|
Dreamers The
|
| 00:00:40 |
Subtitles by # Mech$tar 143 # |
| 00:01:47 |
The first time I saw a movie |
| 00:01:51 |
I thought, "Only the French... |
| 00:01:54 |
Only the French would house |
| 00:02:07 |
The movie was |
| 00:02:11 |
Its images were so powerful, |
| 00:02:17 |
I was 20 years old. |
| 00:02:20 |
and I'd come to Paris |
| 00:02:23 |
But it was here |
| 00:02:27 |
I became a member of what in those days |
| 00:02:31 |
A free masonry of cinephiles... |
| 00:02:33 |
what we'd call "film buffs. " |
| 00:02:42 |
I was one of the insatiables... |
| 00:02:45 |
the ones you'd always find |
| 00:02:49 |
Why do we sit so close? |
| 00:02:52 |
Maybe it was because we wanted |
| 00:02:56 |
when they were still new, |
| 00:02:58 |
before they cleared the hurdles |
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before they'd been relayed back |
| 00:03:06 |
until worn-out, secondhand, |
| 00:03:10 |
it returned to the |
| 00:03:12 |
Doctor, I'm not nuts! |
| 00:03:16 |
Maybe, too, the screen |
| 00:03:18 |
It screened us... |
| 00:03:32 |
But there was one evening |
| 00:03:36 |
when the world finally |
| 00:03:39 |
The pawn of an obscure coalition... |
| 00:03:42 |
of dubious interests... |
| 00:03:44 |
the Minister Malraux |
| 00:03:46 |
Henri Langlois out |
| 00:03:49 |
...if offered us all |
| 00:03:52 |
of French film culture. |
| 00:03:54 |
Now, for bureaucratic reasons, |
| 00:03:58 |
have seized this bastion |
| 00:04:02 |
Resist them! |
| 00:04:03 |
- Liberty isn't given! |
| 00:04:06 |
All those who love film... |
| 00:04:08 |
- In France... |
| 00:04:09 |
...are with you. |
| 00:04:11 |
And with Henry Langlois! |
| 00:04:22 |
It was Henri Langlois, |
| 00:04:25 |
and it was because |
| 00:04:27 |
instead of letting them rot |
| 00:04:30 |
to show any movies... |
| 00:04:33 |
silents, Westerns, thrillers... |
| 00:04:36 |
that all the New Wave filmmakers |
| 00:04:41 |
This was where |
| 00:04:44 |
What lies behind it? |
| 00:04:46 |
The police! |
| 00:04:50 |
Langlois had been sacked |
| 00:04:52 |
and it seemed like every film buff |
| 00:04:56 |
It was our very own |
| 00:05:22 |
Excuse me. |
| 00:05:27 |
Can you remove this? |
| 00:05:29 |
It's stuck to my lips. |
| 00:05:32 |
Can you remove my cigarette? |
| 00:05:35 |
Yes, yes... |
| 00:05:38 |
of course. |
| 00:05:41 |
Sorry. |
| 00:05:42 |
- What are you, English? |
| 00:05:46 |
You can put it out now. |
| 00:05:52 |
- What's your name? |
| 00:05:55 |
You're here a lot, aren't you? |
| 00:05:57 |
We've been wondering |
| 00:05:59 |
I don't really know anybody. |
| 00:06:02 |
How come you're |
| 00:06:04 |
I'm not chained |
| 00:06:11 |
- You're awfully clean. |
| 00:06:13 |
For someone who likes |
| 00:06:16 |
- Do you know Jacques? |
| 00:06:18 |
"If shit could shit, |
| 00:06:20 |
My brother's |
| 00:06:22 |
When he gets back, you'll be able |
| 00:06:26 |
It's like |
| 00:06:29 |
- You speak English really well. |
| 00:06:31 |
- You speak English really well. |
| 00:06:35 |
- Here's Theo. When I introduce you, just give him a sniff. |
| 00:06:39 |
Truffaut, Godard, Charbol, Rivette... |
| 00:06:41 |
and Renoir,Jean Rouch, |
| 00:06:45 |
Signoret, Jean Marais |
| 00:06:47 |
Marcel Carne too. |
| 00:06:49 |
Why is Carne here? |
| 00:06:50 |
What should we do? |
| 00:06:54 |
I don't know. |
| 00:06:56 |
Theo, this is Matthew. |
| 00:07:00 |
- You were right. He's American. |
| 00:07:05 |
I've seen you around. You've been coming |
| 00:07:09 |
Yeah. I really like his movies. |
| 00:07:11 |
- What? They Live By Night? |
| 00:07:15 |
Johnny Guitar |
| 00:07:19 |
- You know what Godard wrote about him? |
| 00:07:22 |
"Nicholas Ray is cinema. " |
| 00:07:24 |
- What's up with you? |
| 00:07:27 |
Come on, stick with me! |
| 00:08:01 |
Fascists! |
| 00:08:02 |
- Bastards! |
| 00:08:08 |
And that was how I first met |
| 00:08:20 |
I could hear my heart pounding. |
| 00:08:23 |
I don't know if it was |
| 00:08:26 |
or because I was already |
| 00:08:29 |
As we walked and talked |
| 00:08:33 |
about politics, about movies... |
| 00:08:35 |
and why the French could never come |
| 00:08:38 |
- I'm starving. |
| 00:08:41 |
I didn't want that night |
| 00:08:46 |
- Merci. |
| 00:08:49 |
No. I'm okay. |
| 00:08:51 |
Don't mind me. |
| 00:08:54 |
- No. I'm really not hungry. |
| 00:08:57 |
- You're very kind, but I don't... |
| 00:09:00 |
Thank you. |
| 00:09:02 |
- Theo, don't you have something for Matthew? |
| 00:09:06 |
- I gave him a third of mine. |
| 00:09:12 |
- Really, I didn't come here to eat your sandwiches. |
| 00:09:15 |
Yes, he does! He's just too polite |
| 00:09:19 |
- Aren't you, Matthew? |
| 00:09:21 |
- So where are you from exactly? |
| 00:09:25 |
What about you two? |
| 00:09:30 |
I entered this world on |
| 00:09:34 |
The pavement of the Champs-Elysees. |
| 00:09:36 |
And you know what |
| 00:09:39 |
No. What? |
| 00:09:41 |
"New York Herald Tribune!" |
| 00:09:43 |
New York Herald Tribune! |
| 00:09:46 |
- New York Herald Tribune! |
| 00:09:51 |
Will you come to Rome with me? |
| 00:09:58 |
Here! Right here! Here! |
| 00:10:00 |
No, there! |
| 00:10:02 |
- Good night, Matthew! |
| 00:10:52 |
"Dear Mom... |
| 00:10:54 |
"I've got some real news this time. |
| 00:10:59 |
I just met |
| 00:11:44 |
- Hello. |
| 00:11:47 |
Who is this? |
| 00:11:49 |
- Don't be suspicious. It's me. |
| 00:11:52 |
- Don't tell me I woke you up. |
| 00:11:55 |
- I've been up for ages. |
| 00:11:58 |
I always sound like this |
| 00:12:01 |
Sorry. I had to call you early |
| 00:12:04 |
- Right. |
| 00:12:10 |
Um, you mean like a real dinner |
| 00:12:15 |
No, not in a restaurant. |
| 00:12:19 |
Yeah, I'd... |
| 00:12:22 |
Yes? Okay, why don't you... |
| 00:12:24 |
Theo, please get off the phone. |
| 00:12:26 |
Yes, yes. Why don't you meet us |
| 00:12:31 |
You know where it is? |
| 00:12:33 |
- Boulevard Saint-Germain? |
| 00:12:42 |
Hey! |
| 00:12:44 |
Third floor! |
| 00:12:47 |
You know, there's room |
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Theo and I are contagious! |
| 00:12:53 |
- We're very contagious! |
| 00:12:56 |
You mustn't catch us. |
| 00:13:15 |
- It's beautiful. |
| 00:13:18 |
Good luck. |
| 00:13:27 |
Evening, Maman. |
| 00:13:31 |
What are you doing here? |
| 00:13:33 |
- We're here for dinner. |
| 00:13:35 |
With Matthew. |
| 00:13:37 |
- Didn't Isabelle say? |
| 00:13:39 |
This Matthew. |
| 00:13:42 |
He's our new friend. |
| 00:13:45 |
- Hi. |
| 00:13:47 |
- Likewise. |
| 00:13:50 |
- Yeah. I'm from California. |
| 00:13:53 |
Matthew lives in that nasty student |
| 00:13:55 |
- so we invited him to dinner. |
| 00:13:58 |
What's wrong? |
| 00:13:59 |
What can I say, Isabelle? |
| 00:14:03 |
and now there are |
| 00:14:04 |
Didn't Theo |
| 00:14:05 |
No, he didn't. |
| 00:14:08 |
Have you got mashed potatoes |
| 00:14:11 |
You were supposed |
| 00:14:13 |
You're crazy! |
| 00:14:15 |
Bitch, cow, slut... |
| 00:14:17 |
Oh, for God's sake! |
| 00:14:22 |
I must apologize for |
| 00:14:25 |
No. I'm the one |
| 00:14:29 |
Please don't put yourself out |
| 00:14:31 |
That's very sweet of you, |
| 00:14:37 |
Let me look at you. |
| 00:14:40 |
Okay. I want you to make |
| 00:14:53 |
Papa, it's me. |
| 00:14:55 |
We're eating in. |
| 00:14:57 |
And the cinematheque? |
| 00:14:59 |
Closed until further |
| 00:15:01 |
Papa, can't you see we have a guest? |
| 00:15:04 |
- This is Matthew. |
| 00:15:08 |
- Sir. |
| 00:15:10 |
Matthew's dining |
| 00:15:13 |
My young Matthew, |
| 00:15:18 |
It does not choose a nice, |
| 00:15:22 |
It has no consideration |
| 00:15:27 |
But when it does come... |
| 00:15:29 |
when it deigns to come, |
| 00:15:38 |
Young man, I was speaking to you. |
| 00:15:43 |
I was. |
| 00:15:47 |
What? |
| 00:15:49 |
Nothing. |
| 00:15:54 |
You seemed to be mesmerized |
| 00:15:57 |
I'd like to know why. |
| 00:16:01 |
- Well? |
| 00:16:03 |
- Matthew's our guest. |
| 00:16:06 |
I'd like to know why. |
| 00:16:11 |
I was just... I was fidgeting |
| 00:16:15 |
and... I wasn't |
| 00:16:17 |
then I noticed, |
| 00:16:19 |
so I put it down |
| 00:16:21 |
But I put it diagonally across |
| 00:16:23 |
Do you see? |
| 00:16:26 |
Look. |
| 00:16:28 |
That's when I noticed |
| 00:16:30 |
is exactly the same length |
| 00:16:33 |
So I put it lengthwise, |
| 00:16:38 |
- Look. It fits there too. |
| 00:16:42 |
But it fits there. |
| 00:16:46 |
And it fits like this |
| 00:16:49 |
and this way too. |
| 00:16:52 |
And I bet you if |
| 00:16:56 |
you know, it's |
| 00:16:59 |
I mean, it really |
| 00:17:03 |
See? |
| 00:17:05 |
I was noticing that the more |
| 00:17:08 |
this table, the objects on it, |
| 00:17:13 |
your nose, the world... |
| 00:17:16 |
suddenly... |
| 00:17:19 |
you realize that there's some |
| 00:17:23 |
of shapes and sizes. |
| 00:17:28 |
I was just wondering why. |
| 00:17:32 |
I know that it is. |
| 00:17:42 |
You have an interesting |
| 00:17:44 |
More interesting, I suspect, |
| 00:17:50 |
I mean, when we look around us, |
| 00:17:54 |
Complete chaos. |
| 00:17:59 |
Yet viewed from above... |
| 00:18:01 |
viewed, as it were, |
| 00:18:05 |
everything suddenly |
| 00:18:10 |
My children believe that |
| 00:18:14 |
and happenings... |
| 00:18:16 |
what, they believe that these possess |
| 00:18:20 |
not only to provoke society, |
| 00:18:30 |
What is it you're saying? If Langlois |
| 00:18:34 |
If immigrants are deported, if students |
| 00:18:39 |
What I'm saying is that |
| 00:18:43 |
So, uh, |
| 00:18:47 |
In France, in Italy, |
| 00:18:50 |
Listen to me, Theo. |
| 00:18:52 |
you must realize |
| 00:18:55 |
You cannot stand outside |
| 00:18:59 |
You're the one |
| 00:19:02 |
You're the one who refused to sign |
| 00:19:05 |
Poets don't sign petitions. |
| 00:19:08 |
A petition is a poem. |
| 00:19:11 |
Yes! And a poem is a petition. |
| 00:19:15 |
I don't need you to remind me |
| 00:19:17 |
- Hmm? |
| 00:19:20 |
A petition is a poem, |
| 00:19:23 |
- Yes. |
| 00:19:29 |
And now look at you. |
| 00:19:33 |
I hope I'll never be like him. |
| 00:19:35 |
Theo. |
| 00:19:38 |
We should say goodnight, darling. |
| 00:19:40 |
We got a long day |
| 00:19:43 |
George. |
| 00:19:45 |
Yes, sorry. You were saying? |
| 00:19:47 |
We should go to bed. |
| 00:19:51 |
You had something |
| 00:19:54 |
Yes, of course. |
| 00:19:56 |
I'm sorry. |
| 00:19:57 |
The cheques |
| 00:20:00 |
Don't cash them |
| 00:20:05 |
Good night, everybody. |
| 00:20:07 |
Good night, Papa. Have a safe journey. |
| 00:20:10 |
Good night, dear. |
| 00:20:14 |
A very good night to you, Matthew. |
| 00:20:16 |
It was a pleasure meeting you, sir. |
| 00:20:20 |
- Very nice meeting you, Matthew. |
| 00:20:22 |
- Thank you so much for dinner. |
| 00:20:24 |
Why don't you invite Matthew |
| 00:20:26 |
I'm not sure I like the sound |
| 00:20:30 |
Good night. |
| 00:20:57 |
Why haven't you dazzled us with these |
| 00:21:02 |
- I didn't know I was being philosophical. |
| 00:21:06 |
- Papa's full of shit. |
| 00:21:10 |
I... I wish my parents |
| 00:21:13 |
Other people's parents |
| 00:21:17 |
And yet for some reason, |
| 00:21:19 |
are always nicer |
| 00:21:24 |
You know, that's true. |
| 00:21:26 |
I never thought about it before, |
| 00:21:30 |
Matthew, you sweet... |
| 00:21:34 |
This... |
| 00:21:36 |
is double the length of... |
| 00:21:41 |
Well, I'm for bed. |
| 00:21:55 |
Are you staying? |
| 00:21:58 |
- Are you okay? |
| 00:22:02 |
Good night, Matthew. |
| 00:22:14 |
Everybody's got a father. |
| 00:22:17 |
Yes. |
| 00:22:19 |
But the fact that |
| 00:22:22 |
doesn't mean |
| 00:23:07 |
Okay? |
| 00:23:10 |
That's fine. |
| 00:23:12 |
- Good night. |
| 00:23:14 |
- See you in the morning. |
| 00:23:17 |
Thank... |
| 00:23:19 |
Thank you. |
| 00:23:37 |
No! |
| 00:26:25 |
Good morning. |
| 00:26:30 |
What was that all about? |
| 00:26:32 |
I was removing the sleep |
| 00:26:34 |
Theo lets me do his |
| 00:26:38 |
That's the strangest thing |
| 00:26:40 |
Didn't you enjoy it? |
| 00:26:43 |
- Was I supposed to? |
| 00:26:53 |
Up, up, up, up, up! |
| 00:26:55 |
Isabelle, |
| 00:27:56 |
- What are you doing? |
| 00:27:59 |
I've been memorizing this room. |
| 00:28:04 |
In the future, in my memory... |
| 00:28:06 |
I shall live a great deal in this room. |
| 00:28:10 |
Queen Christina... |
| 00:28:12 |
where Greta Garbo |
| 00:28:14 |
where she spent the night |
| 00:28:16 |
Bravo! |
| 00:28:19 |
Alors. |
| 00:28:21 |
The bathroom's |
| 00:28:23 |
If you aren't there in one minute, |
| 00:28:56 |
Come in. |
| 00:29:01 |
Good morning. |
| 00:29:03 |
Are you going to church? |
| 00:29:08 |
Oh, sorry. You want to use |
| 00:29:12 |
- Uh, no. |
| 00:29:14 |
I'll use my finger. |
| 00:29:22 |
- Sleep well? |
| 00:29:25 |
- I mean, fine. |
| 00:29:36 |
- You know, Matthew? |
| 00:29:38 |
You really do have the most |
| 00:29:44 |
Can I touch them? |
| 00:29:47 |
- You... You wanna touch my lips? |
| 00:29:51 |
Okay. |
| 00:29:57 |
So red... and ripe |
| 00:30:03 |
So sullen, brutal. |
| 00:30:08 |
Let's see what you |
| 00:30:10 |
- I really should be going. |
| 00:30:13 |
Ignore her, Matthew. |
| 00:30:16 |
No, I... I really have to, um, |
| 00:30:21 |
No. Why? You have been |
| 00:30:23 |
- Really? |
| 00:30:26 |
You know our parents |
| 00:30:28 |
They're going to be |
| 00:30:31 |
We thought you might like |
| 00:30:33 |
- R-Really? |
| 00:30:36 |
But you just met me two days ago. |
| 00:30:39 |
This way we get to know you. You |
| 00:30:42 |
- No. |
| 00:30:44 |
with my Mobilette, okay? |
| 00:30:46 |
- Come on. |
| 00:30:53 |
It was my idea. |
| 00:30:55 |
Whoa! You're scaring me right now! |
| 00:31:02 |
Jesus. |
| 00:31:07 |
I'm going to check out |
| 00:31:10 |
- Okay. |
| 00:31:12 |
Don't worry, I won't. |
| 00:31:15 |
With us, you're not |
| 00:31:17 |
Okay. |
| 00:31:22 |
Oh, just don't forget |
| 00:31:27 |
Okay. |
| 00:31:37 |
"Dear Mom, I guess you're surprised |
| 00:31:40 |
"so soon after my last letter. |
| 00:31:42 |
"But I've just moved out of my hotel |
| 00:31:45 |
"belonging to a famous |
| 00:31:47 |
"whose children are the same age as me |
| 00:31:50 |
"I know how pleased you'll be to hear I'm |
| 00:31:55 |
Sayhello to Father. |
| 00:31:58 |
Listen to this, Matthew. |
| 00:32:00 |
"The difference between |
| 00:32:02 |
"is the difference |
| 00:32:05 |
"between the aristocrat |
| 00:32:08 |
"between eccentricity |
| 00:32:10 |
between man as a machine |
| 00:32:14 |
Not bad, huh? |
| 00:32:15 |
That's good. Except for me, |
| 00:32:19 |
Why? 'Cause Chaplin's |
| 00:32:25 |
No. Because Keaton |
| 00:32:28 |
Keaton? You think Keaton's |
| 00:32:32 |
- Absolutely I do. |
| 00:32:34 |
- Of course I am. |
| 00:32:37 |
Come on. In the first place, you can't |
| 00:32:40 |
- Yes, I can. |
| 00:32:45 |
- I don't think anyone's funnier than Chaplin. |
| 00:32:48 |
Even when he's not doing anything, |
| 00:32:51 |
Keaton is a real filmmaker. Chaplin, all |
| 00:32:55 |
- his own ego. |
| 00:32:57 |
- It's not bullshit. |
| 00:33:00 |
You Americans understand fuck-all |
| 00:33:03 |
- No wonder you never got the point of Jerry Lewis. |
| 00:33:07 |
Listen, when Chaplin wanted |
| 00:33:12 |
Better than Keaton, |
| 00:33:15 |
You remember the last shot |
| 00:33:17 |
He looks at the flower girl, |
| 00:33:21 |
and don't forget, |
| 00:33:23 |
so she was seeing him |
| 00:33:26 |
It's as if, through her eyes, |
| 00:33:30 |
Charlie Chaplin, Charlot, |
| 00:33:33 |
and it's as if we've never |
| 00:33:42 |
Isa, if you play that fucking record again, |
| 00:33:47 |
But you like |
| 00:33:51 |
Stop it! |
| 00:33:53 |
I said stop it, Isabelle! |
| 00:33:56 |
Stop! |
| 00:33:58 |
- Tell me, what film? |
| 00:34:00 |
Name a film... |
| 00:34:02 |
Name a film where someone |
| 00:34:04 |
- Oh, I know this! |
| 00:34:08 |
Top Hat! Top Hat! Fred Astaire's |
| 00:34:16 |
And she's mad |
| 00:34:24 |
I'm right. |
| 00:34:27 |
He's good. |
| 00:34:29 |
You know what I'm thinking? |
| 00:34:31 |
What? |
| 00:34:33 |
"Bande a part. " |
| 00:34:34 |
You're right. |
| 00:34:36 |
Why are you two |
| 00:34:39 |
Well, you see, |
| 00:34:44 |
there's something Theo and I have |
| 00:34:47 |
but we've been waiting |
| 00:34:50 |
- And I think you're finally it! |
| 00:34:53 |
Try to be the record |
| 00:34:55 |
- What record? |
| 00:34:57 |
- Yeah. - Remember the scene |
| 00:35:00 |
- Uh, vaguely. Remind me. |
| 00:35:03 |
- of 9 minutes and 45 seconds. |
| 00:35:06 |
We're going to beat |
| 00:35:09 |
Uh, oh. |
| 00:35:11 |
- What? |
| 00:35:14 |
- Nothing, really, I'm... |
| 00:35:17 |
- No. I'm not afraid. |
| 00:35:21 |
It's easy for you two. I'm an American, |
| 00:35:24 |
- So? |
| 00:35:27 |
Well, don't worry, little man, |
| 00:35:31 |
- Yeah, you don't know that. |
| 00:35:33 |
- And if we beat their record... |
| 00:35:37 |
- Go get Papa's stopwatch. |
| 00:35:40 |
Matthew, this is a test. |
| 00:35:43 |
Are you going to pass it |
| 00:35:47 |
Be careful. A lot depends |
| 00:36:01 |
He! Non! Arretez! |
| 00:36:23 |
Nine minutes |
| 00:36:25 |
We beat the record |
| 00:36:30 |
Matthew! |
| 00:36:33 |
You were wonderful! |
| 00:36:39 |
- We accept him. One of us! |
| 00:36:41 |
We accept him, one of us! |
| 00:36:43 |
We accept him, one of us! |
| 00:36:46 |
We accept her, |
| 00:36:48 |
Gooble, gobble. |
| 00:36:52 |
- We accept him, one of us! |
| 00:37:10 |
Hey! |
| 00:37:12 |
Theo. Isabelle. |
| 00:37:17 |
Theo. |
| 00:37:28 |
Hey! |
| 00:37:39 |
- We accept you, one of us! |
| 00:37:43 |
One of us! One of us! |
| 00:37:50 |
That's Mama. |
| 00:37:53 |
I'm too wet to answer. |
| 00:38:00 |
Isa's smart, but she doesn't |
| 00:38:03 |
- What do you mean? |
| 00:38:07 |
They should all be arrested... |
| 00:38:10 |
put on trial, |
| 00:38:15 |
sent to the country |
| 00:38:18 |
and reeducation! |
| 00:38:21 |
- They're already in the country. |
| 00:38:25 |
That's different. |
| 00:38:28 |
Allo. Allo? |
| 00:38:33 |
Too bad. |
| 00:38:34 |
My parents never go anywhere. |
| 00:38:37 |
At least you have |
| 00:38:42 |
Where are you going? |
| 00:38:44 |
Uh, I gotta get |
| 00:38:47 |
It'll be cold in your room. |
| 00:38:52 |
Okay. |
| 00:39:17 |
You can wear this. |
| 00:39:21 |
Thanks. |
| 00:39:41 |
I'm going to get a Coca. |
| 00:39:44 |
Okay. |
| 00:40:31 |
- Matthew! |
| 00:40:33 |
- Just open the door. My hands are full. |
| 00:40:40 |
- Why didn't you open the door? |
| 00:40:43 |
I was dressing. |
| 00:41:01 |
What film? |
| 00:41:10 |
In what film does a chorus line |
| 00:41:13 |
with a singer |
| 00:41:17 |
- I've seen this film? |
| 00:41:19 |
- We did? Give me a clue. |
| 00:41:22 |
- Come on. Be a sport. Director's name. |
| 00:41:27 |
Number of words in the title. |
| 00:41:29 |
- I said no. Non! |
| 00:41:31 |
- The first letter of the first word. |
| 00:41:36 |
Isn't he pathetic, Matthew? |
| 00:41:39 |
- Matthew, I bet you know. |
| 00:41:44 |
Did the Sphinx |
| 00:41:46 |
Fuck you. |
| 00:41:49 |
Give up? |
| 00:41:52 |
Yeah. |
| 00:42:03 |
- Blonde Venus. Marlene Dietrich. 1932. |
| 00:42:07 |
I knew that. |
| 00:42:11 |
- Forfeit. |
| 00:42:14 |
I dare you to do now... |
| 00:42:16 |
in front of us... |
| 00:42:18 |
what I've watched you do... |
| 00:42:22 |
Who? |
| 00:42:23 |
I don't know |
| 00:42:25 |
Oh, yes, you do, my pet. |
| 00:42:27 |
Forfeit. |
| 00:42:30 |
What a bitch you are. |
| 00:42:33 |
A bitch and a sadist. |
| 00:42:35 |
Are you going to pay |
| 00:42:45 |
Very well. |
| 00:42:54 |
Mm-mm-mm. I want you to do it |
| 00:42:57 |
when you thought |
| 00:44:42 |
Let's have a drink. |
| 00:44:46 |
- Matthew. |
| 00:44:53 |
Yes. |
| 00:45:19 |
Why don't you admit |
| 00:45:22 |
Come on. |
| 00:45:24 |
What? |
| 00:45:26 |
Weren't you just |
| 00:45:28 |
- What is it exactly you're trying to get me to say? |
| 00:45:33 |
Well, I suppose you know |
| 00:45:35 |
- Who? |
| 00:45:37 |
Why not? |
| 00:45:39 |
- You two are twins? |
| 00:45:41 |
She'd be me |
| 00:45:43 |
- That's crap. You're not identical. |
| 00:45:46 |
We're Siamese twins, |
| 00:45:52 |
You're a strange one, Theo. |
| 00:45:55 |
Half an hour ago, I saw you look at her |
| 00:45:59 |
I did. |
| 00:46:02 |
I don't understand you. |
| 00:46:04 |
- Don't you have any brothers or sisters? |
| 00:46:07 |
Didn't you ever |
| 00:46:10 |
Of course I did! But I never masturbated |
| 00:46:14 |
They never forced me to do |
| 00:46:19 |
You think Isabelle |
| 00:46:32 |
Deep down I knew things |
| 00:46:36 |
Now the stakes had been raised. |
| 00:46:39 |
But for a while, at least, there did seem to |
| 00:46:44 |
And then one evening... |
| 00:46:47 |
Theo! |
| 00:47:02 |
- What film? |
| 00:47:05 |
Name a film where a cross marks the |
| 00:47:12 |
- You too, Matthew. |
| 00:47:15 |
What... What have I done? |
| 00:47:19 |
Name a film |
| 00:47:22 |
- Uh, um... |
| 00:47:26 |
- Time's up? You didn't even give me a chance. |
| 00:47:30 |
Scarface. |
| 00:47:35 |
And the forfeit? |
| 00:47:38 |
Well, now... |
| 00:47:43 |
as you know, Isabelle, |
| 00:47:46 |
I just want to see everyone happy, |
| 00:47:50 |
So I'd like you... |
| 00:47:54 |
and Matthew... |
| 00:47:56 |
to make love |
| 00:47:59 |
But not in here. |
| 00:48:01 |
I don't fancy sleeping in someone |
| 00:48:04 |
- No offense, Matthew. |
| 00:48:07 |
In the spare room... |
| 00:48:09 |
in front of |
| 00:48:12 |
Maybe one reproduction |
| 00:48:15 |
- Um, um... |
| 00:48:17 |
- Won't do it? |
| 00:48:20 |
Matthew |
| 00:48:30 |
Okay. |
| 00:49:27 |
I gotta go to the bathroom. |
| 00:49:36 |
Matthew! Matthew. |
| 00:50:17 |
Matthew. |
| 00:50:20 |
Matthew. |
| 00:50:22 |
Yes? |
| 00:50:24 |
This is silly. |
| 00:50:33 |
Okay. |
| 00:50:38 |
Okay. All right. |
| 00:50:41 |
Look. Wait. Look. |
| 00:50:44 |
I'm not violent. I'm... |
| 00:50:48 |
- I'm not gonna resist. Look. |
| 00:50:52 |
- Okay. |
| 00:50:57 |
Is the prospect of making love to me |
| 00:51:03 |
I've seen you. |
| 00:51:06 |
Oh. Our guest |
| 00:51:09 |
Hmm. Now, that wasn't |
| 00:51:13 |
Especially when we've |
| 00:51:19 |
Okay, okay. Look... |
| 00:51:21 |
- Shh, shh. |
| 00:51:38 |
Oh, how sweet |
| 00:51:42 |
to keep my image |
| 00:51:44 |
I didn't mean... |
| 00:51:46 |
Good. |
| 00:51:51 |
Oh, Matthew. Oh, come on. |
| 00:51:57 |
Come on, wake up. |
| 00:52:00 |
Isabelle? |
| 00:52:02 |
No. I'm Theo. |
| 00:52:04 |
Where is Isabelle? |
| 00:52:49 |
You have to help me. |
| 00:53:11 |
Sorry. |
| 00:56:55 |
Oh, that was the best one. |
| 00:56:59 |
What about yesterday? |
| 00:57:01 |
- Where? |
| 00:57:05 |
You thought |
| 00:57:08 |
Mm-hmm. Please, please, |
| 00:57:11 |
- What? |
| 00:57:15 |
Matthew. |
| 00:57:18 |
My love. |
| 00:57:20 |
My first love. |
| 00:57:23 |
My great love. |
| 00:57:29 |
My Valentino. |
| 00:57:31 |
- ## [ Sings ] |
| 00:57:36 |
##[ "Man Singing In French," |
| 00:58:03 |
"You" k"now, I thought" |
| 00:58:08 |
When I first saw you |
| 00:58:11 |
you and Theo-- |
| 00:58:17 |
So sophisticated. |
| 00:58:21 |
- Like a movie star. |
| 00:58:25 |
I was acting, Matthew. |
| 00:58:33 |
How did you and-- |
| 00:58:35 |
How did you and Theo... |
| 00:58:38 |
come together |
| 00:58:42 |
Theo and me? |
| 00:58:44 |
It was love |
| 00:58:58 |
But he's never |
| 00:59:01 |
He's always inside me. |
| 00:59:09 |
What would you do-- |
| 00:59:13 |
What would you do |
| 00:59:16 |
It must never happen. |
| 00:59:19 |
Yeah, I know. |
| 00:59:26 |
It must never, never happen. |
| 00:59:29 |
I understand that. |
| 00:59:33 |
What would you-- |
| 00:59:36 |
What would you do? |
| 00:59:44 |
I would kill myself. |
| 00:59:46 |
[ Chuckles ] |
| 01:00:04 |
Where are you going? |
| 01:00:06 |
Kitchen. I have to get |
| 01:00:10 |
"Good luc"k. |
| 01:00:38 |
Theo? |
| 01:00:41 |
- Theo? |
| 01:00:44 |
- Want some honey? |
| 01:00:46 |
- Oh, it's good. |
| 01:00:48 |
- It's really good. Try some. |
| 01:00:51 |
-Just try a little bit. |
| 01:01:03 |
I want you to know |
| 01:01:07 |
Grateful? |
| 01:01:09 |
Remember what you told me in that café |
| 01:01:14 |
- Hmm. |
| 01:01:17 |
I mean, for me, |
| 01:01:21 |
you're like two halves |
| 01:01:24 |
Now you've made me feel |
| 01:01:30 |
Both of you. |
| 01:01:34 |
Let's get something |
| 01:01:41 |
You're a nice boy |
| 01:01:43 |
but no... |
| 01:01:46 |
it wasn't always meant |
| 01:01:53 |
I told you something else, |
| 01:01:58 |
That Isa and I |
| 01:02:01 |
Yeah. |
| 01:02:03 |
I wasn't joking. |
| 01:02:10 |
[ Sighs ] |
| 01:02:52 |
What's this? |
| 01:02:54 |
That, my dear brother, |
| 01:02:58 |
accompanied by a compote |
| 01:03:01 |
- And this? |
| 01:03:03 |
And you expect me |
| 01:03:07 |
- You expected me to cook it. |
| 01:03:09 |
You will. There's |
| 01:03:12 |
Matthew, |
| 01:03:19 |
The fondue |
| 01:03:23 |
Which is which? |
| 01:03:25 |
This is fondue, |
| 01:03:29 |
No. This is the fondue, |
| 01:03:33 |
- The... ratatouille. |
| 01:03:43 |
Uh, that-that's fine. |
| 01:03:46 |
Mm-hmm. Okay. |
| 01:03:53 |
Just eat it as if you were |
| 01:03:56 |
you've never visited before |
| 01:04:12 |
It looks like |
| 01:04:15 |
- [ Retching ] |
| 01:04:19 |
I'm sorry, Isabelle. |
| 01:04:23 |
Thank you, Matthew. I'm glad |
| 01:04:26 |
- You say there's no food in the house? |
| 01:04:29 |
- And we cashed all the cheques? |
| 01:04:31 |
- So what do we do now? |
| 01:04:57 |
The phone is dead! |
| 01:04:59 |
##[ "Rock "]" |
| 01:05:25 |
##[ "Continues ]" |
| 01:05:45 |
- ##[ "Continues, Fades ]" |
| 01:05:48 |
It's lunch. |
| 01:05:50 |
So, Isabelle, |
| 01:05:55 |
- No. |
| 01:05:57 |
Oh, Matthew, would you |
| 01:06:02 |
[ Speaking French ] |
| 01:06:07 |
Oh, look. What about |
| 01:06:10 |
One banana |
| 01:06:13 |
- Uh, yes. |
| 01:06:16 |
Let me see it. |
| 01:06:19 |
- Why? |
| 01:06:29 |
- What are you doing? |
| 01:06:42 |
[ Theo Laughs ] |
| 01:06:47 |
Et voilá. |
| 01:06:49 |
[ Gasps, Laughs ] |
| 01:06:53 |
Oh, Matthew, you never |
| 01:06:56 |
- Mmm. |
| 01:06:58 |
- [ Arguing In French ] |
| 01:07:09 |
[ Chattering In French ] |
| 01:07:18 |
[ Shouting In French, |
| 01:07:27 |
[ Chattering ] |
| 01:07:31 |
- Hey, Theo. |
| 01:07:34 |
- [ Speaking French ] Okay? |
| 01:07:36 |
- Where were you the other night? |
| 01:07:40 |
What's up? We hardly |
| 01:07:42 |
- We can't count on you. |
| 01:07:44 |
You're not |
| 01:07:46 |
I am, |
| 01:07:48 |
Why? |
| 01:07:49 |
Because! Get off my back. |
| 01:07:59 |
Loser! |
| 01:08:01 |
[ Speaking French ] |
| 01:08:12 |
A little souvenir |
| 01:08:14 |
Thanks, that's sweet. |
| 01:08:18 |
- Call me. |
| 01:08:23 |
See you. |
| 01:08:31 |
[ "Matthew Narrating ]" |
| 01:08:34 |
- We didn't know or care |
| 01:08:37 |
- What? |
| 01:08:40 |
leaving the world |
| 01:08:42 |
[ Coughing ] |
| 01:08:50 |
- Too strong for you? |
| 01:08:52 |
- Good? |
| 01:08:55 |
- Again? |
| 01:08:57 |
Clapton's God, Matthew. |
| 01:08:59 |
I don't believe in God. |
| 01:09:02 |
he would be a black, |
| 01:09:05 |
This is not |
| 01:09:07 |
This is Clapton |
| 01:09:10 |
Matthew, Clapton reinvented |
| 01:09:13 |
- [ Muttering, Laughing ] |
| 01:09:16 |
- Clapton plugs in a guitar-- |
| 01:09:18 |
He plugs in an electric guitar, |
| 01:09:21 |
Hendrix plugs in an electric guitar, |
| 01:09:25 |
[ Screeching ] |
| 01:09:28 |
There are soldiers in |
| 01:09:33 |
Who are they |
| 01:09:36 |
No. They're listening to Hendrix, |
| 01:09:40 |
[ Yells ] |
| 01:09:43 |
You're talking |
| 01:09:45 |
- Yes. |
| 01:09:47 |
- They're at war. |
| 01:09:50 |
- They're fighting. |
| 01:09:54 |
They're dying too. |
| 01:09:55 |
[ Speaking French ] |
| 01:09:58 |
They wanna be there. They wanna die, |
| 01:10:01 |
Shouldn't you be-- |
| 01:10:04 |
- Right now, shouldn't you be in Vietnam? |
| 01:10:08 |
- Where are you, Matthew? |
| 01:10:11 |
I'm in a university. I have friends |
| 01:10:15 |
And they're expendable. |
| 01:10:18 |
I'm am fucking lucky. |
| 01:10:19 |
[ Speaking French ] |
| 01:10:21 |
Do you think you can |
| 01:10:23 |
''No. I'm against violence. |
| 01:10:26 |
- Maybe in France. |
| 01:10:28 |
In America, you have to go. |
| 01:10:32 |
Okay, I prefer to go in jail. |
| 01:10:35 |
- Instead of killing people, |
| 01:10:38 |
I read it |
| 01:10:42 |
''A filmmaker |
| 01:10:44 |
A voyeur. |
| 01:10:46 |
It's as if the camera is a-- |
| 01:10:50 |
the keyhole |
| 01:10:53 |
[ Laughs ] |
| 01:10:55 |
And you spy on them, |
| 01:10:59 |
You feel guilty... |
| 01:11:02 |
but you can't-- |
| 01:11:06 |
It makes films like crimes... |
| 01:11:09 |
and directors like criminals. |
| 01:11:13 |
- [ Laughs ] |
| 01:11:16 |
There goes my chance |
| 01:11:19 |
- Why? |
| 01:11:22 |
[ Laughs ] |
| 01:11:24 |
- You'll have to direct theater, |
| 01:11:27 |
[ "Theo ]" |
| 01:11:31 |
Uh. |
| 01:11:35 |
- Whoop. |
| 01:11:40 |
Oop. |
| 01:11:44 |
My parents only fucked |
| 01:11:47 |
That's why we're twins. They |
| 01:11:51 |
[ All Laughing ] |
| 01:12:07 |
## [ Singing ] |
| 01:12:13 |
##[ "Blues Rock "]" |
| 01:12:28 |
##[ "Continues ]" |
| 01:12:52 |
##[ "Continues ]" |
| 01:12:59 |
Don't be alarmed, Matthew. |
| 01:13:02 |
It's good news. |
| 01:13:04 |
It only happens once a month. |
| 01:13:06 |
[ Laughs ] |
| 01:13:11 |
I love you, Isabelle. |
| 01:13:13 |
I love you too, Matthew. |
| 01:13:15 |
Yeah, but |
| 01:13:18 |
I really, really love you too. |
| 01:13:22 |
Oh, yeah. |
| 01:13:24 |
[ "Matthew ]" |
| 01:13:26 |
What do you want us to say? |
| 01:13:29 |
I wanted you to say |
| 01:13:31 |
Wejust did, Matthew. |
| 01:13:33 |
No, you said |
| 01:13:35 |
I don't want you |
| 01:13:37 |
I want you to say |
| 01:13:40 |
Oh, we love you, |
| 01:13:42 |
That's not right, either. |
| 01:13:47 |
My God, Matthew. |
| 01:13:49 |
Why is that? Why am I always |
| 01:13:53 |
Oh, poor Matthew. Oh! |
| 01:13:57 |
We do love you very much. |
| 01:14:01 |
I don't want to be loved very much. |
| 01:14:06 |
You know what |
| 01:14:09 |
''There's no such thing as love. |
| 01:14:15 |
Are you ready to give us |
| 01:14:19 |
[ "Matthew ]" |
| 01:14:21 |
Mm-hmm. |
| 01:14:23 |
Okay. |
| 01:14:28 |
Get out of the bath. |
| 01:14:41 |
[ Speaking French ] |
| 01:14:43 |
- [ Speaking French ] Razor. |
| 01:14:46 |
- What are you doing? |
| 01:14:49 |
- You're not serious. |
| 01:14:52 |
It's nothing |
| 01:14:54 |
- It's an operation I've performed before. |
| 01:14:57 |
- You're both fucking crazy! |
| 01:15:00 |
This is what you call proof of love? |
| 01:15:02 |
- One of us, one of us, one of us, one of us. |
| 01:15:06 |
It's just a game! |
| 01:15:08 |
A game, Isabelle? |
| 01:15:11 |
Think about it. Is this something |
| 01:15:14 |
You want to shave my pubic hair? |
| 01:15:18 |
A little prepubescent Theo at six, |
| 01:15:21 |
- You can touch peepee. |
| 01:15:23 |
I'll show you mine. You show me yours. |
| 01:15:26 |
Just calm down. |
| 01:15:28 |
Theo, think about it. |
| 01:15:31 |
You sleep in the same bed |
| 01:15:34 |
You bathe together. You pee |
| 01:15:37 |
You play |
| 01:15:39 |
I wish you could step |
| 01:15:44 |
- Why? Why are you so cruel? |
| 01:15:47 |
You have a strange way |
| 01:15:50 |
No, I love-- I really |
| 01:15:53 |
And I admire you. |
| 01:15:55 |
And I look at you, |
| 01:15:59 |
you're never gonna grow. |
| 01:16:02 |
You won't grow |
| 01:16:04 |
Not as long as you keep clinging |
| 01:16:11 |
Isabelle, have you ever |
| 01:16:13 |
- A date? |
| 01:16:16 |
- What kind of date? |
| 01:16:18 |
- I've been out with Theo. |
| 01:16:21 |
Have you ever been |
| 01:16:23 |
that you met at school |
| 01:16:25 |
I was never taken to school prom, |
| 01:16:28 |
I'm afraid we don't have |
| 01:16:31 |
You have dates |
| 01:16:33 |
Come on. Have you ever |
| 01:16:35 |
Why do you keep asking me that? |
| 01:16:38 |
Would you like to? |
| 01:16:41 |
- Is this an invitation? |
| 01:16:43 |
Would you like to go |
| 01:16:46 |
Just the two of us. |
| 01:16:49 |
Isabelle, you don't |
| 01:16:53 |
##[ "Woman Singing In French ]" |
| 01:17:08 |
##[ "Continues ]" |
| 01:17:19 |
##[ "Continues, Indistinct ]" |
| 01:17:22 |
[ "Woman Speaking French," |
| 01:17:25 |
Oh, no, no, no. We can't sit in the front. |
| 01:17:29 |
The front is for people |
| 01:17:32 |
Ooh. Sorry. Excuse me. |
| 01:17:34 |
- Chocolats glacés, cacahuétes, bonbons. |
| 01:17:39 |
[ "Continues, Indistinct ]" |
| 01:17:46 |
## [ Movie Soundtrack ] |
| 01:17:53 |
[ "Man On Screen ]" |
| 01:17:56 |
the motion picture |
| 01:18:00 |
is a story of music. |
| 01:18:02 |
I play the role |
| 01:18:05 |
a small-time theatrical agent |
| 01:18:08 |
Well, you'll see. |
| 01:18:12 |
This motion picture was photographed |
| 01:18:19 |
Pardon me. |
| 01:18:28 |
##[ "Rock "'N'Roll ]" |
| 01:18:34 |
[ "Tom ] Sorry I can't stay," |
| 01:18:38 |
All the best,Jerri. |
| 01:18:41 |
["Jerri ] Can't stand to hear me" |
| 01:18:46 |
You know it isn't that. |
| 01:18:48 |
## [ Doo-wop ] |
| 01:19:06 |
##[ "Continues ]" |
| 01:19:23 |
## [ Ends ] |
| 01:19:28 |
[ "Applause ]" |
| 01:19:45 |
## [ Singing In French, Indistinct ] |
| 01:19:55 |
[ Shouting, Chanting ] |
| 01:19:59 |
[ "Matthew Narrating ]" |
| 01:20:02 |
I remembered the battle |
| 01:20:04 |
Except this time the demonstrators |
| 01:20:08 |
They weren't even |
| 01:20:12 |
It was hard to figure out |
| 01:20:15 |
b"ut it looked like shops had closed" |
| 01:20:18 |
And it was beginning |
| 01:20:23 |
[ Speaking French ] |
| 01:20:26 |
all legitimate demands. |
| 01:20:30 |
Theo and I never watch |
| 01:20:33 |
[ Speaking French ] |
| 01:20:35 |
- Well, let's go. |
| 01:20:40 |
Jesus. |
| 01:21:17 |
[ Laughing ] |
| 01:21:37 |
- What's wrong? |
| 01:21:43 |
[ "Woman Laughing ]" |
| 01:21:48 |
[ Softly ] |
| 01:21:50 |
- No. |
| 01:21:54 |
I haven't-- |
| 01:21:57 |
- You do have a room, right? |
| 01:22:00 |
Don't think I've always |
| 01:22:02 |
- How come you never go in there? |
| 01:22:05 |
No, no one's making |
| 01:22:07 |
- Oh, please? Come on. |
| 01:22:10 |
- I want to see it.Just tonight. |
| 01:22:13 |
Non, non, et non. |
| 01:22:31 |
[ "Matthew Narrating ]" |
| 01:22:34 |
a secret side |
| 01:22:38 |
I suddenly thought of my sisters' |
| 01:22:42 |
I thought of our house, |
| 01:22:44 |
all alike, |
| 01:22:47 |
and their sprinklers |
| 01:22:52 |
##[ "Rock "]" |
| 01:23:09 |
##[ "Continues ]" |
| 01:23:41 |
What sculpture? |
| 01:23:46 |
I always wanted to make love |
| 01:23:53 |
- ##[ "Continues ]" |
| 01:23:57 |
I've got no arms. |
| 01:24:02 |
[ Whispering ] |
| 01:24:11 |
##[ "Ends ]" |
| 01:24:17 |
##[ "Man Singing In French ]" |
| 01:24:33 |
##[ "Continues ]" |
| 01:24:40 |
What's wrong? |
| 01:24:42 |
- What's wrong? |
| 01:24:44 |
Don't. Don't. |
| 01:24:47 |
Don't. |
| 01:24:51 |
Don't listen to it. |
| 01:24:53 |
- ##[ "Continues ]" |
| 01:24:55 |
- Don't. |
| 01:24:58 |
Leave me alone. |
| 01:25:02 |
- Please! |
| 01:25:05 |
##[ "Continues, Louder ]" |
| 01:25:08 |
- [ Screaming ] Go away! |
| 01:25:11 |
- [ Speaking French ] |
| 01:25:15 |
- Theo! |
| 01:25:20 |
- Who are you? |
| 01:25:23 |
- What are you doing in my room! |
| 01:25:26 |
Get out! Get out! |
| 01:25:28 |
- Theo! Theo! Theo! |
| 01:25:32 |
- Theo.! Theo.! |
| 01:25:38 |
Theo.! |
| 01:25:42 |
Theo! |
| 01:25:48 |
##[ "Ends ]" |
| 01:26:03 |
[ "Theo Speaking French ]" |
| 01:26:05 |
It cannot be created like a book, |
| 01:26:10 |
It cannot unfold with such elegance, |
| 01:26:14 |
or with such sweetness, |
| 01:26:16 |
restraint and generosity. |
| 01:26:19 |
A revolution |
| 01:26:21 |
a violent act... |
| 01:26:23 |
by which one class |
| 01:26:31 |
[ Forced Breathing ] |
| 01:27:12 |
[ Speaking French ] |
| 01:27:17 |
Chateau Chasse Spleen, 1 959. |
| 01:27:22 |
Grand vin, 1 93"7." |
| 01:27:28 |
- [ Laughing ] |
| 01:27:32 |
- Listen, Matthew. |
| 01:27:34 |
- You're a big movie buff, right? |
| 01:27:37 |
Then why don't you think of Mao |
| 01:27:42 |
making a movie with |
| 01:27:44 |
All those millions |
| 01:27:47 |
marching together |
| 01:27:51 |
with the "Little Red Boo"k |
| 01:27:55 |
Books, not guns. |
| 01:27:57 |
Culture, not violence. |
| 01:28:00 |
Can't you see what a beautiful, |
| 01:28:05 |
I guess, but... |
| 01:28:07 |
it's easy to say, |
| 01:28:09 |
But it's not true. |
| 01:28:13 |
It's ''book.'' A book. |
| 01:28:17 |
- Shut up. You sound just like my father. |
| 01:28:19 |
No, listen to me. |
| 01:28:21 |
that you admire... |
| 01:28:23 |
they all carry |
| 01:28:26 |
they all sing |
| 01:28:28 |
they all parrot |
| 01:28:30 |
So in this big, |
| 01:28:35 |
everybody... |
| 01:28:39 |
That's scary to me. |
| 01:28:43 |
I'm sorry to say it, |
| 01:28:46 |
a distinct contradiction. |
| 01:28:49 |
Why? |
| 01:28:51 |
Because... if you really |
| 01:28:56 |
you'd be out there. |
| 01:28:58 |
- Where? |
| 01:29:02 |
- I don't know what you mean. |
| 01:29:06 |
Something that feels like |
| 01:29:09 |
Something that feels like |
| 01:29:11 |
Even I get that. |
| 01:29:14 |
You're inside, with me, |
| 01:29:19 |
- Talking about Maoism. Why? |
| 01:29:23 |
- No, tell me why. Ask yourself why. |
| 01:29:26 |
Because I don't think |
| 01:29:29 |
I think you buy the lamp, and you put |
| 01:29:33 |
I don't think you-- |
| 01:29:35 |
- You speak... too much. |
| 01:29:38 |
[ "Choking Continues ]" |
| 01:29:41 |
Theo!Just listen to me. |
| 01:29:43 |
I think-- [ Chokes ] |
| 01:29:47 |
I think you prefer |
| 01:29:51 |
when the word ''together'' |
| 01:29:57 |
-Oh-oh-oh, boys, boys.! |
| 01:30:02 |
- [ Coughs ] |
| 01:30:05 |
- Isa. Come and join us. |
| 01:30:10 |
[ Speaking French ] |
| 01:30:11 |
[ Speaking French ] |
| 01:30:13 |
[ "Speaking English ]" |
| 01:30:24 |
[ Indistinct French ] |
| 01:30:26 |
[ Laughing ] |
| 01:30:28 |
- It's beautiful. |
| 01:30:32 |
[ "Theo Laughing ]" |
| 01:30:39 |
[ Speaking French ] |
| 01:30:42 |
Ow! |
| 01:30:44 |
[ Chuckles ] |
| 01:30:47 |
Thank you. |
| 01:30:52 |
[ Sniffles ] |
| 01:30:54 |
Oh! God, |
| 01:30:57 |
- Yeah. Oh, I'm sorry. |
| 01:30:59 |
- You're drunk! |
| 01:31:01 |
[ Speaking French ] |
| 01:31:03 |
And you're beautiful. |
| 01:31:05 |
And tomorrow morning, |
| 01:31:09 |
but you'll |
| 01:31:12 |
- Eh, bien. |
| 01:31:18 |
Yes. |
| 01:31:23 |
[ French, Indistinct ] |
| 01:31:25 |
[ Speaking French ] |
| 01:31:26 |
you can hardly keep |
| 01:31:36 |
[ "Isabelle Speaking English ]" |
| 01:31:49 |
[ "Isabelle ]" |
| 01:31:55 |
[ Speaking French ] |
| 01:31:56 |
[ Groans ] |
| 01:31:59 |
[ Speaking French ] |
| 01:32:01 |
I want you to listen. |
| 01:32:04 |
- Why? |
| 01:32:07 |
- Theo-- |
| 01:32:11 |
I love you. |
| 01:32:13 |
I love you too. |
| 01:32:17 |
You love me too? |
| 01:32:22 |
Are you listening? |
| 01:32:24 |
It's forever, right? |
| 01:32:28 |
- What's forever? |
| 01:32:32 |
- Right? |
| 01:32:36 |
Why did Matthew |
| 01:32:38 |
What did Matthew say? |
| 01:32:41 |
That we're monsters, |
| 01:32:46 |
I just want you to tell me |
| 01:32:50 |
It's forever. |
| 01:32:52 |
- Isa! |
| 01:32:55 |
We'll talk about it |
| 01:32:57 |
I promise. |
| 01:33:24 |
Oh! |
| 01:33:32 |
[ Sighs ] |
| 01:34:21 |
[ Thumps ] |
| 01:34:51 |
Good. We must |
| 01:34:54 |
- Already? |
| 01:35:12 |
Let's leave on tiptoe. |
| 01:35:20 |
##[ "Rock "Drums, Bass ]" |
| 01:35:41 |
[ "Door Shuts ]" |
| 01:35:43 |
##[ "Rock "Guitar ]" |
| 01:36:17 |
[ Engine Starts ] |
| 01:36:21 |
##[ "Fades ]" |
| 01:36:44 |
[ Gasps ] |
| 01:36:47 |
[ Coughs ] |
| 01:38:00 |
[ Grunts ] |
| 01:38:52 |
[ Hissing ] |
| 01:39:23 |
[ "Church Bell Ringing ]" |
| 01:39:51 |
[ "Splashing ]" |
| 01:40:09 |
[ Glass Shattering ] |
| 01:40:11 |
[ "Siren Wailing ]" |
| 01:40:13 |
[ "Crowd Chanting ]" |
| 01:40:18 |
[ "Men Talking" |
| 01:40:24 |
[ Speaking French ] |
| 01:40:27 |
- [ French ] The street came |
| 01:40:30 |
The street came flying |
| 01:40:32 |
- [ "Matthew In English ]" |
| 01:40:34 |
[ "Crowd Chanting," |
| 01:40:57 |
- [ Crowd Chanting In French ] |
| 01:41:11 |
[ Speaking French ] |
| 01:41:18 |
Matthew! |
| 01:41:21 |
Isabelle! |
| 01:41:25 |
Isabelle! |
| 01:41:30 |
- Hi! |
| 01:41:34 |
[ Isabelle And Theo ] |
| 01:41:41 |
[ Angry Shouting ] |
| 01:41:51 |
[ Crowd Chanting In French ] |
| 01:42:01 |
[ All Shouting In French ] |
| 01:42:07 |
[ Speaking French ] |
| 01:42:09 |
- Theo, this is wrong. This is wrong. |
| 01:42:12 |
This is violence! |
| 01:42:14 |
It's not violence. It's wonderful. |
| 01:42:16 |
This is fucking fascism |
| 01:42:19 |
[ Speaking French ] |
| 01:42:21 |
- Yeah, and then police hit people! |
| 01:42:24 |
[ Speaking French ] |
| 01:42:27 |
Listen to me for a second, okay? |
| 01:42:30 |
This is not what we do. |
| 01:42:32 |
- We do this. We use this. We use this! |
| 01:42:40 |
Isabelle. Come on. |
| 01:42:43 |
Isa-- |
| 01:44:36 |
Subtitles by # Mech$tar 143 # |
