|
E la nave va And the Ship Sails On
|
| 00:00:52 |
AND THE SHIP SAILS ON |
| 00:04:11 |
They tell me: "Do the news, |
| 00:04:14 |
And who the hell knows |
| 00:04:46 |
Whoever might have accidentally |
| 00:04:49 |
one July morning of 1914 would |
| 00:06:47 |
I must hand over the ashes |
| 00:06:57 |
Mr. Partexano! |
| 00:07:08 |
Permission to bring the ashes |
| 00:07:11 |
- Permission granted. |
| 00:12:45 |
- What are you doing, Monica? |
| 00:12:49 |
Wait for it to cool! |
| 00:12:52 |
Even if my husband agreed, |
| 00:12:55 |
My husband is a great artist. |
| 00:13:00 |
he's simply a child |
| 00:13:01 |
I wouldn't say so. However, I'm |
| 00:13:04 |
That's not true! You didn't act |
| 00:13:07 |
And I'll tell you why. |
| 00:13:10 |
advertising. It's not |
| 00:13:13 |
Change the soprano, she's more |
| 00:13:18 |
Charity or not, I won't appear |
| 00:13:22 |
I'm Ricotin, a sophisticated |
| 00:13:25 |
Children are not my audience! |
| 00:13:27 |
- Intellectuals appreciate me! |
| 00:13:29 |
Your last reviews |
| 00:13:32 |
- Gilbert the French critic... |
| 00:13:36 |
You're here to advertise my |
| 00:13:41 |
Well, the Hindus around |
| 00:13:45 |
even though I don't know |
| 00:13:47 |
that if you look a tiger |
| 00:13:53 |
- She won't attack you. |
| 00:13:59 |
- What? |
| 00:14:06 |
No, quite the contrary. |
| 00:14:12 |
especially if the tiger |
| 00:14:15 |
straight in the eye |
| 00:14:33 |
Where are all these beautiful |
| 00:14:39 |
How is it that we see them all |
| 00:14:44 |
- Fabulous... |
| 00:14:46 |
but here you're in |
| 00:14:50 |
Could you please go into that |
| 00:14:54 |
- I see. |
| 00:14:57 |
I'm grateful. Excuse me |
| 00:15:06 |
As I was saying, where are all |
| 00:15:12 |
They represent, as it were, |
| 00:15:16 |
values in the fascinating world |
| 00:15:23 |
Now I'll tell you who they are |
| 00:15:25 |
The talented superintendent |
| 00:15:30 |
his illustrious colleague |
| 00:15:35 |
the one involved in the scandal |
| 00:15:40 |
And that one is |
| 00:15:42 |
the former singer Rumena. |
| 00:15:45 |
is his first wife's daughter |
| 00:15:48 |
His secretary, a medium with |
| 00:15:55 |
and by the window, the legendary |
| 00:16:01 |
the child prodigy, slightly more |
| 00:16:05 |
holding on as always to his |
| 00:16:08 |
Out there is a seagull, it beats |
| 00:16:12 |
- In the style of... |
| 00:16:15 |
due to the amount and accuracy of |
| 00:16:20 |
Now let's see... oh yes |
| 00:16:21 |
The famous tenor Aureliano |
| 00:16:25 |
That would be the bearded one |
| 00:16:28 |
- Do you want it? I'll eat it! |
| 00:16:31 |
The two superintendents of the |
| 00:16:35 |
Ah, a toast, thank you! |
| 00:16:38 |
The feared columnist, |
| 00:16:42 |
How are you, Ziloev? |
| 00:16:44 |
He is the deepest bass |
| 00:16:47 |
The mezzo Valegnani and the |
| 00:16:51 |
The singing masters Rubetti. |
| 00:16:55 |
who after the death of Tetua |
| 00:16:59 |
among today's voices: |
| 00:17:05 |
- What's your name, sir? |
| 00:17:09 |
- What do you do? |
| 00:17:12 |
- Ah, an orchestra conductor? |
| 00:17:16 |
Thank you. And the lady? |
| 00:17:22 |
- She's a famous dancer! |
| 00:17:25 |
- And what's her name? |
| 00:17:28 |
- Everyone knows her! |
| 00:17:33 |
Oh, it came in! |
| 00:17:35 |
I didn't know it could fly |
| 00:17:37 |
It's obvious that it's |
| 00:17:39 |
Go to the tool room, |
| 00:17:42 |
- Partexano! The net! |
| 00:17:44 |
The net, in my cabin! |
| 00:17:46 |
It never happened! Excuse me! |
| 00:17:49 |
I'm really... |
| 00:17:55 |
- I'm scared. |
| 00:17:59 |
Without a doubt, they will! |
| 00:18:04 |
Take it there and be on guard |
| 00:18:07 |
By the way, |
| 00:18:09 |
- Be quick! |
| 00:18:12 |
They will only frighten |
| 00:18:15 |
That's right, the net! |
| 00:18:17 |
Watch the chandeliers! |
| 00:18:22 |
And the bird was free |
| 00:18:26 |
to look for its birdcage |
| 00:18:29 |
- Do I know you, sir? |
| 00:18:34 |
- Then talk to my secretary. |
| 00:18:38 |
- Come on, go out. Through here. |
| 00:18:49 |
Go out. Fly away. |
| 00:18:54 |
Close the window! Tomorrow I'll |
| 00:18:57 |
Captain, the seagull has left, |
| 00:19:00 |
- It didn't like the menu. |
| 00:19:04 |
- The feather fell on your neck! |
| 00:19:08 |
- Please, get it off! |
| 00:19:10 |
- But lldebranda, it brings luck. |
| 00:19:13 |
The bird wanted to pay its |
| 00:19:17 |
I don't want to see it! |
| 00:19:25 |
- Maestro! |
| 00:19:34 |
A 5-meter-high equestrian |
| 00:19:37 |
It was his dream! And now that |
| 00:19:41 |
he cannot see it, poor Papa! |
| 00:19:44 |
Long live our prince! |
| 00:19:51 |
I'm a journalist, I must |
| 00:19:55 |
The noble person we've awaited is |
| 00:20:00 |
How old is he? |
| 00:20:02 |
Judging by his political ability, |
| 00:20:04 |
He is followed by his sister Herimia, |
| 00:20:07 |
who lost her sight while still |
| 00:20:11 |
She walks at the side of |
| 00:20:17 |
She doesn't want compassion |
| 00:20:20 |
and she doesn't want help, |
| 00:20:23 |
Consomme Vichyssoise, turtle |
| 00:20:27 |
Yesterday's excellent cream soup, |
| 00:20:31 |
That was vegetable soup |
| 00:20:37 |
Yes, it was vegetable soup |
| 00:20:58 |
Do you want to know why they're |
| 00:21:02 |
It's a funeral. You'll ask, |
| 00:21:06 |
Yes, ladies and gentlemen, |
| 00:21:08 |
All these famous characters are |
| 00:21:13 |
It was her expressed wish, |
| 00:21:19 |
"Cremation and dispersion of my |
| 00:21:24 |
"around the island where |
| 00:21:28 |
That's the island of Erimo, |
| 00:21:33 |
and where her soul wishes |
| 00:21:36 |
Edmea Tetua, the greatest singer |
| 00:21:40 |
A vocal miracle! The voice |
| 00:21:45 |
Light blue |
| 00:21:48 |
Light blue and white. |
| 00:21:56 |
Light blue, ultramarine blue |
| 00:22:01 |
Emerald green. Green. |
| 00:22:09 |
Music makes her see |
| 00:22:14 |
White, white, white |
| 00:22:19 |
My sister says that each note |
| 00:22:22 |
The scientists of Sotierre say |
| 00:22:27 |
by which they have a chromatic |
| 00:22:31 |
Excuse me for interfering, |
| 00:22:34 |
but I don't think that anyone |
| 00:22:38 |
Anybody can say he sees colors |
| 00:22:42 |
Mr. Kuntz, it's obvious that not |
| 00:22:46 |
such a sensitive soul! |
| 00:22:50 |
I wouldn't dare to doubt it! |
| 00:22:52 |
I'm just saying that it's almost |
| 00:22:58 |
Once when I was ill, |
| 00:23:02 |
But we can all perceive |
| 00:23:07 |
And not only music. Voices are |
| 00:23:10 |
You say my voice is grey! But |
| 00:23:13 |
Not always. When you are worried |
| 00:23:18 |
your voice becomes rusty |
| 00:23:21 |
Brownish red. But the police |
| 00:23:26 |
is always the same color. |
| 00:23:32 |
And what color is the voice of |
| 00:23:36 |
I'd like to hear it, General |
| 00:23:40 |
This is my voice. I'm unable |
| 00:23:50 |
Strange! |
| 00:23:53 |
I see no color. |
| 00:23:57 |
like a void, an absence |
| 00:24:00 |
A void as head of the |
| 00:24:10 |
Here, her ashes are all here |
| 00:24:15 |
For this small casket, |
| 00:24:17 |
so small, and yet so large, |
| 00:24:21 |
friends and fans from around |
| 00:24:25 |
chartered the most luxurious liner, |
| 00:24:30 |
commanded by the fearless |
| 00:24:33 |
born in indomitable Genoa |
| 00:24:36 |
Spezia! Spezia! |
| 00:24:41 |
Spezia! Born in indomitable |
| 00:24:46 |
Captain Leonardo De Robertis |
| 00:24:52 |
It's the other way round, |
| 00:24:56 |
- What did I say? |
| 00:24:59 |
Right. And he shall lead us |
| 00:25:04 |
so that all of us can solemnly |
| 00:25:11 |
the funeral rites, |
| 00:25:14 |
spreading the... |
| 00:25:20 |
Sir Reginald! |
| 00:25:23 |
Excuse me |
| 00:25:25 |
Sir Reginald! Sir Reginald! |
| 00:25:28 |
Excuse me, just a couple |
| 00:25:35 |
Is it true that you were the one |
| 00:25:40 |
to make her debut in London? |
| 00:25:43 |
- Of course. Please excuse me. |
| 00:26:13 |
Look Rudi, he's looking |
| 00:26:18 |
This is the second wheel, should |
| 00:26:23 |
This is the mechanism used to |
| 00:26:28 |
- And when do you use this one? |
| 00:26:32 |
- And what is down there? |
| 00:26:36 |
He's an Egyptian. They say he was |
| 00:26:40 |
He owns all the railways |
| 00:26:43 |
It seems his penis is enormous, |
| 00:26:48 |
That's something I heard, |
| 00:26:57 |
Ah, here he is! |
| 00:27:08 |
There are strange rumors about |
| 00:27:14 |
Did you see it too? |
| 00:27:17 |
Upset and longing, what? |
| 00:29:13 |
That F wasn't right, didn't |
| 00:29:17 |
What do you mean, off-key? It was |
| 00:29:21 |
That way it doesn't fall. If you |
| 00:29:24 |
- It becomes a different note! |
| 00:29:29 |
but you, being tone deaf, go on |
| 00:29:32 |
You rise instead |
| 00:30:00 |
How marvelous! It looks as if it |
| 00:30:04 |
Oh, look, Lisa! Look! The moon! |
| 00:30:08 |
The sun, and the moon, together! |
| 00:30:11 |
The overture of Barber of Seville |
| 00:30:15 |
And that's Andromeda, and that |
| 00:30:20 |
near Orion was discovered |
| 00:30:24 |
Correct, Sir Reginald. You're |
| 00:30:27 |
That star is known |
| 00:30:30 |
Its blue silver, see? But now |
| 00:30:33 |
and now bright orange |
| 00:30:36 |
And do you know who discovered |
| 00:30:40 |
who was an amateur astronomer |
| 00:30:42 |
Guess what his name was? |
| 00:30:47 |
Besides the myth of a great |
| 00:30:51 |
very Ionely. One felt one had |
| 00:30:54 |
but maybe you're interested in |
| 00:30:58 |
The lady is her cousin, why |
| 00:31:00 |
Yes, I could have sung |
| 00:31:04 |
- Captain! |
| 00:31:06 |
- How are you, Reverend? |
| 00:31:09 |
- On one side the cold moon. |
| 00:31:12 |
- Divine! |
| 00:31:16 |
Absolutely beautiful. Between |
| 00:31:19 |
fire and ice, there you are, |
| 00:31:23 |
- How poetic. |
| 00:31:27 |
- It's too humid here! |
| 00:31:30 |
I haven't seen her since then |
| 00:31:32 |
I don't remember anything. Sorry, |
| 00:31:36 |
Thank you, madame. Anyhow, |
| 00:31:41 |
When there is a moon, he says that |
| 00:31:45 |
Hi! Who knows you, dear friend? |
| 00:31:50 |
But I have to write |
| 00:31:53 |
and that one there, for example, |
| 00:31:56 |
Who knows him? My job is a bit |
| 00:32:38 |
- She never read the contracts. |
| 00:32:42 |
Nor signed them. |
| 00:32:45 |
Whatever was practical |
| 00:32:51 |
But we're creatures of habit, |
| 00:32:55 |
And yet she knew her |
| 00:32:58 |
better than any attorneys |
| 00:33:00 |
Before going into the theatre, |
| 00:33:02 |
"Couldn't you remove my name |
| 00:33:05 |
No, I think she was conscious of |
| 00:33:09 |
Whoever came near her was |
| 00:33:12 |
It might seem that way. But she |
| 00:33:17 |
She was terrified of strangers |
| 00:33:20 |
But you should stop |
| 00:33:23 |
At least as a sign of respect. |
| 00:33:26 |
She may have been intimidating, |
| 00:33:29 |
- You say she was aggressive? |
| 00:33:33 |
- Didn't she throw things? |
| 00:33:35 |
Actually, I never had problems |
| 00:33:38 |
- I'd like a glass of red wine. |
| 00:33:41 |
- But Lambrusco, mind you! |
| 00:33:43 |
She was the perfect partner, |
| 00:33:47 |
and this made our collaboration |
| 00:33:53 |
She always said I was the best, |
| 00:33:58 |
True! Tetua always said so: |
| 00:34:02 |
to sing with Sabatino Lepori is |
| 00:34:05 |
At my house, she wept before a |
| 00:34:08 |
"It makes me cry, madame" she said |
| 00:34:12 |
And you, haven't you anything |
| 00:34:18 |
The most extraordinary fact |
| 00:34:22 |
was that in the last act of |
| 00:34:27 |
She fully identified with |
| 00:34:38 |
Mommy, did you love Tetua? |
| 00:36:22 |
Not one of your best |
| 00:36:25 |
I caught him leaving the cabin |
| 00:36:28 |
I thought he had an air of |
| 00:36:35 |
Answer me, Violet |
| 00:36:46 |
I'll go to sleep right |
| 00:36:53 |
Well? I want to know everything, |
| 00:36:58 |
Did you spot him on the dock? |
| 00:37:00 |
- Be nice, Reginald I'm sleepy! |
| 00:37:06 |
He came to repair the light, |
| 00:37:11 |
You can do better than that, Violet! |
| 00:37:14 |
You know I'm afraid of the dark! |
| 00:37:22 |
You whore! You're amazing. Say it |
| 00:37:29 |
"Yes, Reginald, I'm a great |
| 00:37:34 |
I won't stand for it! |
| 00:37:37 |
- I can't bear it! |
| 00:37:42 |
- Give me that stupid bear! |
| 00:37:45 |
- Crazy bitch! |
| 00:37:52 |
Why? Why do you treat me like |
| 00:37:57 |
Yes, I've earned it. Do it, |
| 00:38:08 |
You have needs... |
| 00:38:11 |
you're a queen, |
| 00:38:16 |
my child, my boss |
| 00:38:21 |
Please, Violet, do it |
| 00:38:26 |
always, do it like this, more |
| 00:38:32 |
more |
| 00:38:35 |
"A vocal phenomenon" |
| 00:38:39 |
"A divine voice." "A hundred |
| 00:38:46 |
So many definitions, |
| 00:38:50 |
They've written so many stories |
| 00:38:53 |
But no one said who you really |
| 00:38:58 |
Your favorite flower. |
| 00:39:03 |
No one ever discovered your |
| 00:39:06 |
I'm the only one who knows |
| 00:39:09 |
You're a child who came from |
| 00:39:12 |
Remember the poem I wrote |
| 00:39:14 |
"Born from the sea, |
| 00:40:51 |
Who is it? |
| 00:41:20 |
Who is it? |
| 00:41:23 |
Your Highness, |
| 00:41:29 |
- Excuse me! |
| 00:41:44 |
- Thank you. |
| 00:42:03 |
Count Bassano. A romantic guy |
| 00:42:08 |
Very romantic |
| 00:42:12 |
For years now, he always |
| 00:42:18 |
"Rubens Pistila." You've seen it |
| 00:42:23 |
But I deny |
| 00:42:25 |
that he was ever in love |
| 00:42:29 |
Perhaps he's in love with her, |
| 00:42:34 |
An ambiguous guy! Really |
| 00:42:41 |
Under the pretense of setting up |
| 00:42:46 |
he managed to have them |
| 00:42:54 |
Excuse me, |
| 00:43:07 |
These are notes |
| 00:43:12 |
that I have been jotting down |
| 00:43:16 |
for one of my newspapers: "I |
| 00:43:22 |
"Well, what do I want to tell |
| 00:43:26 |
"A sea voyage? |
| 00:43:29 |
"A voyage through life, but it |
| 00:43:33 |
"It is made" |
| 00:43:38 |
Trivial, isn't it? Has this been |
| 00:43:43 |
And better? |
| 00:43:49 |
But everything has already been |
| 00:44:03 |
We're in the famous and smoky |
| 00:44:09 |
What is it? |
| 00:44:50 |
This is the large boiler, |
| 00:44:54 |
How many hours do they work |
| 00:45:00 |
They are used to it |
| 00:45:05 |
Captain, sir, we all have a |
| 00:45:08 |
- What did you say? |
| 00:45:12 |
Scream louder! |
| 00:45:13 |
- We want to hear Cuffari sing! |
| 00:45:17 |
This is a crazy request! |
| 00:45:20 |
- Friends, don't, on your life! |
| 00:45:38 |
Bravo, bravo! |
| 00:46:16 |
Bravo, bravo! |
| 00:48:50 |
The keeper is a Turk. |
| 00:48:52 |
- What did he say? Who |
| 00:48:54 |
He says since he came |
| 00:48:59 |
He needs to get some fresh air! |
| 00:49:02 |
- How can you heal it? |
| 00:49:06 |
The other day you said the |
| 00:49:09 |
- What name have you given it? |
| 00:49:13 |
Don't you ever wash, boy? |
| 00:49:16 |
- You're having a bad time, eh? |
| 00:49:24 |
All animals on board suffer due |
| 00:49:28 |
Even when they're not with |
| 00:49:31 |
- Pardon me. |
| 00:49:33 |
- You have to take her out. |
| 00:49:38 |
I was saying that this little |
| 00:49:41 |
We're taking him to Amsterdam |
| 00:49:43 |
These pachyderms are always |
| 00:49:46 |
Remember, Mr. Partexano, when |
| 00:49:50 |
No |
| 00:49:51 |
- Do you? |
| 00:49:53 |
Yes! No! The "City of Brescia". |
| 00:49:56 |
A small rodent had the bad idea |
| 00:50:02 |
The beast, terrified, broke |
| 00:50:05 |
and threw two sailors |
| 00:50:10 |
Even here we have rats? |
| 00:50:12 |
Rats, dear madam, |
| 00:50:15 |
They love sailing on the sea |
| 00:50:17 |
Yes? He's in love. And that's the |
| 00:50:24 |
- Love is debilitating. |
| 00:50:27 |
When I'm in love I feel stronger, |
| 00:50:31 |
Love is healthy! |
| 00:50:33 |
Who's this girl? |
| 00:50:39 |
He's in love |
| 00:50:48 |
On the guard |
| 00:50:52 |
And now... |
| 00:50:54 |
Daydreaming during the watch! |
| 00:50:56 |
Who is it? Help! |
| 00:50:59 |
Let me go, you're hurting me! |
| 00:51:01 |
I'll explain, I'm a journalist |
| 00:51:05 |
I've used this disguise to meet |
| 00:51:09 |
I must interview him. |
| 00:51:20 |
He says he's a journalist, wants |
| 00:51:27 |
Listen! I'm a respectable |
| 00:51:31 |
A famous journalist, performing |
| 00:51:35 |
informing his readers of world |
| 00:51:39 |
I'll complain to the captain. |
| 00:51:43 |
He's a journalist, wishes to |
| 00:51:52 |
He's an Italian journalist who |
| 00:51:57 |
He wants to ask you a few |
| 00:52:01 |
Your Highness! |
| 00:52:08 |
- O.K., but with a translator. |
| 00:52:16 |
Let go of him! |
| 00:52:20 |
- I'm sorry. |
| 00:52:28 |
The Grand Duke grants you an |
| 00:52:31 |
You'll ask your questions and |
| 00:52:34 |
- Thank you! |
| 00:52:39 |
An interview! He doesn't know |
| 00:52:49 |
We know you were a great fan of |
| 00:52:54 |
and the fact that you wanted to |
| 00:52:57 |
with your august presence has |
| 00:53:01 |
In the name of your extraordinary |
| 00:53:06 |
for a few words of comfort, of |
| 00:53:10 |
live without knowing what fate |
| 00:53:14 |
and feel threatened by the |
| 00:53:19 |
Thanks |
| 00:53:22 |
The Italian journalist says that |
| 00:53:26 |
and it seems he wants a word of |
| 00:53:31 |
What exactly is he asking for? |
| 00:53:36 |
He asked, "What's your question?" |
| 00:53:38 |
How does the Grand Duke see |
| 00:53:42 |
Thank you. |
| 00:53:45 |
He wants your comments on |
| 00:53:53 |
We're all sitting on the edge |
| 00:54:00 |
H.H. says, "We're all sitting on |
| 00:54:07 |
Excuse me for interfering, |
| 00:54:11 |
said "the mouth..." |
| 00:54:15 |
Count Kunz corrects me. He says |
| 00:54:19 |
I though he said "edge" |
| 00:54:26 |
What mouth? |
| 00:54:31 |
He asks Your Highness "what |
| 00:54:34 |
Excuse me. |
| 00:54:38 |
He said we're all sitting |
| 00:54:47 |
Count Huppenback says the Grand |
| 00:54:50 |
and that the problem does not |
| 00:54:54 |
However, I understood "edge" |
| 00:54:55 |
- No, you see... |
| 00:54:59 |
- However, you know... |
| 00:55:00 |
- He meant mouth! |
| 00:55:09 |
Oh, my God! |
| 00:55:16 |
- What does he want to say? |
| 00:55:22 |
Does he want to renege his duty? |
| 00:55:26 |
Do you wish to leave Italy to its |
| 00:55:30 |
Your Highness, the journalist... |
| 00:55:33 |
Pum! Pum! Pum! Translate |
| 00:55:42 |
The Grand Duke says: "Pum! Pum!" |
| 00:55:50 |
The mouth of a mountain? |
| 00:55:54 |
That's the crater of a volcano! |
| 00:55:57 |
on the mouth of a volcano! |
| 00:56:01 |
Now I got it! It's a tragedy. |
| 00:56:04 |
The mouth of a mountain! |
| 00:56:14 |
The interview is over |
| 00:56:16 |
"The interview is over" |
| 00:56:19 |
Of course, I thank His Highness. |
| 00:56:47 |
Look at Mommy! |
| 00:56:51 |
Look! |
| 00:57:05 |
Maestro, let us rehearse! |
| 00:57:20 |
- Mr. Orlando. |
| 00:57:29 |
It's the second day, and all |
| 00:57:35 |
and in order to remember |
| 00:57:39 |
photographs are taken |
| 00:57:41 |
Two, no three! Four! |
| 00:57:46 |
Our tenor, Fuciletto, would like |
| 00:57:50 |
and the two song masters, |
| 00:57:54 |
This is the funny thing about |
| 00:57:58 |
After a few days, you feel as |
| 00:58:03 |
You feel you've always known |
| 00:58:07 |
Captain! |
| 00:58:16 |
Stay put, like that! |
| 00:58:17 |
Just one minute, please, |
| 00:58:21 |
My grandfather always wanted |
| 00:58:23 |
He spent half his life sitting |
| 00:58:26 |
They had to sit longer |
| 00:58:31 |
Am I all right here? |
| 00:59:12 |
How much happier our people |
| 00:59:15 |
if they were ruled by these |
| 00:59:18 |
We're all waiting for that day |
| 00:59:37 |
- Smile, Daddy! |
| 00:59:47 |
Have you noticed that whenever |
| 00:59:51 |
Mr. Orlando, we need |
| 00:59:54 |
Come with us. Our Russian says |
| 00:59:58 |
that it causes catatonia |
| 01:00:01 |
Good morning to you all! |
| 01:00:06 |
A hen! |
| 01:00:09 |
- Please. |
| 01:00:12 |
A live hen! |
| 01:00:15 |
- He wants a live hen! |
| 01:00:18 |
we're sorry to interrupt your |
| 01:00:21 |
but we really need a hen |
| 01:00:23 |
- We have to perform an experiment. |
| 01:00:28 |
Quite unusual but very |
| 01:00:30 |
You all will attend. We've |
| 01:00:35 |
I won't tell you what it's all |
| 01:00:38 |
it will be an extraordinary |
| 01:00:42 |
Does the chef agree? |
| 01:00:44 |
- Thanks! |
| 01:00:47 |
Come, we must document |
| 01:00:55 |
- What are you doing? |
| 01:01:01 |
No, turn it like this, |
| 01:01:06 |
Now please be silent |
| 01:01:44 |
Maybe it'll lay an egg! |
| 01:02:29 |
Look, it's sleeping now! |
| 01:02:37 |
- Right, it closed its eyes! |
| 01:02:44 |
What's happened |
| 01:02:46 |
- My God, he's sick! A doctor! |
| 01:02:51 |
- Hold his feet above his head! |
| 01:02:55 |
A bit of water! |
| 01:03:01 |
I noticed he was pale, |
| 01:03:04 |
Take a glass of water and pour |
| 01:03:06 |
Breathe deeply, sir |
| 01:03:08 |
You have to be acclimated |
| 01:03:13 |
He's better. It's over, |
| 01:03:15 |
The hen's sleeping! Look, |
| 01:03:20 |
True, it sleeps |
| 01:03:23 |
He made it sleep! |
| 01:03:24 |
you sleep too |
| 01:03:27 |
I doubt that you're satisfied |
| 01:03:30 |
with the rehearsal for |
| 01:03:33 |
Singing in remembrance of Edmea |
| 01:03:38 |
but also your gratitude |
| 01:03:40 |
to the great artist whom we |
| 01:03:42 |
Undoubtedly she was the |
| 01:03:45 |
Are you ready, lldebranda? |
| 01:04:00 |
What is that funny smell? |
| 01:04:16 |
- How old am I? |
| 01:04:21 |
- I didn't understand |
| 01:04:26 |
I couldn't say, I can't even |
| 01:04:33 |
Don't be afraid, try! |
| 01:04:38 |
Come on, tell me at least how |
| 01:04:42 |
I don't know |
| 01:04:48 |
The same as my father |
| 01:04:54 |
And how old is your father? |
| 01:04:57 |
To me, my father is forever |
| 01:05:04 |
Excuse me, Mother |
| 01:05:06 |
Go get your cape, darling, |
| 01:05:10 |
- I'm not cold |
| 01:05:14 |
Look at these colors, darling |
| 01:05:16 |
Every sunset bearing the stamp |
| 01:05:20 |
You know, Mr. Orlando, I spent |
| 01:05:25 |
I don't know what I'd give |
| 01:05:28 |
But how can we compete with |
| 01:05:32 |
Now I'd like to rehearse |
| 01:05:34 |
They're rehearsing. |
| 01:05:39 |
Sit next to Fuciletto. |
| 01:05:48 |
It's the Oratorio! |
| 01:06:00 |
Captain, I want to ask you |
| 01:06:04 |
I was awakened by a |
| 01:06:08 |
- Is that possible? |
| 01:06:13 |
We gave him that name because |
| 01:06:16 |
Don't you smell that horrible |
| 01:06:20 |
Don't you smell it? |
| 01:06:24 |
- Mother, where is it coming from? |
| 01:06:29 |
I can't breathe! |
| 01:06:35 |
- What's this stench? |
| 01:06:38 |
I'm not looking at you, |
| 01:06:41 |
You talk of a stench |
| 01:06:43 |
I don't stink! |
| 01:06:46 |
- Idiot! |
| 01:06:48 |
I'll tear off your moustache |
| 01:06:51 |
What are you doing? This smell |
| 01:06:56 |
Yes, gentlemen, the air is quite fetid |
| 01:07:00 |
but Dr. Lamela guarantees that |
| 01:07:03 |
- Absolutely! Stay calm! |
| 01:07:07 |
and before night it shall |
| 01:07:09 |
Following our physician's |
| 01:07:12 |
we're trying to get the |
| 01:07:15 |
- We'll hoist him on deck. |
| 01:07:19 |
Some ship-boys will sling |
| 01:07:22 |
and a winch will hoist him |
| 01:07:25 |
We can assure you everything'll |
| 01:07:44 |
Prepare the pumps! |
| 01:07:47 |
Keep the ropes taut! |
| 01:07:55 |
Increase pressure! |
| 01:08:03 |
- You'll throw him into the sea? |
| 01:08:06 |
The doctor said he needs |
| 01:08:20 |
Here! |
| 01:08:24 |
The stink! |
| 01:08:25 |
He's getting better, however |
| 01:08:30 |
- Like a flying dragon! |
| 01:09:02 |
Everyone is looking at you, |
| 01:09:26 |
And she went from natural F |
| 01:09:30 |
E flat to natural E |
| 01:09:35 |
to upper F. A miracle |
| 01:09:39 |
The orchestra was almost |
| 01:09:42 |
the audience stopped breathing, |
| 01:09:49 |
I'll remember it all my life! |
| 01:09:53 |
Excuse me, Maestro, but how |
| 01:09:55 |
Almost three octaves without |
| 01:09:59 |
- That's not human! |
| 01:10:03 |
So many racked their brains |
| 01:10:07 |
She must have had a secret |
| 01:10:10 |
and that's what I wanted to ask |
| 01:10:15 |
...as I would ask a father... what... |
| 01:10:17 |
- What can I do? |
| 01:10:21 |
One evening, Edmea told me |
| 01:10:24 |
that when she sang, |
| 01:10:29 |
- A snail? |
| 01:10:33 |
"I see a snail |
| 01:10:36 |
"and with my eyes I follow the |
| 01:10:42 |
"and my voice comes out without |
| 01:10:45 |
Do you understand? My dear, |
| 01:10:49 |
diaphragm and vocal chords |
| 01:10:51 |
It was an energy-catalyzing |
| 01:10:56 |
I only know that Edmea was |
| 01:11:00 |
She was unique. There'll never |
| 01:11:23 |
Why are you so quiet? |
| 01:11:30 |
You look like a marvelous |
| 01:11:37 |
You're superb! |
| 01:11:43 |
The third night of our voyage, |
| 01:11:49 |
Everything became |
| 01:12:05 |
You interrupted me |
| 01:12:07 |
It's her fault, |
| 01:12:09 |
Be quiet. He's already |
| 01:12:19 |
- Is he all right? |
| 01:12:22 |
Hold hands, everyone. Maestro, |
| 01:12:26 |
- Me too? |
| 01:12:29 |
Thanks, I'd rather stay out |
| 01:12:32 |
If Sister Angela knows I'm here |
| 01:12:35 |
she'll feed me only bread |
| 01:12:43 |
Come on! Ask something! |
| 01:12:50 |
Edmea, excuse me, but I always |
| 01:12:56 |
Which opera made you |
| 01:13:01 |
What a stupid question! |
| 01:13:05 |
No, once you told me that |
| 01:13:07 |
- What fell? |
| 01:13:10 |
Don't break the chain! |
| 01:13:14 |
- For God's sake! |
| 01:13:16 |
The icy hand |
| 01:13:23 |
Look! It's La Gioconda! |
| 01:13:30 |
It opened in La Gioconda! |
| 01:13:33 |
Look! It's La Gioconda! |
| 01:13:36 |
- Right! Incredible coincidence! |
| 01:13:39 |
I can't stay. This is awful. |
| 01:13:48 |
Could I also ask a question? |
| 01:13:53 |
He says no because he's afraid. |
| 01:13:56 |
since I knew her well, I'd ask |
| 01:14:09 |
Look, she always used |
| 01:14:23 |
Oh, Edmea, Edmea! |
| 01:14:29 |
Who is it? Who are you? Switch |
| 01:14:33 |
Who was it? Tell me who it was. |
| 01:14:37 |
- Who was it? |
| 01:14:43 |
What's the matter with you? |
| 01:14:46 |
Ines, come on, get your |
| 01:14:48 |
Is it you? Look at him, come |
| 01:14:54 |
Look who our ghost was! |
| 01:14:56 |
Leave her alone! |
| 01:15:00 |
We must applaud him, bravo! |
| 01:15:03 |
For a moment, there, |
| 01:15:07 |
You had us all fooled |
| 01:15:12 |
- Damn you! |
| 01:15:17 |
Excuse me, I thought you still |
| 01:15:21 |
And Ines, where's Ines? |
| 01:15:27 |
If you talk, you can't breathe |
| 01:15:31 |
to the beat of your feet |
| 01:15:34 |
- Where did she come from? |
| 01:15:40 |
What are you doing here so late? |
| 01:15:44 |
Who are you? |
| 01:15:47 |
- She's a darling! |
| 01:15:49 |
You're very pretty, |
| 01:15:55 |
- You're a real darling. |
| 01:16:00 |
What's your name? |
| 01:16:28 |
- Do you want to cause a disaster? |
| 01:16:32 |
I don't understand you |
| 01:16:33 |
You can't light fires on deck |
| 01:16:37 |
It's the grandmother, |
| 01:16:42 |
Scram! |
| 01:16:47 |
Harder! |
| 01:16:51 |
Come on! |
| 01:17:03 |
Good day! |
| 01:17:10 |
Where were you? |
| 01:17:13 |
- Krassavitza! |
| 01:17:18 |
- I don't know them! |
| 01:17:21 |
- They're Serbians! |
| 01:17:24 |
Serbians! Let's go listen! |
| 01:17:27 |
We're getting things ready |
| 01:17:32 |
so as not to interfere with |
| 01:17:34 |
or the privacy |
| 01:17:36 |
But captain, how did it happen? |
| 01:17:42 |
When the Austrian Archduke was |
| 01:17:46 |
Austria declared war |
| 01:17:49 |
and the people fearing the |
| 01:17:54 |
tried to escape by sea, and get |
| 01:18:01 |
- I don't understand. |
| 01:18:05 |
They're Serbs, how did they get |
| 01:18:08 |
We rescued them |
| 01:18:10 |
We believe they are Serbs |
| 01:18:19 |
Do you want water? |
| 01:18:26 |
Good morning, young lady. |
| 01:18:30 |
Our physician is checking them, |
| 01:18:33 |
And my officers and myself, |
| 01:18:37 |
have talked to most of the men |
| 01:18:40 |
They are shepherds, peasants, |
| 01:18:43 |
We rescued them at sea tonight |
| 01:18:46 |
There are also students, |
| 01:18:48 |
maybe unjustly chased |
| 01:18:56 |
Captain, no one can force us to |
| 01:19:01 |
who come God knows from where |
| 01:19:06 |
He's right |
| 01:19:07 |
Their rafts were sinking due |
| 01:19:09 |
To rescue these women, children, |
| 01:19:15 |
was a duty I could not forego |
| 01:19:26 |
Yesterday's Pommard was not one |
| 01:19:29 |
I'd like to suggest a white wine |
| 01:19:32 |
A Chablis, let's say. |
| 01:19:34 |
But I'll still have a Rayon |
| 01:19:43 |
You! Scram, scram! |
| 01:19:46 |
- Look there! |
| 01:19:52 |
Sit down, Monica |
| 01:20:04 |
Turn around and look. |
| 01:20:10 |
What does that pretty |
| 01:20:14 |
She's beautiful! Krassivaya. |
| 01:20:22 |
I'm frankly embarrassed, eating |
| 01:20:25 |
Divine providence will |
| 01:20:29 |
- Right! If you're thinking... |
| 01:20:36 |
Why? |
| 01:20:41 |
I'll drink to you! No! |
| 01:20:44 |
What're you doing? |
| 01:20:51 |
Violet, please |
| 01:20:57 |
Andrew, what do you think |
| 01:21:00 |
I think she wants to bring food |
| 01:21:08 |
Violet, this philanthropic |
| 01:21:12 |
is admirable, but |
| 01:21:13 |
Sir, I'll try, Sir |
| 01:21:17 |
Please, Andrew, make her come |
| 01:21:21 |
- Sir Reginald wishes... |
| 01:21:26 |
Waiters, please follow me with |
| 01:21:28 |
Mrs. Dongby, wait Mrs. Dongby. |
| 01:21:31 |
Good, so they'll have something |
| 01:21:34 |
- I insist! |
| 01:21:38 |
- Excuse me. |
| 01:21:41 |
- My lady, please |
| 01:21:47 |
- Do you think I should do it too? |
| 01:21:52 |
- Mommy, please, let me take it! |
| 01:21:58 |
Give me the tray, madame, |
| 01:22:00 |
Now I've got to go with you. |
| 01:22:06 |
Stay back. Sailor, tell them |
| 01:22:10 |
Let's come here, let's see if |
| 01:22:13 |
Say "Aaah". Come on, open |
| 01:22:16 |
Stay back! Stay back! |
| 01:22:19 |
- Excuse me? |
| 01:22:23 |
Go back to the salon, madame! |
| 01:22:27 |
How much do you want? |
| 01:22:38 |
Cut the cake and distribute it |
| 01:22:42 |
Yes |
| 01:22:49 |
Why are you laughing? |
| 01:22:52 |
What is it? |
| 01:22:54 |
What? |
| 01:22:57 |
What did you see? |
| 01:23:08 |
It's inadmissible for a ship to |
| 01:23:14 |
without the captain doing |
| 01:23:17 |
Please. The captain must rescue |
| 01:23:21 |
following a basic principle |
| 01:23:24 |
- The duty of assistance. |
| 01:23:28 |
that among those you kindly |
| 01:23:32 |
there are professional |
| 01:23:34 |
That's right! |
| 01:23:35 |
This is very serious. The Grand |
| 01:23:40 |
We'll protest before |
| 01:23:43 |
We'll protest before your |
| 01:23:45 |
I'll be responsible for |
| 01:23:48 |
aboard this ship around the clock |
| 01:23:51 |
As soon as they came on board, |
| 01:23:56 |
to control them, |
| 01:23:58 |
to isolate any potentially |
| 01:24:03 |
Control is not enough |
| 01:24:05 |
if those so-called refugees |
| 01:24:10 |
throughout the ship, on deck, |
| 01:24:12 |
in the bar, in the halls, |
| 01:24:18 |
Cuoco! You speak their language, |
| 01:24:22 |
They have to go! |
| 01:24:29 |
Leave, all of you, scram |
| 01:24:37 |
Hello! I'd like a box |
| 01:24:41 |
Right! These are chocolate |
| 01:24:44 |
- Are they good? |
| 01:24:50 |
How much? How much? |
| 01:25:02 |
Don't make us evict you |
| 01:25:05 |
You must go back on deck, come |
| 01:25:11 |
Whoever knows the language, tell |
| 01:25:14 |
You may not cross these ropes |
| 01:25:18 |
without asking permission from |
| 01:25:23 |
Stay behind the ropes, |
| 01:25:30 |
Did they understand? They |
| 01:25:32 |
Olga, little one, come here, |
| 01:25:36 |
Do you like cookies? |
| 01:25:40 |
They are all yours. |
| 01:25:42 |
Taste them, put them |
| 01:25:44 |
What a lovely dress |
| 01:25:47 |
Is this your daughter? |
| 01:25:51 |
I was giving her cookies. |
| 01:26:55 |
This is further proof that one |
| 01:26:59 |
Your Highness, I was right |
| 01:27:07 |
- Aren't you going to make a move? |
| 01:27:19 |
Your Highness |
| 01:27:27 |
Excuse me, for safety reasons |
| 01:27:31 |
not to leave this cabin till |
| 01:27:34 |
is under control |
| 01:27:40 |
Isn't that a bit too much? |
| 01:27:45 |
Excuse me |
| 01:27:59 |
I don't feel in danger. |
| 01:28:08 |
Checkmate! |
| 01:28:10 |
I can't play with you! |
| 01:28:16 |
You move the pieces saying you |
| 01:28:25 |
What is it? |
| 01:28:27 |
- I'm afraid! |
| 01:28:32 |
- I don't know, it's too complex. |
| 01:28:43 |
Listen, do you remember? |
| 01:29:15 |
In the 5th century the Serbs |
| 01:29:20 |
and then invaded Epirus |
| 01:29:23 |
Can you imagine if they're |
| 01:29:37 |
I see the thermometer, I've got |
| 01:29:40 |
Spoil the show? The audience |
| 01:29:43 |
- Change the topic. |
| 01:29:48 |
You build a mystic gulf where |
| 01:29:52 |
The strength of character and |
| 01:29:56 |
make English women... |
| 01:29:58 |
Let's not waste time beating around |
| 01:30:19 |
She's so expressive, she almost |
| 01:31:06 |
My brother is asleep, |
| 01:31:12 |
Your Highness, can't we change |
| 01:31:14 |
The voyage is getting to its |
| 01:31:17 |
and Count von Stauffen is |
| 01:31:21 |
No, everything'll turn out all right |
| 01:31:27 |
How can you be sure, |
| 01:31:30 |
I've had this dream: I was |
| 01:31:34 |
and an eagle swept down |
| 01:31:37 |
It flies towards us, catches |
| 01:31:42 |
But he, poor thing, is heavy, |
| 01:31:47 |
So the eagle lets him fall |
| 01:31:50 |
and he is swallowed up |
| 01:31:55 |
You can always set my mind |
| 01:31:57 |
make me believe every word |
| 01:32:18 |
Bravo! Hasn't she lovely color |
| 01:32:22 |
Who was singing? |
| 01:32:41 |
Like acrobats and monkeys! |
| 01:33:11 |
- Even the old people dance! |
| 01:33:15 |
This is a very ancient dance, |
| 01:33:19 |
They dance it mixed up |
| 01:33:23 |
This is a ritual dance, a rite, |
| 01:33:28 |
Bravo! |
| 01:33:32 |
You're good! |
| 01:33:37 |
Go down, I want to see |
| 01:33:45 |
Attention! I'd like to present |
| 01:33:49 |
They'll show you how you ought |
| 01:33:52 |
This dance is meant to bring |
| 01:34:00 |
The women lift their arms |
| 01:34:06 |
The men beat the soil |
| 01:34:10 |
because the seeds must know |
| 01:34:15 |
and they open their mouths and |
| 01:34:19 |
Like this, like this |
| 01:34:22 |
I don't have anything |
| 01:34:25 |
but I think I can learn |
| 01:34:30 |
Excuse me, excuse me! |
| 01:34:33 |
Music always seems to be about |
| 01:34:40 |
Eugenio, Eugenio, |
| 01:34:45 |
Don't make me afraid! |
| 01:35:03 |
Is it over? |
| 01:35:05 |
The object of this dance |
| 01:35:09 |
who control the growth |
| 01:35:13 |
Please, don't lie to me. |
| 01:35:17 |
- But I didn't sign up, I swear! |
| 01:35:20 |
She's not my protegee. I don't |
| 01:35:23 |
But you do. I don't question |
| 01:35:26 |
how a handsome man like you can |
| 01:36:00 |
- What about us? |
| 01:36:10 |
Mrs. Dongby, may I have |
| 01:36:13 |
Listen, I think I've got the |
| 01:36:17 |
to give all the lighters in |
| 01:36:20 |
That sailor reminds me of |
| 01:36:22 |
Can't I give him a present? I |
| 01:36:25 |
or be controlled day and night |
| 01:36:29 |
I'm forty years old, |
| 01:36:38 |
- Dorotea! |
| 01:36:42 |
Sir, miss |
| 01:36:44 |
- May I have the honor of... |
| 01:36:48 |
Please! Thank you |
| 01:37:06 |
Stop it now, Mother. |
| 01:39:40 |
Piltro, Piltro, a battleship! |
| 01:40:13 |
Open, Open! |
| 01:40:36 |
What are they signaling? |
| 01:40:40 |
It's the flagship of the |
| 01:40:42 |
they want us to surrender the |
| 01:40:46 |
We'll send them |
| 01:41:05 |
The refugees will be taken by |
| 01:41:18 |
Why are you so worried? It's an |
| 01:41:33 |
What does the youngster say? |
| 01:41:35 |
He says we'll all be |
| 01:41:37 |
that you'll have to deliver |
| 01:41:40 |
Excuse me, now let's see |
| 01:41:44 |
Captain |
| 01:42:16 |
There is an exchange with the |
| 01:42:20 |
- What do they say? |
| 01:42:26 |
Why are these people so afraid? |
| 01:42:36 |
They tell me to bide my time. |
| 01:42:39 |
- Yes sir! |
| 01:42:40 |
The situation is as follows: |
| 01:42:44 |
but I don't know the contents |
| 01:42:46 |
We should calm |
| 01:42:48 |
The captain seems calm to me, |
| 01:42:52 |
You, Mr. Orlando, how do you |
| 01:42:57 |
- Are you also being mysterious? |
| 01:43:01 |
On the forecastle |
| 01:43:03 |
You can see the signaler's |
| 01:43:10 |
I cannot accept their demand |
| 01:43:13 |
Transmit that |
| 01:43:52 |
"Hand them over immediately!" |
| 01:44:22 |
- Ah, the Grand Duke. |
| 01:44:26 |
The captain is waiting |
| 01:44:42 |
Y.H., the Austrian ship demands |
| 01:44:46 |
Indicate that I'm on board |
| 01:44:48 |
and the object of this trip |
| 01:44:50 |
His Highness wishes to let them |
| 01:44:53 |
Signal to the battleship that we |
| 01:44:56 |
- Yes, sir! |
| 01:45:15 |
Please, I want to see |
| 01:45:44 |
They allow us to get to the |
| 01:45:47 |
"They allow us to get to the island |
| 01:45:52 |
We go back on the course towards |
| 01:45:57 |
That battleship, too, |
| 01:46:02 |
The Grand Duke obtained from |
| 01:46:06 |
a truce to let us perform |
| 01:46:11 |
In a short time we'll see |
| 01:46:14 |
the island of Erimo |
| 01:46:36 |
- And remove that daisy! |
| 01:47:45 |
One day she told me this: |
| 01:47:48 |
"You always talk of my voice, |
| 01:47:50 |
"but sometimes I'm almost sure |
| 01:47:54 |
"I'm a voice, |
| 01:47:56 |
"a diaphragm, breathing |
| 01:47:59 |
"I don't know where the voice |
| 01:48:04 |
"I'm just an instrument, |
| 01:48:09 |
"who's even been afraid of this |
| 01:48:14 |
"forced me to do what it wanted |
| 01:48:24 |
- Squad, halt! |
| 01:48:28 |
- The ceremony's begun! |
| 01:48:31 |
Mr. Partexano, proceed |
| 01:48:39 |
Attention! |
| 01:48:44 |
Hats off! |
| 01:48:51 |
Psalm of David: |
| 01:48:56 |
"I shall not want |
| 01:48:58 |
"He makes me lie down |
| 01:49:01 |
"He leads me beside quiet water |
| 01:49:04 |
"He restores my soul |
| 01:49:06 |
"He guides me in the paths |
| 01:49:09 |
"for His name's sake. Lord, |
| 01:49:12 |
"listen to my prayer |
| 01:49:13 |
"You know Man is only dust |
| 01:49:16 |
"Dust to dust, ashes to ashes |
| 01:49:21 |
"The Lord will protect my exit |
| 01:49:24 |
"From now on, and for all |
| 01:49:29 |
- Proceed. |
| 01:49:33 |
Sailor! |
| 01:49:43 |
Come, madame |
| 01:49:50 |
Proceed, madame. Spread the |
| 01:52:01 |
Hats on! |
| 01:52:04 |
To your right! |
| 01:52:07 |
On the left row, go on, march! |
| 01:52:22 |
Count von Huppenback |
| 01:52:26 |
please go into your cabin |
| 01:52:28 |
and stay there until |
| 01:52:34 |
- What do you mean, sir? |
| 01:52:39 |
you're under arrest! |
| 01:53:00 |
It would be lovely |
| 01:53:04 |
commotion would've also touched |
| 01:53:17 |
and their battleship |
| 01:53:23 |
sending a touching salute |
| 01:53:28 |
But it didn't happen like that |
| 01:53:31 |
They wanted the Serbs back, |
| 01:53:38 |
And it would have been |
| 01:53:41 |
if we, faced with such arrogance |
| 01:53:45 |
would have said: "No, we won't |
| 01:54:06 |
No, we won't give them up! |
| 01:54:47 |
On the other hand, the battleship |
| 01:54:50 |
It was an order from the |
| 01:54:52 |
and the Grand Duke of Herzog |
| 01:54:55 |
the Austro-Hungarian empire! |
| 01:56:00 |
Mirko! |
| 01:58:07 |
As I was telling you |
| 01:58:17 |
It's almost impossible to recall |
| 01:58:21 |
It seems that everything was |
| 01:58:23 |
of the young Serb terrorist who |
| 01:58:31 |
Can such a primitive and rough |
| 01:58:36 |
hurled by a youngster cause a |
| 01:58:40 |
Are we certain that it was |
| 01:58:45 |
If he was living a love story, |
| 01:58:47 |
why did he run towards |
| 01:58:51 |
Apparently he did. The bomb seems |
| 01:58:58 |
and it exploded under the barrel |
| 01:59:05 |
automatically causing a fire |
| 01:59:09 |
Others say that they're |
| 01:59:14 |
the first gunshot triggered |
| 01:59:17 |
in the whole battery of the |
| 01:59:20 |
Others say that it wasn't the |
| 01:59:25 |
but the battleship did it |
| 01:59:28 |
to bring about |
| 01:59:33 |
There's a fourth version, which |
| 01:59:39 |
Apparently |
| 02:00:43 |
Gentlemen, listen: you can save |
| 02:03:51 |
Just a few remarks |
| 02:03:53 |
I want to tell you that many of |
| 02:03:59 |
A ship rescued the survivors |
| 02:04:03 |
The lifeboat was |
| 02:04:05 |
and appeared miraculously |
| 02:04:08 |
Unfortunately, I've heard |
| 02:04:14 |
As for myself |
| 02:04:16 |
I've got great news |
| 02:04:20 |
Did you know that rhino milk |
