Drumline
|
00:00:24 |
# (Drumroll) # |
00:00:33 |
DRUMLINE |
00:00:38 |
(Man Over P.A.) |
00:00:41 |
- Delphine Matthews. |
00:00:44 |
- Calvin Mays. |
00:00:47 |
Jose Mendoza. |
00:00:51 |
Bonita Mercado. |
00:00:53 |
Curtis Meredith. |
00:00:56 |
Renee Meyan. |
00:00:59 |
Tyrone Middleton. |
00:01:03 |
Sally Millburn. |
00:01:06 |
Devon Miles. |
00:01:09 |
(Woman) |
00:01:12 |
Whoo! |
00:01:19 |
- # (Ends) # |
00:01:21 |
led by director Jim Anderson... |
00:01:25 |
plays a final song |
00:01:28 |
I'd like to remind you all that no matter |
00:01:33 |
- always remember: |
00:01:35 |
you can fly. |
00:01:46 |
# (Slow Tempo) # |
00:02:03 |
# (Drummers Increase Tempo) # |
00:02:07 |
(Mouthing Words) |
00:02:13 |
(Mouthing Words) |
00:02:18 |
# (Band Increases Tempo) # |
00:02:21 |
(Audience Cheering) |
00:02:40 |
(Shouting) |
00:02:45 |
- (Camera Shutter Clicks) |
00:02:47 |
Boy, can you ever |
00:02:50 |
- All right, all right. |
00:02:53 |
You ready? |
00:02:56 |
- Hey, yo, that was tight, son. |
00:02:58 |
Which one of those |
00:03:01 |
None of them. |
00:03:05 |
Oh, Devon. |
00:03:07 |
Saying I wouldn't be here |
00:03:10 |
Wouldn't have made it without you. |
00:03:15 |
You're gonna be cool, right? |
00:03:18 |
I mean, I feel kinda weird |
00:03:22 |
Boy, please. Now that you gone, |
00:03:26 |
(Chuckles) |
00:03:29 |
Uh, well, look. |
00:03:33 |
- Wait, now. We got people coming by the house. |
00:03:36 |
- I promise. |
00:03:38 |
I promise. Real quick. |
00:03:47 |
Next. |
00:03:51 |
Next. |
00:03:56 |
- What the hell is this? |
00:04:00 |
What? |
00:04:02 |
I'm Devon. |
00:04:06 |
I been coming down here |
00:04:13 |
thinking if I should give you |
00:04:19 |
Now I changed my mind. |
00:04:24 |
Look, man. I just want to let you know |
00:04:28 |
I ain't never been arrested. I don't have |
00:04:33 |
Unlike yourself, I'm doing something |
00:04:40 |
I got a full scholarship |
00:04:43 |
playing the drums. |
00:04:50 |
I want to say |
00:04:57 |
'cause I made it without you. |
00:05:36 |
(Deejay On Radio) |
00:05:38 |
Looking for a high of around 83. |
00:05:40 |
Traffic's moving slow on Peachtree, |
00:05:44 |
but 285 is flowing well. |
00:05:46 |
Right now, Atlanta's |
00:05:49 |
- kicking off this nonstop hour of music. |
00:05:52 |
Um, my name's Charles, |
00:05:55 |
# (Hip-hop On Radio) # |
00:06:05 |
Hey, yo, what's up, man? |
00:06:07 |
- What's up, man? |
00:06:09 |
All right. I thought I was talking |
00:06:11 |
What's up, Charles? |
00:06:15 |
Okay. All right. |
00:06:17 |
Uh, I'm Ernest. |
00:06:19 |
Uh, snare drum, bass drum. |
00:06:24 |
I'm... just trying |
00:06:27 |
- # (Marching Band) # |
00:06:29 |
That's Morris Brown. |
00:06:32 |
(Bus Driver) |
00:06:34 |
That's that unstoppable, |
00:06:37 |
- Hey, Bertram, are you driving for us or them? |
00:06:41 |
Now, I was with y'all boys... |
00:06:43 |
back in the day when your music |
00:06:46 |
But ever since y'all got that |
00:06:50 |
- (Man) Dr. Lee. |
00:06:53 |
Somebody need to give |
00:06:56 |
- (All Laugh) |
00:06:58 |
'cause for the last four years |
00:07:01 |
Morris Brown been spanking that ass, |
00:07:05 |
(All Laughing) |
00:07:07 |
Hey, yo, "B", you need to pull this |
00:07:11 |
# (Hip-hop) # |
00:07:19 |
# (Man Rapping Indistinctly) # |
00:07:30 |
Whoo-wee! |
00:07:33 |
- Shorties to the doggone right. |
00:07:38 |
Oh, see, I wouldn't even mess with that, folk |
00:07:43 |
(Devon Laughing) |
00:07:45 |
- All right, folk. |
00:07:48 |
- Excuse me. |
00:07:52 |
Hey, yo, what's up, ma? |
00:07:55 |
- What's up, pa? |
00:07:58 |
But you can call me "D". |
00:08:01 |
Hi, Devon. |
00:08:04 |
Ain't you gonna |
00:08:08 |
- Laila. |
00:08:10 |
- That's kinda hot. |
00:08:13 |
Yeah, for now. |
00:08:17 |
- For now. |
00:08:20 |
- I'm Charles. How you doing? You all right, man? |
00:08:22 |
- How y'all doing? |
00:08:25 |
What you mean I'm blocking, man? I was coming |
00:08:30 |
- Nice to meet you, Devon. |
00:08:32 |
- See y'all later. |
00:08:34 |
- (Whistle Blows) |
00:08:36 |
(Man) If you are here for band |
00:08:38 |
Take a good look at this man. |
00:08:41 |
This black Adonis is known |
00:08:45 |
You will know him and call him |
00:08:49 |
I'm Buck Wild! |
00:08:52 |
Starting tomorrow, |
00:08:55 |
It'll help us identify you as a crab |
00:09:00 |
Maybe you will one day |
00:09:03 |
to wear the school colors, |
00:09:05 |
you as blank as the white T-shirts |
00:09:07 |
- Understand? |
00:09:09 |
- Understand? |
00:09:12 |
Get up to your dorms. |
00:09:15 |
Dinner's at 6:00 in the cafeteria, |
00:09:18 |
- You're dismissed! |
00:09:21 |
Man, I ain't trying |
00:09:24 |
Yo, my man's told me about this spot |
00:09:27 |
- Y'all down? |
00:09:29 |
# (Hip-hop) # |
00:09:33 |
# (Man Rapping Indistinctly) # |
00:10:02 |
(Snoring) |
00:10:07 |
(Whispering) |
00:10:13 |
- (Whistles Blowing) |
00:10:16 |
Come on! |
00:10:18 |
- Let's go! Move! |
00:10:21 |
- (Whistles Blowing) |
00:10:26 |
Oh, hell, nah. |
00:10:31 |
(Snoring) |
00:10:33 |
Get up! |
00:10:36 |
# ("When the Saints Go Marching In") # |
00:11:07 |
- # (Ends) # |
00:11:11 |
(All) |
00:11:13 |
Good morning to music. |
00:11:16 |
Good morning, and welcome to Atlanta |
00:11:21 |
The next two weeks will be your introduction |
00:11:25 |
into a great |
00:11:28 |
If youre here, it's because |
00:11:31 |
If youre here, it's because |
00:11:35 |
Miles Davis, Stevie Wonder, and the elements |
00:11:39 |
If you are here, it is because |
00:11:44 |
in teamwork! |
00:11:46 |
(Man) |
00:11:48 |
And if you wish to remain here... |
00:11:51 |
you better start believing |
00:11:55 |
You. |
00:11:59 |
Who is your roommate? |
00:12:01 |
Uh, Devon. Uh, Miles. |
00:12:04 |
- (Laughter) |
00:12:16 |
Eyes front! |
00:12:22 |
- What's up, Dr. Lee? |
00:12:26 |
- Thank you, sir. |
00:12:29 |
I guess he overslept. |
00:12:31 |
Well, why didn't you wake him? |
00:12:33 |
I'm not his mother, sir. |
00:12:38 |
I asked Mr. Miles |
00:12:41 |
He says he guesses he overslept! |
00:12:44 |
I asked, |
00:12:46 |
And he says |
00:12:50 |
Section leaders, |
00:12:52 |
One band, one sound. |
00:12:55 |
One band, one sound. |
00:12:57 |
When one of us is late, |
00:13:00 |
When one of us looks or sounds bad, |
00:13:04 |
So what's the concept? |
00:13:06 |
(All) |
00:13:10 |
Now I want 10 laps from all those |
00:13:16 |
- (Men Muttering) |
00:13:18 |
And while you're jogging |
00:13:20 |
let the robust composition of the |
00:13:25 |
(Dr. Lee) |
00:13:30 |
(Dr. Lee) |
00:13:34 |
Move it along, baby. |
00:13:36 |
(Woman) |
00:13:38 |
Trumpets are the voice of the band. |
00:13:43 |
Tubas are the most important section |
00:13:47 |
Saxophones are the truth, |
00:13:50 |
See, once they hear us, |
00:13:53 |
(Rhythmic Clapping) |
00:13:58 |
We are the heart and the soul. |
00:14:01 |
Without the percussion section, |
00:14:15 |
(Clapping Increases) |
00:14:19 |
We are the pulse. |
00:14:21 |
And without a pulse, you're dead. |
00:14:26 |
(Clapping Stops) |
00:14:29 |
That's why we're the most important |
00:14:31 |
- (Whistle Blows) |
00:14:34 |
Whoa. |
00:14:37 |
- He said take a break. |
00:14:39 |
- No. |
00:14:42 |
No, big brother Iron Man, sir. |
00:14:45 |
We do not rest with the band in performance |
00:14:50 |
- Give me 30 push-ups. |
00:14:54 |
You got a problem? |
00:14:56 |
Nah, dog. You want 30 push-ups, |
00:14:59 |
(Iron Man) |
00:15:02 |
(Laughs) |
00:15:05 |
We got a girl on line. |
00:15:07 |
A G.I. Jane in the house. |
00:15:10 |
Hey, baby, you might wanna do |
00:15:12 |
because, you know, guys like |
00:15:17 |
(Men Laughing) |
00:15:25 |
- Damn! |
00:15:27 |
(Iron Man) |
00:15:32 |
Sign them out over here. |
00:15:34 |
Enjoy it now 'cause this might be |
00:15:42 |
- Yeah, baby. |
00:15:44 |
What the hell you doing? |
00:15:47 |
- Getting my drum. |
00:15:49 |
These are for A&T drumline only. P1s. |
00:15:53 |
You are not a P1. |
00:15:57 |
- I'll take it off when you calm down. |
00:16:03 |
Everybody clear outta here. |
00:16:07 |
Now! |
00:16:14 |
(Men) |
00:16:22 |
Boy, don't you ever disrespect me. |
00:16:24 |
Dog, you gotta |
00:16:28 |
What, you threatened by me? |
00:16:30 |
- I don't know shit about you, crab. |
00:16:33 |
You don't know how your man, |
00:16:36 |
to sit in my living room and tell my mom |
00:16:40 |
I don't give a damn |
00:16:43 |
I own the drumline. |
00:16:47 |
You wanna get down, |
00:16:50 |
Now take off my drum. |
00:17:02 |
Your raggedy-ass shit |
00:17:13 |
- (Buck Wild) Let's go! |
00:17:15 |
put your drum |
00:17:18 |
Now, move your ass, lift your feet, |
00:17:21 |
(Buck Wild) |
00:17:24 |
Let's go, Uncle Ben. |
00:17:27 |
if I had one of your grandmama's |
00:17:29 |
I guess it ain't |
00:17:31 |
Come on. Let's roll. |
00:17:36 |
Come on, boy! That's why your raggedy ass |
00:17:39 |
Boy, you gonna graduate |
00:17:42 |
(Chanting Cadences) |
00:17:52 |
(Chanting Continues) |
00:18:00 |
What's your name, crab? |
00:18:02 |
Jayson Flore, sir. |
00:18:06 |
Brilliantly named |
00:18:08 |
What's wrong? They don't have |
00:18:12 |
I don't find their marching style |
00:18:17 |
And no, they don't |
00:18:21 |
(All Laughing) |
00:18:23 |
- Now you done messed up the cadence. |
00:18:25 |
(Iron Man) |
00:18:32 |
Ah, shit. |
00:18:35 |
They don't tell you about all this |
00:18:38 |
- (Jayson Groans) |
00:18:41 |
You wanna talk about hard? |
00:18:43 |
Try switching from corps-style marching |
00:18:48 |
(Laughs) |
00:18:51 |
Yeah, right. Don't even try that |
00:18:56 |
I got skills, man. |
00:18:59 |
in my high school, marching band |
00:19:02 |
(Scoffs) |
00:19:05 |
- or U.G.A. in a minute. |
00:19:09 |
So, what you here for then? |
00:19:11 |
I love black people. |
00:19:13 |
- (Laughing) |
00:19:16 |
No, on the real, man, |
00:19:18 |
I grew up right down the street. |
00:19:22 |
When I was little, I could hear them practicing |
00:19:25 |
- I'd be outside playing... |
00:19:29 |
I'm serious, y'all. |
00:19:31 |
Shoot. A&T's the reason |
00:19:35 |
I feel you on that one, dog. |
00:19:38 |
- (Phone Rings) |
00:19:41 |
Hel... Hello? Hel... Yes. |
00:19:45 |
I can do that. Yes. |
00:19:51 |
I can do that. |
00:19:53 |
I can... I can do that. |
00:19:55 |
- (Whistle Blows) |
00:19:58 |
Move it! Move it! |
00:20:01 |
- (Band Chanting) |
00:20:07 |
"The beginning is always today". |
00:20:11 |
President Wagner, |
00:20:14 |
So what exciting, new beginnings |
00:20:18 |
Well, for the most part... |
00:20:20 |
I'll continue with |
00:20:24 |
That direction is a losing one. |
00:20:25 |
I don't think we can measure |
00:20:28 |
by the number of people |
00:20:30 |
And no, we didn't win |
00:20:32 |
But our first obligation |
00:20:37 |
Please, not the edutainment speech, James. |
00:20:41 |
It's a good one. |
00:20:45 |
There won't be a program if thee alumni continue to lose interest. |
00:20:50 |
We win, they write checks. |
00:20:52 |
Dr. Henderson was smart enough |
00:20:54 |
He played popular music. |
00:20:56 |
That was James Brown and Marvin Gaye, |
00:21:01 |
Now, I will play popular music, |
00:21:05 |
When you hired me, you wanted me |
00:21:07 |
and that is exactly |
00:21:10 |
I also said we needed to win. |
00:21:14 |
(Buck Wild) |
00:21:16 |
One, two! |
00:21:19 |
One, two! One... |
00:21:21 |
(Dr. Lee) |
00:21:23 |
I want your knees |
00:21:26 |
Then drive your feet |
00:21:29 |
I'll say it again. |
00:21:33 |
Then feet hit the ground! |
00:21:36 |
Buck Wild! |
00:21:38 |
When I say, "chest", |
00:21:40 |
- Chest! |
00:21:43 |
(Buck Wild) What's wrong with your chest? |
00:21:46 |
- What's wrong with his chest? Stick your chests out! |
00:21:50 |
- Chest! |
00:21:52 |
- Chest! |
00:21:55 |
(Laila) One, two, three and four, |
00:21:59 |
- # (Hip-hop) # |
00:22:02 |
five, six, seven. |
00:22:04 |
Come on. Let's go. |
00:22:14 |
I'm sorry, but, um, |
00:22:17 |
I didn't know you was a dancer. |
00:22:19 |
- Do I know you? |
00:22:23 |
Dr. Lee sent me over, |
00:22:26 |
- To check on things? |
00:22:30 |
Real good-looking brother |
00:22:32 |
Yeah, he about to bring it |
00:22:36 |
See, I can help you out |
00:22:39 |
- One, two, three. Pop it. Take it. |
00:22:41 |
Drop it. Yeah. |
00:22:44 |
Beat it, Devon. |
00:22:47 |
Thought you ain't remember me. |
00:22:50 |
(Iron Man) |
00:22:56 |
Hey, Devon, |
00:22:58 |
- Ernest actually might get a chest. |
00:23:02 |
(Straining) And Diedre might get |
00:23:07 |
(Men Laughing) |
00:23:09 |
# (Rhythmic Drumming) # |
00:23:14 |
Whoa, whoa, whoa, whoa. |
00:23:17 |
What are y'all looking at? |
00:23:19 |
Drums ain't going nowhere, |
00:23:22 |
Always remember this. |
00:23:25 |
Playing the drums, |
00:23:28 |
You can't be looking down there seeing |
00:23:33 |
Eyes on me. |
00:23:40 |
Yeah. Now, when you |
00:23:43 |
when you handling your business, |
00:23:46 |
- (Sticks Clatter) |
00:23:48 |
Maybe you don't. |
00:23:53 |
Eyes on me. |
00:23:58 |
Mm-hmm! |
00:24:00 |
Yeah. You know how it is |
00:24:05 |
- Don't ya, girl? |
00:24:09 |
Never look down. |
00:24:31 |
(Sticks Clatter) |
00:24:34 |
(Dr. Lee) |
00:24:37 |
Thank you, sir. |
00:24:40 |
What I like most... |
00:24:42 |
was instead of |
00:24:44 |
you made yourself |
00:24:48 |
Let's take this from the top, |
00:25:02 |
Don't look down, |
00:25:14 |
You have to learn to follow |
00:26:09 |
(Sean) |
00:26:11 |
You're not crabs anymore. |
00:26:13 |
Now you're crab drummers. |
00:26:15 |
- (Murmuring) |
00:26:18 |
it's tree-shaking |
00:26:22 |
which will determine |
00:26:26 |
So tonight, celebrate... |
00:26:30 |
'cause you made it |
00:26:33 |
- (Cheering) |
00:26:36 |
After you prove a thorough |
00:26:40 |
What is mandatory |
00:26:44 |
All A&T musicians |
00:26:47 |
When can a P2 or P3... |
00:26:51 |
challenge for a spot |
00:26:53 |
At the practice |
00:26:58 |
What is... |
00:27:03 |
the last rule |
00:27:07 |
Uh... |
00:27:09 |
(Mouthing Words) |
00:27:15 |
Head, uh... |
00:27:20 |
Stay ahead of the game. |
00:27:22 |
- (All Groan) |
00:27:28 |
One band, one sound means |
00:27:33 |
That means all of you are responsible |
00:27:37 |
what the last rule is. |
00:27:39 |
(All Laugh) |
00:27:44 |
- What y'all laughing at? |
00:27:46 |
Down, boy! Sit down! |
00:27:50 |
- What's up? I'm going to get a lap dance or something? |
00:27:53 |
- (Sean) Why don't you read the last page, brother? |
00:27:57 |
"If you do not read |
00:28:00 |
(All) |
00:28:03 |
I told you to read the book. |
00:28:05 |
Devon, would you like me |
00:28:08 |
Would you like me |
00:28:10 |
(Ernest) |
00:28:12 |
Hey, Dev, let me tell you. |
00:28:15 |
- but you ain't never gonna play like me. |
00:28:19 |
(All Moaning) |
00:28:22 |
Watch my nerves. |
00:28:25 |
- You ain't touching my head. |
00:28:29 |
Whatever, man. |
00:28:33 |
Is that what you want me |
00:28:35 |
I don't care what you tell him. |
00:28:39 |
(Man) |
00:28:44 |
Man, how much fish is Charles |
00:28:46 |
He gonna short out |
00:28:49 |
# (Hip-hop) # |
00:28:54 |
You know, uh, big brother Sean |
00:28:57 |
when he finds out you quit the band |
00:29:01 |
(Scoffs) |
00:29:05 |
Well, all right. |
00:29:08 |
I'm about to go get up |
00:29:11 |
Holler! |
00:29:18 |
- (People Chattering) |
00:29:21 |
This is the best. |
00:29:34 |
(Man) |
00:29:39 |
(All Cheering) |
00:29:44 |
Move away! I got my homeboy |
00:29:47 |
Wait, wait, wait. Hold up. Hold up. |
00:29:51 |
- (All Yelling) |
00:29:54 |
(Dr. Lee) |
00:29:56 |
Tree-shaking is gonna |
00:29:59 |
But only P1 s are guaranteed |
00:30:04 |
Now, if youre a P2 or a P3, |
00:30:08 |
in sections that are available, |
00:30:11 |
I'll see you all |
00:30:20 |
(Car Horn Honks Three Times) |
00:30:25 |
(Man) |
00:30:27 |
That's the upperclassmen. |
00:30:29 |
They flash their lights to say |
00:30:33 |
Hey, Charles, |
00:30:35 |
Man, don't worry about my socks, man. |
00:30:39 |
Better be. |
00:30:47 |
Mr. Miles, please play the required piece. |
00:31:11 |
You notice this crab hasn't looked down |
00:31:14 |
- So? |
00:31:16 |
Who memorizes an audition piece? |
00:31:18 |
It's complicated. |
00:31:21 |
It's supposed to be read. |
00:31:23 |
Like you did? |
00:31:49 |
Mr. Miles, I guess you |
00:31:54 |
No, I just thought I'd add |
00:32:02 |
He can play. We all know that. |
00:32:06 |
Now, I've put three years |
00:32:09 |
And the chemistry's great |
00:32:12 |
(Car Horns Honk Once) |
00:32:17 |
Your line seems |
00:32:36 |
(Excited Chattering) |
00:32:40 |
Yeah! P2 bass! Ow! |
00:32:48 |
(Devon's Voice) |
00:32:50 |
Yeah, P1 and everything. |
00:32:53 |
The only freshman to do that. |
00:32:55 |
I was just calling to let you know |
00:32:59 |
Come on. |
00:33:01 |
Yeah, it's all good. |
00:33:15 |
Excuse me. Hi. |
00:33:18 |
I'm looking for this really good-looking |
00:33:21 |
- And I heard... |
00:33:23 |
I heard he made the drumline. |
00:33:26 |
Oh, so now you got jokes? |
00:33:28 |
- (Chuckles) Congratulations. |
00:33:31 |
You know I can't wait |
00:33:34 |
Do women actually respond |
00:33:40 |
Well, actually, |
00:33:43 |
Hmm. |
00:33:45 |
What? Wait. |
00:33:49 |
My bad. Hold on. |
00:33:53 |
Why don't you school me |
00:33:59 |
Okay. |
00:34:01 |
How about showing some interest |
00:34:05 |
All right. |
00:34:08 |
Damn, girl! What, you part |
00:34:10 |
I'm a philosophy major. |
00:34:14 |
- Dang. Philosophy? That's deep. |
00:34:16 |
Like, Miss S.A.T. girl, |
00:34:19 |
Your parents probably used to put |
00:34:23 |
Mom be talking about, |
00:34:26 |
Yes, she did". |
00:34:28 |
Something like that. |
00:34:31 |
- What major makes your parents proud? |
00:34:34 |
I never even thought I'd be in college |
00:34:39 |
It's that simple |
00:34:43 |
Yeah. |
00:34:47 |
- I should... |
00:34:51 |
- That's so cute. |
00:34:54 |
I did. I liked it. |
00:35:00 |
- I have a car. |
00:35:02 |
(Laila) |
00:35:05 |
All right, um, just... |
00:35:08 |
- (Tires Skid) |
00:35:11 |
- (Tires Skid) |
00:35:13 |
Okay. Okay. |
00:35:16 |
It's your clutch |
00:35:18 |
No, it's a new car. |
00:35:20 |
Softly, softly. Okay? |
00:35:24 |
- Uh-huh. |
00:35:26 |
Yeah. Recognize the skills. |
00:35:31 |
I don't even |
00:35:33 |
- You ain't on a date with your sister. |
00:35:38 |
Snares, listen up. |
00:35:40 |
This last drum part |
00:35:45 |
Pay attention. |
00:35:50 |
Now I'm gonna |
00:35:52 |
Pay attention. |
00:36:14 |
(Sean) |
00:36:17 |
so you're gonna have to step up |
00:36:20 |
- So take out your sheet music... |
00:36:31 |
- Yeah, that'll work. |
00:36:34 |
All right. Choreography and formation |
00:36:39 |
And we will have our |
00:36:42 |
This is one of the new songs |
00:36:45 |
- It's by E.W.F. "Earth, Wind & Fire". |
00:36:49 |
Come on, now. |
00:36:52 |
- Oh, oh, oh, I see. Y'all think y'all a band? |
00:36:55 |
Let me tell ya, |
00:36:58 |
- (Woman) Back in your time. |
00:37:00 |
- So, what y'all want to play? A little Angie Stone? |
00:37:04 |
- L.L. Cool "J"? |
00:37:07 |
- Snoop Doggy Dogg? |
00:37:14 |
All these artists sample |
00:37:17 |
That's what we gonna play. |
00:37:25 |
One, two, ready, and... |
00:37:27 |
- (Man Shouting) |
00:38:02 |
(Man) |
00:38:06 |
# Unlocks the heart |
00:38:11 |
# Love will learn |
00:38:14 |
# Yeah # |
00:38:16 |
# Oh, yeah |
00:38:21 |
Before we take a break, |
00:38:25 |
for the Wilmington game. |
00:38:28 |
P3 Donnell Jones... |
00:38:30 |
is challenging P2 Jayson Flore... |
00:38:33 |
- on the basis of musicianship... |
00:38:35 |
and choreography. |
00:38:37 |
- Front and center. |
00:38:40 |
Shit, this is messed up. |
00:38:43 |
(Man) |
00:38:45 |
Keep it together. |
00:38:47 |
(Dr. Lee) |
00:38:50 |
Take it from the bridge. |
00:38:55 |
- Hey, yo, do your thing, kid. |
00:39:32 |
(Whispering) |
00:39:46 |
- (Whistle Blows) |
00:39:51 |
Mini-Me. I need a volunteer |
00:39:55 |
- Man, that's a P4's job. |
00:39:59 |
You don't like it, quit. |
00:40:23 |
Need some help? |
00:40:29 |
# (Imitating Beat Box) # |
00:40:33 |
Uh! |
00:40:35 |
# (Imitating Beat Box) # |
00:40:39 |
# You got me polishing |
00:40:42 |
- # 'Cause some hating upperclassman named Sean # |
00:40:45 |
# On and on |
00:40:48 |
# And I'm tight like spandex |
00:40:51 |
# Like, check making |
00:40:54 |
# This young Harlem |
00:40:59 |
(Crowd Cheering) |
00:41:04 |
Dang, the crowd is louder than when |
00:41:07 |
'Cause down here, |
00:41:09 |
Halftime is game time. |
00:41:11 |
Percussion! Last words of advice |
00:41:15 |
You drop your sticks, don't reach down |
00:41:19 |
I don't never drop my sticks. |
00:41:22 |
Kid, you about to step in |
00:41:25 |
The crowd. The lights. |
00:41:28 |
even for a hothead like you. |
00:41:30 |
Yeah, I bet you it's even scarier |
00:41:35 |
- What? |
00:41:40 |
You want my solo? |
00:41:43 |
What? |
00:41:44 |
- Yo, son, you don't even want to tell me that. |
00:41:48 |
Come with it. |
00:41:51 |
(Band Chattering) |
00:41:54 |
Dude, what are you doing? |
00:41:56 |
He'll freeze up like any other freshman. |
00:42:00 |
All right, Panthers, |
00:42:04 |
One band, one sound. |
00:42:07 |
(Band) |
00:42:17 |
Whoo! |
00:42:36 |
(Man Over P.A.) |
00:42:38 |
Get on your feet and be prepared |
00:42:42 |
the A&T Marching Panthers... |
00:42:45 |
putting it down |
00:42:47 |
The A.T.L. is in the house! |
00:42:54 |
# (Stops) # |
00:42:58 |
# (Begins) # |
00:43:03 |
# ("In the Stone") # |
00:44:12 |
# (Stops) # |
00:44:16 |
(Man Over P.A.) Hold up! |
00:44:21 |
Y'all ain't ready |
00:44:24 |
The baddest drumline |
00:44:26 |
What we are, you can't smoke, |
00:44:32 |
Get ready to see |
00:44:36 |
Drumline, get your thing on! |
00:47:10 |
(Man Over P.A.) |
00:47:14 |
The baddest band |
00:47:16 |
- You think you know, but you have no idea. |
00:47:21 |
(All Chattering) |
00:47:26 |
Hey, yo, man, that was tight, bro. |
00:47:29 |
What was that? |
00:47:33 |
What did we rehearse? |
00:47:35 |
Why do we rehearse? |
00:47:38 |
You were out there showboating |
00:47:41 |
the drum major to wrap you up, you'd still |
00:47:44 |
Dr. Lee, sir, um, there's an explanation. |
00:47:48 |
Do I look like I need you |
00:47:53 |
No, sir. |
00:47:55 |
I don't know what the beef is between you, |
00:47:58 |
- because it is my ass that is on the line. |
00:48:01 |
Now, that is a new beginning! |
00:48:03 |
That's exactly |
00:48:07 |
Great job, son. |
00:48:11 |
- You were something special. |
00:48:15 |
Great job, all of you. |
00:48:18 |
(All Cheering) |
00:48:21 |
- Some alumni want to speak with you. |
00:48:24 |
There they are. |
00:48:27 |
- Don't keep them waiting. New beginning! |
00:48:31 |
(Wagner Laughing) |
00:48:35 |
Sean, I want you to polish |
00:48:40 |
And I'd better be able |
00:48:43 |
Yes, sir. |
00:48:51 |
I left the polish on the bottom shelf, "B". |
00:48:58 |
(Ernest Chewing, Sighing) |
00:49:06 |
(Mumbles) |
00:49:08 |
Devon, man, |
00:49:11 |
you killed them out there. |
00:49:13 |
You did your thing today. |
00:49:17 |
For real. You nice. |
00:49:18 |
So, what's up with me |
00:49:22 |
- What we gonna do? |
00:49:28 |
Oh, okay, okay, all right. |
00:49:32 |
Uh, you in a hurry, brother? |
00:49:38 |
No. Well, yeah. |
00:49:40 |
Yeah, I gotta go to this |
00:49:44 |
a little party |
00:49:47 |
Dog tired, though. |
00:49:49 |
Would you like to go out with me? |
00:49:53 |
- Word? |
00:49:56 |
No! No, no, I gotta... |
00:50:00 |
I gotta do my thing on my own. |
00:50:03 |
One love... and all that. |
00:50:06 |
Be easy! |
00:50:08 |
- He spit right in my French fries. |
00:50:11 |
Let me get the large fries |
00:50:14 |
- 2.27, please. |
00:50:17 |
Whoa. Oh, big spender. |
00:50:20 |
Let me see. $2.27. |
00:50:24 |
Dang, ease up. |
00:50:26 |
All-you-can-eat joints |
00:50:30 |
So, it is a date? |
00:50:32 |
Yeah, I'm trying to set up |
00:50:36 |
Really? Hmm. |
00:50:40 |
But Southern sisters, |
00:50:45 |
We have boyfriends. |
00:50:47 |
(Chuckles) |
00:50:50 |
Ooh. You killing me |
00:50:54 |
Um, okay. |
00:50:55 |
- Let's just say for pretend... |
00:50:58 |
What would a boyfriend |
00:51:02 |
He'd take me |
00:51:07 |
- # (Hip-hop) # |
00:51:14 |
# (Rapping Indistinctly) # |
00:51:48 |
Laila, girl, let's do the step. |
00:51:51 |
Okay. |
00:51:53 |
Excuse me. |
00:51:55 |
- I'll be right back. |
00:51:59 |
# (Stops) # |
00:52:03 |
- You ladies feel a step coming on? |
00:52:06 |
- (People Hooting) |
00:52:11 |
- (Woman) Ooh, work it! |
00:52:14 |
(Woman #2) |
00:52:20 |
(Crowd Chattering, Cheering) |
00:52:28 |
(Woman) |
00:52:31 |
# Break it down now # |
00:52:36 |
# Sigma # |
00:52:38 |
(Woman) |
00:52:40 |
- # Phi # |
00:52:42 |
# Alpha Sigma Phi Alpha # |
00:52:46 |
# Psi # |
00:52:48 |
- (Barks) |
00:52:58 |
(Mouthing Words) |
00:53:02 |
(Men Shouting) |
00:53:04 |
# Oh, break it down |
00:53:10 |
- # Whoo, ah # |
00:53:14 |
# Gonna break it down |
00:53:18 |
# Ooh, ah # |
00:53:21 |
# Hey, hey, check me out # |
00:53:25 |
# Hoo! |
00:53:27 |
# Hoo! |
00:53:30 |
# (Chanting Fades) # |
00:53:35 |
# (R&B) # |
00:53:42 |
(Woman) |
00:53:47 |
# Eyes # |
00:53:50 |
# You're the only |
00:53:53 |
# Baby, I just don't know # |
00:53:56 |
# How to describe # |
00:53:58 |
# How lovely you make me feel # |
00:54:01 |
# Inside # |
00:54:04 |
# You give me butterflies # |
00:54:09 |
Okay. Thanks a lot. |
00:54:13 |
- You finish those halftime cadences yet? |
00:54:17 |
- Good. Let's hear it. |
00:54:21 |
Actually, Dr. Lee, |
00:54:28 |
Oh, nah. You the big dog. |
00:54:30 |
No, I really think it'd help |
00:54:33 |
I wouldn't do it no justice. |
00:54:35 |
What are you two... |
00:54:37 |
It doesn't have to be perfect, Devon. |
00:54:39 |
Come on. You knocked that cadence out |
00:54:45 |
You got it. |
00:54:47 |
Go on, rip it, dog. |
00:54:50 |
- Go on, dog. |
00:54:56 |
(Man) |
00:55:09 |
(Dr. Lee) |
00:55:11 |
Don't feel like playing |
00:55:14 |
You know that was |
00:55:17 |
It was obvious, |
00:55:21 |
Personally, I don't give a damn if the boy |
00:55:25 |
Have some respect for your section, Robert. |
00:55:28 |
It's my job to protect the line and that's what I did. |
00:55:33 |
You lied on your application... |
00:55:36 |
you lied at your audition |
00:55:39 |
and you lied to me. |
00:55:41 |
I didn't think |
00:55:48 |
Play that. |
00:55:51 |
That's the music for next week's game |
00:55:56 |
And as far as I'm concerned, |
00:56:05 |
I'm enrolling you in |
00:56:08 |
Man, that gives me five classes. |
00:56:10 |
Damn right it gives you five classes, |
00:56:12 |
especially if you plan on getting back |
00:56:16 |
What you mean, |
00:56:18 |
I mean, now you're a P4. |
00:56:21 |
If you cannot read music, |
00:56:25 |
Man, you can't take me off the line! |
00:56:28 |
- And can't no class teach me how to do me. |
00:56:31 |
Doing me is what got me down |
00:56:34 |
No, lying |
00:56:40 |
And if you don't have the honor |
00:56:45 |
then quite frankly, Devon, |
00:56:54 |
(Laila's Voice) |
00:56:58 |
If music is what you love, |
00:57:06 |
You love dance, right? |
00:57:13 |
My parents are paying |
00:57:18 |
And to them... |
00:57:21 |
dancing's not a real major. |
00:57:25 |
Well, is it real to you? |
00:57:29 |
Because when I see you doing |
00:57:35 |
That seems real to me. |
00:57:43 |
It's not always about doing |
00:57:48 |
See, I don't even get that. |
00:57:53 |
I always knew I'd be here. |
00:57:56 |
Both my parents went to A&T. |
00:57:58 |
My mom's a Sigma Phi Alpha. |
00:58:01 |
Just... Oh. |
00:58:06 |
- What? |
00:58:19 |
Please take that class. |
00:58:32 |
(No Audible Dialogue) |
00:59:00 |
- # (Drums) # |
00:59:03 |
(Man Over P.A.) |
00:59:06 |
And A&T University |
00:59:09 |
(Chanting Continues) |
00:59:13 |
# (Playing "Apache" By The Sugar Hill Gang) # |
00:59:22 |
(Man Over P.A.) |
00:59:25 |
# Jump on it |
00:59:31 |
# Jump on it |
00:59:37 |
# Fight, fight, fight, fight! # |
00:59:44 |
- # Fight, fight, fight, fight! # |
00:59:51 |
# (Continues) # |
00:59:58 |
(Man Over P.A. Continues Indistinctly) |
01:00:02 |
(Chuckles) |
01:00:05 |
Ah, the musicianship of hip-hop. |
01:00:10 |
- # (Ends) # |
01:00:12 |
Got all them musicians, |
01:00:16 |
Hit them with a little |
01:00:18 |
(Man Over P.A.) I told you the score |
01:00:21 |
In just a few moments, |
01:00:23 |
"Flight of the Bumblebee"! |
01:00:25 |
- "Flight of the Bumblebee"! |
01:00:33 |
# ("Flight of the Bumblebee") # |
01:00:55 |
(Announcer) Thank the sponsor for |
01:00:59 |
(Continues, Indistinct) |
01:01:02 |
State Farm Insurance. |
01:01:04 |
Like a good neighbor, |
01:01:07 |
# ("Let Me Clear My Throat" by DJ Kool) # |
01:01:19 |
Man, that's what |
01:01:23 |
(Cheering) |
01:01:27 |
(Man Shouting) |
01:01:31 |
Go, go, go! |
01:01:36 |
Yo, dog. |
01:01:38 |
Man, you gotta play... |
01:01:41 |
# (Ends) # |
01:01:44 |
(Band Chants) |
01:01:49 |
(Drumming) |
01:01:54 |
(Man) |
01:02:05 |
# (Playing "Funky Drummer") # |
01:02:23 |
- (Crowd Chanting) |
01:02:32 |
(Crowd Cheering) |
01:02:39 |
(Clicking) |
01:02:41 |
(Announcer) |
01:02:44 |
Prepare to experience seven minutes |
01:02:48 |
- (Shouting) |
01:02:51 |
Here they come, the Morris Brown College |
01:02:55 |
# (Military Drumming) # |
01:03:12 |
Drum majors, |
01:03:17 |
(Rhythmic Explosions) |
01:03:27 |
- (Explosions) |
01:03:31 |
Hey, A&T, get your pencil |
01:03:34 |
This is how it's done. |
01:03:38 |
# (Military Rhythms) # |
01:03:43 |
Dr. Lee... |
01:03:46 |
do you want to explain why |
01:03:49 |
- Not really. |
01:03:53 |
I want my boy |
01:03:56 |
There are some issues |
01:03:58 |
No, the only issue is for you to give me |
01:04:02 |
or there won't be |
01:04:13 |
- (Band Chanting) |
01:04:18 |
- (Band Chanting) # It's on now # |
01:04:25 |
I can't believe we ain't |
01:04:28 |
That's a straight-up challenge. |
01:04:31 |
A&T going out like some punks. |
01:04:36 |
Is this how they make you |
01:04:39 |
Mr. Wade, |
01:04:41 |
Oh, nice to meet you. Devon. |
01:04:44 |
I know who you are. I'm a big fan. |
01:04:47 |
- Thank you, sir. |
01:04:50 |
Whoo! I was just admiring |
01:04:54 |
You know, five years |
01:04:57 |
he still hasn't learned |
01:05:01 |
Get on the bus. |
01:05:04 |
You want to play |
01:05:09 |
(Chuckles) |
01:05:14 |
You know, uh, if youre looking |
01:05:16 |
you can give me a call too. |
01:05:18 |
I got enough shit in my life. |
01:05:21 |
I'll just use this |
01:05:26 |
Whoo! Still got that baton |
01:05:29 |
- (Brakes Hiss) |
01:05:39 |
# (Drumming) # |
01:05:42 |
(Crowd Cheering) |
01:06:00 |
# (Band Practicing Scales) # |
01:06:11 |
# (Continues) # |
01:06:21 |
# (Stops) # |
01:06:23 |
Slight change, everyone. |
01:06:25 |
Before we get started |
01:06:28 |
Devon and Sean's solo performance |
01:06:30 |
will get added |
01:06:33 |
Choreography and formation plots |
01:06:36 |
We give it a short test run |
01:06:39 |
Mr. Miles, strap-up. |
01:06:43 |
- What the... |
01:06:51 |
This is bullshit. |
01:06:54 |
(Crowd Cheering) |
01:06:58 |
(Announcer) There they are, the homecoming |
01:07:03 |
- But y'all know it's all about the band at homecoming 2002. |
01:07:08 |
On your feet |
01:07:10 |
and the baddest band |
01:07:35 |
# (Brass Joins Percussion) # |
01:08:06 |
# (Ends) # |
01:08:10 |
(Announcer) |
01:08:12 |
You better recognize the realness. |
01:08:15 |
Now give some love |
01:08:20 |
(Wagner) |
01:08:22 |
(Laughs) |
01:08:25 |
(Announcer) |
01:08:27 |
for the annual drum battle. |
01:08:30 |
- There will be no discussion. We rule percussion. |
01:08:33 |
So send out your best. |
01:08:37 |
- Now just wait a minute. They came here just to see you. |
01:08:40 |
- (Cheering) |
01:08:58 |
(Laughing) |
01:09:15 |
- (All) Hey! |
01:09:17 |
- (Announcer) That's it? So it's amateur night, huh? |
01:09:21 |
(Announcer) |
01:09:38 |
(Crowd Cheers) |
01:09:46 |
- (Crowd Gasps) |
01:10:01 |
- (Crowd Boos) |
01:10:08 |
- (Sean) Senate! |
01:10:10 |
- (Crowd Oohing) |
01:10:22 |
Yes. Look at our boys. |
01:10:56 |
You didn't tell me |
01:11:03 |
- (Grunts) |
01:11:07 |
(Screaming) |
01:11:10 |
Break it up! |
01:11:15 |
Hey, yo, big Rob, |
01:11:18 |
You had my back. |
01:11:20 |
Ain't nobody backing up your dumb ass. |
01:11:24 |
(Woman #1) |
01:11:26 |
(Woman #2) |
01:11:28 |
I think we have about |
01:11:30 |
- Dad. |
01:11:36 |
(Chattering) |
01:11:44 |
(Chattering) |
01:11:46 |
(Man Clears Throat) |
01:11:48 |
Shh. |
01:11:50 |
- (Door Closes) |
01:11:54 |
Why didn't nobody tell me |
01:11:56 |
We don't have to tell you anything. |
01:12:02 |
(Devon) |
01:12:12 |
Alright. That's how it's gonna be? |
01:12:14 |
(Door Opens) |
01:12:16 |
Yo, Dr. Lee, man, you gotta talk to the line. |
01:12:19 |
Look, I'm sorry about yesterday. |
01:12:22 |
I got a little carried away. |
01:12:24 |
Wasn't nobody stepping up, |
01:12:27 |
'cause you know |
01:12:32 |
I put you on the line |
01:12:37 |
And now I have |
01:12:45 |
You are no longer |
01:12:50 |
(Voice Echoing) Devon, there are |
01:12:57 |
(Echoing) |
01:13:02 |
Yeah. I figured you'd |
01:13:07 |
Oh. Oh, yeah. Yeah. |
01:13:10 |
Uh-huh. Mom, I'm fine. It's... |
01:13:15 |
It's just midterms. Yeah. |
01:13:22 |
(Sighs) |
01:13:24 |
Actually, I should probably have |
01:13:27 |
Yeah, I was just calling to say hey. |
01:13:35 |
Yeah, I'll talk to you later. |
01:13:38 |
(Sighs) |
01:13:44 |
(Phone Beeps) |
01:13:50 |
(Sighs) |
01:13:54 |
It ain't gonna be the same |
01:13:57 |
It's all about the tubas now, dog. |
01:13:59 |
What you mean? |
01:14:03 |
- (Scoffs) |
01:14:05 |
Hey, man, you know |
01:14:07 |
- I know, man. |
01:14:09 |
(Imitating Lee) |
01:14:12 |
- "You're late if youre on time". |
01:14:15 |
Hey, we gonna miss you, man. |
01:14:17 |
Why you acting like |
01:14:19 |
Look. Fried okra night in my room. |
01:14:23 |
- You a fool. Take this. |
01:14:25 |
- All right. |
01:14:28 |
All right. |
01:14:34 |
Cut! Cut! Cut! Cut! Cut! |
01:14:36 |
What... What... |
01:14:38 |
Huh? Snares, y'all need |
01:14:40 |
- Mr. Wade? |
01:14:42 |
Okay. Break them up into groups, |
01:14:46 |
- (Whistle Blows) |
01:14:49 |
- What took you so long? |
01:14:53 |
(Laughs) |
01:14:56 |
at the homecoming last week. |
01:14:59 |
But I bet Dr. Lee grounded you, |
01:15:02 |
- Actually, he kicked me off the band. |
01:15:06 |
But, see, that's what happens |
01:15:09 |
don't have a real place to shine. |
01:15:13 |
Uh, you know, Mr. Wade... |
01:15:16 |
I was wondering if maybe you had |
01:15:23 |
That's a definite possibility. |
01:15:25 |
But I want you to think very carefully about that, |
01:15:29 |
In the meantime, I'll talk to the coaches |
01:15:32 |
All right. |
01:15:35 |
- Thanks. |
01:15:38 |
Look, I might as well |
01:15:40 |
What's that? |
01:15:42 |
I can't really read music. |
01:15:45 |
Don't worry about that. A lot of folks |
01:15:49 |
don't mean |
01:15:52 |
- (Chattering) |
01:16:01 |
Just once, could a brother |
01:16:07 |
Hi. |
01:16:13 |
Devon. |
01:16:16 |
Oh, snap. |
01:16:22 |
Look, I panicked. |
01:16:24 |
My parents were talking |
01:16:27 |
"That hoodlum on the field |
01:16:31 |
Devon, I'm... I'm sorry. |
01:16:33 |
It ain't about your parents. |
01:16:36 |
You left me hanging. |
01:16:40 |
You know how that feels? |
01:16:43 |
No? Let me show you. |
01:16:51 |
Dr. Lee? Dr. Lee. |
01:16:54 |
I just wanted to catch |
01:16:56 |
I was thinking that instead of promoting |
01:16:59 |
we might just keep |
01:17:02 |
And how long have you |
01:17:05 |
Just this morning. |
01:17:08 |
Are you sure? |
01:17:10 |
I thought maybe it was the day |
01:17:14 |
or maybe it was the night |
01:17:17 |
I don't know. |
01:17:19 |
But since you heard him play... |
01:17:21 |
you decided that the line, |
01:17:26 |
would be better off without him. |
01:17:32 |
Remember when I first |
01:17:37 |
You were sweating bullets |
01:17:40 |
this loud, passionate group |
01:17:44 |
and I said you would be fine. |
01:17:46 |
Remember why? |
01:17:49 |
You said I loved |
01:17:51 |
more than the sound |
01:17:53 |
Yes. And you've lost |
01:17:58 |
and that's okay because... |
01:18:01 |
we all lose sight |
01:18:04 |
But if you don't get it together, |
01:18:07 |
you're gonna have |
01:18:10 |
whether Devon is on it or not. |
01:18:27 |
(Wade) |
01:18:29 |
to get you some |
01:18:31 |
hook you up with a part-time job |
01:18:34 |
- You know you need some money. Hmm? Hmm? |
01:18:36 |
- Yeah. I heard that. |
01:18:39 |
And the B.E.T. Southern Classic coming up, |
01:18:42 |
Sit up in the skybox with us. |
01:18:44 |
- You can see the honeys way good up there. |
01:18:47 |
- Most def. |
01:18:50 |
- Now, what can you tell me? |
01:18:55 |
What you mean, |
01:18:57 |
Oh, I know Dr. Lee is working |
01:19:01 |
The man's too stubborn to sit down |
01:19:04 |
- You know that. |
01:19:07 |
- I don't know. |
01:19:10 |
(Laughs) |
01:19:12 |
At least a play list. |
01:19:15 |
(Scoffs) |
01:19:20 |
Lookie here, son, |
01:19:22 |
a lot of financial aid |
01:19:24 |
You need to give me something. |
01:19:26 |
Meet me halfway on this thing. |
01:19:28 |
You don't wanna pass up a deal like this. |
01:19:34 |
(Scoffs) |
01:19:38 |
Look, man, I don't know |
01:19:41 |
Whatever it is, |
01:19:44 |
Fake-ass alligator shoes. |
01:19:49 |
Hey, yo, D. |
01:19:51 |
Cool. |
01:19:56 |
Hey, if it's, uh, some more |
01:19:59 |
'cause those biscuits |
01:20:02 |
'Night. |
01:20:11 |
"Music from some drummers |
01:20:16 |
"Love, Dad". |
01:20:34 |
"Ray Miles Funk Connection". |
01:20:47 |
(Man On Tape) |
01:20:50 |
# (Funk) # |
01:20:54 |
# (Continues) # |
01:21:01 |
# (Drumming In Rhythm) # |
01:21:17 |
# (Stops) # |
01:21:20 |
# (Drumming) # |
01:21:36 |
Dr. Lee know you're |
01:21:40 |
You even allowed in the building? |
01:21:42 |
Look, man, I got some stuff |
01:21:44 |
so hurry up with |
01:21:48 |
I've had it with your no-talent, |
01:21:52 |
You wanna prove once and for all |
01:21:55 |
Bring it on, |
01:22:00 |
- Take your sound check. |
01:22:03 |
Fake thug. |
01:22:07 |
Whatever, you big bald-headed burgee, |
01:22:10 |
No-Method Man. |
01:22:12 |
Yeah, Fluff Daddy. |
01:22:15 |
- I ain't trying to hear you. |
01:22:18 |
- I know what you about. |
01:22:30 |
What? |
01:22:32 |
- Yeah. I'm the man. |
01:22:35 |
- That's what I'm talking about. |
01:22:45 |
You're the best, Devon. |
01:22:48 |
But when you're on the field, |
01:22:50 |
They hear the band. |
01:22:57 |
(Printer Whirring) |
01:23:06 |
(Beeping) |
01:23:08 |
Damn. |
01:23:13 |
Check this out. |
01:23:16 |
What's that? |
01:23:18 |
That's you. |
01:23:20 |
Man, the machine was recording? |
01:23:23 |
I don't know how you put that series |
01:23:27 |
Word. I mean, yeah. |
01:23:30 |
Well, since you ain't |
01:23:32 |
I might have to use this for myself. |
01:23:34 |
(Chuckles) |
01:23:36 |
I'm playing, man. |
01:23:40 |
Look. |
01:23:42 |
I'm gonna help you with this. |
01:23:44 |
# (Hip-hop) # |
01:23:46 |
(Man Rapping) |
01:23:50 |
# I'm here now |
01:23:53 |
# I had to travel long distances # |
01:23:56 |
# I'm the meaning |
01:23:58 |
# And music is the only thing |
01:24:01 |
# And it's the only thing |
01:24:03 |
# I been through the hard |
01:24:06 |
# Long days and long nights |
01:24:09 |
# But school was my first |
01:24:11 |
# I was blessed with a talent |
01:24:14 |
# In time, and trust me |
01:24:16 |
- (No Audible Dialogue) |
01:24:19 |
# Listen to the drumline |
01:24:22 |
# A lot of cats is nice |
01:24:24 |
# And these A-T-L streets |
01:24:27 |
# By any means |
01:24:30 |
# It was hard, but I did it |
01:24:33 |
# Now I'm on tour |
01:24:38 |
# It's been a long time coming # |
01:24:40 |
(Woman Singing) |
01:24:43 |
(Man) |
01:24:45 |
(Woman) |
01:24:49 |
(Man) |
01:24:52 |
(Woman) |
01:24:54 |
(Man) |
01:24:57 |
(Woman) |
01:24:59 |
(Man) |
01:25:01 |
(Woman) |
01:25:04 |
(Man) |
01:25:06 |
(Woman) |
01:25:08 |
- (Knocking) |
01:25:11 |
- # (Recording: Jazz) # |
01:25:13 |
- Yeah. |
01:25:16 |
Hey, what's up, Dr. Lee? |
01:25:19 |
Mr. Miles. |
01:25:21 |
Um, I was wondering... |
01:25:23 |
Well, we were wondering if you needed |
01:25:27 |
Not that I'm trying to get back |
01:25:31 |
I just wanted you |
01:25:34 |
No, no, no. Let me see. |
01:25:37 |
All right. |
01:25:42 |
Yeah, but my man Sean here |
01:25:44 |
But the snare part, |
01:25:50 |
What, you two |
01:25:52 |
It got an old school feel to it. |
01:25:55 |
You know, sometimes |
01:25:58 |
That's not a bad idea. |
01:26:02 |
# (Jackson 5 "I Want You Back") # |
01:26:04 |
We're gonna try something |
01:26:08 |
A little of my old school |
01:26:12 |
honoring the past and |
01:26:18 |
That's what our new direction |
01:26:22 |
Our new piece for the B.E.T. |
01:26:27 |
was arranged |
01:26:33 |
Mr. Devon Miles |
01:26:36 |
(Band Cheering) |
01:26:41 |
This piece is very complicated... |
01:26:44 |
but it's not half as complicated |
01:26:47 |
We won't have any time |
01:26:49 |
so as you would say, |
01:26:52 |
# To show you that I love you # |
01:26:55 |
# Won't you please let me # |
01:26:57 |
# Back in your heart # |
01:27:00 |
# Oh, darling |
01:27:03 |
# Let you go, baby # |
01:27:05 |
- # But now since I see you in his arms # |
01:27:09 |
# Yes, I do now # |
01:27:11 |
(No Audible Dialogue) |
01:27:17 |
- # (Hip-hop) # |
01:27:30 |
# (Continues) # |
01:27:40 |
Yo, Jay, what are you doing, man? |
01:27:44 |
(Sighs) |
01:27:46 |
I'm fitting to get my spot back. |
01:27:49 |
How, by Riverdancing with your drum? |
01:27:53 |
- # (Music Stops) # |
01:27:55 |
I should just go talk to Dr. Lee. |
01:27:57 |
There are three other P2s on the bass line, |
01:28:01 |
Gee, I wonder why. |
01:28:03 |
Honestly, dog, I would |
01:28:05 |
Uh... My bad. My bad. |
01:28:09 |
- Hey, thanks a lot, man. |
01:28:13 |
All right. |
01:28:26 |
- Why you forcing it? |
01:28:32 |
What you need to do is, |
01:28:37 |
I'm banging it. |
01:28:39 |
Nah, that's not what |
01:28:44 |
Look. Love the drum. |
01:28:47 |
Man, I do love my drum. |
01:28:51 |
- When was the last time you got some? |
01:28:54 |
- Man, get outta here. |
01:28:56 |
For real, man, you gotta... |
01:29:00 |
You know, like... |
01:29:02 |
Like... You... |
01:29:05 |
- (Moans) |
01:29:09 |
You gotta work the middle, |
01:29:11 |
- (Jay) Work the middle. (Bangs Drum) |
01:29:14 |
- I'm trying. |
01:29:16 |
- (Banging Drum) |
01:29:18 |
Yeah, that's it. |
01:29:20 |
- Oh, you know you ain't right for that. |
01:29:23 |
- # Uh, what # |
01:29:25 |
- # Uh, uh, what, uh # |
01:29:28 |
- # A&T # |
01:29:31 |
Devon! Devon! Devon! |
01:29:34 |
- I saw these guys grab Ernest. |
01:29:37 |
They grabbed Ernest. |
01:29:39 |
and he wouldn't |
01:29:41 |
- He just went with them. |
01:29:44 |
- (Devon) Are you sure he said "gardens"? |
01:29:46 |
What do you mean, |
01:29:49 |
(Man) Gentlemen, |
01:29:54 |
Hey, man, |
01:29:58 |
- Should we kick their... |
01:30:02 |
- (Devon) Be quiet. |
01:30:04 |
You are now men of distinction. |
01:30:06 |
- I don't see Ernest. |
01:30:09 |
Sons of scholarship. |
01:30:12 |
It is my pleasure to welcome you |
01:30:17 |
- (Men Shouting) Psi! |
01:30:22 |
- Yo. Go, E. |
01:30:25 |
Ha! Yo, E! Yeah! |
01:30:28 |
(Jay) |
01:30:30 |
- What's up, baby? |
01:30:34 |
- Yo, man, I went over. |
01:30:36 |
- K-K-Psi till I die, baby. |
01:30:40 |
- I couldn't talk about it. |
01:30:43 |
- (Charles) All right. Well, congrats, man. |
01:30:46 |
- (Charles) Okay. |
01:30:50 |
(Charles) |
01:30:52 |
Yes, I would love |
01:30:56 |
- (Devon) Player, player. |
01:30:58 |
- (Charles, Jay) Ooh! |
01:31:01 |
(Barking) |
01:31:20 |
People say that the band... |
01:31:23 |
is just a reflection |
01:31:25 |
and I want you all to know... |
01:31:28 |
that you've influenced me |
01:31:31 |
and I'm very proud of you. |
01:31:33 |
(Man) |
01:31:36 |
(All Cheering, Applauding) |
01:31:38 |
- Dr. Lee! |
01:31:43 |
Excuse me, Dr. Lee? |
01:31:45 |
I'd like to challenge |
01:31:48 |
on musicianship and choreography. |
01:31:50 |
- (Cheering) |
01:31:55 |
(Man) |
01:32:13 |
(Drumsticks Clacking Tempo) |
01:32:52 |
# (Drums Stop) # |
01:33:05 |
(Whispering) |
01:33:09 |
- (Woman) All right, Jay! |
01:33:13 |
(Cheering) |
01:33:16 |
Mr. Miles, can I holler |
01:33:19 |
Yeah. Yes, sir. |
01:33:23 |
(Sighs) |
01:33:26 |
If it means anything, |
01:33:28 |
about letting you |
01:33:31 |
I understand. |
01:33:33 |
But I can do something about next year. |
01:33:40 |
- Word? |
01:33:42 |
Thanks a lot, Dr. Lee. |
01:33:44 |
Thank you. |
01:33:46 |
No problem. |
01:34:04 |
Look... |
01:34:07 |
how about we start all over? |
01:34:11 |
I'd like that. |
01:34:18 |
- I'm Devon. |
01:34:21 |
So what's your major? |
01:34:24 |
Dance. |
01:34:27 |
Okay. |
01:34:31 |
That's hot. |
01:34:34 |
Give me a hug. |
01:34:55 |
(Crowd Cheering) |
01:35:07 |
(Television Announcer) It all started |
01:35:10 |
Atlanta A&T |
01:35:13 |
putting on a small competition... |
01:35:15 |
to raise money |
01:35:18 |
A humble beginning |
01:35:20 |
into a "band-aholic's" |
01:35:23 |
Today's B.E.T. Classic brings in |
01:35:27 |
and an even bigger |
01:35:29 |
Over the years, the competition |
01:35:33 |
With reigning champion Morris Brown, |
01:35:36 |
- # (Singing) # |
01:35:39 |
$50,000, and a year's-worth |
01:35:45 |
(Woman Singing) |
01:35:51 |
# Banner yet # |
01:35:54 |
# Wave # |
01:36:04 |
# O'er the land of the free # |
01:36:10 |
# And the home # |
01:36:14 |
# Of the # |
01:36:18 |
# Brave # |
01:36:28 |
# (Funk) # |
01:36:36 |
# You keep bumping |
01:36:39 |
# Yeah, I know |
01:36:41 |
# But until you seen me |
01:36:43 |
# You ain't seen bouncing back # |
01:37:04 |
# (Up-tempo Soul) # |
01:37:51 |
# (Flourish) # |
01:38:05 |
# (Dance) # |
01:38:33 |
# (Ends) # |
01:38:38 |
(No Audible Dialogue) |
01:38:45 |
Whoa! Whoa! |
01:38:47 |
(Morris Brown Announcer) Prepare to experience |
01:38:52 |
Man, do they |
01:38:54 |
420 seconds |
01:38:59 |
- (Car Horn Honks) |
01:39:01 |
You ain't seen nothing yet. |
01:39:04 |
Morris Brown, Atlanta. |
01:39:06 |
- (Chattering) |
01:39:09 |
this is the future of the funk. |
01:39:14 |
Black by popular demand... |
01:39:17 |
the Morris Brown College |
01:39:21 |
featuring Jive recording |
01:39:29 |
- # (Hip-hop) # |
01:39:32 |
# Y'all ready # |
01:39:35 |
# Uh-huh, uh-huh! |
01:39:39 |
# U.S.A. # |
01:39:43 |
# U.S.A. # |
01:39:48 |
- # Who am I? # |
01:39:56 |
# Everybody happy # |
01:40:00 |
# Come on |
01:40:04 |
# Everybody happy # |
01:40:09 |
# Come on, y'all |
01:40:11 |
# Get your pride now |
01:40:14 |
- (Band) # Yeah # |
01:40:16 |
# Petey Pab graduated broke |
01:40:20 |
- (Band Makes Train Noises) |
01:40:22 |
# Ain't nothing |
01:40:25 |
# Everybody happy # |
01:40:30 |
- # Y'all # |
01:40:35 |
# Everybody happy # |
01:40:37 |
# Y'all, y'all |
01:40:42 |
# Everybody happy # |
01:40:46 |
# Y'all |
01:40:49 |
- (Crowd) # Hey, y'all # |
01:40:54 |
- (Crowd) # Hey, y'all # |
01:40:57 |
# Band, break it down for me # |
01:41:00 |
# Yeah # |
01:41:03 |
- (Crowd Cheering) |
01:41:12 |
All right, A&T, check up! |
01:41:14 |
(Stadium Announcer) |
01:41:16 |
there's a lot riding on this competition, |
01:41:20 |
Okay. |
01:41:22 |
The radio is off now. |
01:41:25 |
It's time for some real music. |
01:41:27 |
But when you get |
01:41:31 |
I only want you to do one thing... |
01:41:34 |
and that's enjoy playing |
01:41:39 |
- So what's the con... |
01:41:45 |
All right. |
01:41:47 |
- It's show time! |
01:41:52 |
We have seen imitators! |
01:41:54 |
We've also seen duplicators! |
01:41:58 |
But now... |
01:42:00 |
it's time for the originators! |
01:42:05 |
Ladies and gentlemen, |
01:42:09 |
- the Atlanta A&T marching band! |
01:42:12 |
(Crowd Cheering) |
01:42:14 |
And now fasten your seat belts... |
01:42:17 |
- and get into the Atlanta A&T time machine. |
01:42:23 |
We're going back, back, |
01:42:32 |
# (Playing "Can You Feel It" By The Jacksons) # |
01:43:12 |
- # (Ends) # |
01:43:15 |
(A&T Announcer) |
01:43:18 |
- Let's give them one more. |
01:43:21 |
# (Playing "I Want You Back" By The Jackson 5) # |
01:43:45 |
# (Playing "Dancing Machine" By The Jackson 5) # |
01:43:57 |
# (All Singing Indistinctly) # |
01:44:19 |
# (Hip-hop) # |
01:44:30 |
(Woman) |
01:44:54 |
- Yeah! |
01:44:57 |
The A&T Panthers |
01:44:59 |
- (Crowd Cheering) |
01:45:02 |
(Stadium Announcer) |
01:45:04 |
to announce the winners |
01:45:07 |
straight from New York City, |
01:45:12 |
What's up, Atlanta? |
01:45:16 |
What's up, A-T-L? |
01:45:18 |
- I'm Free, y'all! |
01:45:23 |
- How y'all doing out there? |
01:45:28 |
It has been |
01:45:30 |
We haven't stopped grooving |
01:45:33 |
(A.J.) No doubt. All the bands |
01:45:36 |
You made it very difficult |
01:45:39 |
- So hard. |
01:45:41 |
So hard, |
01:45:43 |
(Both) |
01:45:45 |
(Free) That's right, y'all. |
01:45:49 |
(A.J.) |
01:45:51 |
They've worked really hard to get here tonight, |
01:45:56 |
(Free) I don't know about y'all, |
01:46:00 |
- All right, so Mr. Wade... |
01:46:03 |
- From Morris Brown... |
01:46:08 |
- And Dr. Lee from A&T, please step forward! |
01:46:13 |
Yeah! |
01:46:21 |
(Free) |
01:46:24 |
for the first time in the history |
01:46:30 |
A&T and Morris Brown |
01:46:34 |
- The drumlines will put it down for the championship! |
01:46:38 |
- Bring it on! |
01:46:41 |
- The judges will make their decision... |
01:46:44 |
- on who will take the $50,000 prize. |
01:46:47 |
- Devon? |
01:46:50 |
You want to give them a little taste |
01:46:55 |
That is if it's okay |
01:46:59 |
Mini-Me, |
01:47:05 |
- Cecil! |
01:47:07 |
- Give them hell. |
01:47:10 |
- What? |
01:47:12 |
- Huh? |
01:48:46 |
(Crowd Cheering) |
01:48:48 |
Senate! |
01:48:50 |
Senate! |
01:48:52 |
Present arms! |
01:51:11 |
(Crowd Cheering) |
01:51:30 |
(Crowd Cheering) |
01:51:44 |
(All) |
01:52:04 |
(Band Yells) |
01:52:24 |
(Crowd Cheering) |
01:53:12 |
(Crowd Cheering) |
01:54:18 |
(Crowd Cheering) |
01:55:00 |
- (Man) Whoo! |
01:55:11 |
(Cheering Continues) |
01:55:17 |
It's okay. It's okay. |
01:55:21 |
(Free) It looks like the judges |
01:55:23 |
The winner and champion |
01:55:28 |
is Atlanta A&T University! |
01:55:32 |
(Crowd Cheering) |
01:55:34 |
(Band Cheering) |
01:55:37 |
(Shouts) |
01:55:43 |
(Squeals, Laughs) |
01:55:54 |
Forget that bull... |
01:55:59 |
(All) |
01:56:06 |
A&T! A&T! |
01:56:13 |
# (Drumsticks Tapping Rhythm) # |
01:56:49 |
(Whistle Blows) |
01:56:55 |
# (Funk) # |
01:57:10 |
(All) |
01:57:35 |
# Uh-oh, uh-oh, uh-oh # |
01:57:38 |
# Uh-oh, uh-oh # |
01:57:41 |
# Uh-oh, uh-oh # |
01:57:44 |
# Uh-oh, uh-oh # |
01:57:47 |
# Uh-oh, uh-oh # |
01:57:50 |
# Uh-oh, uh-oh # |
01:57:52 |
# Uh-oh, uh-oh # |
01:57:56 |
# Uh-oh # |
01:58:13 |
# Uh-oh # |
01:58:20 |
# Ooh # |
01:58:23 |
# (R & B) # |
01:58:25 |
# Have you ever slipped up |
01:58:28 |
- # Incriminating evidence # |
01:58:30 |
# Didn't pay attention when |
01:58:33 |
- # You thought you kept it on the low # |
01:58:36 |
# I thought I had my game tight |
01:58:39 |
# 'Cause I didn't |
01:58:41 |
# Heard everything I said |
01:58:45 |
- # And all that I could say was # |
01:58:47 |
- # Better watch them two-ways # |
01:58:50 |
- # Caller I.D. will # |
01:58:53 |
- # Message on the voice mail # |
01:58:56 |
# Them shady friends |
01:59:00 |
# Uh-oh, uh-oh # |
01:59:02 |
# Uh-oh, uh-oh # |
01:59:05 |
# Uh-oh, uh-oh # |
01:59:08 |
# Uh-oh, uh-oh # |
01:59:11 |
# (Funk) # |
01:59:15 |
(Man) |
01:59:17 |
# Shorty she was all the way # |
01:59:19 |
# Looked like you were feeling me # |
01:59:21 |
# So I had to come and see # |
01:59:25 |
# Girly wasn't trying to hate # |
01:59:27 |
# But she had to demonstrate # |
01:59:29 |
# That she was the queen to be # |
01:59:31 |
# But she couldn't fight the chemistry # |
01:59:34 |
- # And I say # |
01:59:37 |
# I can't lose you # |
01:59:40 |
- # I, I, I # |
01:59:44 |
# She was disco lights |
01:59:46 |
- # She moves across the floor # |
01:59:49 |
# She was oh so tight |
01:59:51 |
# Blowing me up with her love # |
01:59:54 |
# She was on the phone with me |
01:59:56 |
# I just can't get enough # |
01:59:58 |
# She was ah-ah-oh |
02:00:01 |
# Blowing me up |
02:00:04 |
# Uh, uh, uh, uh, uh # |
02:00:06 |
# Uh, uh, uh, uh, uh # |
02:00:08 |
- # Tell me what's it gonna take # |
02:00:11 |
- # You've got me all bent out of shape # |
02:00:14 |
- # Thinking about you all day # |
02:00:16 |
- # So why you gonna make me wait # |
02:00:18 |
# I, I, I # |
02:00:21 |
# I can't lose you, no # |
02:00:24 |
# I, I, I # |
02:00:26 |
# Whoa # |
02:00:28 |
# She was disco lights |
02:00:31 |
- # She moves across the floor # |
02:00:33 |
# She was oh so tight |
02:00:35 |
# Blowing me up with her love # |
02:00:38 |
# Na, na-na, na, na-na # |
02:00:40 |
- # Na, na-na, na-na # |
02:00:43 |
# Na, na-na, na-na, na-na # |
02:00:45 |
- # Na-na, na-na, na, na # |
02:00:48 |
(Man) # The game is dirty |
02:00:51 |
# It's your bed |
02:00:53 |
# It's your crib |
02:00:55 |
# 'Cause when you think they won't |
02:00:58 |
# And it's hard to tell |
02:01:00 |
# The real ones |
02:01:02 |
# That's why you gotta |
02:01:04 |
# Walk with them |
02:01:06 |
- # Conversate Talk to them slow # |
02:01:09 |
# Where them girls |
02:01:11 |
- # Are they in it to the finish # |
02:01:14 |
# Or just having fun # |
02:01:16 |
# I ain't mad at them girls # |
02:01:19 |
# Doing what they do # |
02:01:21 |
# Out to get that money # |
02:01:24 |
# But I ain't that dude |
02:01:27 |
# I want a girl a regular girl # |
02:01:29 |
# I want a girl that ain't tripping |
02:01:32 |
# I want a girl, |
02:01:34 |
# If youre for real |
02:01:37 |
# I want a girl # |
02:01:39 |
# That can ride with me # |
02:01:41 |
# Never get tired of me # |
02:01:43 |
# That's the girl for me # |
02:01:46 |
- # That's what I'm looking for # |
02:01:48 |
# That can hang with me # |
02:01:50 |
- # Wanna do things with me # |
02:01:53 |
# The girl that I want # |
02:01:55 |
# I want a girl like you # |
02:01:57 |
# I want a girl |
02:02:00 |
# Never get tired of me # |
02:02:03 |
# That's the girl for me # |
02:02:05 |
# Ooh, yeah # |
02:02:07 |
# I want a girl |
02:02:10 |
- # Wanna do things with me # |