's good to see you |
| 01:08:23 |
[Car Door Opens, |
| 01:09:45 |
[Lightbulb Crackling] |
| 01:09:49 |
[Lightbulb Pops] |
| 01:10:12 |
[Clattering, Footsteps] |
| 01:11:08 |
[Front Door Creaking] |
| 01:11:16 |
[Creaking] |
| 01:11:30 |
[Wind Chimes Jingling] |
| 01:12:56 |
[Hal] Hello. |
| 01:12:59 |
there's a symbol... |
| 01:13:02 |
Waterfalls. Put a big |
| 01:13:07 |
They're too high |
| 01:13:11 |
Joe? |
| 01:13:44 |
A rainbow. |
| 01:14:10 |
You are, uh, |
| 01:14:12 |
Muy bien. |
| 01:14:14 |
[Speaking Spanish] |
| 01:14:18 |
Is my pilot here? |
| 01:14:23 |
? Como te vas? |
| 01:14:25 |
I take you bags. |
| 01:14:29 |
Don't worry. |
| 01:14:32 |
You have a license, |
| 01:14:35 |
Pretty much. |
| 01:14:42 |
Juanajuapa. |
| 01:14:44 |
Juanajuapa, |
| 01:14:46 |
Si, Juanajuapa. |
| 01:14:49 |
This is it, right? |
| 01:14:53 |
With the waterfall? |
| 01:14:55 |
I don't know. |
| 01:15:03 |
Is my interpreter here? |
| 01:15:07 |
I speak a little Guaharibo. |
| 01:15:09 |
You talk to them |
| 01:15:12 |
Okay, we go. |
| 01:15:25 |
Is that your girlfriend? |
| 01:15:29 |
It's my wife. |
| 01:15:32 |
Used to be. |
| 01:15:35 |
You come |
| 01:15:41 |
In a way, I guess. |
| 01:15:55 |
There was an accident |
| 01:15:58 |
A bus? |
| 01:16:01 |
La Cruz Roja. |
| 01:16:04 |
You can probably see it |
| 01:16:08 |
It's just up ahead. |
| 01:16:14 |
The rock slide took more |
| 01:16:17 |
It isolated an entire tribe |
| 01:16:20 |
Can you see it |
| 01:16:28 |
Nobody lived. |
| 01:16:30 |
The Yanomami are still wearing |
| 01:16:34 |
That's Juanajuapa |
| 01:16:37 |
Some of the bodies |
| 01:16:40 |
down the river |
| 01:17:05 |
[Victor] |
| 01:17:07 |
they work with |
| 01:17:11 |
Did I mention |
| 01:17:21 |
It's a good thing |
| 01:17:31 |
[Speaking Native Language] |
| 01:17:37 |
[Speaking Native Language] |
| 01:18:05 |
He said he cannot take you |
| 01:18:09 |
But, for a price, |
| 01:20:01 |
[Thunder Rumbling] |
| 01:20:34 |
Senor. |
| 01:20:37 |
Senor. |
| 01:20:39 |
We should go. |
| 01:20:47 |
They, uh... |
| 01:20:50 |
they wouldn't know, |
| 01:20:54 |
body was buried where? |
| 01:20:58 |
Look. If... |
| 01:21:01 |
any worse, |
| 01:21:04 |
And... And that's |
| 01:21:12 |
[Thunder Rumbling] |
| 01:21:22 |
[Speaking Native Language] |
| 01:21:33 |
Senors. |
| 01:21:36 |
Senors, uh... |
| 01:21:38 |
my wife. |
| 01:21:40 |
Mi esposa. |
| 01:21:43 |
- La Cruz Roja. |
| 01:21:47 |
? Donde? |
| 01:21:49 |
Does any... |
| 01:21:52 |
[Speaking Native Language] |
| 01:21:55 |
[Speaking Native Language] |
| 01:22:00 |
- What are they saying? |
| 01:22:03 |
[Speaking Native Language] |
| 01:22:12 |
What's he saying now? |
| 01:22:17 |
And he says that, no, |
| 01:22:20 |
- [Speaking Native Language] |
| 01:22:23 |
- L-I don't know! |
| 01:22:44 |
Senor! |
| 01:22:48 |
Senor, you cannot |
| 01:22:55 |
Senor! Senor, stop! |
| 01:23:11 |
Senor, we can return |
| 01:23:16 |
but you must come back |
| 01:23:24 |
I said now, senor! |
| 01:23:29 |
No, no, no, no jump! |
| 01:23:41 |
[Gasping] |
| 01:24:27 |
[Metal Grinding] |
| 01:26:18 |
[Ben's Voice] |
| 01:26:20 |
- [Miriam] Join her. |
| 01:26:22 |
[Jeffrey] |
| 01:26:25 |
[Emily] |
| 01:26:28 |
[Madeline] A hundred steps |
| 01:26:35 |
[Miriam] |
| 01:26:37 |
- [Miriam] |
| 01:26:39 |
- [Emily] Joe? |
| 01:27:54 |
[People Screaming] |
| 01:29:40 |
[Birds Chirping] |
| 01:29:45 |
[Coughing] |
| 01:29:56 |
[Coughing] |
| 01:29:59 |
You are one crazy |
| 01:30:01 |
You are lucky |
| 01:30:04 |
It's been over an hour. |
| 01:30:07 |
We will cross the river |
| 01:30:09 |
And with a little bit of luck, |
| 01:30:13 |
Vamonos. |
| 01:30:23 |
She made it |
| 01:30:27 |
No, you cannot |
| 01:30:29 |
Stop! I cannot |
| 01:30:34 |
Stop, senor! |
| 01:30:59 |
Senor! Senor, stop! |
| 01:31:10 |
[Tapping] |
| 01:31:19 |
[Tapping Continues] |
| 01:31:27 |
Senor! |
| 01:31:33 |
The man said |
| 01:31:39 |
I've got permission. |
| 01:31:41 |
No one's keeping me |
| 01:32:01 |
[Yelling In Native Language] |
| 01:32:33 |
Please. My wife. |
| 01:32:37 |
Did you know her? |
| 01:32:40 |
Mi... Mi esposa. |
| 01:32:45 |
Did you know her? |
| 01:32:51 |
Mi esposa. |
| 01:32:59 |
[Speaking Native Language] |
| 01:33:03 |
- [Speaking Native Language] |
| 01:33:11 |
Mi esposa. |
| 01:33:16 |
The waterfall. |
| 01:33:18 |
She was here. |
| 01:33:38 |
[Speaking Native Language] |
| 01:33:56 |
She say |
| 01:34:00 |
She came to help them... |
| 01:34:03 |
until the river |
| 01:34:08 |
dying. |
| 01:34:10 |
[Woman Speaking |
| 01:34:23 |
They could not save |
| 01:34:26 |
but they save her soul. |
| 01:34:57 |
[Speaking Native Language] |
| 01:35:51 |
[Baby Gurgling] |
| 01:35:57 |
[Baby Gurgling] |
| 01:36:09 |
[Baby Cooing] |
| 01:36:20 |
[Speaking Native Language] |
| 01:36:29 |
She said, "dragonfly." |
| 01:36:57 |
[Joe Narrating] |
| 01:37:00 |
at least while she was |
| 01:37:04 |
And I don't know |
| 01:37:08 |
so small and fragile |
| 01:37:13 |
What I do know is |
| 01:37:19 |
What she taught me in life, |
| 01:37:24 |
to trust, to have faith. |
| 01:37:31 |
Because as a friend |
| 01:37:33 |
[Gurgling] |
| 01:39:00 |
Come |
| 01:39:03 |
Come out and play |
| 01:39:08 |
We miss your face |
| 01:39:13 |
And the funny things you say |
| 01:39:18 |
Be |
| 01:39:21 |
Just be yourself |
| 01:39:26 |
And nothing else |
| 01:39:31 |
Will push you away |
| 01:39:36 |
And I feel |
| 01:39:41 |
So much love |
| 01:39:46 |
When it's all mixed up |
| 01:39:50 |
It wraps itself around me |
| 01:39:57 |
Star |
| 01:40:01 |
We knew you well |
| 01:40:06 |
Yeah, all too well |
| 01:40:10 |
And there's nothing left to hide |
| 01:40:14 |
Don't hide |
| 01:40:16 |
And I feel |
| 01:40:20 |
So much love |
| 01:40:25 |
When it's all mixed up |
| 01:40:30 |
It wraps itself around me |
| 01:40:36 |
And when you get what you want |
| 01:40:38 |
When you know what you need |
| 01:40:41 |
And you tag me I'm it |
| 01:40:43 |
Olly-ox and you're free |
| 01:40:45 |
Let me play on your side |
| 01:40:48 |
Let me be on your team |
| 01:40:51 |
Let me state my case |
| 01:40:56 |
Don't go away |
| 01:41:03 |
Find |
| 01:41:06 |
What you already are |
| 01:41:12 |
Where it's not too close |
| 01:41:17 |
But never too far |
| 01:41:19 |
Don't go too far, too far |
| 01:41:41 |
And I feel |
| 01:41:46 |
So much love |
| 01:41:51 |
When it's all mixed up and |
| 01:41:55 |
Wraps itself around me |
| 01:41:58 |
Me, me |
| 01:42:01 |
And I feel |
| 01:42:06 |
So much love |
| 01:42:08 |
So much love |
| 01:42:10 |
When it's all mixed up |
| 01:42:15 |
It wraps itself around me |
| 01:42:20 |
And I feel |
| 01:42:26 |
So much love |
| 01:42:31 |
When it's all mixed up |
| 01:42:35 |
It wraps itself around |
| 00:00:04 |
Please. |
| 00:00:07 |
This is private property. |
| 00:00:09 |
I know, I tried to call. |
| 00:00:12 |
Chaplain Services only |
| 00:00:14 |
He'll call the police. |
| 00:00:17 |
Just five minutes. |
| 00:00:19 |
You people have done |
| 00:00:21 |
- You don't understand. |
| 00:00:24 |
No more journalists. |
| 00:00:27 |
I'm not a journalist. |
| 00:00:31 |
Head of Emergency Services... |
| 00:00:34 |
at Chicago |
| 00:00:37 |
Joe Darrow. |
| 00:00:41 |
Emily's Joe. |
| 00:00:47 |
[Whispering] |
| 00:00:49 |
I need to know |
| 00:00:54 |
I've called the police. |
| 00:00:56 |
It's all right. |
| 00:01:00 |
I'm sorry. |
| 00:01:03 |
with the understanding |
| 00:01:07 |
[Bell Ringing] |
| 00:01:09 |
Yes, sir. |
| 00:01:17 |
The police respond quickly. |
| 00:01:39 |
Do you have business |
| 00:01:42 |
Beg your pardon? |
| 00:01:49 |
[Police Radio Chatter] |
| 00:02:33 |
[Sister Madeline] |
| 00:02:37 |
in miracles anymore, |
| 00:02:42 |
And the pediatric |
| 00:02:45 |
was the perfect laboratory |
| 00:02:48 |
the near-death experience. |
| 00:02:51 |
Being kids, they were |
| 00:02:55 |
on the other side. |
| 00:02:58 |
You're convinced it's not |
| 00:03:02 |
Just in their minds? |
| 00:03:06 |
What we're experiencing |
| 00:03:11 |
You're a doctor |
| 00:03:14 |
of being one, right? |
| 00:03:17 |
You imagined that... |
| 00:03:20 |
for yourself. |
| 00:03:23 |
If we can create this world |
| 00:03:27 |
why not the next? |
| 00:03:29 |
S-So you're saying, |
| 00:03:32 |
Gets us there. |
| 00:03:35 |
Did Emily believe? |
| 00:03:39 |
Because I think |
| 00:03:42 |
I believe she's trying |
| 00:03:46 |
Two kids have seen her. |
| 00:03:48 |
One was flat-lined, |
| 00:03:52 |
In the tunnel? |
| 00:03:55 |
Trying to tell me something, |
| 00:03:59 |
But I don't know what. |
| 00:04:02 |
And they... they... |
| 00:04:06 |
after they've... |
| 00:04:09 |
Have you ever seen |
| 00:04:13 |
No. |
| 00:04:25 |
I don't know. |
| 00:04:27 |
Am l... |
| 00:04:34 |
As nuts |
| 00:04:37 |
thinking there was |
| 00:04:42 |
Talk to an anesthesiologist. |
| 00:04:45 |
There are a hundred steps on |
| 00:04:49 |
between being |
| 00:04:52 |
and being dead. |
| 00:04:54 |
To put a patient under, |
| 00:04:57 |
only to the tenth rung. |
| 00:05:00 |
Beneath that is |
| 00:05:05 |
like the depths |
| 00:05:08 |
no one has explored. |
| 00:05:10 |
It's in those depths, |
| 00:05:14 |
she's finding them... |
| 00:05:17 |
They're her conduit, |
| 00:05:20 |
you'd find your way |
| 00:05:24 |
Stay close to them. |
| 00:05:27 |
Be with them when they slip away |
| 00:05:30 |
when they first awaken, |
| 00:05:35 |
One of them... |
| 00:05:37 |
will come back |
| 00:06:42 |
[Elevator Bell Dings] |
| 00:06:46 |
Release forms. |
| 00:06:48 |
[Chattering] |
| 00:06:51 |
- Where is it? |
| 00:06:53 |
Watch your line here. |
| 00:06:55 |
Hook him up to the ventilator |
| 00:06:58 |
This is Jeanette in Nephrology. |
| 00:07:01 |
Monitors are ready. |
| 00:07:03 |
Yes, it is an emergency. |
| 00:07:05 |
No, I can't hold. |
| 00:07:09 |
We've got a healthy kidney |
| 00:07:12 |
Joe. |
| 00:07:14 |
Yeah. |
| 00:07:17 |
and I want you |
| 00:07:21 |
All right. They're |
| 00:07:25 |
I want that made clear |
| 00:07:28 |
Stay on top of his vitals. |
| 00:07:32 |
I don't want anybody cutting |
| 00:07:34 |
Put Jeanette |
| 00:07:38 |
Jeanette. |
| 00:07:54 |
- You're Dickinson? |
| 00:07:57 |
They told me not to leave him, |
| 00:08:02 |
I'll keep watch |
| 00:08:05 |
Ventilator's set at 16. |
| 00:08:41 |
[Helicopter Approaches] |
| 00:09:10 |
[Beeping] |
| 00:09:22 |
[Softly] |
| 00:09:32 |
Joe. |
| 00:09:55 |
Come closer. |
| 00:10:00 |
Dear God. |
| 00:10:03 |
- [Man] We're from Lakeview. |
| 00:10:06 |
- Double doors on the right. |
| 00:10:10 |
Guys, we're gonna have to... |
| 00:10:19 |
We're from Lakeview in Lansing. |
| 00:10:22 |
You're not supposed to |
| 00:10:25 |
Get out. |
| 00:10:27 |
- Hey, take it easy, Doctor. |
| 00:10:29 |
Get everyone out. |
| 00:10:32 |
Dickinson's |
| 00:10:34 |
He said let's move 'em |
| 00:10:36 |
Wait, okay? |
| 00:10:38 |
It's all right. |
| 00:10:42 |
Hey, what are we waiting for? |
| 00:10:45 |
Charlie, wait a second. |
| 00:10:47 |
This man's not dead. |
| 00:10:50 |
I saw it. |
| 00:10:53 |
Come on, Joe. |
| 00:10:56 |
Come on. Let's go. |
| 00:10:59 |
Charlie, listen. |
| 00:11:03 |
Charlie, there's |
| 00:11:06 |
Don't kill this man. |
| 00:11:10 |
He spoke to me. |
| 00:11:12 |
Joe, this man |
| 00:11:15 |
It was her voice. |
| 00:11:18 |
Don't talk like this. |
| 00:11:20 |
You've gotta listen to me. |
| 00:11:23 |
For one minute. |
| 00:11:27 |
- Come on. Get him inside! |
| 00:11:30 |
Back off, man! |
| 00:11:34 |
- Somebody get Security! |
| 00:11:36 |
- For God's sake, Joe! |
| 00:11:39 |
Charlie, |
| 00:11:42 |
Joe! We need Security |
| 00:11:46 |
Please, listen to me! |
| 00:11:49 |
[Groaning] |
| 00:11:52 |
[Sirens Wailing In Distance] |
| 00:11:57 |
[Chattering] |
| 00:11:59 |
All right. |
| 00:12:01 |
We're going down. |
| 00:12:07 |
[Police Radio Chatter] |
| 00:12:12 |
[Joe] |
| 00:12:17 |
You posted bail? |
| 00:12:22 |
I also spoke to the hospital |
| 00:12:25 |
if you'll agree to take |
| 00:12:29 |
He said you claimed |
| 00:12:34 |
No. |
| 00:12:38 |
It was Emily. |
| 00:12:42 |
Speaking through him. |
| 00:12:46 |
You know, I could almost |
| 00:12:49 |
Of course |
| 00:12:52 |
Okay, then how about |
| 00:12:55 |
What kid? |
| 00:12:59 |
The first time he ever met her |
| 00:13:02 |
I've got his admission records |
| 00:13:05 |
That's evidence, right? |
| 00:13:08 |
She's trying to reach me, |
| 00:13:12 |
Why? |
| 00:13:19 |
Oh, you don't think |
| 00:13:22 |
If a kid could see her |
| 00:13:25 |
couldn't she be trying to |
| 00:13:27 |
There were no survivors. |
| 00:13:32 |
And never found her! |
| 00:13:35 |
because you never saw her body |
| 00:13:42 |
Emily's dead, Joe. |
| 00:13:46 |
That's what |
| 00:13:48 |
your refusal |
| 00:13:51 |
Look. |
| 00:13:53 |
If I hadn't seen Hannah's body, |
| 00:13:57 |
I'd still be waiting |
| 00:14:01 |
You have to |
| 00:14:04 |
You gotta |
| 00:14:08 |
Like everyone does. |
| 00:14:10 |
You gotta |
| 00:14:13 |
and take down the vacancy sign |
| 00:14:18 |
and get on with your life |
| 00:14:27 |
[Bag Crinkling] |
| 00:14:30 |
[Softly] |
| 00:14:37 |
What about |
| 00:14:40 |
What do you mean, |
| 00:14:42 |
Well, anything to get |
| 00:14:45 |
So, you think |
| 00:14:47 |
Maybe I'll go |
| 00:14:50 |
I'm mean with a paddle. |
| 00:14:54 |
The river's up |
| 00:14:56 |
It's gone from |
| 00:14:59 |
I want us all to go home, |
| 00:15:02 |
Note the hazard points, |
| 00:15:05 |
Oh, check out |
| 00:15:08 |
I'm just bringing my thong. |
| 00:15:11 |
Well, it better be disposable, |
| 00:15:14 |
Speaking of drink, |
| 00:15:17 |
Yeah! |
| 00:15:27 |
[Dog Barking In Distance] |
| 00:15:37 |
What do you think? |
| 00:15:40 |
I think it's an idea |
| 00:15:42 |
[Chuckles] |
| 00:15:47 |
The agent said |
| 00:15:49 |
Oh, get what you can |
| 00:15:51 |
Leave the memories behind. |
| 00:15:55 |
Yeah, but I didn't have corpses |
| 00:15:59 |
[Both Laughing] |
| 00:16:01 |
I'm gonna miss you, Joe. |
| 00:16:04 |
I'm gonna |
| 00:16:10 |
Would you show it for me |
| 00:16:13 |
- I'm taking that white-water trip. |
| 00:16:17 |
It's good to see you |
| 00:16:23 |
[Car Door Opens, |
| 00:17:46 |
[Lightbulb Crackling] |
| 00:17:49 |
[Lightbulb Pops] |
| 00:18:13 |
[Clattering, Footsteps] |
| 00:19:09 |
[Front Door Creaking] |
| 00:19:16 |
[Creaking] |
| 00:19:30 |
[Wind Chimes Jingling] |
| 00:20:56 |
[Hal] Hello. |
| 00:20:59 |
there's a symbol... |
| 00:21:03 |
Waterfalls. Put a big |
| 00:21:07 |
They're too high |
| 00:21:11 |
Joe? |
| 00:21:45 |
A rainbow. |
| 00:22:10 |
You are, uh, |
| 00:22:12 |
Muy bien. |
| 00:22:14 |
[Speaking Spanish] |
| 00:22:19 |
Is my pilot here? |
| 00:22:23 |
? Como te vas? |
| 00:22:26 |
I take you bags. |
| 00:22:30 |
Don't worry. |
| 00:22:32 |
You have a license, |
| 00:22:35 |
Pretty much. |
| 00:22:43 |
Juanajuapa. |
| 00:22:45 |
Juanajuapa, |
| 00:22:47 |
Si, Juanajuapa. |
| 00:22:50 |
This is it, right? |
| 00:22:54 |
With the waterfall? |
| 00:22:56 |
I don't know. |
| 00:23:03 |
Is my interpreter here? |
| 00:23:07 |
I speak a little Guaharibo. |
| 00:23:10 |
You talk to them |
| 00:23:12 |
Okay, we go. |
| 00:23:25 |
Is that your girlfriend? |
| 00:23:30 |
It's my wife. |
| 00:23:32 |
Used to be. |
| 00:23:36 |
You come |
| 00:23:41 |
In a way, I guess. |
| 00:23:56 |
There was an accident |
| 00:23:58 |
A bus? |
| 00:24:02 |
La Cruz Roja. |
| 00:24:05 |
You can probably see it |
| 00:24:08 |
It's just up ahead. |
| 00:24:14 |
The rock slide took more |
| 00:24:17 |
It isolated an entire tribe |
| 00:24:21 |
Can you see it |
| 00:24:28 |
Nobody lived. |
| 00:24:30 |
The Yanomami are still wearing |
| 00:24:34 |
That's Juanajuapa |
| 00:24:37 |
Some of the bodies |
| 00:24:40 |
down the river |
| 00:25:06 |
[Victor] |
| 00:25:08 |
they work with |
| 00:25:12 |
Did I mention |
| 00:25:21 |
It's a good thing |
| 00:25:32 |
[Speaking Native Language] |
| 00:25:37 |
[Speaking Native Language] |
| 00:26:05 |
He said he cannot take you |
| 00:26:09 |
But, for a price, |
| 00:28:01 |
[Thunder Rumbling] |
| 00:28:34 |
Senor. |
| 00:28:37 |
Senor. |
| 00:28:40 |
We should go. |
| 00:28:47 |
They, uh... |
| 00:28:50 |
they wouldn't know, |
| 00:28:54 |
body was buried where? |
| 00:28:59 |
Look. If... |
| 00:29:02 |
any worse, |
| 00:29:05 |
And... And that's |
| 00:29:12 |
[Thunder Rumbling] |
| 00:29:23 |
[Speaking Native Language] |
| 00:29:33 |
Senors. |
| 00:29:36 |
Senors, uh... |
| 00:29:38 |
my wife. |
| 00:29:41 |
Mi esposa. |
| 00:29:44 |
- La Cruz Roja. |
| 00:29:47 |
? Donde? |
| 00:29:49 |
Does any... |
| 00:29:52 |
[Speaking Native Language] |
| 00:29:55 |
[Speaking Native Language] |
| 00:30:00 |
- What are they saying? |
| 00:30:04 |
[Speaking Native Language] |
| 00:30:13 |
What's he saying now? |
| 00:30:17 |
And he says that, no, |
| 00:30:20 |
- [Speaking Native Language] |
| 00:30:23 |
- L-I don't know! |
| 00:30:45 |
Senor! |
| 00:30:49 |
Senor, you cannot |
| 00:30:56 |
Senor! Senor, stop! |
| 00:31:11 |
Senor, we can return |
| 00:31:16 |
but you must come back |
| 00:31:24 |
I said now, senor! |
| 00:31:29 |
No, no, no, no jump! |
| 00:31:42 |
[Gasping] |
| 00:32:27 |
[Metal Grinding] |
| 00:34:18 |
[Ben's Voice] |
| 00:34:21 |
- [Miriam] Join her. |
| 00:34:23 |
[Jeffrey] |
| 00:34:26 |
[Emily] |
| 00:34:28 |
[Madeline] A hundred steps |
| 00:34:35 |
[Miriam] |
| 00:34:37 |
- [Miriam] |
| 00:34:39 |
- [Emily] Joe? |
| 00:35:55 |
[People Screaming] |
| 00:37:40 |
[Birds Chirping] |
| 00:37:45 |
[Coughing] |
| 00:37:57 |
[Coughing] |
| 00:37:59 |
You are one crazy |
| 00:38:02 |
You are lucky |
| 00:38:04 |
It's been over an hour. |
| 00:38:07 |
We will cross the river |
| 00:38:10 |
And with a little bit of luck, |
| 00:38:13 |
Vamonos. |
| 00:38:23 |
She made it |
| 00:38:27 |
No, you cannot |
| 00:38:30 |
Stop! I cannot |
| 00:38:35 |
Stop, senor! |
| 00:38:59 |
Senor! Senor, stop! |
| 00:39:10 |
[Tapping] |
| 00:39:20 |
[Tapping Continues] |
| 00:39:27 |
Senor! |
| 00:39:33 |
The man said |
| 00:39:39 |
I've got permission. |
| 00:39:41 |
No one's keeping me |
| 00:40:02 |
[Yelling In Native Language] |
| 00:40:34 |
Please. My wife. |
| 00:40:37 |
Did you know her? |
| 00:40:41 |
Mi... Mi esposa. |
| 00:40:45 |
Did you know her? |
| 00:40:52 |
Mi esposa. |
| 00:41:00 |
[Speaking Native Language] |
| 00:41:03 |
- [Speaking Native Language] |
| 00:41:12 |
Mi esposa. |
| 00:41:16 |
The waterfall. |
| 00:41:19 |
She was here. |
| 00:41:38 |
[Speaking Native Language] |
| 00:41:56 |
She say |
| 00:42:00 |
She came to help them... |
| 00:42:04 |
until the river |
| 00:42:08 |
dying. |
| 00:42:10 |
[Woman Speaking |
| 00:42:23 |
They could not save |
| 00:42:27 |
but they save her soul. |
| 00:42:58 |
[Speaking Native Language] |
| 00:43:51 |
[Baby Gurgling] |
| 00:43:57 |
[Baby Gurgling] |
| 00:44:09 |
[Baby Cooing] |
| 00:44:20 |
[Speaking Native Language] |
| 00:44:29 |
She said, "dragonfly." |
| 00:44:58 |
[Joe Narrating] |
| 00:45:00 |
at least while she was |
| 00:45:04 |
And I don't know |
| 00:45:08 |
so small and fragile |
| 00:45:14 |
What I do know is |
| 00:45:20 |
What she taught me in life, |
| 00:45:25 |
to trust, to have faith. |
| 00:45:31 |
Because as a friend |
| 00:45:34 |
[Gurgling] |
| 00:47:00 |
Come |
| 00:47:03 |
Come out and play |
| 00:47:08 |
We miss your face |
| 00:47:13 |
And the funny things you say |
| 00:47:18 |
Be |
| 00:47:22 |
Just be yourself |
| 00:47:27 |
And nothing else |
| 00:47:32 |
Will push you away |
| 00:47:37 |
And I feel |
| 00:47:42 |
So much love |
| 00:47:46 |
When it's all mixed up |
| 00:47:51 |
It wraps itself around me |
| 00:47:57 |
Star |
| 00:48:01 |
We knew you well |
| 00:48:06 |
Yeah, all too well |
| 00:48:11 |
And there's nothing left to hide |
| 00:48:14 |
Don't hide |
| 00:48:16 |
And I feel |
| 00:48:21 |
So much love |
| 00:48:26 |
When it's all mixed up |
| 00:48:30 |
It wraps itself around me |
| 00:48:36 |
And when you get what you want |
| 00:48:38 |
When you know what you need |
| 00:48:41 |
And you tag me I'm it |
| 00:48:43 |
Olly-ox and you're free |
| 00:48:46 |
Let me play on your side |
| 00:48:48 |
Let me be on your team |
| 00:48:51 |
Let me state my case |
| 00:48:56 |
Don't go away |
| 00:49:04 |
Find |
| 00:49:07 |
What you already are |
| 00:49:12 |
Where it's not too close |
| 00:49:17 |
But never too far |
| 00:49:19 |
Don't go too far, too far |
| 00:49:42 |
And I feel |
| 00:49:47 |
So much love |
| 00:49:51 |
When it's all mixed up and |
| 00:49:56 |
Wraps itself around me |
| 00:49:59 |
Me, me |
| 00:50:01 |
And I feel |
| 00:50:06 |
So much love |
| 00:50:08 |
So much love |
| 00:50:11 |
When it's all mixed up |
| 00:50:15 |
It wraps itself around me |
| 00:50:21 |
And I feel |
| 00:50:26 |
So much love |
| 00:50:31 |
When it's all mixed up |
| 00:50:36 |
It wraps itself around |
